Sweetart Vinyl. Originally released in 2004, MF DOOM's MM.FOOD is hailed as a classic | hip-hop album full of inventive production, brilliant wordplay, and unique themes. Celebraled for its seamless blend of humor, wit, and social commentary, the album ushers listeners into a bizarre world af food-related metaphors, painting a bitterly comedic portrait of a life tainted by vice, violence, and jealousy. It was a brilliant and novel concept that gave DOOM plenty of room to explore the album's subjects. Throughout MM..FOOD, DOOM embeds complex ideas within seemingly simple narratives. Album opener "Beef Rapp' is a multi-pronged metaphor reminding listeners of the dangers involved in the glorification of conflict, especially within the rap game. "Hoe Cakes" borrows its name from the sweet, hot water cornmeal patties, which he uses as a symbol to rhyme about indulgence and excess. Continuing the motif, DOOM uses the Madlib-produced "One Beer" to fold layers of depth about escapism and ego, while the popular "Rapp Snitch Knishes" critiques the sell-incrimination and contradictory behaviors of some rappers. Overall, MM.FOOD is both a social commentary and a piece of social satire, showcasing MF DOOM'S ability to blend serious themes with his unique, playful lyrical style. In celebration of the album's 20th anniversary, MM.FOOD has been repackaged with all new artwork by Sam Rodriguez!
Tracklist:
1.1BEEF RAPP
1.2HOE CAKES
1.3POTHOLDERZ FEAT. COUNT BASS D
1.4ONE BEER
1.5DEEP FRIED FRENZ
1.6POO-PUTT PLATTER
1.7FILLET-O-RAPPER
1.8GUMBO
1.9FIG LEAF BI-CARBONATE
1.10KON KARNE
1.11GUINNESSEZ FEAT. ANGELKIA & 4IZE
1.12KON QUESO
1.13RAPP SNITCH KNISHES FEAT. MR. FANTASTIK
1.14VOMITSPIT
1.15KOOKIES More
Tracklist:
1.1BEEF RAPP
1.2HOE CAKES
1.3POTHOLDERZ FEAT. COUNT BASS D
1.4ONE BEER
1.5DEEP FRIED FRENZ
1.6POO-PUTT PLATTER
1.7FILLET-O-RAPPER
1.8GUMBO
1.9FIG LEAF BI-CARBONATE
1.10KON KARNE
1.11GUINNESSEZ FEAT. ANGELKIA & 4IZE
1.12KON QUESO
1.13RAPP SNITCH KNISHES FEAT. MR. FANTASTIK
1.14VOMITSPIT
1.15KOOKIES More
More records from MF DOOM
Underneath his mysterious metal mask, MF DOOM hides the cachet underground legends are made of. After his first group KMD's sophomore album Black Bastards was shelved by Elektra in 1994, and his blood brother Subroc _ one half of the sibling rap duo _ passed away, surviving frontman Zev Love X slowly mutated into the supervillain MC known as MF DOOM, and the rap world is better for it. The 1999 release of Operation: Doomsday marked MF DOOM's official debut, reintroducing a mysterious figure who would soon become one of underground rap's greatest voices. Within its 19 tracks, Operation: Doomsday reveals the confluence of DOOM's tragic past, personal interests and daring creativity. His clever rhymes and remarkable schemes stood out against the landscape, and every sound he touched _ from cartoon theme songs, to `80s soul, to rap classics and more _ got reinterpreted into something brand new and surreal. Decades later, MF DOOM is still celebrated for all facets of his work and influence. In the face of tragedy, DOOM re-infiltrated the rap game on his own terms, and crafted an instant cult classic. Operation: Doomsday stands as a testament to the power of betting on yourself against all odds.
Tracklist
1.1THE TIME WE FACED DOOM (SKIT)
1.2DOOMSDAY FEAT. PEBBLES THE INVISIBLE GIRL
1.3RHYMES LIKE DIMES FEAT. DJ CUCUMBER SLICE
1.4THE FINEST FEAT. TOMMY GUNN
1.5BACK IN THE DAYS (SKIT)
1.6GO WITH THE FLOW
1.7TICK, TICK... FEAT. MF GRIMM
1.8RED AND GOLD FEAT. KING GHIDRA
1.9THE HANDS OF DOOM (SKIT)
1.10WHO DO YOU THINK I AM? FEAT. X-RAY, RODAN, MEGALON, K.D., KING GHIDRA & KONG
1.11DOOM, ARE YOU AWAKE? (SKIT)
1.12HEY!
1.13OPERATION: GREENBACKS FEAT. MEGALON
1.14THE MIC FEAT. PEBBLES THE INVISIBLE GIRL
1.15THE MYSTERY OF DOOM (SKIT)
1.16DEAD BENT
1.17GAS DRAWLS
1.18? FEAT. KURIOUS
1.19HERO V.S. VILLAIN (EPILOGUE) FEAT. E. MASON More
Tracklist
1.1THE TIME WE FACED DOOM (SKIT)
1.2DOOMSDAY FEAT. PEBBLES THE INVISIBLE GIRL
1.3RHYMES LIKE DIMES FEAT. DJ CUCUMBER SLICE
1.4THE FINEST FEAT. TOMMY GUNN
1.5BACK IN THE DAYS (SKIT)
1.6GO WITH THE FLOW
1.7TICK, TICK... FEAT. MF GRIMM
1.8RED AND GOLD FEAT. KING GHIDRA
1.9THE HANDS OF DOOM (SKIT)
1.10WHO DO YOU THINK I AM? FEAT. X-RAY, RODAN, MEGALON, K.D., KING GHIDRA & KONG
1.11DOOM, ARE YOU AWAKE? (SKIT)
1.12HEY!
1.13OPERATION: GREENBACKS FEAT. MEGALON
1.14THE MIC FEAT. PEBBLES THE INVISIBLE GIRL
1.15THE MYSTERY OF DOOM (SKIT)
1.16DEAD BENT
1.17GAS DRAWLS
1.18? FEAT. KURIOUS
1.19HERO V.S. VILLAIN (EPILOGUE) FEAT. E. MASON More
More records from Rhymesayers Entertainment
1
Kurious - Unknown Species
2
Kurious - Untainted
3
Kurious - Tis The Season
4
Kurious - Eye Of Horus
5
Kurious - 1984
6
Kurious - Teach & Forgive
7
Kurious - Separation Anxiety
8
Kurious - Cow's Eye
9
Kurious - Bacalao Opera
10
Kurious - Majical Journey
11
Kurious - Barry Gibb
12
Kurious - Par The Course (Feat. Mr. Fantastik)
13
Kurious - Open (Feat. Homeboy Sandman)
14
Kurious - Majic Interlude
15
Kurious - Come Back
By his early 20s, Kurious was already an in-demand voice on the mic. His 1994 major label debut album, A Constipated Monkey, is a classic of its style, marked by heavy beats and nimble rhymes that are razor-sharp yet frequently hilarious. Despite being hailed as one of hip-hop’s most compelling lyricists, he didn’t release another solo LP for the rest of that decade, but he continued to be sought after. Rap fans the world over know him for his verse on “?,” one of the standout songs from his longtime friend and collaborator MF DOOM’s heralded Operation: Doomsday.
As he prepares for the release of his new album, Majician—the nickname his peers blessed him with a generation ago—Kurious is well on his way to establishing the legacy he’s long deserved. The LP, which was executive produced by MF DOOM before his passing, is a mesmerizing blend of technical wizardry and personal introspection. Take “Eye of Horus,” where the pulsing drums convey an urgency that borders on panic; Kurious weaves a complex tapestry of history and insight, but does so while ducking through and under each pocket in the beat.
Produced in its entirety by Mono En Stereo, Majician is filled with songs like “Eye of Horus,” which dance on the line between confession and confrontation. “Separation Anxiety” is a personal bloodletting in the form of lyrical exercise; “Par For the Course,” which features the elusive Mr. Fantastik, makes drum breaks from the early Reagan era sound totally revitalized. Through the radical amount of work Kurious put into the writing and recording of this material, he’s removed all ambiguity from the question of whether he can stand as one of the premier MCs of his time. More
As he prepares for the release of his new album, Majician—the nickname his peers blessed him with a generation ago—Kurious is well on his way to establishing the legacy he’s long deserved. The LP, which was executive produced by MF DOOM before his passing, is a mesmerizing blend of technical wizardry and personal introspection. Take “Eye of Horus,” where the pulsing drums convey an urgency that borders on panic; Kurious weaves a complex tapestry of history and insight, but does so while ducking through and under each pocket in the beat.
Produced in its entirety by Mono En Stereo, Majician is filled with songs like “Eye of Horus,” which dance on the line between confession and confrontation. “Separation Anxiety” is a personal bloodletting in the form of lyrical exercise; “Par For the Course,” which features the elusive Mr. Fantastik, makes drum breaks from the early Reagan era sound totally revitalized. Through the radical amount of work Kurious put into the writing and recording of this material, he’s removed all ambiguity from the question of whether he can stand as one of the premier MCs of his time. More
Before MF DOOM donned his mask and became one of the most prolific MC-producers of modern Hip-Hop, he was a member of KMD, an early `90s rap group whose work still goes criminally under-appreciated to this day. Following their 1991 debut album, Mr. Hood, the former trio shed one member leaving only two remaining - Subroc and his brother, Zev Love X (better known today as MF DOOM). Originally scheduled for release in 1994, their sophomore album Black Bastards showed clear progression from their debut. It was a truly amazing record, both sonically and lyrically, full of youthful creativity and tinged with the stresses of growing up as Black men in urban America. Songs like the lead single "What A N*gga Know", the slippery, bass-driven "Get U Now", and the album's title track explore Black consciousness viewed through young-but-experienced eyes. Musically alternating between bouncy and raw - many times both, concurrently - the tracks gave the MC's the springboard they needed to express themselves clearly. Sadly, Subroc would face a sudden and untimely death in 1993, just as the duo were finishing the album. Grief-stricken, his brother Zev Love X - now the sole remaining member of the group - was determined to carry the legacy of KMD onward, but Elektra Records unceremoniously shelved the project in the eleventh hour, due to controversy surrounding the album's provocative cover art. Following the fallout with Elektra, Zev tried for years to release the album on other labels, but he was continually met with dead ends. Struggling through the pain of losing his brother, coupled with the inability to release their final project together, a discouraged Zev Love X quietly withdrew from the scene and began quietly plotting his revenge on an industry that had broken him spiritually. Thus, in order to understand the true origin story of the super-villain, MF DOOM, one must recognize and appreciate the evolution of his former group, KMD, and the backstory of their pivotal album, Black Bastards.
Tracklist
1.1GARBAGE DAY #3
1.2GET-U-NOW
1.3WHAT A N*GGA KNOW?
1.4SWEET PREMIUM WINE
1.5PLUMSKINZZ (LOOSE HOE, GOD & CUPID)
1.6SMOKIN' THAT S*#%
1.7CONTACT BLITT
1.8GIMME
1.9BLACK BASTARDS!
1.10IT SOUNDED LIKE A ROC
1.11PLUMSKINZZ (OH NO I DON'T BELIEVE IT!)
1.12CONSTIPATED MONKEY
1.13F*#@ WIT' YA HEAD
1.14SUSPENDED ANIMATION More
Tracklist
1.1GARBAGE DAY #3
1.2GET-U-NOW
1.3WHAT A N*GGA KNOW?
1.4SWEET PREMIUM WINE
1.5PLUMSKINZZ (LOOSE HOE, GOD & CUPID)
1.6SMOKIN' THAT S*#%
1.7CONTACT BLITT
1.8GIMME
1.9BLACK BASTARDS!
1.10IT SOUNDED LIKE A ROC
1.11PLUMSKINZZ (OH NO I DON'T BELIEVE IT!)
1.12CONSTIPATED MONKEY
1.13F*#@ WIT' YA HEAD
1.14SUSPENDED ANIMATION More
Underneath his mysterious metal mask, MF DOOM hides the cachet underground legends are made of. After his first group KMD's sophomore album Black Bastards was shelved by Elektra in 1994, and his blood brother Subroc _ one half of the sibling rap duo _ passed away, surviving frontman Zev Love X slowly mutated into the supervillain MC known as MF DOOM, and the rap world is better for it. The 1999 release of Operation: Doomsday marked MF DOOM's official debut, reintroducing a mysterious figure who would soon become one of underground rap's greatest voices. Within its 19 tracks, Operation: Doomsday reveals the confluence of DOOM's tragic past, personal interests and daring creativity. His clever rhymes and remarkable schemes stood out against the landscape, and every sound he touched _ from cartoon theme songs, to `80s soul, to rap classics and more _ got reinterpreted into something brand new and surreal. Decades later, MF DOOM is still celebrated for all facets of his work and influence. In the face of tragedy, DOOM re-infiltrated the rap game on his own terms, and crafted an instant cult classic. Operation: Doomsday stands as a testament to the power of betting on yourself against all odds.
Tracklist
1.1THE TIME WE FACED DOOM (SKIT)
1.2DOOMSDAY FEAT. PEBBLES THE INVISIBLE GIRL
1.3RHYMES LIKE DIMES FEAT. DJ CUCUMBER SLICE
1.4THE FINEST FEAT. TOMMY GUNN
1.5BACK IN THE DAYS (SKIT)
1.6GO WITH THE FLOW
1.7TICK, TICK... FEAT. MF GRIMM
1.8RED AND GOLD FEAT. KING GHIDRA
1.9THE HANDS OF DOOM (SKIT)
1.10WHO DO YOU THINK I AM? FEAT. X-RAY, RODAN, MEGALON, K.D., KING GHIDRA & KONG
1.11DOOM, ARE YOU AWAKE? (SKIT)
1.12HEY!
1.13OPERATION: GREENBACKS FEAT. MEGALON
1.14THE MIC FEAT. PEBBLES THE INVISIBLE GIRL
1.15THE MYSTERY OF DOOM (SKIT)
1.16DEAD BENT
1.17GAS DRAWLS
1.18? FEAT. KURIOUS
1.19HERO V.S. VILLAIN (EPILOGUE) FEAT. E. MASON More
Tracklist
1.1THE TIME WE FACED DOOM (SKIT)
1.2DOOMSDAY FEAT. PEBBLES THE INVISIBLE GIRL
1.3RHYMES LIKE DIMES FEAT. DJ CUCUMBER SLICE
1.4THE FINEST FEAT. TOMMY GUNN
1.5BACK IN THE DAYS (SKIT)
1.6GO WITH THE FLOW
1.7TICK, TICK... FEAT. MF GRIMM
1.8RED AND GOLD FEAT. KING GHIDRA
1.9THE HANDS OF DOOM (SKIT)
1.10WHO DO YOU THINK I AM? FEAT. X-RAY, RODAN, MEGALON, K.D., KING GHIDRA & KONG
1.11DOOM, ARE YOU AWAKE? (SKIT)
1.12HEY!
1.13OPERATION: GREENBACKS FEAT. MEGALON
1.14THE MIC FEAT. PEBBLES THE INVISIBLE GIRL
1.15THE MYSTERY OF DOOM (SKIT)
1.16DEAD BENT
1.17GAS DRAWLS
1.18? FEAT. KURIOUS
1.19HERO V.S. VILLAIN (EPILOGUE) FEAT. E. MASON More
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Red Vinyl Repress coming mid/end of november.
During the early days of Deepchord Records, Detroit's transient and forgotten subculture musically inspired label founders Mike Schommer and Rod Modell in significant ways. The apex of Mike's creative fixation with the city was in 2001 when he recorded the Von Schommer album dc15. To capture the nature of the environment he found so fascinating, Schommer recorded the project at the Crown Motel in Detroit, Michigan. While overlooking the transient life displayed in the motel courtyard, Mike crafted lonely tones from his modular synthesizer and mixed them with his rudimentary DIY electronics. Still, most significantly, he allowed the music to become impregnated by the environment (much like the stains in the permanently soiled carpets of the motel room floor), creating a holistic experience that remains close to his heart almost 25 years later. Initially available as a limited edition preorder cdr to the Hypereal 313 maillist, the album has been remastered and is now available on color vinyl for the first time.
Original photography and treatments on tracks untitled 4 and untitled 10 by Rod Modell. More
During the early days of Deepchord Records, Detroit's transient and forgotten subculture musically inspired label founders Mike Schommer and Rod Modell in significant ways. The apex of Mike's creative fixation with the city was in 2001 when he recorded the Von Schommer album dc15. To capture the nature of the environment he found so fascinating, Schommer recorded the project at the Crown Motel in Detroit, Michigan. While overlooking the transient life displayed in the motel courtyard, Mike crafted lonely tones from his modular synthesizer and mixed them with his rudimentary DIY electronics. Still, most significantly, he allowed the music to become impregnated by the environment (much like the stains in the permanently soiled carpets of the motel room floor), creating a holistic experience that remains close to his heart almost 25 years later. Initially available as a limited edition preorder cdr to the Hypereal 313 maillist, the album has been remastered and is now available on color vinyl for the first time.
Original photography and treatments on tracks untitled 4 and untitled 10 by Rod Modell. More
1
Jonathan Bockelmann - Aoneko No Torso (02:15 min)
2
Jonathan Bockelmann - Dream (01:15 min)
3
Jonathan Bockelmann - Bibo No Aozora (03:19 min)
4
Jonathan Bockelmann - Blu (02:59 min)
5
Jonathan Bockelmann - A Flower Is Not a Flower (03:12 min)
6
Jonathan Bockelmann - 20220302 (02:42 min)
7
Jonathan Bockelmann - Opus (05:21 min)
8
Jonathan Bockelmann - Dancing in the Sky (01:04 min)
9
Jonathan Bockelmann - Suite for Krug in 2008: Movement I. (06:30 min)
10
Jonathan Bockelmann - Suite for Krug in 2008: Movement II. (07:10 min)
11
Jonathan Bockelmann - Suite for Krug in 2008: Movement III. (05:14 min)
LP
Special remarks: 180g
Tracklist:
A1) Aoneko No Torso 02:15 min
A2) Dream 01:15 min
A3) Bibo No Aozora 03:19 min
A4) Blu 02:59 min
A5) A Flower Is Not a Flower 03:12 min
A6) 20220302 02:42 min
A7) Opus 05:21 min
A8) Dancing in the Sky 01:04 min
B1) Suite for Krug in 2008: Movement I. 06:30 min
B2) Suite for Krug in 2008: Movement II. 07:10 min
B3) Suite for Krug in 2008: Movement III. 05:14 min
Info:
Jonathan Bockelmann is a classical guitarist and composer based in Munich who first made waves in 2023 with his debut album ‘Childish Mind’. His entry into composing were arrangements he had made of pieces by Japanese composer Ryuichi Sakamoto. Some of these have been released digitally in three editions and are now available on vinyl for the first time. The record comes in high quality packaging with an embossed art print and features both some of Sakamoto’s lesser-known works like the ‘Suite for Krug’ as well as iconic pieces like ‘Bibo No Aozora’.
More
Special remarks: 180g
Tracklist:
A1) Aoneko No Torso 02:15 min
A2) Dream 01:15 min
A3) Bibo No Aozora 03:19 min
A4) Blu 02:59 min
A5) A Flower Is Not a Flower 03:12 min
A6) 20220302 02:42 min
A7) Opus 05:21 min
A8) Dancing in the Sky 01:04 min
B1) Suite for Krug in 2008: Movement I. 06:30 min
B2) Suite for Krug in 2008: Movement II. 07:10 min
B3) Suite for Krug in 2008: Movement III. 05:14 min
Info:
Jonathan Bockelmann is a classical guitarist and composer based in Munich who first made waves in 2023 with his debut album ‘Childish Mind’. His entry into composing were arrangements he had made of pieces by Japanese composer Ryuichi Sakamoto. Some of these have been released digitally in three editions and are now available on vinyl for the first time. The record comes in high quality packaging with an embossed art print and features both some of Sakamoto’s lesser-known works like the ‘Suite for Krug’ as well as iconic pieces like ‘Bibo No Aozora’.
More
1
Alva Noto - A1 HYbr:ID Noh Talk
2
Alva Noto - A2 HYbr:ID Sync Dark
3
Alva Noto - A3 HYbr:ID Noh Human
4
Alva Noto - B1 HYbr:ID Sync Inter
5
Alva Noto - B2 HYbr:ID Collective Open
6
Alva Noto - B3 HYbr:ID Obsessive Behaviour Day
7
Alva Noto - B4 HYbr:ID Obsessive Behaviour Night
8
Alva Noto - C1 HYbr:ID Para Contamination
9
Alva Noto - C2 HYbr:ID Script Solitude
10
Alva Noto - C3 HYbr:ID Script Sacre Drone
11
Alva Noto - D1 HYbr:ID Script Broken Conversation
12
Alva Noto - D2 HYbr:ID Rehuman
13
Alva Noto - D3 HYbr:ID Épilogue
2LP
A1. HYbr:ID Noh Talk
A2. HYbr:ID Sync Dark
A3. HYbr:ID Noh Human
B1. HYbr:ID Sync Inter
B2. HYbr:ID Collective Open
B3. HYbr:ID Obsessive Behaviour Day
B4. HYbr:ID Obsessive Behaviour Night
C1. HYbr:ID Para Contamination
C2. HYbr:ID Script Solitude
C3. HYbr:ID Script Sacre Drone
D1. HYbr:ID Script Broken Conversation
D2. HYbr:ID Rehuman
D3. HYbr:ID Épilogue
For an aesthetic of (dis)obedience. The impressions Richard Siegal and his company Ballet of Difference gathered on a trip to Japan in September 2022 now find their way into a full-length dance evening. Siegal and his team had set off for Tokyo to learn the practice of Shuudan Koudou, also known as "Japanese Precision Walking". The strictly synchronised group choreographies are astonishing in their radical stringency and have become a secret YouTube hit, not least because of their peculiar subtle humour. Siegal recognises in the extreme disciplining of the bodies an analogy to the training practice of classical ballet. In the mutual exchange of these movement cultures, questions are raised about individual and collective thinking, about personal decision-making power and social responsibility. For this extraordinary project, Richard Siegal has invited a special guest: Nazareth Panadero, long-time companion of Pina Bausch, who has long since become an icon of Wuppertal dance theatre and will be on stage with the BoD ensemble.
The production BALLET OF (DIS)OBEDIENCE is sponsored by Goethe Institut, with the kind support of Sissel GmbH.
CHOREOGRAPHY & STAGE: RICHARD SIEGAL
COSTUME: FLORA MIRANDA
LIGHT & VIDEO: MATTHIAS SINGER
MUSIC: ALVA NOTO
DRAMATURGY: TOBIAS STAAB
more info to: Shuudan koudou
'Shuudan koudou' Shuudan Koudou Is the Japanese #art of Synchronized Precision ...YouTube · Boson TV: Tech Marvels & Cool Discoveries22 Dec 2022
Kottke.org https://kottke.org › shuudan-koud...Shuudan Koudou Is the Japanese Art of Synchronized Precision Walking
On the other hand, hybrid 3 is inspired by Noh Play - Japanese performances and deals with the refusal of rules musically, hybrid three continues the two previous albums and weaves both rhythmic and beatless musical pieces into a holistic work.
The idea for me has always been that these albums are not only perceived as individual tracks, but as a whole piece, which is why I find the possibility of experiencing and listening to these albums in the right order and as a whole particularly important. For me, the pieces are not only closely related to the ballet that was created for them, but also function as individual pieces as pure, musical pieces and mark a new quality for me, which is very strongly focussed on producing electronic sounds and structures in such a way that they can develop a sculptural quality.
More
A1. HYbr:ID Noh Talk
A2. HYbr:ID Sync Dark
A3. HYbr:ID Noh Human
B1. HYbr:ID Sync Inter
B2. HYbr:ID Collective Open
B3. HYbr:ID Obsessive Behaviour Day
B4. HYbr:ID Obsessive Behaviour Night
C1. HYbr:ID Para Contamination
C2. HYbr:ID Script Solitude
C3. HYbr:ID Script Sacre Drone
D1. HYbr:ID Script Broken Conversation
D2. HYbr:ID Rehuman
D3. HYbr:ID Épilogue
For an aesthetic of (dis)obedience. The impressions Richard Siegal and his company Ballet of Difference gathered on a trip to Japan in September 2022 now find their way into a full-length dance evening. Siegal and his team had set off for Tokyo to learn the practice of Shuudan Koudou, also known as "Japanese Precision Walking". The strictly synchronised group choreographies are astonishing in their radical stringency and have become a secret YouTube hit, not least because of their peculiar subtle humour. Siegal recognises in the extreme disciplining of the bodies an analogy to the training practice of classical ballet. In the mutual exchange of these movement cultures, questions are raised about individual and collective thinking, about personal decision-making power and social responsibility. For this extraordinary project, Richard Siegal has invited a special guest: Nazareth Panadero, long-time companion of Pina Bausch, who has long since become an icon of Wuppertal dance theatre and will be on stage with the BoD ensemble.
The production BALLET OF (DIS)OBEDIENCE is sponsored by Goethe Institut, with the kind support of Sissel GmbH.
CHOREOGRAPHY & STAGE: RICHARD SIEGAL
COSTUME: FLORA MIRANDA
LIGHT & VIDEO: MATTHIAS SINGER
MUSIC: ALVA NOTO
DRAMATURGY: TOBIAS STAAB
more info to: Shuudan koudou
'Shuudan koudou' Shuudan Koudou Is the Japanese #art of Synchronized Precision ...YouTube · Boson TV: Tech Marvels & Cool Discoveries22 Dec 2022
Kottke.org https://kottke.org › shuudan-koud...Shuudan Koudou Is the Japanese Art of Synchronized Precision Walking
On the other hand, hybrid 3 is inspired by Noh Play - Japanese performances and deals with the refusal of rules musically, hybrid three continues the two previous albums and weaves both rhythmic and beatless musical pieces into a holistic work.
The idea for me has always been that these albums are not only perceived as individual tracks, but as a whole piece, which is why I find the possibility of experiencing and listening to these albums in the right order and as a whole particularly important. For me, the pieces are not only closely related to the ballet that was created for them, but also function as individual pieces as pure, musical pieces and mark a new quality for me, which is very strongly focussed on producing electronic sounds and structures in such a way that they can develop a sculptural quality.
More
1
Ecilo - Phylyps Frequencies
2
Ecilo - Eternal Source
3
Ecilo - Forgotten City
4
Ecilo - Frost Will Never Come
Genre: Techno
Tracklist 12":
A1 Ecilo – Phylyps Frequencies
A2 Ecilo – Eternal Source
B1 Ecilo – Forgotten City
B2 Ecilo – Frost Will Never Come
Short Info: Fast paced and detroit infused driving dub techno machines
Mastering & lacquer cut by Kassian Troyer at Dubplates & Mastering Berlin
More
Tracklist 12":
A1 Ecilo – Phylyps Frequencies
A2 Ecilo – Eternal Source
B1 Ecilo – Forgotten City
B2 Ecilo – Frost Will Never Come
Short Info: Fast paced and detroit infused driving dub techno machines
Mastering & lacquer cut by Kassian Troyer at Dubplates & Mastering Berlin
More
1
Charles A.D - A1 Boundary
2
Charles A.D - A2 Surfacing
3
Charles A.D - A3 Bubble ring
4
Charles A.D - B1 Deep Sea Exploration
5
Charles A.D - B2 Abyss Light
6
Charles A.D - B3 Traitor
LP
GENRE/S: Deep, Dub Techno
TRACKLISTS:
A1 Boundary
A2 Surfacing
A3 Bubble ring
B1 Deep Sea Exploration
B2 Abyss Light
B3 Traitor
SHORT INFO:
The sea has long been central to Japanese culture, symbolizing both sustenance and spiritual
depth. Charles A.D.'s Deep Diver draws inspiration from this, channeling the ancient traditions
of diving and fishing into his music. Historically, the sea has influenced everything from Shinto
rituals to the livelihoods of coastal communities. In Deep Diver, this reverence flows through
aquatic soundscapes, where rhythmic waves of 90s house and Detroit techno meet Japanese
minimal production techniques, New Age and Pacific Jazz. Like the tides, the album ebbs and
flows, creating a serene yet dynamic homage to the timeless connection between Japan and
the sea.
The opening track 'Deep Diver' plunges into the depths, its abstract sound design capturing the
sensation of deep-sea propulsion. Rhythmic bubbles pulse gently alongside slow-moving
chords, creating an otherworldly atmosphere. The textures are lush yet restrained, setting a
tranquil stage that pulls the listener into a submerged world. 'Underwater Ruins' builds on this
aquatic theme, introducing rhythmic layers and bass-heavy notes reminiscent of mid-90s
Japanese ambient techno. The smooth, melodic flow nods to pioneers like Mr.YT and Susumu
Yokota, while subtly incorporating the Detroit techno influence through soulful, deep basslines.
The track feels like a fusion of ambient and techno, balancing serene tones with a rolling
groove, emblematic of Japanese techno soul. As the album progresses into 'Bubble Ring', it
becomes clear that Charles A.D. is a master of minimalism. The production is timeless, leaning
on analog techniques where echo-drenched chords and carefully layered soundscapes take on
an addictive, hypnotic quality. The simplicity of the composition is deceptive, as each element
carries weight, drawing the listener deeper into the rhythm and space between the notes.
'Merperson' is where organic rhythms truly come into play. Charles A.D. gently evolves the
patterns, allowing each percussive hit to flow naturally into the next. Soothing melodies emerge
from within the track’s structure, eventually reaching an emotional peak without ever feeling
forced. The organic nature of the arrangement creates an effortless progression that feels
deeply connected to the natural movement of water.Starting the second half with 'Deep Exploration', the theme of underwater excursions becomes
even more pronounced. Light, steady drumming anchors the track, allowing the melodic layers
to develop gradually. It unfolds with a calm, measured pace, before ending softly, almost as if
the sounds are drifting off into the oceanic depths. 'Diffuse Reflection' stands out as the most
dub house-influenced on the album, with rolling rhythms and hypnotic elements reminiscent of
Maurizio's deep, pulsing sound. Yet here, the production feels submerged, with aquatic effects
swirling around the rhythmic core, blending dub house with a fluid, oceanic touch. 'Traitors'
delves even deeper into dub-inspired territory. Deep, resonant bass hits combine with wooden
drums, while static-like sounds evoke the image of a radio tuning through static to find clarity.
Chords shimmer briefly before fading back into the liquid depths, evoking the ebb and flow of
the tide. The final track on Deep Diver 'Levitation', is a fitting conclusion, as the rhythms merge
and overlap like waves gently lapping the shore. The minimalistic arrangement allows each
element to blend effortlessly into the next, creating a sense of unity and closure. The sounds
move with the gentle grace of water, ending the album in a way that feels both complete and
open-ended, like the infinite motion of the sea. More
GENRE/S: Deep, Dub Techno
TRACKLISTS:
A1 Boundary
A2 Surfacing
A3 Bubble ring
B1 Deep Sea Exploration
B2 Abyss Light
B3 Traitor
SHORT INFO:
The sea has long been central to Japanese culture, symbolizing both sustenance and spiritual
depth. Charles A.D.'s Deep Diver draws inspiration from this, channeling the ancient traditions
of diving and fishing into his music. Historically, the sea has influenced everything from Shinto
rituals to the livelihoods of coastal communities. In Deep Diver, this reverence flows through
aquatic soundscapes, where rhythmic waves of 90s house and Detroit techno meet Japanese
minimal production techniques, New Age and Pacific Jazz. Like the tides, the album ebbs and
flows, creating a serene yet dynamic homage to the timeless connection between Japan and
the sea.
The opening track 'Deep Diver' plunges into the depths, its abstract sound design capturing the
sensation of deep-sea propulsion. Rhythmic bubbles pulse gently alongside slow-moving
chords, creating an otherworldly atmosphere. The textures are lush yet restrained, setting a
tranquil stage that pulls the listener into a submerged world. 'Underwater Ruins' builds on this
aquatic theme, introducing rhythmic layers and bass-heavy notes reminiscent of mid-90s
Japanese ambient techno. The smooth, melodic flow nods to pioneers like Mr.YT and Susumu
Yokota, while subtly incorporating the Detroit techno influence through soulful, deep basslines.
The track feels like a fusion of ambient and techno, balancing serene tones with a rolling
groove, emblematic of Japanese techno soul. As the album progresses into 'Bubble Ring', it
becomes clear that Charles A.D. is a master of minimalism. The production is timeless, leaning
on analog techniques where echo-drenched chords and carefully layered soundscapes take on
an addictive, hypnotic quality. The simplicity of the composition is deceptive, as each element
carries weight, drawing the listener deeper into the rhythm and space between the notes.
'Merperson' is where organic rhythms truly come into play. Charles A.D. gently evolves the
patterns, allowing each percussive hit to flow naturally into the next. Soothing melodies emerge
from within the track’s structure, eventually reaching an emotional peak without ever feeling
forced. The organic nature of the arrangement creates an effortless progression that feels
deeply connected to the natural movement of water.Starting the second half with 'Deep Exploration', the theme of underwater excursions becomes
even more pronounced. Light, steady drumming anchors the track, allowing the melodic layers
to develop gradually. It unfolds with a calm, measured pace, before ending softly, almost as if
the sounds are drifting off into the oceanic depths. 'Diffuse Reflection' stands out as the most
dub house-influenced on the album, with rolling rhythms and hypnotic elements reminiscent of
Maurizio's deep, pulsing sound. Yet here, the production feels submerged, with aquatic effects
swirling around the rhythmic core, blending dub house with a fluid, oceanic touch. 'Traitors'
delves even deeper into dub-inspired territory. Deep, resonant bass hits combine with wooden
drums, while static-like sounds evoke the image of a radio tuning through static to find clarity.
Chords shimmer briefly before fading back into the liquid depths, evoking the ebb and flow of
the tide. The final track on Deep Diver 'Levitation', is a fitting conclusion, as the rhythms merge
and overlap like waves gently lapping the shore. The minimalistic arrangement allows each
element to blend effortlessly into the next, creating a sense of unity and closure. The sounds
move with the gentle grace of water, ending the album in a way that feels both complete and
open-ended, like the infinite motion of the sea. More
Label:Nina Kraviz Music
Cat-No:NK003REMIX1RED
Release-Date:01.11.2024
Genre:Electronic
Configuration:12"
Label:Nina Kraviz Music
Cat-No:NK003REMIX1RED
Release-Date:01.11.2024
Genre:Electronic
Configuration:12"
1
Nina Kraviz - Tarde (Ricardo Villalobos remix)
2
Nina Kraviz - Tarde
3
Nina Kraviz - Tarde (Melchior Productions LTD Late remix)
Tracklisting
A1 Nina Kraviz - Tarde (Ricardo Villalobos remix)
B1 Nina Kraviz - Tarde
B2 Nina Kraviz - Tarde (Melchior Productions LTD Late remix)
Sales Note
For the remixes of her "tarde" single, nina kraviz enlisted an all star remixers team and worked on a psy version herself as well. Nina recorded "tarde" in her bedroom 3 years ago and wanted the song to keep the same intimate feeling as when she recorded it. The result is a dark love song about love so strong, it could almost break you. More
A1 Nina Kraviz - Tarde (Ricardo Villalobos remix)
B1 Nina Kraviz - Tarde
B2 Nina Kraviz - Tarde (Melchior Productions LTD Late remix)
Sales Note
For the remixes of her "tarde" single, nina kraviz enlisted an all star remixers team and worked on a psy version herself as well. Nina recorded "tarde" in her bedroom 3 years ago and wanted the song to keep the same intimate feeling as when she recorded it. The result is a dark love song about love so strong, it could almost break you. More
1
OCCULTS - Acts Of Attrition
2
OCCULTS - Hot Crucible
3
OCCULTS - Communion
4
OCCULTS - Baptizm
5
OCCULTS - Strawberry Moon
6
OCCULTS - Deconstruction
7
OCCULTS - Truth Or Desire
8
OCCULTS - Crystal Coffins
9
OCCULTS - Depeche Mode
10
OCCULTS - Dead Roses
The full-length debut from Los Angeles-based OCCULTS, the RITUALS begin October 4th. Open your third eye, the shadow’s calling…
Midnight Mannequin Records is proud to present RITUALS by OCCULTS on deluxe “White Hot Crucible” white vinyl, complete with full color insert and OBI strip. More
Midnight Mannequin Records is proud to present RITUALS by OCCULTS on deluxe “White Hot Crucible” white vinyl, complete with full color insert and OBI strip. More
1
Sandy B - Bink Party (Stanza Remix)
2
Sandy B - Bink Party
3
Sandy B - Head Turner
4
Sandy B - Bink Party (Stanza Instrumental)
5
Sandy B - Te Lo Dice A Ti
6
Sandy B - Head Turner (Instrumental)
Hot on the heels of Sukuma, Durban's Sugarman Sandy B returns to Red Motorbike with Bink Party!
This time around, he's teamed up with label boss Eddie C on production, as well as an assortment of underground artists from around the globe whom he has collaborated with during his WorldKwaitour, which he combined with the 30th anniversary of his successful underground independent debut, AmaJoviJovi.
Bink, the genre Sandy B coined, is a modern take on Kwaito's loose rhythms and the mid-tempo funk we've come to know and love from the Red Motorbike stables.
Sandy B's Zulu staccato rap and R&B stylings sound as fresh as ever as he continues to connect with his global family through his international travels, currently on tour across Asia and Australia.
Bink Party into 2025!! More
This time around, he's teamed up with label boss Eddie C on production, as well as an assortment of underground artists from around the globe whom he has collaborated with during his WorldKwaitour, which he combined with the 30th anniversary of his successful underground independent debut, AmaJoviJovi.
Bink, the genre Sandy B coined, is a modern take on Kwaito's loose rhythms and the mid-tempo funk we've come to know and love from the Red Motorbike stables.
Sandy B's Zulu staccato rap and R&B stylings sound as fresh as ever as he continues to connect with his global family through his international travels, currently on tour across Asia and Australia.
Bink Party into 2025!! More
1
Unknown Artists - Roots
2
Unknown Artists - Psych Afro Roller
3
Unknown Artists - New Dance
4
Unknown Artists - Feel The Feeling
Light Touches Records is devoted to shed new lights on hot rarities, unknown grooves as well as forgotten classics.
While the older numbers are much sought after on Discogs, Andrea Passenger digs deeper into the best shades of disco, afro, boogie and funk to deliver the 10th release on the highly revered Light Touches Records.
On A side, “Roots” is a relentless disco tune for incendiary peak times, while “Psych Afro Roller” keeps faith to the name going into crazier territories. On the flipside, “New Dance” adds some boogie tones and quirky synth arrangements, while “Feel The Feeling” rounds things up with its moody and deeper vibe.
All tracks have been carefully edited by Andrea Passenger without overdubs, in order to bring the spirit of classic disco manipulators to today’s dancefloors!
12” limited to 300 copies (no digital). More
While the older numbers are much sought after on Discogs, Andrea Passenger digs deeper into the best shades of disco, afro, boogie and funk to deliver the 10th release on the highly revered Light Touches Records.
On A side, “Roots” is a relentless disco tune for incendiary peak times, while “Psych Afro Roller” keeps faith to the name going into crazier territories. On the flipside, “New Dance” adds some boogie tones and quirky synth arrangements, while “Feel The Feeling” rounds things up with its moody and deeper vibe.
All tracks have been carefully edited by Andrea Passenger without overdubs, in order to bring the spirit of classic disco manipulators to today’s dancefloors!
12” limited to 300 copies (no digital). More
Translucent Green Vinyl
Jono McCleery is an English singer-songwriter who creates timeless music that is just as much influenced by the electronic and avant garde as it is by the more traditional folk and soul canon. Since his self-released debut, Darkest Light, came out in 2008, Jono has released a string of albums via Ninja Tune Recordings, and collaborated with fellow artists across the musical spectrum including Maribou State, Portico (Quartet), and Maceo Plex. Over the years his music has received support from Gilles Peterson, Jamie Cullum, Phil Selway (of Radiohead), Lauren Laverne and many more, whilst touring internationally with Bonobo and Jamie Woon.
Tracklisting:
Side A
1. The One
2. To See You Again
3. So Messed Up
4. Like I Do
Side B
1. Only You
2. Reconcile
3. I Try to Remember
4. Let's Get Back to I
https://listen.k7.com/a6ab0350-7ecf-4c6f-9df9-1fb1be7833d0 More
Jono McCleery is an English singer-songwriter who creates timeless music that is just as much influenced by the electronic and avant garde as it is by the more traditional folk and soul canon. Since his self-released debut, Darkest Light, came out in 2008, Jono has released a string of albums via Ninja Tune Recordings, and collaborated with fellow artists across the musical spectrum including Maribou State, Portico (Quartet), and Maceo Plex. Over the years his music has received support from Gilles Peterson, Jamie Cullum, Phil Selway (of Radiohead), Lauren Laverne and many more, whilst touring internationally with Bonobo and Jamie Woon.
Tracklisting:
Side A
1. The One
2. To See You Again
3. So Messed Up
4. Like I Do
Side B
1. Only You
2. Reconcile
3. I Try to Remember
4. Let's Get Back to I
https://listen.k7.com/a6ab0350-7ecf-4c6f-9df9-1fb1be7833d0 More
1
V.A. - A1.Under My Dub
2
V.A. - A2.Let Love Enter
3
V.A. - B1.Eagle
1
J. D. (Puma) Lewis - The Cat (Puma)
2
J. D. (Puma) Lewis - Dancing Shoes
3
J. D. (Puma) Lewis - Tears
4
J. D. (Puma) Lewis - Life's A Party (Bonus Track)
5
J. D. (Puma) Lewis - Shake It - Make It Loose
6
J. D. (Puma) Lewis - Hearts Of Gold
7
J. D. (Puma) Lewis - Automatic Woman
8
J. D. (Puma) Lewis - Walk Out On Me (Bonus Track)
First ever reissue of highly collectible Funk / Boogie album from 1984!
We are proud to present a true gem on our label: the first-ever vinyl reissue of the highly collectible Shake It - Make It Loose LP by J.D. (Puma) Lewis. Originally released on the infamous Metrovynil label in 1984, it stands as the best and most authentic boogie/80s funk album ever produced in Germany.
However, little is known about this legendary release, and the credits are sparse and often confusing. In reality, Shake It - Make It Loose was a collaboration between just two musicians: John Davis (R.I.P., later one of the real voices behind Milli Vanilli for producer Frank Farian) and Reginald Hudson (of Hudson People). Both were first-class, highly talented musicians and composers from the U.S., who spent most of their lives living and working in Southern Germany.
Hudson describes their creative process: "It was just me and Johnny, playing all the instruments. Johnny handled the bass, guitar, and vocals, and we programmed the drum machine together. Most everything else was keyboards." He recalls that Genre: Funk / Boogie / Disco
- they spent only six or seven days recording the album at Hartmann Digital Studio.
- Contains 2 previously unissued bonus tracks
- Deluxe gatefold sleeve
The combination of their musicianship and the cutting-edge technology at the studio resulted in a masterpiece of pure, state-of-the-art funk and boogie. The album features all the hallmarks of great 80s music: fresh synths, drum machines, and powerful lead vocals from John Davis. Upbeat tracks like "The Cat (Puma)" and the title track sit comfortably alongside more soulful songs like "Tears" and "Hearts of Gold," while "Dancing Shoes" remains one of the era's catchiest dance tracks.
Still, Shake It - Make It Loose holds a few mysteries. Why was it released under the unusual name J.D. (Puma) Lewis? And what's the story behind tracks like "The Cat"? While J.D. Lewis stood for John Davis Lewis's full legal name, Hudson sheds light on the "Puma" connection: "At the time, I was working as a promotions manager for Puma sportswear. Jörg Dassler, son of Puma founder Rudolf Dassler, was a friend of mine and financed our studio sessions." As said, these sessions took place at Hartmann Digital, a state-of-the-art studio in Untertrubach, Bavaria, where iconic artists like Nena, Yello, Visage, DAF, and Soft Cell recorded.
The use of such an expensive studio would have been out of reach for the two musicians without Puma's backing, which also explains why there is a title like "Dancing Shoes." When we had licensed the track for the Boogie On The Mainline compilation in 2018, we had the chance to speak with John Davis (who sadly passed away in May 2021 due to COVID-19). Davis revealed that there were plans to make a video for the song in collaboration with Puma, but those plans fell through. In the end, the album was signed to the Deggendorf-based Metrovynil label.
Interestingly, the original contract reveals that the first version of the album only contained six tracks. Metrovynil added two more: "Sexy Highschool Lady," a track Davis recorded solo, and "Party Rap" by The Dynamite Two, which had no connection to Davis or Hudson at all. The album's credits also list a "Fred Fiore" as the person "who made all of this possible." Hudson, who sees himself as the producer, has no idea who Fiore was - likely another fabrication from the label. "That's just the kind of thing Metrovynil did," Hudson comments with some regret.
Despite the behind-the-scenes confusion, the music spoke for itself. The original pressing looked and sounded fantastic, featuring a stylish cover shot of John Davis in a sharp suit. Now, with this first-ever vinyl reissue, we're thrilled to include additional photos and more background information in a deluxe gatefold sleeve.
This reissue includes all six tracks from the original Hartmann Digital sessions, plus two bonus tracks. From the original reel tapes, we unearthed additional material that Hudson and Davis produced together in the early to mid-80s. We're excited to share the previously unreleased tracks "Life's A Party," and "Walk Out On Me." The digital version of the reissue will also feature two more songs: "Red Drops" and "Pick It Up Off The Ground."
Shake It - Make It Loose is a classic boogie-funk album that belongs in every serious funk and disco collection. It showcases the undeniable talent of two true musicians and stands as a testament to the friendship between Reg Hudson and John Davis.
Tracklist:
Side A
The Cat (Puma)
Dancing Shoes
Tears
Life's A Party (Bonus Track)
Side B
Shake It - Make It Loose
Hearts Of Gold
Automatic Woman
Walk Out On Me (Bonus Track)
More
We are proud to present a true gem on our label: the first-ever vinyl reissue of the highly collectible Shake It - Make It Loose LP by J.D. (Puma) Lewis. Originally released on the infamous Metrovynil label in 1984, it stands as the best and most authentic boogie/80s funk album ever produced in Germany.
However, little is known about this legendary release, and the credits are sparse and often confusing. In reality, Shake It - Make It Loose was a collaboration between just two musicians: John Davis (R.I.P., later one of the real voices behind Milli Vanilli for producer Frank Farian) and Reginald Hudson (of Hudson People). Both were first-class, highly talented musicians and composers from the U.S., who spent most of their lives living and working in Southern Germany.
Hudson describes their creative process: "It was just me and Johnny, playing all the instruments. Johnny handled the bass, guitar, and vocals, and we programmed the drum machine together. Most everything else was keyboards." He recalls that Genre: Funk / Boogie / Disco
- they spent only six or seven days recording the album at Hartmann Digital Studio.
- Contains 2 previously unissued bonus tracks
- Deluxe gatefold sleeve
The combination of their musicianship and the cutting-edge technology at the studio resulted in a masterpiece of pure, state-of-the-art funk and boogie. The album features all the hallmarks of great 80s music: fresh synths, drum machines, and powerful lead vocals from John Davis. Upbeat tracks like "The Cat (Puma)" and the title track sit comfortably alongside more soulful songs like "Tears" and "Hearts of Gold," while "Dancing Shoes" remains one of the era's catchiest dance tracks.
Still, Shake It - Make It Loose holds a few mysteries. Why was it released under the unusual name J.D. (Puma) Lewis? And what's the story behind tracks like "The Cat"? While J.D. Lewis stood for John Davis Lewis's full legal name, Hudson sheds light on the "Puma" connection: "At the time, I was working as a promotions manager for Puma sportswear. Jörg Dassler, son of Puma founder Rudolf Dassler, was a friend of mine and financed our studio sessions." As said, these sessions took place at Hartmann Digital, a state-of-the-art studio in Untertrubach, Bavaria, where iconic artists like Nena, Yello, Visage, DAF, and Soft Cell recorded.
The use of such an expensive studio would have been out of reach for the two musicians without Puma's backing, which also explains why there is a title like "Dancing Shoes." When we had licensed the track for the Boogie On The Mainline compilation in 2018, we had the chance to speak with John Davis (who sadly passed away in May 2021 due to COVID-19). Davis revealed that there were plans to make a video for the song in collaboration with Puma, but those plans fell through. In the end, the album was signed to the Deggendorf-based Metrovynil label.
Interestingly, the original contract reveals that the first version of the album only contained six tracks. Metrovynil added two more: "Sexy Highschool Lady," a track Davis recorded solo, and "Party Rap" by The Dynamite Two, which had no connection to Davis or Hudson at all. The album's credits also list a "Fred Fiore" as the person "who made all of this possible." Hudson, who sees himself as the producer, has no idea who Fiore was - likely another fabrication from the label. "That's just the kind of thing Metrovynil did," Hudson comments with some regret.
Despite the behind-the-scenes confusion, the music spoke for itself. The original pressing looked and sounded fantastic, featuring a stylish cover shot of John Davis in a sharp suit. Now, with this first-ever vinyl reissue, we're thrilled to include additional photos and more background information in a deluxe gatefold sleeve.
This reissue includes all six tracks from the original Hartmann Digital sessions, plus two bonus tracks. From the original reel tapes, we unearthed additional material that Hudson and Davis produced together in the early to mid-80s. We're excited to share the previously unreleased tracks "Life's A Party," and "Walk Out On Me." The digital version of the reissue will also feature two more songs: "Red Drops" and "Pick It Up Off The Ground."
Shake It - Make It Loose is a classic boogie-funk album that belongs in every serious funk and disco collection. It showcases the undeniable talent of two true musicians and stands as a testament to the friendship between Reg Hudson and John Davis.
Tracklist:
Side A
The Cat (Puma)
Dancing Shoes
Tears
Life's A Party (Bonus Track)
Side B
Shake It - Make It Loose
Hearts Of Gold
Automatic Woman
Walk Out On Me (Bonus Track)
More