non-exclusive

The Pool, Jazzanova’s most mature and musical album yet, welcomes a host of talented collaborators including Jamie Cullum, Ben Westbeech, Pete Josef, Rachel Sermanni, Olivier St Louis, Paul Randolph, Charlotte OC, and more. All bring their own distinctive flavours while retaining a real sense of Jazzanova’s musical identity—something that combines neo-soul, jazz, and pop songwriting with a unique knack for sampling and skills on everything from synth to piano, vibes to trombone, flugelhorn to guitar. The album flows from one track to the next, mixing up synthesised sounds, samples and acoustic instrumentation to paint a captivating picture.

A1. Now (L.O.V.E. and You & I - Part 2) feat. Oddisee
A2. Rain Makes The River feat. Rachel Sermanni
A3. Follow Your Feet feat. Pete Josef
B1. No. 9 feat. KPTN
B2. Slow Rise feat. David Lemaitre
B3. Let‘s Live Well feat. Jamie Cullum
C1. Everything I Wanted feat. Charlotte OC
C2. Heatwave feat. Olivier St. Louis
D1. It‘s Beautiful feat. Paul Randolph
D2. I‘m Still Here feat. Edward Vanzet
D3. Summer Keeps On Passing Me By feat. Ben Westbeech More

non-exclusive

The Pool, Jazzanova’s most mature and musical album yet, welcomes a host of talented collaborators including Jamie Cullum, Ben Westbeech, Pete Josef, Rachel Sermanni, Olivier St Louis, Paul Randolph, Charlotte OC, and more. All bring their own distinctive flavours while retaining a real sense of Jazzanova’s musical identity—something that combines neo-soul, jazz, and pop songwriting with a unique knack for sampling and skills on everything from synth to piano, vibes to trombone, flugelhorn to guitar. The album flows from one track to the next, mixing up synthesised sounds, samples and acoustic instrumentation to paint a captivating picture.

A1. Now (L.O.V.E. and You & I - Part 2) feat. Oddisee
A2. Rain Makes The River feat. Rachel Sermanni
A3. Follow Your Feet feat. Pete Josef
B1. No. 9 feat. KPTN
B2. Slow Rise feat. David Lemaitre
B3. Let‘s Live Well feat. Jamie Cullum
C1. Everything I Wanted feat. Charlotte OC
C2. Heatwave feat. Olivier St. Louis
D1. It‘s Beautiful feat. Paul Randolph
D2. I‘m Still Here feat. Edward Vanzet
D3. Summer Keeps On Passing Me By feat. Ben Westbeech More

non-exclusive

The Pool, Jazzanova’s most mature and musical album yet, welcomes a host of talented collaborators including Jamie Cullum, Ben Westbeech, Pete Josef, Rachel Sermanni, Olivier St Louis, Paul Randolph, Charlotte OC, and more. All bring their own distinctive flavours while retaining a real sense of Jazzanova’s musical identity—something that combines neo-soul, jazz, and pop songwriting with a unique knack for sampling and skills on everything from synth to piano, vibes to trombone, flugelhorn to guitar. The album flows from one track to the next, mixing up synthesised sounds, samples and acoustic instrumentation to paint a captivating picture.

A1. Now (L.O.V.E. and You & I - Part 2) feat. Oddisee
A2. Rain Makes The River feat. Rachel Sermanni
A3. Follow Your Feet feat. Pete Josef
B1. No. 9 feat. KPTN
B2. Slow Rise feat. David Lemaitre
B3. Let‘s Live Well feat. Jamie Cullum
C1. Everything I Wanted feat. Charlotte OC
C2. Heatwave feat. Olivier St. Louis
D1. It‘s Beautiful feat. Paul Randolph
D2. I‘m Still Here feat. Edward Vanzet
D3. Summer Keeps On Passing Me By feat. Ben Westbeech More

Worldwide, Shops only Release.

There's not a lot to tell about the project Glow In The Dark by a certain Harry Miller. Only perhaps we can state that with these eight tracks at hand Harry Miller accomplished probably the most enchanting album of the still quite young year. Just when we wanted to dismiss the short-dated genre of Chillwave wistfully, “Future Bliss” comes along with a bewitching sound hailing from an optimistic but cranky future. Already the opening track “step ONE” with its vocal samples and its spoken word intro is futuristic soul full of affirmation of life pillowed on a synth bedding smoothed to the max up to its edges. But also the following seven tracks spread infectious positive vibes all around.
The magic of Glow In The Dark's tracks is energized mostly by Miller's delicate way of treating his various samples, a wary manner one usually only shows when picking up a guitar. And unlike sample based music feeding from Hiphop his tracks are completely free from any sort of nostalgia, because all of his songs are designed for the future through and
through.
“Future Bliss” is one hell of a joy ride, from the first note to the last tone. The neon funk of “1987”, the broken beat of “7 Billion = 1”, the synth pop of “The Last Dance” and in general, all of the eight tracks could be little, but great hymns on their own. But only in its entirety they sparkle this fathomless ingeniousness hidden in Glow In The Dark. In the end it seems to be wiser that one has as little background information as possible to be able to lose oneself fully in this “Future Bliss”.

TRACKLISTING:
A1. step ONE, A2. 7 Billion = 1 , A3. Kaleidoscopic Hue , A4. Future Bliss
B1. Screams Under Stars, B2. The Last Dance, B3. 1987, B4. Absolute Zero More

lim. two color Vinyl. Gatefold Cover with sticker and download code on postcard.

Welcome Back, friends, to the Yacht Soul cruise that never ends!
This theme, explored at length in the previous installment of this series, is a fertile one that just keeps on giving, and give it certainly does on the tracks we have dug up for your perusal, enlightenment, edification and enjoyment on Yacht Soul 2.
For those just joining us, the concept here concerns R&B and soul artists mining the songbooks of their white contemporaries for cover versions that serve the dual purposes of potentially garnering some crossover radio airplay as well as introducing great songs to segments of the listening public who might otherwise miss them. Some of these versions might have come about because they were personal favorites of the artist in question, others might have been strongly suggested by their labels or by the publishing company, but all of them provide an entirely new perspective on what were already fantastic songs to begin with.
So there you have it--a further dig into this nebulous concept that reveals more unexpected connections and crossed paths. Understanding the hows and whys of the way these particular covers and collaborations came to be is as fascinating as just enjoying the music itself, and there really is a lot of great music to dig into this time around! We hope you enjoy listening to it as much as we did putting it together.

VITAL SALES POINTS:

- Second volume from the YACHT SOUL series. First volume is the second best selling "Too Slow To Disco" compilation so far.…
- Extensive Global Promo by Tobias Kirsch/Germany and Special Requests UK
- Record Relase Parties planned.

Tracklist:

1 MEL & TIM - Keep The Faith
2 IMPACT - Sara Smile
3 BILLY PAUL - It's Too Late
4 ESTHER PHILLIPS - I Hope You'll Be Very Unhappy Without Me
5 JOHN EDWARDS - Tin Man
6 ROY AYERS - What You Won't Do For Love
7 ARNOLD MCCULLER - Gringo
8 RICHIE HAVENS - Dreams
9 BRENDA RUSSELL - I Want Love To Find Me
10 PATTI LABELLE - Monkey See - Monkey Do
11 THE MAIN INGREDIENT - Euphrates
12 THE ISLEY BROTHERS - Listen To The Music
13 DIONNE WARWICK - Dedicate This Heart
14 CHAKA KHAN - Fate
15 KENI BURKE - Love Is The Answer
More

Territories: Worldwide no restrictions

Format Notes:

Part of Music De Wolfe Reissue Campaign, 2023 first time reissue, 140g vinyl


Track List:

SIDE ONE

Megaton 5:01
Renegade 5:05
Facade 3:18
Chabati 3:11
Green Hell 6:41

---

SIDE TWO

Boss 3:55
Nsambei 4:00
Waboco 3:29
Cult 4:37
Ngoma-ku 7:04

Release Notes:

Vecchio's Afro-Rock is one big horn-heavy, bass-blasting, Latin groove funk-rock party. Only now, you're all invited because this, ladies and gentleman, is officially...a grail no more. With copies currently starting at 400 Euros for an original, this beautifully presented reissue, part of Be With's fresh campaign with Music De Wolfe, is well overdue. A magnificent and somewhat obscure library set that's just a total, cohesive joy from start to finish, this here is the soundtrack to all your smokin' summer BBQs and communal cookouts.

Afro-Rock is the debut album by Argentine keyboardist Luis Vecchio. Recorded for the sound library label De Wolfe, the album is frequently mentioned in hushed reverence among the beat digger DJ collecting crowd. It features fiery brass charts, funky bass lines, fluttering flute, choppy organ and additional hand tribal percussion. The band let loose too and jam hard; yet there's a certain thread of solidity that runs throughout, the tracks just belong together, not disparate sound and rhythm experiments like some library records; this is just straight up, no messin', consistent funk-rock FIRE! Hips will sway, heads will nod to the steady vibes. It's insanely good.

The humid, building funk of the appropriately titled "Megaton" is a dramatic explosion of swirling, dazzling organ lines, ferocious beats and heavy horns throughout. It just don't stop. The tempo slows slightly for the deep and deeply addictive "Renegade". It's all heavy jazz horn refrains, always triumphant, coupled with devastating percussive breakdowns and killer guitar riffing. It's an insistent organ-led juggernaut. The frenetic "Facade", up next, is no less driving, horns high up in the mix over rattling percussion and brilliant organs lines. Just sensational. The bright "Chabati" is another glorious extension of the optimistic Vecchio sound, the organs wilder than ever before. The moody "Green Hell" is a real highlight and closes out the A-Side with some outrageously funky refrains - be it horns, organ or guitars - and is complimented by gorgeous flute work that galvanises the piece, elevating it to downright heavenly status.

Knowing full well that he's on to a surefire thing, Vecchio opens the flipside in much the same vein. Indeed, "Boss" is yet another uptempo highlight, a sensual orgy of proud horns, hand percussion and melodic flute playing over driving organ and guitars. It's followed by "Nsambei", which is rightly adored for its briefly open drum break, fantastically propulsive percussion breakdowns throughout and the jazzy, loose organ and guitar shreds. The bright "Waboco" ups the tempo and the pressure, hanging on one hell of a guitar hook and infectious horn refrain. Perhaps foreseeing how this album would come to be viewed, the aptly-titled "Cult" is possibly the finest song on the record. Which is saying something, because this record is insanely good. Riding a steady, confident organ groove straight out the gate, the kinda melancholic flute line over the top serves as a beautiful counterpoint which the horns often come in and imitate/riff off. Goddamn this is so so good, it needs to be played everywhere. The overwhelmingly mighty 7-minute jam "Ngoma-ku" rounds out this quite staggering record brilliantly in its heavy, mid-tempo blues with countless extended solos.

The audio for Afro Rock has been meticulously remastered by Be With regular Simon Francis, ensuring this release sounds better than ever. Cicely Balston's expert skills have made sure nothing is lost in the cut whilst the records have been pressed to the highest possible standard at Record Industry in Holland. The original, iconic sleeve has been restored here at Be With HQ as the finishing touch to this long overdue re-issue. More