1
JOHN CARPENTER - The End (John Anthony Scratch Mix)
2
JOHN CARPENTER - The End (Remix)
Finally available again as a 12 “maxi single! From the legendary film music of John Carpenter’s box office hit “Assault On Precinct 13” from 1976, including the “John Anthony Scratch Mix” and the “Remix” of The End.
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More records from JOHN CARPENTER
John Carpenter’s soundtracks for the most recent Halloween trilogy, made alongside his frequent collaborators Cody Carpenter and Daniel Davies, marked the legendary director and composer’s return to film scoring after nearly two decades away. 2018’s Halloween, 2021’s Halloween Kills, and 2022’s Halloween Ends were all directed by David Gordon Green, who engaged Carpenter early in the pre-production process, ultimately enlisting him as both an executive producer and soundtrack composer for the trilogy.
In listening to the recent Halloween scores, the collaborative spirit among the composing trio is one of the first things that jumps out. The now-famous bowed guitar part on Halloween’s “The Shape Hunts Allyson,” like all the guitar parts strewn across the trilogy, is played by Daniel Davies. John calls Daniel “the adventurer” of the group, and credits him with introducing sounds he’d never have considered. Cody, who his father refers to as a “musical savant,” is an equally essential presence. It’s his steady, methodical hand that helps give shape to the ideas that fly around when these three get in a room together. The scores for the new films may be centered on familiar themes, but they’re also a lot more sonically diverse and musically audacious than anything John could have pulled off in 1978, when he made the original Halloween.
In addition to the individual expanded releases, the Halloween Expanded Trilogy will be available as part of a deluxe limited box set, offered in 6xLP and 3xCD formats. These editions feature exclusive new packaging and artwork by Chris Bilheimer, along with expansive liner notes by music critic Brad Sanders, which include exclusive interviews with John Carpenter and director David Gordon Green. Also included on both box sets are three collectible posters designed by Creepy Duck, a box set-exclusive poster design by Chris Bilheimer, and a deluxe lenticular cover that brings the artwork to life.
An essential release for Carpenter collectors & film score fans.
- Includes all 3 Expanded Editions of the Halloween Trilogy
- All with new artwork & packaging by Chris Bilheimer
- 121 tracks out of which 35 unreleased tracks across 6xLPs
- Exclusive liner notes & interviews with John Carpenter & David Gordon Green
- Each expanded edition comes with a poster designed by Creepy Duck
- Plus a boxset-exclusive poster design by Chris Bilheimer
- Features deluxe lenticular cover art
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In listening to the recent Halloween scores, the collaborative spirit among the composing trio is one of the first things that jumps out. The now-famous bowed guitar part on Halloween’s “The Shape Hunts Allyson,” like all the guitar parts strewn across the trilogy, is played by Daniel Davies. John calls Daniel “the adventurer” of the group, and credits him with introducing sounds he’d never have considered. Cody, who his father refers to as a “musical savant,” is an equally essential presence. It’s his steady, methodical hand that helps give shape to the ideas that fly around when these three get in a room together. The scores for the new films may be centered on familiar themes, but they’re also a lot more sonically diverse and musically audacious than anything John could have pulled off in 1978, when he made the original Halloween.
In addition to the individual expanded releases, the Halloween Expanded Trilogy will be available as part of a deluxe limited box set, offered in 6xLP and 3xCD formats. These editions feature exclusive new packaging and artwork by Chris Bilheimer, along with expansive liner notes by music critic Brad Sanders, which include exclusive interviews with John Carpenter and director David Gordon Green. Also included on both box sets are three collectible posters designed by Creepy Duck, a box set-exclusive poster design by Chris Bilheimer, and a deluxe lenticular cover that brings the artwork to life.
An essential release for Carpenter collectors & film score fans.
- Includes all 3 Expanded Editions of the Halloween Trilogy
- All with new artwork & packaging by Chris Bilheimer
- 121 tracks out of which 35 unreleased tracks across 6xLPs
- Exclusive liner notes & interviews with John Carpenter & David Gordon Green
- Each expanded edition comes with a poster designed by Creepy Duck
- Plus a boxset-exclusive poster design by Chris Bilheimer
- Features deluxe lenticular cover art
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DE - 22113 Hamburg
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Label:Sacred Bones
Cat-No:SBRLPC2369
Release-Date:09.05.2025
Genre:Alternative/Electronic
Configuration:LP
Label:Sacred Bones
Cat-No:SBRLPC2369
Release-Date:09.05.2025
Genre:Alternative/Electronic
Configuration:LP
To celebrate the 10th anniversary of Lost Themes, Sacred Bones are thrilled to present an expanded art edition of the album with art by Greg Ruth. This special release includes an additional 7-inch featuring two previously unreleased tracks from the original recording session _ "Cruisin' With Mr. Scratch" and "Dominator." Upon its initial release, Lost Themes was praised for its evocative soundscapes ranging from horror to science fiction, each track conjuring a distinct atmosphere without the need for accompanying visuals. The expanded edition of Lost Themes not only celebrates a decade of John Carpenter's standalone musical journey but also enriches the album's legacy with new material that captures the spirit of its original sessions. Whether revisiting this masterpiece or experiencing it for the first time, listeners will find themselves immersed in Carpenter's hauntingly beautiful worlds once again.
Tracklist:
1.1VORTEX
1.2OBSIDIAN
1.3FALLEN
1.4DOMAIN
1.5MYSTERY
1.6ABYSS
1.7WRAITH
1.8PURGATORY
1.9NIGHT
1.10VORTEX
1.11OBSIDIAN
1.12FALLEN
1.13DOMAIN
1.14MYSTERY
1.15ABYSS
1.16WRAITH
1.17PURGATORY
1.18NIGHT
1.19CRUISIN' WITH MR. SCRATCH
1.20DOMINATOR
2.1CRUISIN' WITH MR. SCRATCH
2.2DOMINATOR
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Tracklist:
1.1VORTEX
1.2OBSIDIAN
1.3FALLEN
1.4DOMAIN
1.5MYSTERY
1.6ABYSS
1.7WRAITH
1.8PURGATORY
1.9NIGHT
1.10VORTEX
1.11OBSIDIAN
1.12FALLEN
1.13DOMAIN
1.14MYSTERY
1.15ABYSS
1.16WRAITH
1.17PURGATORY
1.18NIGHT
1.19CRUISIN' WITH MR. SCRATCH
1.20DOMINATOR
2.1CRUISIN' WITH MR. SCRATCH
2.2DOMINATOR
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1
John Carpenter - Die Klapperschlange (Vocal)
2
John Carpenter - Die Klapperschlange (Instrumental)
3
John Carpenter - Die Klapperschlange (Edit)
4
John Carpenter - Die Klapperschlange (Nomoo Remix)
Reissue of this classic from 1983.
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Label:Sacred Bones
Cat-No:SBRLP336
Release-Date:03.05.2024
Genre:Alternative/Electronic
Configuration:LP
Label:Sacred Bones
Cat-No:SBRLP336
Release-Date:03.05.2024
Genre:Alternative/Electronic
Configuration:LP
1
John Carpenter - My Name Is Death
2
John Carpenter - Machine Fear
3
John Carpenter - Last Rites
4
John Carpenter - The Burning Door
5
John Carpenter - He Walks By Night
6
John Carpenter - Beyond The Gallows
7
John Carpenter - Kiss The Blood Off My Fingers
8
John Carpenter - Guillotine
9
John Carpenter - The Domn's Shadow
10
John Carpenter - Shadows Have A Thousand Eyes
Preview: https://www.youtube.com/watch?v=TDBnBdNyYiM
It’s been a decade since John Carpenter recorded the material that would become Lost Themes, his debut album of non-film music and the opening salvo in one of Hollywood’s great second acts. Those vibrant, synth-driven songs, made in collaboration with his son Cody Carpenter and godson Daniel Davies, kickstarted a musical renaissance for the pioneering composer and director. In the years since, Carpenter, Carpenter, and Davies have released close to a dozen musical projects, including a growing library of studio albums and the scores for David Gordon Green’s trilogy of Halloween reboots. With Lost Themes IV: Noir, they’ve struck gold again, this time mining the rich history of the film noir genre for inspiration.
Since the first Lost Themes, John has referred to these compositions as “soundtracks for the movies in your mind.” On the fourth installment in the series, those movies are noirs. Like the film genre they were influenced by, what makes these songs “noirish” is sometimes slippery and hard to define, and not merely reducible to a collection of tropes. The scores for the great American noir pictures were largely orchestral, while the Carpenters and Davies work off a sturdy synth-and-guitar backbone. The noir quality, then, is something you understand instinctively when you hear it. “Some of the music is heavy guitar riffs, which is not in old noir films,” Davies notes. “But somehow, it’s connected in an emotional way.”
The trio’s free-flowing chemistry means Lost Themes IV: Noir runs like a well-oiled machine—the 1951 Jaguar XK120 Roadster from Kiss Me Deadly, perhaps, or the 1958 Plymouth Fury from John’s own Christine. It’s a chemistry that’s helped power one of the most productive stretches of John’s creative life, and Noir proves that it’s nowhere near done yielding brilliant results.
“This is who we are, I think,” John summarizes. “Daniel’s the adventurer. He pushes for new sounds, new directions. He tries things that I haven’t thought of. He’s a lot more daring than I am, and he enriches the whole thing. Cody’s the musician. He’s a savant at music. He understands music. We depend on him to rescue us.”
And what about John’s contribution? With characteristic understatement, he concludes: “I’m the experience. I’ve done music for movies before.”
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WAS - Word and Sound Medien GmbH
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It’s been a decade since John Carpenter recorded the material that would become Lost Themes, his debut album of non-film music and the opening salvo in one of Hollywood’s great second acts. Those vibrant, synth-driven songs, made in collaboration with his son Cody Carpenter and godson Daniel Davies, kickstarted a musical renaissance for the pioneering composer and director. In the years since, Carpenter, Carpenter, and Davies have released close to a dozen musical projects, including a growing library of studio albums and the scores for David Gordon Green’s trilogy of Halloween reboots. With Lost Themes IV: Noir, they’ve struck gold again, this time mining the rich history of the film noir genre for inspiration.
Since the first Lost Themes, John has referred to these compositions as “soundtracks for the movies in your mind.” On the fourth installment in the series, those movies are noirs. Like the film genre they were influenced by, what makes these songs “noirish” is sometimes slippery and hard to define, and not merely reducible to a collection of tropes. The scores for the great American noir pictures were largely orchestral, while the Carpenters and Davies work off a sturdy synth-and-guitar backbone. The noir quality, then, is something you understand instinctively when you hear it. “Some of the music is heavy guitar riffs, which is not in old noir films,” Davies notes. “But somehow, it’s connected in an emotional way.”
The trio’s free-flowing chemistry means Lost Themes IV: Noir runs like a well-oiled machine—the 1951 Jaguar XK120 Roadster from Kiss Me Deadly, perhaps, or the 1958 Plymouth Fury from John’s own Christine. It’s a chemistry that’s helped power one of the most productive stretches of John’s creative life, and Noir proves that it’s nowhere near done yielding brilliant results.
“This is who we are, I think,” John summarizes. “Daniel’s the adventurer. He pushes for new sounds, new directions. He tries things that I haven’t thought of. He’s a lot more daring than I am, and he enriches the whole thing. Cody’s the musician. He’s a savant at music. He understands music. We depend on him to rescue us.”
And what about John’s contribution? With characteristic understatement, he concludes: “I’m the experience. I’ve done music for movies before.”
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Tracklist:
1.Chariots of Pumpkins (Halloween III)
2.69th St. Bridge (Escape from New York)
3.The Alley (War) (Big Trouble in Little China)
4.Wake Up (They Live)
5.Julie’s Dead (Assault on Precinct 13)
6.The Shape Enters Laurie’s Room (Halloween II)
7.Season of the Witch (Halloween III)
8.Love at a Distance (Prince of Darkness)
9.The Shape Stalks Again (Halloween II)
10.Burn it (The Thing)
11.Fuchs (The Thing)
12.To Mac’s Shack (The Thing)
13.Walk to the Lighthouse (The Fog)
14.Laurie’s Theme (Halloween)
By now everyone should know, John Carpenter is not only a celebrated filmmaker but also a musical maestro whose soundtracks have become synonymous with the genres of horror, suspense, and science fiction.
Anthology II (Movie Themes 1976-1988) continues the celebration of his compositional genius via an excellently sequenced collection of some of his most iconic pieces of music from his extensive filmography, all newly recorded with his musical collaborators Daniel Davies and Cody Carpenter.
The compilation includes selections from Escape From New York, Big Trouble in Little China, The Thing, They Live, Assault on Precinct 13, Prince of Darkness, The Fog, Halloween (and its sequels), and beyond. Among its highlights are the three lost cues from The Thing, previously unreleased and now re-recorded. The Thing marks one of the rare occasions that John Carpenter stepped away from scoring duties and entrusted the task to another composer, the legendary Ennio Morricone. Upon receiving Morricone’s score Carpenter felt that the film would benefit from the inclusion of additional music and took the initiative to record and insert multiple synth driven cues.
Anthology II (Movie Themes 1976-1988) represents just a fraction of John Carpenter's impressive musical repertoire. His ability to capture the essence of his films through evocative melodies, atmospheric soundscapes, and innovative use of synths has solidified his status as one of the most influential composers in the history of cinema. With each haunting note and pulsating beat, his soundtracks continue to resonate with audiences, forever etching his name in the annals of film music history.
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1.Chariots of Pumpkins (Halloween III)
2.69th St. Bridge (Escape from New York)
3.The Alley (War) (Big Trouble in Little China)
4.Wake Up (They Live)
5.Julie’s Dead (Assault on Precinct 13)
6.The Shape Enters Laurie’s Room (Halloween II)
7.Season of the Witch (Halloween III)
8.Love at a Distance (Prince of Darkness)
9.The Shape Stalks Again (Halloween II)
10.Burn it (The Thing)
11.Fuchs (The Thing)
12.To Mac’s Shack (The Thing)
13.Walk to the Lighthouse (The Fog)
14.Laurie’s Theme (Halloween)
By now everyone should know, John Carpenter is not only a celebrated filmmaker but also a musical maestro whose soundtracks have become synonymous with the genres of horror, suspense, and science fiction.
Anthology II (Movie Themes 1976-1988) continues the celebration of his compositional genius via an excellently sequenced collection of some of his most iconic pieces of music from his extensive filmography, all newly recorded with his musical collaborators Daniel Davies and Cody Carpenter.
The compilation includes selections from Escape From New York, Big Trouble in Little China, The Thing, They Live, Assault on Precinct 13, Prince of Darkness, The Fog, Halloween (and its sequels), and beyond. Among its highlights are the three lost cues from The Thing, previously unreleased and now re-recorded. The Thing marks one of the rare occasions that John Carpenter stepped away from scoring duties and entrusted the task to another composer, the legendary Ennio Morricone. Upon receiving Morricone’s score Carpenter felt that the film would benefit from the inclusion of additional music and took the initiative to record and insert multiple synth driven cues.
Anthology II (Movie Themes 1976-1988) represents just a fraction of John Carpenter's impressive musical repertoire. His ability to capture the essence of his films through evocative melodies, atmospheric soundscapes, and innovative use of synths has solidified his status as one of the most influential composers in the history of cinema. With each haunting note and pulsating beat, his soundtracks continue to resonate with audiences, forever etching his name in the annals of film music history.
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WAS - Word and Sound Medien GmbH
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More records from ZYX Records
1
Grant Miller - Colder Than Ice
2
Grant Miller - Red For Love
3
Grant Miller - Colder Than Ice (Flemming Dalum Remix)
4
Grant Miller - Colder Than Ice (Hysteric Edit)
Reissue of this euro disco classic from 1985. Comes with Flemming Dalum and Hysteric remixes.
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1
Ken Laszlo - Glasses Man (Vocal)
2
Ken Laszlo - Glasses Man (Instrumental Version)
3
Ken Laszlo - Glasses Man (Flemming Dalum Remix)
4
Ken Laszlo - Glasses Man (Flemming Dalum Remix Edit)
Reissue of this italo disco classic from 1987. Comes with Flemming Dalum remixes.
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1
Faber DJ - For Your Love
2
Faber DJ - For Your Love (Instrumental)
3
Faber DJ - For Your Love (Flemming Dalum Remix)
4
Faber DJ - For Your Love (The Ri-Mix)
Reissue of this italo disco rarity from 1985 with Flemming Dalum and F. Ricci remixes.
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1
Ken Laszlo - Tonight
2
Ken Laszlo - Tonight (Instrumental)
3
Ken Laszlo - Tonight (Flemming Dalum Remix)
4
Ken Laszlo - Tonight (Flemming Dalum Remix Edit)
Reissue of this italo disco classic from 1985 on colored vinyl. Comes with Flemming Dalum remixes!
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1
Linda Jo Rizzo - Heartflash (Tonight)
2
Linda Jo Rizzo - Just One Word
3
Linda Jo Rizzo - Heartflash (Tonight) (7 Inch Version)
4
Linda Jo Rizzo - Just One Word (7 Inch Version)
Reissue of this italo disco classic from 1985 on colored vinyl.
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1
Alba - Only Music Survives (Vocal)
2
Alba - Only Music Survives (Instrumental)
3
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4
Alba - Only Music Survives (Flemming Dalum Remix Edit)
Reissue of this italo disco classic from 1985. Comes with Flemming Dalum remixes.
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1
Garland - Heartbeat (Song Version)
2
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3
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Reissue of this italo disco rarity from 1986 coming with remixes by the one and only Flemming Dalum and Brutus Novelli!
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Max Coveri - Bye Bye Baby (Extended Version)
2
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Moskwa TV - Generator 7/8
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J.D. Jaber - Don't Wake Me Up (Another Mix)
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1
Joe Yellow - Love At First (Extended Version)
2
Joe Yellow - Love At First (Instrumental)
3
Joe Yellow - Love At First (Flemming Dalum Remix)
4
Joe Yellow - Love At First (DSTRTD SGNL Remix)
Reissue of this italo classic from 1986. Comes with Flemming Dalum and DSTRTD SGNL remix.
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Germany
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Germany
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1
Linda Jo Rizzo - You're My First, You're My Last (12" Version)
2
Linda Jo Rizzo - I've Got The Night
3
Linda Jo Rizzo - You're My First, You're My Last (7" Version)
4
Linda Jo Rizzo - You're My First, You're My Last (Flemming Dalum Remix)
Reissue of this italo classic from 1986. Comes with Flemming Dalum remix.
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Germany
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Germany
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1
Koto - Acknowledge
2
Koto - Acknowledge (Knowledge Mix)
3
Koto - Acknowledge (Flemming Dalum Remix)
4
Koto - Acknowledge (DJ CON-T & Opposite Direction Remix)
Italo space disco classic from 1990. Comes with Flemming Dalum and DJ CON-T & Opposite Direction Remix.
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Germany
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Germany
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1
Swan - Don't Talk About It
2
Swan - Don't Talk About It (Instrumental)
3
Swan - Don't Talk About It (Flemming Dalum Remix)
4
Swan - Don't Talk About It (DJ TinTin Remix)
Reissue of this italo disco classic from 1986 with Flemming Dalum and DJ TinTin remixes!
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Germany
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Germany
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1
Mr. G - Pan Pacific
2
Mr. G - 28 (Zombie Version)
3
Mr. G - Black Pepper Crab
A personal release for both Mr. G and the label, where a friendship was born in Temasek, the earliest recorded name of a settlement in Singapore. From the stay at the Pan Pacific hotel with great views of the city centre, to a bespoke cocktail bar and tucking into black pepper crab, the memorable excursion is now forever captured in this EP. Liner notes: Thought out by Mr G after been shown the time of our life's.....@ 23 The Heights Thanx to Phoenix G 2015
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Label:Because Music
Cat-No:BEC5543441
Release-Date:02.11.2018
Genre:Techno
Configuration:Vinyl Album Excl
Label:Because Music
Cat-No:BEC5543441
Release-Date:02.11.2018
Genre:Techno
Configuration:Vinyl Album Excl
Rights: World excl. FR, CAT: BEC5543441, EAN: 5060525434419
Special Remarks: Double black vinyl with printed inner-sleeves in vinyl sleeve with 5mm spine. CD included.
Tracklist:
A1. Face A La mer (Massive Attack Remix) / A2. Hou! Mamma Mia (Ethnik Extended)
A3. Sous le soleil de Bodega (Extended) (Kwanzaa Posse remix)
B1. 200 ans d'hypocrisie (Clive Martin remix) / B2. Orane (Hypnotic) (Inedit) (Sodi & LNV remix)
B3. Voila l'e´te´ (Inedit) (Gangstarr & LNV remix)
C1. Dub de nuit (Sodi & LNV remix) / C2. Famille heureuse (Norman Cook & LNV remix)
C3. Les yeux de ton pere (I'll Kill You) (Inedit) (Clive Martin & Andy Wright remix)
D1. Zobi la mouche (William Orbit remix) / D2. Sous le soleil de Bodega (Di Moko) (Kwanzaa Posse remix) / D3. Hou! Mamma Mia (House Mix) (Kwanzaa Posse remix)
CD features the same tracks in the same order.
Short info:
ENG version:
Following the reissues of their 4 albums on vinyl earlier this year, French band and pioneers of the fusion of World and Alternative music Les Négresses Vertes continues to celebrate the 30th anniversary of their first album “Mlah” with a new re-issue of their album “10 Remixes”. Repressed by Because Music, “10 Remixes” features remixes of their classics (‘Sous Le Soleil De Bodega’, ‘Voilà L’Eté’, ‘Zobi La Mouche’, etc.) by Massive Attack, Gangstarr, Clive Martin, Kwanzaa Posse, etc.
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Germany
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Special Remarks: Double black vinyl with printed inner-sleeves in vinyl sleeve with 5mm spine. CD included.
Tracklist:
A1. Face A La mer (Massive Attack Remix) / A2. Hou! Mamma Mia (Ethnik Extended)
A3. Sous le soleil de Bodega (Extended) (Kwanzaa Posse remix)
B1. 200 ans d'hypocrisie (Clive Martin remix) / B2. Orane (Hypnotic) (Inedit) (Sodi & LNV remix)
B3. Voila l'e´te´ (Inedit) (Gangstarr & LNV remix)
C1. Dub de nuit (Sodi & LNV remix) / C2. Famille heureuse (Norman Cook & LNV remix)
C3. Les yeux de ton pere (I'll Kill You) (Inedit) (Clive Martin & Andy Wright remix)
D1. Zobi la mouche (William Orbit remix) / D2. Sous le soleil de Bodega (Di Moko) (Kwanzaa Posse remix) / D3. Hou! Mamma Mia (House Mix) (Kwanzaa Posse remix)
CD features the same tracks in the same order.
Short info:
ENG version:
Following the reissues of their 4 albums on vinyl earlier this year, French band and pioneers of the fusion of World and Alternative music Les Négresses Vertes continues to celebrate the 30th anniversary of their first album “Mlah” with a new re-issue of their album “10 Remixes”. Repressed by Because Music, “10 Remixes” features remixes of their classics (‘Sous Le Soleil De Bodega’, ‘Voilà L’Eté’, ‘Zobi La Mouche’, etc.) by Massive Attack, Gangstarr, Clive Martin, Kwanzaa Posse, etc.
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DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Sascha Cawa & Britta Arnold - A1. Sascha Cawa & Britta Arnold - Good Life 25 Mix 26:36
2
Sascha Cawa & Britta Arnold - B1. Sascha Cawa & Britta Arnold - Counting 04:17
3
Sascha Cawa & Britta Arnold - C1. Sascha Cawa & Britta Arnold - Reformer 04:40
4
Sascha Cawa & Britta Arnold - C2. Sascha Cawa & Britta Arnold - Good Life 05:07
5
Sascha Cawa & Britta Arnold - D1. The Nes - NGVMNT (Sascha Cawa & Britta Arnold Remix) 04:48
6
Sascha Cawa & Britta Arnold - D2. Sascha Cawa & Britta Arnold -Beam 04:58
Format: 2x12“ Klappcover (Gatefold)
Genre : melodic house & techno / indie dance
• limited edition of 250
• contains a 26min recording of their live performance at Holzmarkt 25 Home of Kater
Club for NYE 2025
• 2 extraordinary artists
• contains all 5 single tracks of this live performance
• 25 has always been a mystical number in the world of Kiosk ID, Kater Club, Kater
Holzig, Holzmarkt 25 & Bar 25…
Tracklist:
A1. Sascha Cawa & Britta Arnold - Good Life 25 Mix 26:36
B1. Sascha Cawa & Britta Arnold - Counting 04:17
C1. Sascha Cawa & Britta Arnold - Reformer 04:40
C2. Sascha Cawa & Britta Arnold - Good Life 05:07
D1. The Nes - NGVMNT (Sascha Cawa & Britta Arnold Remix) 04:48
D2. Sascha Cawa & Britta Arnold -Beam 04:58
About:
_____
25 has always been a mystical number in the world of Kiosk ID, woven into our story since the
earliest days of Bar 25, Holzmarkt 25, and every chapter since. When midnight struck on
December 31st of last year and 2025 arrived, the magic of the number was undeniable,echoing
through Kater Blau, Holzmarkt, and Kiosk ID—and calling for a celebration like no
other.
As our lasers lit the night, two core Kiosk ID artists—Britta Arnold and Sascha Cawa—took to the
decks, weaving a spellbinding journey crafted specifically for this moment. Months in
the making, they unfolded a beautifully hypnotic tribute to the magic of 25, premiering five tailormade tracks in the process.
That moment lives on as Kiosk ID no. 40—a special double LP capturing the magic of that night.
Side A features the live New Year’s recording: an unfiltered document of Britta and Sascha’s
hypnotic, otherworldly, and deeply danceable set, as it unfolded in real time—strobing into the first
moments of the new year.
Sides B, C, and D feature five exclusive studio originals, written and produced specifically for this
night. On ‘Counting’, Britta and Sasha unfold their brand of stripped darkness and rolling groove
work, while ‘Reformer’ teeters on taut coils of suspended synths. With
‘NGVMT’, the energy bursts open—a radiant block-party roller with throbbing staccato swagger
and clanking metallic arpeggios. ‘Beam’ lifts off into pure cosmic wonder, its fluttering, airy themes
spiralling skyward. ‘Good Life’ rolls the credits with a beautifully introspective soliloquy, tender and
reflective beneath gentle waves of aspirating piano chords.
Together, these recordings offer both an auditory keepsake and an invitation to relive that
unforgettable night or discover it anew. Across five hypnotic compositions and a half hour of dance
floor bliss, ‘Good Life 25’ encapsulates the ever-evolving sound
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Genre : melodic house & techno / indie dance
• limited edition of 250
• contains a 26min recording of their live performance at Holzmarkt 25 Home of Kater
Club for NYE 2025
• 2 extraordinary artists
• contains all 5 single tracks of this live performance
• 25 has always been a mystical number in the world of Kiosk ID, Kater Club, Kater
Holzig, Holzmarkt 25 & Bar 25…
Tracklist:
A1. Sascha Cawa & Britta Arnold - Good Life 25 Mix 26:36
B1. Sascha Cawa & Britta Arnold - Counting 04:17
C1. Sascha Cawa & Britta Arnold - Reformer 04:40
C2. Sascha Cawa & Britta Arnold - Good Life 05:07
D1. The Nes - NGVMNT (Sascha Cawa & Britta Arnold Remix) 04:48
D2. Sascha Cawa & Britta Arnold -Beam 04:58
About:
_____
25 has always been a mystical number in the world of Kiosk ID, woven into our story since the
earliest days of Bar 25, Holzmarkt 25, and every chapter since. When midnight struck on
December 31st of last year and 2025 arrived, the magic of the number was undeniable,echoing
through Kater Blau, Holzmarkt, and Kiosk ID—and calling for a celebration like no
other.
As our lasers lit the night, two core Kiosk ID artists—Britta Arnold and Sascha Cawa—took to the
decks, weaving a spellbinding journey crafted specifically for this moment. Months in
the making, they unfolded a beautifully hypnotic tribute to the magic of 25, premiering five tailormade tracks in the process.
That moment lives on as Kiosk ID no. 40—a special double LP capturing the magic of that night.
Side A features the live New Year’s recording: an unfiltered document of Britta and Sascha’s
hypnotic, otherworldly, and deeply danceable set, as it unfolded in real time—strobing into the first
moments of the new year.
Sides B, C, and D feature five exclusive studio originals, written and produced specifically for this
night. On ‘Counting’, Britta and Sasha unfold their brand of stripped darkness and rolling groove
work, while ‘Reformer’ teeters on taut coils of suspended synths. With
‘NGVMT’, the energy bursts open—a radiant block-party roller with throbbing staccato swagger
and clanking metallic arpeggios. ‘Beam’ lifts off into pure cosmic wonder, its fluttering, airy themes
spiralling skyward. ‘Good Life’ rolls the credits with a beautifully introspective soliloquy, tender and
reflective beneath gentle waves of aspirating piano chords.
Together, these recordings offer both an auditory keepsake and an invitation to relive that
unforgettable night or discover it anew. Across five hypnotic compositions and a half hour of dance
floor bliss, ‘Good Life 25’ encapsulates the ever-evolving sound
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Andrew Macari Feat. Paka Project - On My Mind
2
Andrew Macari Feat. Paka Project - On My Mind (Jason Merle Remix)
ROOTS RECORDINGS' debut vinyl release is from English DJ/producer ANDREW MACARI (GREENHOUSE RECORDINGS) and features PAKA PROJECT. Classic house beats mixed with 1920s speakeasy vibes for a juke joint house banger. JASON MERLE's remix unleashes a solid kickdrum and melodies that just grab you and bring you in. The groove is just pure shuffle and style.
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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
Contact: [email protected]More
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Daniele Baldelli - Not Expected
2
Daniele Baldelli - Quelli Sani
3
Daniele Baldelli - Cosmic Source
4
Daniele Baldelli - Funk Me Again
5
Daniele Baldelli - Unky
6
Daniele Baldelli - Diffrazione
7
Marco Dionigi - Incanto
8
Daniele Baldelli - Isotropo Funk
“Daniele Baldelli: A Cosmic Life” is a documentary that tells the life and career of Daniele Baldelli, a pioneer of Italian and international dance music. The film pays homage to the creator of “cosmic sound,” a musical genre that revolutionized club culture in Italy and worldwide. It traces his career through archival footage and testimonies from artists and producers, showcasing how his vision influenced entire musical scenes.
The film, along with its soundtrack, highlights Baldelli’s ability to blend electronic, funk, Afro, rock, ethnic, and experimental music, creating a unique sound that has made four generations of young people dance in iconic venues around the world.
The record primarily includes new tracks specifically created for the film and the dancefloor, alongside his classics such as “Isotropo Funk,” “Funk Me Again,” and “Diffrazione” which are now difficult to find on vinyl. It also features an unreleased track produced for the film by his trusted collaborator Marco Dionigi.
– Lose yourself in the Cosmic Sound –
LP with insert.
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
The film, along with its soundtrack, highlights Baldelli’s ability to blend electronic, funk, Afro, rock, ethnic, and experimental music, creating a unique sound that has made four generations of young people dance in iconic venues around the world.
The record primarily includes new tracks specifically created for the film and the dancefloor, alongside his classics such as “Isotropo Funk,” “Funk Me Again,” and “Diffrazione” which are now difficult to find on vinyl. It also features an unreleased track produced for the film by his trusted collaborator Marco Dionigi.
– Lose yourself in the Cosmic Sound –
LP with insert.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Amedeo Tommasi - Brasilia (The Sound)
2
Max Rocci & His Friends - Colorombo (Il Mondo Dei Giovani, Vol. 4)
3
Max Rocci & His Friends - Niagara Falls (Il Mondo Dei Giovani, Vol. 4)
4
Alessandroni E Il Suo Complesso - Via Mare (L'Ora Del Cocktail)
5
Joël Vandroogenbroeck - Electronic Jungle (Images Of Flute In Nature)
6
Kema - Pescatori (Canto Femminile) (La Natura E L'Uomo)
7
Desert - Leaving (Desert)
8
Latrudi - Feeling (Teleobiettivo)
9
Latrudi - feeling teleobiettivo
10
Narassa, Amedeo Tommasi Trio - Lalo (Made In The USA)
11
The Swingers feat. Marco Di Marco - Meditazione (Il Mondo Dei Giovani, Vol. 1)
12
The Swingers - Nostalgia (Il Mondo Dei Giovani, Vol. 3)
Blue note / Schema / Far Out recordings artist shares a new compilation of golden age italian library music.
Following his acclaimed five-part Viagem compilation series celebrating Brazil's forgotten bossa nova and samba jazz, Far Out, Blue Note and Schema recording artist and international DJ Nicola Conte turns his curatorial attention homeward with Viaggio, an extraordinary exploration of Italy's library music renaissance 1970-79.
The 12-track compilation spotlights the remarkable creative explosion that occurred during the seventies: when some of the greatest yet most historically overlooked composers, including Amedeo Tommasi, Alessandro Alessandroni and Max Rocci, were composing and recording huge amounts of original music for film and television libraries.
Unlike commercial releases designed for mass consumption, library music was created specifically to accompany images on screen. This meant creative freedom for composers who imagined scenarios, feelings and worlds to soundtrack. Pressed in limited quantities, these recordings were distributed only to internal circles of music supervisors, journalists, and television professionals – making them virtually invisible to the general public for decades.
"This is a journey through a largely forgotten world," explains Conte. "While major jazz recording opportunities were scarce, an incredible network of small labels owned by publishing companies – often created by the composers themselves – began to flourish. This created an open space where musicians could express more experimental and free thinking sounds."
At the heart of Viaggio stands Amedeo Tommasi, the sophisticated jazz pianist who emerged in 1960 backing international stars like Chet Baker, Bobby Jaspar, and Jacques Pelzer. Tommasi was among Italy's earliest artists to introduce Black US modal jazz influences, and when traditional recording opportunities dwindled, he pivoted to soundtrack and library music, helping define a distinctly Italian sound that bridged experimental jazz with the emerging possibilities afforded by developments in synthesizer and recording technologies.
The compilation features rare gems from small label outputs, namely the Cenacolo and Rotary label catalogs. Tommasi's contemporaries include the great Alessandro Alessandroni and his vocalist wife Giulia De Mutiis (Kema), Stefano Torrosi (under the alias Farlocco - meaning fake/phony), and Belgian composer Joël Vandroogenbroeck. The recordings capture the technological evolution of the era as beguiling synthesis often combines with global influences spanning Brazilian rhythms, jazz-funk explorations, and Middle Eastern scales.
"You can hear both the haunting melodies and sun-kissed atmospheres so typical of Italian culture from that era," Conte observes. "Some of these albums could have been proper artist releases, while others were specifically designed for accompanying images on screen, yet all were crafted with exploratory creativity that still resonates powerfully today."
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Following his acclaimed five-part Viagem compilation series celebrating Brazil's forgotten bossa nova and samba jazz, Far Out, Blue Note and Schema recording artist and international DJ Nicola Conte turns his curatorial attention homeward with Viaggio, an extraordinary exploration of Italy's library music renaissance 1970-79.
The 12-track compilation spotlights the remarkable creative explosion that occurred during the seventies: when some of the greatest yet most historically overlooked composers, including Amedeo Tommasi, Alessandro Alessandroni and Max Rocci, were composing and recording huge amounts of original music for film and television libraries.
Unlike commercial releases designed for mass consumption, library music was created specifically to accompany images on screen. This meant creative freedom for composers who imagined scenarios, feelings and worlds to soundtrack. Pressed in limited quantities, these recordings were distributed only to internal circles of music supervisors, journalists, and television professionals – making them virtually invisible to the general public for decades.
"This is a journey through a largely forgotten world," explains Conte. "While major jazz recording opportunities were scarce, an incredible network of small labels owned by publishing companies – often created by the composers themselves – began to flourish. This created an open space where musicians could express more experimental and free thinking sounds."
At the heart of Viaggio stands Amedeo Tommasi, the sophisticated jazz pianist who emerged in 1960 backing international stars like Chet Baker, Bobby Jaspar, and Jacques Pelzer. Tommasi was among Italy's earliest artists to introduce Black US modal jazz influences, and when traditional recording opportunities dwindled, he pivoted to soundtrack and library music, helping define a distinctly Italian sound that bridged experimental jazz with the emerging possibilities afforded by developments in synthesizer and recording technologies.
The compilation features rare gems from small label outputs, namely the Cenacolo and Rotary label catalogs. Tommasi's contemporaries include the great Alessandro Alessandroni and his vocalist wife Giulia De Mutiis (Kema), Stefano Torrosi (under the alias Farlocco - meaning fake/phony), and Belgian composer Joël Vandroogenbroeck. The recordings capture the technological evolution of the era as beguiling synthesis often combines with global influences spanning Brazilian rhythms, jazz-funk explorations, and Middle Eastern scales.
"You can hear both the haunting melodies and sun-kissed atmospheres so typical of Italian culture from that era," Conte observes. "Some of these albums could have been proper artist releases, while others were specifically designed for accompanying images on screen, yet all were crafted with exploratory creativity that still resonates powerfully today."
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DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Tiga - Blondes have more fun, Jonas Rathsman Remix
2
Tiga - Blondes have more fun, Gerd Janson Go Acid Dub
3
Tiga - Blondes have more fun, Gerd Janson Funhouse Dub
12", full cover sleeved!
Tracklist
A1 Jonas Rathsman Remix
B1 Gerd Janson Go Acid Dub
B2 Gerd Janson Funhouse Dub
The latest single taken from No Fantasy Required, "Blondes Have More Fun" exemplifies Tiga's knack for deceptively deep songwriting and lush production. It is accompanied by a trio of remixers from contemporary electronica royalty: prolific Swedish producer on-the-rise Jonas Rathsman, Running Back boss Gerd Janson
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Tracklist
A1 Jonas Rathsman Remix
B1 Gerd Janson Go Acid Dub
B2 Gerd Janson Funhouse Dub
The latest single taken from No Fantasy Required, "Blondes Have More Fun" exemplifies Tiga's knack for deceptively deep songwriting and lush production. It is accompanied by a trio of remixers from contemporary electronica royalty: prolific Swedish producer on-the-rise Jonas Rathsman, Running Back boss Gerd Janson
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1
Concret & Kate Stein - Pull Up (Original Mix)
2
Concret & Kate Stein - Pull Up (Lauer Remix)
3
Concret & Kate Stein - Pull Up (Blu:sh Remix)
4
Concret & Kate Stein - Pull Up (Mike Simonetti Remix)
Pull Up is the debut collaboration between Concret (Italo-Mexican producer shaping Latin America’s underground) and Australian late-night chill-rave artist Kate Stein. Based in NYC, the duo blend post-punk attitude, minimal wave textures and house rhythm into a bold club track. With heavyweight remixes from Mike Simonetti, Lauer and Blu:sh, the EP reflects the electric pulse of the city they call home. Released on Rollover Milano Records.
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1
Peryl - Square Race
2
Peryl - Vacuum
3
Peryl - 555
4
Peryl - 555 (Rødhåd Remix)
Where music resists becoming personal confession, it creates its own narrative - abstract, precise, and unbound by outside noise. Vibraform by Berlin-based hardware and live artist Peryl provides an analytical yet deeply instinctive view on music. It reflects the duality between flow and restraint, between self-exploration and the healthy act of setting limits. At its core lies a certain nonchalance - a refusal to act on voices and trends while maintaining full commitment to sound itself. Meticulous sound design, unpredictable, morphing basslines and an intentional timeless aesthetic offer a rare window into Peryl's creative state of mind. Even as he tries to sidestep personal narratives, emotions inevitably surface in the music, subtly shaping its character. The result is not a confessional piece of work, but an abstraction that remains universal rather than private, while still carrying a trace of personal truth. Four tracks that are striking a rare balance between novelty, grace and aggressive functionality, including a remix by R?dh?d, offer to find purpose in the act of believing that sooner or later art reveals a logic of its own. ? 2025 The Third Room All tracks written & produced by Dennis Strobel B2 remixed by Mike Bierbach Mastered by Ahmet Sisman Artwork by Daniel Bornmann & Lennard Makosch (STUEDIO.XYZ)
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1
Overmono feat. St. Panther - Walk Thru Water
2
Overmono - Is U
TIP! - Preview: https://www.youtube.com/watch?v=monJkVSJUQ0
Highly anticipated would be an understatement; since their inception Overmono have purposefully cultivated a fanbase that heralds them as one of the UK’s most original contemporary live electronic acts. A run of ground-breaking club EPs between 2020 and 2022 built momentum and culminated in their breakthrough club single, ‘So U Kno’, which encapsulated the hearts of clubbers and went on to become a bonafide phenomenon as dancefloors re-opened; featuring in end of year lists published by Resident Advisor, Pitchfork, DJ Mag and Mixmag.
Since then, Overmono have been named ‘Best Live Act’ at the prestigious DJ Mag Best of British Awards, taken their custom audio-visual live show to the most credible festivals across the globe, including Glastonbury, Movement Festival, Dekmantel, and produced innovative releases including their instalment of their ‘Fabric Presents’ DJ mix series and collaborations with Joy Orbison. Now, Overmono return to present their most ambitious release to date. Across the twelve-track project, Overmono journey through a powerful distillation of their musical career so far; incorporating “So U Kno” alongside new music that propels them beyond the dancefloor. “Good Lies” remoulds and interweaves captivating vocal cuts into a series of multi-genre electronic sounds that flits effortlessly between euphoria and melancholy in the same 4-bar loop.
Tracklist:
1. Feelings Plain
2. Arla Fearn
3. Good Lies
4. Good Lies (Outro)
5. Overmono feat. St. Panther - Walk Thru Water
6. Cold Blooded
7. Skulled
8. Sugarushhh
9. Calon
10. Is U https://www.youtube.com/watch?v=monJkVSJUQ0
11. Vermonly
12. So U Kno
13. Calling Out
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Highly anticipated would be an understatement; since their inception Overmono have purposefully cultivated a fanbase that heralds them as one of the UK’s most original contemporary live electronic acts. A run of ground-breaking club EPs between 2020 and 2022 built momentum and culminated in their breakthrough club single, ‘So U Kno’, which encapsulated the hearts of clubbers and went on to become a bonafide phenomenon as dancefloors re-opened; featuring in end of year lists published by Resident Advisor, Pitchfork, DJ Mag and Mixmag.
Since then, Overmono have been named ‘Best Live Act’ at the prestigious DJ Mag Best of British Awards, taken their custom audio-visual live show to the most credible festivals across the globe, including Glastonbury, Movement Festival, Dekmantel, and produced innovative releases including their instalment of their ‘Fabric Presents’ DJ mix series and collaborations with Joy Orbison. Now, Overmono return to present their most ambitious release to date. Across the twelve-track project, Overmono journey through a powerful distillation of their musical career so far; incorporating “So U Kno” alongside new music that propels them beyond the dancefloor. “Good Lies” remoulds and interweaves captivating vocal cuts into a series of multi-genre electronic sounds that flits effortlessly between euphoria and melancholy in the same 4-bar loop.
Tracklist:
1. Feelings Plain
2. Arla Fearn
3. Good Lies
4. Good Lies (Outro)
5. Overmono feat. St. Panther - Walk Thru Water
6. Cold Blooded
7. Skulled
8. Sugarushhh
9. Calon
10. Is U https://www.youtube.com/watch?v=monJkVSJUQ0
11. Vermonly
12. So U Kno
13. Calling Out
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Marie Davidson - Push Me Fuckhead (Soulwax Dub Mix)
2
Marie Davidson - Sexy Clown (Soulwax Dub Mix)
3
Marie Davidson - Sexy Clown (MDJ Tool)
Marie Davidson Returns with Club-Ready 12” ‘City Of Clowns (MDJ Tools)’ — Featuring Soulwax Dubs on DEEWEE
Utilising their inimitable remixing style, Soulwax pump up and strip back Davidson’s ‘Push Me Fuckhead’ and ‘Sexy Clown’ for maximum dancefloor effect. The release also includes an electrifying contemporary version of 'Sexy Clown,' co-produced in the studio with Pierre Guerineau and tailored for Davidson’s acclaimed 2025 live performances.
This latest release follows Davidson’s 2025 album, a record that saw her expand her artistic language through a fusion of 90s Detroit techno grit, fired-up circuitboard breakbeats and skewed club minimalism. As with much of her work, the album used music as a means to navigate her place in the world — as an artist, as a woman, and as an entertainer. Conceptual yet emotionally raw, Davidson continues to push the boundaries of electronic music, creating work that is both deeply cerebral and disarmingly human.
With both Soulwax and Marie, sharing a commitment to bold, physical sound and restless reinvention, ‘City Of Clowns (MDJ Tools)’ stands as a natural meeting point — a late-night dialogue between two of modern electronic music’s most distinctive voices.
‘City Of Clowns (MDJ Tools)’ will be released digitally on October 31, with vinyl following early December.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Utilising their inimitable remixing style, Soulwax pump up and strip back Davidson’s ‘Push Me Fuckhead’ and ‘Sexy Clown’ for maximum dancefloor effect. The release also includes an electrifying contemporary version of 'Sexy Clown,' co-produced in the studio with Pierre Guerineau and tailored for Davidson’s acclaimed 2025 live performances.
This latest release follows Davidson’s 2025 album, a record that saw her expand her artistic language through a fusion of 90s Detroit techno grit, fired-up circuitboard breakbeats and skewed club minimalism. As with much of her work, the album used music as a means to navigate her place in the world — as an artist, as a woman, and as an entertainer. Conceptual yet emotionally raw, Davidson continues to push the boundaries of electronic music, creating work that is both deeply cerebral and disarmingly human.
With both Soulwax and Marie, sharing a commitment to bold, physical sound and restless reinvention, ‘City Of Clowns (MDJ Tools)’ stands as a natural meeting point — a late-night dialogue between two of modern electronic music’s most distinctive voices.
‘City Of Clowns (MDJ Tools)’ will be released digitally on October 31, with vinyl following early December.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Demarkus Lewis - Every Night
2
Demarkus Lewis - Every Night (Gil Aguilar Remix)
A house music tribute to the underground. A perfect cut for late night club vibes or daytime beach adventures. Along with the original on the A-side, there's a remix from TREASURED GROOVES label boss, GIL AGUILAR on the flip. Deep and soulful. Don't miss it.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More