"Pacifying The Population" thrusts us into a world where the dominator culture acts like a ruthless drug cartel, us it's compliant consumers. The highly-charged ten tracker LP evokes a narcotic frenzy like atmosphere that surges into the consciousness and pulses through the body like a craved hit. Once again Kastner propels us through a unique musical landscape at the very edge of the sonic territories.

The dominator culture enforces what is moral, ethical, worthy or valid, selling lifestyles, enforcing rituals, “pushing” values, incentivizing the pathological, imposing our needs and beliefs. Increasingly displaying hallmarks of a cruel drug cartel /drug addict, dependency dynamic. The population hooked and enslaved to it's destructive needs.

Seduced, hooked, strung-out on the promise of instant gratification, short-term satisfaction, shiny gadget infatuation, pre-packaged trash values, the cultish, totem imagery of a moribund, redundant culture. An accurate sense of the lived experience obscured by a junkie haze of stupefied confusion. Addicted and hooked, it holds us hostage, keep us compliant, increasingly we are unable to locate ourselves in the maelstrom of noise. Attempting to operate outside that paradigm rendered almost impossible with countless cultural, social and practical obstacles to overcome. Not "playing the game" is seen & treated as subversive, anti-social, madness.

Opening the album “Sanctioned Sedatives” literally kicks the door down with a massive base line that cuts through disorienting distortions. “Restoring The Connection” sounds like the way out of a tunneling drug habit, a subdued claustrophobic feel in the beginning drive the track to a mind altering, rising wall of pads.

On side B calmer moods create the appropriate environment for the hazy ambience and the suffused positive feel of B2, which, as the title may suggest, sounds like an invitation to get out of the loop, in order to “Unfuk Your Mind”. The title track “Pacifying The Population” begins side C, grand in scope, pounding drum workouts, a sinister spoken narrative, symphonic strings, mind-mangling resonant acid make this an epic trip.

The closing track “Apocalyptic Signs (Eulogy)” is deeply layered, orchestral. Ethereal synth melodies and heavily warped voices from far out territories induce a deep reflection on the whole album, despite the title it sounds like an unexpected ode to life or maybe as the relief from all human pains.

Pacifying The Population evokes an oppressive feel, a sense of constant tension, modern living. The dense atmospheres, the abrasive and repetitive grooves, Consuming and devastating as a drug habit, the elements that perfectly capture the essence of the whole album. Despite that, it still sounds like a way out from all that is possible, a way to restore the connection within ourselves and between each other. A therapeutic purge.

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"We Are Power", Galaxian's first album in over a decade, cuts a new path. On this Foul-Up and Shipwrec joint release, Kastner presents a rumination on the confrontation and power clash between humankind, nature, the spiritual and mechanistic industrial growth societies. What is authentic power? What is granted power? What is innate natural power? How is power accessed, wielded, utilised, felt? On this album the blistering beats and razor-edged rhythms that characterise the Glaswegian's productions have been softened, the menace melted, the angst soothed (well almost.) Across eleven tracks, distinct audio vistas are surveyed. The human form takes centre stage from the opening monologue of "Out of Balance" with the entire record searching for balance between humankind, nature, orthodox culture & the machine. At times the machine wins. "We Are Power" is a corruption of voice, samples chopped, sliced and fed into controllers and sequencers to produce a dense decibel wall. That wall grows ever higher in the terrifying drone of "Anatomy of a Modern Lie." At other points, a perfect symmetry between artist and tool is found. The racing interchanges and pulses of "Universal Truths" give rise to dawning reprises and warmth. For those after an electro fix, Galaxian abides. The speed snares of "Messianic Delusions" or dripping drums of "Fields of Meaning" are soaked in the history of machine music, yet they are grander in their delivery and more nuanced in their composition. Fresh territories are explored, the playful solar dreams of "Without Form" or the cinematic grandeur of "In Reverse". This album is unmistakable Galaxian, it marks a high-point and brings with it a culmination of intense expression.

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A pair of next-level genre-free epic electronic trips from fearless futurist Galaxian. Comes with poster insert.

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Intensive Outta Spiace Meditation

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Scotland's premier electro alchemist is back on Shipwrec and this time flying solo with five shards of sharpened machine music. Beats rain down in solid sheets, a hail of drum patterns pelt and pound. Acid scorn, speeding snares and scorched sound roar and rumble in the menacing "Days of Rage." The 12" hisses and howls, sending forth a searing line of percussion as gears crank and grown. "Glasgow to Detroit" is just as fiery, scorn and sparks leaping off burning bars. Aggression is always at the surface, and behind the razor rhythms lurks a palpable paranoia, as in "Daisy Cutter" or "Uprising." The only respite comes with the complex and textured "Stones and Sticks." Harsh mechanics from an industrial heartland.



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The thirteenth drop from Curtis Electronix comes courtesy of veteran of the electronic music scene. Edward Upton has been producing music since 1994 and much has changed since he unveiled his debut release under the DMX-KREW alisas. Warp Zone LP showcases the great mastery of his studio, his technical expertise and his exceptional ability to create monolithic soundscapes using very few elements. Each layer contributes to a rich, immersive experience, each element resonates with depth, highlighting his deep understanding of club music, sonic texture and space.

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The Curtis Electronix saga follows up with new material from its head and curator CEM3340. Despite keeping its roots firmly into the deepest depths of electro, Future Tribe EP moves slightly away from his usual purism and across the four tracks manages to strike a careful balance between beauty and austerity, harmonizing elegance and restraint with the booming energy of techno and funk.

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The 11th release on Curtis Electronix comes from one of the most influential figures in the history of electro. Infinite Tetraspace EP is a mind-altering combination of ambient beauties, ice cold machine-funk and spaced out 4/4 kickers that play with the concept of space and time, as expressed almost clearly in the title. Four next level cuts that push their electro even more into the future. We are very much glad they are back.

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Curtis Electronix reaches its 10th drop presenting the second album from his owner and founder CEM3340, MACCHINE. The double 12" draws together 8 new tracks all made and recorded using only hardware. Spanning from pumped up machine-led cyber-funk beats, to darting powerful techno out-kilters, but always maintaining a stable focus on CEM3340 personal signature, it explores those ravines where techno and electro collide. "MACCHINE" is pure dedication to the machines. With no compromise.

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The ninth release on Curtis Electronix catalogue is from the new collaborative project where Kalean, Z.I.P.P.O and CEM3340 join forces under the name of Gravity Waves. The project is a reflection of the bond developed over a bunch of jam sessions down at the Curtis' basement, where they discovered to orbit similar spaces. As the title may suggest the sound is deeply rooted in the Detroit side of the electro utopia, with that heady and atmospheric approach. Satellite LP is a seven tracks Album where they combine moments of sub-aquatic and evocative synth works with dancefloor heavyness excursions which level of composition reveals a clear and undoubted mastery of the machines. All tracks are recorded and mixed in Bari, South of Italy.

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Repress!

Cyan85 has become a real reference for all electro heads since his debut release back in 2019. His new LP on Curtis Electronix is a jaw dropping journey on those Motorways we all have ridden in a way or another. The vocoded vocals, reminiscent of those Greats, the squelchy bass lines ripping up the 808 riffs and the sulphuric synth lines will drive you from darkness into light and back again, defining, at the same time, the quality signature of this record. The process is clearly the basis of this work. The Roots are clearly the reason.

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CEM3340 is back on his own imprint with his first album "080". The double LP is a realistic reflection of the culture, the sound, the places, the people, the influences, and the tireless devotion to the machines that truly shape his daily life. 12 strong jams including 2 honorable remixes from DJ Overdose and Detroit's Filthiest and 3 tracks feat. Late Night Approach, 3KZ and 2030. Feelings, abrasive basslines, research, conversations with robots, solid ideas and weighty drums are perfectly spliced into his distinctive sound that will drag you instantly into his basement. Every track is chained to his journey. Every track is a step of his actual path. Dial "080" and let the 808 do the talking.

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Curtis Electronix follows up on CEM3340 - Suburbs Disorder LP with a master from the Motor City. Dj Nasty aka Detroit's Filthiest is one of the original creators of the Ghettotech sound in the early 90's. 4 tracks made of dirty bass, soulful strings and hi speed 808 patterns. If you don't know what ghetto style is by now, he will break it down for you

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The enigmatic CEM3340 returns with his third LP. it's also the third outing on his very own Curtis Electronix, following a strong release from DJ Overdose himself. On the A side things kick off and go straight to the point with four highly sharped hard hitting jams, cut with the usual deadly precision. Firing snares and rusty 808 kick drums with a persistent old school feel; On the B side things morph and get more evocative with three classic-influenced electro bangers. No more words needed. Just drop the needle. This is Suburbs Disorder.

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Curtis Electronix delivers his second release. 4 originals from one of the most remarkable and reliable artists in the game, Rotterdam dungeon master DJ Overdose. The A side drops two club ready electro tracks molded with his unique cyberfunk style, punchy analog drums, heavy dystopian basslines and gently spaced out melodies. On the flip side things turn into a murky slow tempo affair. Industrial solid drums and distorted sonic grounds will turn your captivating journey into a dark machine odyssey.

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