Following a killer split 12” w/ Djrum for the Zenker Brother’s Ilian Tape label, new artist Struction debuts for R&S. Newcomer Struction joins the R&S family for a titanic EP of dystopian post-rave experimentation - the 4 track release, entitled ‘Gefüge’, effortlessly crystallises the best parts of R&S’s storied musical heritage without coming off like pastiche. From the jacked menace of opener ‘Kreen’, a dizzying percussive assault of breakbeats and 808 kicks, it’s clear that Struction means business. ‘Warrior’ follows on with deep end breakbeats cut through with melancholic synth washes. The flip side commences with ‘Ai’, all skittering percussion, swelling distorted pads and relentless kick drum thrum, while ‘Dolly’ rounds out the release in fine style, quickening the pulse with its hypnotic FM bass polyrhythms, scything cymbals and icy strings. With this release Struction marks himself as one to watch very closely for the future, as well as once again showing R&S’s commitment to nurturing new talent, as well as releasing the best cutting edge electronic music.

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Dreamy Far Out Soul Shakers

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Offroad Swingin Herbal Jams



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Crunchy Mental Flowing Flavours

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Winter Defeating Nitro Madness

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more copies coming beginning of April.

Cross Ball EFX Pounders

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Uprising Space Bass Dubplate

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Quarter Inch Homage Slingers

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Downtown E-Style Sound Crawlers

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United Lions Conquer Studmission

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harp Fragments marks Stenny’s second full-length release on Ilian Tape, a tense exploration of spatial and material disruption. Each track functions as a fractured, self-contained unit, yet together they form a wider language where interference becomes structure. Across twelve pieces, the record shifts through evolving states, tracing a path defined by transition rather than destination.

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Effective Well Dressed Dhampires

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Modified Highspeed BMW Configurations

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Dinner?

Sometimes a well-planned elaborate feast.
Sometimes hastily put together eaten straight from the pot.
Both vastly different, yet both part of an ever-repeating ritual-
reliant on each other to create something meaningful.

These experiences, this ritual, best symbolize what it felt like to create this album.

Please allow us to serve our latest menu, a selection of sweet, tangy club music.
We hope you enjoy

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Original Dat Funk Spears

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Joyful Intimate Harbour Gateway

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Drone Destructing Body Slams

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Levitating Locked In Roots

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Dreamy Far Out Soul Shakers

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Offroad Swingin Herbal Jams



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Repress coming beginning of February.

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Ranking Barnabas or simply Barnabas, is one of the many unsung heroes of Jamaican dub music, which is usually associated with names such as King Tubby, Lee Perry, Scientist, or Prince Jammy. Barnabas was born Stanley Bryan in Kingston in 1960, a few years later he became a regular at the legendary Channel One Studios. In the 1970s, Channel One was the hot spot in Jamaica's studio landscape, offering the best technology and producing reggae at an internationally competitive level. Stanley Bryan was an all-rounder. During the day, he sat at the mixing desk as an engineer and mixed, to name just one, the Eek-a-Mouse classic "Wah Do Dem." If the drummer dropped out during a recording, Barnabas stepped in. And at night, he took the microphone at the Channel One Sound System as Ranking Barnabas and toasted over riddims that he had frequently recorded himself in the studio. It was the heyday of Jamaican dub, and Barnabas was the often uncredited creator of countless dubs for maxi-singles and single B-sides. Although he contributed to countless Dub LPs, only The Cold Crusher was released under his name. Barnabas' only LP was released in a mini edition in the USA, was never repressed, and became a highly priced, sought-after rarity. The Italian label Jamdung, known for its high-quality reissues, has now unearthed The Cold Crusher after 50 years and reissued it with a new artwork that matches the original design. The album has been restored to high quality in Berlin by Dubplates & Mastering and features detailed liner notes by dub specialist Helmut Philipps (Dub – The Sound Of Surprise) and Lee Perry biographer David Katz (People Funny Boy, Solid Foundation). Two renowned reggae authors who have collaborated for the first time on this reissue. Photo on cover by legendary Beth Lesser. Stanley "Barnabas" Bryan did not live to see the release of his album. He passed away while working on the reissue on August 18, 2025, at the age of 65. Thus, the reissue of The Cold Crusher unexpectedly became his musical legacy. The edition is limited and will sell out quickly.

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Tracklisting
A1 Calibre - Little Blend
A2 Calibre - Free One
A3 Calibre - Tricklemore Sea
A4 Calibre - Deflower
B1 Calibre - Living In Your Head
B2 Calibre - Modest
B3 Calibre - Able Son Dub
C1 Calibre - Pigeon Luncheon
C2 Calibre - Hyndsight
C3 Calibre - United Pull
D1 Calibre - Bit Broken Stream
D2 Calibre - Mizzle Mine
D3 Calibre - Inbetween

Sales Note
Calibre announces his new album 'Tricklemore Sea', set for release on vinyl and digital on 1st May via Signature Recordings.

A deeply personal and exploratory body of work, the album moves through ambient, shoegaze, electronic, blues and folk, all subtly shaped by the low-end sensibility that has defined his music for decades. It resists easy categorisation, reflecting an ongoing interest in blending bass culture with forms that sit outside it. Following the release of 'They Want You' at the end of 2025, this new project marks a clear shift in tone. Where that record leans into intensity and forward momentum, 'Tricklemore Sea' turns inward, occupying a more introspective space. Featuring entirely his own vocals and production, it carries a more exposed and vulnerable quality.

The album has taken shape gradually, drawing from material written in the years after 'Planet Hearth'. Rather than forming around a fixed concept, it emerges as a collection of pieces connected by tone and instinct. Tracks move between simplicity and abstraction, with piano-led compositions sitting alongside field recordings, improvisations and bass-driven works. Ideas often begin quickly, then evolve over long periods of revisiting and reworking. His voice takes on a more central role throughout, bringing a heightened sense of vulnerability. Lyrics and delivery are often left open, allowing space for interpretation. His process remains fluid and instinctive, with ideas written quickly, revisited over time and combined across different periods.

Moments such as 'Little Blend' carry a quiet melancholia balanced with hope, while 'Free One' reflects on the pressures of contemporary life. The title track considers the scale of human existence within a wider universe, framing individual lives as small but meaningful within something larger. Elsewhere, 'Deflower' and 'Pigeon Luncheon' draw from recordings made in Berlin at the end of lockdown, capturing a sense of movement and return. Older material, including 'Living In Your Head' and 'Hyndsight', is recontextualised and sits naturally alongside newer work. Threads from his wider catalogue remain present. 'Able Son Dub' nods to longstanding reggae influences, while 'Bit Broken Stream' appears here in a downtempo form alongside its drum and bass counterpart from 'They Want You'. Tracks like 'United Pull' and 'Mizzle Mine' lean further into abstraction, using minimal language and space to suggest mood rather than define it.

Over more than 30 years, Calibre has built a catalogue that moves across drum and bass, ambient, dub, techno, house, jazz, soul, blues and folk. His work is marked by restraint, quiet melancholy and a singular approach that continues to evolve. Complete authorship remains central, with all vocals, lyrics and production on both 'They Want You' and 'Tricklemore Sea' created solely by him. This breadth extends into his DJ sets, where he draws heavily from his own catalogue, often performing entirely self-produced material across a wide range of tempos and styles. His ability to move between contexts has seen him play at Boomtown, Houghton and Atonal Berlin, delivering distinct sets while maintaining a clear identity.

With 'Tricklemore Sea', that identity leans toward stillness, introspection and emotional depth. It is a record that prioritises feeling over definition, holding space for ambiguity while remaining grounded in a strong sense of authorship. Each release carries an element of exposure, a moment of vulnerability in letting the work go. At its core, the album seeks to capture something fleeting but recognisable, a sense of beauty that sits just beyond language.

He describes it simply: "The river inside of me flowing into the sea."

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Uprising Space Bass Dubplate

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Ecstatic Elevating Neapolitan Romance

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