Following his brilliant remix on D’Julz latest release. Jorge Savoretti is back on Bass Culture with this long-awaited first E.P.!

With more than 20 years in the electronic music world, Jorge is an iconic name in the South American scene.

Beyond his DJ sets, he is well known for the quality music he has released on many respected labels such as Raum…Muzik, Visionquest, Infuse, Atipic, Telegraph, and his very own Savor music.

These 3 original tracks demonstrate perfectly the rich musical history and diversity of the Argentinean maestro.

The 4th one is Bass Culture’s label boss’s own interpretation of the title track. More

The next EP on Raum Musik is coming from our dear friend Jorge Savoretti. Jorge is hailing from Argentina and is one of the main artists in his country besides Franco Cinelli. We have been following Jorge’s work for quite a while and now it was the right match as for our label. We are very happy about this release and we hope that you enjoy the tracks as much as we do. More

The second release on Hibit Records is from accomplished argentinian artist Jorge Savoretti. He comes with 4 original tracks reminding of his quality and diversity. More

Flanging hats and delicate 808 rim shots lead the way in opening tack ‘Hypsi’, whilst a tight sub line, dubbed out atmospherics and hypnotic female vocals further intensify the composition. A visceral bass then meanders through ‘Meoui’, intertwined with spectral chords and infectious synth lines, all formed within a crisp drum workout. Next up, glistening percussive hits and spiralling synths join forces with mesmeric effects and a subtle organic groove in the minimally inclined ‘Miamaia’ before Jorge then joins forces with fellow Argentinian Cape in the stripped back ‘Soulvor’. Utilising pulsating subs and shuffling rhythms to create a framework for dissipating samples, subdued harmonies and earworm sonics to roam within. More

Limited Copies - Supported by: Mr. G, D'julz, Norm Talley, Eddie Richards and many more! Jorge Savoretti delivers an array of intuitive cuts in his debut album ‘Triskelion’ this summer, the first album to land on his vinyl label Savor Music. Born and raised in Argentina, Savoretti began DJing at a young age and quickly picked up an accomplished residency at El So´tano as a teenager. Before long Savoretti got involved in the studio, dropping his debut release ‘Frozen’ on Argentine label Igloo to inaugurate a discography now boasting Oslo, Drumma, Esperanza, Lawler’s VIVa Music and Hawtin’s M- nus. 2011 saw him launch Savor Music, a vinyl imprint that has so far hosted the likes of Felipe Valenzuela, Martinez, Franco Cinelli as well as fellow founder Cape. “Triskelion is an album composed of different musical landscapes based on diverse influences that I have had since first listening to underground house/techno in Argentina in the 90s” says Savoretti on the album. “It's what I've experienced throughout my 'techno' history reflected in the present and also a new starting point of what's coming up in the future - European/American influences touched by Latin feelings.” These eclectic landscapes are vivid from the off as Savoretti instigates his album with a downtempo cut named ‘Minigang Love’ before following a dubby direction in ‘Chrystalis’. He then injects purring basslines and a dose of rhythm in the likes of ‘Jardin Av’ and ‘Lovejack’ until spectral synths and heady grooves appear in ‘Souljack’ and ‘Silb Ando’. ‘Cuban Dreams’ focuses on a stripped back approach with its subtle rimshot and tantalising hook, before ethereal house appears in the form of ‘Revolution’ to later be joined by an innovative display of synths in ‘Simple Acid’. Atmospherics and otherworldly pads are the focal point in ‘Song For Konamita’, whilst title track ‘Triskelion’ saunters along gently, until ‘Aurora Borealis’ concludes the album with a cinematic crescendo.
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ordan Peak's fledgling Rogue Society imprint hits it's second release in February with 'Super Flavor'/'Bassuka' from Jorge Savoretti featuring remixes from John Daly and Dan Curtin. Rogue Society kicked off late 2013 with a release from Peak which garnered support from Ryan Elliott, Kirk Degiorgio, Norm Talley, Radio Slave and Neville Watson and the London-based artist has recently continued his run of form with an outstanding release for D'Julz's Bass Culture imprint. For RS002 Peak hands the reins to Argentinian producer Jorge Savoretti, a producer adept at turning in infectious house for the likes of Esperanza and Hometown, who delivers two original cuts. ‘Super Flavor' is vintage Savoretti - employing a simple tight groove and filtered vocal to significant rolling effect while 'Bassuka' is a more manic, technoid cut which rolls atop a rich Juno bassline.
Ireland's John Daly, no stranger to quality imprints himself, drops a rousing stab driven version of 'Super Flavor' which is unadulterated throw down, floor shaking deep house in the true meaning of the word. Dan Curtin, a label-mate of Peak on Bass Culture, delivers the remix of 'Bassuka' and takes it down a stringladen, classic house path like only he can. Showing off his experience and innate understanding of balance in production, Curtin's version is a master class in emotive restraint. Curtin returns for the digital exclusive 'Chord Ambush' remix of 'Bassuka' which revels in loose, tribal rhythms and an acid bassline.
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Following dancefloor burners from Esperanza's Papol and Lucas Mari, respectively served with remixes by Ekkohaus and G-Man, Savor finally turns to label numero-uno Jorge Savoretti for an unabridged EP. Today's 5-course menu doesn't hold any flavors back and digs right into the action with "Chicagotriptool". Those following Jorge Savoretti and his fellow DJs have probably heard this dropped many times over the last few years. Finally pressed on wax, its bassline is a serious lethal weapon. "That Ride" is offered in two variants: the DJ-friendly Dub Mix, cut on the A2, and the Vocal Mix - featuring Sophie Taylor's diva timbre, included on the record's digital sib. Those who have followed our releases so far were able to identify a constant acid tang developed throughout - "Back To Basics" passes this on, with its feverish synth-lines. Crowning these lavish festivities, Argentine techno veteran and original Urban Groove member, Sr. Replicante applies his reduced signature sound for a distinguished and sublte finish on the B2
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Visionquest Special Edition returns this September with Sakro’s ‘Supersymmetry’ EP. Edgardo Alonso aka Mexican producer and DJ Sakro has been rising up the ranks over the past few years with his raw, stripped-back approach to house seeing him release material with revered imprints in the field such as Raum...musik, Housewax, Karlovak and Fathers & Sons. Here we see the Sakro joining the roster of Visionquest offshoot Special Edition, the vinyl only imprint home to material from Ricardo Villalobos, Craig Richards, Wareika and Konrad Black amongst others. Up first on the package is ‘Lusyd’, a shuffling percussion fuelled number featuring swinging snares, murky atmospheric pads and choppy sub bass hits at its core. ‘Jazz In Mars’ follows embracing robust rhythms and an amalgamation of jazzy sample snippets alongside resonant synth swells to create a sturdy peak time workout. Voices’ opens the B-Side of the release with heavily swung drums, smooth ethereal chords and lumpy sub frequencies while a dark and brooding vocal ebbs and flows throughout the composition. Title-cut ‘Supersymmetry’ then closes out the release with an energetic rhythmic drive, intricately modulating synth flutters and snaking pad lines. More

Flanging hats and delicate 808 rim shots lead the way in opening tack ‘Hypsi’, whilst a tight sub line, dubbed out atmospherics and hypnotic female vocals further intensify the composition. A visceral bass then meanders through ‘Meoui’, intertwined with spectral chords and infectious synth lines, all formed within a crisp drum workout. Next up, glistening percussive hits and spiralling synths join forces with mesmeric effects and a subtle organic groove in the minimally inclined ‘Miamaia’ before Jorge then joins forces with fellow Argentinian Cape in the stripped back ‘Soulvor’. Utilising pulsating subs and shuffling rhythms to create a framework for dissipating samples, subdued harmonies and earworm sonics to roam within. More