ETNOBOTANIKA - remember them? Well, now it's KOSMOBOTANIKA!

But rest assured - it's still the same excellent band from Ruda ?l?ska, only this time instead of a forest full of ghosts or a land of fairy tale creatures like a Fruwajacy Przestepca the duo of producers takes us on an interstellar journey!

The artists' third album, just titled KOSMOBOTANIKA, is an over forty-minute work skillfully composed from a multitude of various samples, and genre-wise presenting the sounds of deep house, trip-hop, breakbeat, ambient and even jazz. This is electronic music with a very cinematic, visual and imaginative character, something at which ETNOBOTANIKA has undoubtedly achieved mastery confirmed by their first two very well-received albums. This cinematic style (electronic concept album?) is reminiscent of the classic albums of the genre's progenitors from the UK like The Orb (first releases) or The KLF (the iconic "Chillout" album), but also the French Motorbass.

The Silesian duo does it their own way, of course, with a local twist. Thus, in the cosmic journey our guides will be in-sampled familiar voices from Polish television, cinema, radio and dusty vinyls (yes - samples from Mr. Kleks in Space had to be on the album, of course :) ).
There is no shortage of atmosphere-building instrumental fragments here, but also quite song-like tracks with catchy melodies and vocals. Fans of the band will certainly be satisfied.

What is there to say - ETNOBOTANIKA has created another classic, which simply must be on the shelf :) Trust them and let yourself be taken on a cosmic journey - satisfaction guaranteed!



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TAMTEN, the master storyteller behind the synthesizers, extends his invitation to every curious listener to ponder the same questions that haunt him throughout his peculiar career: what impacts the sound of an era? How are we shaped by what we hear and see? Do we channel our collective feelings of longing and desire for higher purpose in accord or in opposition to major historical and political forces?
On "Wschodnia Fala: The Reimagined Vision of Eastern-European Wave Music" TAMTEN takes us on a kaleidoscopic voyage through a parallel universe where the symbols and echoes of days gone by are so much more than just archived exhibits of nostalgia. Through an array of meticulous, cut & paste rearrangements, the Warsaw-based artist manages to animate yet another fantastic world of "what could be", following his more apocalyptical take on the previous LP.
There is boldness in every aspect of the release. The saga-like story unfolds evoking the excitement of seashore autobahn ride, thrills of long-forgotten discotheque nights, rush of obsessive romance and intriguing, noir-inspired drama of introspection. The analogies between Polish wave music (with nods to Aya RL, Republika, Klaus Mittfoch, Papa Dance or even Bajm) and global disco-era top chart phenomenons like Kraftwerk, Grace Jones, Giorgio Moroder and Duran Duran, could spark hour-long musicology debates. The melodies and harmonies heard on the album resemble compositions everybody knows but also sound completely new and exhilarating, just as western music clips experienced for the first time behind the Iron Curtain and then collected compulsively on VHS tapes. The feeling of the author's frenetic attempt to capture sensations, memories, artifacts and ideas never escapes the listener till the very last minute of the recording.
"Wschodnia Fala" could pass for an eerie, anonymous late 80s lost-and-found cassette mixtape unearthed on any of the Berlin Wall's sides, if it wasn't for its crystal-clear, contemporary production value and the fluent, educated use of samples ranging from bizarre and opaque to deliberately retro-pop-influenced. Those elaborate winks of the eye for those in the know are already TAMTEN's trademark and they reflect his long-standing fascination with the dancefloor anthropology rather than just the dancefloor itself. Even though never leaning towards formulaic, easy-to-mix, club-ready stompers, his ideas are still groovy enough to make anyone move.
The album strives for some sort of unattainable totality - it's a ticket to a seance, an experience, a rite. It is a chance to time travel and dance with your ancestors in a glass labyrinth on acid or to watch an 80s teenage adventure, coming-of-age, road cruising film in the cinema of your imagination with only a soundtrack provided. A "the best of" CD compilation of hits from a childhood we remember from a different timeline. A comic book sketch, a diary of an archivist, an elegy for the times that never were and a party you wish you could go to right now. The adventure is always different with another listen.
Step in. Close your eyes. Reimagine.
Embrace the wave

Tracklist:
A1 Wschodnia Fala (feat. Ajudea)
A2 Syntezator i Wokoder
A3 Sztuka Znikania
A4 Duchy Przodko?w (Skit)
A5 Zmiana
A6 TAMTEN Kot (feat. Kuxu)
B1 Nie wie Nikt
B2 Twarze Za Mg?a? (feat. Pejzaz?)
B3 Sam
B4 Ty
B5 Napisy Koncowe


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Genre: Alternative Pop / Elektronika / New Wave /Italo

Born in Zary and currently based in Poznan, Julia Rover is a singer, songwriter, and DJ. She has been active on the music scene for several years. She has recorded several tracks, performed numerous concerts, and collaborated on productions with other artists. All this inevitably led to what has just happened-her debut EP.
"Co z Toba" ("What's happening with you?" ) is the first entirely new and original (no samples!;) release in the label's catalog, simultaneously inaugurating the series The Very Polish Originals.
This record tells a story on multiple levels. The lyrics reflect tales of relationships. Of emotions. Of questions. Of dilemmas. Of disappointments. Of hopes. Of cold breakups and passionate reunions. The musical layer is also a kind of storytelling, only expressed through different means. Each track musically corresponds with the lyrics, the singing style, and the interpretation.The music complements the lyrics, embedding them in a mood-appropriate "setting."
The EP opener "Co z Tob??" moves within the climate of coldwave basslines. After that comes "Sen" (Dream), veering into territories closer to '80s synth-pop. As it fades, we catch our "Oddech" (Breath) at a slower tempo reminiscent of italo or rather neo-italo styles. We remain 3-4 decades behind. However, this journey does not feel regressive. Instead, it's reinterpretative. Constantly immersed in the DNA of the label, which has been bringing the best of musical history to light for years. The fourth and final track on the record slows down almost into a dark, psychedelic, leftfield ballad, slowly floating towards the '90s. It carries.
And that's almost everything. But it's worth getting here. Because at the end, as a sort of postscript, the title track "Co z Tob??" reappears in a danceable version. So, as it began, so it ends. Just more acid-like.

Tracklist:

A1. Co z toba?
A2. Sen
A3. Nic

B1. Oddech
B2. Dub minionych dni
B3. Co z toba? (remix)



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The Album “Prawda Cel Przeslanie” (which translates to “Truth Purpose Message”) by the polish duo Trials X, which officialy came out in the year 1995, was the first ever hip hop album that was released in Poland. 30 year after its recording The Very Polish Cut Outs are reissuing this obscure gem for the first time on vinyl (the original album was a cassette only release). It is often said that pioneers don’t have an easy life. Being a protoplast in a given field, you lay the foundation for the fruits that others will reap, often forgetting your achievements. This is not entirely the case with Trials X, as the band's contribution to the history of the Polish hip-hop scene is widely known and appreciated, but mainly only among raps biggest enthusiasts and diggers. This special 30th aniversary vinyl edition will hopefully introduce this pionieering album to a wider audience which will apprieciate its strong points but also shortcomings as it is a big piece of eatern european hip hop history.

Tracklist:

A1 Intro (natarcie przerwa marazm)
A2. Przestroga
A3. Miasto
A4. Co to znaczy
A5. Czuje sie lepiej
A6 Radio New
A7. Detroit 2XP
A8 DA P-Arty (mix)
A9. S.M.R.C
A10 Wild Percusion XL

B1 Muzyczny Narkotyk (goscinnie Oliwka i MC Bob)
B2 Jestem Wojownikiem
B3 Walkin’ Jazz
B4 Jaraja, Jaraja…
B5 Od Ciebie Zalezy
B6. Fekalia
B7 Outro (misja spelniona)
B8 Wild Percussion XXL



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After 14 years Zambon is closing down the beloved Sampler Series with Vol.10. 7 tracks. 7 new producers. All killers no fillers.

Tracklist:

A1. Justyna S. - Oko Za oko (Benncart House Bootleg)
A2. Zenit - Dzisiaj Jutro
A3. Rodas - Za Czym?

B1. Ka-ya-h - Na Jezykach (Niko Deep House Wersja)
B2. Bem i bek - Powrotna Bossa Nova (TiTLEZ Edit)
B3. Boryn - Byles Ze Mna
B4. EXPO 2000 - Fantazja


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Pejzaz (aka Bartosz Kruczyski) returns with two captivating new collage albums. Divided into two records LIST I (which was released end of September this year) & LIST II - which premieres end of movember - delves into the realm of 90s/Y2K Eastern European CD releases. Employing hundreds of samples, Pejzaz sculpts a mesmerizing and distinctive body of work.

LIST II guides the listener into the night, combining trip hop and dub influences, dusty samples, wailing blues guitars, and cold-wave synthesizers. Its haunting soundscapes provide an apt soundtrack for winter in Eastern Europe.

Notably, this marks Pejzaz first foray into a fully instrumental album. Although devoid of lyrics, the bittersweet blend of samples infuses the music with a profoundly Polish essence, further enhancing its distinctive allure.

Tracklist:

A1 List II
A2 Duchy Lasu
A3 Imperium Znaków
A4 Blues Trzeci
A5 Bez Grawitacji
A6 Ogród

B1 Serce
B2 Po Godzinach
B3 Wizje
B4 Dziennik Pisany Noc?
B5 Linia Pi?kna


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Pejzaz (aka Bartosz Kruczynski) returns with a captivating new collage album. Divided into two records LIST I (set out to be released end of september) & LIST II (scheduled for end of November), it delves into the realm of 90s/Y2K Eastern European CD releases. Employing hundreds of samples, Pejzaz sculpts a mesmerizing and distinctive body of work.

LIST I, bathed in sun-drenched chords, seamlessly blends pop-rock guitars, soulful drums, and dreamy, pastoral folk elements with minimal music and ambient textures, reminiscent of Baltic Beat (the Polish incarnation of Balearic Music).

Notably, this marks Pejza's first foray into a fully instrumental album. Although devoid of lyrics, the bittersweet blend of samples infuses the music with a profoundly Polish essence, further enhancing its distinctive allure.

Tracklist:

A1 List I
A2 Szepty
A3 Mikrokosmos
A4 Czwarty Wymiar
A5 Fata Morgana
A6 Cargo
A7 Directions

B1 Regu?y Gry
B2 Barwa I
B3 Barwa II
B4 Barwa III
B5 Barwa IV
B6 Barwa V



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Zambon from The Very Polish Cut-Outs have once again sought out forgotten and somewhat obscure artists whose music is in need of a revival. This time, they have chosen the duo MODFUNK, who were active in the Polish electronic music scene from 1999 to 2009. Piotr Jarecki and Martin Tigermann, two Varsovians who shared a love for the "french touch" genre that dominated dancefloors worldwide at the time, showcasing Daft Punk, Cassius, Stardust, and Bob Sinclar, were the brains behind the project.

The compilation comprises a subjective and cross-sectional selection of the ten best tracks from Modfunk's entire discography. While their music evolved over the years, they never abandoned their French-inspired sound, which is why the compilation includes tracks like "Souler" and "The Wav," which draw inspiration from Daft Punk. It also features "Love," a track sung in Polish that echoes Romanthony's work, as well as "Texmex" and "Wishes," two electropop tracks that could have been released on Ed Banger Records

Includes printed insert with the history of the group Modfunk


A1 Souler
A2 The Wav
A3 Funksalad
A4 Love
A5 Juice
B1 Wishes
B2 Possibiity For Significant Other
B3 Tex Mex
B4 Through The Sound
B5 Just…



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Approximately 3 years after the release of their debut album, ETNOBOTANIKA are back. Lesne Duchy is yet another joint release from the Silesian duo, coming out on the collaborative efforts of Superkasety Records and The Very Polish Cut Outs. These are still the sounds of a dusty old cassette, however this time the digging didn't take place in the allotment gardens, but rather somewhere in the woods, within a thick layer of moss. Hauntology and nostalgia still play important roles yet they are no longer in the foreground. Certain associations with primordial magic, wild backwoods and unspeakable mysteries come to the fore. The ambience encapsulated in these tropes is the key to understanding this album. One can, of course, mention that sonically the producers are once again flirting with dubtechno, ambient and sampled collages, but all these genre clichés are only tools resulting from the individual inspirations and experiences of Alergeek and Uwdar (i.e. the two halves of ETNOBOTANIKA), and are meant to build the right mood, not to put Le?ne Duchy into the tight framework of, say, club music or trip-hop. If this album is to be pinned down to anything, it is probably library music.
The 80 minutes of music spanning two vinyl records and a chunk of cassette tape make for quite a long record, ETNOBOTANIKA however make sure there is absolutely no dullness, precisely thanks to the variety of moods. At times it leads us playfully out into the woods, other times it haunts us a little, but eventually all ends well, and we don't even get the chance to realise that we've been wandering around the green backwoods for over an hour... and we want to go back there again and again.

Second album by ETNOBOTANIKA
2LP - 80 Minutes of Music


A1 Najstarsze Drzewo Swiata
A2 Wil
A3 Na Polanie
A4 Knieje
A5 Czarownice
B1 Bagna
B2 Swietliki
B3 Deszcz Deszcz
B4 Tajemnice
B5 Beboki
C1 Sladami Wilka
C2 Nowa Sciezka
C3 Spiew Znad Rzeki
C4 Chocholy
D1 Planeta Las
D2 Wszystkie Swity
D3 Lesny Ambient
D4 Piochy



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12" - Limited 2025 Repress Edition - Please Order until NOV 14 th 2025 to ensure pick!
- NO RETURNS -

Tracklist:
A1. Use Me Again (And Again)
B1. Use Me Again (Carl Craig Rework)

One of Tom Trago's biggest tracks, now repressed! The Original Mix and backed with the huge Carl Craig Rework.

'Use Me Again' is Tom Trago's evergreen club classic. Originally released at the start of 2010 it became a staple track in many a DJ set. The track is based around an infectious loop in true disco spirit. It lights up every dancefloor its been played to - and still does.

Carl Craig has been one of the track's biggest fans ever since it came out, playing it out in almost every set at a certain point. For this release he came up with a typical c2 re-tweak. Big one!

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Shadow Pressings celebrates one year and its 5th release with another killer selection of deep, chunky house from the very same (unknown) producer as the label’s debut release.
My Soul sets the tone with a stripped back late night groove, working up THOSE Freddie Hubbard strings and a hooky sax riff. The sound palette is familiar but put together in a skilful and original way ensuring this banger will stand out in the crowd.
Tears follows with a similarly punchy, paired back groove which leaves space for the chiming melodies and spoken word samples to shine. Flipping over we have Lost In The Dance and What Galaxy Is This? which continue the theme of choice vox samples, shuffling drums and rolling basslines.

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mini-LP

Tracklist

A1. Baerhit
A2. Do You Like That?
A3. Breathe
B1. Want Me
B2. Distant City Tranceport
B3. Sometimes I Miss You

Raphael Schön might still be best known for his Fiesta 2000 hit, but that ought to be changed with Heart Times. Hailing from Augsburg in Germany, RS represents a young generation of producers that draw their own deductions from golden days (insert your favorite era here) of dance music. Respectful and without handling it with kid gloves, he manages to inject fun, freshness and a fertile imagination into these sometimes dusty topics.

Conceived during a very emotional turbulent time for Schön, it is a showcase of his whole spectrum as a producer. Imagine a singer-songwriter coming back from his first rave. So, on this six-track EP for Running Back, his sound ranges from classic house (Baerhit) to crooner prog (Sometimes I Miss You), with mellow trance (Distant City Tranceport) and jiggy hits (Do You Like That) in-between. A dance hall unifying and colorful bouquet of flowers that does not shy away from vocals, emotional undertones and most of all bass and hook lines to die for. Schön means beautiful in German and that’s what this mean record is. Do you like it like that?









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12" colored vinyl with full cover print (vinyl color is sand/ honey color)

TRACKLIST:

A. 2000 And One - Edge Of No Return (Hardspace Mix)

B1. Viers - Re-L (Hardspace Mix)
B2. Viers - Free Your Mind (Hardspace Mix)

INFO:

On H008 Len Faki goes back to his crate for a unique journey through synth-led landscapes, carefully selected and bolstered up for the dancefloor.
Starting with 2000 And One - Edge Of No Return from the mid 2000s, when it was just a standout synth-line - no beats. The Hardspace Mix takes this masterclass in building tension, adds a driving beat and searing percussion while keeping the iconic synth-play intact -layered with big, booming bass for that full-bodied, dancefloor-ready energy.
The flip boasts two of longtime Figure-collaborator Viers' productions. Re-L, released almost 10 years ago, it delivered that unmistakable pulse of deep, dubby, shimmering synths. Hardspace picks up these potent elements and injects them with a new low-end, dramatic rises and tight rhythms, creating a high-energy yet hypnotic flow.
Equally energetic but much more brooding in atmosphere is the Hardspace version of Free Your Mind. An elusive original, this mix builds on dense percussion, subdued vocals and droning horns while carrying some seriously spaced-out acid synth textures. One for the wee hours and those special memorable moments in a set.


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NO RETURNS!

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Rights: World excluding FR & UK

Packaging: 2 x CD, harcover sleeve (like a book) with textured card , dimensions 14,7 cm x 19,6 cm, 48 page booklet , marketing sticker.

OVERVIEW
Alongside Joy Division, The Durutti Column were amongst the first artists to be released by Factory Records. Their debut album, produced by Martin Hannett, showcased the filigree guitar work of Vini Reilly, awash with reverb and early experiments with synthesisers. It would be a first album of a five-decade career, in which The Durutti Column would quietly emerge as one of the most influential acts from the Manchester scene and beyond.

"Essential." The Quietus
"..the most distinctive LP in the Factory canon" Record Collector ?????
"..a perfect meeting of the minds" BBC
".. a quietly stunning debut" All Music ????1/2

To celebrate the album's 45th anniversary, London Records revisits the album with new editions, with audio sourced and remastered from the original tapes, with vinyl cut at ½ speed.


DELUXE DOUBLE CD SET
- 33 tracks
- 45th anniversary edition
- Newly remastered from the original source tapes for the first time since 1980
- 2 Discs including original album, bonus tracks, home and studio demos, and early live tracks. Features two home demos exclusive to this format.
- Housed in a special hardback tall storybook edition (dimensions 147mm (w) x 196mm (h)). 48p page booklet.
- Restored 1985 "cassette edition" artwork with textured "tall book" sleeve
- The exact textured card for the outer sleeve has been accurately sourced.
- 3 essays by The Durutti Column / Factory Records expert James Nice, Primal Scream's Bobby Gillespie and MOJO editor Ian Harrison.

TRACKLISTING:

DOUBLE CD EDITION

CD1
1. Sketch For Summer
2. Requiem for a Father
3. Katherine
4. Conduct
5. Untitled
6. Beginning
7. Jazz
8. Sketch for Winter
9. Collette
10. In 'D'
11. Lips That Would Kiss
12. Madeleine




CD2
1. No Communication
2. Thin Ice
3. Won't Look Out (Gammer and His Familiars ft. Vini Reilly)
4. Intervals (Home Recording -1978)
5. Katharine (Home Recording -1978)
6. Untitled (Home Recording -1978)
7. Conduct (Home Recording -1978)
8. I'm a Face (Studio Demo - 1980)
9. Sketch for Summer (Studio Demo - 1980)
10. Requiem for a Father ((Studio Demo - 1980)
11. Madeleine (Studio Demo - 1980)
12. Katharine (Studio Demo - 1980)
13. Lindsay (Studio Demo - 1980)
14. For Belgian Friends (Studio Demo - 1980)
15. Detail for Annik (Live - Leeds Polytechnic 1980)
16. Sketch for Summer (Live - Leeds Polytechnic 1980)
17. Requiem for a Father (Live - Leeds Polytechnic 1980)
18. Conduct (Live - Brussels 1981)
19. Self Portrait (Live - Brussels 1981)
20. For Belgian Friends (Live - Brussels 1981)
21. Sketch for Summer (Live - Brussels 1981)


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