Brains rule for the next No Static / Automatic release as the hyper-prolific DMX Krew presents five new tracks of laser gun acid, bleepy electro and mutant tunnelling techno on Brain Mutants EP.

NS/A could not be more honoured to bring DMX Krew to the label, hugely influential in UK’s electronic music world, the sheer mass and relentless ingenuity of his release history is breathtaking. There’s over 24 albums and even more EPs released to date, found on Rephlex Records, his own Breakin and Fresh Up labels, and more recently a string of albums on Hypercolour Records. It really would not be right to pin him down to one style of beat with the expanse of his work covering braindance, electro funk, pop, acid, ambient, techno and beyond.

Working with the Aphex Twin created Sample Brain, old disco records and analogue synth notes were fed into the sample mashing web app to create the sounds used on this EP. Label boss Ara-u picked out his favourites from the palette which DMX Krew cut up, looped and added in rock-hard drums. The results are super playful, high calibre club tracks you expect from the one and only DMX Krew - designed for heavy impact on the club floor. More

Veteran electrohead and former artist on the Rephlex Records roseter DMX Krew's Ed DMX takes the well-known story by Jorge Luis Borges of The Library of Babel, said to contain all the different languages of the earth. Some deep philosophical thought has gone into the album's concept, but we'll leave that to Ed to explain. Instead, we'll tell you that from beginning to end there's plenty of the kind of trademark 80s synth playfulness in evidence, with a generally more mellow and soundtrack-related rather than frenetic and dancefloor-filling vibe in evidence, even on faster tracks like 'The Combed Thunderclap'. Still, Ed knows what he's doing when it comes to this kind of leftfield electro gear, and it's a rewarding, never boring listen. More

Black Vinyl!

The Rephlex alumni and all around electro legend DMX Krew channels the Minneapolis sound, boogie, and freestyle in this classic 2005 Japan-exclusive, now pressed on vinyl for the first time by the good people at Cold Blow.

Kiss Goodbye showcases Ed DMX in his absolute finest form in songwriting and richness of production. A guaranteed antidepressant with timeless moments from an ode to a mature lady in “D.I.V.O.R.C.E.E.”, to a rap about a cheating girlfriend in “Who’s That Guy?". Full of classic quotables combined with funk that would make Morris Day proud.

The 2xLP is available in standard black, and a special sexy red edition. Mastered by Noel Summerville whose CV includes too many classics to mention, from Newcleus and Hashim to Ohio Players and Rick Astley! The sleeve has received redesign treatment by the Organic Analogue’s Benedetta Sodini.

Essential! More

Red Vinyl!

The Rephlex alumni and all around electro legend DMX Krew channels the Minneapolis sound, boogie, and freestyle in this classic 2005 Japan-exclusive, now pressed on vinyl for the first time by the good people at Cold Blow.

Kiss Goodbye showcases Ed DMX in his absolute finest form in songwriting and richness of production. A guaranteed antidepressant with timeless moments from an ode to a mature lady in “D.I.V.O.R.C.E.E.”, to a rap about a cheating girlfriend in “Who’s That Guy?". Full of classic quotables combined with funk that would make Morris Day proud.

The 2xLP is available in standard black, and a special sexy red edition. Mastered by Noel Summerville whose CV includes too many classics to mention, from Newcleus and Hashim to Ohio Players and Rick Astley! The sleeve has received redesign treatment by the Organic Analogue’s Benedetta Sodini.

Essential! More

The Rephlex alumni and Rinse.fm resident DMX Krew channels Prince’s spirit in this new electro-pop maxi on Cold Blow.

Picking up his electro-pop and synth-funk hat from where it was laid on 2022’s Party Life LP, Ed DMX is switching gears and picking up the pace with four dance-inducing tracks. Another one of the brilliant releases that we’ve become to expect from the consistently hot Cold Blow! The titular track “Still Got It” is a brand new production with vocal and dub versions of driving bassline and Linn fills, exclaiming “I still got the music in me, and it sets me free!” amidst heartbreak. Teardrops on the dancefloor, anyone?

On the flip side, we are treated with an archive gem from the Rephlex era! The Telex-like pacey vocoder synth pop “Paranoia” was recorded around the time of “We Are DMX” album in 1999, and what a treat it is!

The closing track is the only previously released one. A dub version of “Cold Love” borrowed from the Japan-exclusive, CD-only 2005 album “Kiss Goodbye” which Cold Blow has announced to be reissued soon! More

It is a privilege to welcome Ed Upton back to Shipwrec for his sixth release with the label. An artist who has been at the forefront of electronic music for three decades, under his well-honed DMX Krew guise the British musician has crafted icy electro, thoughtful electronica and textured techno. It is a combination of these styles that culminate in Tree in Space. A steady kick tethers "Parasite" to reality, a thick earthen melody countered by twinkling refrains as soaked drums splash. Off-centre bleep and beats introduce the title piece. Solid basslines are lightened by playful brassy electrofunk notes as genre limitations melt into Summer warmth. Skeletal scales find themselves confronted by a bruising bulwark of bass in "Unbelief." Balancing these angular and globular tones are arcing keys that draw the disparate elements into unity. "Meltdown" is the closer. Blending a spread of sounds, acid, braindance and techno, DMX Krew serves up something truly special. Brooding notes are met by cracked percussion and simmering 303 squawk in a track that pursues its own path. An EP from a musician that continues to stretch boundaries and imaginations. More

Today [21st March 2023] DMX Krew announces his return to Peggy Gou's Gudu Records with a new four-track EP, sharing the dreamy, Detroit-inspired title track, ‘Return to Jupiter’. The full EP - out 14th April 2023 - will be his second release for the label and Gudu’s first release of 2023, set to be the label’s busiest year yet. Ed DMX made his debut for Gudu with 2019’s Don’t You Wanna Play? EP, becoming the first artist to release on the label outside Peggy herself. Ed and Gudu have retained a regular working relationship ever since: he mastered Indonesian crate-digger Dea’s ‘Glazer Drum’ release for Gudu, contributed a pair of remixes to the reissue of Riff’s South African electro curio ‘Jacks Jive’, and now returns to the label with Return to Jupiter, a new original four-track EP. Ed has been one of electronic music’s most respected faces for over 25 years. Debuting in the mid-1990s, he released his first decade of music almost exclusively through Grant Wilson-Claridge and Aphex Twin’s Rephlex label and his own Breakin’ imprint, but recent years have seen him ply his trade across a who’s who of dance music’s most respected underground labels: including Hypercolour, Balkan Vinyl, Central Processing Unit and, of course, Gudu. Inspired by the futurist funk and vivid synthesiser epics of classic Detroit, ‘Return to Jupiter’ is dripping with richness and colour, driven by the sort of thick analogue basslines and distinctive melodies that have come to define Ed’s catalogue. The EP’s title track sets the tone for what’s to follow, introducing a language of sorts for the record - before ‘Altered Chords’ turns the funk up to 11, ‘U Ain’t Down’ aims its distorted kicks and wiggy, manipulated lead straight at peak time dancefloors, and ‘I Love Juan’ closes the EP on a star-gazing tip. More

New label Operation Madness records curated by french young blood DVDE has just dropped his first release with legendary producer DMX Krew! A BOMB EP composed by 6 hot tracks between funky synths, groovy bass lines and crazy beats ! A definitely needed record as it is pure madness…!

Operation Madness Records is a brand new label from France curated by young blood DVDE, based in Paris and defending real underground music in gender as electro break-beat, electro-funk, acid, IDM, Rave 90 etc. First release will come out on 10th of April 2023 with legendary producer DMX KREW and a lot of others are already scheduled with artists such as Matt Whitehead, the obscure band Tache Noire or Wedding Acid Group! More

DMX Krew here on a timesless mind blowing ambient, IDM & deeper electronix trip. Highly recommended! More

DMX Krew is back on Furthur Electronix! Here with a fine versatile EP, ranging in style from tripped out downbeat to Bleepy Sheffield style bass techno and acidic breakbeats. All in all another fine release from one of our greatest living underground legends. More

DMX Krew has been turning out electronic music from his analog-laden studio since 1994. He has built a discography nothing short of prolific. He mixes tech savvy with a firm understanding of club music and a penchant for catchy and clever hooks. The Powerplay EP forms a great display of this, and we are elated to offer it as our third release. On the A-side, "House Twerp" works up the sparks as a gentle bassline, bubbly synths and bright chords rub against one another. "I love Kevin" continues along the opener's groovy tone, but with the tempo pitched up a notch, a cheerful brass lead and vintage transposed vocal samples, it full on targets the floor. It is a slab of feel-good machine funk, ideal for brightening a room that is far from having its lights turned on. "Masked Man" on the B-side is the most bare-bones club track of the collection. The twitchy lead is modulated left and right: set to a subtly crushed drum track, its tension is continuously building and falling backwards. Closer and title track "Powerplay" is a sparse and subtle slow-builder. Flanged percussion, menacing chords and a classic roving bass sequence are the central ingredients for this muggy and eerie house cut. ALT003 provides a diverse selection, entirely in correspondence with the artist's ability to create within a wide array - from rude electro to synth pop and a lot of the space in between. Ed DMX never really cared much about how his music is categorized, though. And rightfully so, as, even if it indeed tackles many genres, in the end it only sounds like him. More

DMX Krew delivers an ultra-solid Electro Funk 6-track EP on Magnetron Music. 'Serious' is the perfect machine-funk-focused distillation of DMX Krew's timeless ongoing studio effort. An EP filled with playful synth lines that holds fort through a summer-friendly electro trip. For the lovers of the more funky side of Electro and Synth-pop. More

The Curtis Electronix saga follows up with new material from its head and curator CEM3340. Despite keeping its roots firmly into the deepest depths of electro, Future Tribe EP moves slightly away from his usual purism and across the four tracks manages to strike a careful balance between beauty and austerity, harmonizing elegance and restraint with the booming energy of techno and funk. More

The 11th release on Curtis Electronix comes from one of the most influential figures in the history of electro. Infinite Tetraspace EP is a mind-altering combination of ambient beauties, ice cold machine-funk and spaced out 4/4 kickers that play with the concept of space and time, as expressed almost clearly in the title. Four next level cuts that push their electro even more into the future. We are very much glad they are back. More

Curtis Electronix reaches its 10th drop presenting the second album from his owner and founder CEM3340, MACCHINE. The double 12" draws together 8 new tracks all made and recorded using only hardware. Spanning from pumped up machine-led cyber-funk beats, to darting powerful techno out-kilters, but always maintaining a stable focus on CEM3340 personal signature, it explores those ravines where techno and electro collide. "MACCHINE" is pure dedication to the machines. With no compromise. More

The ninth release on Curtis Electronix catalogue is from the new collaborative project where Kalean, Z.I.P.P.O and CEM3340 join forces under the name of Gravity Waves. The project is a reflection of the bond developed over a bunch of jam sessions down at the Curtis' basement, where they discovered to orbit similar spaces. As the title may suggest the sound is deeply rooted in the Detroit side of the electro utopia, with that heady and atmospheric approach. Satellite LP is a seven tracks Album where they combine moments of sub-aquatic and evocative synth works with dancefloor heavyness excursions which level of composition reveals a clear and undoubted mastery of the machines. All tracks are recorded and mixed in Bari, South of Italy. More

Repress!

Cyan85 has become a real reference for all electro heads since his debut release back in 2019. His new LP on Curtis Electronix is a jaw dropping journey on those Motorways we all have ridden in a way or another. The vocoded vocals, reminiscent of those Greats, the squelchy bass lines ripping up the 808 riffs and the sulphuric synth lines will drive you from darkness into light and back again, defining, at the same time, the quality signature of this record. The process is clearly the basis of this work. The Roots are clearly the reason. More

Curtis Electronix is proud to present "Destroy Your Future", the new LP from the one and only Galaxian. In the last years Mark Kastner aka Galaxian has become a prominent figure in the underground scene because of his high quality productions and his unique take on electro. We all know electro started with futurism and well, this work is pure futurism. Each cut is a trip into his restless creativity. Each track is a mind altering exploration of a deeply cinematic soundscape with a massive number of elements perfectly fused together with his "one of a kind" sci-fi aestethic that immediately pulls you out of the schemes. Caustic distortions, post industrial environments, mind expanding electronics and primitive drum patterns are only the main elements of this sci-fi masterpiece. There is no "Detroit Nostalgia" in it. This is sonic militance. The same that inspired the originators back in the days. When you play it, time runs faster and future looks closer. We are on board, but Galaxian is the only pilot of the ship. More

CEM3340 is back on his own imprint with his first album "080". The double LP is a realistic reflection of the culture, the sound, the places, the people, the influences, and the tireless devotion to the machines that truly shape his daily life. 12 strong jams including 2 honorable remixes from DJ Overdose and Detroit's Filthiest and 3 tracks feat. Late Night Approach, 3KZ and 2030. Feelings, abrasive basslines, research, conversations with robots, solid ideas and weighty drums are perfectly spliced into his distinctive sound that will drag you instantly into his basement. Every track is chained to his journey. Every track is a step of his actual path. Dial "080" and let the 808 do the talking. More

Curtis Electronix follows up on CEM3340 - Suburbs Disorder LP with a master from the Motor City. Dj Nasty aka Detroit's Filthiest is one of the original creators of the Ghettotech sound in the early 90's. 4 tracks made of dirty bass, soulful strings and hi speed 808 patterns. If you don't know what ghetto style is by now, he will break it down for you More

The enigmatic CEM3340 returns with his third LP. it's also the third outing on his very own Curtis Electronix, following a strong release from DJ Overdose himself. On the A side things kick off and go straight to the point with four highly sharped hard hitting jams, cut with the usual deadly precision. Firing snares and rusty 808 kick drums with a persistent old school feel; On the B side things morph and get more evocative with three classic-influenced electro bangers. No more words needed. Just drop the needle. This is Suburbs Disorder. More

Curtis Electronix delivers his second release. 4 originals from one of the most remarkable and reliable artists in the game, Rotterdam dungeon master DJ Overdose. The A side drops two club ready electro tracks molded with his unique cyberfunk style, punchy analog drums, heavy dystopian basslines and gently spaced out melodies. On the flip side things turn into a murky slow tempo affair. Industrial solid drums and distorted sonic grounds will turn your captivating journey into a dark machine odyssey. More

* Third edition, black vinyl
* The long-awaited reissue of the best ever album of rare Eastern and psychedelic Jazz music by this famous Hungarian guitarist.
* Exclusive bonus tracks from the 1969 7” single
* Remastered by Martin Bowes at Cage Studios (UK)
* For fans of Grant Green, John Abercrombie, Pat Martino, Joe Pass, Wes Montgomery, Tal Farlow
* Ultimate collector’s item if you are deeply into jazz and guitar music. gatefold with original artworks.

The long-awaited reissue of the best ever album of rare Eastern and psychedelic Jazz music by this famous Hungarian guitarist Gabor Szabo, originally released in 1968. For the first time as extended edition with 2 bonus tracks: radio versions of Fire Dance / Ferris Wheel from the 1969 7” single 7”. Deluxe 8-sided Digipak CD and Gatefold Vinyl come with long, exclusively written inner notes by the famous researcher and biographer Douglas Payne. Remastered by Martin Bowes at Cage Studios (UK).

Gabor Szabo was one of the most original guitarists to emerge in the 1960s, mixing his Hungarian folk music heritage with a deep love of jazz and crafting a distinctive, largely self-taught sound. Born in Budapest, on March 8, 1936, Szabo was inspired by a Roy Rogers cowboy movie to begin playing guitar when he was 14 and often played in dinner clubs and covert jam sessions while still living in his hometown. He escaped from his country at age 20 on the eve of the Communist uprising and eventually made his way to America, settling with his family in California.

He attended Berklee College (1958-1960) and in 1961 joined Chico Hamilton's innovative quintet featuring Charles Lloyd. Urged by Hamilton, Szabo crafted a most distinctive sound; as agile on intricate, nearly-free runs as he was able to sound inspired during melodic passages. Szabo left the Hamilton group in 1965 to leave his mark on the pop-jazz of the Gary McFarland quintet and the energy music of Charles Lloyd's fiery and underrated quartet featuring Ron Carter and Tony Williams.

Szabo initiated a solo career in 1966, recording the exceptional album, Spellbinder, which yielded many inspired moments and "Gypsy Queen," the song Santana turned into a huge hit in 1970. Szabo formed an innovative quintet (1967-1969) featuring the brilliant, classically trained guitarist Jimmy Stewart and recorded many notable albums during the late '60s. The emergence of rock music (especially George Harrison, Eric Clapton, and Jimi Hendrix) found Szabo experimenting with feedback and more commercially oriented forms of jazz.

During the '70s, Szabo regularly performed along the West Coast, hypnotizing audiences with his enchanting, spellbinding style. From 1970, he locked into a commercial groove, even though records like Mizrab occasionally revealed his seamless jazz, pop, Gypsy, Indian, and Asian fusions. Szabo had revisited his homeland several times during the '70s, finding opportunities to perform brilliantly with native talents. He was hospitalized during his final visit and died in 1982, just short of his 46th birthday.
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ROD MODELL (Deepchord): MUSIC FOR BUS STATIONS BS (Part 2/2)

MUSIC FOR BUS STATIONS is an astonishing work that pours into the soul of those allowing themselves to be transported in a dimension where sound turns into background noise. Sound becomes part of us, of our movements, our thoughts, our looks and our silences. There is no reason for resistance. Let's be silent. The noise around us is quite good.

"Generative sonic backdrop for bus stations. Designed to enhance space and portray a mod of progressiveness, grandeur, and ethereal calm. A slowly shifting static backdrop designed to enhance modern architecture, rather than compete with it. Sounding as if the structure itself was resonanting. Hovering sound-fields that utilizes sonic phenomena proven to induce states of calm. Can be presented as a multichannel, polyrhythmic installation with different components of the composition emanating form different areas within the structure, and elements constantly shifting in relationship to other elements, creating an organic sonic-tapestry that never repeats the same way. In essence, the soundscape becoming a living organism with unpredictable behavior. Inspired by avant-garde bus station designs such as Domitianus Arquitectura's station in Rio Maior, Portugal; Bluck & Morgen's Busbahnhof Poppenbuttel in Hamburg, Germany; and Metaraum Architect's bus station in Pzorzheim, Germany."
Rod Modell, January 2024 More

Double Black BioVinyl, in printed sleeve, packed in a resealable protective bag More

Ltd 300 / Stickered full-body sleeve by Al White

12th Isle revisit the various artist compilation format first explored with 2019’s ‘Inkosi’ and assemble a veritable mixtape of sorts unfolding across six tracks aimed with the club in mind. Echo Party get things started with a dub heavy, studio alchemy excercise in discipline that appears in an extended mix to the original form on Murray Collier (Dip Friso) & Hannan Jones’s self-released CD-R. Italian newcomer Guizzi features with a thunderous downtempo excursion with tight conga percussion in a DK/RAMZi vein that feels very at home on the label. Der Opium Queen pulls off a propulsive, video game OST style dancefloor hit that brings to mind that Les Aeroplanes project on Jamal Moss’s Mathematics label from way back when whilst on the Side B a freak-folk skit from Memotone sits next to heads-down motorik from Lo Kindre and a bleep-infused dub techno piece by Toronto via Bangladesh real one Raf Reza. More V/A's to come. More

ROD MODELL (Deepchord): MUSIC FOR BUS STATIONS MF Part 1/2

MUSIC FOR BUS STATIONS is an astonishing work that pours into the soul of those allowing themselves to be transported in a dimension where sound turns into background noise. Sound becomes part of us, of our movements, our thoughts, our looks and our silences. There is no reason for resistance. Let's be silent. The noise around us is quite good.

"Generative sonic backdrop for bus stations. Designed to enhance space and portray a mod of progressiveness, grandeur, and ethereal calm. A slowly shifting static backdrop designed to enhance modern architecture, rather than compete with it. Sounding as if the structure itself was resonanting. Hovering sound-fields that utilizes sonic phenomena proven to induce states of calm. Can be presented as a multichannel, polyrhythmic installation with different components of the composition emanating form different areas within the structure, and elements constantly shifting in relationship to other elements, creating an organic sonic-tapestry that never repeats the same way. In essence, the soundscape becoming a living organism with unpredictable behavior. Inspired by avant-garde bus station designs such as Domitianus Arquitectura's station in Rio Maior, Portugal; Bluck & Morgen's Busbahnhof Poppenbuttel in Hamburg, Germany; and Metaraum Architect's bus station in Pzorzheim, Germany."
Rod Modell, January 2024 More

Tracklisting
A1 SND & RTN - Stampersgat
A2 SND & RTN - D55
A3 SND & RTN - Black Sun
B1 SND & RTN - Stardust
B2 SND & RTN - Rhydonium
B3 SND & RTN - 1309 More

Gondwana Records are proud to announce Morning Sun / Arrival, a limited two track 12” release from the sublimely beautiful and immersive LA deep-jazz masters Phi-Psonics
12" Limited Black BioVinyl 12”, in black disco sleeve, packed in a stickered resealable protective bag.
Tracklist
1.1Morning Sun
1.2Arrival


Listen: https://on.soundcloud.com/BDvN1FGxjk4oHAir7 More

Double Black BioVinyl, in printed sleeve, with printed insert and packed in a resealable protective sleeve. More

Raining Heart is a studio project originally created by the German musicians Peter Heckmann and Tobias Freund in 1986 in Frankfurt. Very much in the same vein as Art of Noise with its studio sound experimentalism, but with a Kraut edge to it. If there was one track that could be played for everyone at the G20 Summit whilst on LSD in hopes of achieving world peace, it might be “Raining Heart”, the first track on this EP, it’s just one of those tracks that makes you wonder what these people were eating for breakfast at the time. Nothing technically mind blowing, just crafted to perfection in terms of all the elements coming together in therapeutic beauty, (also clearly exposing Peter’s relationship with theatrical production). A downtempo chugger with the dreamiest of sounds, effortlessly transporting the listener to another dimension, the vocals are unthinkable, by Yucca Rose, an East Javanese Jazz singer, almost as if she was broadcasting from a radio station in a parallel universe. “Alien Beat” takes a more aggressive turn into some kind of neo rock direction generously decorated with a wide range of studio tricks that might have been ground breaking at the time. B-side offers two new remixes by Castro, a “K-hole Collage” version of “Raining Heart” taking the original theme to another dubbed out realm, and a “Bonus Beat” extension of “Alien Beat” that dissects the key elements of the original track in efforts to develop a more dancefloor oriented DJ tool. Remastered with original artwork. More

Jovonn's Body'N Deep label continues its fine form with the not to be missed BND Project Volume 5. The 5th in the series features heavy hitters such as DJ Spinna, Atjazz, Demuir and Dirty Harry. Buy on sight! More