Transversales Disques proudly presents Thelonious Monk / Live in Paris (1966).
LOST ORTF RECORDINGS. A unique pianist and composer, Thelonious Monk (1917-1982) is one of the greatest jazz legends of all time. Thelonious is surrounded by his legendary quartet featuring Charlie Rouse (saxophone ténor), Larry Gales (bass),and Ben Riley (drum).
First ever official release of this lost ORTF recording performed live in Paris at Studio 104, Maison de la Radio.Release with the full permission and cooperation of the National Audiovisual Institute (INA).
Deluxe Tip-On Jacket / Exclusive Liner notes

A1 - I Love You (Sweetheart Of All My Dreams)
A2 - Lulu's Back In Town
A3 - Just a Gigolo
B1 - I'm Getting Sentimental Over You
B2 - Crepuscule With Nellie
B3 - Epistrophy

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Transversales Disques proudly presents PANORAMA, an excursion through rare French soundtracks & other rarities mostly never reissued or compiled.
11 forgotten nuggets recorded between 1969 and 1980 by famous masters like Francis Lai, Alain Goraguer and Michel Magne alongside underrated composers like Jean Schwarz, Christian Gaubert or Maurice Lecoeur. A cinematic journey overflowing with moody strings arrangements, funky drum breaks, typical French basslines and psyched atmospheres.

Deluxe Tip-On jacket LP including exclusive and extensive liner notes.
Vinyl Only / No Digital
Remastered from the original master tapes

A1 - Christian Gaubert & Gilbert Becaud - The Organization
A2 - Christophe - Le dernier des mauvais jours
A3 - André Popp - Sweet Mary
A4 - Michel Magne - Prophets (Instrumental)
A5 - Jean Schwarz - FInal Maison Rouge
B1 - Vladimir Cosma - Menuet Spacial
B2 - Francis Lai - Thème de Simon
B3 - Jacky Chalard - L'agonie
B4 - Maurice Lecoeur - Conte au fil de l'eau
B5 - Janko Nilovic - Mouvements aquatiles
B6 - Alain Goraguer - La vie sentimentale

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Transversales Disques proudly presents Alain Goraguer Rare Soundtracks & Lost Tapes.
French composer Alain Goraguer who first made a name for himself as a sideman and arranger for Serge Gainsbourg wrote very few soundtracks, but amongst them, the legendary La Planète Sauvage (1973) is an absolute staple of France’s essential music.

During that same period of time, Goraguer wrote two rare and beautiful scores using the same masterclass arrangements. On L’Affaire Dominici (1975), Alain Goraguer creates a theme of great melodic clarity from a palette of breathy flutes, clavinet D6 baroque textures, wah-wah guitars and slow-paced drums that clearly reminds La Planete Sauvage’s atmosphere. The same can be said about the score of Au delà de la peur (1975) with its descending clavinet melody, twanging bass riff, funky drums and flashes of bended electric guitars. This record also includes never before released tracks found in the vaults of French national radio: beautiful and timeless orchestral compositions recorded at Studio 105, Maison de la radio.

REMASTERED FROM THE ORIGINAL MASTER TAPES

A1 - L’affaire Dominici
A2 - Enquête
A3 - Thème principal
A4 - Procès
A5 - Thème guitare
A6 - Thème orchestre
A7 - Générique
B1 - Un homme traqué
B2 - Au-delà de la peur
B3 - Nostalgie d’un amour imaginaire
B4 - Rêverie
B5 - Recherche nostalgique

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Transversales Disques proudly presents Rahsaan Roland Kirk - Live in Paris (1970).

Gifted multi-instrumentalist Rahsaan Roland Kirk at the height of his powers, backed by his Vibration Society, including long-term cohorts pianist Ron Burton, powerhouse percussionist Joe Habao Texidor, Dick Griffin on trombone, drummer Jerome Cooper and Vernon Martin on Double Bass. First ever official reissue of this rare ORTF recording performed live at studio 104, Maison de la Radio Paris, with the full permission and cooperation of the National Audiovisual Institute (INA).

Deluxe edition, Classic Tip-On jacket, including exclusive liner notes and pictures. Mastered from the original master tapes.

A1 - Sweet Fire
A2 - The Inflated Tear
B1 - Three For The Festival
B2 - My Cherie Amour
B3 - Volunteered Slavery

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After more than 45 years forgotten in the personal archives of Jean Schwarz, Transversales Disques is very happy to release this previously unpublished recording which brings together the great Don Cherry and his friend, composer Jean Schwarz, pioneer in electro-acoustic music and member of G.R.M.
This concert was recorded in 1977 at the Paris MIX festival (Théatre Récamier) organised by G.R.M and hosted by director François Bayle. An elegant mix of spiritual jazz and electronic sounds around this astounding quintet made up of JF Jenny Clark, Nana Vasconcelos and Michel Portal.
Remastered from the original master tapes. Exclusive pictures and liner notes

A1 - Intro
A2 - Doussn' Gouni - Part 1
A3 - Doussn' Gouni - Part 2
A4 - Bells One
B1 - BellsTwo
B2 - Berimbau
B3 - Whistles
B4 - Theme 1
B5 - Bando
B6 - Tribute to Ornette

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Transversales Disques proudly presents Ahmad Jamal Trio, Live in Paris 1971. Never heard before ORTF recordings performed live at studio 104, Maison de la Radio, Paris. This is the first official release with the full permission and cooperation of the National Audiovisual Institute (INA) coming in a Deluxe Edition - Classic Tip-On Jacket. Including exclusive pictures. Mastered from the original master tapes.

« While be-bop musicians practise one-upmanship in terms of speed, Ahmad Jamal develops a crystal-clear touch and praises silence: "I was an angel among devils! The boppers made notes explode. I let them resonate until the end of their lives".
A reputation as an artist on the fringes perhaps explains this lack of fame he suffered at one time. But despite the great whirlwind that is his life, Ahmad Jamal declares that he is searching for peace: "The quest is that of musical and internal peace. I cannot acknowledge that I am at peace, it would be dangerous to show it. A man at peace with himself doesn't say so".

If you cannot say it, you can hear it, especially during his first concert in Paris in a trio. Here we are transported to the upper echelons of the art of the trio: the master of the piano, in studio 104 of Broadcasting House, is surrounded by brilliant accomplices, Jamil Nasser on double bass and Frank Gant on drums... » (Jérôme Badini, France Musique).

TRACKLIST:

A1. Bogota
B1. Manhattan Reflections
B2. Effendi

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Transversales Disques is very glad to announce the release of Solitude Transit
unpublished archives by electroacoustic music pioneer Luc Ferrari. Music composed for
contemporary dance, choregraphed by Anne-Marie Reynaud.
Affiliated with French Radio’s Groupe de Musique Concrète, co-founder of the GRM with
Pierre Schaeffer in 1958, Luc Ferrari (1929-2005) major figure of musique concrète and
electroacoustic music broke away to pave his own path of individualistic expressions of
minimalist music, musical theater, field recordings, orchestral music and soundtracks…

TRACKLIST:
A1. Roman de Gare
B1. Ligne de Fuite
B2. On Part chez Marie-Christine

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Maurice Lecoeur could be considered as France’s best kept secret composer. Although
hardly known outside of « digging-nerds » circles, he produced an incredible number of
themes for movies, TV programs and commercials. Inspired by his friend and mentor
François de Roubaix, he managed to create his own print, juggling freely with genres,
harmonies, tonalities and string arrangements.
This fine compilation gathers together the cream of his 70s-to-mid-80s work ; a journey
overflowing with pop fantasies, crazy drum-breaks and beautiful orchestral themes.
Most of these magnetic tapes are totally unrealeased and could have burned in the terrible
fire that devastated Lecoeur’s home studio in the early 90’s. For fans of Jean Claude Vannier,
Michel Colombier, François De Roubaix and Janco Nilovic…

TRACKLIST:

A1. Faux suspense
A2. L'Or rouge, richesse Du Zaire
A3. Le soleil qui rit rouge - maquette
A4. Les petites filles modèles
A5. Donne-moi la terre
A6. Lualaba, source d’énergie
A7. Fair Pale Sweet and Nice
A8. Safari au Kivu thème 1
A9. Évocation du Shaba
A10. Bayou
A11. Safari au Kivu thème 2
B1. Sans préméditation
B2. Le ballet inachevé
B3. Les bijoux de famille, thème
B4. Mélodie retrouvée
B5. Tartares
B6. La rage de lire
B7. Le vin des Carpathes
B8. Les bijoux de famille, thème 2
B9. Chili
B10. L'oeil de la nuit
B11. Madame Holle

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Transversales Disques proudly presents Pharoah Sanders - Live in Paris (1975).

A never-before-released ORTF recording performed live at studio 104, Maison de la Radio, Paris. First official release with the full permission and cooperation of the National Audiovisual Institute.

Deluxe edition, Classic Tip-On Gatefold jacket, including exclusive liner notes and pictures. Mastered from the original master tapes


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Transversales Disques presents KSHATRYA, (The Eye Of The Bird), never released before recording by french avant-garde electronic composer Igor Wakhevitch, who composed a bunch of major experimental albums in the 70’s such as Logos, Docteur Faust, Hathor, Les Fous d'Or, Nagual and Let's Start.
During this 10 years period, Wakhevitch was close to Jean-Michel Jarre, the Pink Floyd, the Soft-Machine, and legendary choreographer Maurice Bejart having with him many conversations around dance and music, human body and soul, spiritual path, collective life, new society, human evolution. As a composer Igor Wakhevitch collaborated with Salvador Dali, Carolyn Carlson, and Terry Riley to name a few. He's considered as one of the first French composer using synthesizers like Synthi AKS, ARP2600 or Moog modular systems.
After spending almost 30 years in India, Igor Wakhevitch dug in his archives this unreleased work recorded in 1999 on his “Mysterious Island 88” system. Esotheric, sacred and cosmic, KSHATRYA, (The Eye Of The Bird) is the logical follow up of Igor’s early works and a monumental piece of electronic music. A must!


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Transversales Disques presents KSHATRYA, (The Eye Of The Bird), never released before recording by french avant-garde electronic composer Igor Wakhevitch, who composed a bunch of major experimental albums in the 70’s such as Logos, Docteur Faust, Hathor, Les Fous d'Or, Nagual and Let's Start.
During this 10 years period, Wakhevitch was close to Jean-Michel Jarre, the Pink Floyd, the Soft-Machine, and legendary choreographer Maurice Bejart having with him many conversations around dance and music, human body and soul, spiritual path, collective life, new society, human evolution. As a composer Igor Wakhevitch collaborated with Salvador Dali, Carolyn Carlson, and Terry Riley to name a few. He's considered as one of the first French composer using synthesizers like Synthi AKS, ARP2600 or Moog modular systems.
After spending almost 30 years in India, Igor Wakhevitch dug in his archives this unreleased work recorded in 1999 on his “Mysterious Island 88” system. Esotheric, sacred and cosmic, KSHATRYA, (The Eye Of The Bird) is the logical follow up of Igor’s early works and a monumental piece of electronic music. A must!


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The newly discovered and unreleased concert from 1975 recorded by the Philip Glass Sextet at La Maison de la Radio, Paris.
The sextet is composed of Philip Glass, Jon Gibson, Dickie Landry, Michael Riesman, Joan La Barbara and Richard Peck.
Music in Twelve Parts is a set of twelve pieces written between 1971 and 1974. This performance in France includes part 1, 2, 3, 11 and 12 on a double LP.
Also included a very rare Philip Glass interview from 1974 in his NYC loft during the rehearsals of this piece, produced for the French radio by Daniel Caux - musicologist and co-founder of Shandar Records.
A never before released –Philip GLASS (1975) live recordings, released in partnership with the National Audiovisual Institute – INA.


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Rare 1979 recording of Bernard Baschet performing on his Sound Sculptures. The Baschet brothers are known worldwide as creators of Sound Sculptures, fantastic shapes of moulded metal and glass, which combine the visual arts with music. François Baschet had always been fascinated by acoustics, by the relationships between the shape and material of an instrument and the beauty of its sound. Bernard Baschet was passionately interested in contemporary music and firmly believed that such instruments were the proper tools for modern music, for they offered to the artist and performer a personal means of expression denied by electronic devices. Together the brothers began to design and produce Sound Sculptures, which could also be regarded as musical instruments. Circa 1965, Bernard worked alongside Pierre Schaeffer as a member of the GRM (Musical Research Group) on the elaboration of what was to become Schaeffer’s Traité des objets musicaux (Treatise on Musical Objects).
The Baschet brothers also created structures and instruments of all sizes, including bell towers, windmills and fountains, using the natural elements of wind and water to make music. Bernard Baschet was especially proud of his pedagogical work amongst deprived and handicapped children, with the instrumentaium made up of fourteen pieces.


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First reissue of this essential LP by Italian pioneer and Ennio Morricone cohort, Alessandro Alessandroni. Originaly released on Munich based experimental, progressive library label Coloursound. Alessandroni at his best: very refined Italian cinematic sound, tense 12 strings guitar themes, synth sequences, beautiful sound of chamber classical music mixed with psych choir. You can feel Alessandroni’s magical touch for melodies and arrangements on nearly each song and at the same time, some François de Roubaix reminiscence on themes like "Dramatic" and "Sad Farewell".
No doubt each track of this underrated masterpiece could have been a classic soundtrack theme.


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Past Moves III is the final instalment of the vinyl-only series served up by Berlin's ever-well-curated and cultured Sushitech label. It is another essential 12' that packs in plenty of heat from the long-time UK favourite. His records are hard to find and expensive when you do and this collection highlights some of his superbly blended acid, dub, tech and house grooves from back between 1997 and 2004. On this one, you will find a pair of weighty, warm, and dubbed out tech cuts with bounce in the drums and Detroit soul in the pads. Timeless stuff.

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The second part of Sushitech's three-part vinyl-only series looking at the work of Dexter is another 12" doozy. The UK underground mainstay has been behind many cult and much sought-after records over the years and they all fuse obscure dub and acid tech house in smart ways. They were recorded between 1997-2004 and if you can find any OGs then you will be paying upwards of 100 quid for them. This slab has three driving but deep sounds carefully detailed with wispy pads and filtered vocals for perfect backroom deployment.

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Remastered into analogue bliss from the original ampex tape masters conducted at the NSC mastering lab in Detroit by the legendary Ron Murphy (R.I.P.) Recorded from a live session near the heart of Detroit, using countless modular synths, analog devices and custom made effects producing a hypnotic state like no other; tugs right at the heartstrings!

CREDITS:
w + p by cv313 in the heart of Detroit. Additional mastering and engineering by the late Ron Murphy @ NSC studio, Detroit, USA.
Lacquer cutting and vinyl mastering by the great Mark Richardson @ Prairie Cat/Metropolis Mastering (gone but not forgotten).

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Repress!

Detroit a city of great contrasts. Feats of engineering that spurred the world forward. For a few decades wealth and prosperity. Hi-tech dreams seemed achieved. But with the dream also comes nightmares…..Traffic Jams, Predatory Insurance Companies prey on municipalities with no mass transporation, freeways built specifically to ruin minority prosperity & to build walls between people. Beautiful countries all over the world wrecked at war over the thirst for oil, entire neighborhoods decimated when the corporate greed for profit forces engineers to build throw away cars that are quickly replaced by better built foreign competition. Even Worse……Climate change. Detroit the city that knows the best NO CORPORATIONS SHOULD DICTATE CITY FUNCTION the people should……listen to the sound and learn from it……or deal with the Lo-tech reality that Corporate greed actually is so good at building. UR the future UR the change……

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Approaching 20 years since its original release (2007 via Smallfish), now remastered to pure analogue bliss from the original ampex tape masters.

The sound on display here I could imagine as a soundtrack while submerging in a submersible diving deeper than the Marianas trench!

The B side now features an epic live version captured @ AIR, Tokyo, Japan. Made in the heart of Detroit, with love!

CREDITS:
w + p by cv313 in the heart of Detroit. Originally released as a limited edition 3" CD on Smallfish Records, London, UK (2007).
Remastered in Echospace by Stephen Hitchell in 2017. Recut from BASF 1/4" analog tape masters.

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Tracklisting
A1 Skudge - Tension
A2 Skudge - Basement
B1 Skudge - Rounds
B2 Skudge - Rounds Dub

Sales Note
Berlin, Funkhaus based electronic record label and music studio Bright Sounds enters their 10th year of business in 2023. And this marks the perfect occasion to team up with another long going techno institution, Skudge. Starting as a record label curated by two Swedish gearheads releasing their own studio jams in the late 00's, Elias Landberg is now recognized as one of the most steady techno producers of modern times.
For Bright Sounds he crafts another batch of his impeccable flawless techno grooves. Stripped down and warm at the same time, it's another masterclass delivered by the inexhaustible Skudge lab of functional techno.

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Sacred Medicine, the joint project/label Joaquin Joe Claussell and Ron Trent have been carefully crafting and honing over the past couple of years, brings you the second instalment of deepness and authenticity.The much anticipated ‘Magic Carnival’, a song heavily programmed in their sets to maximum effect, is finally here!Another manifestation of the powerful and original output of the label, ‘Magic Carnival’ builds and builds in a musical crescendo with signature musical elements pulsating all over the song to full impact.A relentless spiritual groove….another jam in the Sacred Medicine building catalogue…a special one-sided 12 inch made with love and extra care, to spread the message loud and clear!

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Sushitech is back with another of its sublime vinyl-only projects and this one focuses on the work of Dexter. There will be three 12"s in all that draw together some of the producer's finest moments. He is a truly cult figure amongst those who know and he served up a fresh take on tech, acid, dub and house between 1997 and 2004 when these tracks were first made - if you can find any of those original records prepare to pay loads for them, or else dive into Past Moves I. It has a brace of slick, tightly programmed cuts underpinned by rolling pads with lovely lo-fi pads up top. Heady stuff.

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Tracklist:

1. CORNET LAMENT
2. FOUR BEBE
3. SIRENS
4. DELIA TONES
5. ANIMALS
6. PSYCHEDELIC PROJECTIONS
7. REVERSE ADRENALIN
8. SNUFF CHORUS
9. COSMIC STATIC NOISE WASPS
10. AN INDIVIDUALIST
11. CEILING OF SICKENING SOUND
12. DREAM DINNER PARTY
13. GUITAR (TWICKENHAM STUDIO 3)
14. LABYRINTHINE
15. TATUM ERGO

Cosey Fanni Tutti has announced details of a new album, Delia Derbyshire: The Myths and the Legendary Tapes, her original soundtrack recordings for Caroline Catz' acclaimed film about Derbyshire. Delia Derbyshire: The Myths and the Legendary Tapes will be available on vinyl, CD and digitally on 16 September 2022 via the artist's own label, Conspiracy International. In 2018, Cosey Fanni Tutti was commissioned to write the soundtrack to director and actor Caroline Catz's acclaimed, intimate portrayal of the composer, musician and sonic experimentalist, Delia Derbyshire (1937-2001). Best known for her groundbreaking work on the 1963 Doctor Who theme tune, Derbyshire was instrumental in giving easy access to and rewiring a nation's attitudes towards electronic music. Working within the often-stifling confines of the BBC Radiophonic Workshop, her experimentalism - which saw her manipulating magnetic tape, found sounds and electronics - is only now being given full credit for the immeasurable impact it has had on the way we hear the world. The new album includes the audio explorations and experiments that lead Cosey Fanni Tutti to the final soundtrack for Catz' film. From the 4-minute long 'Cornet Lament' to the humorous 'Snuff Chorus' (which references an addiction that Derbyshire had for snuff), the album is a journey through both Delia and Cosey's practise - Fanni Tutti spent time researching Derbyshire's archives (both musical and the more personal ephemera of her life) to create an audio world for Catz's depiction of the artist to inhabit. Fanni Tutti explains, "The compositions are inspired by my research of the Delia Derbyshire audio archive, Delia's original compositional notes and techniques which in combination with my admiration and love of Delia's work provided a way to integrate her style and approach to music with my own. An alliance of our sensibilities." The new album follows the release of Cosey Fanni Tutti's new book, RE-SISTERS: The Lives and Recordings of Delia Derbyshire, Margery Kempe and Cosey Fanni Tutti which is due to be published on Faber on 18 August. The book and the soundtrack recordings are intrinsically linked - Cosey's research into Derbyshire coincided with her discovery of Margery Kempe and while working on the film, she found herself struck by how Derbyshire, Kempe and Fanni Tutti's own life experiences felt intertwined. In the book, for the first time, Cosey Fanni Tutti explains her own processes creating music, an invaluable insight her artistic life. The music was composed, performed and produced by Cosey Fanni Tutti in Twickenham Studio 3, London and Studio 47 in Norfork, with vocals by Cosey Fanni Tutti and Caroline Catz, alongside the voice of Delia Derbyshire. Musician, artist and author Cosey Fanni Tutti has continually challenged boundaries and conventions for four decades. As a founding member of the hugely influential avant-garde band Throbbing Gristle, as one half of electronic pioneers Chris and Cosey, and as an artist channelling her experience in pornographic modelling and striptease, her work on the margins has come to reshape the mainstream. Her first solo album, Time To Tell (1983) was followed by 2019's Tutti and her debut book, Art Sex Music, was published in 2017. Delia Derbyshire: The Myths and the Legendary Tapes

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