With releases on Brooklyn’s Major Records and UK imprints Non Stop Rhythm and Indulgence, DJ Split is a breakthrough producer putting his own stamp on the classic Chicago house sound. For his Shadow Pressings debut he has conjured up five original club cuts that will work their magic on any dance-floor worth it’s salt.

Last Night Baby sets the tone with taught 909 beats, punchy bassline stuttering vocal hits. Piano chords and a smattering of melodic chimes and just the right amount of musicality without taking away any of the raw energy and turbo-charged grunt. Treading a similar path but upping the BPM’s, XNXX goes for the jugular with gnarly FM bassline and frenetic groove.

Flip over for Can I Tell You? which goes a little deeper with a rolling bassline, filtering Detroit pads and strings whilst Step For brings touches of acid, banging 909 toms and vocal chops. Closing out the EP we have One In A Life Time which turns up the jack factor with snappy 808 snares, mechanical bass line and deep stabs. DJ Split is a man on a mission to bang the party and has come prepared with his piñata fully loaded with big, fat beats n basslines.



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No Returns!

Shadow Pressings hits release number 3 with a fully stacked EP from Detroit luminary Mike Agent X Clark. Founding father of the Beatdown sound, Mike’s productions can be found on labels such as Third Ear, Planet E and Shockwave Records as well as being a member of the Underground Resistance crew.

For his Shadow Pressings debut Mike has conjured up some classic house tracks with his trademark Detroit touch. Lead track In The House Club features the spoken word of fellow Detroit native Dr. Tinglefingers who lays down his call to the dance floor making for a solid slice of raw, minimal, classic house music. Jimpster gets busy on the remix working up a similar mood to that of his evergreen 2005 remix for Delano Smith’s Message For The DJ. Keeping all the elements in place, Jimpster thickens up the stabs with extra Rhodes and adds some choice touches to keep the energy bubbling nicely.

Get Up is just the kind of stripped back, bass-heavy drum tool that Ron Hardy might have worked the dancers into a frenzy with at the Muzic Box. Closing out the release we have Fresh Air which keeps things deep and minimal for a proper heads-down, no nonsense basement jam with that authentic Agent X flair.

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Fledgling label Shadow Pressings already made a mark with their debut release in March entitled the Chicago EP, garnering love from Hunee, Terry Farley and Luke Solomon to name a few. Striking while the iron is hot, the label are serving up four more heavyweight club tracks which include acidic edits, crunchy deep house, 808 electro grooves and dusty breakbeats.
Lead track Find A Friend jacks up the perennial classic with 808 rims and toms and additional synths but keeps things loopy and rolling. Holding One Shoe continues with the 808 theme whilst injecting a healthy dose of acid resulting in what sounds like a long lost Yazoo B side filtered through a lysergic lens. Train Of Fools decontextualises a well known acapella making for a deep and techy basement jam which will keep the floor moving and the speaker pumping.
Closing out the EP we have More Music In The Night, which chops up some familiar samples and layers up an 808 electro groove and breakbeats for a fresh take on early 90’s house.

A1 - Find A Friend
A2 - Holding One Shoe
B1 - Train Of Fools
B2 - More Music In The Night



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The debut release on brand new label Shadow Pressings hits the ground running with 4 heavyweight club tracks that doff the cap to the halcyon days of Chicago house music. Opening track The Messiah takes the maestro Lil Louis blueprint with sampled sax licks and punchy synth stabs accompanying the raw, minimal house groove. It Started In Chicago heads in a more jacking direction with a snaking bassline, muscular drum groove, cut up vocal and sax hits.

Flipping over we have How Does It Feel which brings a touch of late night deepness with a rolling FM bassline and familiar vocal hook. Classic string stabs join the party in the breakdown adding the icing on the cake and making for a track guaranteed to create a special moment on the dance floor. Closing out this killer 4 tracker we have Changes which keeps things stripped back to the meat and potatoes placing all the emphasis on the punchy 909 drums and simple bassline.

A1 - The Messiah
A2 - It Started In Chicago
B1 - How Does It Feel
B2 - Changes

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12" - Limited 2025 Repress Edition - Please Order until NOV 14 th 2025 to ensure pick!
- NO RETURNS -

Tracklist:
A1. Use Me Again (And Again)
B1. Use Me Again (Carl Craig Rework)

One of Tom Trago's biggest tracks, now repressed! The Original Mix and backed with the huge Carl Craig Rework.

'Use Me Again' is Tom Trago's evergreen club classic. Originally released at the start of 2010 it became a staple track in many a DJ set. The track is based around an infectious loop in true disco spirit. It lights up every dancefloor its been played to - and still does.

Carl Craig has been one of the track's biggest fans ever since it came out, playing it out in almost every set at a certain point. For this release he came up with a typical c2 re-tweak. Big one!

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mini-LP

Tracklist

A1. Baerhit
A2. Do You Like That?
A3. Breathe
B1. Want Me
B2. Distant City Tranceport
B3. Sometimes I Miss You

Raphael Schön might still be best known for his Fiesta 2000 hit, but that ought to be changed with Heart Times. Hailing from Augsburg in Germany, RS represents a young generation of producers that draw their own deductions from golden days (insert your favorite era here) of dance music. Respectful and without handling it with kid gloves, he manages to inject fun, freshness and a fertile imagination into these sometimes dusty topics.

Conceived during a very emotional turbulent time for Schön, it is a showcase of his whole spectrum as a producer. Imagine a singer-songwriter coming back from his first rave. So, on this six-track EP for Running Back, his sound ranges from classic house (Baerhit) to crooner prog (Sometimes I Miss You), with mellow trance (Distant City Tranceport) and jiggy hits (Do You Like That) in-between. A dance hall unifying and colorful bouquet of flowers that does not shy away from vocals, emotional undertones and most of all bass and hook lines to die for. Schön means beautiful in German and that’s what this mean record is. Do you like it like that?









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12" colored vinyl with full cover print (vinyl color is sand/ honey color)

TRACKLIST:

A. 2000 And One - Edge Of No Return (Hardspace Mix)

B1. Viers - Re-L (Hardspace Mix)
B2. Viers - Free Your Mind (Hardspace Mix)

INFO:

On H008 Len Faki goes back to his crate for a unique journey through synth-led landscapes, carefully selected and bolstered up for the dancefloor.
Starting with 2000 And One - Edge Of No Return from the mid 2000s, when it was just a standout synth-line - no beats. The Hardspace Mix takes this masterclass in building tension, adds a driving beat and searing percussion while keeping the iconic synth-play intact -layered with big, booming bass for that full-bodied, dancefloor-ready energy.
The flip boasts two of longtime Figure-collaborator Viers' productions. Re-L, released almost 10 years ago, it delivered that unmistakable pulse of deep, dubby, shimmering synths. Hardspace picks up these potent elements and injects them with a new low-end, dramatic rises and tight rhythms, creating a high-energy yet hypnotic flow.
Equally energetic but much more brooding in atmosphere is the Hardspace version of Free Your Mind. An elusive original, this mix builds on dense percussion, subdued vocals and droning horns while carrying some seriously spaced-out acid synth textures. One for the wee hours and those special memorable moments in a set.


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NO RETURNS!

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Territories: Worldwide no restrictions

Format Notes: First time vinyl release, 140g vinyl

Track List:

A1 Dance In The Dust
A2 Amber Whispers
A3 Where Were We
A4 The Lights Of Kinshasa
A5 Pictures Of You

----

B1 Serendipity For Two
B2 Smiles By The Millions
B3 Higher Still
B4 Oriental
B5 Days To Wonder
B6 Dawn Of Europa
B7 Crystal Falls
B8 Purple Lines


Release Notes:

Synth pioneer and musical polymath, Wally Badarou is a genius. But you know that already. A vinyl version of his majestic Colors Of Silence has been craved by the Balearic cognoscenti ever since its low-key 2001 release. Indeed, when we first started work on Be With, we asked some pals with exquisite taste what their dream release would be. We asked Balearic legend Moonboots and, without hesitation, he said Colors Of Silence by Wally Badarou. We didn't know Wally had made this album. And most still don't. But that's about to change.

Colors Of Silence is ostensibly a new age album. As ever though, Wally's sophisticated synth textures and expressive keyboard runs are so full of character, so full of life, that this work of art transcends any easy genre categorisation. It's simply stunning, throughout. It sounds like A.r.t. Wilson or Suzanne Kraft, with traces of CFCF and Jonny Nash. But it was made a good decade earlier than the work of these modern giants. Sometimes, it doesn't seem far from some Larry Heard albums.

Island Records founder Chris Blackwell's friend Nathalie Delon asked Wally to provide music for the yoga DVD she was to release. Lack of time on both sides made them agree on using "quality demos" Wally had in his ideas bank. It's understandable why Colors Of Silence remains somewhat of a lost gem. As Wally explains: "Total lack of promotion made it an 'intimate' release, which was exactly what I was looking for: just a buzz-maker and time-buyer that would allow me to concentrate on the real thing as soon as I'd have time, which could also turn into a rare collecting item later, once the final versions made their way to success. You never know."

Over the years, Colors Of Silence has become a true cult record for the ambient/Balearic heads.

The beguiling but brief "Dance In The Dust" is the shuffling, hyper-percussive, hypnotic opener. It gives way to the deep serenity of "Amber Whispers". It's a gliding, divine, mini melodic masterpiece. It'll make you swoon in its extreme beauty. The bright and breezy "Where Were We" follows, a tropical, reggae-tinged bounce through the islands.

The uptempo groove is maintained on the keys-drizzled soca-funk of "The Lights Of Kinshasa" before Side A is rounded out with "Pictures Of You". It starts with stately, melancholic, unadorned piano and this alone would make for a beautiful song. But Wally always gives us that bit extra and he effortlessly introduces warm, dreamy pads and minimal, slo-mo percussion to augment a frankly stunning piece of work.

Ushering in Side B, Wally's mesmeric piano playing is to the fore again, in the intro to uber-chilled "Serendipity For Two". The playing becomes more mellifluous as the track progresses and adds warmth through exotic percussion, woodwind, sweeping synths and digi-drums. It has echoes of, er, Echoes. It segues seamlessly into the more propulsive, wavy "Smiles By The Millions". If you're not nodding and grinning along widely to the gently throbbing bassline underpinning this, we can't help you. The meditative "Higher Still" follows, cinematic in feel and ever so slightly sinister with the strings. It sounds particularly Badalamenti-esque, if you ask us.

That unmistakable, almost peculiar Badarou funk - so lyrical, so texturally rich and so rhythmically spacious - is all over "Oriental". Next up, "Days To Wonder" brings the serenity back, insistent yet melodic keys, as if played in a place of worship, coupled with birdsong, conjure a kind of instant nostalgia for halcyon days of youth. The contemplative "Dawn Of Europa" is a sombre, beatless, ambient journey whilst the glorious, too-brief "Crystal Falls" features soft percussion and sparkle before fully glistening with some gentle head-nod beats. Wally brings this incredible collection to a mellow, tender close with the graceful "Purple Lines".

There can be few artists more under-appreciated given their vast influence than Wally Badarou. His solo work practically defined the sound of the Balearic DJs of the 1980s, and thus the more sophisticated sound of dance culture thereafter. A synth specialist, Badarou was the long-time associate of Level 42. He was one of the Compass Point All Stars (with Sly and Robbie, Barry Reynolds, Mikey Chung and Uziah "Sticky" Thompson), the in-house recording team of Compass Point Studios responsible for a series of albums in the 1980s recorded by Grace Jones, Tom Tom Club, Mick Jagger, Black Uhuru, Gwen Guthrie, Jimmy Cliff and Gregory Isaacs. Badarou's keyboard playing could also be heard on albums by Robert Palmer, Marianne Faithfull, Herbie Hancock, M (Pop Muzik), Talking Heads, Manu Dibango and Miriam Makeba. He also produced Fela Kuti. Phew!

Meticulously remastered and cut by both Simon Francis and Cicely Balston respectively, it has been pressed to the highest possibly quality at Record Industry in Holland. Special thanks must go to Apiento from Test Pressing who first introduced us to Wally and facilitated all those early zoom meetings. It couldn't have happened without his help. Not least on pulling the art together, too, which features striking original photography by Mads Perch. Benji Roebuck of Roebuck Press did his thing brilliantly in art working the whole package to completion. All in all: essential.

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Attention! Side A of the record contains four laser-etched logos of The Very Polish Cut-Outs, which make it impossible to play track A1 that was originally part of the set. Attempting to play this track may damage the turntable needle. We also recommend using an antistatic brush to clean the remaining tracks for the best listening experience.

The Very Polish Cut outs are back with a new release, this time a solo outing by POLOTRONIC - who also happens to be a member of the infamous warsaw duo - Holiday80.
The EP entitled "Marzenia" (translated "Dreams") contains 3 tracks. 2 original productions and one remix. Its a very diverse affair aimed at the dancefloors. The title track "Marzenia" on A2 is a dreamy breakbeat house affair with lush bells and 90s inspired synths and female vocal snippets. It will for sure make you nostalgic. On the flip you will find the mesmerizing electro inspired remix for the track "Pami?tnik Manekina" by Grupa Jot, which was part of the 2022 released "Echo Wielkiej P?yty" compilation with obscure polish electronic music. This one was already available for some time in digital format only but now finally makes the jump to vinyl - as a long-time fan favourite. The EP ends with the jacking acid infused track "Jack" that is a deep mid-tempo heavy hitter for the later hours of the night. Polotronic adds here a male polish vocal sample that repeats the phrase "dyskoteka" ("disco"). The brilliant cover is as always, the work of the labels long time collaborator Bartosz Szymkiewicz.

Tracklist:

A2 Polotronic - Marzenia
B1 Grupa Jot - Pami?tnik Manekina (Polotronic Remix)
B2 Polotronic - Jack


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