1
Kornél Kovács - Lighthouse
2
Kornél Kovács - Gangsta
3
Kornél Kovács - Malon (Ft. Marcus Price)
4
Kornél Kovács - Pantalon
Repress!
Slide into summer with the Numbers repress of Kornél Kovács’ Radio Koko, available in vinyl for the first time since its original release in 2015. Radio Koko revives a dream radio station where music never sleeps and the hits keep coming, a soundtrack for both sweaty nights out and laidback beach BBQs. Listeners will already be familiar with the irresistible curveball house hit Pantálon, the Reese + Mentasm riffs of Gangsta, the jacking Lighthouse and the ecstatic/melancholic soundclash of Malon with Marcus Price. Coming on the heels of Kovács’ solo albums The Bells and Stockholm Marathon, this repress is a timely reminder of the prominent producer and DJ’s festive musicality and party-starting approach. More
Slide into summer with the Numbers repress of Kornél Kovács’ Radio Koko, available in vinyl for the first time since its original release in 2015. Radio Koko revives a dream radio station where music never sleeps and the hits keep coming, a soundtrack for both sweaty nights out and laidback beach BBQs. Listeners will already be familiar with the irresistible curveball house hit Pantálon, the Reese + Mentasm riffs of Gangsta, the jacking Lighthouse and the ecstatic/melancholic soundclash of Malon with Marcus Price. Coming on the heels of Kovács’ solo albums The Bells and Stockholm Marathon, this repress is a timely reminder of the prominent producer and DJ’s festive musicality and party-starting approach. More
More records from Kornél Kovács
1
Kornél Kovács - Rocks (Robert Dietz Bling Bling Mix)
2
Kornél Kovács - Purple Skies (D. Tiff's Plush Vocal)
3
Kornél Kovács - Marathon (Paradise Alley Version)
4
Kornél Kovács - Baltzar (Butch Remix)
12"
A1. Rocks (Robert Dietz Bling Bling Mix) – A2. Purple Skies (D. Tiff's Plush Vocal)
– B1. Marathon (Paradise Alley Version) – B2. Baltzar (Butch Remix)
Dance floor ready remixes of selected tracks from Kornél Kovács' Stockholm Marathon album.
Robert Dietz sending Rocks on a trance trip, D. Tiffany getting all deep & bubbbly with Purple
Skies. Paradise Alley perform their sing-along cover version of Marathon, Butch butchers Baltzar More
A1. Rocks (Robert Dietz Bling Bling Mix) – A2. Purple Skies (D. Tiff's Plush Vocal)
– B1. Marathon (Paradise Alley Version) – B2. Baltzar (Butch Remix)
Dance floor ready remixes of selected tracks from Kornél Kovács' Stockholm Marathon album.
Robert Dietz sending Rocks on a trance trip, D. Tiffany getting all deep & bubbbly with Purple
Skies. Paradise Alley perform their sing-along cover version of Marathon, Butch butchers Baltzar More
1CD
Tracklist
01. Purple Skies
02. Marathon
03. Szombat
04. Atlas Nights
05. Rocks*
06. Ducks
07. Club Notes
08. Baltzar
already announced and available for prelisten:
6th March 2019 – ‘Rocks’
Short Info:
"New album from Kornél Kovács on Studio Barnhus featuring vocals by Rebecca & Fiona."
says RA: https://www.residentadvisor.net/news/43398
Kornél Kovács' second album is on the way via Studio Barnhus, which he runs with Petter Nordkvist and Axel Boman.
Stockholm Marathon sees the Swedish-Hungarian producer, who was born in the Swedish capital, "reflecting a lot on this beautiful, boring city I never quite manage to move away from," he says, after moving back last September. Kovács credits his "dearest Stockholm people" for making the LP his most collaborative and most personal release. That list includes jazz musician Niclas Skagstedt, Matt Karmil, Rebecca & Fiona and Malin Gabriella Nordin, who did the artwork.
The LP, which arrives in April, is his second full-length, following 2016's The Bells, also released on Studio Barnhus.
More
Tracklist
01. Purple Skies
02. Marathon
03. Szombat
04. Atlas Nights
05. Rocks*
06. Ducks
07. Club Notes
08. Baltzar
already announced and available for prelisten:
6th March 2019 – ‘Rocks’
Short Info:
"New album from Kornél Kovács on Studio Barnhus featuring vocals by Rebecca & Fiona."
says RA: https://www.residentadvisor.net/news/43398
Kornél Kovács' second album is on the way via Studio Barnhus, which he runs with Petter Nordkvist and Axel Boman.
Stockholm Marathon sees the Swedish-Hungarian producer, who was born in the Swedish capital, "reflecting a lot on this beautiful, boring city I never quite manage to move away from," he says, after moving back last September. Kovács credits his "dearest Stockholm people" for making the LP his most collaborative and most personal release. That list includes jazz musician Niclas Skagstedt, Matt Karmil, Rebecca & Fiona and Malin Gabriella Nordin, who did the artwork.
The LP, which arrives in April, is his second full-length, following 2016's The Bells, also released on Studio Barnhus.
More
1
Kornél Kovács - 01 Purple Skies
2
Kornél Kovács - 02 Marathon
3
Kornél Kovács - 03 Szombat
4
Kornél Kovács - 04 Atlas Nights
5
Kornél Kovács - 05 Rocks
6
Kornél Kovács - 06 Ducks
7
Kornél Kovács - 07 Club Notes
8
Kornél Kovács - 08 Baltzar
2x12"
CD
Tracklist
01. Purple Skies
02. Marathon
03. Szombat
04. Atlas Nights
05. Rocks*
06. Ducks
07. Club Notes
08. Baltzar
already announced and available for prelisten:
6th March 2019 – ‘Rocks’
29th March "Marathon"
Short Info:
"New album from Kornél Kovács on Studio Barnhus featuring vocals by Rebecca & Fiona."
says RA: https://www.residentadvisor.net/news/43398
Kornél Kovács' second album is on the way via Studio Barnhus, which he runs with Petter Nordkvist and Axel Boman.
Stockholm Marathon sees the Swedish-Hungarian producer, who was born in the Swedish capital, "reflecting a lot on this beautiful, boring city I never quite manage to move away from," he says, after moving back last September. Kovács credits his "dearest Stockholm people" for making the LP his most collaborative and most personal release. That list includes jazz musician Niclas Skagstedt, Matt Karmil, Rebecca & Fiona and Malin Gabriella Nordin, who did the artwork.
The LP, which arrives in April, is his second full-length, following 2016's The Bells, also released on Studio Barnhus. More
CD
Tracklist
01. Purple Skies
02. Marathon
03. Szombat
04. Atlas Nights
05. Rocks*
06. Ducks
07. Club Notes
08. Baltzar
already announced and available for prelisten:
6th March 2019 – ‘Rocks’
29th March "Marathon"
Short Info:
"New album from Kornél Kovács on Studio Barnhus featuring vocals by Rebecca & Fiona."
says RA: https://www.residentadvisor.net/news/43398
Kornél Kovács' second album is on the way via Studio Barnhus, which he runs with Petter Nordkvist and Axel Boman.
Stockholm Marathon sees the Swedish-Hungarian producer, who was born in the Swedish capital, "reflecting a lot on this beautiful, boring city I never quite manage to move away from," he says, after moving back last September. Kovács credits his "dearest Stockholm people" for making the LP his most collaborative and most personal release. That list includes jazz musician Niclas Skagstedt, Matt Karmil, Rebecca & Fiona and Malin Gabriella Nordin, who did the artwork.
The LP, which arrives in April, is his second full-length, following 2016's The Bells, also released on Studio Barnhus. More
1
kornel kovacs - No Title
2
kornel kovacs - No Title
3
kornel kovacs - No Title
1
kornel kovacs - Szamár
2
kornel kovacs - Order To The Senses
hrow the hands into the air: kornél kovács, on the go dj and producer from stockholm, who runs with his mates axel boman and petter nordkvist the label studio barnhus, delivers his debut ep on endless flight. it’s a 10inch, its juicy and enlarged with super happy emotions. two sample house bangers that came to life only for one reason: to make people smile. the a-side tune “szamár” twists with twisted rhythms, samples and disco sounds. the b-side features a remix of the tune “order to the sense” by the new zealand/german duo snacks. it was originally featured on the “i'm starting to feel okay volume 7” compilation on mule musiq. kornél kovács transformed it into a melancholic house anthem full of with highlife guitar riffs and smiling horn sounds. high spirits music for all circumstances of a party night. if you look for music that gives you joy: kornél kovács brings it here in a pure human panache.
More
Tracklist:
1. Szikra Intro 2. BB 3. Dollar Club 4. Gex 5. Josey's Tune 6. Dance... While The Record Spins 7. Szív Utca 8. The Bells 9. Pop 10. Urszusz
Info:
For the past seven years Kornél Kovács has been busy rocking dancefloors and boomboxes
worldwide as one third of Stockholm’s Studio Barnhus alongside Axel Boman and Petter
Nordkvist. The label and DJ trio is spearheading a new era of fearless Swedish off-centre dance
music, straddling the line between the cute and the menacing.
Anticipation for Kovács' debut album has been rocketing following stand out releases like 2014's
wistful Szikra, last year’s mad party anthem Pantalón on Glasgow's Numbers imprint and the late
night groove of Space Jam on Smallville Records.
On The Bells, Kovács pops open his trunk full of sounds nicked from the lost and found bins of
nightclubs all over the world. From the distorted organ chords of BB to the stripped down
trancehall beats of Josey’s Tune and Szív Utca and the title track's cinematic romanticism, it's all of
the bells and all of the whistles - further positioning Kornél Kovács as one of the most characteristic
producers of modern house music.
The record was completed in an intense two-week session with Kovács' great friend and great
studio engineer Matt Karmil in the cold winter of 2016. Another close friend, artist Malin
Gabriella Nordin, has created the album artwork together with her brother Jonas. More
1. Szikra Intro 2. BB 3. Dollar Club 4. Gex 5. Josey's Tune 6. Dance... While The Record Spins 7. Szív Utca 8. The Bells 9. Pop 10. Urszusz
Info:
For the past seven years Kornél Kovács has been busy rocking dancefloors and boomboxes
worldwide as one third of Stockholm’s Studio Barnhus alongside Axel Boman and Petter
Nordkvist. The label and DJ trio is spearheading a new era of fearless Swedish off-centre dance
music, straddling the line between the cute and the menacing.
Anticipation for Kovács' debut album has been rocketing following stand out releases like 2014's
wistful Szikra, last year’s mad party anthem Pantalón on Glasgow's Numbers imprint and the late
night groove of Space Jam on Smallville Records.
On The Bells, Kovács pops open his trunk full of sounds nicked from the lost and found bins of
nightclubs all over the world. From the distorted organ chords of BB to the stripped down
trancehall beats of Josey’s Tune and Szív Utca and the title track's cinematic romanticism, it's all of
the bells and all of the whistles - further positioning Kornél Kovács as one of the most characteristic
producers of modern house music.
The record was completed in an intense two-week session with Kovács' great friend and great
studio engineer Matt Karmil in the cold winter of 2016. Another close friend, artist Malin
Gabriella Nordin, has created the album artwork together with her brother Jonas. More
Tracklist:
A1. Szikra Intro – A2. BB – A3. Dollar Club – B1. Gex – B2. Josey's Tune – B3. Dance... While The Record Spins – C1. Szív Utca – C2. The Bells – D1. Pop – D2. Urszusz
Info:
For the past seven years Kornél Kovács has been busy rocking dancefloors and boomboxes
worldwide as one third of Stockholm’s Studio Barnhus alongside Axel Boman and Petter
Nordkvist. The label and DJ trio is spearheading a new era of fearless Swedish off-centre dance
music, straddling the line between the cute and the menacing.
Anticipation for Kovács' debut album has been rocketing following stand out releases like 2014's
wistful Szikra, last year’s mad party anthem Pantalón on Glasgow's Numbers imprint and the late
night groove of Space Jam on Smallville Records.
On The Bells, Kovács pops open his trunk full of sounds nicked from the lost and found bins of
nightclubs all over the world. From the distorted organ chords of BB to the stripped down
trancehall beats of Josey’s Tune and Szív Utca and the title track's cinematic romanticism, it's all of
the bells and all of the whistles - further positioning Kornél Kovács as one of the most characteristic
producers of modern house music.
The record was completed in an intense two-week session with Kovács' great friend and great
studio engineer Matt Karmil in the cold winter of 2016. Another close friend, artist Malin
Gabriella Nordin, has created the album artwork together with her brother Jonas. More
A1. Szikra Intro – A2. BB – A3. Dollar Club – B1. Gex – B2. Josey's Tune – B3. Dance... While The Record Spins – C1. Szív Utca – C2. The Bells – D1. Pop – D2. Urszusz
Info:
For the past seven years Kornél Kovács has been busy rocking dancefloors and boomboxes
worldwide as one third of Stockholm’s Studio Barnhus alongside Axel Boman and Petter
Nordkvist. The label and DJ trio is spearheading a new era of fearless Swedish off-centre dance
music, straddling the line between the cute and the menacing.
Anticipation for Kovács' debut album has been rocketing following stand out releases like 2014's
wistful Szikra, last year’s mad party anthem Pantalón on Glasgow's Numbers imprint and the late
night groove of Space Jam on Smallville Records.
On The Bells, Kovács pops open his trunk full of sounds nicked from the lost and found bins of
nightclubs all over the world. From the distorted organ chords of BB to the stripped down
trancehall beats of Josey’s Tune and Szív Utca and the title track's cinematic romanticism, it's all of
the bells and all of the whistles - further positioning Kornél Kovács as one of the most characteristic
producers of modern house music.
The record was completed in an intense two-week session with Kovács' great friend and great
studio engineer Matt Karmil in the cold winter of 2016. Another close friend, artist Malin
Gabriella Nordin, has created the album artwork together with her brother Jonas. More
Tracklist:
A. Josey's Tune (Extended) – B1. Josey's Tune (Samo DJ Remix) – B2. Gex(tended)
Info:
This is a limited edition vinyl only sampler of the forthcoming album The Bells by Kornél Kovács. These tracks - extended takes on album cuts Gex and Josey's Tune as well as a remix from the one and only Samo DJ - are exclusive to this record. Enjoy the music! The Bells is out August 24 on Studio Barnhus (double 12'', compact disc, digital thing) All the best from Stockholm City,
Studio Barnhus More
A. Josey's Tune (Extended) – B1. Josey's Tune (Samo DJ Remix) – B2. Gex(tended)
Info:
This is a limited edition vinyl only sampler of the forthcoming album The Bells by Kornél Kovács. These tracks - extended takes on album cuts Gex and Josey's Tune as well as a remix from the one and only Samo DJ - are exclusive to this record. Enjoy the music! The Bells is out August 24 on Studio Barnhus (double 12'', compact disc, digital thing) All the best from Stockholm City,
Studio Barnhus More
EAN/UPC: 827170587069
Tracklist:
A1. Nordic Rave 4 – A2. Utopia, Ohio – B1. Tooth – B2. So So Solid
Info:
Nincs, a Hungarian word roughly translating to "there is no", is the debut EP of Kornél Kovács, one third of influential Stockholm label Studio Barnhus alongside Petter Nordkvist and Axel Boman. Kovács' latest outing Szikra struck a chord with lovers of quality house music worldwide and as 2014 came to a close it lingered on top of many a year-end-list. But the sheer beauty of Szikra was only the beginning. 2015 is set to be a monster year for Kovács and it all begins with Nincs EP. Leading track Nordic Rave 4 sets the ball rolling with hyper-edited vocals and rolling percussion shrouded in frosty atmospherics and rudebwoy soundbites. Don't sleep on the acidic bassline that sneaks up on the unsuspecting towards the end! Utopia, Ohio is like all the characters of 80s movie classic The Breakfast Club rolled into one modern house track: the pretty tenderness of The Princess, The Athlete's muscular effectiveness, the off-kilter weirdness of The Basket Case, IDM techniques worthy of The Brain and the smooth ruthlessness of The Criminal - jackin' for beats in dusty record bins all over the world. The grandiose pads and descending bassline of Tooth make up a track that is as imposing as dizzying. Slightly out-of-tune samples quiver like a struck drum - thoroughly processed and mangled through Kovács' mutated machine park. Closing track So So Solid surprises by *not* being the ultimate clash between Jermaine Dupree and Reebok-clad grime stylings, although Kovács could probably pull that off as well. Instead we get a beatless loopfest akin to The Field or Gas - pure angst-ridden bliss! Collaborating with studio wizard Matt Karmil has given these productions an exquisite aura depth. On Nincs, the idiosyncrasies of Kornél Kovács' work come into light, always finding the sweet spot between crazy, sexy and pretty damn cool. More
Tracklist:
A1. Nordic Rave 4 – A2. Utopia, Ohio – B1. Tooth – B2. So So Solid
Info:
Nincs, a Hungarian word roughly translating to "there is no", is the debut EP of Kornél Kovács, one third of influential Stockholm label Studio Barnhus alongside Petter Nordkvist and Axel Boman. Kovács' latest outing Szikra struck a chord with lovers of quality house music worldwide and as 2014 came to a close it lingered on top of many a year-end-list. But the sheer beauty of Szikra was only the beginning. 2015 is set to be a monster year for Kovács and it all begins with Nincs EP. Leading track Nordic Rave 4 sets the ball rolling with hyper-edited vocals and rolling percussion shrouded in frosty atmospherics and rudebwoy soundbites. Don't sleep on the acidic bassline that sneaks up on the unsuspecting towards the end! Utopia, Ohio is like all the characters of 80s movie classic The Breakfast Club rolled into one modern house track: the pretty tenderness of The Princess, The Athlete's muscular effectiveness, the off-kilter weirdness of The Basket Case, IDM techniques worthy of The Brain and the smooth ruthlessness of The Criminal - jackin' for beats in dusty record bins all over the world. The grandiose pads and descending bassline of Tooth make up a track that is as imposing as dizzying. Slightly out-of-tune samples quiver like a struck drum - thoroughly processed and mangled through Kovács' mutated machine park. Closing track So So Solid surprises by *not* being the ultimate clash between Jermaine Dupree and Reebok-clad grime stylings, although Kovács could probably pull that off as well. Instead we get a beatless loopfest akin to The Field or Gas - pure angst-ridden bliss! Collaborating with studio wizard Matt Karmil has given these productions an exquisite aura depth. On Nincs, the idiosyncrasies of Kornél Kovács' work come into light, always finding the sweet spot between crazy, sexy and pretty damn cool. More
UPC 827170541863 Rel Date 24.3.2014
Tracklist 12'':
A1. Szikra – A2. Szikra (Bónusz Beat) – B1. Szikra (Abdulla Rashim Remix)
"Runs so deep it puts your butt to sleep", to paraphrase actor/musician Ice Cube in his seminal hit It Was a Good Day. And it is a good day for lovers of high-grade house music. Szikra is Kornél Kovács at his most wistfully nostalgic. Ultra-smooth keys offset by noisy lo-fi
breakbeats and vocals urging you to git fucked up, like Metro Area caught up... in smoke! All the trademark sounds of the Barnhus massive are present - off-kilter playfulness paired with the cocky swagger of a south Stockholm roughneck and an infectious pop sensibility that lingers in your
head long after the needle hits the inner groove. The so-called Bónusz Beat is actually a track in its own right, sacrificing most of the hook and the vocals for a dubby smackdown ripe for adventurous dancefloors. Young Stockholm producer Abdulla Rashim closes out the set with a perfectly horizontal techno groove, using only elements from the original production. More
Tracklist 12'':
A1. Szikra – A2. Szikra (Bónusz Beat) – B1. Szikra (Abdulla Rashim Remix)
"Runs so deep it puts your butt to sleep", to paraphrase actor/musician Ice Cube in his seminal hit It Was a Good Day. And it is a good day for lovers of high-grade house music. Szikra is Kornél Kovács at his most wistfully nostalgic. Ultra-smooth keys offset by noisy lo-fi
breakbeats and vocals urging you to git fucked up, like Metro Area caught up... in smoke! All the trademark sounds of the Barnhus massive are present - off-kilter playfulness paired with the cocky swagger of a south Stockholm roughneck and an infectious pop sensibility that lingers in your
head long after the needle hits the inner groove. The so-called Bónusz Beat is actually a track in its own right, sacrificing most of the hook and the vocals for a dubby smackdown ripe for adventurous dancefloors. Young Stockholm producer Abdulla Rashim closes out the set with a perfectly horizontal techno groove, using only elements from the original production. More
More records from Numbers
1
Fergus Jones - Yield
2
Fergus Jones - Heima With Huerco S. And James K
3
Fergus Jones - Tight Knit With Birthmark, ELDON and Withdrawn
4
Fergus Jones - Stack
5
Fergus Jones - Can't Touch With Laila Sakini
6
Fergus Jones - Heap
7
Fergus Jones - It SHould be (Free) With Huerco S.
8
Fergus Jones - A Leap With Lia T
9
Fergus Jones - Been Here (And Gone) With Koreless
Ephemera is the debut album by Fergus Jones, the artist formerly known as Perko, an Edinburgh-born, Copenhagen-based producer, DJ, and founder of the FELT record label. The nine-track release is out on Numbers on 18 October 2024.
Ephemera was developed with collaborative energy as the creative priority, produced by Jones alongside an extensive list of like-minded musicians, lyricists and vocalists including Huerco S, James K, Koreless, Birthmark, ELDON and Withdrawn of Bristol’s Cold Light crew, Laila Sakini and Lia T. The album embodies Jones’ inner journey as he ranges further than ever sonically and emotionally, emphasising instinct, intensity, tactility and rapture.
“Heima” was written and produced with Huerco S and James K between Iceland, Copenhagen and the United States’ East Coast. Developed during and named after the same Icelandic artist residency that birthed Perko & Huerco S’ debut collaboration “Prang,” “Heima” is a shimmering piece of fortified trip-pop featuring vocals from James K, appearing here following solo releases for AD 93 and collaborations with Yves Tumor. “Tight Knit” aligns Jones’ graceful production with the raw emotions thundering from the performances of Birthmark, ELDON and Withdrawn of Cold Light, the shadowy Bristolian collective channelling the city’s deep sonic history into an equally rich future.
In his own words, Jones says “This album was made over the last five years in various studio and outdoor locations around the world, reflecting my ongoing emphasis on natural collaboration as a creative ideal. It’s my most personal record yet, written with experimentation and an open attitude as guiding lights.”
The album makes a distinctive impact that reverberates and glows long after its runtime. Analogue audio sculpting, adaptive processes and imaginative approaches to creating sound are at the forefront – whether resulting from an endless exchange of iterative stems with Huerco S, or hydrophone recordings with Koreless. Evocative vocal performances and songwriting combine with weighty sound design, gliding easily between the organic and synthetic to reflect and expand the thin spaces of transcendence in each.
Mixed by Michael James Thomas at Studio Moonchord
Co-produced by Michael James Thomas on 2, 3 & 5
Excerpt of 020301 by Opiate / Thomas Knak on 8
Mastered by Noel Summerville
Artwork by Ben Drury
Artwork Photography by Pawel Rogowski More
Ephemera was developed with collaborative energy as the creative priority, produced by Jones alongside an extensive list of like-minded musicians, lyricists and vocalists including Huerco S, James K, Koreless, Birthmark, ELDON and Withdrawn of Bristol’s Cold Light crew, Laila Sakini and Lia T. The album embodies Jones’ inner journey as he ranges further than ever sonically and emotionally, emphasising instinct, intensity, tactility and rapture.
“Heima” was written and produced with Huerco S and James K between Iceland, Copenhagen and the United States’ East Coast. Developed during and named after the same Icelandic artist residency that birthed Perko & Huerco S’ debut collaboration “Prang,” “Heima” is a shimmering piece of fortified trip-pop featuring vocals from James K, appearing here following solo releases for AD 93 and collaborations with Yves Tumor. “Tight Knit” aligns Jones’ graceful production with the raw emotions thundering from the performances of Birthmark, ELDON and Withdrawn of Cold Light, the shadowy Bristolian collective channelling the city’s deep sonic history into an equally rich future.
In his own words, Jones says “This album was made over the last five years in various studio and outdoor locations around the world, reflecting my ongoing emphasis on natural collaboration as a creative ideal. It’s my most personal record yet, written with experimentation and an open attitude as guiding lights.”
The album makes a distinctive impact that reverberates and glows long after its runtime. Analogue audio sculpting, adaptive processes and imaginative approaches to creating sound are at the forefront – whether resulting from an endless exchange of iterative stems with Huerco S, or hydrophone recordings with Koreless. Evocative vocal performances and songwriting combine with weighty sound design, gliding easily between the organic and synthetic to reflect and expand the thin spaces of transcendence in each.
Mixed by Michael James Thomas at Studio Moonchord
Co-produced by Michael James Thomas on 2, 3 & 5
Excerpt of 020301 by Opiate / Thomas Knak on 8
Mastered by Noel Summerville
Artwork by Ben Drury
Artwork Photography by Pawel Rogowski More
1
Mosca - Done Me Wrong
2
Mosca - Bax
Bax is back. First released in 2011, Mosca’s UKG homage, ‘Bax’, did big things when it landed. Almost 10 years on, it’s time for a repress.
Though Mosca missed the golden era of garage in the nineties, he caught on to darkside pioneers such as Horsepower Productions, Benny Ill and El-B later on. A blend of homegrown British styles lies at the core of his electronic music influences, early dubstep, jungle, minimal grime and bassline, which he’d experienced first-hand at Sheffield’s legendary Niche club. (Little known fact: The name Bax is a partial nod to Steve Baxendale, the man behind Niche).
All these elements coalesced in the studio and the two-tracker materialised in a couple of days. Both sides of the record do their thing on the floor; ‘Bax’ with its now infamous ‘My DJ is live in the place’ sample, that earworm melody and a ruffneck b-line.
On the flip ‘Done Me Wrong’ sees Mosca incorporate several key garage tropes; the bassline swinging alongside soulful vocals (which get sliced and diced), not forgetting that cheeky rewind.
My DJ is back in the place... More
Though Mosca missed the golden era of garage in the nineties, he caught on to darkside pioneers such as Horsepower Productions, Benny Ill and El-B later on. A blend of homegrown British styles lies at the core of his electronic music influences, early dubstep, jungle, minimal grime and bassline, which he’d experienced first-hand at Sheffield’s legendary Niche club. (Little known fact: The name Bax is a partial nod to Steve Baxendale, the man behind Niche).
All these elements coalesced in the studio and the two-tracker materialised in a couple of days. Both sides of the record do their thing on the floor; ‘Bax’ with its now infamous ‘My DJ is live in the place’ sample, that earworm melody and a ruffneck b-line.
On the flip ‘Done Me Wrong’ sees Mosca incorporate several key garage tropes; the bassline swinging alongside soulful vocals (which get sliced and diced), not forgetting that cheeky rewind.
My DJ is back in the place... More
1
Perko - Prang Feat. Huerco S.
2
Perko - Sisu Feat. Cucina Povera
This two-track release by Perko on Numbers is the Glasgow-born, Copenhagen-based artist’s first release for the label since 2020’s The City Rings. Poking his head out of the foxhole of his solitary FELT imprint for a pair of productions featuring Huerco S. and Cucina Povera, “Prang” highlights Perko’s commitment to natural collaboration as a creative ideal.
“Prang” is a long-simmering dancefloor cut that was torn down and rebuilt alongside Huerco S. during a joint residency at HeimA in East Iceland in late 2022, capturing the immense scale of those surroundings and the accompanying isolation. The result is an undeniable club record – an unexpected but welcome result from the two producers – with ratcheting tension and acute impact that doesn’t sacrifice psychedelic detail.
The dust from this anxious energy settles in the ambient “Sisu.” Created via remote collaboration with Cucina Povera, her voice has a powerful resonance with the spacious production, offering a tonal reset from the A side. The wordless vocals are luminous in an otherwise foggy track, which was developed alongside Perko’s friend and collaborator Aethers Spring.
Suited for dancefloor peaks and calm mornings after, “Prang” reflects the pursuit of collaborative energies and intentions that combine to succeed as more than the sum of their parts. More
“Prang” is a long-simmering dancefloor cut that was torn down and rebuilt alongside Huerco S. during a joint residency at HeimA in East Iceland in late 2022, capturing the immense scale of those surroundings and the accompanying isolation. The result is an undeniable club record – an unexpected but welcome result from the two producers – with ratcheting tension and acute impact that doesn’t sacrifice psychedelic detail.
The dust from this anxious energy settles in the ambient “Sisu.” Created via remote collaboration with Cucina Povera, her voice has a powerful resonance with the spacious production, offering a tonal reset from the A side. The wordless vocals are luminous in an otherwise foggy track, which was developed alongside Perko’s friend and collaborator Aethers Spring.
Suited for dancefloor peaks and calm mornings after, “Prang” reflects the pursuit of collaborative energies and intentions that combine to succeed as more than the sum of their parts. More
1
FFT - Clear (Eight-Circuit Mix)
2
FFT - Redeemer
3
FFT - 3 Sided
4
FFT - Disturb Roqe 2
5
FFT - Clear
6
FFT - You've Changed
7
FFT - Heal
8
FFT - Heal (Alt Mix)
9
FFT - Ashley Hill
Numbers will release ‘Clear’, the debut album by FFT, on 24th June 2022.The result of three years of focused writing and programming by the London-based producer, ‘Clear’ is deeply psychedelic, defined by a mature sense of melody and structures crafted at a monumental scale.
Though FFT has previously released a handful of tracks under various names, it wasn’t until 2017’s ‘FFT1’ EP on theUncertainty Principle label that his production talents began to fuse into a distinct and personal style, especially evident in FFT’s‘Regional/Loss’ EP on The Trilogy Tapes in 2019, multiple releases on Bruk Records and2021’s ‘Disturb Roqe,’also released on Numbers.Through it all, FFT has mastered a complex sense of mood catalyzed by sound itself: He builds patches and presets from scratch, and feels these synths and software have their own objectives and reactions, creating a kind of compositional feedback loop.The result is an album that brings to mind a collision of electronic pioneers like Delia Derbyshire and Bernard Parmegiani, 2000’s braindance, the Max-imized wares of an OPN or Objekt and the rough rhythmatics of SND or Mika Vainio
The layering of sonic elements and intentions is starkly audible across these nine tracks.They can be seismically concussive and grandiose, but granular and fluid - echoing the Icelandic volcanic eruption that features in the artwork photography byGeorge Cowan. ‘Clear (Eight-Circuit Mix)’sets a euphoric tone immediately accelerated by the jagged sounds and vocal textures of ‘Redeemer’. ‘3 Sided’ channels hyper-urbanity from its almost entirely analogue palette, and by contrast ‘Disturb Roqe 2’is bracingly digital, gyrating in random cycles between clustered percussion, metallic splinters of audio and artificial vocal tics.
Opening side two, ‘You’ve Changed’ adheres to a more abrasive core, while ‘Heal’ and ‘Heal (Alt Mix)’evolved out of linked pieces in FFT’s live sets that grew into complete tracks in the months before Covid-19.The significant intensity of ‘Heal’ in particular was refined during strobe-heavy live performances and is the album at its most turbulent, the claustrophobia interrupted by dazzling arpeggios.The overall impact of 'Clear' is cinematic and precise, marking the arrival of an impressive electronic musician who is not new but has come into his own as a fully developed artist More
Though FFT has previously released a handful of tracks under various names, it wasn’t until 2017’s ‘FFT1’ EP on theUncertainty Principle label that his production talents began to fuse into a distinct and personal style, especially evident in FFT’s‘Regional/Loss’ EP on The Trilogy Tapes in 2019, multiple releases on Bruk Records and2021’s ‘Disturb Roqe,’also released on Numbers.Through it all, FFT has mastered a complex sense of mood catalyzed by sound itself: He builds patches and presets from scratch, and feels these synths and software have their own objectives and reactions, creating a kind of compositional feedback loop.The result is an album that brings to mind a collision of electronic pioneers like Delia Derbyshire and Bernard Parmegiani, 2000’s braindance, the Max-imized wares of an OPN or Objekt and the rough rhythmatics of SND or Mika Vainio
The layering of sonic elements and intentions is starkly audible across these nine tracks.They can be seismically concussive and grandiose, but granular and fluid - echoing the Icelandic volcanic eruption that features in the artwork photography byGeorge Cowan. ‘Clear (Eight-Circuit Mix)’sets a euphoric tone immediately accelerated by the jagged sounds and vocal textures of ‘Redeemer’. ‘3 Sided’ channels hyper-urbanity from its almost entirely analogue palette, and by contrast ‘Disturb Roqe 2’is bracingly digital, gyrating in random cycles between clustered percussion, metallic splinters of audio and artificial vocal tics.
Opening side two, ‘You’ve Changed’ adheres to a more abrasive core, while ‘Heal’ and ‘Heal (Alt Mix)’evolved out of linked pieces in FFT’s live sets that grew into complete tracks in the months before Covid-19.The significant intensity of ‘Heal’ in particular was refined during strobe-heavy live performances and is the album at its most turbulent, the claustrophobia interrupted by dazzling arpeggios.The overall impact of 'Clear' is cinematic and precise, marking the arrival of an impressive electronic musician who is not new but has come into his own as a fully developed artist More
1
FFT - Disturb Roqe 2
2
FFT - Disturb Roqe 4
3
FFT - Disturb Roqe 5
The Bristol-based composer and producer FFT signs to Numbers for Disturb Roqe and an album to follow in 2022.
Disturb Roqe is out on vinyl & digital on December 3rd, 2021. The EP presents three meticulous, spacious tracks that channel bass-heavy tendencies, with whirring details that showcase masterly sound design in a controlled yet aggressive delivery.
Josh Thompson has released music dispersed across a number of labels, including The Trilogy Tapes, Low End Activist’s Bruk Records, his own Super Hexagon imprint and more. Through transmitting under a series of obscurant aliases, he composed and created while leading a nomadic life between houses, cities, occupations and attractions.
His body of work demonstrates an impressive, evolving artistry, exploring harmonic and textural sounds underlined by a powerful devotion to computer-based production. It’s a focus captured by his artist name FFT, short for Fast Fourier Transform, a process by which signals can be converted from temporal or spatial to frequency domains, or in the other direction. More
Disturb Roqe is out on vinyl & digital on December 3rd, 2021. The EP presents three meticulous, spacious tracks that channel bass-heavy tendencies, with whirring details that showcase masterly sound design in a controlled yet aggressive delivery.
Josh Thompson has released music dispersed across a number of labels, including The Trilogy Tapes, Low End Activist’s Bruk Records, his own Super Hexagon imprint and more. Through transmitting under a series of obscurant aliases, he composed and created while leading a nomadic life between houses, cities, occupations and attractions.
His body of work demonstrates an impressive, evolving artistry, exploring harmonic and textural sounds underlined by a powerful devotion to computer-based production. It’s a focus captured by his artist name FFT, short for Fast Fourier Transform, a process by which signals can be converted from temporal or spatial to frequency domains, or in the other direction. More
1
Perko - Sky Host
2
Perko - Rounded
3
Perko - What Otters
4
Perko - Grace
5
Perko - Songbirds
6
Perko - Polly
Repress!
Originally hailing from Scotland, now based in Copenhagen, Numbers present 23-year old producer and deejay Perko with his debut release NV Auto.
The six tracks on this EP hear Perko mining the grooves between his favourite genres for building blocks of inspiration. Drawing from UK soundsystem culture and modern experimental music, half of the record explores deeper atmospheric passages and meditative repetition, characterised by layers of subtly shifting chords, field recordings and delicate polyrhythms.
Three dancefloor cuts, spread throughout the rest of the record, retain this detail and interplay with added energy. Perko’s sense of rhythm & space is clear with 'Rounded’s glacial synths, blown out drum machines and sculpted sub sine waves. 'What Otters' forges playful UKG touches within a paperclip framework of space-echoes and sparks, whilst 'Songbirds' flips into 4/4 drive with percolated alarms and shimmering pads.
“Density, Noise, Dust, Distortion, Space…” says Perko, if you want it simple. More
Originally hailing from Scotland, now based in Copenhagen, Numbers present 23-year old producer and deejay Perko with his debut release NV Auto.
The six tracks on this EP hear Perko mining the grooves between his favourite genres for building blocks of inspiration. Drawing from UK soundsystem culture and modern experimental music, half of the record explores deeper atmospheric passages and meditative repetition, characterised by layers of subtly shifting chords, field recordings and delicate polyrhythms.
Three dancefloor cuts, spread throughout the rest of the record, retain this detail and interplay with added energy. Perko’s sense of rhythm & space is clear with 'Rounded’s glacial synths, blown out drum machines and sculpted sub sine waves. 'What Otters' forges playful UKG touches within a paperclip framework of space-echoes and sparks, whilst 'Songbirds' flips into 4/4 drive with percolated alarms and shimmering pads.
“Density, Noise, Dust, Distortion, Space…” says Perko, if you want it simple. More
1
Sophie - BIPP (Autechre Mx)
2
Sophie - UNISIL
Repress!
In 2015 when potential remixes of BIPP were first floated the unequivocal response from SOPHIE was “No remixes..” a long pause followed “..unless it’s Autechre”. We asked, and five years later an email from Autechre arrived “sorry this is so late, hope it's still of some use”. An Autechre live show recording from a Numbers show in 2005 had first inspired SOPHIE to source the equipment used to craft new music including BIPP, LEMONADE & more. The BIPP Autechre mx is 3 minutes 33 seconds long, stripped back and loose. Sounding like Autechre paying tribute to some serious late 80’s influences. The duo's interpretation channels an imagined transition point between NY electro and UK street soul, that pitched down SOPHIE vocal reconfigured into a wanna-be Latin Freestyle Natasha King, jiving over a deep slice of TR-606 funk technology. More
In 2015 when potential remixes of BIPP were first floated the unequivocal response from SOPHIE was “No remixes..” a long pause followed “..unless it’s Autechre”. We asked, and five years later an email from Autechre arrived “sorry this is so late, hope it's still of some use”. An Autechre live show recording from a Numbers show in 2005 had first inspired SOPHIE to source the equipment used to craft new music including BIPP, LEMONADE & more. The BIPP Autechre mx is 3 minutes 33 seconds long, stripped back and loose. Sounding like Autechre paying tribute to some serious late 80’s influences. The duo's interpretation channels an imagined transition point between NY electro and UK street soul, that pitched down SOPHIE vocal reconfigured into a wanna-be Latin Freestyle Natasha King, jiving over a deep slice of TR-606 funk technology. More
1
Perko - Stutter
2
Perko - Grounds Ft. Lia
3
Perko - Luna
4
Perko - The Reason
5
Perko - Pippin (Version)
6
Perko - Pippin
Taking inspiration from the open spaces, noise, and density of his adopted city Copenhagen, Perko follows up the acclaimed ‘NV Auto’ EP with new music that yields maximum impact via minimalist principles.
Across the record’s eight tracks, rhythms are reduced to their most essential components. There is no wastage, just pure precision and skeletal funk juxtaposed with microscopic melodies. Embedded across the entirety of the release are the sounds of the city. Listen carefully and you’ll hear recordings of his friends and their local neighbourhoods, with the city becoming a bed of sound.
‘Stutter’ melts these influences into quick-footed vaporous electro. On ‘The Reason’ Perko strips away the CSI synced excesses of drum n bass and synthesises percussion from samples of Stevie Williams skating at Love Park.
‘Grounds’ is a collaboration with Australian DJ / Producer Lia T, and stems from an exchange of field recordings between the two. These recordings became the core of the track, before Lia laid down additional synths. This all bleeds away into ‘Luna’, which connects gently cascading melodies to the urban landscape.
The record closes with ‘Pippin’, which comes in two versions. The grime concrète of the ‘Version’ oozes feelings of creeping dread and nightmarish bass stabs. The original takes the stabs and merges them with his take on the steppers’ riddim.
In Perko’s world, introspective and breakneck electronic music share the same space, mirroring the complexities of the city around him.
Tracklist:
1. Intro
2. Stutter
3. Grounds ft. Lia
4. Luna
5. The Reason
6. Pippin (Version)
7. Pippin
8. Outro
More
Across the record’s eight tracks, rhythms are reduced to their most essential components. There is no wastage, just pure precision and skeletal funk juxtaposed with microscopic melodies. Embedded across the entirety of the release are the sounds of the city. Listen carefully and you’ll hear recordings of his friends and their local neighbourhoods, with the city becoming a bed of sound.
‘Stutter’ melts these influences into quick-footed vaporous electro. On ‘The Reason’ Perko strips away the CSI synced excesses of drum n bass and synthesises percussion from samples of Stevie Williams skating at Love Park.
‘Grounds’ is a collaboration with Australian DJ / Producer Lia T, and stems from an exchange of field recordings between the two. These recordings became the core of the track, before Lia laid down additional synths. This all bleeds away into ‘Luna’, which connects gently cascading melodies to the urban landscape.
The record closes with ‘Pippin’, which comes in two versions. The grime concrète of the ‘Version’ oozes feelings of creeping dread and nightmarish bass stabs. The original takes the stabs and merges them with his take on the steppers’ riddim.
In Perko’s world, introspective and breakneck electronic music share the same space, mirroring the complexities of the city around him.
Tracklist:
1. Intro
2. Stutter
3. Grounds ft. Lia
4. Luna
5. The Reason
6. Pippin (Version)
7. Pippin
8. Outro
More
1
Shapednoise - No Title
2
Shapednoise - No Title
3
Shapednoise - No Title
4
Shapednoise - No Title
5
Shapednoise - No Title
6
Shapednoise - No Title
7
Shapednoise - No Title
8
Shapednoise - No Title
9
Shapednoise - No Title
The new album 'Aesthesis' from Shapednoise aka Sicilian artist Nino Pedone is out in November 2019 on Numbers.
More
More
1
Lanark Artefax - Corra Linn
2
Lanark Artefax - Moo Orphaned Drift
3
Lanark Artefax - Ferthenheap
Lanark Artefax releases a new EP titled ‘Corra Linn’ on 24th October via Numbers, l-a-n-a-r-k.net.
It is the Scottish producer’s first solo output since his breakout record on Whities in 2017, which included the ethereal ‘Touch Absence’. The three-track EP arrives after last year’s remix of Björk and an extensive period touring his internationally acclaimed live A/V show.
Recorded sometime in the last year and a half, the three tracks across ‘Corra Linn’ materialise like a cascading data flow; combining lazer sharp digital synths and hyperspatial sound design with scaled up, spine-tingling choral melodies, time-refracted field recordings and ethereal childlike vocal arrangements.
The EP’s title track, ‘Corra Linn’, takes its name from a waterfall in the Lanark area of Scotland, the water of which flows into one of the oldest hydro-electric power stations in the UK. The artwork accompanying the EP is a photomicrographic image of Lanarkite; a rare and precious mineral form. Almost all significant occurrences of Lanarkite were discovered deep within the Leadhills in South Lanarkshire, but it is said that an unknown, but large, quantity of it was once unearthed at the base of Corra Linn waterfall.
Visit the Lanark Artefax web portal l-a-n-a-r-k.net to explore the digital archive accompanying the release.
More
It is the Scottish producer’s first solo output since his breakout record on Whities in 2017, which included the ethereal ‘Touch Absence’. The three-track EP arrives after last year’s remix of Björk and an extensive period touring his internationally acclaimed live A/V show.
Recorded sometime in the last year and a half, the three tracks across ‘Corra Linn’ materialise like a cascading data flow; combining lazer sharp digital synths and hyperspatial sound design with scaled up, spine-tingling choral melodies, time-refracted field recordings and ethereal childlike vocal arrangements.
The EP’s title track, ‘Corra Linn’, takes its name from a waterfall in the Lanark area of Scotland, the water of which flows into one of the oldest hydro-electric power stations in the UK. The artwork accompanying the EP is a photomicrographic image of Lanarkite; a rare and precious mineral form. Almost all significant occurrences of Lanarkite were discovered deep within the Leadhills in South Lanarkshire, but it is said that an unknown, but large, quantity of it was once unearthed at the base of Corra Linn waterfall.
Visit the Lanark Artefax web portal l-a-n-a-r-k.net to explore the digital archive accompanying the release.
More
1
Complete Walkthru - Rn Atm Icymi
2
Complete Walkthru - lean in
3
Complete Walkthru - Honey Moon
4
Complete Walkthru - Leavin’ Church Early
5
Complete Walkthru - Believe I Can Do This
6
Complete Walkthru - Getting Ridiculous
7
Complete Walkthru - nyc
8
Complete Walkthru - Just Like We Like It
9
Complete Walkthru - Family By ‘22
10
Complete Walkthru - Cardio
11
Complete Walkthru - linking book
The first album on Numbers from Complete Walkthru aka US producer Max McFerren, titled Scrolls, is out on 20th September 2019.
Scolls plays around with themes of privacy, disillusionment and personal development over eleven tracks, representing a transitional time in McFerren’s life. Through Scrolls’ early stages he moved from New York, where he was holding down a residency at Brooklyn’s Bossa Nova Civic Club and playing regularly in downtown Manhattan at the iconic China Chalet and the now much missed Santos Party House, to the open, rural setting of South Carolina.
The albums personality, and the thematic preoccupations underlying it, reflect the impact of this contrast. It’s sound textures cast widely into what McFerren describes as “the ephemera of the saturated digital realm” while moving through arcane rhythms, chiming melodies and expansive, metallically tinged ambient passages. First single Lean In, streaming in full now, is a dusty breaks-tight miasma of fragmented cyber-consciousness. There are playful, hyperactive refrains on Getting Ridiculous. Leavin’ Church Early is an expansive beat free meditation, while NYC’s dynamic momentum is a cityscape of bad-faith corporate aspiration.
McFerren refers to his motivations with Scrolls as being “anti-nihilism”, as reacting against a dark emptiness he perceives in certain forms of techno. Ultimately with the record, he is seeking the potential of centring joy in the present moment, in a conscious awareness of now. More
Scolls plays around with themes of privacy, disillusionment and personal development over eleven tracks, representing a transitional time in McFerren’s life. Through Scrolls’ early stages he moved from New York, where he was holding down a residency at Brooklyn’s Bossa Nova Civic Club and playing regularly in downtown Manhattan at the iconic China Chalet and the now much missed Santos Party House, to the open, rural setting of South Carolina.
The albums personality, and the thematic preoccupations underlying it, reflect the impact of this contrast. It’s sound textures cast widely into what McFerren describes as “the ephemera of the saturated digital realm” while moving through arcane rhythms, chiming melodies and expansive, metallically tinged ambient passages. First single Lean In, streaming in full now, is a dusty breaks-tight miasma of fragmented cyber-consciousness. There are playful, hyperactive refrains on Getting Ridiculous. Leavin’ Church Early is an expansive beat free meditation, while NYC’s dynamic momentum is a cityscape of bad-faith corporate aspiration.
McFerren refers to his motivations with Scrolls as being “anti-nihilism”, as reacting against a dark emptiness he perceives in certain forms of techno. Ultimately with the record, he is seeking the potential of centring joy in the present moment, in a conscious awareness of now. More
The debut release from new Scottish producer North Sea Dialect, Local Guide is a dense musical world made of uneasy ambience, shimmering distortion, subdued rhythm and propulsive melody.
Buried in its soundscapes are the echoes and surrealness of alienated life - expectant youth, distant voices and broken folklore. It’s industrialised music tied together with found sound, adrenaline fuelled synthesis and the depths of late night solitude. Conceived during a move from Glasgow across Scotland and composed in isolation, a blistering sense of reality creeps through the recordings.
Local Guide is accompanied by three videos for the tracks Mossy Cyphol, Subarctic Baltasound and Gloup. The short films are haunted and illuminated by the serenity of rural freedom, the power of the sea, and the collapse of industry.
Watch on YouTube now: http://nmb.rs/nsd-local-guide-yt
North Sea Dialect Instagram: http://smarturl.it/nsd-ig More
Buried in its soundscapes are the echoes and surrealness of alienated life - expectant youth, distant voices and broken folklore. It’s industrialised music tied together with found sound, adrenaline fuelled synthesis and the depths of late night solitude. Conceived during a move from Glasgow across Scotland and composed in isolation, a blistering sense of reality creeps through the recordings.
Local Guide is accompanied by three videos for the tracks Mossy Cyphol, Subarctic Baltasound and Gloup. The short films are haunted and illuminated by the serenity of rural freedom, the power of the sea, and the collapse of industry.
Watch on YouTube now: http://nmb.rs/nsd-local-guide-yt
North Sea Dialect Instagram: http://smarturl.it/nsd-ig More
1
passarani - Wonky Wonky Wonky
2
passarani - "Quarto
3
passarani - Tribalonios
Marco Passarani, PSS-2099, Analog Fingerprints, M-Chrome, Bass-arani, David Woods, Tiger & Woods, Nature Records, Final Frontier…
Passarani’s back with cosmic melodies from planet Rome ‘Analog Fingerprints Vol.1' demonstrates Numbers’ long held faith in the man as an originator who moves through the sounds of now.
More
Passarani’s back with cosmic melodies from planet Rome ‘Analog Fingerprints Vol.1' demonstrates Numbers’ long held faith in the man as an originator who moves through the sounds of now.
More
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Infiniti - Walking On Water 05:27
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Infiniti - Thought Process 04:27
4
Infiniti - Electric Circus 03:10
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Infiniti - Postcard From The Future 05:59
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FORMAT 2LP vinyl, printed sleeve, dl card
TRACKLIST
1. / A1 Skyway 05:58
2. / A2 Walking On Water 05:27
3. / B1 Thought Process 04:27
4. / B2 Electric Circus 03:10
5. / B3 Postcard From The Future 05:59
6. / C1 Body Oil 10:28
7. / C2 Coffeeshop Interlude 04:15
8. / D1 Coffeeshop Connection 05:07
9. / C2 Subterrainea 05:43
Postcard From The Future 05:59
Juan Atkins' Infiniti project combines raw tactility and puristic elegance with Skynet, where slinking grooves mask chaotic frequencies and roughly-hewn structure. Alongside fellow Detroit legend Terrence Dixon who appears on several tracks, Atkins exposes the life and emotion in machines, outputting a biomorphic atmosphere of industrial soul. The ongoing importance of this album is indisputable, essential both to techno and to Tresor. More
TRACKLIST
1. / A1 Skyway 05:58
2. / A2 Walking On Water 05:27
3. / B1 Thought Process 04:27
4. / B2 Electric Circus 03:10
5. / B3 Postcard From The Future 05:59
6. / C1 Body Oil 10:28
7. / C2 Coffeeshop Interlude 04:15
8. / D1 Coffeeshop Connection 05:07
9. / C2 Subterrainea 05:43
Postcard From The Future 05:59
Juan Atkins' Infiniti project combines raw tactility and puristic elegance with Skynet, where slinking grooves mask chaotic frequencies and roughly-hewn structure. Alongside fellow Detroit legend Terrence Dixon who appears on several tracks, Atkins exposes the life and emotion in machines, outputting a biomorphic atmosphere of industrial soul. The ongoing importance of this album is indisputable, essential both to techno and to Tresor. More
Label:Tresor Records / BMG
Cat-No:TRESOR313EP2
Release-Date:01.11.2024
Genre:Techno
Configuration:12" Excl
Label:Tresor Records / BMG
Cat-No:TRESOR313EP2
Release-Date:01.11.2024
Genre:Techno
Configuration:12" Excl
1
Cybotron - Parallel Shift 04:39
2
Cybotron - Earth 05:39
3
Cybotron - Earth - Edit (Digital Bonus) 05:08
Format: 12” vinyl, printed labels, printed inner sleeve, dl code
Tracklist:
01 / A Parallel Shift 04:39
02 / B Earth 05:39
03 / DX Earth - Edit (Digital Bonus) 05:08
Astral travel with Cybotron into the meta-narrative of the Parallel Shift, a new sonic fiction that raises many questions about military science of the near-future and the possibility of other worlds.
Descending backward through the rhythms of time, the Skynet module retracts from the hyper-structural society of 2100, edging toward the mid-century modern age teetering on the brink of what was then the frontier of “the future”. The system boots the Infiniti process, morphing into a cosmotechnic vessel coursing the superhighway of burgeoning general intelligence, seeking data from just before “the overshoot and collapse.”
R&D methods, rhythmanalytically applied, dissect the aftermath of an industrial society that burst through the ecological capacity of Spaceship Earth. Fractal visions of war and innovation spike and recede from and into the surfaces of reality being bent and guiding the eyes, ears, touch towards a laboratory in the year 1961. A nuclear expert, Don Lewis, receives orders to decrypt the mysterious black dodecagonal disc known as Fortec and the extraterrestrial biology unearthed in Roswell. He joins a team disassembling Fortec and studying the recurrent dodecahedral patterns linked to the human nervous system.
Through dismantling and probing, the team cycles through a saecular search devoid of finite conclusions, limited by Earth’s intellectual and technological prowess. One 1960s night, Lewis, while meddling with Fortec’s cyborganic innards, accidentally electrifies himself. His cyclotron and missile experience guides him to circuit-bend Fortec, stirring the entity from a mechanical slumber. Lewis and Fortec communicate in resonances, until it drifts back into a tranquil stasis.
The US Defense and contractors, unbeknownst to them, observe this breakthrough. They later permit Lewis to exit military service as the Air Force forms the Foreign Technology Division. Concurrently, MJ12 evolves into CY12, delving into second-order cybernetics. Lewis clandestinely keeps working on Fortec fragments, transitioning from military engineer to musician, pioneering the LEO module, a fusion of Fortec’s essence and audio engineering.
He shares his insights with Roland founder Ikutaro Kakehashi, aiding the creation of the iconic TR-808. Meanwhile, Fortec branches out, coining “Cyberspace” – a collective illusion of liberty unshackled by physical, political, or spiritual bounds, anchored in the equitable distribution of The Golden Ratio across realities. Yet “Cyberspace” morphs into a chaotic truth reservoir, spilling over into deception.
The Parallel Shift manifests in the perpetual “Now,” a collapsed event horizon where past and future are ensnared in a relentless present, unfurling along a dissolving timeline, overseen by a monolithic simulation under ceaseless watch…
— The Rhythmanalyst aka DeForrest Brown, Jr. More
Tracklist:
01 / A Parallel Shift 04:39
02 / B Earth 05:39
03 / DX Earth - Edit (Digital Bonus) 05:08
Astral travel with Cybotron into the meta-narrative of the Parallel Shift, a new sonic fiction that raises many questions about military science of the near-future and the possibility of other worlds.
Descending backward through the rhythms of time, the Skynet module retracts from the hyper-structural society of 2100, edging toward the mid-century modern age teetering on the brink of what was then the frontier of “the future”. The system boots the Infiniti process, morphing into a cosmotechnic vessel coursing the superhighway of burgeoning general intelligence, seeking data from just before “the overshoot and collapse.”
R&D methods, rhythmanalytically applied, dissect the aftermath of an industrial society that burst through the ecological capacity of Spaceship Earth. Fractal visions of war and innovation spike and recede from and into the surfaces of reality being bent and guiding the eyes, ears, touch towards a laboratory in the year 1961. A nuclear expert, Don Lewis, receives orders to decrypt the mysterious black dodecagonal disc known as Fortec and the extraterrestrial biology unearthed in Roswell. He joins a team disassembling Fortec and studying the recurrent dodecahedral patterns linked to the human nervous system.
Through dismantling and probing, the team cycles through a saecular search devoid of finite conclusions, limited by Earth’s intellectual and technological prowess. One 1960s night, Lewis, while meddling with Fortec’s cyborganic innards, accidentally electrifies himself. His cyclotron and missile experience guides him to circuit-bend Fortec, stirring the entity from a mechanical slumber. Lewis and Fortec communicate in resonances, until it drifts back into a tranquil stasis.
The US Defense and contractors, unbeknownst to them, observe this breakthrough. They later permit Lewis to exit military service as the Air Force forms the Foreign Technology Division. Concurrently, MJ12 evolves into CY12, delving into second-order cybernetics. Lewis clandestinely keeps working on Fortec fragments, transitioning from military engineer to musician, pioneering the LEO module, a fusion of Fortec’s essence and audio engineering.
He shares his insights with Roland founder Ikutaro Kakehashi, aiding the creation of the iconic TR-808. Meanwhile, Fortec branches out, coining “Cyberspace” – a collective illusion of liberty unshackled by physical, political, or spiritual bounds, anchored in the equitable distribution of The Golden Ratio across realities. Yet “Cyberspace” morphs into a chaotic truth reservoir, spilling over into deception.
The Parallel Shift manifests in the perpetual “Now,” a collapsed event horizon where past and future are ensnared in a relentless present, unfurling along a dissolving timeline, overseen by a monolithic simulation under ceaseless watch…
— The Rhythmanalyst aka DeForrest Brown, Jr. More
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Moton Records Inc - Follow Him
Moton takes its time to select the best tracks for it’s loyal but hungry fan base, however, this EP was worth the wait. A killer 3 tracker cleverly edited from vaults of much respected don of the scene, Ghosted Edits, aka David Hill. The A side is an 80’s style boogie disco dancer to destroy the better floors, flipped with an infectious gospel vocal dancer that will have you singing out loud, alongside a wonderful soul 2 stepper with a touch of Balearic goodness! Proper pool side vibe. Enjoy.
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DMX Krew - Cloud Ocean Part 1
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DMX Krew - Cloud Ocean Part 2
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DMX Krew - Warp Zone
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DMX Krew - Unified Field Theorem II
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DMX Krew - Hard Wired
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DMX Krew - Cerebral Activity Monitorin
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DMX Krew - Oval Frame
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DMX Krew - Birthday Funq
The thirteenth drop from Curtis Electronix comes courtesy of veteran of the electronic music scene. Edward Upton has been producing music since 1994 and much has changed since he unveiled his debut release under the DMX-KREW alisas. Warp Zone LP showcases the great mastery of his studio, his technical expertise and his exceptional ability to create monolithic soundscapes using very few elements. Each layer contributes to a rich, immersive experience, each element resonates with depth, highlighting his deep understanding of club music, sonic texture and space.
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Donnie Cosmo - Mission Control
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Donnie Cosmo - Lost Galaxy
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Donnie Cosmo - Common Ancestors
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Donnie Cosmo - Flash Gordon
Donnie Cosmo the outstanding producer and nug-maker from Columbia, has been turning heads with his latest EP‘s on Gene on earth Labels.
Hailing from Medellin, Donnie Cosmo shows with this EP the promises for an exhilarating ascent in the world of music, he takes listeners on a mesmerising journey through his remarkable sound.
Opener Mission Control sets directly the high standard of this EP, hypnotic synths and heavy bassline spurring up the energy for the rest to come.
A2 Lost Galaxy, shows strictly rhythm and keeps up the dynamism.
The B side keeps the passion from the past‘s grooves and bounce you deeper into Donnie’s house universe.
Both tracks are stellar groovers and mind stretching material you have just to enjoy.
Let the vinyl spin and transport you to the space!
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Hailing from Medellin, Donnie Cosmo shows with this EP the promises for an exhilarating ascent in the world of music, he takes listeners on a mesmerising journey through his remarkable sound.
Opener Mission Control sets directly the high standard of this EP, hypnotic synths and heavy bassline spurring up the energy for the rest to come.
A2 Lost Galaxy, shows strictly rhythm and keeps up the dynamism.
The B side keeps the passion from the past‘s grooves and bounce you deeper into Donnie’s house universe.
Both tracks are stellar groovers and mind stretching material you have just to enjoy.
Let the vinyl spin and transport you to the space!
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Speedy J - Rise
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Speedy J - Something For Your Mind
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Speedy J - Tresor
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Speedy J - De Orbit
Remastered reissue of the second landmark EP for Plus 8 Records by Speedy J. Again expanding on the emerging sounds of Techno Speedy J took it further into euphoric, minimal lofi and bleepy territory with ''Rise'', ''Tresor'' and ''De-orbit''. All while effectively stripping it down to the bare bones rocking only a 909 and a vocal sample on ''Something For Your Mind''. This release and in particular ''Something For Your Mind'' was there at the forefront of techno as we know it these days with a harder, raw and no-nonsense approach and all its variations such as Gabber that grew out of that in Rotterdam the following year.
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Garrett David - Mi Casa (Feat. Maudi)
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Garrett David - Gar'ys Dreamland
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Garrett David - The Message Hasn't Changed
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Garrett David - Hootie Hoo
Repress!
Welcome to Gary’s Dreamland, the ultimate getaway for lovers and dreamers alike.. This ain't just music, it's a whole damn experience! This premium package is all inclusive and guaranteed to add a touch of magic to the next funktion. Forget time and dance ‘til dawn, baby! Though the dream eventually fades, the memories remain. things change, but the message is still the same; Global purpose, essential swing. More
Welcome to Gary’s Dreamland, the ultimate getaway for lovers and dreamers alike.. This ain't just music, it's a whole damn experience! This premium package is all inclusive and guaranteed to add a touch of magic to the next funktion. Forget time and dance ‘til dawn, baby! Though the dream eventually fades, the memories remain. things change, but the message is still the same; Global purpose, essential swing. More
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Ben Jamin - Dreams
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Ben Jamin - I'm Yours
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Ben Jamin - Conclusion
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Ben Jamin - Moment is Real
Super smooth 4 track EP, limited green 10 Inch. "Ben Jamin is a Liverpool based DJ and producer with releases on labels such as Discoholics Anonymous, Too Slow To Disco, Hot Digits Music and most recent 'Dance EP' on Hot Gorilla Records. Recent support includes airplay on BBC 6 Music Craig Charles Funk and Soul Show with 'Hold On Me' making it onto Craig Charles' best of 2022 show. Juno Download also included tracks from Cosmic Miracles in the best Balearic/Downtempo of 2022. The year also saw 5 top 100 positions on Traxsource and Ben also received a nomination for 'Emerging Producer of the Year 2022' at the OGV Music Awards.
Tracklist:
A1 Dreams
A2 I'm Yours
B1 Conclusion
B2 Moment is Real
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Tracklist:
A1 Dreams
A2 I'm Yours
B1 Conclusion
B2 Moment is Real
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Bushwacka! - Heaven On Earth (Main Mix)
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Bushwacka! - Heaven On Earth (Instadub)
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Bushwacka! - Roger That (Version One)
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Bushwacka! - Roger That (Version Two)
Bushwacka’s ?rst release for Radio Slave’s Rekids, the ‘Heaven On Earth’ EP, is out on October 11th 2024 and sees the UK House and Breakbeat innovator deliver two tracks complete with versions. Title track ‘Heaven On Earth’ is a slice of low-slung House in which a drawling spoken-word vocal about love for music dominates. It’s a track with the sort of cast-iron, funky groove that has permeated Bushwacka’s music since day one. The ‘Instadub’ dubs out the vocals and takes ‘Heaven On Earth’ in a heady direction. On the flip, Version One and Version Two of ‘Roger That’ see Bushwacka drop ?nely tuned funk-infused Deep House, with the former treading an earthy heads-down path while the latter ups the melody, chord and vocal sample prominence, creating a restrained euphoria throughout. Bushwacka, aka Matthew Benjamin or Matthew B/Just Be/Makesome Breaksome and countless other aliases, has been a pivotal part of the electronic music scene for over 30 years. While his wildly successful project with Layo Paskin as Layo & Bushwacka! is his most prominent, this former London School Symphony Orchestra percussionist’s roots go much deeper. A pioneer of the nascent Rave and Acid House scenes who went on to be one of the progenitors of Tech House and UK Breakbeat scenes, Bushwacka’s in?uence is huge but far from static, with releases on the likes of Classic, Aus and NuGroove in the past few years alone.
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Legowelt - In A Blaze Of Fame
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Legowelt - Racefietsen In De Polder
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Legowelt - Ghost Stories From A New House
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Legowelt - Satyricon Pandemonium
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Legowelt - Come And See Your Misery
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Legowelt - Ritmo Siniestro Embrujado
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Legowelt - Ethics Synths Morality
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Legowelt - I Got Lost In The Tool Shed
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Legowelt - A Million Exoplanets Without DJs
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Legowelt - A Vast Comfortless Universe
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Legowelt - North Rhine Westphalia Theme
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Legowelt - Taping A Broken Heart
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Legowelt - Tears From A Manta
Legowelt returns to Clone Records with yet another sonic journey that defies conventional electronic music boundaries, offering an album that is as eclectic as it is immersive. Blending different styles and textures seamlessly and proving that electronic music can still be creative and that function doesn't always prevail style. He delivers a collection that transports listeners through a kaleidoscope of retro-futuristic sounds, deep grooves, and cosmic melodies. Despite being in the music game for more than 25 years the music from Danny Wolfers remains playful and refreshing. Stylistically taking elements from his whole musical career and not commiting to the latest trend or any genre specifically, and low-key taking the piss with everyone who takes themself to seriously. While many electronic music artists are stuck in their own void, busy pleasing the big room, Legowelt meticulously crafts rich textured soundscapes, balancing between cosmic exploration and the dancefoor, that evoke both nostalgia and futuristic visions. His ability to fuse elements of house, techno, disco and electro with cinematic influences results in an album that is not only ready for club use but also gratifying at home. Each track offers something unique--whether it's the hypnotic rhythms, the lush synth lines, or the subtle, eerie undertones that creep in unexpectedly. Legowelt's attention to detail and passion for his craft shine through, making this album a worthy follow up to his last album on the Clone Jack For Daze series.
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Voodoos & Taboos - Time Out
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Voodoos & Taboos - Endless Game
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Voodoos & Taboos - Time Out (Bertie Remix)
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Voodoos & Taboos - Action
Underground stalwarts Voodoos & Taboos make their Duality Trax debut alongside a remix from rising talent Bertie, set to drop on November 8th. Now on its seventh release, Holly Lester’s vinyl imprint blends seasoned pioneers with the next generation of producers.
A serendipitous moment at London’s E1 in 2023 was the genesis for the labels latest release, when DT label head Holly Lester unknowingly dropped a Voodoos & Taboos track only for the duo to walk in mid-way. Already known for their standout releases on iconic labels like Phonica, Bordello a Parigi, and Palms Trax's CWPT, this chance encounter sparked a creative connection between Holly and the pair.
‘Time Out’ kicks things off with swirling synths and the duo's signature alien electronics, set to a playful breaks infused rhythm and morphing bassline, as command and control rings out overhead. ‘Endless Game’ comes with the usual V&T trimmings; an infectious bassline and with a scattering of curious sounds and samples, with a healthy dose of italo-inspired groove - the type of track reserved for bringing a dash of joy to the dancefloor amidst a heads down body-moving groove.
On the B-side, Australian newcomer Bertie steps up with her remix of ‘Time Out’, following her breakout EP and high-profile remix by Ciel. In a short space of time, Bertie has already developed a signature sound injecting her productions with nostalgic 90s house and contemporary subtext; glued together by crunchy drums and a penchant for wide-eyed rhythms. Sticking to her guns, Bertie’s flip of ‘Time Out’ packs a serious punch, showing why she’s an artist on the rise.
The EP closes out with the psychedelic ‘All Action’ with its vocoder vocal samples, bubbling acid and teleporting top-lines. One of the most notable features of the duo's music is their ability to let things evolve over time, their music often accompanied by strong storytelling, an art that has been almost lost in today’s era of instant gratification; their instrumentation often taking on a life form of their own and dosed with surprises. More
A serendipitous moment at London’s E1 in 2023 was the genesis for the labels latest release, when DT label head Holly Lester unknowingly dropped a Voodoos & Taboos track only for the duo to walk in mid-way. Already known for their standout releases on iconic labels like Phonica, Bordello a Parigi, and Palms Trax's CWPT, this chance encounter sparked a creative connection between Holly and the pair.
‘Time Out’ kicks things off with swirling synths and the duo's signature alien electronics, set to a playful breaks infused rhythm and morphing bassline, as command and control rings out overhead. ‘Endless Game’ comes with the usual V&T trimmings; an infectious bassline and with a scattering of curious sounds and samples, with a healthy dose of italo-inspired groove - the type of track reserved for bringing a dash of joy to the dancefloor amidst a heads down body-moving groove.
On the B-side, Australian newcomer Bertie steps up with her remix of ‘Time Out’, following her breakout EP and high-profile remix by Ciel. In a short space of time, Bertie has already developed a signature sound injecting her productions with nostalgic 90s house and contemporary subtext; glued together by crunchy drums and a penchant for wide-eyed rhythms. Sticking to her guns, Bertie’s flip of ‘Time Out’ packs a serious punch, showing why she’s an artist on the rise.
The EP closes out with the psychedelic ‘All Action’ with its vocoder vocal samples, bubbling acid and teleporting top-lines. One of the most notable features of the duo's music is their ability to let things evolve over time, their music often accompanied by strong storytelling, an art that has been almost lost in today’s era of instant gratification; their instrumentation often taking on a life form of their own and dosed with surprises. More
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Jamiroquai - Michael Gray's Good Vibe Zone - Extended
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Jamiroquai - Michael Gray's Good Vibe Zone Dub
The record was then famously remixed by the legendary David Morales, taking the song to a whole new audience and anthem level… giving the band their first ever Billboard Dance #1.
The iconic music video was directed by Vaughan Arnell & Anthea Benton, and features Jay Kay dancing around a blue room with multiple versions of him and the other band members appearing and disappearing. The use of motion control photography allowed for a seemingly continuous shot as the camera pans around the room.
2024, Michael Gray delivers a modern club interpretation of the classic Jamiroquai anthem on his Sultra Records imprint.
Keeping the original funk, soul undertones of Jamiroquai, he takes us on a housey ride of funky disco rhythms laden with hi-pitched synths, a soul oozing chord melody and grooving drum pattern that sits relaxed allowing the emphasis on Jay Kay’s vocal and new worked bass line to do it’s thing. A lovely alternative to the dance floor classic we all know and love. More
The iconic music video was directed by Vaughan Arnell & Anthea Benton, and features Jay Kay dancing around a blue room with multiple versions of him and the other band members appearing and disappearing. The use of motion control photography allowed for a seemingly continuous shot as the camera pans around the room.
2024, Michael Gray delivers a modern club interpretation of the classic Jamiroquai anthem on his Sultra Records imprint.
Keeping the original funk, soul undertones of Jamiroquai, he takes us on a housey ride of funky disco rhythms laden with hi-pitched synths, a soul oozing chord melody and grooving drum pattern that sits relaxed allowing the emphasis on Jay Kay’s vocal and new worked bass line to do it’s thing. A lovely alternative to the dance floor classic we all know and love. More