Genre: Electronic, Oriental Jazz, Ambient, Breakbeat
lim. to 200 180Gr Vinyl!

Schnieke is rich and fruitful, yet carries a sadness within. A 5-string violin charts its melodious journey from Istanbul to Belin, accompanied by electronics, breakbeats, live drums and percussions. An authentic oriental funky mood keeps you in a trance or gets your body moving tribally…

This is Schnieke, a.k.a. Özgür Akgül, with his first studio album Hediye, or Gift. The album is intended as a gift to Özgür's grandmother, Hadiye, who was very important to him and to whom he dedicates a song. But his debut album will also come as a gift to anyone interested in how a sophisticated musical sensibility brings together electronic elements with stringed instruments of all kinds. Özgür plays the violins himself, as well as the analogue synths and drum machines. Guest musicians include Hasan Gözetlik (trumpet and trombone), Göksun Çavdar (saxophone), Korhan Erol (electric guitar and bass), Burhan Hasdemir and Baris Güney (live percussion), Zafer Tunç Resuloglu (live drums), John Gürtler (church organ) and the Istanbul Strings, Turkey’s most vibrant string ensemble.

Their diverse influences create a wide emotional range on Hediye - sometimes dark and melancholic, sometimes wild, groovy and danceable, somewhere between jazz, dub and electro, each song surprising in its own way. Despite the variety of the individual songs, a captivating pulse runs like a thread through Schnieke's first album. Incidentally, Özgür came up with the band name during a night out in a bar, when a friend explained to him what Berlin slang he absolutely had to know. He liked the sound of the word ‘schnieke’ – it means something approximating ‘snazzy’ - and perhaps he secretly also wanted to flatter himself a little! Well, shouldn't we all do that much more often?

Hediye consists of eight tracks, three of which are traditional: Aman Doktor comes from Istanbul, Özgür's birthplace, and is a homage to his own origins. Kadioglu comes from the Aegean region and features the zeybek dance form which, despite its ‘standardisation’ in recent times, still summons up the ecstasy, inspired improvisation and musical finesse of its historical roots. The other five tracks are Özgür's own compositions, with Pasali providing the soundtrack for the 2010 Turkish feature film Memleket Meselesi. Creating compositions for film has been Özgür’s primary passion since his time as a student at the Filmakademie Baden-Württemberg. You can hear that in his music, because on his debut album Özgür does completely without vocal support, the instrumental depth stands for itself, and, in the style of The Cinematic Orchestra, space is created for us to develop our own images while listening – it is a soundtrack for the film we want to make of it.

A1: Tanz Mir Den Untergang
A2: Schnieke Oro
A3: Aman Doktor!
A4: Pasali
B1: Kadioglu
B2: Hediye
B3: Stampol
B4: Bur


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lim. to 250 Copies ww!

"The world is rich, the world is colorful. So why not show it in all its complex diversity and contrasts? Why, when you go in one direction, do you have to follow it further and can't just go in all directions at once? These are all questions that Berlin-based Turkish singer Basak Yavuz may have asked herself when she began recording her new album "Raum 610."

Basak Yavuz doesn't take much time to get down to business. Right away in the opener "Promised Lands," different stylistic elements like jazz, rock, funk and hip-hop chase each other as if it were a matter of life and death. The message is unmistakable: this is about energy. The energy of the big city. Crowds on the sidewalk, congested streets, noise from construction sites, cyclists and drivers yelling at each other, barking dogs, screaming children, shattering glass, a new surprise around every corner. Basak Yavuz does not hide, but picks up the tempo of the Moloch and makes it her own pulse with all its fractures and border crossings. She is not afraid to overload her songs, but confidently juggles the explosiveness of creative oversaturation." (Wolf Kampmann)

A1: Promised Lands
A2: Little Ghost
A3: Farewell My Love
B1: Professor
B2: Panny and the Hummingbird
B3: Stuck


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Limited 200 Copy

Cherry Bandora is an oriental jewish princess singing in poetic Greek, rhythmical Turkish and Hebrew slang. The fresh combination of the greek blues guitar, the bouzouki, with the psychedelic hammond organ, accompanied by lively middle eastern grooves on drums creates an exciting clash of tradition and rebellious attitude.
Supported by Initiative Musik GmbH with project funds from the Federal Government Commissioner for Culture and Media



TRACKLISTS:

A1 The Sound of Baglama
A2 Mia Dekara
A3 Aman Kuzum
A4 Rampi Rampi

B1 Benim de Can?m Var
B2 Dimitroula Mou
B3 Mine Konda Mou
B4 Den Se Lismono


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Genre: Country, Americana, Americana Gothic

Big Daddy Mugglestone is back, with his first full-length solo release in over 2
decades! Rumi Sounds is proud to
present this collection of songs about Life,
Love, and God that really embody the idea of Americana Gothic. The
songs are dark but not bleak, giving a glimpse of forgiveness...even the
12-minute long murder ballad for which the album is named is still a love song.


With a mixed band of Denver and Berlin-based friends, Mugglestone steps out of the shadowy depths
to create a record you and yr auntie could listen to while doing the dishes or
lounging on the sofa on a rainy day.

The psyche-melodic guitar swirls of Oska Wald and the alluring back-up
vocals of MTN GRL elevate his wry
croon, not quite country but not quite
contrary. Something like if Lee Hazlewood and John Prine both wanted to buy
the same vintage lamp...


A1 Blood Does not Make Family
A2 Past and Still
A3 It's Fine
A4 Never Be the Same
A5 Trainclock Heartbeat
A6 I can Float
B1 Switchblade Romance
B2 Drink Myself to Death
B3 To Give A Ghost A Name
B4 Hangman & the Rainmaker




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Genre: rembetiko, folk, Balkan

Between tradition and contemporary aesthetics, Sousta Politiki forcefully and uniquely revisits the repertoire of Smyrneiko (Greek rebetiko from Asia Minor) and the songs of Istanbul, adding their own compositions.
Formed in Strasbourg in 2016, Sousta Politiki is a Franco-Turkish music group that draws inspiration from various urban and marginalized music genres of Greece and Turkey. The repertoire they explore is diverse, including Smyrneiko from Asia Minor, Kanto from Istanbul, rebetiko from Athens or Piraeus, and traditional songs from Thrace. However, they all share a common connection to the post-Ottoman traditions of the early 20th century. These songs primarily consist of vocals, and their themes often touch upon of daily life such as alcohol, drugs, prison, and prostitution.
The songs are approached with a sense of irony and celebration. One can find both joy and melancholy, as in Argentine tango or American blues. The five members of Sousta Politiki come from diverse musical backgrounds, including rock, Ottoman music, opera singing, rebetiko, and improvised music. The process of creation and reinterpretation knows no limits, and the unique instrumentation of the group (cello, Ottoman tanbur, accordion, bouzouki, percussion, and vocals) allows for surprising and unprecedented rearrangements.


A1 Krasopino
A2 Se Zografisa Vlaha M'
A3 Bademler
A4 Kara Kiz
A5 Un Taxi pour Bebek
B1 Gönlüm Sensiz Olmaz
B2 Aidinikos Horos
B3 Ignem Düstü Yerlere
B4 Mandalari Karaman
B5 Olon Ton Kosmo Gyrisa


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Turkish underground rock misfit Erbatur Çavusoglu's first solo album is finally here: an intimate collection of previously unreleased songs and new versions, with fresh arrangements by Big Daddy Mugglestone. The result is like Iron & Wine being fronted by a Taksim Square street poet, or a Turkish Crazy Horse.

Erbatur's wavering falsetto delivers heartfelt and tender songwriting, accentuated by an eclectic band of old and new Berlin friends. A must for fans of Indie Americana and Turkish Psychedelic Folk, this is a warm and haunting departure from his previous work with Zardanadam, deeply personal but with open arms.
Supported by Initiative Musik gGmbH with project funds from the Federal Government Commissioner for Culture and Media

A1 Tadim Yok
A2 Gözyazlarim
A3 Sokaktaki Adam
A4 Dalgalarin Vurdu Sahillerime
A5 Rövans
B1 Gece Yolculugu
B2 Kadinim
B3 Gelmesen de Olur
B4 Mucize
B5 Yanimda Olsan




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180 Gr Gatefold 1LP

Melodic fragments from medieval Spain with a Judaeo-Spanish version of a Turkish sharki. An Argentinian tango adapted to the dervish tradition. Orthodox church rites in Turkey meet an Andalusian secular repertory in Morocco.
Sefardim is a compilation of popular romansas (love ballads) by ladino-speaking Jews in Istanbul. Forced out of the Iberian Peninsula by the end of the 15th century, the music of the Sephardim survived 500 years in exile and greatly influenced Turkish Art Music. Janet and Jak Esim are accompanied by fretless guitar virtuoso Erkan O?ur and percussion maestro Okay Temiz. They have meticulously collected songs, melodies and lyrics from the last ladino speakers alive.

Genre: Sephardic, Ballad

TRACKLISTS:


A1 Una Tadre de Enverano
A2 Ay Manas Tururururu
A3 Tres Klavinas en un Tiesto
A4 Ay Dos Anyos
A5 Ni Pudra Yeva Ni Kolor
B1 Ija Mia Mi Kerida
B2 Por Amar Una Donzea
B3 Yo Era Ninya
B4 Durme Durme
B5 Esta Parea Ke Viene



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180GR GATEFOLD 2-LP

Folk songs and computer loops, electronic garble and jazz, random sounds of nature and ancient poetry. Pauses and rests between note and note, the silences that give meaning to sounds. SO Duo speaks and sings in tongues, crossing borders, carrying words from culture to culture, from tongue to tongue in a language that everybody can understand.

SO Duo, Sumru Aryürüyen (vocal, mandolin, keyboard) and Orçun Batürk (panduri, voice, keyboard, electronics, drums) have been creating various projects together, in a spectrum between traditional and avant-garde since 2013. So Far is a collection of the works of SO Duo released on vinyl as a double LP for fans and collectors for the first time.

Genre: Avantgarde Folk, Ambient

Tracklist:

A1 Ay Ana
A2 Ey Dost
A3 Söylemeden Anladk
A4 Aci Türkü
A5 Dag Yanar
A6 Maske

B1 Derdimi Dökersem
B2 Edgü Ol
B3 Yagmur
B4 Sözcükler
B5 SHODB
B6 Yele

C1 Sonbahar
C2 The Light
C3 Ninni

D1 Tacinn Avucu
D2 Arka Bahçe
D3 Fuzuli
D4 Bir Büyük Sükun
D5 Isiga Dönüyoruz


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Erbatur (Çavusoglu) is a Turkey-born singer/songwriter most recognized as the lead singer of the Turkish rock bandZardanadam. However, these two tracks are melancholic ballads dealing with the desire to leave, to run away, and find a peaceful place on earth. Both "Kaçaca??m" and "Seyyah" have been known to his fanbase from live gigs, radio and TV appearances since the 1990s, but are recorded here with a super-group of international musicians living in Berlin.
30th anniversary release of Erbatur's melancholic ballads dealing with the desire to leave, to run away, and find a peaceful place on earth. New, beautiful versions complete with pedal steel, cello and tar arranged and produced by Big Daddy Mugglestone.

Genre: Ballad, Singer Songwriter, Pop

TRACKLISTS:

1. Kaçacagim
2. Seyyah


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180 Gr Gatefold 2LP

The punchy sound, courageous lyrics and their anarchist attitude was a bit too much for the mainstream music industry. Still the underground rock scene of Turkey in the 2000s was broad and generous enough to welcome the discrete.
Zardanadam hit hard with their DIY practices. Besides being the pioneers of copyleft digitals, they self-produce and distribute almost 100 000 CDs at concerts and via airmail for free.

VITAL SALES POINTS:
Here is a selection of their greatest hits from the six-album discography compiled for the first time on vinyl for the 20th anniversary of the band.
Limited 500 Copy

Genre: Rock, Punk, Alternative Rock

3. TRACKLISTS:

A1 Kalbim Yok 2:53
A2 Toz Duman 5:20
A3 Dibini Gör 4:30
A4 Hepsi Hepsi Hayat Nasil Olsa 3:47
A5 Aramizda Birseyler Var 3:39
B1 Küçük Sirin Bir Cuma Aksami 4:50
B2 Sarisinlar Boktur 4:33
B3 Benim Yolum Ayri 3:16
B4 Oyun 3:31
B5 Birak Isini 4:20
C1 Mayis 4:26
C2 Serseri Marsi 5:12
C3 Tadim Yok 4:12
C4 Beni Seversen 4:02
C5 Ben Yokum Artik 2:42
D1 Yarim 5:18
D2 Rövans 5:24
D3 Sen 5:40
D4 Kaçacagim 4:16



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with OBI

A bit of blues here, a bit of rock there, and maybe even a little jazzy improvisation, with numerous inspirations from the folk music of various cultures, and the never absent, albeit not always conscious Turkish modes and vaguely reminisced melodies.
A songwriter accompanied by a team of marvellous musicians who left an important imprint on the Turkish music scene since the 80s. Bülent Somay, an academic, writer, translator, political activist, educator and musician, is a former member of the Turkish Jazz-rock-fusion group Mozaik. He rolls up his sleeves and dusts off some old songs that were never published before with 'a little help from his friends'.

Genre: Prog Rock, Jazz Rock

TRACKLISTS:

A1 I'm the Tower of Babylon
A2 Water
A3 Plainclothes Blues
B1 Make Room Make Room
B2 Rain of Red Feathers
B3 Elements Affirm


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250 lim. colored Gatefold 2LP

MOZA?K began its journey under the oppressive aura of the 1980 coup in Turkey, singing songs of freedom from all around the world, eventually stepping into the more controversial areas of jazz, progressive rock and fusion with their own compositions.
Whilst the post-coup music scene was dominated by apolitical pop music, Mozaik produced sophisticated lyrics and composed songs in unusual structures.
With a dynamic crew and a rotating list of songwriters in the band, Mozaik maintained its unique sound and poetic narrative throughout the years.
In your hands right now is the first vinyl compilation available outside of Turkey including songs from their entire Archive, first published in 2014 in 6 CDs.

250 Copies limited edition coloured double LP in gatefold sleeve with original and English lyrics.

GENRE/S: Prog Rock, Jazz Rock

TRACKLISTS:

1. Bir Bisiklet Gezintisi
2. Hareket Etmeliyim
3. Kendi Biraktigim Izlerde
4. Bir Bulutun Ardindan
5. Bitmeyen
6. Çook Alametler Belirdi
7. Gitmeliydik
8. Sappho ile Konusma
9. Emekli Albay Hilmi Ertunç
10. Kör Uçus
11. Oniki Adim
12. Bir Adam Öldü
13. Bindokuzyüzseksenbir
14. Müsaadenizle
15. Plastik Ask




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