Tracklisting
A1 Skudge - Tryptic
B1 Skudge - Tryptic (Temudo remix)
B2 Skudge - Tryptic (Amarou remix)

Sales Note
French label and promoter Much More recordings is proud to present the third vinyl of its collection.

We have been working tirelessly for the past two years to release vinyl records with artists we love. We had the pleasure of featuring Skudge on our first vinyl, and now we are excited to have Temudo remixing Skudge's "Tryptic". Expect remarkable straight techno that takes us on a brilliant journey. In addition, our long-time friend Amarou has created the second remix of "Tryptic", featuring an ethereal mood with sweet pads, lyrical flights, and an unstoppable rhythm.
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Elias Landberg, channeling the rich techno legacy of Skudge, presents "The Wind" EP on Syncrophone Records. This 3-track odyssey pays homage to Skudge's atmospheric finesse and hypnotic rhythms, showcasing Landberg's seamless blend of raw analog energy. Limited Edition: Immerse yourself in the Skudge-inspired techno experience with the exclusive golden-colored vinyl, a sonic canvas capturing the essence of the genre's pioneers. Embark on a journey through "Wander's" hypnotic beats, unravel the enigmatic "Hidden Location," and surrender to the ambient allure of the title track, "The Wind." Secure your golden vinyl copy now, and let Elias Landberg guide you through the echoes of Skudge's influential sound, inviting you into the heart of techno exploration. More

Who would be better suited for remixing the Skudge classic? It's not a far-fetched idea, as we now see the remix 12" of Convolution featuring Levon Vincent. Classic late 00s Levon Vincent style of rhythm and pace meets Skudge's hallmark sound.

TRACKLISTING

A. Skudge - Convolution (Levon Vincent Scream Version)
B. Skudge - Convolution (Levon Vincent CS-101 Version)

INFO

Who would be better suited for remixing the Skudge classic? It's not a far-fetched idea, as we now see the remix 12" of Convolution featuring Levon Vincent.
Classic late 00s Levon Vincent style of rhythm and pace meets Skudge's hallmark sound.

It's been over a decade since Skudge took charge and urged us to "Give it all up". 'Convolution' forged two distinct genres while avoiding the trap of losing the attitude of both.
The track was a strong take on Techno and House simultaneously and brought something new and interesting to the table.

Fast forward a decade since this effort marked the beginning of the Skudge journey, which not only caught the middle ground between Techno and House but also the ears of fellow producer Levon Vincent.
Levon is a prominent name in the oceanic underwater funk, touching strands of Dub, Techno, and House.

Levon delivers two versions, where the Scream Version captures the UK sound of anarchistic basslines similar to 'Basemental' from '95, on the A-side.
Flipping over to the B-side, one can hear the 'Convolution' atmosphere echoing between Levon and Skudge respectively.

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TRACKLISTING

A1. Skudge - Soundworks
A2. Skudge - Downline
B1. Skudge - Mode
B2. Skudge - Cycle

C1. Skudge - Floating
C2. Skudge - Scape
D1. Skudge - Likemind
D2. Skudge - Offset
D3. Skudge - Focus


INFO

Kicking off with direct, subtle and in-tune basement dust, Skudge has managed to capture two weekend modes.

This is a soundtrack for either those apprehensive moments, where things start to fall into place and the crowd is rest assured that this will be a time to remember.

But Soundworks is also the soundtrack for those areas that turn party-goers into altered silhouettes, captured between strobe light flashes. Those types of situations, where the smoke and sweat meet in between the last dances.

From start to finish, the fourth album carries a sound that is coherent. What Soundworks means, is that all of the nine tracks on the LP are multi-dimensional, without losing traction. There are adrenal spikes but there are also drifters - most significant in the tracks 'Floating', 'Scape' and 'Likemind'.

All-in-all, what we have here is a return to form for Skudge, with a capital S.
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Skudge suspectedly looked backwards to that well known label with a capital S, also founded and ran a few blocks away from the Skudge studio. One could presume that the A side, '97' hints of a past remembered, as where side B with 'Svek' delicately concludes the fourtheenth release from Skudge.

TRACKLISTING

A. Skudge - 97
B. Skudge - Svek


INFO

There's something about Stockholm...

Strong musical connections are to be found in most parts of the city, from early days inner city creatives, to the current outskirt and suburban nightly events, where past and present intertwine in a mix hard to find elsewhere.

This is a city with rich musical history. Some stories well known and other needed to be sought out. Some commercially successful and others secured in well selected record shelves over the world.

Focusing on the latter, Skudge suspectedly looked backwards to that well known label with a capital S, also founded and ran a few blocks away from the Skudge studio.

One could presume that the A side, '97' hints of a past remembered, as where side B with 'Svek' delicately concludes the fourtheenth release from Skudge.


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TRACKLISTING

A. Skudge - Pressure Drop
B. Skudge - Realtime

INFO

Skudge's back catalog features some of the finest moments from the 10's. Putting aside the powerful EP's, guest appearances and remixes, the album 'Phantom' initiated a consolidated, and perhaps a more liberated, side of the signature sound of which we are no strangers.

Perhaps the most difficult task in creating something is to follow simple truth's. The adrenaline spiked and dusty tunage from the Stockholm studio, has now been revisited in this new decade and reduced even further.

In this new series from Skudge, the tracks 'Pressure Drop' and 'Realtime' are remodeled and retuned. Not as a reminder of what has been, but more as a result of reaching a different conclusion and expression.

Concentrated on the skeletal parts of the originals. Rebuilt into alternatives that reflect a sifted and interestingly constrained sonic palette. This further shows how Skudge not only inspire the community, but are also inspired by their own history.
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Skudge's passion for machine driven music and his artful approach to loops get reflected in this new release for Sungate. "Grain" and "Anyon" are two hypnotic, warm and dubbed out original tracks lying in that undefined area between house and techno. Smooth dub contours and slippery grooves for your enjoyment. Stojche's interpretation of "Grain" completes the release with an excellent dreamy and dancefloor-friendly remix. More

For the faithful Skudge follower, number 13 brings back memories from when Skudge combined and reduced both Techno and House in a flawless way. Something that they have been able to do since the beginning. They also manage to utilize samples, that in another context would have felt misplaced, in a very classy manner.
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Summing up 2017, Skudge dug through the archive material from the formative years of 2009 and 2010. For the keen ear and reflective soul, the basis of the much-liked Skudge sound is present here in a updated, perhaps more refined record. While working hard to pursue a specific set of labels, sound and aesthetic, SKUDGE 011 presents us a welcomed look into the retrospect of their unique sound.
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Solid, powerful and eclectic... Skudge has yet again delivered a fine remix 12". Blue Hour's remix is featuring on the A-side, where a pumping and pushing reinterpretation of 'Hunted' takes the lead.For the B-side, Skudge invited Parisian and underground House music purveyor Brawther, who literary beefs up ?Below? with his Steroids Mix. a perfect mixture of both House and Techno, a place where Skudge are coming from.
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Fresh of the 'Balancing Point' LP, Skudge levitates into 2017 with tracks from a well-known place... Infectious groove and stabs reflects our most fond warehouse memories. The A-side track has that special Skudge vibe that managed to establish them as a force to reckon with. As proven with the LP from last year, things are sounding and looking as exciting as ever!
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First new solo Skudge EP since two years. They're back. More

Tracklisting
A1 Ant Mill - Her Skin
A2 Ant Mill - I Guess Not
A3 Ant Mill - Selena
B1 Ant Mill feat. Zorza - On time
B2 Ant Mill - Wrong Number

Sales Note
Remarkable warm IDM mini-album by Shlomo, Peligre and Katu. More

Tracklisting:
A1 Conforce - Circulation
A2 Conforce - Dispersion
B1 Conforce - Scintillate
B2 Conforce - Vargula

Release Note:
Conforce returns to Bright Sounds for this second outing on the label. The ever prolific Boris Bunnik finds on Bright Sounds the perfect homebase for his more drifting dub techno sounds. Four powerful works aimed for the late night floors, atmospheric as ever but this time more energy arises from propelling deep driving grooves with a jacking touch. It's the first outing of his Conforce guise in the year 2022 and it shows an exciting wild side that's ready to dance. More

Bright Sounds welcomes BLUNT. The new musical project by Paris based graffiti artist and creative Vincent Desmont where he connects the dots between his musical outings and his visual works.

Over the course of four tracks he delivers a lively package of warm and driven dubtechno. It's a complete and well rounded debut on the ever reliable and fresh Bright Sounds imprint. More

BNJMN returns to Bright Sounds with Sensei; following on from the foundations laid by his "Final Network" EP released in the spring of 2018 he again showcases the melodic, yet hypnotic and pulsating side of his sound that he has become renowned for.
Starting with the almost house-like "Soared Above" synths fly over syncopated rhythms which build and then descend into something harsher and earthier.
"Intercellular" goes somewhat harder, yet still retaining the hypnotism and lightness of touch which will suit most hours in the club.
The title track is an exercise in restraint, one for the early hours when everything blurrs and only the space in between the sounds carry you along.
"Walking Into Yourself" showcases the dreamiest side of BNJMN, in slowing down the BPM the producer shows the intricate details of his sound, letting the listener in on a dense forestlike journey. More

*Highly recommended* 2019 Repress of Archetype ''CN2'' alias project. NYC Veteran and machine wizard Charles Noel aka Archetype reaches deep into his sonic archive to present another incredibly special release on Bright Sounds. Featuring exclusive previously unreleased material ranging from abstract to sublime in the form of a new & unique alias, (CN2). Essential More

*Highly recommended* 2019 Repress of Archetype ''CN2'' alias project. NYC Veteran and machine wizard Charles Noel aka Archetype reaches deep into his sonic archive to present another incredibly special release on Bright Sounds. Featuring exclusive previously unreleased material ranging from abstract to sublime in the form of a new & unique alias, (CN2). Essential More

Since its launch in 2013, Bright Sounds has established itself as a label bridging the gap between the dancefloor and more experimental sounds, releasing EPs by the likes of Shlomo, Tilliander, Burnt Friedman or more recently Conforce. On its eleventh release, the label welcomes Ben Thomas aka BNJMN with 'Final Network EP', the UK producer based in Berlin and releasing on Tresor, Delsin, Counterchange or more recently on his newly founded imprint: Tiercel. The EP opens up with 'Reticuli', an ambient techno journey into a forest of otherworldly sounds. 'Neurocity' comes next with its rattling sounds met by disorienting and spooky melodies. On the B-Side 'Cloaked' starts off with bare kick and congos before waves of
drones add textures producing an eerie atmosphere. The title track closes this EP, slowly building to create an ecstatic floating mood, leaving you longing for more as it gently fades away. More

French label Bright Sounds welcomes prolific Dutch artist Boris Bunnik for a new EP under his most celebrated alias, Conforce. The regular Delsin artist saves this project for his more dance floor driven work and that is the case across all four of the atmospheric tracks here. 'Virtue Signalling' is slick techno that mixes up sci-fi sounds with cavernous dub pads. It's cerebral and cinematic as well as being driven by the rubbery drums. 'Black Mesa' is darker, with a meaning synth line coming in spurts over punchy, broken drums. It's grand in architecture but still has plenty of rich sonic details. On the flipside, 'Compulsion' is more watery, with little life forms suspended in a backlit ocean above slippery drums, then 'Alka' is another underwater affair, with beams of light penetrating from above as a dubbed out groove undulates way down deep. Once again then here, Conforce marries form with function in exquisite ways. More

Following on from March's Shlømo remix package featuring Donato Dozzy, Bambounou, Shlømo and label boss Kennedy Smith, Bright Sound's second release of 2016 will new a brand new EP from Sweden's Andreas Tilliander. With his releases on his own Repeatle imprint and his TM404 alias's hardware-driven techno featuring on Skudge White and Kontra-Musik, Tilliander is among Sweden's most versatile talents working right now. His arrival on Bright Sounds is of a piece with BSRX 004, last year's reissue of fellow Swede Henrik Johansson's 1997 EP as Smyglyssna. As with Johansson's record, Tilliander's Stettin Libau EP explores slower tempo techno, locating the moments of space and energy in between its rhythmic structures. This search is most keenly observed in 'Knapp Ledsyn', with its ever-shifting sonic landscape melting away at various points to reveal its unusual, skeletal beats and hidden melodic details, while the EP title track and 'Nybliven Lots' apply that approach to what might at first be a traditional dub techno template, yet still offering further small moments of off-beat character. Completing the release is a 'Detox Operation' remix of 'Knapp Ledsyn' from Nonplace Records chief Burnt Friedman, in which the German veteran strips things down to a gentle patter of drums overlaid with suggestive flashes of the original's rich atmospheric elements.
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Perfect crafted Techno trips from swedish producer Smyglyssna, originally released on Plug Research in 1997. Bright Sounds considered re-issue.

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Approaching 20 years since its original release (2007 via Smallfish), now remastered to pure analogue bliss from the original ampex tape masters.

The sound on display here I could imagine as a soundtrack while submerging in a submersible diving deeper than the Marianas trench!

The B side now features an epic live version captured @ AIR, Tokyo, Japan. Made in the heart of Detroit, with love!

CREDITS:
w + p by cv313 in the heart of Detroit. Originally released as a limited edition 3" CD on Smallfish Records, London, UK (2007).
Remastered in Echospace by Stephen Hitchell in 2017. Recut from BASF 1/4" analog tape masters. More

Past Moves III is the final instalment of the vinyl-only series served up by Berlin's ever-well-curated and cultured Sushitech label. It is another essential 12' that packs in plenty of heat from the long-time UK favourite. His records are hard to find and expensive when you do and this collection highlights some of his superbly blended acid, dub, tech and house grooves from back between 1997 and 2004. On this one, you will find a pair of weighty, warm, and dubbed out tech cuts with bounce in the drums and Detroit soul in the pads. Timeless stuff. More

The second part of Sushitech's three-part vinyl-only series looking at the work of Dexter is another 12" doozy. The UK underground mainstay has been behind many cult and much sought-after records over the years and they all fuse obscure dub and acid tech house in smart ways. They were recorded between 1997-2004 and if you can find any OGs then you will be paying upwards of 100 quid for them. This slab has three driving but deep sounds carefully detailed with wispy pads and filtered vocals for perfect backroom deployment. More

Remastered into analogue bliss from the original ampex tape masters conducted at the NSC mastering lab in Detroit by the legendary Ron Murphy (R.I.P.) Recorded from a live session near the heart of Detroit, using countless modular synths, analog devices and custom made effects producing a hypnotic state like no other; tugs right at the heartstrings!

CREDITS:
w + p by cv313 in the heart of Detroit. Additional mastering and engineering by the late Ron Murphy @ NSC studio, Detroit, USA.
Lacquer cutting and vinyl mastering by the great Mark Richardson @ Prairie Cat/Metropolis Mastering (gone but not forgotten). More

Repress!

Detroit a city of great contrasts. Feats of engineering that spurred the world forward. For a few decades wealth and prosperity. Hi-tech dreams seemed achieved. But with the dream also comes nightmares…..Traffic Jams, Predatory Insurance Companies prey on municipalities with no mass transporation, freeways built specifically to ruin minority prosperity & to build walls between people. Beautiful countries all over the world wrecked at war over the thirst for oil, entire neighborhoods decimated when the corporate greed for profit forces engineers to build throw away cars that are quickly replaced by better built foreign competition. Even Worse……Climate change. Detroit the city that knows the best NO CORPORATIONS SHOULD DICTATE CITY FUNCTION the people should……listen to the sound and learn from it……or deal with the Lo-tech reality that Corporate greed actually is so good at building. UR the future UR the change…… More

Sacred Medicine, the joint project/label Joaquin Joe Claussell and Ron Trent have been carefully crafting and honing over the past couple of years, brings you the second instalment of deepness and authenticity.The much anticipated ‘Magic Carnival’, a song heavily programmed in their sets to maximum effect, is finally here!Another manifestation of the powerful and original output of the label, ‘Magic Carnival’ builds and builds in a musical crescendo with signature musical elements pulsating all over the song to full impact.A relentless spiritual groove….another jam in the Sacred Medicine building catalogue…a special one-sided 12 inch made with love and extra care, to spread the message loud and clear! More

Sushitech is back with another of its sublime vinyl-only projects and this one focuses on the work of Dexter. There will be three 12"s in all that draw together some of the producer's finest moments. He is a truly cult figure amongst those who know and he served up a fresh take on tech, acid, dub and house between 1997 and 2004 when these tracks were first made - if you can find any of those original records prepare to pay loads for them, or else dive into Past Moves I. It has a brace of slick, tightly programmed cuts underpinned by rolling pads with lovely lo-fi pads up top. Heady stuff. More

Tracklist:

1. CORNET LAMENT
2. FOUR BEBE
3. SIRENS
4. DELIA TONES
5. ANIMALS
6. PSYCHEDELIC PROJECTIONS
7. REVERSE ADRENALIN
8. SNUFF CHORUS
9. COSMIC STATIC NOISE WASPS
10. AN INDIVIDUALIST
11. CEILING OF SICKENING SOUND
12. DREAM DINNER PARTY
13. GUITAR (TWICKENHAM STUDIO 3)
14. LABYRINTHINE
15. TATUM ERGO

Cosey Fanni Tutti has announced details of a new album, Delia Derbyshire: The Myths and the Legendary Tapes, her original soundtrack recordings for Caroline Catz' acclaimed film about Derbyshire. Delia Derbyshire: The Myths and the Legendary Tapes will be available on vinyl, CD and digitally on 16 September 2022 via the artist's own label, Conspiracy International. In 2018, Cosey Fanni Tutti was commissioned to write the soundtrack to director and actor Caroline Catz's acclaimed, intimate portrayal of the composer, musician and sonic experimentalist, Delia Derbyshire (1937-2001). Best known for her groundbreaking work on the 1963 Doctor Who theme tune, Derbyshire was instrumental in giving easy access to and rewiring a nation's attitudes towards electronic music. Working within the often-stifling confines of the BBC Radiophonic Workshop, her experimentalism - which saw her manipulating magnetic tape, found sounds and electronics - is only now being given full credit for the immeasurable impact it has had on the way we hear the world. The new album includes the audio explorations and experiments that lead Cosey Fanni Tutti to the final soundtrack for Catz' film. From the 4-minute long 'Cornet Lament' to the humorous 'Snuff Chorus' (which references an addiction that Derbyshire had for snuff), the album is a journey through both Delia and Cosey's practise - Fanni Tutti spent time researching Derbyshire's archives (both musical and the more personal ephemera of her life) to create an audio world for Catz's depiction of the artist to inhabit. Fanni Tutti explains, "The compositions are inspired by my research of the Delia Derbyshire audio archive, Delia's original compositional notes and techniques which in combination with my admiration and love of Delia's work provided a way to integrate her style and approach to music with my own. An alliance of our sensibilities." The new album follows the release of Cosey Fanni Tutti's new book, RE-SISTERS: The Lives and Recordings of Delia Derbyshire, Margery Kempe and Cosey Fanni Tutti which is due to be published on Faber on 18 August. The book and the soundtrack recordings are intrinsically linked - Cosey's research into Derbyshire coincided with her discovery of Margery Kempe and while working on the film, she found herself struck by how Derbyshire, Kempe and Fanni Tutti's own life experiences felt intertwined. In the book, for the first time, Cosey Fanni Tutti explains her own processes creating music, an invaluable insight her artistic life. The music was composed, performed and produced by Cosey Fanni Tutti in Twickenham Studio 3, London and Studio 47 in Norfork, with vocals by Cosey Fanni Tutti and Caroline Catz, alongside the voice of Delia Derbyshire. Musician, artist and author Cosey Fanni Tutti has continually challenged boundaries and conventions for four decades. As a founding member of the hugely influential avant-garde band Throbbing Gristle, as one half of electronic pioneers Chris and Cosey, and as an artist channelling her experience in pornographic modelling and striptease, her work on the margins has come to reshape the mainstream. Her first solo album, Time To Tell (1983) was followed by 2019's Tutti and her debut book, Art Sex Music, was published in 2017. Delia Derbyshire: The Myths and the Legendary Tapes More