lim. to 250 Copies ww!

"The world is rich, the world is colorful. So why not show it in all its complex diversity and contrasts? Why, when you go in one direction, do you have to follow it further and can't just go in all directions at once? These are all questions that Berlin-based Turkish singer Basak Yavuz may have asked herself when she began recording her new album "Raum 610."

Basak Yavuz doesn't take much time to get down to business. Right away in the opener "Promised Lands," different stylistic elements like jazz, rock, funk and hip-hop chase each other as if it were a matter of life and death. The message is unmistakable: this is about energy. The energy of the big city. Crowds on the sidewalk, congested streets, noise from construction sites, cyclists and drivers yelling at each other, barking dogs, screaming children, shattering glass, a new surprise around every corner. Basak Yavuz does not hide, but picks up the tempo of the Moloch and makes it her own pulse with all its fractures and border crossings. She is not afraid to overload her songs, but confidently juggles the explosiveness of creative oversaturation." (Wolf Kampmann)

A1: Promised Lands
A2: Little Ghost
A3: Farewell My Love
B1: Professor
B2: Panny and the Hummingbird
B3: Stuck
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Genre: Country, Americana, Americana Gothic

Big Daddy Mugglestone is back, with his first full-length solo release in over 2
decades! Rumi Sounds is proud to
present this collection of songs about Life,
Love, and God that really embody the idea of Americana Gothic. The
songs are dark but not bleak, giving a glimpse of forgiveness...even the
12-minute long murder ballad for which the album is named is still a love song.


With a mixed band of Denver and Berlin-based friends, Mugglestone steps out of the shadowy depths
to create a record you and yr auntie could listen to while doing the dishes or
lounging on the sofa on a rainy day.

The psyche-melodic guitar swirls of Oska Wald and the alluring back-up
vocals of MTN GRL elevate his wry
croon, not quite country but not quite
contrary. Something like if Lee Hazlewood and John Prine both wanted to buy
the same vintage lamp...


A1 Blood Does not Make Family
A2 Past and Still
A3 It's Fine
A4 Never Be the Same
A5 Trainclock Heartbeat
A6 I can Float
B1 Switchblade Romance
B2 Drink Myself to Death
B3 To Give A Ghost A Name
B4 Hangman & the Rainmaker


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Genre: rembetiko, folk, Balkan

Between tradition and contemporary aesthetics, Sousta Politiki forcefully and uniquely revisits the repertoire of Smyrneiko (Greek rebetiko from Asia Minor) and the songs of Istanbul, adding their own compositions.
Formed in Strasbourg in 2016, Sousta Politiki is a Franco-Turkish music group that draws inspiration from various urban and marginalized music genres of Greece and Turkey. The repertoire they explore is diverse, including Smyrneiko from Asia Minor, Kanto from Istanbul, rebetiko from Athens or Piraeus, and traditional songs from Thrace. However, they all share a common connection to the post-Ottoman traditions of the early 20th century. These songs primarily consist of vocals, and their themes often touch upon of daily life such as alcohol, drugs, prison, and prostitution.
The songs are approached with a sense of irony and celebration. One can find both joy and melancholy, as in Argentine tango or American blues. The five members of Sousta Politiki come from diverse musical backgrounds, including rock, Ottoman music, opera singing, rebetiko, and improvised music. The process of creation and reinterpretation knows no limits, and the unique instrumentation of the group (cello, Ottoman tanbur, accordion, bouzouki, percussion, and vocals) allows for surprising and unprecedented rearrangements.


A1 Krasopino
A2 Se Zografisa Vlaha M'
A3 Bademler
A4 Kara Kiz
A5 Un Taxi pour Bebek
B1 Gönlüm Sensiz Olmaz
B2 Aidinikos Horos
B3 Ignem Düstü Yerlere
B4 Mandalari Karaman
B5 Olon Ton Kosmo Gyrisa
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Turkish underground rock misfit Erbatur Çavusoglu's first solo album is finally here: an intimate collection of previously unreleased songs and new versions, with fresh arrangements by Big Daddy Mugglestone. The result is like Iron & Wine being fronted by a Taksim Square street poet, or a Turkish Crazy Horse.

Erbatur's wavering falsetto delivers heartfelt and tender songwriting, accentuated by an eclectic band of old and new Berlin friends. A must for fans of Indie Americana and Turkish Psychedelic Folk, this is a warm and haunting departure from his previous work with Zardanadam, deeply personal but with open arms.
Supported by Initiative Musik gGmbH with project funds from the Federal Government Commissioner for Culture and Media

A1 Tadim Yok
A2 Gözyazlarim
A3 Sokaktaki Adam
A4 Dalgalarin Vurdu Sahillerime
A5 Rövans
B1 Gece Yolculugu
B2 Kadinim
B3 Gelmesen de Olur
B4 Mucize
B5 Yanimda Olsan


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Berlin based cellist, composer and improviser An?l Eraslan brings together 11 musicians from Istanbul. The dreams of these musicians are composed and improvised for this album. Dream Works offer an extended musical experience that is surrounded by traditional and experimental approaches.
Limited 250 Copy

GENRES: Electronic/Experimental/Free-Jazz



A1 Waking Up
A2 To A Dream
A3 Without My Voice
A4 Displaced Districts
A5 Abandoned
A6 As My Fish Eye
A7 In A Chaotic
A8 Renaissance
B1 A Sonic Witness
B2 Dripping
B3 From A Shared Dream
B4 Letters Flow
B5 Above The Fourth Floor
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180 Gr Gatefold 1LP

Melodic fragments from medieval Spain with a Judaeo-Spanish version of a Turkish sharki. An Argentinian tango adapted to the dervish tradition. Orthodox church rites in Turkey meet an Andalusian secular repertory in Morocco.
Sefardim is a compilation of popular romansas (love ballads) by ladino-speaking Jews in Istanbul. Forced out of the Iberian Peninsula by the end of the 15th century, the music of the Sephardim survived 500 years in exile and greatly influenced Turkish Art Music. Janet and Jak Esim are accompanied by fretless guitar virtuoso Erkan O?ur and percussion maestro Okay Temiz. They have meticulously collected songs, melodies and lyrics from the last ladino speakers alive.

Genre: Sephardic, Ballad

TRACKLISTS:


A1 Una Tadre de Enverano
A2 Ay Manas Tururururu
A3 Tres Klavinas en un Tiesto
A4 Ay Dos Anyos
A5 Ni Pudra Yeva Ni Kolor
B1 Ija Mia Mi Kerida
B2 Por Amar Una Donzea
B3 Yo Era Ninya
B4 Durme Durme
B5 Esta Parea Ke Viene

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180GR GATEFOLD 2-LP

Folk songs and computer loops, electronic garble and jazz, random sounds of nature and ancient poetry. Pauses and rests between note and note, the silences that give meaning to sounds. SO Duo speaks and sings in tongues, crossing borders, carrying words from culture to culture, from tongue to tongue in a language that everybody can understand.

SO Duo, Sumru Aryürüyen (vocal, mandolin, keyboard) and Orçun Batürk (panduri, voice, keyboard, electronics, drums) have been creating various projects together, in a spectrum between traditional and avant-garde since 2013. So Far is a collection of the works of SO Duo released on vinyl as a double LP for fans and collectors for the first time.

Genre: Avantgarde Folk, Ambient

Tracklist:

A1 Ay Ana
A2 Ey Dost
A3 Söylemeden Anladk
A4 Aci Türkü
A5 Dag Yanar
A6 Maske

B1 Derdimi Dökersem
B2 Edgü Ol
B3 Yagmur
B4 Sözcükler
B5 SHODB
B6 Yele

C1 Sonbahar
C2 The Light
C3 Ninni

D1 Tacinn Avucu
D2 Arka Bahçe
D3 Fuzuli
D4 Bir Büyük Sükun
D5 Isiga Dönüyoruz
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Erbatur (Çavusoglu) is a Turkey-born singer/songwriter most recognized as the lead singer of the Turkish rock bandZardanadam. However, these two tracks are melancholic ballads dealing with the desire to leave, to run away, and find a peaceful place on earth. Both "Kaçaca??m" and "Seyyah" have been known to his fanbase from live gigs, radio and TV appearances since the 1990s, but are recorded here with a super-group of international musicians living in Berlin.
30th anniversary release of Erbatur's melancholic ballads dealing with the desire to leave, to run away, and find a peaceful place on earth. New, beautiful versions complete with pedal steel, cello and tar arranged and produced by Big Daddy Mugglestone.

Genre: Ballad, Singer Songwriter, Pop

TRACKLISTS:

1. Kaçacagim
2. Seyyah
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180 Gr Gatefold 2LP

The punchy sound, courageous lyrics and their anarchist attitude was a bit too much for the mainstream music industry. Still the underground rock scene of Turkey in the 2000s was broad and generous enough to welcome the discrete.
Zardanadam hit hard with their DIY practices. Besides being the pioneers of copyleft digitals, they self-produce and distribute almost 100 000 CDs at concerts and via airmail for free.

VITAL SALES POINTS:
Here is a selection of their greatest hits from the six-album discography compiled for the first time on vinyl for the 20th anniversary of the band.
Limited 500 Copy

Genre: Rock, Punk, Alternative Rock

3. TRACKLISTS:

A1 Kalbim Yok 2:53
A2 Toz Duman 5:20
A3 Dibini Gör 4:30
A4 Hepsi Hepsi Hayat Nasil Olsa 3:47
A5 Aramizda Birseyler Var 3:39
B1 Küçük Sirin Bir Cuma Aksami 4:50
B2 Sarisinlar Boktur 4:33
B3 Benim Yolum Ayri 3:16
B4 Oyun 3:31
B5 Birak Isini 4:20
C1 Mayis 4:26
C2 Serseri Marsi 5:12
C3 Tadim Yok 4:12
C4 Beni Seversen 4:02
C5 Ben Yokum Artik 2:42
D1 Yarim 5:18
D2 Rövans 5:24
D3 Sen 5:40
D4 Kaçacagim 4:16

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with OBI

A bit of blues here, a bit of rock there, and maybe even a little jazzy improvisation, with numerous inspirations from the folk music of various cultures, and the never absent, albeit not always conscious Turkish modes and vaguely reminisced melodies.
A songwriter accompanied by a team of marvellous musicians who left an important imprint on the Turkish music scene since the 80s. Bülent Somay, an academic, writer, translator, political activist, educator and musician, is a former member of the Turkish Jazz-rock-fusion group Mozaik. He rolls up his sleeves and dusts off some old songs that were never published before with 'a little help from his friends'.

Genre: Prog Rock, Jazz Rock

TRACKLISTS:

A1 I'm the Tower of Babylon
A2 Water
A3 Plainclothes Blues
B1 Make Room Make Room
B2 Rain of Red Feathers
B3 Elements Affirm
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250 lim. colored Gatefold 2LP

MOZA?K began its journey under the oppressive aura of the 1980 coup in Turkey, singing songs of freedom from all around the world, eventually stepping into the more controversial areas of jazz, progressive rock and fusion with their own compositions.
Whilst the post-coup music scene was dominated by apolitical pop music, Mozaik produced sophisticated lyrics and composed songs in unusual structures.
With a dynamic crew and a rotating list of songwriters in the band, Mozaik maintained its unique sound and poetic narrative throughout the years.
In your hands right now is the first vinyl compilation available outside of Turkey including songs from their entire Archive, first published in 2014 in 6 CDs.

250 Copies limited edition coloured double LP in gatefold sleeve with original and English lyrics.

GENRE/S: Prog Rock, Jazz Rock

TRACKLISTS:

1. Bir Bisiklet Gezintisi
2. Hareket Etmeliyim
3. Kendi Biraktigim Izlerde
4. Bir Bulutun Ardindan
5. Bitmeyen
6. Çook Alametler Belirdi
7. Gitmeliydik
8. Sappho ile Konusma
9. Emekli Albay Hilmi Ertunç
10. Kör Uçus
11. Oniki Adim
12. Bir Adam Öldü
13. Bindokuzyüzseksenbir
14. Müsaadenizle
15. Plastik Ask


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Vinyl Only Release lim. to 500 copies worldwide!

There are mysterious records. Records hiding and showing something at the same time. This is one of them. It is made from two records that were most probably released in the mid-1970s, most probably primarily by Turkish Roma.
It brings together what Anadolu pop music lovers always dream of: Anatolian geleneksel (traditional folk tunes), disco and funk, jazz and hard rock, psychedelic sounds, hard-hitting drums, Arabesk percussion, and hip-hop friendly breaks. Put together in a careful, smooth production with a warm, relaxed and dance-friendly vibe.
Here you get it: Roma-nized instrumental Turkish pop music in all its facets of the 1970s.

Track Titles:

A1 Yagmur Yagdi Kac
A2 Adana Ücayak

B1 Sis Kebabi
B2 Hint Geceleri

C1 Cilli
C2 Kalaycilar

D1 Fesuphanallah
D2 Zühtü
D3 Harmandali

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Official re-release, retrieved from original cassette tape (1988). First time on vinyl! Includes Turkish musicians like jazz & percussion star Okay Temiz.
Brought to you by the compiler of the Saz Beat series as well as the Bosporus Bridges series.

A Danish-Lebanese Afro-American who has learned Turkish and knows how to play the saz? Who entered the Anatolian Pop scene in Istanbul right in the heyday, the early 1970s? And who got so much musical credit that the renowned Turkish producer Nazmi Senel released a solo album with him in 1988, recorded in Istanbul and including musicians like Turkish percussion star Okay Temiz? Sounds pretty unlikely. Sometimes miracles happen and highly improbable music gets released. A person with a diverse heritage as Nyofu Tyson can be seen as a 'melting pot', as a 'synthesis'. Yet, he can be also seen as someone who is able to step out for new paths.
This is the case for TÜRK LOKUMU - TURKISH DELITE. Like nobody before, Tyson connects and opens up Anadolu Pop towards a whole range of styles: Synth-Pop, New Wave, Reggae, Hip Hop/Break, Latin, Disco Boogie… He shows us how vital, compatible and versatile one could think Anadolu Pop at the end of the 1980s. The compositions are basically all Türkü-s, traditional Anatolian folk songs, yet updated with a poly-cultural music practice, which involved a lot of the then current musical trends. So, this is Turkish folk music and it has at the same time all what you like about the late 1980s pop music: cold electronic drum sounds, crisp-flashy synths, crunchy bass - all in contrast with warm distorted saz tones, wooden Turkish wind instruments, and a disco-soul proven female choir. This is crazy music. This is a miracle. This is Anatolian-Synth.

Nyofu Tyson
Profil:
Born in Los Angeles of Danish-Lebanese-African-American heritage, Nyofu Tyson grew up in a musical home. His Dad was an amateur jazz pianist and avid listener of many styles of music.
Nyofu began music as a bassist, playing Jazz and Latin with local groups. He studied composition, classical bass, and North Indian classical music at California Institute of the Arts for two years. His interest in ethnic music led him to Turkey, where he began playing the long-necked lute, saz.
He then lived for many years in Sweden, where he worked with Zulfu Livaneli, Okay Temiz and Hadji Tekbilek, all major names in Turkish music. He toured all over Sweden and Europe with these artists, while having his own band and making radio concert and TV appearances in Sweden and Turkey.
Since returning to LA, he has collaborated with Omar Faruk Tekbilek, oudist John Bilezikian and Cuatro Caminos Flamenco among others.
Nyofu travels regularly to Turkey, where he has gained recognition for his interpretations of Turkish folk poets and his eclectic style of saz playing. He still continues both musical lines, Turkish folk poet music and Turkish flamenco fusion.

https://www.nyofutyson.com


Credits

Music arranged, directed and English lyrics by Nyofu Tyson.
Re-Producer: Martin Georgi and Holger Lund (known as compiler of the Saz Beat series as well as the Bosporus Bridges series).
Vinyl-Mastering by Calyx Berlin.
Design by Julia Raschke. Many thanks to Nazmi Senel and Nyofu Tyson, Markus Lindner and Norman Nitzsche.
Distribution by wordandsound.
Executive production by Seismographic Records in cooperation with fluctuating images
© 2023 SR 002; seismorecords.bandcamp.com & fluctuating-images.de

2. TRACKLISTS:

A1 - Turkish Delight
A2 - Midnight Rendezvous
A3 - Fiancé
A4 - Fidayda
A5 - If you wan my love
A6 - Emmoglu

B1 - Sunglasses Belly Dance
B2 - Eninem
B3 - Tabancamin Sapini
B4 - Cicek Dagi Oyun Havasi
B5 - Misty Mountain Melody




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2022 Re Edition

5 track 12"/EP with full colour sleeve

Tracklist

A1 Cold Café
A2 Won't Wear It For Long
A3 You Bring These Things
B1 Cold Café (Demo)
B2 Problem Page (Demo)

Short info:

Almost four decades since it's domestic release, Karen Marks' 1981 single Cold Café has finally reaped it's deserved international credit to become one of Australia's most recognised minimal wave recordings. Efficient Space now showcases the Melbourne artist's brief but entire discography, including two previously unheard demos, all produced with experimental synthesist Ash Wednesday (The Metronomes, Modern Jazz, Thealonian Music).

A rarity in the then male dominated industry, Marks found her footing in music, first through rock journalism and then in band management. Formally of Adelaide, newly arrived synth-punks JAB (Johnny Crash, Ash Wednesday and Bodhan X) approached her for representation, subsequently contributing tracks to seminal 1978 snapshot Lethal Weapons and playing the Crystal Ballroom's opening night. Wednesday and Crash would soon dissolve JAB, enlisting Mark Ferry and Sean Kelly to create Models. Still under Mark's management, Models became one of the fastest rising new bands of the punk movement, playing to full houses of dedicated and frenzied fans everywhere. Sadly, internal frictions forced Wednesday and Marks to leave after two years, with Crash following three months later.

Her creative relationship with Wednesday fortified with the co-production of his 1980 machine-pop prank Love By Numbers, her swooning chorus uplifting his deadpan count to 100, before the two collaborated on Marks' own recording persona. Immortalised by the icy Oz wave of Cold Café, her Astor issued 7" also boasted the caffeinated flip Won't Wear It For Long - a should be hit with guitar from future Icehouse member Robert Kretschmer.

Fans know of one more recording - You Bring These Things, a forlorn arrangement of an otherwise unreleased Paul Kelly song, gifted to her by the revered wordsmith. The track only ever appeared on the Astor promotional LP Terra Australis, sinfully alongside Up There Cazaly and Joe Dolce - hard proof that the label grossly misunderstood her talent (Marks recalls their persistent requests to show midriff and cleavage). Locked in a dissatisfying label arrangement and at this stage unwilling to follow her peers to greener pastures overseas, she felt her only way out was to cease all further activities.

At the 11th hour of preparing this retrospective, two tracks unexpectedly surfaced via two cassettes - a paranoid demo version of her signature tune Cold Café, and a long-lost fourth song Problem Page. Both living room recordings follow Marks and Wednesday's ingenious framework of minimal lyrics, minimal chord progressions.
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2023 repress

2LP with printed inner sleeves

Tracklist

1. The Mod 4 - A Puppet
2. The Yardleys - Just Remember
3. Decompressed Impossibility - You Can't Ride Away
4. The Living End - Brigitta
5. The Newports - Feelin' Low
6. The Landlords - I'm Through With You
7. The Prisners Dream - Autumn Days
8. The Fortels - She
9. The Bohemians - Say It
10. Tresa Leigh - Until Then
11. WM. Penn & The Quakers - Ghost Of The Monks
12. The Tempters - I Will Go
13. Jerry McGee - Twilight Zone
14. Carroll - The Boy Called Billy Joe
15. The Common People - Here, There & Everywhere
16. Dennis Harte - Summer's Over
17. Toe Head - Goodnight Jackie


Short info:

A North American road trip of coming of age garage soul mapped by Ivan Liechti, Ghost Riders is Efficient Space’s latest narrative compilation, hovering in a liminal emotional ravine between moonlight melancholy, teenage heartache and unchecked, unrealised ambition. Across 17 open hearted ballads recorded 1965-1974, the 2LP collects and connects dots between British Invasion fanatics, child prodigies, the loners and the luckless, in a kind of trans-continental survey of those swept up in rock’n’roll mania and buoyed by local newspaper ads promising fame and gold records.

From the tangerine dreams of 8th grade all-girl combo The Mod 4 to the tri-state jukebox aspiring echoes of The Tempters, The Yardleys' poetic Farfisa vamp and lilting folk pop, and The Landlords’ weepy break up b-side blues, these are mostly one shots by dreamers whose experience was brief before being checked back to the reality of suburban normality and realistic career options. Hailing from the regional backwaters of Illinois, Arkansas, Nevada, Massachusetts, Ohio, Idaho, Texas and beyond, the licensed artists were scouted by way of local fire departments, spiritualist fellowships and animal welfare centres, often barely a stones throw from where their contributions were originally laid.

A barely teenage Dennis Harte's ‘Summer’s Over’ perhaps best taps the collection’s essence. A gut-wrenching lament of the passing of the season as if it was the last on earth. Flanked by players from The Left Banke, Harte, a now-piano tuner to the stars, is from the minor segment that found longevity in showbiz. Likewise with Michigan icon Lyn Nowicki who cast her ghostly voice over Beatles cover song chameleons The Common People and Jerry McGee, The Ventures member and conduit of Dr. John’s ‘Twilight Zone’.

Ghost Riders simmers with the scent of youthful summers, the pang of schoolyard romance, and the excitement (and disenchantment) of teenage naïveté, delivered via a deceptively simple and frequently wonky garage band set up. The vision of record collector and graphic designer Ivan Liechti, these eternal psych-folk howlers are further crystallised by Colin Young’s fastidious audio restoration, the original artwork of Elise Gagnebin-de Bons and an aptly penned forward from Sonic Boom.






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...Selected by Sky Girl co-conspirer Julien Dechery, Le Raccourci culls 15 tracks from Gandera's extensive cassette discography, discarded DAT recordings, and split CD with Lyon toy music project Klimperei. ... While Gandera's nostalgic melodies incidentally parallel with the piano key manoeuvres of Pascal Comelade, Robert Haigh and Dominique Lawalrée, Le Raccourci could only stem from the escapist desires of one Eric Morin.

Special remarks : LP with digital download card

Tracklist:

1. N'Écrire Que Du Vent
2. La Visite Au Musée
3. And Then The Wind
4. Chienne De Vie
5. Quand Natalia Peint
6. Thème Entre Deux Chants
7. Les Sanglots Du Locataire
8. John Doe
9. C'Était À L'Aube
10. Le Dialogue Des Joueurs De Cartes
11. Et L'Obscurité Toute Entière Pour Me Rappeler Cela
12. Le Train Ne S'Arrêtera Plus
13. L'Oubli
14. Chryséléphantines
15. D'Un Pas Chancelant

Short info:

Le Raccourci is a welcome introduction to the world of modern classical identity Sebastian Gandera. The impressionist landscapes of a sensitive soul self-reflecting, these miniature compositions alternate across a rudimentary set up of piano, field recorder, sampler and four track. Melancholic utterings hastily captured some 100km east of Paris.

Classically trained by the same teacher as his parents, Gandera first began recording in the confines of his university dorm room, inspired by a C60 from friend and future collaborator Bernard Odot (A Gethsémani). Humbly existing without sparing a thought to music industry or career, Gandera's personal effects surfaced via the European and US cassette networks from 1988 to 1994. Impressively accomplished for the DIY scene they orbited, these tapes were issued in scant quantities, rendering his pieces as private secrets shared and duplicated in small concentric circles. Aside from a sole, avowedly traumatic performance, the material was never shared in a live context.

Selected by Sky Girl co-conspirer Julien Dechery, Le Raccourci culls 15 tracks from Gandera's extensive cassette discography, discarded DAT recordings, and split CD with Lyon toy music project Klimperei. These sentiently charged compositions only hint at his larger catalogue, but act as a compelling cross section of the artist's oeuvre. The identity is further detailed by archival images, Glen Goetze penned liner notes and original artwork from Perks and Mini's Misha Hollenbach.

While Gandera's nostalgic melodies incidentally parallel with the piano key manoeuvres of Pascal Comelade, Robert Haigh and Dominique Lawalrée, Le Raccourci could only stem from the escapist desires of one Eric Morin.
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Special remarks : LP with download code

Tracklist:

1. Height/Dismay - Mother's Footsteps
2. The Frenzied Bricks - Vicious Circle
3. Modern Jazz - Zoom Dub
4. Mr Knott - Poor Galileo (He Has Gone Mad)
5. Aeroplane Footsteps - Arabia
6. Shanghai Au Go-Go - I Cried All Winter
7. Matt Mawson - Open The Goddam Door
8. The Horse He's Sick - Terminal Rebound
9. Wrong Kind Of Stone Age - Ravi Dubbi
10. Les Trois Etrangers - Luna

Short info:

Oz Echoes peels away another layer of Australia's '80s DIY hive mind. The Oz Waves successor exposes a deeper circuit of micro-run cassettes, community radio archives and irrationally abandoned studio sessions, as Steele Bonus sequences a 10-track compendium of drone pop, psyche-electronics and agitated tape cut-ups.

From the Sydney cassette network, The Horse He's Sick returns with an industrial car crash, alongside Wrong Kind of Stone Age's pagan cacophony and primal riddims. M Squared dynamo Patrick Gibson appears in both Height/Dismay and Mr Knott, his respective studio-as-an-instrument collaborations with Dru Jones (Scattered Order) and ex-Slugfucker Gordon Renouf - the former's worn out apparition hails from an instantly deleted 1981 7", while Mr Knott entrust one of the compilation's five previously unreleased tracks.

Matt Mawson represents Brisbane music media-printed matter collective ZIP, as Adelaide's Three D Radio grants access to their vaults of live-to-air recordings and aspiring demo submissions, rescuing the slap-happy punk-funk of The Frenzied Bricks and Jandy Rainbow's prodigious beginnings in Les Trois Etrangers and Aeroplane Footsteps. Synchronously in Melbourne, Ash Wednesday (Karen Marks, The Metronomes) leads Modern Jazz' improvised proto-techno and EBM pioneers Shanghai Au Go-Go home record their sardonic synth-wave.

A cherry-picked cast of unusual suspects, Oz Echoes' unfamed artist and non-band narratives are detailed by track-by-track liner notes with rarely published archival visions and artwork from Video Synth, prompting further rabbit hole ventures into this golden era of creative risk-taking and instant action.
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LP

Tracklist

A1 Wurlitzer Jukebox
A2 Piano Movement With Percussion
A3 Song For The Meek
A4 I Hear A New World
A5 New Monotonic FM
A6 House Warming
A7 14th July
B1 Reprise
B2 Beloved Invader
B3 Interlude
B4 New Monotonic FM (Acoustic)
B5 LDR
B6 Send In The Clowns
B7 Completed Extract From The Previous 7"

Short info:

Hydroplane reinstate their formidable 1997 debut of sublime guitar atmospherics, fragile lyricism and droning incidentals with an overdue vinyl and digital reissue.

An offshoot of the now-féted The Cat’s Miaow, the trio formed after drummer Cameron Smith decamped to London, charting new territory with tape loops, manipulated samples and a borrowed Jupiter 4 in the wake of Endtroducing. Adopting a handle that Dean Wareham once considered calling Luna, Hydroplane intended to only ever release Excerpts From Forthcoming LP, a single-sided 7” sonic collage, before imploding in mystery. Their label however insisted they deliver their taunted album. From the comfort of a Brunswick flat, they continued to record soaring melodies and restrained song structures to 4-track, sculpting dramatic Radiophonic Workshop cues weighted in reverb and near-perfect dream pop lead by Kerrie Bolton’s empyrean vocals.

Bored of industry expectation and largely ignored by local audiences, the reluctant performers followed the way of The Cannanes and formed meaningful overseas alliances by mail and phone, securing releases on Michigan outpost Drive-In and Broadcast launching pad Wurlitzer Jukebox. Championed by John Peel with twenty spins on his converted Radio One slot and even polling in Festive Fifty of 1997, the humble three-piece still walked to their neighbourhood shops undetected.

Previously only available as a US-issued CD, this reminiscent late-night suite establishes Hydroplane as an everlasting ember in Australia’s beloved indie nexus.




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2LP

Tracklist
1. Bo Harwood & John Cassavetes - No One Around To Hear It
2. Chen Ming Chang - Rainwater
3. Bhairavi Raman & Nanthesh Sivarajah - Bittersweet Reflections
4. The King Of Luxembourg - Poptones
5. Slapp Happy - Is It You
6. O.G. Jigg - Jesus Is My Jam
7. Klang - As It Is
8. Scala - Fuser
9. Soft Location - Let The Moon Get Into It
10. Gyeongsu - YZOBEL (feat. CROCHE)
11. Omertà - Moments In Love
12. Kasumi Trio - Cabbage Butterfly
13. Un - Fast Money Blues
14. Delphine Dora - V
15. Harry Plunket-Greene - The Hurdy-Gurdy Man

Short info:

Searchlight Moonbeam is the new narrative compilation from Time Is Away (Jack Rollo and Elaine Tierney) whose eponymous monthly NTS Radio shows, tinctured fusions of fugitive sounds and reverie-inducing archival speech, have won them an ardent following. It follows from the London-based duo’s Ballads, a remarkable driftwerk released on A Colourful Storm in 2022.


Searchlight Moonbeam is an autumnal dreamscape, intimate and vespertine, pensive and irresolute. An imagined community where differences drop off and resonances emerge – between Maher Shalal Hash Baz affiliates Kasumi Trio, Taiwanese score composer Chen Ming Chang whose ‘Rainwater’ (written for Hou Hsiao-Hsien’s 1986 film Dust In The Wind) is exquisitely heartbroken, and the plangent improvisations of self-taught French pianist Delphine Dora.


Revelations are frequent: the bedsit isolationism of Bo Harwood and John Cassavetes’ ‘No One Around to Hear It’ (from The Killing of a Chinese Bookie); the narked minimalism of Klang (an early 2000s band formed by ex-Elastica guitarist and featuring prize-winning experimental novelist Isabel Waidner on bass); the etude-grooves and echoic wobble of below-the-radar French avant-gardists Omertà ; the beautiful, plaintively dubby ‘Is It You?’ by Slapp Happy; a psych-tinged reimagining of PiL’s ‘Poptones’ by Simon Fisher Turner (one half of Deux Filles, and here, recording for él as The King of Luxembourg) that's as perverse as the cover of Throbbing Gristle’s 20 Jazz Funk Greats.


Searchlight Moonbeam is the musical analog of an Italo Calvino novel or a medieval fable. Associative, intuitive, borderless. Emotional and mysterious. Endowed with the tactility of Braille. A private language that is both unknowable and understood. It is a record of the seasons, for the seasons.

2023 marks the tenth anniversary of Time Is Away’s first broadcast. Featuring an evocative essay by writer Jeremy Atherton Lin and disarming cover art by Penny Davenport, Searchlight Moonbeam showcases Rollo and Tierney’s still-unrivalled talent for gloaming melodies, disques du crépuscule, ensorcelled storytelling.





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LP reissue of 1989 Perro Andaluz/Circe tape release


GENRE/S: Ambient/Balearic/Kraut/Electro

TRACKLISTS:
A1 Cuando La Nostalgia Guia
A2 Otoño del 83
A3 Dis-solucion
A4 Reposo De La Hierba
B1 En Los Campos De Colonia
B2 Fabula
B3 A Ras De Cielo
B4 Un Exceso De Luz

Ensamble Acústico was conceived in the early 1980s by Billy Pereyra and Eduardo Roland in Blancarena, a resort on the coast of the Río de la Plata, east of Colonia, Uruguay. In 1989, after only a few performances, the duo released their first and only album: a cassette of eight songs titled 'Un Exceso De Luz' ('An Excess of Light'), co-released by independent labels Perro Andaluz (Uruguay) and Circe (Argentina).

Despite being limited to just 500 copies the album was critically acclaimed and lauded as the first 'new age' project to come out of Uruguay. Yet lumping 'Un Exceso De Luz' into that most vast and heterogenous confluence of musical genres, akin to 'world music', dismisses the alchemical breakdown of minimalism with gestures of contemporary jazz, exemplified by the shifting harmonic figures of 'En Los Campos de Colonia' ('In the Fields of Colonia').

Pereyra and Roland sound strings in tandem, forming harmonic compositions that generate unexpected resonances. Together they build a climatic character that gives the sound of Ensamble Acústico its most distinctive seal, sharing more with the aesthetics of contemporary jazz than the nebulous new age label. The opening track 'Cuando la Nostalgia Guía' ('When Nostalgia Guides') raises not a question so much as a provocation that hints at its own temporal limitations - as an unfinished sentence. 'Reposo de la Hierba' ('Repose of the Grass') meanders through grassy fields before 'A Ras de Cielo' ('Flush With Sky') reveals the 'Exceso' of the title track. These are the great ungroundings of modernity that saw the heavens open and dissolve the celestial sublime, leaving us with a godless excess of space and time.

Perhaps 'new age' is a more fortuitous classification than we originally suspected. As Roland tells us, 'music is the expression of a new world'.
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10", Double Sided Picture Disc, Gatefold, 8 Page Booklet

- Please mind that due to the nature of the recording no soundclips can be provided - also mind that any audible distortion on the vinyl record is intended/no product flaw and will not constitute a reason for return -

NOTON IS PLEASED TO RELEASE RAY COLLECTOR - A LIMITED EDITION VINYL FEATURING RECORDINGS SOURCED FROM TAPES PRODUCED BY CARSTEN NICOLAI' FOR HIS 2023 SOLO EXHIBITION STRAHLEN/RAGGI AT FONDAZIONE MODENA ARTI VISIVE.
IN FEBRUARY 2022, CARSTEN NICOLAI DISPATCHED TEN PARCELS FROM BERLIN TO VARIOUS DESTINATIONS. EACH PACKAGE CONTAINED A BLANK MAGNETIC TAPE CASSETTE, AN ILFORD DELTA 3200 ISO 1000 BLACK-AND-WHITE FILM, AND A KODAK ISO 800 COLOR NEGATIVE FILM. ALL PARCELS WERE ADDRESSED TO THE SAME RECIPIENT, MR. NEMO, THE UNFORGETTABLE CAPTAIN OF THE SUBMARINE NAUTILUS IN TWENTY THOUSAND LEAGUES UNDER THE SEA. THE IDEA WAS FOR THE RECIPIENTS TO RETURN THE PARCELS TO THE SENDER. EACH PACKAGE HELD MAGNETIC TAPES AND PHOTOSENSITIVE FILMS THAT WOULD BE EXPOSED TO ELECTROMAGNETIC WAVES AND RADIATION DURING THEIR JOURNEY. UPON THEIR RETURN TO THE SENDER, THE LATENT IMPRESSIONS WERE DEVELOPED, DIGITIZED, AND THUS MADE BOTH VISIBLE AND AUDIBLE.

TRACKLIST:
" A1. TAPE 01 - 01:25
" A2. TAPE 02 - 01:25
" A3. TAPE 03 - 01:25
" A4. TAPE 04 - 01:25
" A5. TAPE 05 - 01:25
" B1. TAPE 06 - 01:25
" B2. TAPE 07 - 01:25
" B3. TAPE 08 - 01:25
" B4. TAPE 09 - 01:25
" B5. TAPE 10 - 01:25
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