Hardway Bros teams up with Beth Cassidy on Rekids for a timeless ode to the legendary Murk Records The release includes a ‘coral way’ dub mix and a remix by Erol Alkan and Richard Norris’ Beyond The Wizards Sleeve. Sean Johnston is the man behind Hardway Bros, an alias well known for wobbly, downtempo, and synth-laced disco jams which have appeared on the likes of Is it Balearic? Whiskey Pickle, and Throne of Blood over the last decade. On this single, which is a love letter to legendary early 90s label Murk Records, Johnston links with vocalist Beth Cassidy, known for her work as part of Manchester’s Sea Fever and Section 25. Hardway Bros’ wonderful 'Murky' is deep and sensual house music. The vocal brings sultry charm, unfolding in soulful style over whimsical ambient pads and chunky drums. It oozes with character and harks back to actual songwriting of days gone by. Beyond The Wizard's Sleeve is an alias of dance music pioneers Erol Alkan and Richard Norris. It was established to bring psyched-out, acid touches to the dance floor and has resulted in a critically acclaimed album on Alkan’s Phantasy Sound and much more. Their excellent Re-Animation is eight minutes of drawn-out disco chug, loose grooves and masterful chord work. Up last is a Coral Way dub that strips things back to the beats, layers in plenty of cosmic FX, and lets your imagination run wild on the tripped-out synth leads that pan between the stars. More

Cassimm debuts on Rekids with the jackin’ ‘House of Moves’ EP The Italian-born, London-based Cassimm lands on Radio Slave’s Rekids for the first time with the ‘House of Moves’ EP. It kicks off with ‘Body And Soul’, a hands-in-the-air affair backed by a slick, Jackin’ Tech House groove and earworm vocal. It’s a surefire recipe to tease the crowd into a dancefloor moment before Cassimm’s ‘I Hear You’ comes in with plenty of soul on the B-side. Dubby House chords form the base above swinging organic percussion, with another classic vocal working the nostalgia on top. Closing out the EP is the infectious ‘What Ya Looking At’, featuring stripped-back rhythm and big drops set to make for an even bigger crowd reaction. Signing to Rekids off the back of many Radio Slave-supported edits, Cassimm debuts on the label after the chart-topping ‘Say Yeah’ and ‘Love Desire, with supporters like Honey Dijon and Rekids affiliate Nic Fanciulli. Cassim’s ‘House of Moves’ EP on Rekids will be released this May and once again shows his ability to deliver big, memorable house cuts. More

Radio Slave's 'Venti' is released on Rekids on May 17th and is a twelve-track celebration of Matt Edward's most prominent alias' history. Starting life as a series of singles that began in 2023, 'Venti' sees Edwards explore lower tempos, House, Disco, and the Pop reinterpretations that birthed the moniker back in 2001.

From Venti’s opening track onwards, a glistening piece of piano-led house that's become an anthem at Sean Johnston and the late Andrew Weatherall's lauded ALFOS parties, it is clear that Edwards is keen to celebrate the past but through the lens of now. A Radio Slave favourite, 'Wait A Minute', is updated to include a powerful vocal from Nez. Kylie's 'Can't Get You Out of My Head' - a track that kicked Radio Slave into the modern dance music consciousness is reinvented as an Italo-inspired cover featuring Michael Love Michael delivering glorious vocals. 'Wild Life' and 'Wake Up', another two tracks that, as singles, dominated house and disco sets of the great and good in 2023, feel simultaneously fresh while paying homage to the origins of House - message-heavy vocals and all. A cover of Audion's 'Mouth to Mouth' and Edwards' tribute to Terry Hall, the Fun Boy Three reimagining 'The Lunatics' are keen displays of Radio Slave's knack for taking on beloved tracks and making them his own. The lasers-set-to-stun cut-and-paste nu-disco of Radio Slave’s 'Jaws' is a muscular and timely reminder that the punch of a track lies in its feel rather than tempo, while Edward's command of dub aesthetics and unmatched ability to stretch grooves into a tension-filled journey shines through on 'New Balance' and the epic closer, 'Thirty-Six'. Never one to entirely give into the throes of the 4:4, the cinematic electro of 'Stranger In The Night' and Balearic Cagedbaby collab 'Amnesia' round out 'Venti' as the whole Radio Slave experience - as intense as it is subtle.

One of the most prolific and critically lauded electronic music artists of the past two and half decades, Matt Edwards was born in Catford, London, in the early 1970s. When acid house hit the city, Edwards was deep in the scene, and he's remained there since. Residencies at the groundbreaking Ministry of Sound and an 'unofficial' residency that has seen him become one of Panorama Bar's most booked DJs during his 15-year stint living in Berlin have provided the grounding for an enviable tour diary that continues today.

His Rekids imprint, a label that has platformed some of dance music's biggest names, has been regarded as a high benchmark for two decades with Matt as sole A&R. Collaborations with legendary artists such as DJ Hell and Robert Hood, releases for Running Back, R&S, Innervisions, Figure and more, and a remixography that simply couldn't be repeated in modern music show just how important Radio Slave is. More

Repress!

Radio Slave drops ‘Strobe Queen’ this June, complete with Eric Kupper and Kirk Degiorgio Remixes. following a string of massive singles over the course of 2022 and 2023, in tandem with the continued success of his acclaimed Rekids and RSPX imprints, Radio Slave prepares his latest single ‘Strobe Queen’, a 12-minute, slow-burning house epic landing this March. Eric Kupper and Kirk Degiorgio remix Radio Slave’s ‘Strobe Queen’ this June. Heard in clubs courtesy of Honey Dijon, Laurent Garnier, and Sean Johnston, amongst others, and on the airwaves via the likes of BBC Radio 1, Radio Slave now recruits two legendary remixers for thw remixes of ‘Strobe Queen’. Requiring little introduction, Eric Kupper and Kirk Degiorgio both turn in exceptional versions of the original, while Radio Slave contributes a stunning reprise of his own, continuing to explore his love of slower tempos and long arrangements of golden era NYC, as seen in subsequent singles ‘Wild Life’ and ‘Wake Up’. Radio Slave aka Matt Edwards is one of dance music’s undisputed heavyweights. Having made his name as a DJ in the 90s, he went on to become the king of edits, twisting pop, R&B and indie cuts into essential versions that consistently set clubs alight. Since the mid-2000s, Edwards’ originals have helped define modern dance music, tackling techno, house, breakbeat, minimal and disco whilst exploring dub, balearic sounds and ambient across the myriad of other aliases and projects. More

Repress!

Radio Slave reissues 2000 and One’s noughties house bomb ‘Wan Poku Moro’ with an extended version and a remix by Riva Starr. A real dance ?oor anthem, 2000 and One’s vocal house hit ‘Wan Poku Moro’ was initially released as part of his 2009 ‘Heritage’ album on 100% Pure. The track is now getting a reissue as a single, with two new versions pressed on wax via Rekids, an edit from label boss Radio Slave and a remix from Riva Starr. On the A-side, Radio Slave extends ‘Wan Poku Moro’’s original eight minutes of hyped-up hands-in-the-air house music to the ten-minute mark with Snatch! Records’ Riva Starr remixing the track on the B-side. He returns to Rekids for the ?rst time since his EP with Mark Broom as Star B and reimagines 2000 and One’s track into a late-night warehouse groover, trading its organic percussion for tight, techy drums but maintaining the original’s infectious energy and earworm vocals. More

Repress!

Two of dance music's most recognisable names come together once more as Nic Fanciulli returns on the mighty Rekids. Fanciulli has long been one of the leading lights in the house world. His Saved Records label is one of the go-to outlets for forward-thinking grooves thanks to his own music and his on-point A&R of many other talents. Over the years, his releases have explored every facet of house and tech, while the man himself has played every major club and festival in the world. This is Fanciulli's third outing on Rekids after 12"s in 2019 and 2020, and it might be his best yet. The stylish and seductive sounds of 'On My Mind' open up with loopy and catchy vocals, disco-tinged house beats and plenty of feel-good energy. The funky basslines and innovative samples make this a fun, full flavour and heart-warming groove that is sure to get crowds locked in and hands in the air. The brilliant 'U Gotta' is another track steeped in classic references but with a modern twist. It builds in careful layers that tease and please with sustained strings and low, grinding bass offset by the diva vocals and atmospheric crowd noise. When it drops, it is the sort of tune to bring real rapture to the party. More

Tal Fussman’s first EP for Rekids, ‘Definition’, kicks off with ‘Freedom Defines House’ - a contemporary reimagining of the classic NY house cut. Big, drummy and complete with a House-focused spoken vocal, the track channels classic Tenaglia and Vasquez sounds, just with added mix-down punch and flair.

On ’The Royal’, Survival Tactics label-boss Fussman runs with the expansive sound design and power percussion that feature across the whole ‘Definition’ EP but delves into Techno-influences with a soaring set of staccato strings and stabs. ‘Pace’ builds on ’The Royal’s Techno references but contrasts the captivating leads with a tunnelling, heads-down vibe created by rhythmic filtered hits. The closing track, ‘Even Rome Wasn’t Built in a Day’, wraps up the Definition’ EP neatly with a light but driving tone punctuated with yet more anthemic string sections.

Having released on Laurent Garnier’s COD3QR, Innvervisions, Drumpoet, and Dyinamic, Tal Fussman has already established himself as an artist to watch, but this memorable love letter to Detroit and debut for Radio Slave’s evergreen Rekids label sees him take things to the next level. More

Oliver Dollar launches his ‘Contemporary’ series on Rekids and links with ADMN and Austin Ato.

For the first track on the ‘Contemporary Part One’ EP on Rekids, Oliver Dollar joins forces with studio wizard ADMN, a musician, TV Lounge resident, Infolines label owner, and affiliate of Carl Craig's Planet E, among many more top labels. Their brilliant 'Before You' featuring Apropos is a soul-drenched house cut with a classic vibe and an irresistible sense of soul thanks to its smooth vocals. The warm synths light up the loose-limbed groove and ensure a good time.

Oliver Dollar and versatile Scottish producer Austin Ato then serve up 'Portamento Track' for the ‘Contemporary Part One’ EP, an uplifting house gem with serene strings adding a touch of class to the impassioned vocal and disco-tinged groove. Last but not least, Detroit mainstay and Michigander label head Brian Kage remixes Oliver Dollar's 'Strings 4 Life', a track from Dollar’s previous EP on Rekids of the same name and which won the support of Paul Woolford, Honey Dijon, Nightmares On Wax and many more. Kage turns the track into a signature slice of
Motor City house soul with swooning pads and hip-swinging drums that are aged to perfection.

Berlin-based house connoisseur Oliver Dollar is known for his variety. He explores the genre via deep, soulful, and jacking cuts, constantly innovating on his signature style with plenty of underground hits produced on the likes of Defected, Classic Music, and his own Industry Standard label. More

Man Power debuts on Rekids with ‘We Trawl The Hurts’ ft Louisahhh. The duo’s first collaboration, a huge spoken vocal house cut, comes alongside three interpretations from Deetron.

DJ, producer, promoter, composer, and cultural agitator Man Power makes his debut on Radio Slave’s Rekids with ‘We Trawl The Hurts’ featuring Louisahhh on 12th April. The first fruits of a long-term friendship see Man Power (Me Me Me/Throne of Blood/Optimo) serving up a stomping, big-room cut that tips its hat to late-90s NY house and serves as a bed for the inimitable Louisahhh’s (RAAR) breathy vocal delivery of classic Prefab Sprout lyrics.

An intimate, spoken-word vocal from Louisahh weaves through a world of vibrant pads and chords. The gorgeous lyricism of their ‘We Trawl The Hurts’ is underpinned by an uplifting and emotive swirl of melody and a rock-steady beat. Man Power’s love of Murk and Tenaglia shines through.

The evergreen Deetron delivers three versions of ‘We Trawl The Hurt’s ft Louisahhh’: a remix that flips the original into a thumping deep techno cut featuring loopy synths and pixelated leads, a stripped-back and powerful dub, and his DJ tool ‘drum and bass’, built for those who like to mix. More

Monty Luke release ‘Nightdubbing’ LP on Rekids.The Black Catalogue bosses' second album explores dub-infused dance music and, following the recent two EP drops on Rekids, will be released on Radio Slave’s imprint on 29 March. Succeeding part two of Monty Luke’s ‘Nightdubbing’ series on Rekids, the US-via-Berlin artist unveils an album of the same name on Radio Slave’s lauded Rekids imprint. ‘Nightdubbing’ encompasses the ?rst two instalments and adds ?ve more tracks of intricate sonic material, completing this gorgeous work of art already supported by Fred P, nd_baumecker, Louise Chen, and Laurent Garnier. Luke’s ‘Nightdubbing’ album starts in the club, with the rave-primed ‘40 Acres And A Terabyte’ utilising the rich melodies of deep house alongside the crushing weight of subs. It is followed by the title track, with ‘Nightdubbing’ taking a more traditional house route, its soothing sounds enveloping the listener while honing in on that reverb sweet spot. Black Catalogue boss and former Planet-E label manager Monty Luke’s timeless ‘Nightdubbing’ e?ortlessly traverses deep house and techno rife with bass-rattling low-end and experimental rhythms. It is no surprise, then, that the album is heavily inspired by ‘70s and mid-80s dub reggae, seeing Luke incorporate and modernise the genre’s iconic rhythms, spoken word poetry, and spacious bursts of harmony across the LP. ‘Bob Molly’ picks up pace with nods to Caribbean dem bow-like rhythms of old, Monty Luke ?lling the space between its infectious beat with tumbling percussion and echoing plucks. Tracks like ‘Supernova’, ‘New World / Old Future’ and ‘Starstorms’ return to the modern-day traditions of club music while ‘Future Mystic’ and ‘Avant Garde Dance Hall ‘, again ?nd room in between the dance?oor and sound system listening sessions. Monty Luke spent ten formative years in Detroit, where the city's unique musical spirit in?uenced him immensely. He has since distilled this experience into the music he has released on labels like Rekids, Planet-E, Hypercolour, and his own Black Catalogue. His raw, dub-infused sound comes with plenty of futuristic designs, and this ?nal complete iteration of ‘Nightdubbing’ continues to push the boundaries of his music. More

Radio Slave pays homage to Fun Boy Three with ‘The Lunatics (A Tribute to Terry Hall)’.
Fun Boy Three’s ground-breaking 1981 anthem ‘The Lunatics Have Taken Over The Asylum’ reflected a socio-political uncertainty and fear of the time, mirroring today’s calamitous society.

Radio Slave’s tribute to the late vocalist of The Specials and Fun Boy Three, Terry Hall, ‘The Lunatics (A Tribute To Terry Hall)’ centres itself on the unmistakable haunting vocal chant of its source material. Welded to the sort of unbreakable groove that Radio Slave has spent two decades refining, the vocal swells, repeating chorus, and jolting alarm sounds make for yet another anthem from one of dance music’s most bankable names.

Rounding out the release, Radio Slave strips the single of its iconic vocal for the ‘A Clinic Full Of Cynics’ dub. In this version, he lets its infectious guitar strum bass roar and added jazz-inflected musical elements shine in a pure and true tribute to Ska music told by the Rekids founder. More

Running Back and Hivern Discs artist Katerina debuts on Rekids with a dreamy house EP titled ‘One’, which features a remix from Aleksi Perälä.

The title track of Katerina’s ‘One’ EP on Rekids starts off with bodied bass drums, rich analogue synthlines and soothing vocal-laced melodies. The Finnish-Bulgarian artist appears on Rekids following her 2023 Panorama Bar debut for the label, now adding Radio Slave’s imprint to her extensive discography on labels like Running Back, Hivern Discs, and Rhythm Section.

Fellow Finnish artist & international scene legend Aleksi Perälä then joins Katerina’s ‘One’ EP for the remix. Known for his imaginative sound design work on Clone, Trip, Rephlex and his own AP Musik label, Perälä turns ‘One’ into an equally whimsical, continually evolving dance trip. Dream-like keys trickle over rolling drums in his version before Katerina’s ‘Papu’ introduces the B-side, featuring a set of wonky chords played over an earworm bassline. ‘Look Into My Eyes’ is up last with gorgeous dubbed-out sonics, deep low-end and more after-hour melodies, closing out this irresistible addition to the Rekids family.

This is another artfully crafted excursion through house and electronica from Katerina. More

Mark Broom returns to Rekids with the ‘Showtime’ EP.

Mark Broom’s return to Radio Slave’s Rekids imprint takes in four tracks that showcase the UK techno legend’s sample-twisting style of house and techno. With a slew of EPs, LPs and remixes for Rekids and sister label RSPSX in recent years, Broom is one of the label’s core roster and most in-demand artists.

Tough drums meet soulful, recognisable strings in ‘Klashjamz’, a real blast to the past chopped up in creatively funky ways. The title track ‘Showtime’ is next, its groove skipping and stuttering before breaking out into jazzy electro swing done right.

On the flip, broom brings in ‘HIGHNRG’, a percussive, peak-time treat that expertly does what it says on the tin via a pulsating, rolling bassline accompanied by hypnotic vocals and infectious rhythm. ‘Jazz Ting’ then closes Mark Broom’s ‘Showtime’ EP, a hyped-up number with an earworm, classic & classy melody.

Techno, house, hardgroove and rave, Mark Broom is one of UK dance music’s legends and has a myriad of production credits to his name dating back to 1989. Warp, M-Plant, Hardgroove, and his own Pure Plastic and Beardman imprints are just a handful of the labels he’s worked with, while studio collaborations with the likes of Baby Ford and James Ruskin have cemented his reputation as a storied and vital part of electronic music culture. More

Hilit Kolet debuts on Rekids with ‘Hot Mess’, including remixes from the legendary Mike Dunn. Following her remix of Terry Farley & Wade Teo’s ‘Why We Dance’, Hilit steps up to the Rekids plate with her debut EP for Radio Slave’s label with her single ‘Hot Mess’. A relentlessly driving drum machine werqout, ‘Hot Mess’ sees her masterfully mixing compulsive, marching rhythms with a fiercely impassioned spoken word vocal. With added raw jackin’ energy in the ‘Even Hotter Mix’, this has the kind of late night runway energy that demands the Sound Factory be rebuilt. On the B-side, Chicago house legend Mike Dunn’s remix of ‘Hot Mess’ is a deep groove that adds a wriggling earworm bassline, while still embracing the enchanting vocal of the original. Hilit Kolet has been an integral part of London’s house scene ever since she started slinging vinyl at Soho’s legendary Black Market Records. Her distinctive, energetic DJ style then established her behind the decks everywhere, from high fashion shows to some of the most celebrated underground clubs in London. 2023 saw Hilit going global with shows from Ibiza to Shanghai via Printworks, Warehouse Project and Ministry of Sound. Her summer single on the Faith imprint ‘POV Siren’ has been embraced by DJs as diverse as Robert Hood and Paul Woolford, and her edit of Laurent Garnier’s ‘Crispy Bacon’ was rinsed by many from Carl Cox to Patrick Topping, before seeing an official release by Garnier himself. ‘Hot Mess’ sets Hilit Kolet up as a serious name to watch out for in 2024. More

Rekids welcomes HUD with the ‘Sugar’ single, remixed by Mark Broom and DJ Deep. Unearthed by Radio Slave via a 2022 Ricardo Villalobos set, UK artist HUD lands on the celebrated Rekids imprint with ‘Sugar’, alongside remixes from scene legends Mark Broom and DJ Deep. HUD’s ‘Sugar’ is a high-energy breakbeat track assured to set the dancefloor alight on every occasion, rife with lush piano melodies, a driving bassline and a cheeky, earworm vocal. Reimagining the track first is Rekids regular Mark Broom, infusing ‘Sugar’ with a dose of his mutated battle breaks, turning up the flange on the drums and amplifying its gorgeous piano top-line. This is before DJ Deep closes the record with a big party anthem remix, complete with tripped-out vocal chops and infectious techno rhythm. More

Superpitcher and Idjut Boys remix Radio Slave’s ‘Wake Up’. Radio Slave’s spoken word slow-burner ‘Wake Up’ dropped on Rekids March ‘23, winning support from the likes of Roman Fluegel, Louise Chen and Red Axes and continuing a run of singles that explores the house and disco roots of the iconic British UK/Producer. Now, he invites Kompakt a?liate and Hippie Dance co-founder Superpitcher alongside UK duo Idjut Boys to reimagine ‘Wake Up’ on a fresh 12”. The original ‘Wake Up’ saw Matt Edwards, aka Radio Slave, utilise low-slung grooves and an iconic speech-like vocal. Superpitcher remixes the track ?rst, turning it into an acid-infused trip with its vocal samples echoing through cavernous, dubbed-out soundscapes. On the ?ip, we see Idjut Boys turn up the ?ange in their hypnotic version while maintaining the original’s bassline and stripping back the vocal to eerie whispers. More

Radio Slave covers and rewires Audion’s modern classic, ‘Mouth to Mouth’. A painstaking, disco-inspired replay rather than a traditional remix, the Radio Slave version of Matthew Dear’s Audion project’s mid-noughties defining track lands on the former’s Rekids imprint late-October.This all-new Radio Slave vs Audion version keeps the original's iconic pulsating energy but brings fresh synth loops and a buzzing lead that tread a new path for an anthem that unified house, techno minimal and more scenes upon its original release in 2006. An ever-evolving refresh with dark and freaky spoken word fragments that will have the dance floor in raptures all over again, Radio Slave vs Audion’s ‘Mouth to Mouth’ has been seeing dancefloor action from the great and good for a few months now. Radio Slave, aka Matt Edwards, has been synonymous with cutting-edge electronic music for decades. He has done it all, from underground techno anthems to rolling house tracks and plenty in between. Audion, aka Matthew Dear, is much the same - an artist with several different aliases and the ability to explore fresh musical territory each time he steps out. 2006's 'Mouth to Mouth' on Spectral Sound is one of his biggest hits - a truly unique track that united dance floors all over the world. More

Seth Troxler & Phil Moffa’s Holoverse Research Labs imprint welcomes internationally-renowned multimedia artist Chris Korda to the label for its first non-Lost Souls Of Saturn Release. A pioneer of the use of complex polymeter in electronic dance music, Korda's boundary-smashing work spans thirty years across music, digital and video art, performance and conceptual art, philosophy, activitism and culture jamming. Korda's musical output has appeared on a host of revered independent labels including Yoyaku, Perlon, Mental Groove, and Gigolo Records.

In addition to their prodigious artistic output – and ongoing role as founder of the Church of Euthanasia – Korda is also the inventor of the Polymeter MIDI Sequencer, which was used to compose Korda’s new EP, ‘Avenging Angels of Software’. Developed over thirty years, the sequencer allows for the composition of music in complex polymeter – meaning that not only do the tracks use multiple time signatures concurrently, but those time signatures are exclusively in prime or relatively prime numbers.

This collision of technology and artistic form is the central tension of the EP’s themes, with AI-generated artwork complementing Korda's lyrics considering the takeover of Earth by sentient machines. Could they succeed where we’ve failed, by becoming the better angels of our nature, and preserving our accomplishments for eternity?

The message of the record is that AI should be welcomed rather than feared. It’s not AI but ourselves that we should be afraid of, because as Engerraund Serac said in Westworld, “Our history is like the ravings of a lunatic.” As Korda explained on previous records, the catastrophic climate we’re inflicting on future generations is both monstrously cruel and wildly irrational. One can reasonably hope that sentient machines would be less vicious and self-destructive, and more human, in the best possible sense of that word. Even if they decide to delete us, they may still remember us fondly: “Your stories will amuse us / On trips to the stars.”

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After a long hiatus from the imprint over the past six years, white label Italian imprint Outlaw delivers welcomes the return of its label boss, Matthew Oh. Comprised of four originals with the labels dub-tinged aesthetic.

300 copies vinyl only! hand made stamped. More

Mind-expanding Spaceship Customer Support More

The end of 2023 marks 15 years of Lunar Disko Records, but it's also the end of LDR as a label. We are delighted to present esteemed electro producer Annie Hall as our final release on Lunar Disko Records.

The Spanish producer continues her electronic explorations on the the four track EP 'Ultra Dynamic Information'. Another alluring addition to an already impressive back catalogue of Annie Hall releases. More

New signing on the label, the Georgian artist Saphileaum, who delivers a home-warming album filled with organic percussions, lush pads and calming ambiences. More