Tracklisting:
A1 Lauren Lo Sung - Magic Roundabout
A2 Lauren Lo Sung - Diamond Casino
B1 Lauren Lo Sung - Serotonin

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Lauren Lo Sung makes her LOCUS debut as she delivers her ‘Miss B’ EP, backed by a remix from label favourite KOKO. One of the UK’s most exciting house talents, gaining stand out praise from Mixmag and DJ Mag to name just a few, Liverpool-based DJ and producer Lauren Lo Sung has established herself as one of the scene’s most in-demand ‘new names’ of recent years. With releases to date via the likes of Vatos Locos, Lazare Hoche Records and Rutilance, alongside her own blossoming imprints LOLiFE and e1even Records, her groove-laden sound has seen grace the decks across a host of renowned hotspots from Space Ibiza to Club der Visionaere, and her sharp ascent is most certainly showing no signs of slowing. After yet another impressive twelve months, 2021 welcomes her debut on London’s flourishing LOCUS as she reveals her ‘Miss B’ EP this February – backed by a remix from bubbling Italian talent KOKO, who returns having dropped the launch EP on the label. Title cut ‘Miss B’ kicks things off in a warping fashion as spiralling synths and fluttering vocal interjections meet skittering drums to offer up lively EP opener, whilst ‘Cosmic Flow’ introduces further tripped-out vocal effects atop of dubby chords and paired back, refined percussion. Next up, KOKO’s hazy and energetic take on the title cut showcases the Italian’s slick and infectious sound palette, before the aptly titled ‘B-Side The Point’ closes proceedings as Lo Sung opts for bubbling basslines, hypnotic atmospherics and snaking percussion arrangements throughout a groove-heavy peak-time closer.

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This is with Lauren Lo Sung an artist straight from Liverpool that Rutilance Recordings released his fifteenth EP. 3 bombs with a remix by Gunnter !


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The Lazare Hoche imprint is curating the bomb EP from the upcoming House Queen Lauren Lo Sung !

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Boss Priester makes his LOCUS debut with his bustling four-track ‘Hotel Dijon’ EP. Working hard in the studio to develop his own take on minimal-leaning house and techno, The Hague-based DJ/ producer Boss Priester is starting to reap the rewards and emerge as another hotshot from the country’s hotbed of electronic talent. Racking up support from the likes of Dungeon Meat, East End Dubs, Michel de Hey, Dr. Banana and Alec Falconer, his releases on What NxT and Dark Side Of The Sun have accompanied appearances at the likes of Thuishaven, Colorado Charlie and Lovelee. Another fan of the young Dutchman is FUSE and LOCUS boss Enzo Siragusa, and late September brings a first appearance on the latter imprint as he makes his label debut with his four-track ‘Hotel Dijon’ EP. Title track ‘Hotel Dijon’ comes loaded with raw drum licks, cosmic synths and menacing, swirling low-ends for a heavy-hitting opener set to cause serious dance floor damage, while the slinking ‘ROF66’ mixes eerie stabs with shuffling drums and bouncy baselines for another heavyweight anthem. Next, ‘SUP01’ keeps things ticking nicely on a similar tip with yet more punchy percussion arrangements linking with playful sound design peppered with zippy FX, before closing the show with the hopped-up, bass-driven sonics of final effort ‘Wek’.

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LOCUS returns with its latest VA ‘LOCUS Trax Vol. 3’, welcoming label debuts from Jamahr, Mehlor, Project89, Manuel De Lorenzi and Giacomo Silvestri. Now established as a standalone label in its own right, FUSE’s sister imprint LOCUS continues to prove itself as a go-to stop for forward-thinking and fresh house music with minimal-leaning influences from both established and emerging talent. Returning with the third instalment of its VA series ‘LOCUS Trax’, April brings five new names to the label as Captea boss Jamahr, Leeds-based DJ/producer Mehlor, and Dutch talent Project89 serve up fresh singles alongside a slick collaboration from Italian pairing Manuel De Lorenzi and Giacomo Silvestri. Jamahr opens the package with an impactful combination of slick drums, resonant vocals and warped basslines across ‘Night Tales’, while Mehlor’s ‘BSOD’ offers up off-kilter electronics, skippy percussion and woozy low-ends. On the flip, Project89’s ‘What’s Going On’ delivers a peppy groove accented by atmospheric pads and spaced-out aesthetics, before closing via the tight, rolling grooves of Manuel De Lorenzi and Giacomo Silvestri’s ‘Sit Down’ as the two unveil a heads-down, hands-up terrance anthem.

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Mennie heads to LOCUS for his label debut, delivering four slick productions across his ‘Jack & Jane’ EP. Florence-based DJ and producer Mennie has been a fixture within the European house scene for years now, yet he’s still on the rise with plenty more on the horizon. A smooth operator when it comes to weaving rolling percussion with alluring basslines, the Italian’s outings via Deeperfect, Moscow Records, and Infuse have showcased his ability to deliver cuts that pack a punch yet are filled with subtle nuances. Heading into the peak summer months in style, early June brings a LOCUS debut as he drops his four-track ‘Jack & Jane’ EP. ‘Jack & Jane’ opens things with the title track bringing loopy, swinging drums alongside cosmic melodies, while ‘Space Rocket’ sees regimented drums shoulder emotive pads and zipping synths. On the flip, ‘What Happened’ buzzes into action armed with zigzagging leads and smooth rolling grooves, before ‘Just Like That’ turns up the heat with squelchy basslines, wonky, off-kilter effects and resonant vocals throughout.

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LOCUS unveil the second instalment in their VA series ‘LOCUS Trax’ with fresh material from Mathijs Smit, LaRosa, BODJ, and Nolga. Continuing to quickly grow as one of the most-loved emerging labels in the game, LOCUS looks set to go from strength-to-strength throughout the remainder of 2022 as the FUSE family builds yet another label offering quality and consistent material from across the house sphere. Having launched their new various artist series LOCUS Trax earlier this year, TBC welcomes the arrival of the sophomore offering with four fresh productions as Groningen’s Mathijs Smit, Brooklyn’s LaRosa, Athens’ BODJ and Manchester’s Nolga all make label debuts. Mathijs Smit’s ‘Green Hill’ is a slinking cut guided primed for peak time fun as slinking acid tinged low-ends meet playful samples and sweeping pads, while ‘Amelia’s Groove’ sees LaRosa work shuffling drums amongst warped vocals and rich melodies. Next, BODJ veers towards spacey sythns and colourful electronic motifs across ‘Back To Party City’, before Nolga lays down woozy chords on top of a no-nonsense bassline to close the show.

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Locklead arrives on LOCUS in style as he drops a quartet of cuts via his ‘Blue Monday’ EP. An artist undeniably in a purple patch following releases via Dungeon Meat, Vatos Locos, Dark Side Of The Sun and his debut album ‘Square One’ on Up The Stuss, Utrecht’s Locklead continues to flourish as one of the Netherlands’ hottest emerging house talents. Showing no signs of slowing down, his next release provides another signal of intent as he heads to FUSE sister imprint LOCUS for the first time. Following multiple appearances for the label at their London showcases, he now unveils four diverse and expansive offerings showcasing his far-reaching sound across his ‘Blue Monday’ EP.? A track that’s been the subject of ID requests for months, title cut ‘Blue Monday’ kicks things off in style as infectious vocals and spiralling synths go to work above a wormhole of a bassline to provide a peak-time cut already proven to work dancefloors. ‘Join The Tribe’ leans on tight rolling grooves guided by crisp organic drums licks, rumbling low-ends and off-kilter samples, while ‘Orbiting’ is a spacey journey into the late night hours. To close, Locklead takes things deeper as he layers rich chords, swinging drums and hazy vocals across a classy house effort to wrap up proceeding

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M-High makes his LOCUS debut with his four-track EP, ‘Enchant Me’. With Amsterdam’s house scene continuing to flourish, M-High has seen his stock surge in recent months. Still young in the game, his releases and remixes via labels such as META, Moxy Muzik and Politics Of Dancing have seen him flying high alongside his fellow compatriots while also evolving from a label regular to A&R duties at PIV alongside founder Prunk. Having featured for the label’s New Year’s Day party in London, the Dutchman touches down on LOCUS for the first time with four fresh productions via his ‘Enchant Me’ EP. Title cut ‘Enchant Me’ is a slick and classy effort fusing rich chords and skipping drums with zipping acid lines, while ‘Do You Even Groove’ pairs things back as rolling drums and sweeping electronics zig-zag through sparse textures. Next, ‘Endless Whispers’ combines sharp organ stabs with breezy pads and warm basslines, with the low-end heavy ‘Faded Senses’ closing the show and offering up yet more late-night dancefloor grooves.

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LOCUS launches VA series ‘LOCUS Trax’, with the first volume welcoming Stephan Bazbaz, Julian Anthony, Sucasa and Ben Jones. Since launching in summer 2020, FUSE’s sister imprint LOCUS has quickly become a go-to outlet for quality house material from emerging and established talent, welcoming releases from Chris Stussy, Sidney Charles, Lauren Lo Sung, Rossi. and Casey Spillman amongst many. A new addition for 2022, the imprint now unveils its various artist series LOCUS Trax, with Volume 1 welcoming the return of Tel Aviv’s Stephan Bazbaz, alongside label debuts from
bubbling Dutchman Julian Anthony, London-based pairing Sucasa and Liverpool’s Ben Jones. Stephan Bazbaz’s ‘Dars’ showcases a lively effort as swinging drums work beneath resonant chords and meandering basslines, while Julian Anthony lays the focus on cosmic pads, vibrant organ bass and shuffling percussion across ‘It’s Showtime’. On the flip, Sucasa dive into deeper spheres with the blissful yet impactful sonics of ‘Time Travel’, before handing over to Ben Jones for the peppy sounds and slinking grooves of ‘Get To Know’.

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Okain opens LOCUS’ 2022 schedule as he drops his latest EP, ‘Daddy’s Groove’. A long-standing figure within Paris and Berlin’s nightlife scenes, Talman Records boss Okain continues to impress as a DJ, producer and label head at the heart of Europe’s house landscape. Whether releasing material via labels such as Infuse, Pleasure Zone, Eastenderz or Constant Sound, or on home turf alongside the likes of Silverlinings, DJOKO, Leo Pol and Per Hammar, the Frenchman’s blend of tough house merging old and new runs deep throughout his DJ sets and productions. Kicking off 2022 in style, mid-January welcomes a label debut on LOCUS as he drops four crisp efforts across his ‘Daddy’s Groove’ EP. Opening cut ‘Mightnight Feed’ welcomes a slinking track guided by aquatic synths, sweeping electronics and bumping bass, while ‘Tavie One Tooth’ hones in on rich M1 stabs to showcase a bubbling and resonant house affair. On the B-side, ‘Brother Jack’ journeys down a lighter path, combining airy pads with jazzy interludes and subtle yet squelching low-ends, before rounding things out via the slick, classy tones of closing production ‘Green Mousse’.

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Casey Spillman returns to LOCUS with his four-track ‘Summer Dreaming’ EP. A favourite amongst the FUSE family and an artist who embodies the label’s sound and mentality throughout his productions and sets, London’s Casey Spillman continues to grow and evolve as one of the hottest talents within the capital. After his ‘Bit More Raggo’ EP on LOCUS in 2020 provided four heavy slabs of dancefloor ammunition for the likes of Skream, Samuel Deep and Varhat, he returns to close October with a quartet of fresh cuts across his ‘Summer Dreaming’ EP. ‘Get Upper’ sees Spillman opt for a powerful combination of warping bass licks, infectious vocals and sturdy kicks, while ‘I Know’ offers up a restless bass-heavy shuffle beneath dubby textures as moody harmonies contrast against evolving leads. The B-Side houses title track ‘Summer Dreaming’, delivering swinging percussion beneath glitchy electronics and trippy atmospherics, before closing with an ode to FUSE’s original home of 93 Feet East across ‘Good Morning Ninety Free’ – a classy cut weaving dusty deep chords amongst taut drums and sweeping synths.

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Spaniard Cuartero debuts on LOCUS as he drops his slick four-track ‘Wasp’ EP this September. A mainstay within Spain’s house music scene over the past decade, Malaga’s Cuartero remains one of the most consistent and well-supported names on the circuit. With releases via the likes of Hot Creations, Desolat and Saved, his recent material has seen a deeper and more minimal emphasis placed on his work, dropping material via Eastenderz, Constant Black and Djebali, plus his own Cuartero Concept imprint. Up next, September welcomes the addition of a new label to his catalogue as he makes his first appearance on LOCUS, delivering a quartet of crisp cuts in the form of his ‘Wasp’ EP. The lively ‘Eucalyptus’ opens proceedings as swirling pads and rugged kicks bounce atop of nimble basslines, while ‘Assault’ employs rubbery, elastic bass alongside bright vocal interjections and sharp drum licks. On the flip, ‘Bagonda’ welcomes a deeper, warping journey through skipping hats, rich chords, and glitched vocals, before closing the show via the off-kilter and scattered yet impactful sonics of title cut ‘Wasp’.

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Rising French trio Oden & Fatzo head to LOCUS as they reveal their four-track ‘Observatory’ EP. A project combining three of France’s most exciting emerging talents, Parisian duo Oden & fellow live artist and producer Fatzo have emerged from the capital’s rich electronic scene and established themselves as some of the most exciting new names around. Having originated from individual projects within Paris’ house landscape, the minimal live production trio have quickly established their own sound within the genre, combining crisp, complex grooves with broken rhythms that combine minimal, house, and techno influences with a resonant, modern twist. Following a string of releases via Moscow Records, Salty Nuts, and hedZup records, the collective now head to FUSE’s LOCUS imprint as they unveil five fresh cuts across their latest EP, ‘Observatory’. Opening via the undeniably garage-influenced two-step drums, rumbling basslines, and rich stabs of opening cut ‘Denver In The Jungle’, the trio quickly set the pace for their high-octane, tried-and-tested, club-driven sound. ‘Equinox’ welcomes classic house flavours with soulful vocal interjections backed by soaring organ melodies and shuffling percussion, before title track ‘Observatory’ combines laser-sharp drums with sweeping leads, and rubbery funk-fuelled bass licks to open the B-side in classy fashion. To close, ‘Solar Inertia’ welcomes a deeper journey through bleeps and sparkling electronics guided by refined drum licks and rush-inducing builds and breaks, whilst digital bonus track ‘Compton’s Visions’ switches up proceedings and introduces a drum-led workout accented by hazy guitar licks and spacey melodies.

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MADVILLA steps out on FUSE’s LOCUS imprint for the first time as he reveals his four-track ‘Old Flame’ EP. London-based, American-born DJ and producer MADVILLA is a name making serious waves within house music at present, with his driving and slick take on the genre via the likes of ANOTR’s No Art, Seb Zito’s Seven Dials and his own Hot Wings imprint welcoming supporters in Jamie Jones, Stacey Pullen and FUSE head-honcho Enzo Siragusa to name just a few. Up next, the surging talent steps out on FUSE sister imprint LOCUS for the very first time, following his recent appearance at their London home of 93 Feet East, as he delivers his four-track ‘Old Flame’ EP this May. Lead cut ‘So Bad’ kicks things off as crisp drums meet resonant stabs, sweeping melodies and infectious vocal coos, before introducing the spacey soundscapes and hypnotic pads of title track ‘Old Flame’, accented by Shyam P’s tripped-out vocals throughout. Next, ‘Orbit’ takes things up a gear as skipping percussion arrangements go to work beneath spiralling lasers and jacking hats, whilst closing track ‘Takeout’ dives into the afters as rubbery bass licks, hazy synths and rumbling low-ends take listeners on a warping UK-tinged journey through entrancing sounds.

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LOCUS welcome You&Me boss Josh Baker this April as he delivers his ‘Slippers All Summer’ EP. A fast-rising DJ, producer, and label owner quickly becoming a favourite of many across the UK and beyond, Manchester’s Josh Baker continues developing and evolving as one of the scene’s most promising new names. Having welcomed artists such as Apollonia, Traumer, Gene On Earth, and FUSE boss Enzo Siragusa to his own events, alongside the launch of the highly acclaimed Hide & Seek Festival, late April sees the emerging talent add to releases via Constant Sound sub-label ‘Aesthetic’, Sukhumvit and his own You&Me imprint with a debut outing on LOCUS as he delivers his four-track ‘Slippers All Summer’ EP. A resonant cut fuelled by sweeping synths and rolling, organic percussion, title track ‘Slippers All Summer’ opens proceedings in fine fashion as Baker fuses rich melodies with skittering leads, whilst the driving ‘Fascinating’ combines sci-fi electronics with deep chords and warped vocal interjections. On the B-Side, slinking drums, icy hats, and rubbery stabs merge to form the slick ‘Jaffa’, before closing things out via the paired back, dubby aesthetics of the hazy ‘More Than Micro’.

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Lauren Lo Sung makes her LOCUS debut as she delivers her ‘Miss B’ EP, backed by a remix from label favourite KOKO. One of the UK’s most exciting house talents, gaining stand out praise from Mixmag and DJ Mag to name just a few, Liverpool-based DJ and producer Lauren Lo Sung has established herself as one of the scene’s most in-demand ‘new names’ of recent years. With releases to date via the likes of Vatos Locos, Lazare Hoche Records and Rutilance, alongside her own blossoming imprints LOLiFE and e1even Records, her groove-laden sound has seen grace the decks across a host of renowned hotspots from Space Ibiza to Club der Visionaere, and her sharp ascent is most certainly showing no signs of slowing. After yet another impressive twelve months, 2021 welcomes her debut on London’s flourishing LOCUS as she reveals her ‘Miss B’ EP this February – backed by a remix from bubbling Italian talent KOKO, who returns having dropped the launch EP on the label. Title cut ‘Miss B’ kicks things off in a warping fashion as spiralling synths and fluttering vocal interjections meet skittering drums to offer up lively EP opener, whilst ‘Cosmic Flow’ introduces further tripped-out vocal effects atop of dubby chords and paired back, refined percussion. Next up, KOKO’s hazy and energetic take on the title cut showcases the Italian’s slick and infectious sound palette, before the aptly titled ‘B-Side The Point’ closes proceedings as Lo Sung opts for bubbling basslines, hypnotic atmospherics and snaking percussion arrangements throughout a groove-heavy peak-time closer.

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Stephan Bazbaz heads to LOCUS to deliver his Voyage EP, backed by a remix Casey Spillman. An artist at the heart of Tel Aviv’s blossoming house and techno scene, Stephan Bazbaz continues to showcase his skills as one of the city’s leading lights within electronic music. With releases and remixes via the likes of Djebali, hedZup and INFUSE in 2020 alone, he now closes out a fruitful twelve months with an impressive label debut via FUSE imprint LOCUS to deliver three fresh cuts in the form of his ‘Voyage EP’ – whilst INFUSE regular and LOCUS alumni Casey Spillman makes a swift return to step up on remix duties. A low-slung and moody effort from the off, opening cut ‘300’ combines swinging percussion and icy hats whilst escalating synths and rumbling sub-bass take hold and transport the production firmly into the peak hours – unsurprisingly featuring as a stand-out track within Enzo’s sets over the past 12 months. Next up, ‘Key To Success’ offers up a groove-heavy roller, with tracky drums guiding off-kilter samples and rich piano flourishes throughout, whilst Casey Spillman’s interpretation ups the energy levels as he works punchy kicks, warping synths and menacing low-end tones to turn in a bustling remix. To close, ‘The Life’ showcases yet another side of Bazbaz’s vast production skills, opting for hazy synths and dreamy chords to round out proceedings in impressive fashion.

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Rising London-based talent Casey Spillman debuts on LOCUS with his latest four-track EP, ‘Bit More Raggo’. A hotly-tipped name within the UK house and minimal scene, London’s Casey Spillman continues to impress as one of the city’s key emerging DJs, producers and label owners. Founder of his own blossoming imprint Temperature, his releases and remixes via the likes of e1ven records, Sukhumvit and Infuse have gained support from a long list of the scene’s key players - solidifying his growing profile as one of FUSE’s key up-and-coming talents, whilst featuring across a string of their infamous events within the UK capital. Next up, Spillman’s latest outing welcomes a debut on recently launched FUSE imprint LOCUS, delivering four typically impressive cuts in the form of his ‘Bit More Raggo’ EP. Opening cut ‘What I Say’ delivers a moody, up-front production armed with metallic percussion licks, resonant chords and driving low-ends, whilst the skipping hats and sweeping key leads of the slick ‘Gambling Man’ reveal a classy yet warping journey to close out the A-side. On the flip, ‘Humidity Meter’ introduces a hypnotic combination of shuffling percussion atop of escalating electronics and squelching bass patterns, before closing proceedings via the tripped-out vocals, crisp, raw drum shots and menacing bassline of final track, ‘Commands’. TRACK LISTING: A1. What I Say, A2. Gambling Man, B1. Humidity Metre, B2. Commands

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Rising Dutch talents Chris Stussy & Toman reveal their collaborative ‘Timewriter’ EP on new FUSE imprint LOCUS this July. Title cut ‘Timewriter’ opens proceedings in classy fashion as hazy chords and bumping low-ends meet sweeping synths and infectious, filtered vocal hooks, whilst ‘Serendipity’ combines chunky bass licks alongside further delicate vocals and track accents throughout. On the flip, the lively ‘Zerlon’ ups the energy levels and journeys into a hypnotic trip through evolving lead lines and warped electronics, before closing with the wonky, off-kilter programming of ‘Boiling Point’ – a twisting production guided by organic percussion licks atop of cavernous bass hits to offer up an entrancing cut perfect for the after-hours. TRACK LISTING: A1. Timewriter, A2. Serendipity, B1. Zerlon, B2. Boiling Point


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Enzo Siragusa and FUSE launch new label LOCUS this June, with the debut EP coming via hotly tipped talent KOKO. Having recently unveiled a new-look aesthetic for his long-standing and highly influential FUSE imprint, Enzo Siragusa and the FUSE team will now turn their attention to fresh project and brand-new label - LOCUS - with the definition of the label’s namesake matching their ambition to create a new and refreshing home for exclusive underground electronic music whilst delivering high quality parties, just as FUSE has done so over the past 12 years. With an ethos of exploring all shades of house music with the dancefloor at the forefront of its thinking, LOCUS looks set to house the very best in four-to-the-floor club music from both established talents and rising stars alike, with the first EP on the label arriving this summer courtesy of Infuse regular and ever-impressing Italian DJ and producer, KOKO. Opening with the infectious ‘Chantal’ alongside Brooklyn-based vocalist Quelle Rox, the Italian’s penchant for rich and dynamic soundscapes from across the house sphere quickly becomes apparent as he fuses resonant synths and refined drum licks beneath infectious vocals for a sun-kissed opener. Next, ‘Your Ass, My Camel Blue’ welcomes fluid electric piano lines and icy hats atop of a snaking bassline, before journeying into the luscious chords, sultry rhythms and resonant sax-riffs of ‘Love in Plexiglass’. Lastup, final cut ‘Amore Ante Hominem Nascitur’ closes things out via a medley of hypnotic leads, dubby chords and shuffling percussion – shaping up a notable debut offering for LOCUS and a stellar first look into an imprint that looks set to become a new favourite for many in the months ahead. TRACK LISTING: A1. KOKO feat. Quelle Rox - Chantal, A2. KOKO - Your Ass, My Camel Blue, B1. KOKO - Love in Plexiglass, B2. KOKO - Amor Ante Hominem Nascitur


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Repress!

Danny Tenaglia’s discography is chock full of multiple seminal and genre defining classics, but as he shows with his new 12” vinyl release his production skills are as well honed as ever and he can still create tunes that represent a musical moment in time like few others. On the A-side “The Brooklyn Gypsy” is his highly personalized and pumping ode to one of the great anthems of House Music “Gypsy Woman,” produced with the full approval and appreciation from the original creators. And on the flip side “Move That Body” features a signature Danny Tenaglia deep, warm and bass heavy foundation with an inspired and memorable vocal performance from another legend of the New York City House Music community Cevin Fisher. The package includes a unique and frameworthy custom art jacket

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Rewind to 1997 and Uk's finest clubs are alight to the tech-house sounds emanating from South London. Terry Francis, a key figure in the scene, needs no introduction, Fabric resident, Wiggle co-founder, as well as part of the seminal Housey Doingz collective, 'Dubtown' was his first solo outing, all 4 tracks are instant classics, and the EP itself has become his most sought after release to date. The tracks themselves are varied and brilliant, EP opener 'Hannah's House' kicks off with an infectious bass line and builds with expertly programmed percussion. Simple yet effective riffs intertwine with warm pads and deep chord stabs. 'Hannah's Dub' strips the track down, eerie synths add a tuneful swagger without ever losing dancefloor appeal. 'As You Cry' broadens the sonic palette with swinging rhythms, crisp snares and dreamy chords that deliver the peak time funk and bump. Lastly 'Reggae's House' is a deep dub infused jam, acidic 303 touches combine effortlessly with pads and stabs, whilst echoing bursts of percussion make some real tripped out musical moments. All 4 tracks are deep winners, tweaked to maximum effect by a master of the genre. A rarity for decades now available once more. 'Dubtown' has been legitimately re-released with the full involvement of Terry Francis, lovingly remastered by London's Curve Pusher from the original sources especially for Mint Condition. 100% legit, licensed and released. Dug, remastered, repackaged and brought to you by the caring folks at your favourite reissue label - Mint Condition!!

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Australia-based duo Lunar Disco land on Crosstown Rebels with new single ‘Devil’s Hands’, remixed by house heavyweights Luciano and Anthony Middleton‘Devil’s Hand’ is a low-slung and sleazy take on indie disco. The bass is rough, with wild guitar ri?s adding an extra layer next to the swinging, macho disco drums, while Kate’s steamy vocal brings inviting human soul as psyched-out guitars add a spaghetti western-style energy. The track then comes as a ‘Dirty Club Mix’ by Lunar Disco and Rebellion signee TAYA., opting for a rubbery groove for the back room, with moody bass and electronic pulses taking it deep into the night. Swiss-Chilean minimal maestro, long-time cult underground hero, and Cadenza boss Luciano heads up the B-side as he draws on his Latin heritage to cook up intricate percussive grooves across his remix to lock in listeners. His drums are rolling but heavy, and the claps and hits are layered carefully into an infectious tangle that never lets up. As both one half of Audiofly and on his own, final remixer Anthony Middleton has been at the heart of the house scene for many years, featuring as a vital presence in Ibiza each summer. His remix is sparse, with cosmic synths unfolding over elastic drums and bass. It’s subtle but emotionally intense and will make for a perfect late-night trip.

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Nina Kraviz returns to Rekids with remixes of ‘Taxi Talk’ from David Löhlein and Sterac Electronics. In the years since Nina Kraviz dropped some of her earliest music on Radio Slave's Rekids, she has become a bonafide global superstar. Founding two record labels ???? (trip) and Galaxiid, she regularly headlines the world's largest music festivals and has continued to stay at the forefront of electronic music. 'Taxi Talk', initially released on Kraviz’s lauded eponymous debut LP in 2012, still stands the test of time with its spoken word vocals and smoky deep house grooves. Remixing the track alongside its reissue is Vision Ekstase founder and Lehmann Club resident David Löhlein who turns in a fresh remix, and Dutch techno mainstay Steve Rachmad, who unearths a remix made under his Sterac Electronics guise that had, until recently, been unreleased. Löhlein’s remix sees the Stuttgart-based artist reach for his trademark ’snake sound’, delivering a sleek version flipped into a quick and urgent cut with pulsating synths and dynamic minimal drum funk. Sterac Electronics brings a distinctive sense of electric funk with a boogie-tinged remix full of colourful synths and hip-swinging drums that cannot fail to light up the floor.

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Germany
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‘EP12’ stays true to committing Defected’s biggest digital releases to wax, delivering a package of house heat previously unavailable on vinyl. Spanish production maestro David Penn takes over the A-Side, kicking things off nicely with supercharged vocal house cut ‘Lift Your Hands Up’ featuring Ramona Renea. David’s hand-clapping, piano riffing production style continues on his remix of Idris Elba & Inner City’s red-hot collab ‘No More Looking Back’, brimming with summertime energy. On the B-Side, another close friend of Defected Riva Starr takes control. Featuring London vocalist Phebe Edwards, the original version of ‘Love Divine’ opens, with menacingly gradual builds, bubbling synths and spectacular organ breakdowns. The Funk Mix follows, deeper and groovier while continuing to showcase Riva’s intuitive, multi-faceted production at its finest.

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DE - 22113 Hamburg
Germany
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Jamie Jones and Lee Foss’ Hot Creations welcomes a loaded new EP as Andre Salmon, Michael Joseph and Lexlay collaborate across four tracks for their ‘Momii’ EP. Home to stand-out collaborations such as Todd Terry and Riva Starr’s recent ‘This Is The Sound’ through to classics such as Jamie Jones and The Martinez Brothers’ ‘Bappi’, Hot Creations has always been a platform and label pairing unique and exciting artist combinations with impressive results. Closing July, the label now invites a stacked selection of artists for a big collaborative release as label signee Andre Salmon returns for his second release on the imprint and combines with Orlando’s Michael Joseph and Barcelona’s Lexlay, also featuring Figio, Francis Davila and Cami Jones. The three main featured artists take the helm on the title track ‘Momii’ for a skippy and slick lead e?ort, while Salmon and Joseph link with Milan’s Figio’s for the snaking, percussion-driven ‘Aquarium’. Next, the three lead names unite once more and combine rumbling low-ends and lively hats on the bubbling ‘Left Hand’, before Salmon and Joseph once again link with fresh talent as Francis Davila joins the party, working warping synths and rolling drums around the alluring vocals of Cami Jones.

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DE - 22113 Hamburg
Germany
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Steel City Dance Discs presents the ‘Wonder’ EP from fast-rising Italian artist Matisa. Fresh and filled with spirit, Matisa kicks off the EP with the transcendent, IDM-meets-Bingo Beats energy of ‘Brilliantine’, where twisted modulations fuse in harmony with angelic abstract vocals. Her original ‘Eyeliner’ is a euphoric breakbeat hardcore stomper, whilst Mall Grab’s take on the same track goes in harder with jacking drums, ecstatic rave stabs and menacing bass. Closing the EP is ‘Lip Plumper’ – a hypnotic stripped-back house cut which nods to UKG. This EP represents a significant moment in Matisa’s musical journey, as she evokes a combination of discovering yourself through creative expression with losing yourself on the dancefloor.

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There have been more than murmurs about Sam Alfred lately. The 22-year-old Naarm-based producer has been on quite the tear, releasing a slew of dreadnought records. Born in Egypt with a proud South Sudanese background, Sam brings a worldly essence to the Australian club landscape. already, the young producer has fashioned a distinctive energy to his sets and songwriting, one full of joy and fervour. Needless to say, folks are picking up what he’s putting down. Next up is his Suzuka EP, a bullish 4 tracker that we’re proud to emblazon with the Gallery insignia. A bundle of tunes that call to charged dancefloors and the unshackling of day-to-day stresses. Opening with force, we’re greeted by the title record ‘Suzuka’. Made up of a mean kick, euphoric synth strokes and hyper 808s, this one doesn’t let up. As beastly as ‘Suzuka’ is – there’s a warm and inviting undercurrent, an encouragement to gather your crew and party well into the wee hours. No doubt, DJs from both hemispheres will send crowds hopping mad with this bullet train. You only need to take a look at his sold-out Boiler Room HERE to see the stir this armament creates. Second, in line is ‘Salzburg’. An ode to 90’s rave culture, the track canters along with glee, full of fuzzed-out pads and a roaring vocal sample. Spliced throughout are galactic whirls that serve as perfect interludes to what’s an all-out riot. Tumbling over to the B-side, we come ear-to-ear with ‘Auckland's Groove’. Having been out since early December, this piano-laden roller continues to shine. Bringing a lovely buoyancy to the tune are squelchy kickdrums and lively sirens. A nod to Alfred’s skills in composition and ability to brew certain moods. Rounding out the body of work, ‘Lovin U’ comes into land. Defined by an enticing two-step rhythm, whirring synth play and sundry percussion, Sam signs out with serious polish. An honest and skilful interpretation of house that’s built to get people moving. Sam Alfred’s music is one of energy, celebration and satisfaction and this is an ideal ending.

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Evelyn spreads her wings and prepares to fly. This is her first offering for the ESP Institute. On side A, 'Tremors' slams together a plethora of seemingly disparate rhythms, organic percussion, field samples, hypnotic chants and a relentless low end punch, that when in full-swing, works some seriously deep sorcery. Contrasting her pounding kick and rolling sub combo are a softer grouping of melodies, soft mallets and muted tones that lay subtly beneath the aggression, skillfully playing with a sense of spatial depth and room size. Its the kind of track that draws you in with meditative bars, concentric cycles that sit ever so slightly off-axis, inducing the mind and body to obsess and regulating its timing, and then drops you into a very intentionally arranged soundstage giving expansive space to explore. On the flip, 'Pregunta' continues this approach of natural versus industrial instrumentation. The consistent machine kick has a powerful but playful tone, the negative space between each stroke evoking a mighty gesture as its note bends in the decay. Set in 3/4, a community of live percussion successively adds and subtracts, each player’s imperfect attack accumulating into a mechanically smeared and addictive loop that toys with peaks a handful of times yet restrains any unnecessary climax for the betterment of a driving groove. Near the end, as the kick and various players mute and the base of the track is given a moment to breathe, its apparent just how layered the production was in the moments prior, as we’re suddenly at home, smitten with the wobbly and lopsided innocence of the foundational percussion. These two songs will push you headfirst into the light.

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Welcome to the music of a true outlier in UK creative culture, an artist that has helped change the landscape of electronic music, KRUST. Introducing 'Irrational Numbers,' a meticulously curated collection of five parts, available on both vinyl and digital formats. This compilation is a treasure trove of hand-picked records and archival gems from Krust's extensive discography, thoughtfully remastered and presented anew for both devoted fans and newcomers. 'Irrational Numbers' features a dizzying array of self-released 12" cuts, exclusive unreleased VIPs and dub-plates, alongside epic major label widescreen classics. It's an unmissable journey through the sonic output of one of the UK's most distinctive and forward-looking producers. For longtime Krust enthusiasts, this project serves as a fond reminder of the boundless creativity and originality that flourished during the early 1990s and beyond. For those new to his work, it presents an enthralling introduction to innovative electronic music that has comfortably set the tone for generations to come. Get ready to experience the evolution of sound and immerse yourself in the visionary artistry of Krust.

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Close your eyes and merge into Benedikt Frey’s 'Fastlane'. Imagine sitting in the driver’s seat of a an automobile, one with exceptional horsepower and torque, as you stare out the windshield at the red light, warping in fata-morgana a mile down the road. It’s a straight-away, a black top with two lanes, and against your better judgment you decide to floor the gas. No hesitation in your muscle, your ankle or the ball of your foot, which you now realize is some kind of universal pivot, the first point of contact fusing your body with the will of machine. In this moment you’re in awe that you, a human, an animal, grew from pond scum into something so advanced as to engineer this thing, a mechanical beast capable of overwhelming power and exhilaration. But you also feel a seductive dread, an outside force diverting you from caution toward a dangling carrot of curiosity, asking yourself, ‘How far can I take this thing?’ The dread, now a constant, is numbed, equalized by an adverse intoxicating gratification. You feel both sensations in real time, however, rather than take responsibility for yourself, friends, family and innocent bystanders, you cement your foot to the floor and lean your head back. Noise around you fades to mute. Smell the benzene-scented air, feel the wind on your face, the menacing vibration of the vessel you control beneath you and every grain of asphalt under its tires. This mile has now lasted an eternity and you’ve left your body for some objective view, as if watching climax of a film. Past the point of no return, you embrace abandon and lean into fate. The film becomes slow motion, a crawling pace so mesmerizing you convince yourself of an option to eject yourself from this madness, but as you finally let go of your last morsel of fear, you run the red light head-on into the nucleus of a fantastic glistening sculpture of torn metal, glass, oil, broken dreams and heartache. 'Fastlane' may be just drum machines and synthesizers if you’re timid, but listen harder and know the catastrophic reality of existence, a wreckage so gruesome we dare not rubberneck, but afterall it is our nature to stare.

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