Old school Hip-Hop-infused Electro. High speed madness.

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Repress!

Dj Overdose back with 4 dutch west coast electro cuts.

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Tracklisting:
A1 DJ Overdose - Garden Of Lust
A2 DJ Overdose - Feed The Beats
A3 DJ Overdose - BOB
B1 DJ Overdose - Room 714
B2 DJ Overdose - Ðr ¡v€ M€ ¢r@z¥
B3 DJ Overdose - Ðr ¡v€ M€ ¢r@z¥ (J. Mono remix)

Release Note:
Like meeting an old friend again, Dalmata Daniel welcomes DJ Overdose back to their catalog. Six years ago the infamous Dutchman's '05 Poly 800 Loop' EP was released, which served as a powerful launch to Dalmata Daniel, opening the first chapter in their story. Later in 2019, a split release with Sematic4 was also a highlight in the life of the label; and now, 3 years later, DJ Overdose checks in with the 'Powers of Ten EP' with a J. Mono remix, available both in digital and vinyl format, the latter having 2 bonus tracks.

The distinct, crunchy sound of DJ Overdose, bearing aspects of old school hip-hop-infused sampling and contemporary analog vibes creates the perfect blend of both worlds. 'Garden of Lust' opens up the adventure with a combo of warm basslines and solid drum-programming. This initial track feeds us these cardinal elements as the bread and butter they are: subtle variations and fine spices do appear here and there as the track goes along, but the key, beating pulse in 'Garden of Lust' brings massive hits stable as a sledgehammer in the hands of a blacksmith.

'Feed The Beats' elevates the game to cinematic territories: its majestic string-like central melody makes me alert and ablaze, making me feel like I'm in a late 80s L.A. setting facing malevolent zombie-aliens in my Wayfarer shades. Blasting beats and Carpenterian coolness all over the place, while the spooky bassline just keeps sneaking up on me endlessly.

If you are wondering when's the best time of the year to bring out your boombox at last, then this is your lucky day: with 'BOB', the first bonus track on the vinyl, we can experience some roarin' bassdrums, snappy snares, MCs with the speed of light and all that jazz. The low-bit sampling and vinyl scratching come and kick you right in the face so hard that it becomes pretty obvious you'll can't help but start some serious beatbox battles in your bathtub with your rubber duck.

A feverish groove in the prime time of a funky bash, in the haze of a sensual rave-up: that's all one really wants when going for a Saturday night out. We definitely get this and much more from 'Room 714', another vinyl-only bonus track. A berserk voice and ethereal chords guide us through this mysterious track, but while we are busy trying to impress our crushes on the dance floor, things around us are slowly getting very, very freaky, maybe a bit way too freaky.

As wobbly and jolly as it gets, our Dutch friend ends his session with 'Ðr ¡v€ M€ ¢r@z¥', a vocoder-heavy disco banger, full of merry vocal FX and smart rhythmic glitches as he completes his flight. To close the EP, our local hero, J. Mono delivers an insane remix of 'Ðr ¡v€ M€ ¢r@z¥': one can clearly imagine how he grabs and turns the BPM knob all the way up, fires up some arpeggios on his mighty synths and casts a complete reimagination of the original track.

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Limited pressing. 5 track fire.

DJ Overdose delivers again for L.I.E.S. with a huge summer release. Miami Bass party rockin floor shakers, and high speed, blade sharpened, trunk popping electro madness ran through his trusty sp-1200, programmed impeccably and ready for the club. This is essential madness from the undisputed king of RotterHague Electro. Comes in a bad ass picture jacket. Give it all you got!!!

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Libertine welcomes Dj Overdose for the second release of ''X'' series, featuring 6 sick cuts between experimental electro and wave sounds.

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Rotterdamn's ever prolific DJ Overdose delivers his first full length for L.I.E.S., "Emulator Amour" The well seasoned electro veteran gives us a 13 track master class workout in the genre, exploring all ends and styles. From the classic cowbell electro of "Razor", to the West Coast boogie of "Bow to the Devourer" or the icy electro bass of "Turns Out Eddy Has No Friends" Overdose leaves no stone unturned. One of the artist's most complete works in his vast catalog which ties all his influences together and presents them in true Overdose form. Not to be missed. A true classic from a West Coast Dutch master.

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A longtime staple of the infamous Hague scene, DJ Overdose returns to L.I.E.S. with what may be his heaviest release to date. Razor sharp top notch production is the name of the game on this four tracker which sees Overdose move from relentless broken beat electro on the a-side to the more wave influenced cuts on the b-side's, Dark Spectre Echo and Strompel. Overdose proves once again he is and always has been one of the major forces in the electro world since the early-90s consistently refining his sound and pushing it to new territories. Essential!

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DJ Overdose is back on UTTU! 2 of the freshest elekro inspired houz jams from the Hague direct to your speakers backed with hyper electro kut “Probably Too Commercial” for the headz.

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On his first release for Berceuse Heroique, Rotterdam's finest DJ Overdose meets one of the strongest producers of Detroit, Mr. OB Ignitt. Overdose creates the best soundtrack for a "march of the robots" scene with Dead City. The mighty bounce of early Dr. Dre productions meets some nasty electro carnage. On Sorry To Disappoint you can hear the classic West Coast electro sound of some of his older releases mixed with some funky sci fi synth lines. Then, OB Ignitt takes this monster of a tune and creates one of the gnarliest house tunes of this year with a proper G Funk bassline that will properly test your sound system on a good night.


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After being returned from his abduction by aliens from the hidden planet Nibiru, DJ Overdose was given an alien synthesizer 'the HAEX-HRLL' as a thank you for all the cerebral research the aliens did on him. On returning back to Earth all DJ Overdose had to do was finish the 6 tracks the aliens had started to work on, which became this EP. Straight forward Techno Hop Electro Funk without any fancy-pants pretentious hooha. It's like a black and white movie which makes you think 'why the hell is there colors anyway?!' After completion, the only record label he could imagine being fit for such rawness would be Viewlexx... and so here it is.



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The thirteenth drop from Curtis Electronix comes courtesy of veteran of the electronic music scene. Edward Upton has been producing music since 1994 and much has changed since he unveiled his debut release under the DMX-KREW alisas. Warp Zone LP showcases the great mastery of his studio, his technical expertise and his exceptional ability to create monolithic soundscapes using very few elements. Each layer contributes to a rich, immersive experience, each element resonates with depth, highlighting his deep understanding of club music, sonic texture and space.

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The Curtis Electronix saga follows up with new material from its head and curator CEM3340. Despite keeping its roots firmly into the deepest depths of electro, Future Tribe EP moves slightly away from his usual purism and across the four tracks manages to strike a careful balance between beauty and austerity, harmonizing elegance and restraint with the booming energy of techno and funk.

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The 11th release on Curtis Electronix comes from one of the most influential figures in the history of electro. Infinite Tetraspace EP is a mind-altering combination of ambient beauties, ice cold machine-funk and spaced out 4/4 kickers that play with the concept of space and time, as expressed almost clearly in the title. Four next level cuts that push their electro even more into the future. We are very much glad they are back.

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Curtis Electronix reaches its 10th drop presenting the second album from his owner and founder CEM3340, MACCHINE. The double 12" draws together 8 new tracks all made and recorded using only hardware. Spanning from pumped up machine-led cyber-funk beats, to darting powerful techno out-kilters, but always maintaining a stable focus on CEM3340 personal signature, it explores those ravines where techno and electro collide. "MACCHINE" is pure dedication to the machines. With no compromise.

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The ninth release on Curtis Electronix catalogue is from the new collaborative project where Kalean, Z.I.P.P.O and CEM3340 join forces under the name of Gravity Waves. The project is a reflection of the bond developed over a bunch of jam sessions down at the Curtis' basement, where they discovered to orbit similar spaces. As the title may suggest the sound is deeply rooted in the Detroit side of the electro utopia, with that heady and atmospheric approach. Satellite LP is a seven tracks Album where they combine moments of sub-aquatic and evocative synth works with dancefloor heavyness excursions which level of composition reveals a clear and undoubted mastery of the machines. All tracks are recorded and mixed in Bari, South of Italy.

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Repress!

Cyan85 has become a real reference for all electro heads since his debut release back in 2019. His new LP on Curtis Electronix is a jaw dropping journey on those Motorways we all have ridden in a way or another. The vocoded vocals, reminiscent of those Greats, the squelchy bass lines ripping up the 808 riffs and the sulphuric synth lines will drive you from darkness into light and back again, defining, at the same time, the quality signature of this record. The process is clearly the basis of this work. The Roots are clearly the reason.

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Curtis Electronix is proud to present "Destroy Your Future", the new LP from the one and only Galaxian. In the last years Mark Kastner aka Galaxian has become a prominent figure in the underground scene because of his high quality productions and his unique take on electro. We all know electro started with futurism and well, this work is pure futurism. Each cut is a trip into his restless creativity. Each track is a mind altering exploration of a deeply cinematic soundscape with a massive number of elements perfectly fused together with his "one of a kind" sci-fi aestethic that immediately pulls you out of the schemes. Caustic distortions, post industrial environments, mind expanding electronics and primitive drum patterns are only the main elements of this sci-fi masterpiece. There is no "Detroit Nostalgia" in it. This is sonic militance. The same that inspired the originators back in the days. When you play it, time runs faster and future looks closer. We are on board, but Galaxian is the only pilot of the ship.

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CEM3340 is back on his own imprint with his first album "080". The double LP is a realistic reflection of the culture, the sound, the places, the people, the influences, and the tireless devotion to the machines that truly shape his daily life. 12 strong jams including 2 honorable remixes from DJ Overdose and Detroit's Filthiest and 3 tracks feat. Late Night Approach, 3KZ and 2030. Feelings, abrasive basslines, research, conversations with robots, solid ideas and weighty drums are perfectly spliced into his distinctive sound that will drag you instantly into his basement. Every track is chained to his journey. Every track is a step of his actual path. Dial "080" and let the 808 do the talking.

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Curtis Electronix follows up on CEM3340 - Suburbs Disorder LP with a master from the Motor City. Dj Nasty aka Detroit's Filthiest is one of the original creators of the Ghettotech sound in the early 90's. 4 tracks made of dirty bass, soulful strings and hi speed 808 patterns. If you don't know what ghetto style is by now, he will break it down for you

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The enigmatic CEM3340 returns with his third LP. it's also the third outing on his very own Curtis Electronix, following a strong release from DJ Overdose himself. On the A side things kick off and go straight to the point with four highly sharped hard hitting jams, cut with the usual deadly precision. Firing snares and rusty 808 kick drums with a persistent old school feel; On the B side things morph and get more evocative with three classic-influenced electro bangers. No more words needed. Just drop the needle. This is Suburbs Disorder.

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