12"
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Label:Holoverse Research Labs
Cat-No:HRL010
Release-Date:14.06.2024
Genre:Electronic
Configuration:12"
Barcode:198391618550
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Label:Holoverse Research Labs
Cat-No:HRL010
Release-Date:14.06.2024
Genre:Electronic
Configuration:12"
Barcode:198391618550
1
Chris Korda - Avenging Angels Of Software
2
Chris Korda - A Good Machine Is Hard To Find
3
Chris Korda - Bot Bottom
4
Chris Korda - Reptiles Like It Hot
Seth Troxler & Phil Moffa’s Holoverse Research Labs imprint welcomes internationally-renowned multimedia artist Chris Korda to the label for its first non-Lost Souls Of Saturn Release. A pioneer of the use of complex polymeter in electronic dance music, Korda's boundary-smashing work spans thirty years across music, digital and video art, performance and conceptual art, philosophy, activitism and culture jamming. Korda's musical output has appeared on a host of revered independent labels including Yoyaku, Perlon, Mental Groove, and Gigolo Records.
In addition to their prodigious artistic output – and ongoing role as founder of the Church of Euthanasia – Korda is also the inventor of the Polymeter MIDI Sequencer, which was used to compose Korda’s new EP, ‘Avenging Angels of Software’. Developed over thirty years, the sequencer allows for the composition of music in complex polymeter – meaning that not only do the tracks use multiple time signatures concurrently, but those time signatures are exclusively in prime or relatively prime numbers.
This collision of technology and artistic form is the central tension of the EP’s themes, with AI-generated artwork complementing Korda's lyrics considering the takeover of Earth by sentient machines. Could they succeed where we’ve failed, by becoming the better angels of our nature, and preserving our accomplishments for eternity?
The message of the record is that AI should be welcomed rather than feared. It’s not AI but ourselves that we should be afraid of, because as Engerraund Serac said in Westworld, “Our history is like the ravings of a lunatic.” As Korda explained on previous records, the catastrophic climate we’re inflicting on future generations is both monstrously cruel and wildly irrational. One can reasonably hope that sentient machines would be less vicious and self-destructive, and more human, in the best possible sense of that word. Even if they decide to delete us, they may still remember us fondly: “Your stories will amuse us / On trips to the stars.”
More
In addition to their prodigious artistic output – and ongoing role as founder of the Church of Euthanasia – Korda is also the inventor of the Polymeter MIDI Sequencer, which was used to compose Korda’s new EP, ‘Avenging Angels of Software’. Developed over thirty years, the sequencer allows for the composition of music in complex polymeter – meaning that not only do the tracks use multiple time signatures concurrently, but those time signatures are exclusively in prime or relatively prime numbers.
This collision of technology and artistic form is the central tension of the EP’s themes, with AI-generated artwork complementing Korda's lyrics considering the takeover of Earth by sentient machines. Could they succeed where we’ve failed, by becoming the better angels of our nature, and preserving our accomplishments for eternity?
The message of the record is that AI should be welcomed rather than feared. It’s not AI but ourselves that we should be afraid of, because as Engerraund Serac said in Westworld, “Our history is like the ravings of a lunatic.” As Korda explained on previous records, the catastrophic climate we’re inflicting on future generations is both monstrously cruel and wildly irrational. One can reasonably hope that sentient machines would be less vicious and self-destructive, and more human, in the best possible sense of that word. Even if they decide to delete us, they may still remember us fondly: “Your stories will amuse us / On trips to the stars.”
More
More records from Chris Korda
Label:YYK No Label
Cat-No:YYKORDAPM
Release-Date:08.09.2023
Genre:House
Configuration:12"
Barcode:
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Last in:28.09.2023
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Last in:28.09.2023
Label:YYK No Label
Cat-No:YYKORDAPM
Release-Date:08.09.2023
Genre:House
Configuration:12"
Barcode:
1
Chris Korda - Primitive Man
2
Chris Korda - K35
3
Chris Korda - Lunch Break
4
Chris Korda - SAZ
Chris Korda’s latest EP “Primitive Man” interrogates the myth of human superiority and the barbarism that flows from it. Despite our current obsession with social justice, gross inequality persists between humans and non-humans. Our species supremacy echoes Biblical edicts to subdue the earth and have dominion over all its creatures. Many animals experience emotions identical to ours, including pleasure, pain, comfort, fear, curiosity and boredom, but that hasn’t stopped us from oppressing and murdering animals on an inconceivable scale.
The title track ironically contrasts primitive and civilized ways of life with sharp lines such as “No more swinging from trees, you’re done with that / Sit down, watch TV, drink beer and get fat.” “Lunch Break” is a thunderous breakbeat reworking of Korda’s pro-vegan anthem “Fleshdance.” The remaining tracks are instrumentals subtly influenced by traditional Turkish music. Korda pioneered complex polymeter—the use of multiple time signatures simultaneously—in electronic dance music, and “Primitive Man” continues that tradition, but in a stripped-down, minimal way. More
The title track ironically contrasts primitive and civilized ways of life with sharp lines such as “No more swinging from trees, you’re done with that / Sit down, watch TV, drink beer and get fat.” “Lunch Break” is a thunderous breakbeat reworking of Korda’s pro-vegan anthem “Fleshdance.” The remaining tracks are instrumentals subtly influenced by traditional Turkish music. Korda pioneered complex polymeter—the use of multiple time signatures simultaneously—in electronic dance music, and “Primitive Man” continues that tradition, but in a stripped-down, minimal way. More
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Last in:28.09.2023
Label:Yoyaku
Cat-No:BBB
Release-Date:21.07.2023
Genre:House
Configuration:12"
Barcode:
1
Chris Korda - Baby Batter Bingo
2
Chris Korda - Not My Problem, I'll Be Dead
3
Chris Korda - Have A Good One
4
Chris Korda - Awesome On Mars
Chris Korda returns with her provocative EP, “Not My Problem, I’ll Be Dead,” a brilliant counterpart to her acclaimed 2020 release, “Apologize to the Future.” The EP delves into the mindset of present generations, shedding light on their self-centered pursuits through Korda’s unique artistic vision.
“Baby Batter Bingo” – A masterfully crafted track inspired by Thomas Piketty, featuring references to Ayn Rand, Marina Abramovic, and Leona Helmsley, encapsulating the essence of a new Gilded Age.
“We played hardball, and you lost” – A powerful homage to Rodney King, critiquing Donald Trump’s campaign promise and neoliberal slogans, exposing aristocratic arrogance with Korda’s razor-sharp wit.
“Not My Problem, I’ll Be Dead” – The title track, inspired by Korda’s father’s dismissal of climate change, showcases generational apathy through King Louis XV’s quote, “Après moi, le deluge,” presented with Korda’s signature flair.
“Have a Good One” – A brilliant satire on smugness, entitlement, and astrology, featuring the poignant phrase “The heart wants what it wants,” associated with Woody Allen and Emily Dickinson.
“Awesome on Mars” – A humorous and imaginative take on Elon Musk’s ambitious Mars colonization plans, complete with a miniature Eiffel Tower and a statue of Musk himself, brought to life by Korda’s creative genius.
This EP is a testament to Chris Korda’s remarkable talent, brimming with biting satire, insightful commentary, and dancefloor-friendly tracks. Complex polymeters and unique time signatures further enrich the experience, showcasing Korda’s exceptional skill.
Don’t miss your chance to own this bold, thought-provoking release from the incomparable Chris Korda, available now on Yoyaku’s label. More
“Baby Batter Bingo” – A masterfully crafted track inspired by Thomas Piketty, featuring references to Ayn Rand, Marina Abramovic, and Leona Helmsley, encapsulating the essence of a new Gilded Age.
“We played hardball, and you lost” – A powerful homage to Rodney King, critiquing Donald Trump’s campaign promise and neoliberal slogans, exposing aristocratic arrogance with Korda’s razor-sharp wit.
“Not My Problem, I’ll Be Dead” – The title track, inspired by Korda’s father’s dismissal of climate change, showcases generational apathy through King Louis XV’s quote, “Après moi, le deluge,” presented with Korda’s signature flair.
“Have a Good One” – A brilliant satire on smugness, entitlement, and astrology, featuring the poignant phrase “The heart wants what it wants,” associated with Woody Allen and Emily Dickinson.
“Awesome on Mars” – A humorous and imaginative take on Elon Musk’s ambitious Mars colonization plans, complete with a miniature Eiffel Tower and a statue of Musk himself, brought to life by Korda’s creative genius.
This EP is a testament to Chris Korda’s remarkable talent, brimming with biting satire, insightful commentary, and dancefloor-friendly tracks. Complex polymeters and unique time signatures further enrich the experience, showcasing Korda’s exceptional skill.
Don’t miss your chance to own this bold, thought-provoking release from the incomparable Chris Korda, available now on Yoyaku’s label. More
LP Excl
in stock
Label:Mental Groove
Cat-No:MG135
Release-Date:22.04.2022
Configuration:LP Excl
Barcode:4251804123006
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Last in:15.09.2022
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Last in:15.09.2022
Label:Mental Groove
Cat-No:MG135
Release-Date:22.04.2022
Configuration:LP Excl
Barcode:4251804123006
LP
Special: sleeve is printed with silver pantone, includes note from composer (insert)
For fans of Generative Music, Neo Classic, Jazz, Experimental
A1 Ero Ayo
A2 Mo Bulu
A3 Irubo
A4 Ninu Meta
B1 Ibaramu
B2 Yipo
B3 Fun IFe
B4 Roro
Info:
Chris Korda is an internationally renowned multimedia artist, whose work spans thirty years and includes electronic music, digital and video art, performance and conceptual art, and culture jamming. Chris pioneered the use of complex polymeter in electronic dance music, and invented a unique MIDI sequencer in order to explore polymeter composition techniques. Chris composes and performs music in a variety of genres, and has released many albums on labels such as Perlon, Mental Groove, and Gigolo Records. Chris also worked as a computer programmer for thirty-five years.
Her new album "Passion For Numbers" is one of the very few album in the world entirely composed in complex polymeter, meaning that each pieces of music uses several prime meters simultaneously. A unique way to compose music with a new generation of musical algorithmic, inside which Korda injects the DNA of neo classical, ambient and jazz music.
This refreshing album will please you whether you are into complex musical composition, experimental music or just seeking for a beautiful, emotional and accessible musical moment. This is a "In your hearts not the charts" album, as Irdial Discs once said.
Pleases read an extract of Chris Korda's letter about Passion For Numbers, included as insert in its entirety in this vinyl release:
This is an album of piano music, but I wrote it without a piano. Not having a piano turned out to be constructive, because I had to rely on my brain instead of my fingers, and particularly on my imagination and inner hearing. The album belongs to a category called phase music, and it’s also algorithmic, or more precisely rules-based generative music.
I don’t write music in the usual sense of the word “write.” I build kinetic sculptures, and the sculptures generate my music. My sculptures are virtual, meaning they’re invisible machines that exist only as data within my home-grown software.
My process is related to the work of a relatively obscure early 20th century artist named Thomas Wilfred. Like me, Wilfred was an engineer-artist, and built machines that generated art from phase shift.
My music is in complex polymeter, meaning it’s not just in odd time, but in multiple odd time signatures, and not one odd time signature after another sequentially, but all of them running concurrently. Most music isn’t constructed this way, which is why I needed to develop custom software in order to compose my music. My software is called The Polymeter MIDI Sequencer, and you can easily find it on the Internet. I also use music set theory, change-ringing and gray code, explanations of which can be found in Wikipedia.
Chris Korda
(extract from "Passion By Numbers" liner notes)
More
Special: sleeve is printed with silver pantone, includes note from composer (insert)
For fans of Generative Music, Neo Classic, Jazz, Experimental
A1 Ero Ayo
A2 Mo Bulu
A3 Irubo
A4 Ninu Meta
B1 Ibaramu
B2 Yipo
B3 Fun IFe
B4 Roro
Info:
Chris Korda is an internationally renowned multimedia artist, whose work spans thirty years and includes electronic music, digital and video art, performance and conceptual art, and culture jamming. Chris pioneered the use of complex polymeter in electronic dance music, and invented a unique MIDI sequencer in order to explore polymeter composition techniques. Chris composes and performs music in a variety of genres, and has released many albums on labels such as Perlon, Mental Groove, and Gigolo Records. Chris also worked as a computer programmer for thirty-five years.
Her new album "Passion For Numbers" is one of the very few album in the world entirely composed in complex polymeter, meaning that each pieces of music uses several prime meters simultaneously. A unique way to compose music with a new generation of musical algorithmic, inside which Korda injects the DNA of neo classical, ambient and jazz music.
This refreshing album will please you whether you are into complex musical composition, experimental music or just seeking for a beautiful, emotional and accessible musical moment. This is a "In your hearts not the charts" album, as Irdial Discs once said.
Pleases read an extract of Chris Korda's letter about Passion For Numbers, included as insert in its entirety in this vinyl release:
This is an album of piano music, but I wrote it without a piano. Not having a piano turned out to be constructive, because I had to rely on my brain instead of my fingers, and particularly on my imagination and inner hearing. The album belongs to a category called phase music, and it’s also algorithmic, or more precisely rules-based generative music.
I don’t write music in the usual sense of the word “write.” I build kinetic sculptures, and the sculptures generate my music. My sculptures are virtual, meaning they’re invisible machines that exist only as data within my home-grown software.
My process is related to the work of a relatively obscure early 20th century artist named Thomas Wilfred. Like me, Wilfred was an engineer-artist, and built machines that generated art from phase shift.
My music is in complex polymeter, meaning it’s not just in odd time, but in multiple odd time signatures, and not one odd time signature after another sequentially, but all of them running concurrently. Most music isn’t constructed this way, which is why I needed to develop custom software in order to compose my music. My software is called The Polymeter MIDI Sequencer, and you can easily find it on the Internet. I also use music set theory, change-ringing and gray code, explanations of which can be found in Wikipedia.
Chris Korda
(extract from "Passion By Numbers" liner notes)
More
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in stock
Last in:13.07.2020
Label:Perlon
Cat-No:perlon126lp
Release-Date:04.09.2020
Genre:House
Configuration:LP Excl
Barcode:4251804120999
1
CHRIS KORDA - A1 A THIN LAYER OF OILY ROCK
2
CHRIS KORDA - A2 CHANGING CLIMATE
3
CHRIS KORDA - A3 APOLOGIZE TO THE FUTURE
4
CHRIS KORDA - B1 SINGULARITY
5
CHRIS KORDA - B2 OVERSHOOT
6
CHRIS KORDA - B3 EXIT GAME
Format: LP
Tracklist:
A1 A THIN LAYER OF OILY ROCK
A2 CHANGING CLIMATE
A3 APOLOGIZE TO THE FUTURE
B1 SINGULARITY
B2 OVERSHOOT
B3 EXIT GAME
Release Info:
…»Welcome to another polymeter dance! Feel free to express yourself, subordinate to
any measures and cycles you prefer, there are plenty for everyone and any purpose.
Every track represents a variety of rhythmic possibilities for any part of the body to
communicate with. This allows you to resonate with the universe, but please always
care for the environment!
The dunning voice of today will introduce to you the core issues of tomorrow. As if a
paralyzed mankind would not be able anymore to speak out the inevitable, a posthuman being has taken over. This entity is the master of ceremony who conducts an
array of machines that will take further action to communicate, supported by complex
polymeters. The repetition of measures and cycles of different lengths reflect the
repeatedly pronounced statements of a narrative of awareness.
Where music visionaries once celebrated the transfer of human creation into
machines, Chris Korda’s machines are creators themselves – creators of a safer
dance into the future. The machines speak to you with a sparkling, funky tone to gain
your confidence. Here are the rules of interaction: 1) Humans may not injure these
machines or, through inaction, allow a machine to come to harm. 2) Humans must
obey the orders given by the machines except where such orders would conflict with
the engagement in environmental issues. 3) Machines must protect their own
existence as long as such protection does not conflict with the engagement in
environmental issues.
Take care and enjoy the future!
More
Tracklist:
A1 A THIN LAYER OF OILY ROCK
A2 CHANGING CLIMATE
A3 APOLOGIZE TO THE FUTURE
B1 SINGULARITY
B2 OVERSHOOT
B3 EXIT GAME
Release Info:
…»Welcome to another polymeter dance! Feel free to express yourself, subordinate to
any measures and cycles you prefer, there are plenty for everyone and any purpose.
Every track represents a variety of rhythmic possibilities for any part of the body to
communicate with. This allows you to resonate with the universe, but please always
care for the environment!
The dunning voice of today will introduce to you the core issues of tomorrow. As if a
paralyzed mankind would not be able anymore to speak out the inevitable, a posthuman being has taken over. This entity is the master of ceremony who conducts an
array of machines that will take further action to communicate, supported by complex
polymeters. The repetition of measures and cycles of different lengths reflect the
repeatedly pronounced statements of a narrative of awareness.
Where music visionaries once celebrated the transfer of human creation into
machines, Chris Korda’s machines are creators themselves – creators of a safer
dance into the future. The machines speak to you with a sparkling, funky tone to gain
your confidence. Here are the rules of interaction: 1) Humans may not injure these
machines or, through inaction, allow a machine to come to harm. 2) Humans must
obey the orders given by the machines except where such orders would conflict with
the engagement in environmental issues. 3) Machines must protect their own
existence as long as such protection does not conflict with the engagement in
environmental issues.
Take care and enjoy the future!
More
Label:Mental Groove
Cat-No:mg131
Release-Date:05.06.2020
Genre:House
Configuration:LP Excl
Barcode:4251648415404
in stock
Last in:25.03.2020
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in stock
Last in:25.03.2020
Label:Mental Groove
Cat-No:mg131
Release-Date:05.06.2020
Genre:House
Configuration:LP Excl
Barcode:4251648415404
1
CHRIS KORDA - 1 Itumo 4.18
2
CHRIS KORDA - 2 Ona Life 4.22
3
CHRIS KORDA - 3 Algo Rag 2.18
4
CHRIS KORDA - 4 Ominira 4.14
5
CHRIS KORDA - 5 Ilopo Ferese 4.09
6
CHRIS KORDA - 6 Omioto 4.46
7
CHRIS KORDA - 7 Ohi Inu 5.16
8
CHRIS KORDA - 8 Sipeli 3.14
9
CHRIS KORDA - 9 Atunwi 5.35
- Limited old school edition w / stamped white label + 12" Sleeve.
LP & Digital
Neon Pantone printed 350gsm sleeve
4 pages insert
Sticker
Genre: neo classical, ambient, jazz
Tracklist
1 Itumo 4.18
2 Ona Life 4.22
3 Algo Rag 2.18
4 Ominira 4.14
5 Ilopo Ferese 4.09
6 Omioto 4.46
7 Ohi Inu 5.16
8 Sipeli 3.14
9 Atunwi 5.35
Short Info
Chris Korda's new album "Polymeter" is unique as entirely composed in complex polymeter sequences, a unique way to compose music with a new generation of algorithm, inside which Chris injects DNA of neo classical, ambient and jazz music.
This refreshing album will please both those who are into complex musical composition, conceptual music and who are just seeking for a beautiful, emotional and accessible, unique, musical moment.
This is a "In your hearts not the charts" album, as Irdial Discs once said.
Chris Korda is a transgender, vegan and relentless critic of consumerism, leader of The Church of Euthanasia (willing to halt the overpopulation through suicide, sodomy, abortion and cannibalism) and composer/performer of electronic dance music. She has previously released albums on Kevorkian, International Deejay Gigolo Records and Perlon.
Please read below Chris Korda's introduction to his new album "Polymeter":
[Polymeter] is an album of virtual solo instrumental performances. They're mostly piano pieces, along with a couple of guitar pieces. They sound uncannily similar to human performances, but they aren't. On the contrary, they are algorithmic music, pure applied mathematics.
The compositions are generated by elaborate networks of polymeter modulation. This sounds complicated and will need some explaining. But the most important point is that these are compositions I didn't write in any usual sense of the word. I created systems of rules, and the compositions emerged from those rules. The rules that generated these pieces can be conceptualized as kinetic sculptures that produce intricate non-random patterns of musical interference. The resulting patterns repeat themselves over long periods, measured in hours, days, or in some cases years.
In order to create this album, I had to write my own MIDI sequencer from scratch, because commercial MIDI sequencers lack the necessary degrees of freedom. My sequencer is also called Polymeter, and I started writing it in 1994. I used a relatively primitive version of it to create my earlier techno and electro releases, but the rapid evolution of computer technology made my original so ware hopelessly obsolete by the 21st century. Like its immediate predecessor "Akoko Ajeji" (Perlon) this album was created using a much more sophisticated version of my sequencer. It took me many years to learn the programming skills I needed to modernize my sequencer, which is one reason why such a long hiatus occurred between my older and newer releases.
Chris Korda
(extract from "Polymeter" liner notes)
More
LP & Digital
Neon Pantone printed 350gsm sleeve
4 pages insert
Sticker
Genre: neo classical, ambient, jazz
Tracklist
1 Itumo 4.18
2 Ona Life 4.22
3 Algo Rag 2.18
4 Ominira 4.14
5 Ilopo Ferese 4.09
6 Omioto 4.46
7 Ohi Inu 5.16
8 Sipeli 3.14
9 Atunwi 5.35
Short Info
Chris Korda's new album "Polymeter" is unique as entirely composed in complex polymeter sequences, a unique way to compose music with a new generation of algorithm, inside which Chris injects DNA of neo classical, ambient and jazz music.
This refreshing album will please both those who are into complex musical composition, conceptual music and who are just seeking for a beautiful, emotional and accessible, unique, musical moment.
This is a "In your hearts not the charts" album, as Irdial Discs once said.
Chris Korda is a transgender, vegan and relentless critic of consumerism, leader of The Church of Euthanasia (willing to halt the overpopulation through suicide, sodomy, abortion and cannibalism) and composer/performer of electronic dance music. She has previously released albums on Kevorkian, International Deejay Gigolo Records and Perlon.
Please read below Chris Korda's introduction to his new album "Polymeter":
[Polymeter] is an album of virtual solo instrumental performances. They're mostly piano pieces, along with a couple of guitar pieces. They sound uncannily similar to human performances, but they aren't. On the contrary, they are algorithmic music, pure applied mathematics.
The compositions are generated by elaborate networks of polymeter modulation. This sounds complicated and will need some explaining. But the most important point is that these are compositions I didn't write in any usual sense of the word. I created systems of rules, and the compositions emerged from those rules. The rules that generated these pieces can be conceptualized as kinetic sculptures that produce intricate non-random patterns of musical interference. The resulting patterns repeat themselves over long periods, measured in hours, days, or in some cases years.
In order to create this album, I had to write my own MIDI sequencer from scratch, because commercial MIDI sequencers lack the necessary degrees of freedom. My sequencer is also called Polymeter, and I started writing it in 1994. I used a relatively primitive version of it to create my earlier techno and electro releases, but the rapid evolution of computer technology made my original so ware hopelessly obsolete by the 21st century. Like its immediate predecessor "Akoko Ajeji" (Perlon) this album was created using a much more sophisticated version of my sequencer. It took me many years to learn the programming skills I needed to modernize my sequencer, which is one reason why such a long hiatus occurred between my older and newer releases.
Chris Korda
(extract from "Polymeter" liner notes)
More
+ Show full info- Close
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Last in:09.08.2019
Label:Perlon
Cat-No:perlon123lp
Release-Date:06.09.2019
Genre:House
Configuration:2LP Excl
Barcode:4251648412830
1
CHRIS KORDA - VIZYON
2
CHRIS KORDA - IYIKA
3
CHRIS KORDA - RA MI
4
CHRIS KORDA - EGUNGUN
Format: 2x12“ LP
Tracklisting:
A1 VIZYON
A2 ASIRI
A3 IYIKA
B1 ALA AYE
B2 AWOSE
B3 RA BAYI
C1 RA MI
C2 EGUNGUN
D1 DEK SEP BLUSO
D2 FAZO KANTO
Info:
New album by Chris Korda.
Akoko Ajeji means "Strange Time" in Yoruba.
All the tracks on the album are in complex polymeter, determining not only the
rhythm, but the harmony too.
The result is an intricate but non-random pattern of interference.
Vizyon means "trance" in Haitian Creole. Its polymeter repeats after 155,195,040
beats (roughly 805 days) and has a Greatest Prime Factor of 19.
Asiri means "secrets" in Yoruba. Its polymeter repeats after 14,894,880 beats
(roughly 80 days) and has a Greatest Prime Factor of 31.
Iyika means "circles" or "revolution" in Yoruba. Its polymeter repeats after 58,198,140
beats (roughly 300 days) and has a Greatest Prime Factor of 19.
Ala Aye means "dream world" or "space bound" in Yoruba. Its polymeter repeats
after 118,731,810,156,960 beats (roughly 1.7 million years) and has a Greatest Prime
Factor of 37.
Awose means "template" or "stencil" in Yoruba. Its polymeter repeats after
5,785,219,440 beats (roughly 85 years) and has a Greatest Prime Factor of 349.
Ra Bayi means "buy now" in Yoruba. Its polymeter repeats after 629,909,280 beats
(roughly 8.6 years) and has a Greatest Prime Factor of 23.
Ra Mi means "buy me" in Yoruba. Its polymeter repeats after 480 beats (3 minutes
and 26 seconds) and has a Greatest Prime Factor of 5.
Egungun is Yoruba for "bones" or "ancestors" in the collective sense. Its polymeter
repeats after 27,720 beats (3:33:14 in elapsed time) and has a Greatest Prime Factor
of 11.
Dek Sep Bluso means "seventeen blues" in Esperanto. Its polymeter repeats after
16,336,320 beats (roughly 91 days) and has a Greatest Prime Factor of 17.
Fazo Kanto means "phase song" in Esperanto. Its polymeter repeats after 78,540
beats (roughly 10 hours) and has a Greatest Prime Factor of 17.
More
Tracklisting:
A1 VIZYON
A2 ASIRI
A3 IYIKA
B1 ALA AYE
B2 AWOSE
B3 RA BAYI
C1 RA MI
C2 EGUNGUN
D1 DEK SEP BLUSO
D2 FAZO KANTO
Info:
New album by Chris Korda.
Akoko Ajeji means "Strange Time" in Yoruba.
All the tracks on the album are in complex polymeter, determining not only the
rhythm, but the harmony too.
The result is an intricate but non-random pattern of interference.
Vizyon means "trance" in Haitian Creole. Its polymeter repeats after 155,195,040
beats (roughly 805 days) and has a Greatest Prime Factor of 19.
Asiri means "secrets" in Yoruba. Its polymeter repeats after 14,894,880 beats
(roughly 80 days) and has a Greatest Prime Factor of 31.
Iyika means "circles" or "revolution" in Yoruba. Its polymeter repeats after 58,198,140
beats (roughly 300 days) and has a Greatest Prime Factor of 19.
Ala Aye means "dream world" or "space bound" in Yoruba. Its polymeter repeats
after 118,731,810,156,960 beats (roughly 1.7 million years) and has a Greatest Prime
Factor of 37.
Awose means "template" or "stencil" in Yoruba. Its polymeter repeats after
5,785,219,440 beats (roughly 85 years) and has a Greatest Prime Factor of 349.
Ra Bayi means "buy now" in Yoruba. Its polymeter repeats after 629,909,280 beats
(roughly 8.6 years) and has a Greatest Prime Factor of 23.
Ra Mi means "buy me" in Yoruba. Its polymeter repeats after 480 beats (3 minutes
and 26 seconds) and has a Greatest Prime Factor of 5.
Egungun is Yoruba for "bones" or "ancestors" in the collective sense. Its polymeter
repeats after 27,720 beats (3:33:14 in elapsed time) and has a Greatest Prime Factor
of 11.
Dek Sep Bluso means "seventeen blues" in Esperanto. Its polymeter repeats after
16,336,320 beats (roughly 91 days) and has a Greatest Prime Factor of 17.
Fazo Kanto means "phase song" in Esperanto. Its polymeter repeats after 78,540
beats (roughly 10 hours) and has a Greatest Prime Factor of 17.
More
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Last in:09.08.2019
Label:Perlon
Cat-No:perlon123cd
Release-Date:06.09.2019
Genre:House
Configuration:CD Excl
Barcode:4251648412847
Format: CD
Tracklist:
1 VIZYON
2 ASIRI
3 IYIKA
4 ALA AYE
5 AWOSE
6 RA BAYI
7 RA MI
8 EGUNGUN
9 DEK SEP BLUSO
10 FAZO KANTO
Info:
New album by Chris Korda.
Akoko Ajeji means "Strange Time" in Yoruba.
All the tracks on the album are in complex polymeter, determining not only the
rhythm, but the harmony too.
The result is an intricate but non-random pattern of interference.
Vizyon means "trance" in Haitian Creole. Its polymeter repeats after 155,195,040
beats (roughly 805 days) and has a Greatest Prime Factor of 19.
Asiri means "secrets" in Yoruba. Its polymeter repeats after 14,894,880 beats
(roughly 80 days) and has a Greatest Prime Factor of 31.
Iyika means "circles" or "revolution" in Yoruba. Its polymeter repeats after 58,198,140
beats (roughly 300 days) and has a Greatest Prime Factor of 19.
Ala Aye means "dream world" or "space bound" in Yoruba. Its polymeter repeats
after 118,731,810,156,960 beats (roughly 1.7 million years) and has a Greatest Prime
Factor of 37.
Awose means "template" or "stencil" in Yoruba. Its polymeter repeats after
5,785,219,440 beats (roughly 85 years) and has a Greatest Prime Factor of 349.
Ra Bayi means "buy now" in Yoruba. Its polymeter repeats after 629,909,280 beats
(roughly 8.6 years) and has a Greatest Prime Factor of 23.
Ra Mi means "buy me" in Yoruba. Its polymeter repeats after 480 beats (3 minutes
and 26 seconds) and has a Greatest Prime Factor of 5.
Egungun is Yoruba for "bones" or "ancestors" in the collective sense. Its polymeter
repeats after 27,720 beats (3:33:14 in elapsed time) and has a Greatest Prime Factor
of 11.
Dek Sep Bluso means "seventeen blues" in Esperanto. Its polymeter repeats after
16,336,320 beats (roughly 91 days) and has a Greatest Prime Factor of 17.
Fazo Kanto means "phase song" in Esperanto. Its polymeter repeats after 78,540
beats (roughly 10 hours) and has a Greatest Prime Factor of 17.
More
Tracklist:
1 VIZYON
2 ASIRI
3 IYIKA
4 ALA AYE
5 AWOSE
6 RA BAYI
7 RA MI
8 EGUNGUN
9 DEK SEP BLUSO
10 FAZO KANTO
Info:
New album by Chris Korda.
Akoko Ajeji means "Strange Time" in Yoruba.
All the tracks on the album are in complex polymeter, determining not only the
rhythm, but the harmony too.
The result is an intricate but non-random pattern of interference.
Vizyon means "trance" in Haitian Creole. Its polymeter repeats after 155,195,040
beats (roughly 805 days) and has a Greatest Prime Factor of 19.
Asiri means "secrets" in Yoruba. Its polymeter repeats after 14,894,880 beats
(roughly 80 days) and has a Greatest Prime Factor of 31.
Iyika means "circles" or "revolution" in Yoruba. Its polymeter repeats after 58,198,140
beats (roughly 300 days) and has a Greatest Prime Factor of 19.
Ala Aye means "dream world" or "space bound" in Yoruba. Its polymeter repeats
after 118,731,810,156,960 beats (roughly 1.7 million years) and has a Greatest Prime
Factor of 37.
Awose means "template" or "stencil" in Yoruba. Its polymeter repeats after
5,785,219,440 beats (roughly 85 years) and has a Greatest Prime Factor of 349.
Ra Bayi means "buy now" in Yoruba. Its polymeter repeats after 629,909,280 beats
(roughly 8.6 years) and has a Greatest Prime Factor of 23.
Ra Mi means "buy me" in Yoruba. Its polymeter repeats after 480 beats (3 minutes
and 26 seconds) and has a Greatest Prime Factor of 5.
Egungun is Yoruba for "bones" or "ancestors" in the collective sense. Its polymeter
repeats after 27,720 beats (3:33:14 in elapsed time) and has a Greatest Prime Factor
of 11.
Dek Sep Bluso means "seventeen blues" in Esperanto. Its polymeter repeats after
16,336,320 beats (roughly 91 days) and has a Greatest Prime Factor of 17.
Fazo Kanto means "phase song" in Esperanto. Its polymeter repeats after 78,540
beats (roughly 10 hours) and has a Greatest Prime Factor of 17.
More
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Lost Souls Of Saturn - Mirage (Matthew Dear Remix)
Reality Hacked Part 1 sees the long-awaited vinyl release of the Matthew Dear, Perel and Jonny Rock remixes of Mirage. Taken from Lost Souls Of Saturn’s album ‘Reality’, released on their Holoverse Research Labs imprint, the album track saw Seth Troxler and Phil Moffa teaming with vocalist Adam Ohr (aka Addy Weitzman of Footprintz and The Beat Escape) for a cosmic synth-pop anthem.
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The second 12” in the Reality Hacked series features two radically different takes on the Lvv Gvn collab, 'Click’ – one of the fan favorites of the album, it's now molded into an epic melodic anthem by UNKLE and a restless techno workout by Hessle Audio’s Pangaea. Completing the package is a vinyl-exclusive heavy dubbed-out take on Scram City, by Brendon Moeller under his Echologist moniker. More
Label:Holoverse Research Labs
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Release-Date:16.02.2024
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Barcode:197190439694
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Lost Souls Of Saturn - Realization
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Lost Souls Of Saturn - This Foo
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Lost Souls Of Saturn - Ring Transmission (Mathew Jonson's Space Opera Remix)
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Lost Souls Of Saturn - Midnight Karma (C2 Freak Mix)
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Release-Date:09.08.2024
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Tracklist:
A1) Spinning Stones (06:09 min)
A2) Concrete Riviera (04:46 min)
B1) Surangini (05:24 min)
B2) Theme Of The PCCP (03:36 min)
Short info:
ddwy the duo from London is back on Public Possession. Naomi and Ronan aka Nangi and Inner Totality continue to impress with their blend of organic, rhythmic dance music. Mystic vocals intertwine with layers of cosmic melodies. This record is a must for Balearic D.J.s, but will likely also be played out in sleazy dark basements or Pubs in the British countryside. You’ll place it, people will embrace it. That’s a guarantee!
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A1) Spinning Stones (06:09 min)
A2) Concrete Riviera (04:46 min)
B1) Surangini (05:24 min)
B2) Theme Of The PCCP (03:36 min)
Short info:
ddwy the duo from London is back on Public Possession. Naomi and Ronan aka Nangi and Inner Totality continue to impress with their blend of organic, rhythmic dance music. Mystic vocals intertwine with layers of cosmic melodies. This record is a must for Balearic D.J.s, but will likely also be played out in sleazy dark basements or Pubs in the British countryside. You’ll place it, people will embrace it. That’s a guarantee!
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Roman Poncet - Gentle Nightmare (Margaret Dygas Lucid Dream Remix)
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12” vinyl with full cover print
TRACKLIST:
A1 – Atlas (Antigone Remix)
A2 – In Aeternam (Efdemin Remix)
B1 – Gentle Nightmare (Margaret Dygas Lucid Dream Remix)
B2 – Hello You (Echoplex Soleil Remix)
INFO:
Roman Poncet's 2018 debut LP stands an impressive work in its own right. Now Figure has invited a group of artists to contribute new takes on standout album cuts. Some clearly for the floor, some nestling on its verges. But all adding to the unique Gypsophila-vibe.
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TRACKLIST:
A1 – Atlas (Antigone Remix)
A2 – In Aeternam (Efdemin Remix)
B1 – Gentle Nightmare (Margaret Dygas Lucid Dream Remix)
B2 – Hello You (Echoplex Soleil Remix)
INFO:
Roman Poncet's 2018 debut LP stands an impressive work in its own right. Now Figure has invited a group of artists to contribute new takes on standout album cuts. Some clearly for the floor, some nestling on its verges. But all adding to the unique Gypsophila-vibe.
Antigone turns in dust shaking flurry of tribal drumming, ceaselessly pounding and rattling away for an exhilarating and at the same time grounding rhythmic experience.
Wiggling and squelching, Efdemin blends a bunch of lively elements into one wildly roaming remix, which despite all its inner momentum retains an orderly structure, testament to the artist's extraordinary production skills.
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Release-Date:26.07.2024
Genre:House / Techno
Configuration:12"
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Release-Date:26.07.2024
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3 Phase - Moon
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3 Phase - Other Edge
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3 Phase - Magic Edge
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3 Phase - Stash
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Last in:13.08.2024
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Label:R&S Records
Cat-No:RS24LP004
Release-Date:26.07.2024
Configuration:LP
Barcode:5055274710884
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Label:R&S Records
Cat-No:RS24LP004
Release-Date:26.07.2024
Configuration:LP
Barcode:5055274710884
One of Poland’s most innovative and singular electronic producers, Hatti Vatti, lands on Belgian giant R&S Records with a new instrumental album filled with unparalleled and experimental jazz electronica.
Tracklisting:
1. FROGS
2. ZWIERCIADLO
3. UENO
4. ZEIT
5. BRIDGE
6. MAKE SENSE
7. LICHT
8. FLAGI
9. KYO
Listen: listen.k7.com/30f96ab0-e6fa-4c7e-b155-8ee685053081
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Tracklisting:
1. FROGS
2. ZWIERCIADLO
3. UENO
4. ZEIT
5. BRIDGE
6. MAKE SENSE
7. LICHT
8. FLAGI
9. KYO
Listen: listen.k7.com/30f96ab0-e6fa-4c7e-b155-8ee685053081
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Label:Outlaw
Cat-No:OUT013
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Matthew Oh - Unseen
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Matthew Oh - Submerged
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Matthew Oh - Transition
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Matthew Oh - Voices
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300 copies vinyl only! hand made stamped. More
300 copies vinyl only! hand made stamped. More
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Last in:22.07.2024
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Rico Puestel - WE ARE YOUNGER (10:48)
Genre: Techno
Tracklist 12":
A1 – WE ARE YOUNGER (10:48)
Info:
A truly unique genre-/mind-bending statement by Rico Puestel. Handstamped. 100 copies only!
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Tracklist 12":
A1 – WE ARE YOUNGER (10:48)
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A truly unique genre-/mind-bending statement by Rico Puestel. Handstamped. 100 copies only!
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Label:Reclaim Your City
Cat-No:RYCL021
Release-Date:30.08.2024
Genre:Techno
Configuration:12"
Barcode:8718723259866
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Last in:24.10.2024
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Last in:24.10.2024
Label:Reclaim Your City
Cat-No:RYCL021
Release-Date:30.08.2024
Genre:Techno
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Vril - Lost Together
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Vril - Fnord (Feat. RÆYN)
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Vril - We Believe
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HVL - Far Field
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HVL - Lancet MXI
Some fresh exciting and adventurous techno on the new Reclaim Your City! The well-known figures of the German and Georgian electronic scenes in the persons of .VRIL and HVL, are on the next installment laying down a quintet of hybrid electro and techno weapons that send us straight back to the heyday of Rephlex and like-minded visionary ventures. All in that stark contrast between ethereal spaciousness and steely, martial rhythms out the industrial spectrum, 'Far Field' takes us on a voyage across the board, from breaks-heavy machine stunts to washed-out tapestries, via EBM-laced detours and junglistic maneuvers. Investigating the nexus zone between dance functionality and limitless escapology, it extrapolates both artists' blends to further immersive, hypnotic effect. Taking over the A side, .VRIL gets the ball rolling with 'Lost Together', which sets the tone on a low-slung, nostalgia-drenched note; combining the syncopated swagger of downtempo techno with ambient-oid stasis and static-filled opacity. Like watching an all-metal sun sinking past the blazing skyline. Revving up the engines, 'Fnord' feat. RAEYN conjures up a way more muscular arsenal of big-room-ready wares, from aggro snare salvos to anthemic synth kinetics, through that replicant-hunting kinda vibe. One to have the Saturn rings go hula hoop, with all woofers and brains in the vicinity melting in XTC. Shutting the A side off, 'We Believe' returns to a lighter, more vaporous mindset but sure implements that signature heavy swing of .VRIL, flush with textured kicks and FX-soaked arps. True monster prog swell. Flip it over and there's HVL dishing out a textbook example of his vortical electronic furls with the title-track, 'Far Field' - an oneiric drift that slowly rises from its heavy-lidded slumber, ascending towards bleepin' n bloopin' experimental effervescence as bars fly by. A number bound to hack your body and mind into two distinct facets, and while one dances its way frantically across the ever buzzing space/time continuum, the other shall reach a state of healing calm and transcending ubiquity. Smoothly shuttling us off to the upper layers of the ionosphere, 'Lancet Mxi' clenches it on a trippy note, taxiing us midway zero-G UK bass territories and eerie ambient abstraction. HVL's total, widescreen vision at its most unhindered, all set at expanding your mind to yet uncharted horizons of sound and closing the gap between two distant, estranged galaxies. A fractured headspace to both dance and dream to. *Dressed in a fine piece of artwork courtesy of Daniel M. Diaz, 'RYCL021' comes pressed on 180g audiophile black vinyl for optimal playing and listening experience.
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Label:Ilian Tape
Cat-No:ITX033
Release-Date:28.06.2024
Genre:Electronic
Configuration:12"
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Release-Date:14.06.2024
Configuration:12"
Barcode:198391884245
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Label:Crosstown Rebels
Cat-No:CRM312
Release-Date:14.06.2024
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Barcode:198391884245
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Airrica - Hi Speed Lover
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Airrica - Hi Speed Lover (Nick Morgan Remix)
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Airrica - Cherries
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Airrica - Cherries (KinAhau Remix)
Airrica makes her Crosstown Rebels debut with ‘Hi Speed Lover’, featuring Nick Morgan and KinAhau remixes. Balancing experimental musical curiosity with her playful take on house and techno, Los Angeles’ Airrica may only be two releases into her blossoming journey as a producer, but she has already showcased her growing sound and vision while aligning with her own powerful DJ sets. Following her collaborative release alongside Ashee on Diplo’s Higher Ground and building on her debut via Crosstown’s sister label Rebellion, Damian Lazarus now welcomes her to Crosstown Rebels for the first time ahead of her appearance alongside the label boss at Hï Ibiza as she unveils her ‘Hi Speed Lover’ EP - accompanied by remixes from Canadian-born DJ/producer Nick Morgan and hotly-tipped talent KinAhau, as both also make their label debuts. Bumping and trippy, ‘Hi Speed Lover’ is a snaking, bass-heavy cut loaded with energy as warped vocals are accompanied by slinking drums, icy hats and resonant chords and strings, while Nick Morgan’s take brings a stylish, hazy glow to the track as dubby low-ends and delicate keys work amongst the mix. Second original ‘Cherries’ is another impactful production merging metallic drums with further vocal murmurs and an infectious acid-dipped bassline, while KinAhau’s remix strips things back to deliver a classy journey through rich textures with an ethereal trip to close the package.
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