Label:Sonar Kollektiv
Cat-No:SK499LP
Release-Date:29.11.2024
Genre:Soul/Funk
Configuration:LP
Barcode:821730049912
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Label:Sonar Kollektiv
Cat-No:SK499LP
Release-Date:29.11.2024
Genre:Soul/Funk
Configuration:LP
Barcode:821730049912
Translucent Green Vinyl
Jono McCleery is an English singer-songwriter who creates timeless music that is just as much influenced by the electronic and avant garde as it is by the more traditional folk and soul canon. Since his self-released debut, Darkest Light, came out in 2008, Jono has released a string of albums via Ninja Tune Recordings, and collaborated with fellow artists across the musical spectrum including Maribou State, Portico (Quartet), and Maceo Plex. Over the years his music has received support from Gilles Peterson, Jamie Cullum, Phil Selway (of Radiohead), Lauren Laverne and many more, whilst touring internationally with Bonobo and Jamie Woon.
Tracklisting:
Side A
1. The One
2. To See You Again
3. So Messed Up
4. Like I Do
Side B
1. Only You
2. Reconcile
3. I Try to Remember
4. Let's Get Back to I
https://listen.k7.com/a6ab0350-7ecf-4c6f-9df9-1fb1be7833d0 More
Jono McCleery is an English singer-songwriter who creates timeless music that is just as much influenced by the electronic and avant garde as it is by the more traditional folk and soul canon. Since his self-released debut, Darkest Light, came out in 2008, Jono has released a string of albums via Ninja Tune Recordings, and collaborated with fellow artists across the musical spectrum including Maribou State, Portico (Quartet), and Maceo Plex. Over the years his music has received support from Gilles Peterson, Jamie Cullum, Phil Selway (of Radiohead), Lauren Laverne and many more, whilst touring internationally with Bonobo and Jamie Woon.
Tracklisting:
Side A
1. The One
2. To See You Again
3. So Messed Up
4. Like I Do
Side B
1. Only You
2. Reconcile
3. I Try to Remember
4. Let's Get Back to I
https://listen.k7.com/a6ab0350-7ecf-4c6f-9df9-1fb1be7833d0 More
More records from Sonar Kollektiv
7"
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Label:Sonar Kollektiv
Cat-No:SK454
Release-Date:24.11.2023
Genre:Soul/Funk
Configuration:7"
Barcode:0821730045471
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Label:Sonar Kollektiv
Cat-No:SK454
Release-Date:24.11.2023
Genre:Soul/Funk
Configuration:7"
Barcode:0821730045471
1
The KBCS Feat. Nora Bec - I Wish You A World Of Happiness
2
Shirley Turner - I Wish You A World Of Happiness
Sonar Kollektiv are very proud to present a sweet slice of obscure Philly soul with deep connections to our very own Berlin family. Shirley Turner"s 1965 recording of I Wish You A World Of Happiness has long been a crate digger"s delight and now receives a very special reissue, alongside a rather stunning cover version from Hamburg based quartet, The KBCS, featuring the vocal talents of Nora Becker.
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Label:Sonar Kollektiv
Cat-No:SK460LP
Release-Date:20.10.2023
Genre:Soul/Funk
Configuration:2LP
Barcode:821730046010
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Label:Sonar Kollektiv
Cat-No:SK460LP
Release-Date:20.10.2023
Genre:Soul/Funk
Configuration:2LP
Barcode:821730046010
Joris Feiertag is a Dutch producer and drummer from Utrecht in the Netherlands who makes music that is a finely balanced blend of organic and synthesized elements, often using ingenious syncopated rhythms combined with instruments such as the harp and kalimba. Roots is his third album on revered German imprint Sonar Kollektiv. The LP features not only a plethora of vocalists from across the globe, but also sees the producer playing with obscure samples and sounds, as he attempts to discover a new direction and find that sweet spot between dark and light; major and minor; new and old; uplifting electronica and soul.
Tracklist:
A1 - Nostalgia feat. WAAN
A2 - Keep Your Head Up feat. Noah Slee
A3 - Feel Me feat. Nego True
A4 - re:solution
B1 - Ballon Sogni feat. Falle Nioke
B2 - Didn’t Know Why (You Lost Your Soul)
B3 - Come Back
C1 - Queen & King feat. Rhi
C2 - Reverie feat. Robin Kester
C3 - Law of Attraction feat. OSHUN
D1 - Love Hills feat. Nego True
D2 - Waiting for Tomorrow feat. Leonard Luka
D3 - Violet (You & Me) feat. Oli Hannaford
D4 - Give a Little feat. Pete Josef More
Tracklist:
A1 - Nostalgia feat. WAAN
A2 - Keep Your Head Up feat. Noah Slee
A3 - Feel Me feat. Nego True
A4 - re:solution
B1 - Ballon Sogni feat. Falle Nioke
B2 - Didn’t Know Why (You Lost Your Soul)
B3 - Come Back
C1 - Queen & King feat. Rhi
C2 - Reverie feat. Robin Kester
C3 - Law of Attraction feat. OSHUN
D1 - Love Hills feat. Nego True
D2 - Waiting for Tomorrow feat. Leonard Luka
D3 - Violet (You & Me) feat. Oli Hannaford
D4 - Give a Little feat. Pete Josef More
12"
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Label:Sonar Kollektiv
Cat-No:SK406
Release-Date:15.10.2021
Genre:House
Configuration:12"
Barcode:821730040667
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Label:Sonar Kollektiv
Cat-No:SK406
Release-Date:15.10.2021
Genre:House
Configuration:12"
Barcode:821730040667
Feiertag is a label mainstay who fuses syncopated downtempo rhythms with international vocalists to make for exotic, escapist groove. The new album is a hugely anticipated debut that has already spawned two brilliant singles in ‚Saccharine ‘ and ‚Trepidation‘ which both get remixed here.
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Label:Sonar Kollektiv
Cat-No:sk350lp
Release-Date:29.06.2018
Configuration:Vinyl Album Excl
Barcode:821730035014
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Release-Date:29.06.2018
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The Pool, Jazzanova’s most mature and musical album yet, welcomes a host of talented collaborators including Jamie Cullum, Ben Westbeech, Pete Josef, Rachel Sermanni, Olivier St Louis, Paul Randolph, Charlotte OC, and more. All bring their own distinctive flavours while retaining a real sense of Jazzanova’s musical identity—something that combines neo-soul, jazz, and pop songwriting with a unique knack for sampling and skills on everything from synth to piano, vibes to trombone, flugelhorn to guitar. The album flows from one track to the next, mixing up synthesised sounds, samples and acoustic instrumentation to paint a captivating picture.
A1. Now (L.O.V.E. and You & I - Part 2) feat. Oddisee
A2. Rain Makes The River feat. Rachel Sermanni
A3. Follow Your Feet feat. Pete Josef
B1. No. 9 feat. KPTN
B2. Slow Rise feat. David Lemaitre
B3. Let‘s Live Well feat. Jamie Cullum
C1. Everything I Wanted feat. Charlotte OC
C2. Heatwave feat. Olivier St. Louis
D1. It‘s Beautiful feat. Paul Randolph
D2. I‘m Still Here feat. Edward Vanzet
D3. Summer Keeps On Passing Me By feat. Ben Westbeech More
The Pool, Jazzanova’s most mature and musical album yet, welcomes a host of talented collaborators including Jamie Cullum, Ben Westbeech, Pete Josef, Rachel Sermanni, Olivier St Louis, Paul Randolph, Charlotte OC, and more. All bring their own distinctive flavours while retaining a real sense of Jazzanova’s musical identity—something that combines neo-soul, jazz, and pop songwriting with a unique knack for sampling and skills on everything from synth to piano, vibes to trombone, flugelhorn to guitar. The album flows from one track to the next, mixing up synthesised sounds, samples and acoustic instrumentation to paint a captivating picture.
A1. Now (L.O.V.E. and You & I - Part 2) feat. Oddisee
A2. Rain Makes The River feat. Rachel Sermanni
A3. Follow Your Feet feat. Pete Josef
B1. No. 9 feat. KPTN
B2. Slow Rise feat. David Lemaitre
B3. Let‘s Live Well feat. Jamie Cullum
C1. Everything I Wanted feat. Charlotte OC
C2. Heatwave feat. Olivier St. Louis
D1. It‘s Beautiful feat. Paul Randolph
D2. I‘m Still Here feat. Edward Vanzet
D3. Summer Keeps On Passing Me By feat. Ben Westbeech More
Label:Sonar Kollektiv
Cat-No:sk350lpw
Release-Date:29.06.2018
Configuration:Vinyl Album Excl
Barcode:821730035038
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Label:Sonar Kollektiv
Cat-No:sk350lpw
Release-Date:29.06.2018
Configuration:Vinyl Album Excl
Barcode:821730035038
non-exclusive
The Pool, Jazzanova’s most mature and musical album yet, welcomes a host of talented collaborators including Jamie Cullum, Ben Westbeech, Pete Josef, Rachel Sermanni, Olivier St Louis, Paul Randolph, Charlotte OC, and more. All bring their own distinctive flavours while retaining a real sense of Jazzanova’s musical identity—something that combines neo-soul, jazz, and pop songwriting with a unique knack for sampling and skills on everything from synth to piano, vibes to trombone, flugelhorn to guitar. The album flows from one track to the next, mixing up synthesised sounds, samples and acoustic instrumentation to paint a captivating picture.
A1. Now (L.O.V.E. and You & I - Part 2) feat. Oddisee
A2. Rain Makes The River feat. Rachel Sermanni
A3. Follow Your Feet feat. Pete Josef
B1. No. 9 feat. KPTN
B2. Slow Rise feat. David Lemaitre
B3. Let‘s Live Well feat. Jamie Cullum
C1. Everything I Wanted feat. Charlotte OC
C2. Heatwave feat. Olivier St. Louis
D1. It‘s Beautiful feat. Paul Randolph
D2. I‘m Still Here feat. Edward Vanzet
D3. Summer Keeps On Passing Me By feat. Ben Westbeech More
The Pool, Jazzanova’s most mature and musical album yet, welcomes a host of talented collaborators including Jamie Cullum, Ben Westbeech, Pete Josef, Rachel Sermanni, Olivier St Louis, Paul Randolph, Charlotte OC, and more. All bring their own distinctive flavours while retaining a real sense of Jazzanova’s musical identity—something that combines neo-soul, jazz, and pop songwriting with a unique knack for sampling and skills on everything from synth to piano, vibes to trombone, flugelhorn to guitar. The album flows from one track to the next, mixing up synthesised sounds, samples and acoustic instrumentation to paint a captivating picture.
A1. Now (L.O.V.E. and You & I - Part 2) feat. Oddisee
A2. Rain Makes The River feat. Rachel Sermanni
A3. Follow Your Feet feat. Pete Josef
B1. No. 9 feat. KPTN
B2. Slow Rise feat. David Lemaitre
B3. Let‘s Live Well feat. Jamie Cullum
C1. Everything I Wanted feat. Charlotte OC
C2. Heatwave feat. Olivier St. Louis
D1. It‘s Beautiful feat. Paul Randolph
D2. I‘m Still Here feat. Edward Vanzet
D3. Summer Keeps On Passing Me By feat. Ben Westbeech More
Label:Sonar Kollektiv
Cat-No:sk350cd
Release-Date:29.06.2018
Configuration:CD Excl
Barcode:
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Cat-No:sk350cd
Release-Date:29.06.2018
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The Pool, Jazzanova’s most mature and musical album yet, welcomes a host of talented collaborators including Jamie Cullum, Ben Westbeech, Pete Josef, Rachel Sermanni, Olivier St Louis, Paul Randolph, Charlotte OC, and more. All bring their own distinctive flavours while retaining a real sense of Jazzanova’s musical identity—something that combines neo-soul, jazz, and pop songwriting with a unique knack for sampling and skills on everything from synth to piano, vibes to trombone, flugelhorn to guitar. The album flows from one track to the next, mixing up synthesised sounds, samples and acoustic instrumentation to paint a captivating picture.
A1. Now (L.O.V.E. and You & I - Part 2) feat. Oddisee
A2. Rain Makes The River feat. Rachel Sermanni
A3. Follow Your Feet feat. Pete Josef
B1. No. 9 feat. KPTN
B2. Slow Rise feat. David Lemaitre
B3. Let‘s Live Well feat. Jamie Cullum
C1. Everything I Wanted feat. Charlotte OC
C2. Heatwave feat. Olivier St. Louis
D1. It‘s Beautiful feat. Paul Randolph
D2. I‘m Still Here feat. Edward Vanzet
D3. Summer Keeps On Passing Me By feat. Ben Westbeech More
The Pool, Jazzanova’s most mature and musical album yet, welcomes a host of talented collaborators including Jamie Cullum, Ben Westbeech, Pete Josef, Rachel Sermanni, Olivier St Louis, Paul Randolph, Charlotte OC, and more. All bring their own distinctive flavours while retaining a real sense of Jazzanova’s musical identity—something that combines neo-soul, jazz, and pop songwriting with a unique knack for sampling and skills on everything from synth to piano, vibes to trombone, flugelhorn to guitar. The album flows from one track to the next, mixing up synthesised sounds, samples and acoustic instrumentation to paint a captivating picture.
A1. Now (L.O.V.E. and You & I - Part 2) feat. Oddisee
A2. Rain Makes The River feat. Rachel Sermanni
A3. Follow Your Feet feat. Pete Josef
B1. No. 9 feat. KPTN
B2. Slow Rise feat. David Lemaitre
B3. Let‘s Live Well feat. Jamie Cullum
C1. Everything I Wanted feat. Charlotte OC
C2. Heatwave feat. Olivier St. Louis
D1. It‘s Beautiful feat. Paul Randolph
D2. I‘m Still Here feat. Edward Vanzet
D3. Summer Keeps On Passing Me By feat. Ben Westbeech More
Label:Sonar Kollektiv
Cat-No:sk349lp
Release-Date:17.11.2017
Configuration:2LP
Barcode:821730034918
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Cat-No:sk349lp
Release-Date:17.11.2017
Configuration:2LP
Barcode:821730034918
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radio citizen - No Title
"Never change a winnig team". That's what Radio Citizen's Niko Schabel must have thought when he decided to release his fourth album once again on Sonar Kollektiv. After the success of "The Night & The City" (SK310LP / CD) from 2015 and the productive collaboration ever since this seems like a wise resolution. Schabel's idea to retrieve to a mountain cabin in Salvenberg, Tirol with his band and tons of equipment turned out to be an even more crucial factor to the cause. Here they could create and record new songs and bring them together neatly for the new album. The 13 tracks assembled here on "Silent Guide" are - each on its own and in its entirety anyway - best proof how wonderfully this approach has worked out. For instance, you'd only have to listen to "Grand Jam" to get the picture: A composite work of Schabel (on synthesizer) with Bernd Oeszevim (on drums), Maasl Maier (on bass), Marja Burchard (on rhodes) and Johannes Schleiermacher (on synthesizer) leaves every musician enough air to breathe and even much more room for personal development. A qualification running like a common thread through the album's length. Don't worry though, "Silent Guide" isn't a random collection of live jams and untamed solos. "SaraSong" (composed by drummer Oeszevim) is a beautiful, gracious tune borne by Marja Burchard's trombone and Niko Schabel's bass clarinet packed in a semi-complex arrangement with two parts linked up ingeniously. Or take the opener and title track "Silent Guide": Here you have Natalie Greffel's voice becharming you. You literally can feel how much fun it must have been to bring this album collectively forth. On "Ninguém" Greffel sings in Portuguese and on "It's Not Enough" she's supported vocally by Marja Burchard for a mantra-like chorus superimposed over the captivating drumming by Bernd Oeszevim (the first part is a 33/16 beat by the way). On this track Johannes Schleiermacher plays the flute, on "Kein Planet" Niko Schabel plays an alto saxophone and on "Ethxxmologie" you hear a whole brass section featuring a bass clarinet, a tenor saxophone and two trombones.
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Label:Sonar Kollektiv
Cat-No:sk346
Release-Date:22.09.2017
Configuration:LP
Barcode:821730034611
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Label:Sonar Kollektiv
Cat-No:sk346
Release-Date:22.09.2017
Configuration:LP
Barcode:821730034611
Label:Sonar Kollektiv
Cat-No:sk330lp
Release-Date:05.04.2017
Configuration:2LP
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Cat-No:sk330lp
Release-Date:05.04.2017
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Label:Sonar Kollektiv
Cat-No:SK336LP
Release-Date:10.02.2017
Genre:techhouse
Configuration:Vinyl Album Excl
Barcode:821730033614
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Release-Date:10.02.2017
Genre:techhouse
Configuration:Vinyl Album Excl
Barcode:821730033614
Worldwide, Shops only Release.
There's not a lot to tell about the project Glow In The Dark by a certain Harry Miller. Only perhaps we can state that with these eight tracks at hand Harry Miller accomplished probably the most enchanting album of the still quite young year. Just when we wanted to dismiss the short-dated genre of Chillwave wistfully, “Future Bliss” comes along with a bewitching sound hailing from an optimistic but cranky future. Already the opening track “step ONE” with its vocal samples and its spoken word intro is futuristic soul full of affirmation of life pillowed on a synth bedding smoothed to the max up to its edges. But also the following seven tracks spread infectious positive vibes all around.
The magic of Glow In The Dark's tracks is energized mostly by Miller's delicate way of treating his various samples, a wary manner one usually only shows when picking up a guitar. And unlike sample based music feeding from Hiphop his tracks are completely free from any sort of nostalgia, because all of his songs are designed for the future through and
through.
“Future Bliss” is one hell of a joy ride, from the first note to the last tone. The neon funk of “1987”, the broken beat of “7 Billion = 1”, the synth pop of “The Last Dance” and in general, all of the eight tracks could be little, but great hymns on their own. But only in its entirety they sparkle this fathomless ingeniousness hidden in Glow In The Dark. In the end it seems to be wiser that one has as little background information as possible to be able to lose oneself fully in this “Future Bliss”.
TRACKLISTING:
A1. step ONE, A2. 7 Billion = 1 , A3. Kaleidoscopic Hue , A4. Future Bliss
B1. Screams Under Stars, B2. The Last Dance, B3. 1987, B4. Absolute Zero More
There's not a lot to tell about the project Glow In The Dark by a certain Harry Miller. Only perhaps we can state that with these eight tracks at hand Harry Miller accomplished probably the most enchanting album of the still quite young year. Just when we wanted to dismiss the short-dated genre of Chillwave wistfully, “Future Bliss” comes along with a bewitching sound hailing from an optimistic but cranky future. Already the opening track “step ONE” with its vocal samples and its spoken word intro is futuristic soul full of affirmation of life pillowed on a synth bedding smoothed to the max up to its edges. But also the following seven tracks spread infectious positive vibes all around.
The magic of Glow In The Dark's tracks is energized mostly by Miller's delicate way of treating his various samples, a wary manner one usually only shows when picking up a guitar. And unlike sample based music feeding from Hiphop his tracks are completely free from any sort of nostalgia, because all of his songs are designed for the future through and
through.
“Future Bliss” is one hell of a joy ride, from the first note to the last tone. The neon funk of “1987”, the broken beat of “7 Billion = 1”, the synth pop of “The Last Dance” and in general, all of the eight tracks could be little, but great hymns on their own. But only in its entirety they sparkle this fathomless ingeniousness hidden in Glow In The Dark. In the end it seems to be wiser that one has as little background information as possible to be able to lose oneself fully in this “Future Bliss”.
TRACKLISTING:
A1. step ONE, A2. 7 Billion = 1 , A3. Kaleidoscopic Hue , A4. Future Bliss
B1. Screams Under Stars, B2. The Last Dance, B3. 1987, B4. Absolute Zero More
Label:sonar kollektiv
Cat-No:skrsd003
Release-Date:29.02.2016
Genre:House
Configuration:12"
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Cat-No:skrsd003
Release-Date:29.02.2016
Genre:House
Configuration:12"
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Marlow gets the remix treatment from Erobique on the new single RSD single Backroom.
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Label:sonar kollektiv
Cat-No:sk299
Release-Date:19.03.2015
Genre:House
Configuration:12"
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Label:sonar kollektiv
Cat-No:sk299
Release-Date:19.03.2015
Genre:House
Configuration:12"
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Label:sonar kollektiv
Cat-No:sk284
Release-Date:06.11.2014
Genre:House
Configuration:12"
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Cat-No:sk284
Release-Date:06.11.2014
Genre:House
Configuration:12"
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Label:sonar kollektiv
Cat-No:sk280
Release-Date:19.08.2014
Genre:House
Configuration:12"
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Label:sonar kollektiv
Cat-No:sk280
Release-Date:19.08.2014
Genre:House
Configuration:12"
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Alex Barck preps the Reunion Remixes 12' the first taste of remixes from last years debut album Reunion. 'Reunion', the debut album by Alex Barck created quite a stir last year. Now two 12inch releases make sure that this stir is not fading away by any time soon. Two 12inches that include remixes by the current creme de la creme of electronic dance music production. After Osunlade delivered already last year an outstanding rendition of the album track 'Oh Africa' it's now up to Amsterdam based producer and DJ Full Crate to get his hands on this declaration of love to a whole continent. Masterfully he accomplishes this endeavour while weaving Christine Salem's voice along a twisted shuffle beat and drives the track to the next level by adding stabbing synth chords. Full contact! On the flipside the enigmatic British production duo Mao take us by surprise with their reinterpretation of 'Doubter'. All of a sudden Jonatan Bäckelie finds himself in a dripstone cave. The massive beat framework props the whole track from not being torn down by the never ending echoing vocals. It's with this courageous proposition that Mao for once and all ensure to be one of the production teams to look out for in 2014.
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Label:sonar kollektiv
Cat-No:sk274
Release-Date:06.03.2014
Genre:House
Configuration:12"
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Label:sonar kollektiv
Cat-No:sk274
Release-Date:06.03.2014
Genre:House
Configuration:12"
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Alex Barck preps the Reunion Remixes 12' the first taste of remixes from last years debut album Reunion. 'Reunion', the debut album by Alex Barck created quite a stir last year. Now two 12inch releases make sure that this stir is not fading away by any time soon. Two 12inches that include remixes by the current creme de la creme of electronic dance music production. After Osunlade delivered already last year an outstanding rendition of the album track 'Oh Africa' it's now up to Amsterdam based producer and DJ Full Crate to get his hands on this declaration of love to a whole continent. Masterfully he accomplishes this endeavour while weaving Christine Salem's voice along a twisted shuffle beat and drives the track to the next level by adding stabbing synth chords. Full contact! On the flipside the enigmatic British production duo Mao take us by surprise with their reinterpretation of 'Doubter'. All of a sudden Jonatan Bäckelie finds himself in a dripstone cave. The massive beat framework props the whole track from not being torn down by the never ending echoing vocals. It's with this courageous proposition that Mao for once and all ensure to be one of the production teams to look out for in 2014.
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Label:sonar kollektiv
Cat-No:sk265
Release-Date:28.02.2014
Genre:House
Configuration:12"
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Mario Weise, better known as Marlow, is no newcomer to this game. He's been releasing a tirade of quality club orientated dance music productions
since 1994. Over the last twenty years he favored us with several release prestigious German house/techno labels like Matthias Tanzmann's &
Andre Quaas' Leipizig based Moon Harbour Recordings, Berlin's Konsequenz label and Hamburg's Room With A View imprint, to name just a
few. But now it's time to give the cards a shuffle and welcome Marlow on Sonar Kollektiv. After his recent remix of Alex Barck's “Re-Set” (featuring Pete Josef) he now presents his proper first release for the Berlin label. “Backroom” is a joyous bass-driven sing-along pop/house hybrid that will be more at home on your living room stereo and your iPod and will surely get radio play all across the borders. It's also the perfect vehicle for Pete Josef's exquisite tonsils and lyrics. On the B-Side we're treated with another stand-out track by the enigmatic name of “L4L (Vertigo)”. This time Comixxx' partner in crime Dominik “Knixx” Wirth grabs the microphone and delivers a mellifluous performance over a electro-funky instrumental reincarnating west coast funk by let's say The Egyptian Lover in an ultra-vibrant fashion. The production is so catchy you will be more than pleased to find the instrumental as a bonus track. If you don't own a lowrider to pump this banger in, you'd better purchase one to give this release it's full respect More
since 1994. Over the last twenty years he favored us with several release prestigious German house/techno labels like Matthias Tanzmann's &
Andre Quaas' Leipizig based Moon Harbour Recordings, Berlin's Konsequenz label and Hamburg's Room With A View imprint, to name just a
few. But now it's time to give the cards a shuffle and welcome Marlow on Sonar Kollektiv. After his recent remix of Alex Barck's “Re-Set” (featuring Pete Josef) he now presents his proper first release for the Berlin label. “Backroom” is a joyous bass-driven sing-along pop/house hybrid that will be more at home on your living room stereo and your iPod and will surely get radio play all across the borders. It's also the perfect vehicle for Pete Josef's exquisite tonsils and lyrics. On the B-Side we're treated with another stand-out track by the enigmatic name of “L4L (Vertigo)”. This time Comixxx' partner in crime Dominik “Knixx” Wirth grabs the microphone and delivers a mellifluous performance over a electro-funky instrumental reincarnating west coast funk by let's say The Egyptian Lover in an ultra-vibrant fashion. The production is so catchy you will be more than pleased to find the instrumental as a bonus track. If you don't own a lowrider to pump this banger in, you'd better purchase one to give this release it's full respect More
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Cat-No:RSELPC1400
Release-Date:15.11.2024
Genre:HipHop/Rap/Urban
Configuration:2LP
Barcode:0826257040015
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Sweetart Vinyl. Originally released in 2004, MF DOOM's MM.FOOD is hailed as a classic | hip-hop album full of inventive production, brilliant wordplay, and unique themes. Celebraled for its seamless blend of humor, wit, and social commentary, the album ushers listeners into a bizarre world af food-related metaphors, painting a bitterly comedic portrait of a life tainted by vice, violence, and jealousy. It was a brilliant and novel concept that gave DOOM plenty of room to explore the album's subjects. Throughout MM..FOOD, DOOM embeds complex ideas within seemingly simple narratives. Album opener "Beef Rapp' is a multi-pronged metaphor reminding listeners of the dangers involved in the glorification of conflict, especially within the rap game. "Hoe Cakes" borrows its name from the sweet, hot water cornmeal patties, which he uses as a symbol to rhyme about indulgence and excess. Continuing the motif, DOOM uses the Madlib-produced "One Beer" to fold layers of depth about escapism and ego, while the popular "Rapp Snitch Knishes" critiques the sell-incrimination and contradictory behaviors of some rappers. Overall, MM.FOOD is both a social commentary and a piece of social satire, showcasing MF DOOM'S ability to blend serious themes with his unique, playful lyrical style. In celebration of the album's 20th anniversary, MM.FOOD has been repackaged with all new artwork by Sam Rodriguez!
Tracklist:
1.1BEEF RAPP
1.2HOE CAKES
1.3POTHOLDERZ FEAT. COUNT BASS D
1.4ONE BEER
1.5DEEP FRIED FRENZ
1.6POO-PUTT PLATTER
1.7FILLET-O-RAPPER
1.8GUMBO
1.9FIG LEAF BI-CARBONATE
1.10KON KARNE
1.11GUINNESSEZ FEAT. ANGELKIA & 4IZE
1.12KON QUESO
1.13RAPP SNITCH KNISHES FEAT. MR. FANTASTIK
1.14VOMITSPIT
1.15KOOKIES More
Tracklist:
1.1BEEF RAPP
1.2HOE CAKES
1.3POTHOLDERZ FEAT. COUNT BASS D
1.4ONE BEER
1.5DEEP FRIED FRENZ
1.6POO-PUTT PLATTER
1.7FILLET-O-RAPPER
1.8GUMBO
1.9FIG LEAF BI-CARBONATE
1.10KON KARNE
1.11GUINNESSEZ FEAT. ANGELKIA & 4IZE
1.12KON QUESO
1.13RAPP SNITCH KNISHES FEAT. MR. FANTASTIK
1.14VOMITSPIT
1.15KOOKIES More
Label:JB's Records
Cat-No:2605
Release-Date:01.11.2024
Genre:Soul/Funk
Configuration:7"
Barcode:5060202596560
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Cat-No:2605
Release-Date:01.11.2024
Genre:Soul/Funk
Configuration:7"
Barcode:5060202596560
1
Cynthia Sheeler - I'll Cry Over You Pt.1
2
Cynthia Sheeler - I'll Cry Over You Pt.1
Repress!
An impossibly rare double sider from the JB's Records vaults gets a much called for official reissue. Cynthia Sheeler - I'll Cry Over is one of the rarest and greatest Southern Soul classics out there, always held back due to the scarcity of its original 1975 release. The last copy sold on Discogs five years ago for £400 and it’s easy to tell why. A luscious slice of Baton Rouge crossover soul that will sweep you up and whisk you away in it’s blissful grasp. An absolutely essential 7 inch for any collection. Black label version original black sleeve. More
An impossibly rare double sider from the JB's Records vaults gets a much called for official reissue. Cynthia Sheeler - I'll Cry Over is one of the rarest and greatest Southern Soul classics out there, always held back due to the scarcity of its original 1975 release. The last copy sold on Discogs five years ago for £400 and it’s easy to tell why. A luscious slice of Baton Rouge crossover soul that will sweep you up and whisk you away in it’s blissful grasp. An absolutely essential 7 inch for any collection. Black label version original black sleeve. More
12"
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Label:Nina Kraviz Music
Cat-No:NK003REMIX1RED
Release-Date:01.11.2024
Genre:Electronic
Configuration:12"
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Cat-No:NK003REMIX1RED
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Genre:Electronic
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1
Nina Kraviz - Tarde (Ricardo Villalobos remix)
2
Nina Kraviz - Tarde
3
Nina Kraviz - Tarde (Melchior Productions LTD Late remix)
Tracklisting
A1 Nina Kraviz - Tarde (Ricardo Villalobos remix)
B1 Nina Kraviz - Tarde
B2 Nina Kraviz - Tarde (Melchior Productions LTD Late remix)
Sales Note
For the remixes of her "tarde" single, nina kraviz enlisted an all star remixers team and worked on a psy version herself as well. Nina recorded "tarde" in her bedroom 3 years ago and wanted the song to keep the same intimate feeling as when she recorded it. The result is a dark love song about love so strong, it could almost break you. More
A1 Nina Kraviz - Tarde (Ricardo Villalobos remix)
B1 Nina Kraviz - Tarde
B2 Nina Kraviz - Tarde (Melchior Productions LTD Late remix)
Sales Note
For the remixes of her "tarde" single, nina kraviz enlisted an all star remixers team and worked on a psy version herself as well. Nina recorded "tarde" in her bedroom 3 years ago and wanted the song to keep the same intimate feeling as when she recorded it. The result is a dark love song about love so strong, it could almost break you. More
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1
V.A. - A1.You Should Be Dancin'
2
V.A. - A2.Chant
3
V.A. - B1.Liebe
4
V.A. - B2.Robot
Label:Mirella Records
Cat-No:MIR001
Release-Date:22.11.2024
Configuration:7"
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Label:Mirella Records
Cat-No:MIR001
Release-Date:22.11.2024
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1
Maurizio E Dandolo - Natale In Tangenziale
2
Maurizio E Dandolo - Highway Dub
Repress!
“Natale in tangenziale” (“Christmas on the highway”) – available in all digital stores and in 7” format – marks an extraordinary tribute to the timeless Italo Disco style and captures the charm of an Italian Christmas, almost like in a dystopian “cinepanettone” (the stereotypical Italian, Christmas-themed, comedy movie).
The record is a creation by Maurizio & Dandolo, and represents the debut of Mirella Records, a label founded by Cosimo Mandorino, already known for several projects in the italo and electronic styles on specialized labels such as Best Record, Slow Motion Records, Disco Segreta, Bordello A Parigi.
“Natale in tangenziale” will instantly transport you into an Italian Christmas atmosphere, with captivating synthesizers and engaging rhythms. The voices perfectly capture the warmth and joy of the holidays.
The original song is accompanied by a breathtaking remix curated by Whodamanny.The remixer’s unique touch on the special dub version present on the B side adds further rhythmic elements that make it perfect for the dancefloor.
A 45 rpm single from an alternative 1983, to be enjoyed during the holidays; a gift for music lovers and a celebration of Italianness. You can’t help but dance and sing to the rhythm of music, a characteristic that unites two such fundamental aspects of Italian culture.
Merry Christmas on the highway! More
“Natale in tangenziale” (“Christmas on the highway”) – available in all digital stores and in 7” format – marks an extraordinary tribute to the timeless Italo Disco style and captures the charm of an Italian Christmas, almost like in a dystopian “cinepanettone” (the stereotypical Italian, Christmas-themed, comedy movie).
The record is a creation by Maurizio & Dandolo, and represents the debut of Mirella Records, a label founded by Cosimo Mandorino, already known for several projects in the italo and electronic styles on specialized labels such as Best Record, Slow Motion Records, Disco Segreta, Bordello A Parigi.
“Natale in tangenziale” will instantly transport you into an Italian Christmas atmosphere, with captivating synthesizers and engaging rhythms. The voices perfectly capture the warmth and joy of the holidays.
The original song is accompanied by a breathtaking remix curated by Whodamanny.The remixer’s unique touch on the special dub version present on the B side adds further rhythmic elements that make it perfect for the dancefloor.
A 45 rpm single from an alternative 1983, to be enjoyed during the holidays; a gift for music lovers and a celebration of Italianness. You can’t help but dance and sing to the rhythm of music, a characteristic that unites two such fundamental aspects of Italian culture.
Merry Christmas on the highway! More
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Cat-No:MRBLP308
Release-Date:29.11.2024
Genre:Funk
Configuration:LP
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1
Ananda Shankar - Streets Of Calcutta
2
Ananda Shankar - Cyrus
3
Ananda Shankar - The Lonely Rider
4
Ananda Shankar - The River
5
Ananda Shankar - Vidai (Parting)
6
Ananda Shankar - Back Home
7
Ananda Shankar - Dawn
8
Ananda Shankar - Renunciation
9
Ananda Shankar - Dancing Drums
Mr Bongo proudly presents an official reissue of an iconic, exploratory album by Indian maestro of the sitar, Ananda Shankar, aptly titled 'Ananda Shankar And His Music'.
Released on His Master's Voice in 1976, the album is a sublime collage of sitar-funk, traditional Indian classical music and psychedelic grooves, from the Indian sitarist, composer and musician. Nephew to India’s legendary sitar virtuoso Ravi Shankar, Ananda’s musical family and upbringing led to a deep respect and love of the wealth of music that emanated from his birthplace. His travels to the west coast of America in the late ‘60s though, saw Shankar immersed in the full swing of psychedelic rock. The collision of these two musical worlds with a whole range of other Eastern and Western influences on 'Ananda Shankar And His Music', is a truly entrancing combination.
First big in the UK in the mid-‘90s jazz/rare groove club scene, when it was unearthed by adventurous DJs and crate diggers, the sensational Indian-funk tracks 'Streets Of Calcutta' and 'Dancing Drums' became firm dancefloor favourites. The mixture of drum-heavy funk with Indian music and psychedelia is the perfect melting pot. Flavourful and balanced, it still feels fresh and exciting nearly 50 years on.
Like a fine wine, this album keeps getting better with age and once-overlooked tracks are now seen in a new light. Aside from the main 'club' cuts that many have praised and loved, 'The River' is a part blissed-out, Balearic gem, part cosmic wild west soundtrack, that would provide the perfect complement to any sunset session. Elsewhere, 'Dawn' is a spiritual and meditative journey into Indian classical music, with ‘Cyrus’ floating you away to heavenly heights. On a different tip, 'Back Home' fuses styles and themes via an organ and Moog-infused, tripped-out excursion, whilst 'Renunciation' hits with a psych-rock sentiment to its sitar-soaked grooves.
A beautiful time capsule of Eastern culture meets Western influence, where experimentation and intrigue produced a fusion of sounds that still sound as vibrant and alluring as they have ever been.
Vinyl LP features a tip-on sleeve. More
Released on His Master's Voice in 1976, the album is a sublime collage of sitar-funk, traditional Indian classical music and psychedelic grooves, from the Indian sitarist, composer and musician. Nephew to India’s legendary sitar virtuoso Ravi Shankar, Ananda’s musical family and upbringing led to a deep respect and love of the wealth of music that emanated from his birthplace. His travels to the west coast of America in the late ‘60s though, saw Shankar immersed in the full swing of psychedelic rock. The collision of these two musical worlds with a whole range of other Eastern and Western influences on 'Ananda Shankar And His Music', is a truly entrancing combination.
First big in the UK in the mid-‘90s jazz/rare groove club scene, when it was unearthed by adventurous DJs and crate diggers, the sensational Indian-funk tracks 'Streets Of Calcutta' and 'Dancing Drums' became firm dancefloor favourites. The mixture of drum-heavy funk with Indian music and psychedelia is the perfect melting pot. Flavourful and balanced, it still feels fresh and exciting nearly 50 years on.
Like a fine wine, this album keeps getting better with age and once-overlooked tracks are now seen in a new light. Aside from the main 'club' cuts that many have praised and loved, 'The River' is a part blissed-out, Balearic gem, part cosmic wild west soundtrack, that would provide the perfect complement to any sunset session. Elsewhere, 'Dawn' is a spiritual and meditative journey into Indian classical music, with ‘Cyrus’ floating you away to heavenly heights. On a different tip, 'Back Home' fuses styles and themes via an organ and Moog-infused, tripped-out excursion, whilst 'Renunciation' hits with a psych-rock sentiment to its sitar-soaked grooves.
A beautiful time capsule of Eastern culture meets Western influence, where experimentation and intrigue produced a fusion of sounds that still sound as vibrant and alluring as they have ever been.
Vinyl LP features a tip-on sleeve. More
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1
V.A. - A1.Under My Dub
2
V.A. - A2.Let Love Enter
3
V.A. - B1.Eagle
LP Excl
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Label:The Outer Edge
Cat-No:EDGE-026
Release-Date:10.01.2025
Configuration:LP Excl
Barcode:4251804183864
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Cat-No:EDGE-026
Release-Date:10.01.2025
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Barcode:4251804183864
1
J. D. (Puma) Lewis - The Cat (Puma)
2
J. D. (Puma) Lewis - Dancing Shoes
3
J. D. (Puma) Lewis - Tears
4
J. D. (Puma) Lewis - Life's A Party (Bonus Track)
5
J. D. (Puma) Lewis - Shake It - Make It Loose
6
J. D. (Puma) Lewis - Hearts Of Gold
7
J. D. (Puma) Lewis - Automatic Woman
8
J. D. (Puma) Lewis - Walk Out On Me (Bonus Track)
First ever reissue of highly collectible Funk / Boogie album from 1984!
We are proud to present a true gem on our label: the first-ever vinyl reissue of the highly collectible Shake It - Make It Loose LP by J.D. (Puma) Lewis. Originally released on the infamous Metrovynil label in 1984, it stands as the best and most authentic boogie/80s funk album ever produced in Germany.
However, little is known about this legendary release, and the credits are sparse and often confusing. In reality, Shake It - Make It Loose was a collaboration between just two musicians: John Davis (R.I.P., later one of the real voices behind Milli Vanilli for producer Frank Farian) and Reginald Hudson (of Hudson People). Both were first-class, highly talented musicians and composers from the U.S., who spent most of their lives living and working in Southern Germany.
Hudson describes their creative process: "It was just me and Johnny, playing all the instruments. Johnny handled the bass, guitar, and vocals, and we programmed the drum machine together. Most everything else was keyboards." He recalls that Genre: Funk / Boogie / Disco
- they spent only six or seven days recording the album at Hartmann Digital Studio.
- Contains 2 previously unissued bonus tracks
- Deluxe gatefold sleeve
The combination of their musicianship and the cutting-edge technology at the studio resulted in a masterpiece of pure, state-of-the-art funk and boogie. The album features all the hallmarks of great 80s music: fresh synths, drum machines, and powerful lead vocals from John Davis. Upbeat tracks like "The Cat (Puma)" and the title track sit comfortably alongside more soulful songs like "Tears" and "Hearts of Gold," while "Dancing Shoes" remains one of the era's catchiest dance tracks.
Still, Shake It - Make It Loose holds a few mysteries. Why was it released under the unusual name J.D. (Puma) Lewis? And what's the story behind tracks like "The Cat"? While J.D. Lewis stood for John Davis Lewis's full legal name, Hudson sheds light on the "Puma" connection: "At the time, I was working as a promotions manager for Puma sportswear. Jörg Dassler, son of Puma founder Rudolf Dassler, was a friend of mine and financed our studio sessions." As said, these sessions took place at Hartmann Digital, a state-of-the-art studio in Untertrubach, Bavaria, where iconic artists like Nena, Yello, Visage, DAF, and Soft Cell recorded.
The use of such an expensive studio would have been out of reach for the two musicians without Puma's backing, which also explains why there is a title like "Dancing Shoes." When we had licensed the track for the Boogie On The Mainline compilation in 2018, we had the chance to speak with John Davis (who sadly passed away in May 2021 due to COVID-19). Davis revealed that there were plans to make a video for the song in collaboration with Puma, but those plans fell through. In the end, the album was signed to the Deggendorf-based Metrovynil label.
Interestingly, the original contract reveals that the first version of the album only contained six tracks. Metrovynil added two more: "Sexy Highschool Lady," a track Davis recorded solo, and "Party Rap" by The Dynamite Two, which had no connection to Davis or Hudson at all. The album's credits also list a "Fred Fiore" as the person "who made all of this possible." Hudson, who sees himself as the producer, has no idea who Fiore was - likely another fabrication from the label. "That's just the kind of thing Metrovynil did," Hudson comments with some regret.
Despite the behind-the-scenes confusion, the music spoke for itself. The original pressing looked and sounded fantastic, featuring a stylish cover shot of John Davis in a sharp suit. Now, with this first-ever vinyl reissue, we're thrilled to include additional photos and more background information in a deluxe gatefold sleeve.
This reissue includes all six tracks from the original Hartmann Digital sessions, plus two bonus tracks. From the original reel tapes, we unearthed additional material that Hudson and Davis produced together in the early to mid-80s. We're excited to share the previously unreleased tracks "Life's A Party," and "Walk Out On Me." The digital version of the reissue will also feature two more songs: "Red Drops" and "Pick It Up Off The Ground."
Shake It - Make It Loose is a classic boogie-funk album that belongs in every serious funk and disco collection. It showcases the undeniable talent of two true musicians and stands as a testament to the friendship between Reg Hudson and John Davis.
Tracklist:
Side A
The Cat (Puma)
Dancing Shoes
Tears
Life's A Party (Bonus Track)
Side B
Shake It - Make It Loose
Hearts Of Gold
Automatic Woman
Walk Out On Me (Bonus Track)
More
We are proud to present a true gem on our label: the first-ever vinyl reissue of the highly collectible Shake It - Make It Loose LP by J.D. (Puma) Lewis. Originally released on the infamous Metrovynil label in 1984, it stands as the best and most authentic boogie/80s funk album ever produced in Germany.
However, little is known about this legendary release, and the credits are sparse and often confusing. In reality, Shake It - Make It Loose was a collaboration between just two musicians: John Davis (R.I.P., later one of the real voices behind Milli Vanilli for producer Frank Farian) and Reginald Hudson (of Hudson People). Both were first-class, highly talented musicians and composers from the U.S., who spent most of their lives living and working in Southern Germany.
Hudson describes their creative process: "It was just me and Johnny, playing all the instruments. Johnny handled the bass, guitar, and vocals, and we programmed the drum machine together. Most everything else was keyboards." He recalls that Genre: Funk / Boogie / Disco
- they spent only six or seven days recording the album at Hartmann Digital Studio.
- Contains 2 previously unissued bonus tracks
- Deluxe gatefold sleeve
The combination of their musicianship and the cutting-edge technology at the studio resulted in a masterpiece of pure, state-of-the-art funk and boogie. The album features all the hallmarks of great 80s music: fresh synths, drum machines, and powerful lead vocals from John Davis. Upbeat tracks like "The Cat (Puma)" and the title track sit comfortably alongside more soulful songs like "Tears" and "Hearts of Gold," while "Dancing Shoes" remains one of the era's catchiest dance tracks.
Still, Shake It - Make It Loose holds a few mysteries. Why was it released under the unusual name J.D. (Puma) Lewis? And what's the story behind tracks like "The Cat"? While J.D. Lewis stood for John Davis Lewis's full legal name, Hudson sheds light on the "Puma" connection: "At the time, I was working as a promotions manager for Puma sportswear. Jörg Dassler, son of Puma founder Rudolf Dassler, was a friend of mine and financed our studio sessions." As said, these sessions took place at Hartmann Digital, a state-of-the-art studio in Untertrubach, Bavaria, where iconic artists like Nena, Yello, Visage, DAF, and Soft Cell recorded.
The use of such an expensive studio would have been out of reach for the two musicians without Puma's backing, which also explains why there is a title like "Dancing Shoes." When we had licensed the track for the Boogie On The Mainline compilation in 2018, we had the chance to speak with John Davis (who sadly passed away in May 2021 due to COVID-19). Davis revealed that there were plans to make a video for the song in collaboration with Puma, but those plans fell through. In the end, the album was signed to the Deggendorf-based Metrovynil label.
Interestingly, the original contract reveals that the first version of the album only contained six tracks. Metrovynil added two more: "Sexy Highschool Lady," a track Davis recorded solo, and "Party Rap" by The Dynamite Two, which had no connection to Davis or Hudson at all. The album's credits also list a "Fred Fiore" as the person "who made all of this possible." Hudson, who sees himself as the producer, has no idea who Fiore was - likely another fabrication from the label. "That's just the kind of thing Metrovynil did," Hudson comments with some regret.
Despite the behind-the-scenes confusion, the music spoke for itself. The original pressing looked and sounded fantastic, featuring a stylish cover shot of John Davis in a sharp suit. Now, with this first-ever vinyl reissue, we're thrilled to include additional photos and more background information in a deluxe gatefold sleeve.
This reissue includes all six tracks from the original Hartmann Digital sessions, plus two bonus tracks. From the original reel tapes, we unearthed additional material that Hudson and Davis produced together in the early to mid-80s. We're excited to share the previously unreleased tracks "Life's A Party," and "Walk Out On Me." The digital version of the reissue will also feature two more songs: "Red Drops" and "Pick It Up Off The Ground."
Shake It - Make It Loose is a classic boogie-funk album that belongs in every serious funk and disco collection. It showcases the undeniable talent of two true musicians and stands as a testament to the friendship between Reg Hudson and John Davis.
Tracklist:
Side A
The Cat (Puma)
Dancing Shoes
Tears
Life's A Party (Bonus Track)
Side B
Shake It - Make It Loose
Hearts Of Gold
Automatic Woman
Walk Out On Me (Bonus Track)
More
Label:Groovin Recordings
Cat-No:GR-12111
Release-Date:01.11.2024
Genre:House
Configuration:12"
Barcode:
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Label:Groovin Recordings
Cat-No:GR-12111
Release-Date:01.11.2024
Genre:House
Configuration:12"
Barcode:
1
Hollis P. Monroe - I'm Lonely (Original Mix)
2
Hollis P. Monroe - I'm Lonely (DJ Decent Acid Mix)
3
Hollis P. Monroe - I'm Lonely (Wamdue Remix)
OFFICIAL 2024 REMASTERED REISSUE
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Label:É Soul Cultura
Cat-No:ESOUL12001
Release-Date:01.11.2024
Genre:House / Techno
Configuration:12"
Barcode:
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Cat-No:ESOUL12001
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Genre:House / Techno
Configuration:12"
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1
Transmission Towers - Everything (Gone Crooked)
2
Transmission Towers - My Shadow (Crooked Shade)
Taken from Crooked Man’s forthcoming, future-facing Transmission Towers remix album, Crooked Transmissions, two of the standout club cuts are given the punchy 12 inch pressing they deserve. Released on Luke Una’s É Soul Cultura label, in partnership with Mr Bongo, Crooked Man has remoulded, re-energised and completely reworked ‘Everything’ and ‘My Shadow’ from Transmission Towers’ critically acclaimed debut LP, Transmission One. The result is a double dose of transcendental, tripped-out productions utilising every ounce of Crooked Man’s experience and expertise.
A key figure in electronic dance music since the late ‘80s, Sheffield-born Crooked Man aka Richard Barratt released one of bleep techno’s defining records back in ‘89. Landing on Warp, it came under the alias Sweet Exorcist with the late great Richard H. Kirk. Since then, Barratt has put out a slew of exceptional productions under a variety of different monikers from Crooked Man and Parrot, to Earth Angel and Athletes of God. He has released on DFA, delivered countless remixes for Róisín Murphy and reimagined the likes of JIM and Joe Goddard.
For this release, Crooked Man first takes ‘Everything’ and contorts it from a post-punk guitar trip into a cybertronic, new beat heater, aptly titled ‘Everything (Gone Crooked)’. A percussive state of hypnosis leads the charge, building the tension for a rumbling kick drum and buzzing synth-line to twist their talons into your mind. Eleanor Mante’s vocals take on a new vivacity, feeling like your head has been sucked into a psychedelic swirl away from reality. Afrofuturist, arresting and perfectly equipped to electrify any waning dancefloor into action.
On the B side, ‘My Shadow (Crooked Shade)’ sees Crooked Man morph the original into a firestarter of galactic proportions. The crunched-up breakbeat drives the journey and flips what was once a hallucinatory machine soul number, into an intoxicating slice of club-focussed heat from another dimension. Spiralling pads and astral synths coil around Eleanor’s reverberating vocals, as your body is willed to move in a trancelike state of cosmic motion. -
Early support from: Optimo, Erol Alkan, Mr Scruff, Sean Johnston (ALFOS), Test Pressing, Lakuti and Paula Tape. More
A key figure in electronic dance music since the late ‘80s, Sheffield-born Crooked Man aka Richard Barratt released one of bleep techno’s defining records back in ‘89. Landing on Warp, it came under the alias Sweet Exorcist with the late great Richard H. Kirk. Since then, Barratt has put out a slew of exceptional productions under a variety of different monikers from Crooked Man and Parrot, to Earth Angel and Athletes of God. He has released on DFA, delivered countless remixes for Róisín Murphy and reimagined the likes of JIM and Joe Goddard.
For this release, Crooked Man first takes ‘Everything’ and contorts it from a post-punk guitar trip into a cybertronic, new beat heater, aptly titled ‘Everything (Gone Crooked)’. A percussive state of hypnosis leads the charge, building the tension for a rumbling kick drum and buzzing synth-line to twist their talons into your mind. Eleanor Mante’s vocals take on a new vivacity, feeling like your head has been sucked into a psychedelic swirl away from reality. Afrofuturist, arresting and perfectly equipped to electrify any waning dancefloor into action.
On the B side, ‘My Shadow (Crooked Shade)’ sees Crooked Man morph the original into a firestarter of galactic proportions. The crunched-up breakbeat drives the journey and flips what was once a hallucinatory machine soul number, into an intoxicating slice of club-focussed heat from another dimension. Spiralling pads and astral synths coil around Eleanor’s reverberating vocals, as your body is willed to move in a trancelike state of cosmic motion. -
Early support from: Optimo, Erol Alkan, Mr Scruff, Sean Johnston (ALFOS), Test Pressing, Lakuti and Paula Tape. More
12"
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Label:Sol Power Sound
Cat-No:SOLPS013
Release-Date:01.11.2024
Genre:Afrobeat
Configuration:12"
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Label:Sol Power Sound
Cat-No:SOLPS013
Release-Date:01.11.2024
Genre:Afrobeat
Configuration:12"
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1
Nadie La Fond - Three Way Situation (Bosq’s Disco Special)
2
Nadie La Fond - Three Way Situation (Original 12 Inch Version)
3
Nappy Mayers - Let Yourself Go (Sol Power All-Stars’ Disco Dub)
4
Nappy Mayers - Let Yourself Go (Original 12 Inch Version)
Sol Power Sound returns with an EP of two blistering (and rare) island disco cuts remixed by Bosq and the Sol Power All-Stars that will make you forget that summer has come to a close. Officially licensed from the estate of Nappy Mayers, who wrote and produced both originals, both tracks capture Nappy’s exquisite sound that dominated the Trinidadian discotheques in the late 1970s and early 1980s but never received the international acclaim they deserved.
Bosq, a long-time friend of the label, leads things off on the A-side with his fiery dance floor flip of Nadie La Fond’s “Three Way Situation.” In his classic yet understated style, Bosq adds just enough, enhancing the captivating groove, while preserving the true essence and of the original. Using both vocal and dub parts Bosq turns up the funk and transforms the tune into a blistering modern disco cut that works equally well on the beach, in a dark club, or at your favorite underground afterhours.
On B1, the Sol Power All-Stars present an extended disco dub of the 1980 Nappy Mayers tune “Let Yourself Go.” The Sol Power crew opts to work with the b-side version of the original, which bypasses the lead vocal and instead focuses on the synth-bass led groove, an unforgettable chorus, and powerful disco horns. Toss in some chopped up flute, guitars, and synth and you’ve got yourself a party. And did we mention drums and perc? Don’t miss the massive soca break that will take you straight to a carnival jam in the islands.
Alongside remastered extended 12” versions of both original vocal cuts, Trini Disco Dubs highlights the genius of Nappy Mayers, a legendary Caribbean songwriter, producer, and performer, through the lens of modern producers who are at the top of their game. More
Bosq, a long-time friend of the label, leads things off on the A-side with his fiery dance floor flip of Nadie La Fond’s “Three Way Situation.” In his classic yet understated style, Bosq adds just enough, enhancing the captivating groove, while preserving the true essence and of the original. Using both vocal and dub parts Bosq turns up the funk and transforms the tune into a blistering modern disco cut that works equally well on the beach, in a dark club, or at your favorite underground afterhours.
On B1, the Sol Power All-Stars present an extended disco dub of the 1980 Nappy Mayers tune “Let Yourself Go.” The Sol Power crew opts to work with the b-side version of the original, which bypasses the lead vocal and instead focuses on the synth-bass led groove, an unforgettable chorus, and powerful disco horns. Toss in some chopped up flute, guitars, and synth and you’ve got yourself a party. And did we mention drums and perc? Don’t miss the massive soca break that will take you straight to a carnival jam in the islands.
Alongside remastered extended 12” versions of both original vocal cuts, Trini Disco Dubs highlights the genius of Nappy Mayers, a legendary Caribbean songwriter, producer, and performer, through the lens of modern producers who are at the top of their game. More
LP
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Label:Les Éditions Vermillon
Cat-No:LEVC002
Release-Date:15.11.2024
Genre:Jazz
Configuration:LP
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Label:Les Éditions Vermillon
Cat-No:LEVC002
Release-Date:15.11.2024
Genre:Jazz
Configuration:LP
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1
Bleu Nuit - Spanish Harlem
2
Sepia - Stress
3
Bleu Nuit - En Bas De Chez Toi (Live)
4
Les Espions - Casse-Tête Jungle
5
Avel Nevez - Naufrage (Partie 1)
6
Claude Robert Hit Orchestra - Dance The Disco Sound
7
Marie-Ange Cousin - Molle Ouate
8
Quai 21 - Music Man
9
Maderson - Tourne La Page
This compilation features tracks released between 1978 and 1988 in Western France.
Through this compilation, we strove to highlight a little-known regional scene, characteristic of the diverse and sometimes opposing music movements of the 80s. Through this musical journey across the Brittany, Normandy, and Pays-de-la-Loire regions, we sought to showcase a resolutely indie aesthetic, sometimes conceived in some of France’s most unusual studios, such as a bunker and a caravan.
We’ve found it difficult to make attribute an established, well-defined genre to some of the tracks featured on this compilation. They draw, each in their own way, from the rock scene that dominated the 80s in France, from countercultures, from American stars who shone on the country’s radio stations and in its record stores, and even from local folk music.
While one could hear an harmony across the tracks featured on Le Grand Ouest, channeling this manifold energy onto a record required extensive research through the Brittany, Normandy, and Pays de la Loire regions’ discographies. Over the three years since the release of Le Grand Sud-Est, we have meticulously researched the references of artists, musicians, studios, labels, and publishers from each region. We sought to trace each artist to identify and listen to all their works from that period, and, when possible, collect unreleased recordings, left as demo cassettes on the artists' dusty shelves.
The synthesis of this research, presented here under the title Le Grand Ouest, hopes to remind us of the timelessness of the indie scene in our country, through the lens of the 80s Western France’s scene. Whereas Le Grand Sud-Est exhibited the funkiest sides of the Provençale and Rhône-Alpes scene, Le Grand Ouest leans towards a more mellow, introverted music, an expression of groups of friends united by the joy of playing together.
The first 500 copies of the record come with an extensive booklet with unpublished photos, press clippings, and texts for each track.
A1 - Bleu Nuit - Spanish Harlem
A2 - Sepia - Stress
A3 - Bleu Nuit - En Bas De Chez Toi (Live)
A4 - Les Espions - Casse-Tête Jungle
A5 - Avel Nevez - Naufrage (Partie 1)
B1 - Claude Robert Hit Orchestra - Dance The Disco Sound
B2 - Marie-Ange Cousin - Molle Ouate
B3 - Quai 21 - Music Man
B4 - Maderson - Tourne La Page More
Through this compilation, we strove to highlight a little-known regional scene, characteristic of the diverse and sometimes opposing music movements of the 80s. Through this musical journey across the Brittany, Normandy, and Pays-de-la-Loire regions, we sought to showcase a resolutely indie aesthetic, sometimes conceived in some of France’s most unusual studios, such as a bunker and a caravan.
We’ve found it difficult to make attribute an established, well-defined genre to some of the tracks featured on this compilation. They draw, each in their own way, from the rock scene that dominated the 80s in France, from countercultures, from American stars who shone on the country’s radio stations and in its record stores, and even from local folk music.
While one could hear an harmony across the tracks featured on Le Grand Ouest, channeling this manifold energy onto a record required extensive research through the Brittany, Normandy, and Pays de la Loire regions’ discographies. Over the three years since the release of Le Grand Sud-Est, we have meticulously researched the references of artists, musicians, studios, labels, and publishers from each region. We sought to trace each artist to identify and listen to all their works from that period, and, when possible, collect unreleased recordings, left as demo cassettes on the artists' dusty shelves.
The synthesis of this research, presented here under the title Le Grand Ouest, hopes to remind us of the timelessness of the indie scene in our country, through the lens of the 80s Western France’s scene. Whereas Le Grand Sud-Est exhibited the funkiest sides of the Provençale and Rhône-Alpes scene, Le Grand Ouest leans towards a more mellow, introverted music, an expression of groups of friends united by the joy of playing together.
The first 500 copies of the record come with an extensive booklet with unpublished photos, press clippings, and texts for each track.
A1 - Bleu Nuit - Spanish Harlem
A2 - Sepia - Stress
A3 - Bleu Nuit - En Bas De Chez Toi (Live)
A4 - Les Espions - Casse-Tête Jungle
A5 - Avel Nevez - Naufrage (Partie 1)
B1 - Claude Robert Hit Orchestra - Dance The Disco Sound
B2 - Marie-Ange Cousin - Molle Ouate
B3 - Quai 21 - Music Man
B4 - Maderson - Tourne La Page More