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You&Me’s frontman return combining a vintage sound pallet with his own unique vibe. Lead track ‘Technical Itch’ catches you with its timeless house chords in the breakdown accompanied by a baseline which cuts through beautifully. Next up is ‘Information Overload’ which builds throughout, leading with a catchy organ line along side a warm analogue bass. On the flip you’re delivered with two equally killer cuts in the form of ‘Just Act Normal’ and the speedy ‘H’.

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You&Me Records delivers its first offering of 2022 with their main man Josh Baker.

The title track of the EP tells you everything you need to know about this release. A1 has been on rotation heavily for the last few months and has become an anthem at the Manchester based party. The rest of the EP makes up a tasteful and groovy package which caters for many a mood.

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Boss Priester makes his LOCUS debut with his bustling four-track ‘Hotel Dijon’ EP. Working hard in the studio to develop his own take on minimal-leaning house and techno, The Hague-based DJ/ producer Boss Priester is starting to reap the rewards and emerge as another hotshot from the country’s hotbed of electronic talent. Racking up support from the likes of Dungeon Meat, East End Dubs, Michel de Hey, Dr. Banana and Alec Falconer, his releases on What NxT and Dark Side Of The Sun have accompanied appearances at the likes of Thuishaven, Colorado Charlie and Lovelee. Another fan of the young Dutchman is FUSE and LOCUS boss Enzo Siragusa, and late September brings a first appearance on the latter imprint as he makes his label debut with his four-track ‘Hotel Dijon’ EP. Title track ‘Hotel Dijon’ comes loaded with raw drum licks, cosmic synths and menacing, swirling low-ends for a heavy-hitting opener set to cause serious dance floor damage, while the slinking ‘ROF66’ mixes eerie stabs with shuffling drums and bouncy baselines for another heavyweight anthem. Next, ‘SUP01’ keeps things ticking nicely on a similar tip with yet more punchy percussion arrangements linking with playful sound design peppered with zippy FX, before closing the show with the hopped-up, bass-driven sonics of final effort ‘Wek’.

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Lauren Lo Sung returns to LOCUS for her ‘Shroom’ EP, accompanied by a remix from Youandewan. Heading up LOLiFE and e1even records while dropping music via PIV, Lazare Hoche, and Rutilance, Liverpool- based Lauren Lo Sung’s blend of stripped-back, groove-heavy house has meant early nods as an artist to watch has seen her flourish into a favourite name within the UK minimal-house realm and beyond. Returning to the label for the first time since her classy ‘Miss B’ EP in 2021, and fresh from a string of worldwide dates, including her latest US and Australian tours, the end of July welcomes a return to FUSE’s sister imprint LOCUS as she serves up a pair of quality cuts across her ‘Shroom’ EP - with The Brain and Pure Shores boss Youandewan making his label debut on remix duties. Setting off via the title track, ‘Shroom’ is a slinking cut built on a rugged bassline and warping low-ends, accented by airy synths and warped vocal interjections for a lively trip. Next, second original ‘Tom & Jerry’ draws for acid stabs, hazy melodies and cosmic tones underneath the track’s alluring vox samples and video game electronics for a vibrant and playful production. Shaping up the package, the B-Side is home to Youandewan’s darker and chunky take on the lead cut, combining oddball electronics, snaking grooves, off-key interludes and neon synths for a trademark offering.

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LOCUS returns with its latest VA ‘LOCUS Trax Vol. 3’, welcoming label debuts from Jamahr, Mehlor, Project89, Manuel De Lorenzi and Giacomo Silvestri. Now established as a standalone label in its own right, FUSE’s sister imprint LOCUS continues to prove itself as a go-to stop for forward-thinking and fresh house music with minimal-leaning influences from both established and emerging talent. Returning with the third instalment of its VA series ‘LOCUS Trax’, April brings five new names to the label as Captea boss Jamahr, Leeds-based DJ/producer Mehlor, and Dutch talent Project89 serve up fresh singles alongside a slick collaboration from Italian pairing Manuel De Lorenzi and Giacomo Silvestri. Jamahr opens the package with an impactful combination of slick drums, resonant vocals and warped basslines across ‘Night Tales’, while Mehlor’s ‘BSOD’ offers up off-kilter electronics, skippy percussion and woozy low-ends. On the flip, Project89’s ‘What’s Going On’ delivers a peppy groove accented by atmospheric pads and spaced-out aesthetics, before closing via the tight, rolling grooves of Manuel De Lorenzi and Giacomo Silvestri’s ‘Sit Down’ as the two unveil a heads-down, hands-up terrance anthem.

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Mennie heads to LOCUS for his label debut, delivering four slick productions across his ‘Jack & Jane’ EP. Florence-based DJ and producer Mennie has been a fixture within the European house scene for years now, yet he’s still on the rise with plenty more on the horizon. A smooth operator when it comes to weaving rolling percussion with alluring basslines, the Italian’s outings via Deeperfect, Moscow Records, and Infuse have showcased his ability to deliver cuts that pack a punch yet are filled with subtle nuances. Heading into the peak summer months in style, early June brings a LOCUS debut as he drops his four-track ‘Jack & Jane’ EP. ‘Jack & Jane’ opens things with the title track bringing loopy, swinging drums alongside cosmic melodies, while ‘Space Rocket’ sees regimented drums shoulder emotive pads and zipping synths. On the flip, ‘What Happened’ buzzes into action armed with zigzagging leads and smooth rolling grooves, before ‘Just Like That’ turns up the heat with squelchy basslines, wonky, off-kilter effects and resonant vocals throughout.

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LOCUS unveil the second instalment in their VA series ‘LOCUS Trax’ with fresh material from Mathijs Smit, LaRosa, BODJ, and Nolga. Continuing to quickly grow as one of the most-loved emerging labels in the game, LOCUS looks set to go from strength-to-strength throughout the remainder of 2022 as the FUSE family builds yet another label offering quality and consistent material from across the house sphere. Having launched their new various artist series LOCUS Trax earlier this year, TBC welcomes the arrival of the sophomore offering with four fresh productions as Groningen’s Mathijs Smit, Brooklyn’s LaRosa, Athens’ BODJ and Manchester’s Nolga all make label debuts. Mathijs Smit’s ‘Green Hill’ is a slinking cut guided primed for peak time fun as slinking acid tinged low-ends meet playful samples and sweeping pads, while ‘Amelia’s Groove’ sees LaRosa work shuffling drums amongst warped vocals and rich melodies. Next, BODJ veers towards spacey sythns and colourful electronic motifs across ‘Back To Party City’, before Nolga lays down woozy chords on top of a no-nonsense bassline to close the show.

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Locklead arrives on LOCUS in style as he drops a quartet of cuts via his ‘Blue Monday’ EP. An artist undeniably in a purple patch following releases via Dungeon Meat, Vatos Locos, Dark Side Of The Sun and his debut album ‘Square One’ on Up The Stuss, Utrecht’s Locklead continues to flourish as one of the Netherlands’ hottest emerging house talents. Showing no signs of slowing down, his next release provides another signal of intent as he heads to FUSE sister imprint LOCUS for the first time. Following multiple appearances for the label at their London showcases, he now unveils four diverse and expansive offerings showcasing his far-reaching sound across his ‘Blue Monday’ EP.? A track that’s been the subject of ID requests for months, title cut ‘Blue Monday’ kicks things off in style as infectious vocals and spiralling synths go to work above a wormhole of a bassline to provide a peak-time cut already proven to work dancefloors. ‘Join The Tribe’ leans on tight rolling grooves guided by crisp organic drums licks, rumbling low-ends and off-kilter samples, while ‘Orbiting’ is a spacey journey into the late night hours. To close, Locklead takes things deeper as he layers rich chords, swinging drums and hazy vocals across a classy house effort to wrap up proceeding

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M-High makes his LOCUS debut with his four-track EP, ‘Enchant Me’. With Amsterdam’s house scene continuing to flourish, M-High has seen his stock surge in recent months. Still young in the game, his releases and remixes via labels such as META, Moxy Muzik and Politics Of Dancing have seen him flying high alongside his fellow compatriots while also evolving from a label regular to A&R duties at PIV alongside founder Prunk. Having featured for the label’s New Year’s Day party in London, the Dutchman touches down on LOCUS for the first time with four fresh productions via his ‘Enchant Me’ EP. Title cut ‘Enchant Me’ is a slick and classy effort fusing rich chords and skipping drums with zipping acid lines, while ‘Do You Even Groove’ pairs things back as rolling drums and sweeping electronics zig-zag through sparse textures. Next, ‘Endless Whispers’ combines sharp organ stabs with breezy pads and warm basslines, with the low-end heavy ‘Faded Senses’ closing the show and offering up yet more late-night dancefloor grooves.

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LOCUS launches VA series ‘LOCUS Trax’, with the first volume welcoming Stephan Bazbaz, Julian Anthony, Sucasa and Ben Jones. Since launching in summer 2020, FUSE’s sister imprint LOCUS has quickly become a go-to outlet for quality house material from emerging and established talent, welcoming releases from Chris Stussy, Sidney Charles, Lauren Lo Sung, Rossi. and Casey Spillman amongst many. A new addition for 2022, the imprint now unveils its various artist series LOCUS Trax, with Volume 1 welcoming the return of Tel Aviv’s Stephan Bazbaz, alongside label debuts from
bubbling Dutchman Julian Anthony, London-based pairing Sucasa and Liverpool’s Ben Jones. Stephan Bazbaz’s ‘Dars’ showcases a lively effort as swinging drums work beneath resonant chords and meandering basslines, while Julian Anthony lays the focus on cosmic pads, vibrant organ bass and shuffling percussion across ‘It’s Showtime’. On the flip, Sucasa dive into deeper spheres with the blissful yet impactful sonics of ‘Time Travel’, before handing over to Ben Jones for the peppy sounds and slinking grooves of ‘Get To Know’.

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Okain opens LOCUS’ 2022 schedule as he drops his latest EP, ‘Daddy’s Groove’. A long-standing figure within Paris and Berlin’s nightlife scenes, Talman Records boss Okain continues to impress as a DJ, producer and label head at the heart of Europe’s house landscape. Whether releasing material via labels such as Infuse, Pleasure Zone, Eastenderz or Constant Sound, or on home turf alongside the likes of Silverlinings, DJOKO, Leo Pol and Per Hammar, the Frenchman’s blend of tough house merging old and new runs deep throughout his DJ sets and productions. Kicking off 2022 in style, mid-January welcomes a label debut on LOCUS as he drops four crisp efforts across his ‘Daddy’s Groove’ EP. Opening cut ‘Mightnight Feed’ welcomes a slinking track guided by aquatic synths, sweeping electronics and bumping bass, while ‘Tavie One Tooth’ hones in on rich M1 stabs to showcase a bubbling and resonant house affair. On the B-side, ‘Brother Jack’ journeys down a lighter path, combining airy pads with jazzy interludes and subtle yet squelching low-ends, before rounding things out via the slick, classy tones of closing production ‘Green Mousse’.

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Casey Spillman returns to LOCUS with his four-track ‘Summer Dreaming’ EP. A favourite amongst the FUSE family and an artist who embodies the label’s sound and mentality throughout his productions and sets, London’s Casey Spillman continues to grow and evolve as one of the hottest talents within the capital. After his ‘Bit More Raggo’ EP on LOCUS in 2020 provided four heavy slabs of dancefloor ammunition for the likes of Skream, Samuel Deep and Varhat, he returns to close October with a quartet of fresh cuts across his ‘Summer Dreaming’ EP. ‘Get Upper’ sees Spillman opt for a powerful combination of warping bass licks, infectious vocals and sturdy kicks, while ‘I Know’ offers up a restless bass-heavy shuffle beneath dubby textures as moody harmonies contrast against evolving leads. The B-Side houses title track ‘Summer Dreaming’, delivering swinging percussion beneath glitchy electronics and trippy atmospherics, before closing with an ode to FUSE’s original home of 93 Feet East across ‘Good Morning Ninety Free’ – a classy cut weaving dusty deep chords amongst taut drums and sweeping synths.

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Spaniard Cuartero debuts on LOCUS as he drops his slick four-track ‘Wasp’ EP this September. A mainstay within Spain’s house music scene over the past decade, Malaga’s Cuartero remains one of the most consistent and well-supported names on the circuit. With releases via the likes of Hot Creations, Desolat and Saved, his recent material has seen a deeper and more minimal emphasis placed on his work, dropping material via Eastenderz, Constant Black and Djebali, plus his own Cuartero Concept imprint. Up next, September welcomes the addition of a new label to his catalogue as he makes his first appearance on LOCUS, delivering a quartet of crisp cuts in the form of his ‘Wasp’ EP. The lively ‘Eucalyptus’ opens proceedings as swirling pads and rugged kicks bounce atop of nimble basslines, while ‘Assault’ employs rubbery, elastic bass alongside bright vocal interjections and sharp drum licks. On the flip, ‘Bagonda’ welcomes a deeper, warping journey through skipping hats, rich chords, and glitched vocals, before closing the show via the off-kilter and scattered yet impactful sonics of title cut ‘Wasp’.

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Rising French trio Oden & Fatzo head to LOCUS as they reveal their four-track ‘Observatory’ EP. A project combining three of France’s most exciting emerging talents, Parisian duo Oden & fellow live artist and producer Fatzo have emerged from the capital’s rich electronic scene and established themselves as some of the most exciting new names around. Having originated from individual projects within Paris’ house landscape, the minimal live production trio have quickly established their own sound within the genre, combining crisp, complex grooves with broken rhythms that combine minimal, house, and techno influences with a resonant, modern twist. Following a string of releases via Moscow Records, Salty Nuts, and hedZup records, the collective now head to FUSE’s LOCUS imprint as they unveil five fresh cuts across their latest EP, ‘Observatory’. Opening via the undeniably garage-influenced two-step drums, rumbling basslines, and rich stabs of opening cut ‘Denver In The Jungle’, the trio quickly set the pace for their high-octane, tried-and-tested, club-driven sound. ‘Equinox’ welcomes classic house flavours with soulful vocal interjections backed by soaring organ melodies and shuffling percussion, before title track ‘Observatory’ combines laser-sharp drums with sweeping leads, and rubbery funk-fuelled bass licks to open the B-side in classy fashion. To close, ‘Solar Inertia’ welcomes a deeper journey through bleeps and sparkling electronics guided by refined drum licks and rush-inducing builds and breaks, whilst digital bonus track ‘Compton’s Visions’ switches up proceedings and introduces a drum-led workout accented by hazy guitar licks and spacey melodies.

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MADVILLA steps out on FUSE’s LOCUS imprint for the first time as he reveals his four-track ‘Old Flame’ EP. London-based, American-born DJ and producer MADVILLA is a name making serious waves within house music at present, with his driving and slick take on the genre via the likes of ANOTR’s No Art, Seb Zito’s Seven Dials and his own Hot Wings imprint welcoming supporters in Jamie Jones, Stacey Pullen and FUSE head-honcho Enzo Siragusa to name just a few. Up next, the surging talent steps out on FUSE sister imprint LOCUS for the very first time, following his recent appearance at their London home of 93 Feet East, as he delivers his four-track ‘Old Flame’ EP this May. Lead cut ‘So Bad’ kicks things off as crisp drums meet resonant stabs, sweeping melodies and infectious vocal coos, before introducing the spacey soundscapes and hypnotic pads of title track ‘Old Flame’, accented by Shyam P’s tripped-out vocals throughout. Next, ‘Orbit’ takes things up a gear as skipping percussion arrangements go to work beneath spiralling lasers and jacking hats, whilst closing track ‘Takeout’ dives into the afters as rubbery bass licks, hazy synths and rumbling low-ends take listeners on a warping UK-tinged journey through entrancing sounds.

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Lauren Lo Sung makes her LOCUS debut as she delivers her ‘Miss B’ EP, backed by a remix from label favourite KOKO. One of the UK’s most exciting house talents, gaining stand out praise from Mixmag and DJ Mag to name just a few, Liverpool-based DJ and producer Lauren Lo Sung has established herself as one of the scene’s most in-demand ‘new names’ of recent years. With releases to date via the likes of Vatos Locos, Lazare Hoche Records and Rutilance, alongside her own blossoming imprints LOLiFE and e1even Records, her groove-laden sound has seen grace the decks across a host of renowned hotspots from Space Ibiza to Club der Visionaere, and her sharp ascent is most certainly showing no signs of slowing. After yet another impressive twelve months, 2021 welcomes her debut on London’s flourishing LOCUS as she reveals her ‘Miss B’ EP this February – backed by a remix from bubbling Italian talent KOKO, who returns having dropped the launch EP on the label. Title cut ‘Miss B’ kicks things off in a warping fashion as spiralling synths and fluttering vocal interjections meet skittering drums to offer up lively EP opener, whilst ‘Cosmic Flow’ introduces further tripped-out vocal effects atop of dubby chords and paired back, refined percussion. Next up, KOKO’s hazy and energetic take on the title cut showcases the Italian’s slick and infectious sound palette, before the aptly titled ‘B-Side The Point’ closes proceedings as Lo Sung opts for bubbling basslines, hypnotic atmospherics and snaking percussion arrangements throughout a groove-heavy peak-time closer.

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Stephan Bazbaz heads to LOCUS to deliver his Voyage EP, backed by a remix Casey Spillman. An artist at the heart of Tel Aviv’s blossoming house and techno scene, Stephan Bazbaz continues to showcase his skills as one of the city’s leading lights within electronic music. With releases and remixes via the likes of Djebali, hedZup and INFUSE in 2020 alone, he now closes out a fruitful twelve months with an impressive label debut via FUSE imprint LOCUS to deliver three fresh cuts in the form of his ‘Voyage EP’ – whilst INFUSE regular and LOCUS alumni Casey Spillman makes a swift return to step up on remix duties. A low-slung and moody effort from the off, opening cut ‘300’ combines swinging percussion and icy hats whilst escalating synths and rumbling sub-bass take hold and transport the production firmly into the peak hours – unsurprisingly featuring as a stand-out track within Enzo’s sets over the past 12 months. Next up, ‘Key To Success’ offers up a groove-heavy roller, with tracky drums guiding off-kilter samples and rich piano flourishes throughout, whilst Casey Spillman’s interpretation ups the energy levels as he works punchy kicks, warping synths and menacing low-end tones to turn in a bustling remix. To close, ‘The Life’ showcases yet another side of Bazbaz’s vast production skills, opting for hazy synths and dreamy chords to round out proceedings in impressive fashion.

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Rising London-based talent Casey Spillman debuts on LOCUS with his latest four-track EP, ‘Bit More Raggo’. A hotly-tipped name within the UK house and minimal scene, London’s Casey Spillman continues to impress as one of the city’s key emerging DJs, producers and label owners. Founder of his own blossoming imprint Temperature, his releases and remixes via the likes of e1ven records, Sukhumvit and Infuse have gained support from a long list of the scene’s key players - solidifying his growing profile as one of FUSE’s key up-and-coming talents, whilst featuring across a string of their infamous events within the UK capital. Next up, Spillman’s latest outing welcomes a debut on recently launched FUSE imprint LOCUS, delivering four typically impressive cuts in the form of his ‘Bit More Raggo’ EP. Opening cut ‘What I Say’ delivers a moody, up-front production armed with metallic percussion licks, resonant chords and driving low-ends, whilst the skipping hats and sweeping key leads of the slick ‘Gambling Man’ reveal a classy yet warping journey to close out the A-side. On the flip, ‘Humidity Meter’ introduces a hypnotic combination of shuffling percussion atop of escalating electronics and squelching bass patterns, before closing proceedings via the tripped-out vocals, crisp, raw drum shots and menacing bassline of final track, ‘Commands’. TRACK LISTING: A1. What I Say, A2. Gambling Man, B1. Humidity Metre, B2. Commands

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Rising Dutch talents Chris Stussy & Toman reveal their collaborative ‘Timewriter’ EP on new FUSE imprint LOCUS this July. Title cut ‘Timewriter’ opens proceedings in classy fashion as hazy chords and bumping low-ends meet sweeping synths and infectious, filtered vocal hooks, whilst ‘Serendipity’ combines chunky bass licks alongside further delicate vocals and track accents throughout. On the flip, the lively ‘Zerlon’ ups the energy levels and journeys into a hypnotic trip through evolving lead lines and warped electronics, before closing with the wonky, off-kilter programming of ‘Boiling Point’ – a twisting production guided by organic percussion licks atop of cavernous bass hits to offer up an entrancing cut perfect for the after-hours. TRACK LISTING: A1. Timewriter, A2. Serendipity, B1. Zerlon, B2. Boiling Point


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Enzo Siragusa and FUSE launch new label LOCUS this June, with the debut EP coming via hotly tipped talent KOKO. Having recently unveiled a new-look aesthetic for his long-standing and highly influential FUSE imprint, Enzo Siragusa and the FUSE team will now turn their attention to fresh project and brand-new label - LOCUS - with the definition of the label’s namesake matching their ambition to create a new and refreshing home for exclusive underground electronic music whilst delivering high quality parties, just as FUSE has done so over the past 12 years. With an ethos of exploring all shades of house music with the dancefloor at the forefront of its thinking, LOCUS looks set to house the very best in four-to-the-floor club music from both established talents and rising stars alike, with the first EP on the label arriving this summer courtesy of Infuse regular and ever-impressing Italian DJ and producer, KOKO. Opening with the infectious ‘Chantal’ alongside Brooklyn-based vocalist Quelle Rox, the Italian’s penchant for rich and dynamic soundscapes from across the house sphere quickly becomes apparent as he fuses resonant synths and refined drum licks beneath infectious vocals for a sun-kissed opener. Next, ‘Your Ass, My Camel Blue’ welcomes fluid electric piano lines and icy hats atop of a snaking bassline, before journeying into the luscious chords, sultry rhythms and resonant sax-riffs of ‘Love in Plexiglass’. Lastup, final cut ‘Amore Ante Hominem Nascitur’ closes things out via a medley of hypnotic leads, dubby chords and shuffling percussion – shaping up a notable debut offering for LOCUS and a stellar first look into an imprint that looks set to become a new favourite for many in the months ahead. TRACK LISTING: A1. KOKO feat. Quelle Rox - Chantal, A2. KOKO - Your Ass, My Camel Blue, B1. KOKO - Love in Plexiglass, B2. KOKO - Amor Ante Hominem Nascitur


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