Genre: Electronic, Oriental Jazz, Ambient, Breakbeat
lim. to 200 180Gr Vinyl!

Schnieke is rich and fruitful, yet carries a sadness within. A 5-string violin charts its melodious journey from Istanbul to Belin, accompanied by electronics, breakbeats, live drums and percussions. An authentic oriental funky mood keeps you in a trance or gets your body moving tribally…

This is Schnieke, a.k.a. Özgür Akgül, with his first studio album Hediye, or Gift. The album is intended as a gift to Özgür's grandmother, Hadiye, who was very important to him and to whom he dedicates a song. But his debut album will also come as a gift to anyone interested in how a sophisticated musical sensibility brings together electronic elements with stringed instruments of all kinds. Özgür plays the violins himself, as well as the analogue synths and drum machines. Guest musicians include Hasan Gözetlik (trumpet and trombone), Göksun Çavdar (saxophone), Korhan Erol (electric guitar and bass), Burhan Hasdemir and Baris Güney (live percussion), Zafer Tunç Resuloglu (live drums), John Gürtler (church organ) and the Istanbul Strings, Turkey’s most vibrant string ensemble.

Their diverse influences create a wide emotional range on Hediye - sometimes dark and melancholic, sometimes wild, groovy and danceable, somewhere between jazz, dub and electro, each song surprising in its own way. Despite the variety of the individual songs, a captivating pulse runs like a thread through Schnieke's first album. Incidentally, Özgür came up with the band name during a night out in a bar, when a friend explained to him what Berlin slang he absolutely had to know. He liked the sound of the word ‘schnieke’ – it means something approximating ‘snazzy’ - and perhaps he secretly also wanted to flatter himself a little! Well, shouldn't we all do that much more often?

Hediye consists of eight tracks, three of which are traditional: Aman Doktor comes from Istanbul, Özgür's birthplace, and is a homage to his own origins. Kadioglu comes from the Aegean region and features the zeybek dance form which, despite its ‘standardisation’ in recent times, still summons up the ecstasy, inspired improvisation and musical finesse of its historical roots. The other five tracks are Özgür's own compositions, with Pasali providing the soundtrack for the 2010 Turkish feature film Memleket Meselesi. Creating compositions for film has been Özgür’s primary passion since his time as a student at the Filmakademie Baden-Württemberg. You can hear that in his music, because on his debut album Özgür does completely without vocal support, the instrumental depth stands for itself, and, in the style of The Cinematic Orchestra, space is created for us to develop our own images while listening – it is a soundtrack for the film we want to make of it.

A1: Tanz Mir Den Untergang
A2: Schnieke Oro
A3: Aman Doktor!
A4: Pasali
B1: Kadioglu
B2: Hediye
B3: Stampol
B4: Bur
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lim. to 250 Copies ww!

"The world is rich, the world is colorful. So why not show it in all its complex diversity and contrasts? Why, when you go in one direction, do you have to follow it further and can't just go in all directions at once? These are all questions that Berlin-based Turkish singer Basak Yavuz may have asked herself when she began recording her new album "Raum 610."

Basak Yavuz doesn't take much time to get down to business. Right away in the opener "Promised Lands," different stylistic elements like jazz, rock, funk and hip-hop chase each other as if it were a matter of life and death. The message is unmistakable: this is about energy. The energy of the big city. Crowds on the sidewalk, congested streets, noise from construction sites, cyclists and drivers yelling at each other, barking dogs, screaming children, shattering glass, a new surprise around every corner. Basak Yavuz does not hide, but picks up the tempo of the Moloch and makes it her own pulse with all its fractures and border crossings. She is not afraid to overload her songs, but confidently juggles the explosiveness of creative oversaturation." (Wolf Kampmann)

A1: Promised Lands
A2: Little Ghost
A3: Farewell My Love
B1: Professor
B2: Panny and the Hummingbird
B3: Stuck
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Limited 200 Copy

Cherry Bandora is an oriental jewish princess singing in poetic Greek, rhythmical Turkish and Hebrew slang. The fresh combination of the greek blues guitar, the bouzouki, with the psychedelic hammond organ, accompanied by lively middle eastern grooves on drums creates an exciting clash of tradition and rebellious attitude.
Supported by Initiative Musik GmbH with project funds from the Federal Government Commissioner for Culture and Media



TRACKLISTS:

A1 The Sound of Baglama
A2 Mia Dekara
A3 Aman Kuzum
A4 Rampi Rampi

B1 Benim de Can?m Var
B2 Dimitroula Mou
B3 Mine Konda Mou
B4 Den Se Lismono
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Genre: Country, Americana, Americana Gothic

Big Daddy Mugglestone is back, with his first full-length solo release in over 2
decades! Rumi Sounds is proud to
present this collection of songs about Life,
Love, and God that really embody the idea of Americana Gothic. The
songs are dark but not bleak, giving a glimpse of forgiveness...even the
12-minute long murder ballad for which the album is named is still a love song.


With a mixed band of Denver and Berlin-based friends, Mugglestone steps out of the shadowy depths
to create a record you and yr auntie could listen to while doing the dishes or
lounging on the sofa on a rainy day.

The psyche-melodic guitar swirls of Oska Wald and the alluring back-up
vocals of MTN GRL elevate his wry
croon, not quite country but not quite
contrary. Something like if Lee Hazlewood and John Prine both wanted to buy
the same vintage lamp...


A1 Blood Does not Make Family
A2 Past and Still
A3 It's Fine
A4 Never Be the Same
A5 Trainclock Heartbeat
A6 I can Float
B1 Switchblade Romance
B2 Drink Myself to Death
B3 To Give A Ghost A Name
B4 Hangman & the Rainmaker


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Turkish underground rock misfit Erbatur Çavusoglu's first solo album is finally here: an intimate collection of previously unreleased songs and new versions, with fresh arrangements by Big Daddy Mugglestone. The result is like Iron & Wine being fronted by a Taksim Square street poet, or a Turkish Crazy Horse.

Erbatur's wavering falsetto delivers heartfelt and tender songwriting, accentuated by an eclectic band of old and new Berlin friends. A must for fans of Indie Americana and Turkish Psychedelic Folk, this is a warm and haunting departure from his previous work with Zardanadam, deeply personal but with open arms.
Supported by Initiative Musik gGmbH with project funds from the Federal Government Commissioner for Culture and Media

A1 Tadim Yok
A2 Gözyazlarim
A3 Sokaktaki Adam
A4 Dalgalarin Vurdu Sahillerime
A5 Rövans
B1 Gece Yolculugu
B2 Kadinim
B3 Gelmesen de Olur
B4 Mucize
B5 Yanimda Olsan


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Berlin based cellist, composer and improviser An?l Eraslan brings together 11 musicians from Istanbul. The dreams of these musicians are composed and improvised for this album. Dream Works offer an extended musical experience that is surrounded by traditional and experimental approaches.
Limited 250 Copy

GENRES: Electronic/Experimental/Free-Jazz



A1 Waking Up
A2 To A Dream
A3 Without My Voice
A4 Displaced Districts
A5 Abandoned
A6 As My Fish Eye
A7 In A Chaotic
A8 Renaissance
B1 A Sonic Witness
B2 Dripping
B3 From A Shared Dream
B4 Letters Flow
B5 Above The Fourth Floor
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180 Gr Gatefold 1LP

Melodic fragments from medieval Spain with a Judaeo-Spanish version of a Turkish sharki. An Argentinian tango adapted to the dervish tradition. Orthodox church rites in Turkey meet an Andalusian secular repertory in Morocco.
Sefardim is a compilation of popular romansas (love ballads) by ladino-speaking Jews in Istanbul. Forced out of the Iberian Peninsula by the end of the 15th century, the music of the Sephardim survived 500 years in exile and greatly influenced Turkish Art Music. Janet and Jak Esim are accompanied by fretless guitar virtuoso Erkan O?ur and percussion maestro Okay Temiz. They have meticulously collected songs, melodies and lyrics from the last ladino speakers alive.

Genre: Sephardic, Ballad

TRACKLISTS:


A1 Una Tadre de Enverano
A2 Ay Manas Tururururu
A3 Tres Klavinas en un Tiesto
A4 Ay Dos Anyos
A5 Ni Pudra Yeva Ni Kolor
B1 Ija Mia Mi Kerida
B2 Por Amar Una Donzea
B3 Yo Era Ninya
B4 Durme Durme
B5 Esta Parea Ke Viene

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180GR GATEFOLD 2-LP

Folk songs and computer loops, electronic garble and jazz, random sounds of nature and ancient poetry. Pauses and rests between note and note, the silences that give meaning to sounds. SO Duo speaks and sings in tongues, crossing borders, carrying words from culture to culture, from tongue to tongue in a language that everybody can understand.

SO Duo, Sumru Aryürüyen (vocal, mandolin, keyboard) and Orçun Batürk (panduri, voice, keyboard, electronics, drums) have been creating various projects together, in a spectrum between traditional and avant-garde since 2013. So Far is a collection of the works of SO Duo released on vinyl as a double LP for fans and collectors for the first time.

Genre: Avantgarde Folk, Ambient

Tracklist:

A1 Ay Ana
A2 Ey Dost
A3 Söylemeden Anladk
A4 Aci Türkü
A5 Dag Yanar
A6 Maske

B1 Derdimi Dökersem
B2 Edgü Ol
B3 Yagmur
B4 Sözcükler
B5 SHODB
B6 Yele

C1 Sonbahar
C2 The Light
C3 Ninni

D1 Tacinn Avucu
D2 Arka Bahçe
D3 Fuzuli
D4 Bir Büyük Sükun
D5 Isiga Dönüyoruz
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Erbatur (Çavusoglu) is a Turkey-born singer/songwriter most recognized as the lead singer of the Turkish rock bandZardanadam. However, these two tracks are melancholic ballads dealing with the desire to leave, to run away, and find a peaceful place on earth. Both "Kaçaca??m" and "Seyyah" have been known to his fanbase from live gigs, radio and TV appearances since the 1990s, but are recorded here with a super-group of international musicians living in Berlin.
30th anniversary release of Erbatur's melancholic ballads dealing with the desire to leave, to run away, and find a peaceful place on earth. New, beautiful versions complete with pedal steel, cello and tar arranged and produced by Big Daddy Mugglestone.

Genre: Ballad, Singer Songwriter, Pop

TRACKLISTS:

1. Kaçacagim
2. Seyyah
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180 Gr Gatefold 2LP

The punchy sound, courageous lyrics and their anarchist attitude was a bit too much for the mainstream music industry. Still the underground rock scene of Turkey in the 2000s was broad and generous enough to welcome the discrete.
Zardanadam hit hard with their DIY practices. Besides being the pioneers of copyleft digitals, they self-produce and distribute almost 100 000 CDs at concerts and via airmail for free.

VITAL SALES POINTS:
Here is a selection of their greatest hits from the six-album discography compiled for the first time on vinyl for the 20th anniversary of the band.
Limited 500 Copy

Genre: Rock, Punk, Alternative Rock

3. TRACKLISTS:

A1 Kalbim Yok 2:53
A2 Toz Duman 5:20
A3 Dibini Gör 4:30
A4 Hepsi Hepsi Hayat Nasil Olsa 3:47
A5 Aramizda Birseyler Var 3:39
B1 Küçük Sirin Bir Cuma Aksami 4:50
B2 Sarisinlar Boktur 4:33
B3 Benim Yolum Ayri 3:16
B4 Oyun 3:31
B5 Birak Isini 4:20
C1 Mayis 4:26
C2 Serseri Marsi 5:12
C3 Tadim Yok 4:12
C4 Beni Seversen 4:02
C5 Ben Yokum Artik 2:42
D1 Yarim 5:18
D2 Rövans 5:24
D3 Sen 5:40
D4 Kaçacagim 4:16

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with OBI

A bit of blues here, a bit of rock there, and maybe even a little jazzy improvisation, with numerous inspirations from the folk music of various cultures, and the never absent, albeit not always conscious Turkish modes and vaguely reminisced melodies.
A songwriter accompanied by a team of marvellous musicians who left an important imprint on the Turkish music scene since the 80s. Bülent Somay, an academic, writer, translator, political activist, educator and musician, is a former member of the Turkish Jazz-rock-fusion group Mozaik. He rolls up his sleeves and dusts off some old songs that were never published before with 'a little help from his friends'.

Genre: Prog Rock, Jazz Rock

TRACKLISTS:

A1 I'm the Tower of Babylon
A2 Water
A3 Plainclothes Blues
B1 Make Room Make Room
B2 Rain of Red Feathers
B3 Elements Affirm
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250 lim. colored Gatefold 2LP

MOZA?K began its journey under the oppressive aura of the 1980 coup in Turkey, singing songs of freedom from all around the world, eventually stepping into the more controversial areas of jazz, progressive rock and fusion with their own compositions.
Whilst the post-coup music scene was dominated by apolitical pop music, Mozaik produced sophisticated lyrics and composed songs in unusual structures.
With a dynamic crew and a rotating list of songwriters in the band, Mozaik maintained its unique sound and poetic narrative throughout the years.
In your hands right now is the first vinyl compilation available outside of Turkey including songs from their entire Archive, first published in 2014 in 6 CDs.

250 Copies limited edition coloured double LP in gatefold sleeve with original and English lyrics.

GENRE/S: Prog Rock, Jazz Rock

TRACKLISTS:

1. Bir Bisiklet Gezintisi
2. Hareket Etmeliyim
3. Kendi Biraktigim Izlerde
4. Bir Bulutun Ardindan
5. Bitmeyen
6. Çook Alametler Belirdi
7. Gitmeliydik
8. Sappho ile Konusma
9. Emekli Albay Hilmi Ertunç
10. Kör Uçus
11. Oniki Adim
12. Bir Adam Öldü
13. Bindokuzyüzseksenbir
14. Müsaadenizle
15. Plastik Ask


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Genre: Techno


Tracklist 12":
A1 Dying & Barakat – From Where I Am
A2 Dying & Barakat – The Storytellers
B1 Dying & Barakat – Emotional Souls
B2 Dying & Barakat – No Place In Time




Short Info:

Dubby, detroit inspirated floating techno EP

Mastering & lacquer cut by Kassian Troyer at Dubplates & Mastering Berlin
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black vinyl

Tracklist
1. Der Strahlende Verlierer
2. Hardwired Tangent
3. Hardwired Hypotenuse + Asymptote

Berlin party series and label AWAY Music continues its limited vinyl series called "Reissued", dedicated to re-releasing iconic cuts from the vast collaborative catalog of Move D & Pete Namlook. The third installment "Reissued 3", which follows the series' first two EPs from previous years, features again some exceptional pieces that were previously only available on CD. Move D and Pete Namlook are electronic visionaries whose 26-album relationship explored and intertwined psychedelic synthscapes, deep house and techno, future jazz, and downtempo on Namlook's cult imprint Fax Records. Their innovative and influential works keep inspiring electronic music producers today, showcasing their willingness to collaborate and push the boundaries of electronic music. First up on the A side, “Der Strahlender Verlierer”, from the 2006 Album “Let the Circle Not Be Broken”, begins atmospherically before pushing subtly into open filter and undulating synth territory. Introspective and accepting, the piece gradually lets the sum of its parts coalesce into a peaceful whole with sustained chords and the flicker of played steel strings.
“Hardwired Tangent” from the 2001 Album “Wired” rounds out the first side with edgier and more ominous tones. Brooding and bubbling its way through artificial textures absorbed by carefully weighted rhythmic tension. Shuffling jazz electronics. The moody low-mid hum providing buoyancy throughout. Also from the 2001 album, the B side’s “Hardwired Hypotenuse + Asymptote” is a synthetic journey. Textural, pseudo-organic, pulsating with urgency. The motoric percussion imparting structure to the sonic alchemy. Tactile yet integrated components offer the listener (or dancer) multiple entry points into the music. This is both artful and kaleidoscopic — a treatise on contemplative and psychoactive house music.
"Reissued 3" is a true testament to the innovative spirit and pioneering work of Move D and Pete Namlook. With these tracks now available on vinyl for the first time, AWAY's limited series is a must-have for old and new fans alike.

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Tracklist 12” :
A1: Freakout cult (K Groove)
A2: IMRL 4U (feat. Amber Kuti)

Short info:
After his faboulus album „All the colours“, the one and only producer and painter Andy Ash is back on Quintessentials! Cat. Number 88 is a limited (150 copies) one sided 12“ with two different tracks, showing again Andy’s versatility. US-inspired house grooves or Italo disco smashers, he can do it all! And yes, check the digial bonus „Round hands“ for some serious Acid! 88 all round!







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non-exclusive
2LP R&S and Apollo Records present an official vinyl repress of this most classicand timeless album The vinyl uses the 2013 re-masters made from original DAT tapes cut by Matt Colton and presented in original artwork.

All time favourite Aphex Twin Album. Nice and accesible experimental techno. Originally released in 1992. What else could be said here, we finally are stocking copies on arguably the most important and influential electronic album of album time, Aphex Twin's Selected Ambient Works 85–92. You will always need this!!!

Tracks: A1 Xtal
A2 Tha
A3 Pulsewidth
B1 Ageispolis
B2 i
B3 Green Calx
B4 Heliosphan
C1 We Are The Music Makers
C2 Schottkey 7th Path
C3 Ptolemy
D1 Hedphelym
D2 Delphium
D3 Actium

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Special remarks : handstamped whitelabel, downloadcodes


Genre: Techno


Tracklist 12":
A1 Specific Objects – Nightnoise
A2 Specific Objects – Nightnoise (Introversion Remix)
B1 Specific Objects – Virgo Vibes
B2 Specific Objects – Sweet Spot
Digital Only: Specific Objects – Nightnoise (Introversion’s Trippy Edit)




Short Info:


Handstamped whitelabel with 4 fast paced and forward driving techno killers from Specific Objects including an Introversion remix.

Mastering & lacquer cut by Kassian Troyer at Dubplates & Mastering Berlin
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Tracklist:
A1) Puzzle Loop 06:52 min
A2) Hopeless Beat 06:38 min
B1) Xoh 05:08 min
B2) Xoh dub 05:23 min
B3) 7 Loop 06:36 min

Short info:
Eden Burns, the prophet. He who shares the fruits of his garden w/ no strings attached. All he wants:
is for you! to dance & prance.
He now returns with another instalment of the “Big Beat Manifesto”, counting Vol. VIII
„Beat moves feet. Feet do dance. Dance brings joy. Joy is life. Life is special.“
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12"

2. GENRE/S: Electronic / Downtempo / Techno

3. TRACKLISTS:

A1: Reversus Sum
A2: Inenarrabilis
B1: Plena Lunae
B2: Ego Experior

4. SHORT INFO:

Italian sound Dino Sabatini is back on his own Outis Music, Opera Quattro Ep on the Outis Opera Series it's a mesmerizing collection of playful electronica, heavily influenced by trip-hop and dub music, perfectly capturing Sabatini's current state of mind. Balancing in between half-tempo drum and bass and organic techno grooves, it's an essential pack of Italian deep techno trips.
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Barcode: 827170549562 Rel date 16.6.2014
Special Remarks: Full Cover.
Tracklist: A1. Juno Jam B1. Tom Jam B2. Djungel Jam
Short info:
Genius of Time for Running Back! Finally Making the esteemed "Juno Jam" - known and dearly loved since John Talabot's DJ-Kicks contribution - available to a wider public for the first time, the Gothenburg couple draw a whole tribal-vodoo-house-ep around it.
Percussion happy and as spiritual as a Green Mass, it would make Joe Claussell proud. Bass drum, djungel muzik!
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Tracklist 12":
A1 – Abstraxion - Wholes
A2 - Abstraxion - Gold
B1 - Abstraxion - Force
B2 - Abstraxion – Trance Body Music

Short Info:
Abstraxion once again delivers another twist to his exotic musical tale with "Trance Body Music". A four track collection
of 90’s-infused club rockets. Hi-NRG sounds that traverse the trance-techno-rave intersection.
Lead single ‘Whole’ is a distorted and relentless number that hammers along with skewed vocal chops and lashings of
bounce. ‘Gold’ however, is a more pushy heads-down affair. It's ramped BPM and vocals muster dewy-eyed Bonzaimemories, whilst harnessing the free spirit of the resurging eurodance movement.
Next out of the rave cannon comes ‘Force’, with its fierce tempo, jittering synth stabs and playful melody working
together to create a tidy dancefloor moment. The show is brought to a close with the bubbling title track Trance Body
Music. A perfect, almost soothing, finale to a wonderfully energetic adventure.



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Tracklist

A1- Mind Eclipse (TranceHouzzTool)
A2- HG
B1- Phoenix
B2- The Shore (808 Mix)

Release Info:
Mind Eclipse completes Deetron’s triptych for Running Back. After Body Electric and Ego Rave, it’s the missing part in a tale of youthful exuberance told by a seasoned raver and transported into the here and now. Taking the essence of the carefree energy of those days, its warehouses and fields minus the (sometimes!) aural clumsiness, Deetron delivers four studies in the transformation of said emotional states.
Mind Eclipse aka Trancehouzztool does exactly what it says on the tin: big synths, swirl and twirl during an extra long break down for an uproar – serotonin shower included. HG acts like an umbrella to that. Almost melancholic in its presence and meandering between highs and lows, it’s the perfect counterpoint and offset.
On the other side, Phoenix sounds like a lost Border Community hymn that found its way near a Roland 909 for peak time purposes, before The Shore closes the book in a hybrid state between electro and disco or the soundtrack to IDM supporters in a gym workout (also available in an alternative version digitally for those who like their beats straight).
It won’t eclipse your mind though that Deetron knows what he does in the studio, so expect finest artistry, crafty tricks and technical expertise. „’Til the sweatshirts are falling down of us…“






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3 new EP's purposed made for the dancefloor.
Inc.remixes by Barratt, Eagles And Butterflies, Fango and Norman Nodge

Prins Thomas – Bringing Mum To Panorama Bar
A Bringing Mum To Panorama Bar 12:29
B1 Bringing Mum To Berghain (Norman Nodge Remix) 06:56
B2 Bringing Mum To Panorama Bar (Prins Thomas Diskomiks) 05:54


No long story to tell... I wanted to make something I could play
at peaktime and then I went and asked 3 mighty producers whose stuff I adored
if they would like to make a version each.
unleash these bea(s)ts




prins thomas, asker november 2019



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Genre: Ambient, Environmental, Mbira, Marimba, Ambient, Minimal, African

LP: 350gsm Sleeve, Obi, Liner Notes

Tracklisting LP
A1. Cutting Branches For A Temporary Shelter (In The Morning) - 21:25
B1. Cutting Branches For A Temporary Shelter (In The Night) - 22:42

Info

WRWTFWW Records and MEG Museum (Geneva) are honored to present the first new solo album by renowned Japanese percussionist Midori Takada (Through The Looking Glass) in 23 years, Cutting Branches For A Temporary Shelter, available on vinyl LP, housed in a 350gsm sleeve, with OBI, and liner notes, as well as on digipack CD.

Recorded in a live setting and played with instruments conserved in the collections of the MEG Museum, Cutting Branches For A Temporary Shelter is Midori Takada’s very own rendition of "Nhemamusasa", a traditional work emblematic of the musical repertoire for mbira of the Shona of Zimbabwe, well known worldwide, thanks notably to its version by Paul F. Berliner included on the famed 1973 album The Soul of Mbira.

The choice of this title by Midori Takada evokes the links between traditional African and contemporary music which are the foundation of this work, and it also translates the resolutely multicultural vision of the artist.

Midori Takada explains: "African music is remarkable for its polyrhythms. Not only are there simultaneously several rhythmic motifs, sometimes as many as ten, but furthermore it may be that the part played by each musician has its own starting point and its own pace, all combining to form a cycle. All the cycles progress at the same time according to a single metrical structure which functions as a reference point, but which is not played by any one person from beginning to end. The structure emerges out of the multi-level parts, all different. With the Shona, the musical system is based on the polymelody: one performs simultaneously several melodic lines which are superimposed, each having its own rhythmic organization. It is truly captivating. In Western classical music, one four-beat rhythm induces some precise temporal framework and regular reference points, which come on the strong beats 1 and 3. But in the logic of the Shona musical system, and in other African music, the melody can begin in the very middle of the cycle and be continued up to some other place in an autonomous manner, as if it had its own personality. It’s very rich."

The album comes with in-depth liner notes that include an interview with Midori Takada, a point of view by Zimbabwean scholar, musician and activist Forward Mazuruse, and background information on the project by Isabel Garcia Gomez and Madeleine Leclair from MEG Museum.

The sleeve features an artwork by celebrated Zimbabwean painter Portia Zvavahera.

Part of the budget for the album was donated to Forward Mazuruse’s Music For Development Foundation whose aim is to identify, nurture, and record young but underprivileged musicians in Zimbabwe.

The album is released in conjunction with Midori Takada and Shomyo of Koya-san's You Who Are Leaving To Nirvana, also available on LP and CD on WRWTFWW Records.


Points of interests

- For fans of percussion, Mbira, environmental, marimba, minimalism, traditional, African music, Japanese music, Through The Looking Glass, and very old music instruments.

- First solo album by Midori Takada in 23 years, available on vinyl and CD, music played with instruments from the collection of the MEG Museum in Geneva, artwork by Portia Zvavahera.
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