Celebrate 20 years of Jazzanova’s groundbreaking debut album In Between with this stunning live reinterpretation. Recorded at Little Big Beat Studios, the Jazzanova Live Band breathes fresh energy into timeless tracks like That Night, No Use, and Days To Come. This performance seamlessly blends the album’s sample-based origins with the vibrancy of live music. A must-have for fans of jazz, soul, and electronic fusion.

Tracklist:
A1 L.O.V.E. and You & I (Little Big Beat Studio Live Session)
A2. No Use (Little Big Beat Studio Live Session)
B1. The One-Tet / Fade Out (Little Big Beat Studio Live Session)
B2. Mwela, Mwela (Here I Am) (Little Big Beat Studio Live Session)
C1. Place in Between / Cyclic (Little Big Beat Studio Live Session)
C2. Another New Day (Little Big Beat Studio Live Session)
C3. Days to Come (Little Big Beat Studio Live Session)
D1. That Night (Little Big Beat Studio Live Session)
D1. Dance the Dance (Little Big Beat Studio Live Session)


Stream: https://listen.k7.com/386d6d21-6575-47f8-8877-6a1e1e5956f6

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Translucent Green Vinyl
Jono McCleery is an English singer-songwriter who creates timeless music that is just as much influenced by the electronic and avant garde as it is by the more traditional folk and soul canon. Since his self-released debut, Darkest Light, came out in 2008, Jono has released a string of albums via Ninja Tune Recordings, and collaborated with fellow artists across the musical spectrum including Maribou State, Portico (Quartet), and Maceo Plex. Over the years his music has received support from Gilles Peterson, Jamie Cullum, Phil Selway (of Radiohead), Lauren Laverne and many more, whilst touring internationally with Bonobo and Jamie Woon.

Tracklisting:
Side A
1. The One
2. To See You Again
3. So Messed Up
4. Like I Do

Side B
1. Only You
2. Reconcile
3. I Try to Remember
4. Let's Get Back to I

https://listen.k7.com/a6ab0350-7ecf-4c6f-9df9-1fb1be7833d0

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Sonar Kollektiv are very proud to present a sweet slice of obscure Philly soul with deep connections to our very own Berlin family. Shirley Turner"s 1965 recording of I Wish You A World Of Happiness has long been a crate digger"s delight and now receives a very special reissue, alongside a rather stunning cover version from Hamburg based quartet, The KBCS, featuring the vocal talents of Nora Becker.

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Joris Feiertag is a Dutch producer and drummer from Utrecht in the Netherlands who makes music that is a finely balanced blend of organic and synthesized elements, often using ingenious syncopated rhythms combined with instruments such as the harp and kalimba. Roots is his third album on revered German imprint Sonar Kollektiv. The LP features not only a plethora of vocalists from across the globe, but also sees the producer playing with obscure samples and sounds, as he attempts to discover a new direction and find that sweet spot between dark and light; major and minor; new and old; uplifting electronica and soul.

Tracklist:
A1 - Nostalgia feat. WAAN
A2 - Keep Your Head Up feat. Noah Slee
A3 - Feel Me feat. Nego True
A4 - re:solution
B1 - Ballon Sogni feat. Falle Nioke
B2 - Didn’t Know Why (You Lost Your Soul)
B3 - Come Back

C1 - Queen & King feat. Rhi
C2 - Reverie feat. Robin Kester
C3 - Law of Attraction feat. OSHUN
D1 - Love Hills feat. Nego True
D2 - Waiting for Tomorrow feat. Leonard Luka
D3 - Violet (You & Me) feat. Oli Hannaford
D4 - Give a Little feat. Pete Josef

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Feiertag is a label mainstay who fuses syncopated downtempo rhythms with international vocalists to make for exotic, escapist groove. The new album is a hugely anticipated debut that has already spawned two brilliant singles in ‚Saccharine ‘ and ‚Trepidation‘ which both get remixed here.

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"Never change a winnig team". That's what Radio Citizen's Niko Schabel must have thought when he decided to release his fourth album once again on Sonar Kollektiv. After the success of "The Night & The City" (SK310LP / CD) from 2015 and the productive collaboration ever since this seems like a wise resolution. Schabel's idea to retrieve to a mountain cabin in Salvenberg, Tirol with his band and tons of equipment turned out to be an even more crucial factor to the cause. Here they could create and record new songs and bring them together neatly for the new album. The 13 tracks assembled here on "Silent Guide" are - each on its own and in its entirety anyway - best proof how wonderfully this approach has worked out. For instance, you'd only have to listen to "Grand Jam" to get the picture: A composite work of Schabel (on synthesizer) with Bernd Oeszevim (on drums), Maasl Maier (on bass), Marja Burchard (on rhodes) and Johannes Schleiermacher (on synthesizer) leaves every musician enough air to breathe and even much more room for personal development. A qualification running like a common thread through the album's length. Don't worry though, "Silent Guide" isn't a random collection of live jams and untamed solos. "SaraSong" (composed by drummer Oeszevim) is a beautiful, gracious tune borne by Marja Burchard's trombone and Niko Schabel's bass clarinet packed in a semi-complex arrangement with two parts linked up ingeniously. Or take the opener and title track "Silent Guide": Here you have Natalie Greffel's voice becharming you. You literally can feel how much fun it must have been to bring this album collectively forth. On "Ninguém" Greffel sings in Portuguese and on "It's Not Enough" she's supported vocally by Marja Burchard for a mantra-like chorus superimposed over the captivating drumming by Bernd Oeszevim (the first part is a 33/16 beat by the way). On this track Johannes Schleiermacher plays the flute, on "Kein Planet" Niko Schabel plays an alto saxophone and on "Ethxxmologie" you hear a whole brass section featuring a bass clarinet, a tenor saxophone and two trombones.

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Marlow gets the remix treatment from Erobique on the new single RSD single Backroom.

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Alex Barck preps the Reunion Remixes 12' the first taste of remixes from last years debut album Reunion. 'Reunion', the debut album by Alex Barck created quite a stir last year. Now two 12inch releases make sure that this stir is not fading away by any time soon. Two 12inches that include remixes by the current creme de la creme of electronic dance music production. After Osunlade delivered already last year an outstanding rendition of the album track 'Oh Africa' it's now up to Amsterdam based producer and DJ Full Crate to get his hands on this declaration of love to a whole continent. Masterfully he accomplishes this endeavour while weaving Christine Salem's voice along a twisted shuffle beat and drives the track to the next level by adding stabbing synth chords. Full contact! On the flipside the enigmatic British production duo Mao take us by surprise with their reinterpretation of 'Doubter'. All of a sudden Jonatan Bäckelie finds himself in a dripstone cave. The massive beat framework props the whole track from not being torn down by the never ending echoing vocals. It's with this courageous proposition that Mao for once and all ensure to be one of the production teams to look out for in 2014.

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Alex Barck preps the Reunion Remixes 12' the first taste of remixes from last years debut album Reunion. 'Reunion', the debut album by Alex Barck created quite a stir last year. Now two 12inch releases make sure that this stir is not fading away by any time soon. Two 12inches that include remixes by the current creme de la creme of electronic dance music production. After Osunlade delivered already last year an outstanding rendition of the album track 'Oh Africa' it's now up to Amsterdam based producer and DJ Full Crate to get his hands on this declaration of love to a whole continent. Masterfully he accomplishes this endeavour while weaving Christine Salem's voice along a twisted shuffle beat and drives the track to the next level by adding stabbing synth chords. Full contact! On the flipside the enigmatic British production duo Mao take us by surprise with their reinterpretation of 'Doubter'. All of a sudden Jonatan Bäckelie finds himself in a dripstone cave. The massive beat framework props the whole track from not being torn down by the never ending echoing vocals. It's with this courageous proposition that Mao for once and all ensure to be one of the production teams to look out for in 2014.

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Advanced Art was formed in Tampere, Finland, in 1985 by Jana, Pete, and Vince. Too young to be part of the first wave of Finnish groups inspired by German synth pioneers and New Romantics, they instead forged their own path and soon became pioneers themselves. For the next ten years, Advanced Art defined and dominated Finland’s small but growing electronic underground. They inspired a new generation of Finns to experiment with synthesizers, built an international cult following, and were deeply involved in the local scene—running clubs, organizing events, and performing at some of the very first warehouse parties in the country.

Although the line-up shifted over time, the group’s creative drive consistently came from the partnership between Jana, who supplied the voice and words, and Vince, who shaped the music with his machines. Together they defined the band’s distinctive blend of sharp electronics and lyrical vision.

After several cassette demos and two 7-inch singles, Advanced Art signed to Poko Rekords in 1991. The EPs Scar and Time raised their profile both at home and abroad, especially thanks to valuable exposure on MTV Europe’s 120 Minutes. Known for their perfectionism, they finally released their debut album Product in January 1993. On Product the line-up was Jana (lyrics, vocals), Vince (music, production), and Factor (percussion, studio work). Having moved through phases of synth pop, EBM, and industrial, the album showcased Vince’s vision of a unified sound and style more clearly than ever before.

Force followed in 1994, conceived as a multi-part concept album (Update / Live / Retro). Recorded with live percussionist PW joining Jana and Vince, it expanded on the groundwork of Product with new beats, ideas, and a sharper, more defined identity.

By 1995, exactly ten years after their founding, Jana and Vince decided to bring Advanced Art to a close on the band’s birthday, 13 October. Their run had been precise: one decade of creative output, ending with a legacy that laid foundations for Finland’s electronic scene.

Now, conveniently coinciding with the band’s 40th anniversary, Advanced Art present Forced Product. This double-LP set, fully remastered, features Product in its entirety, alongside the Update and Retro sections of Force, plus additional EP tracks and remixes recorded between 1991 and 1994 at “Audible Art” – less a studio than a concept, existing wherever machines and people met.

Limited to 450 copies, Forced Product comes in a gatefold sleeve with poster and sticker, offering a definitive document of Finland’s pioneering electronic cult heroes — a band that helped invent their country’s scene and left a lasting influence far beyond it.

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“We started with the principle – the cosmic idea that we were taught by our father from a very young age – that the stars and planets make a sound, that deep in outer space there is audible harmony.”

With its cathedral-like, richly resonant acoustics, the new HBE album is a brilliant expression of this interplanetary principle. The album is by turns urgent and contemplative, funky and reflective, varied in its textures; but entirely of one piece. Underpinned by concepts of our earth’s place in the cosmos, held in place by meditation, swirling with notions of history, science, theology, ancestry, there is a rich conceptual brew here. But always, what talks loudest is the music. The album rings with what back in the 1950s the jazz critic Whitney Balliet called “the sound of surprise”. At a time when the phrase Spiritual Jazz threatens in some quarters to become a tired cliche, this is a record that makes you believe again in the genre’s validity.

Talking to Cid, one of the Ensemble’s two trombonists, one phrase recurs: “back to the beginning”. “We wanted to go back to the beginning, when we were kids, real young, and our father would wake us up at 5 AM to practice for two hours before breakfast.” One outcome – initially unplanned but subsequently embraced – is that unlike their two previous albums on Honest Jon’s, this is an album without a drummer. “When we started, as Wolf Pack, just brothers on the street with our horns, there wasn’t a kit in sight.” Book Of Sound retains plenty of rhythmic heft, but the absence of a drummer opens up space for a notably varied instrumental palette. Acoustic guitar, piccolo, synthesiser, alto sax – none of them typical HBE Instruments – all have their place on the album. Most striking perhaps are the vocal lines that thread through the album and give it a palpable warmth. “In Wolf Pack, we rapped and played, this time we took it a step further.”

Sessions were recorded in Brooklyn and Chicago, and brilliantly mixed at Abel Garibaldi’s studio in the Loop (“Abel was like a musician on this record”), and it’s the Hypnotic’s hometown that permeates. For Cid this is a deeply Chicago record: “it’s got the vibe of the lake, the vibe of the prairies opening up to the west”. It also has the vibe of those Sun Ra Arkestra albums recorded in Chicago in the 1950s, and – of course - the Phil Cohran albums from the 1960s.

It’s Phil Cohran (the father of all seven members of the Ensemble and their first teacher, and not just in music) who is the album’s guiding spirit. For Cid it’s a major regret that, in the months before their father’s death early in 2017, Phil was not well enough to play on the album. “He loved the whole idea, and we had the perfect place for his zither”. But Book Of Sound is a magnificent testament to their Cohran legacy. “You know, it’s tough trying to satisfy everybody with our music. It’s hard enough satisfying ourselves, let alone the jazz scene, the hip hop guys, what have you. With this album we just dropped all that as a consideration, and tuned into deeper principles.”’


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This is a raw and soulful collection of beats, swiftly cooked up by the legendary DJ Spinna. Originally dropped on Instagram as sonic teasers for his “Here To There Radio Show” on Apple Music, each beat is a tribute to the artists spotlighted in each episode.

What started as a behind-the-scenes glimpse into Spinna’s creative process quickly sparked a wave of demand—so by popular request, these exclusive grooves are now being released to the public.

Straight from the lab to your ears. Enjoy the vibe!

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Releasing now for well over a decade - Neue Grafik: known to friends as Fred, has successfully transplanted from Parisian rookie to one- man London Institution. Beginning as a solo producer and DJ,Fred spread his wings upon relocating to South London - at first with his Neue Grafik Ensemble and later with his now iconic twice-weekly Orii Jam - the latter of which has given agency to an entire new generation of musicians; spawning an aesthetic, nurturing a unique sound and becoming a launchpad for countless artists.

Dalston Tape Volume 1 is Fred’s attempt to fall back in love with beatmaking - taking it back to the roots of
where the project began. I say “attempt” because he’s simply learnt too much and made too many friends
along the way to make a mere DIY beat tape. Since his early MPC-led productions on Parisian label, Beat
X Changers, Fred has learnt to play the keys to a concert hall standard, he has become proficient in double bass and built up a dense network of collaborators who he has composed, recorded, engineered and produced for both at home in SE London and in the iconic Total Refreshment Centre Studios in Dalston.

This experience adds unavoidable dimensions to his toolbox - resulting in something more akin to a miniature-magnum-opus than a simple beat-tape.

Yes, we hear the influences of Pete Rock, Mad Lib, J Dilla and Al Dobson Jr but we also hear the musicality of D’Aneglo, James Blake and live contributions from an ever growing army of young graduates of the Orii School.

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First Word Records is very proud to bring you a brand new 11-track album from Quiet Dawn, one called 'Celebrate'. French multi-instrumentalist Quiet Dawn has been an integral part of the First Word family for a full decade now. His diverse catalogue has included organic ambient-jazz (2018's 'Human Being - The Short Story Of The Reed'), Dilla-esque instrumental beats (2023's 'Simple' beat tape), head nod Hip Hop (the 2015 debut album 'The First Day') and broken beat (2022's 'Movements' EP). It's the latter project that this new project is the most obvious successor to, which he produced directly afterwards. This new album from Quiet Dawn (real name Will Galland) takes on an array of broken beat flavours and features a few luminaries from that scene along the way, including the legendary Bembe Segue (on the smooth soulful grooves of 'All Around'), LyricL (dropping bars on the lively title track 'Celebrate') and Oliver Night from the CoOp Presents crew (on 'Follow Your Instincts' and single 'Lost From Life'). Elsewhere there's uplifting jazz samba-tinged vibes (on 'It's All About Freedom' & 'He Is Lion'), a sprinkle of downtempo boom bap ('Flow' & 'See The Good'), and an assortment of instrumental bruk riddims with squelchy synths, sweet rhodes, skippy percussion & funked-up basslines. Quiet Dawn once again effortlessly combines the organic with the electronic. The whole piece exudes positivity and good times.

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Bloto’s bold 2020 debut brought forth three albums in just twelve months. This prolific creative burst, followed by an ongoing tour and involvement in other projects, meant fans had to wait over three years for the next release. During this time, new ideas took shape, and the vision for their fourth LP crystallized. The wait for Bloto's new album is nearly over. As always, autumn signals the arrival of Grzybnia (Mycelium).

The idea for the album had been simmering within the band since the release of Kwasy i zasady and finally took shape in early 2023 at Warsaw's Studio Pasterka, under Piotr Zabrodzki's guidance. It was the group's most fruitful session, resulting in two singles, Szlam / Scieki and Bakteria, as well as material for an EP to be released next year.
The seemingly chemical title of Kwasy i zasady (Acids and Bases) referred to interpersonal relationships, describing traits that prevent harmony and reflecting the polarization of modern societies. The metaphor of Grzybnia (Mycelium) goes further, emphasizing cooperation as a skill that yields diverse results, both good and bad. Above all, it underscores the power of collective action.

In a fragmented, unstable world, mycelium offers a powerful model. It thrives in degraded, lifeless environments created by humans. Cooperation benefits all parties involved, where each contributes something and receives something in return. Mycelium forms a symbiotic relationship with certain tree species through mycorrhiza, where roots and mycelium exchange life-sustaining substances, benefiting both. This cooperation is key to survival and growth.

Like a mushroom that dies, yet whose mycelium endures, Bloto’s music is an organic and evolving force. The band operates much like mycelium itself, drawing on cultural products and transforming them into new forms. The collaboration of Latarnik, Cancer G, Wuja HZG, and OlafSaxx produces surprising combinations, resulting in music that blurs the lines between genres like jazz, house, techno, and improvisation.

A1 - Lysiczka
A2 - Kozak
A3 - Shiitake
A4 - Boczniak
A5 - Prawdziwek
B1 - Podostroma
B2 - Muchomor
B3 - Szatan
B4 - Zaslonak

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