1
Djrum - Unblocked
2
Djrum - Waters Rising
3
Djrum - Creature (Part 1)
4
Djrum - Creature (Part 2)
5
Djrum - Sex
6
Djrum - Blue Violet
7
Djrum - Sparrows
8
Djrum - Showreel (Part 3)
9
Djrum - Blood In My Mouth
Repress!
As 'Portrait With Firewood' is Felix's most personal body of work to date, the product of an emotionally turbulent 2017, capturing the range of feelings and emotions he went through in vivid sonic beauty. By putting aside his previous sampladelic approach he returned to his childhood instrument of the piano as a core starting point. "It's a confessional record… I realise that's a word mostly used to describe singer/songwriter rather than (largely) instrumental music, but I think it's apt. There's a sort of emotional candour." Felix is classically trained in the jazz tradition and influenced by the likes of Keith Jarrett and Alice Coltrane. Previously he was shy at the prospect of fans hearing his piano playing, but determined to overcome this fear he has brought forward a new honesty to his work. "Finding the confidence to work with my own piano improvisations was a big part of that. Once I had figured out how I was going to make the music, it actually fell in to place rather quickly." Felix's goal was to create something "overwhelmingly beautiful", but also to capture the "inherent melancholy in beauty in all it's impermanance and fragility". He took inspiration and solace from performance artist Marina Abramovic. "She has an incredibly deep understanding of the human condition, and expresses it in such a poetic way. Many of the themes of her work had particular resonance for me over the course of 2017 as I worked on the album. I was moved to tears on several occasions watching her videos or reading about her work." Felix collaborated with cellist Zosia Jagodzinska and vocalist Lola Empire. Jagodzinska recorded several takes of improvisations over the track 'Creature' which Felix would chop, pitch and layer into new melodic lines and seed throughout the album. Felix's new approach expanded to experimentation with field recording, contact micing his beloved piano and purchasing his first hardware synth, all in service of enriching the personal, humane quality of the record. "Music helps me to communicate the sorts of things that I find almost impossible to put in to words. I think the process for this album has helped me create a more rich and emotionally complex body of work than I have managed before."
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
As 'Portrait With Firewood' is Felix's most personal body of work to date, the product of an emotionally turbulent 2017, capturing the range of feelings and emotions he went through in vivid sonic beauty. By putting aside his previous sampladelic approach he returned to his childhood instrument of the piano as a core starting point. "It's a confessional record… I realise that's a word mostly used to describe singer/songwriter rather than (largely) instrumental music, but I think it's apt. There's a sort of emotional candour." Felix is classically trained in the jazz tradition and influenced by the likes of Keith Jarrett and Alice Coltrane. Previously he was shy at the prospect of fans hearing his piano playing, but determined to overcome this fear he has brought forward a new honesty to his work. "Finding the confidence to work with my own piano improvisations was a big part of that. Once I had figured out how I was going to make the music, it actually fell in to place rather quickly." Felix's goal was to create something "overwhelmingly beautiful", but also to capture the "inherent melancholy in beauty in all it's impermanance and fragility". He took inspiration and solace from performance artist Marina Abramovic. "She has an incredibly deep understanding of the human condition, and expresses it in such a poetic way. Many of the themes of her work had particular resonance for me over the course of 2017 as I worked on the album. I was moved to tears on several occasions watching her videos or reading about her work." Felix collaborated with cellist Zosia Jagodzinska and vocalist Lola Empire. Jagodzinska recorded several takes of improvisations over the track 'Creature' which Felix would chop, pitch and layer into new melodic lines and seed throughout the album. Felix's new approach expanded to experimentation with field recording, contact micing his beloved piano and purchasing his first hardware synth, all in service of enriching the personal, humane quality of the record. "Music helps me to communicate the sorts of things that I find almost impossible to put in to words. I think the process for this album has helped me create a more rich and emotionally complex body of work than I have managed before."
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Germany
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More records from Djrum
Label:Houndstooth
Cat-No:HTH185LP
Release-Date:24.07.2026
Genre:Electronic, Electronica
Configuration:12"
Label:Houndstooth
Cat-No:HTH185LP
Release-Date:24.07.2026
Genre:Electronic, Electronica
Configuration:12"
1
DjRUM - I Wander
Following the success of Under Tangled Silence last year which peaked at number one in the Dance Albums charts and peaked at 9 on the Albums Chart staying in for 21 weeks, DjRUM returns to Houndstooth with a 15 minute continuous EP pressed to side A and a custom etched picture disk on Side B. Felix (DjRUM) was a child prodigy as an instrumentalist and his advanced musicality has always been prominent in his music, but here he has put himself front and centre as a composer. And this sense of exposure as a performer interweaves with an unflinching emotional openness too. Where sometimes electronic production as advanced as this can use intellect and techniques as shields from soul-baring, this is the sound of someone who can boldly say “I feel things, I cry all the time, and I'm not afraid to say it or show it in the music.” But this doesn’t mean there’s a move away from the soundsystems and dancefloors where Felix made his name as a uniquely innovative vinyl DJ, this EP encapsulates his musical upbringing weaving in percussive elements across the stereo field to create a truly mesmerising listening experience.
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1
djrum - Broken Glass Arch
2
djrum - Showreel pt2
3
djrum - Showreel pt1
Djrum is a perennially acclaimed underground artist, since his first release in 2010 who’s quietly built a list of fans that reads like a who’s who of contemporary dance music. As an artist, Djrum has formed a reputation for his unique fusion of a range of genres ranging from jazz, hip hop and dubstep to ambient and techno. His music swells with oceanic bass laded beats, cavernous atmospherics and deeply emotive melodies. An accomplished DJ his compositional approach feels like a natural collage of his influences which has seen him release for the likes of the Zenker Brothers Ilian Tape imprint as well as the influential 2nd Drop label, plus remixes for Ninja Tune and Domino. Felix now steps up to the plate at R&S with one of his most visionary releases to date. Deeply meditative melodies twist and turn through stuttering rhythms and pulsing low bass, hypnotic pads and woozy atmospherics. Manuel’s music somehow manages to retains the urgency and dynamic pressure of the dance floor with the intimacy and elegant detailing of the best headphone music. A natural fit for R&S, there is a full length Djrum album in the pipeline in 2018 - looks like it’s going to be an exciting year ahead.
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1
Djrum - A Tune For Us
2
Djrum - Waxcap
3
Djrum - Unweaving
4
Djrum - L'Ancienne
5
Djrum - Hold
6
Djrum - Galaxy In Silence
7
Djrum - Reprise
8
Djrum - Three Foxes Chasing Each Other
9
Djrum - Let Me
10
Djrum - Out Of Dust
11
Djrum - Sycamore
We go through life. We shed our skins. We become ourselves.” This line from Patti Smith was going round and round Felix Manuel’s head as he gradually constructed Under Tangled Silence, his first album in six years and a record of a literal creative rebirth. Felix originally began it in earnest in 2020 Covid lockdown, but a catastrophic hard-drive meltdown destroyed almost all his work and sent him close to psychic collapse himself. However, ultimately this pushed him to rebuild from scratch and in so doing to confront and reassess every part of his musical and psychological processes. The result is utterly extraordinary. Felix was a child prodigy as an instrumentalist and his advanced musicality has always been prominent in his music, but here he has put himself front and centre as pianist, harpist and more. And this sense of exposure as a performer interweaves with an unflinching emotional openness too. Where sometimes electronic production as advanced as this can use intellect and techniques as shields from soul-baring, this is the sound of someone who can boldly say “I feel things, I cry all the time, and I'm not afraid to say it or show it in the music.” But this doesn’t mean there’s a move away from the soundsystems and dancefloors where Felix made his name as a uniquely innovative vinyl DJ. Even just in the opening track “A Tune for Us”, minimalist piano ripples and jazz drumming flow into the breaks of vintage jungle – and as the structure of the LP unfolds, a deep ambient meditation like “Hold” can sit very naturally in between the futurist dancehall of “L’Ancienne” and the high-definition acid house mind movie of “Galaxy in Silence”. In fact, as with the hands-on musicianship, that gutsy big-speaker electronic impact is delivered with more certainty, more expertise, more personal flourishes than ever. And all of those elements are more integrated than ever too: the sound of a total musical personality emerging afresh is truly something to behold. An already remarkable talent has been refreshed, reborn and is making the music of his life.
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1
Djrum - Codex
2
Djrum - Codex pt. 2
3
Djrum - Crawl
4
Djrum - Frekm pt.1
5
Djrum - Frekm pt.2
Djrum's first release since 2019, the Meaning’s Edge EP is an introduction to a whole new world. For the artist also known as Felix Manuel, it was created in the final stretches of six rather traumatic years work. Having carefully honed his techniques and aesthetics, and learned some hard-won emotional lessons over this time, finally he began to work in a quicker, lighter fashion – and to cleanse his palate a little by bringing in a fresh ingredient: his own flute playing. For listeners, though, it will serve as an appetiser, a way into the delights and complexities of this new phase of his creativity. It’s a serious work in its own right, mind. The use of flutes – including Bansuri, Shakuhatchi, Western Classical, and synthesised all blending and blurring into one another – gives it a coherence and a sense of airiness that unites the five tracks over half an hour, however divergent their beats get. And as in all his music, Felix’s whole life is in here. Ethnomusicology studies, untold hours of DJing everywhere from the gnarliest squat raves to the most rarefied deep house clubs, explorations of his own neurological and emotional makeup, and the technical finesse of someone who is never not creating music or art, all roll into an experience that’s dazzling, delightful and keeps on giving. Just the opening track ‘Codex’ alone touches on OG dubstep, Aphex Twin-like braindance, post-classical exploration, movie themes and more. The gentle tones and melodies that rise up out of it perfectly conjure Felix’s running theme of a protective bubble that provides a sense of safety and tranquillity even as the beats and acid gurgles and spurts all around it conjure up the slings and arrows of life’s difficulties. The tone set, the EP moves through ultra-rarefied glass-like p
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1
Djrum - Plantain
2
Djrum - What I Was Doing When I Was Doing What I Was Doing
2023 Repress
Tracklisting:
A1 Djrum - Plantain
B1 Djrum - What I Was Doing When I Was Doing What I Was Doing
Sales Note:
2023 Repress of the Djrum 12" for Samurai Red Seal on a special Colour in Colour pressing
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Tracklisting:
A1 Djrum - Plantain
B1 Djrum - What I Was Doing When I Was Doing What I Was Doing
Sales Note:
2023 Repress of the Djrum 12" for Samurai Red Seal on a special Colour in Colour pressing
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2nd Drop Records release 'Seven Lies', the debut album by Felix Manuel aka Djrum (pronounced "Drum"). Its sounds are inspired by the rawness of urban London, influences of Portishead, DJ Shadow and The Cinematic Orchestra, jungle, minimal techno, classic house, broken beat - all seamlessly segued with a nod to jazz vinyl and film music.
Fans will recognise Djrum's iconic tropes on 'Seven Lies': widescreen atmospheres, dub chords, dusty and melancholic strings, obscure film samples. But this time its spread over a bigger, more luxurious canvas that dips like an undulating terrain of sound; techno troughs, bumpy hip hop breaks, euphoric drum and bass, all filtered through the Djrum node.
Felix would admit himself he is a not a prolific producer. Preferring to craft and hone, often allowing music to mutate and diverge down different paths, his tracks often top the 8-9 min marks in length. However, each track is never at risk of becoming staid or boring, quite the opposite as ideas mutate and evolve, subtle differences and nuances are evoked and explored.
Inspired by the sounds of Ninja Tune's Solid Steel radio show, Oxford born/London based Felix became involved with the free party scene and helped set up the seminal Yardcore nights in 2005. A night of wild extremes, it swept from acts as diverse as Hellfish, Andy Stott, Breakage and Various Production in one night. An aesthetic he still faithfully adheres to in his all-vinyl DJ sets, a seamless blend of techno, garage, dancehall, hip hop, old-school hardcore and jungle.
Just as the dominant dubstep scene was in a painful, if fertile, transitionary period in 2010, Felix made his production debut as Djrum with 12" singles on the On the Edge and Smokin Sessions labels. This would ultimately provide him with the perfect platform for his own hybrid sound. A sound that instead of reflecting the brash energy of his DJ style, turned inwards, almost ingesting and metabolising those sounds to create an introspective and more sensitive and tactile crossbreed.
The 2nd Drop label were lucky enough to pick up on his latent talent, drafting him to remix the wonderful lament 'Explode' by LV and Message To Bears ft Zaki Ibrahim, to widespread acclaim. In 2011 the 'Mountains EP' followed. A four track suite of music that captured the imagination of many: Francois K, Gilles Peterson, Craig Richards, Berlin's highly respected T++, and featured in end of year charts across the board. The 3rd part of the 'Mountains EP' came the following year - as 'Watermark' b/w 'The Darkest Hour is Just Before Dawn (Undercoat Pt2)' - completing an epic body of music and setting up the realization of 'Seven Lies', this highly accomplished debut long player.
The wonderful, celestial artwork is by an artist friend of Djrum's called Jaya Mansberger.
Seven Lies tracklist (available as triple pack vinyl):
1. Obsession
2. Como Los Cerdos
3. Dam
4. Arcana (Do I Need You)
5. Lies (ft Shadowbox)
6. Honey
7. Arcana (Coda)
8. Anchors (ft Shadowbox)
9. Thankyou
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Fans will recognise Djrum's iconic tropes on 'Seven Lies': widescreen atmospheres, dub chords, dusty and melancholic strings, obscure film samples. But this time its spread over a bigger, more luxurious canvas that dips like an undulating terrain of sound; techno troughs, bumpy hip hop breaks, euphoric drum and bass, all filtered through the Djrum node.
Felix would admit himself he is a not a prolific producer. Preferring to craft and hone, often allowing music to mutate and diverge down different paths, his tracks often top the 8-9 min marks in length. However, each track is never at risk of becoming staid or boring, quite the opposite as ideas mutate and evolve, subtle differences and nuances are evoked and explored.
Inspired by the sounds of Ninja Tune's Solid Steel radio show, Oxford born/London based Felix became involved with the free party scene and helped set up the seminal Yardcore nights in 2005. A night of wild extremes, it swept from acts as diverse as Hellfish, Andy Stott, Breakage and Various Production in one night. An aesthetic he still faithfully adheres to in his all-vinyl DJ sets, a seamless blend of techno, garage, dancehall, hip hop, old-school hardcore and jungle.
Just as the dominant dubstep scene was in a painful, if fertile, transitionary period in 2010, Felix made his production debut as Djrum with 12" singles on the On the Edge and Smokin Sessions labels. This would ultimately provide him with the perfect platform for his own hybrid sound. A sound that instead of reflecting the brash energy of his DJ style, turned inwards, almost ingesting and metabolising those sounds to create an introspective and more sensitive and tactile crossbreed.
The 2nd Drop label were lucky enough to pick up on his latent talent, drafting him to remix the wonderful lament 'Explode' by LV and Message To Bears ft Zaki Ibrahim, to widespread acclaim. In 2011 the 'Mountains EP' followed. A four track suite of music that captured the imagination of many: Francois K, Gilles Peterson, Craig Richards, Berlin's highly respected T++, and featured in end of year charts across the board. The 3rd part of the 'Mountains EP' came the following year - as 'Watermark' b/w 'The Darkest Hour is Just Before Dawn (Undercoat Pt2)' - completing an epic body of music and setting up the realization of 'Seven Lies', this highly accomplished debut long player.
The wonderful, celestial artwork is by an artist friend of Djrum's called Jaya Mansberger.
Seven Lies tracklist (available as triple pack vinyl):
1. Obsession
2. Como Los Cerdos
3. Dam
4. Arcana (Do I Need You)
5. Lies (ft Shadowbox)
6. Honey
7. Arcana (Coda)
8. Anchors (ft Shadowbox)
9. Thankyou
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More records from R&S
1
Human Safari - Children Of The Sea
2
Human Safari - Jazz Affair
3
Human Safari - Turbulence At The Orchestra
4
Human Safari - Lido
Malta’s Human Safari returns to R&S Records, building on the momentum of his 2023 debut ‘Sax Paradiso’, with another EP of fast, physical club music on ‘Children Of The Sea’. Propulsive opener ‘Children Of The Sea’, balances tensile strings and frenzied percussion fused around a high-tempo techno framework. ‘Jazz Affair’ follows suit but shifts the mood inward, pairing feverish, hypnotic drum programming with expressive instrumentation - layering drifting piano chords, fragile pads and a winding bassline that lends the track a kinetic pull. ‘Turbulence At The Orchestra’ draws from the raw spirit of ’90s warehouse techno, weaving in the sounds of sensationalist news reports on illegal raves of the time and overall diving into darker territory, led by a foreboding, spiralling 303 line and punctuated with dramatic horn flares.. Closing track ‘Lido’ locks into another deep, rolling groove, with pulsing low-end, reverberant horns and skittering, Latin and jazz-tinged rhythmic details threading through the mix.
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1
djrum - Broken Glass Arch
2
djrum - Showreel pt2
3
djrum - Showreel pt1
Djrum is a perennially acclaimed underground artist, since his first release in 2010 who’s quietly built a list of fans that reads like a who’s who of contemporary dance music. As an artist, Djrum has formed a reputation for his unique fusion of a range of genres ranging from jazz, hip hop and dubstep to ambient and techno. His music swells with oceanic bass laded beats, cavernous atmospherics and deeply emotive melodies. An accomplished DJ his compositional approach feels like a natural collage of his influences which has seen him release for the likes of the Zenker Brothers Ilian Tape imprint as well as the influential 2nd Drop label, plus remixes for Ninja Tune and Domino. Felix now steps up to the plate at R&S with one of his most visionary releases to date. Deeply meditative melodies twist and turn through stuttering rhythms and pulsing low bass, hypnotic pads and woozy atmospherics. Manuel’s music somehow manages to retains the urgency and dynamic pressure of the dance floor with the intimacy and elegant detailing of the best headphone music. A natural fit for R&S, there is a full length Djrum album in the pipeline in 2018 - looks like it’s going to be an exciting year ahead.
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1
JAYDEE - Plastic Dreams
Another legendary R&S classic repressed in very limited numbers only on a one-sided 12" vinyl. The original 1992 release from Dutch producer Jaydee was a 10 minute long Hammond organ workout - many remixes over the years but you cant surpass the original!!!
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1
Joey Beltram - Energy Flash
2
Joey Beltram - Jazz 3033
3
Joey Beltram - Subsonic Trance
4
Joey Beltram - Psycho Bass
What can be said about Joey Beltram’s ‘Energy Flash’ that hasn’t be said already! The track still gets rinsed, week in, week out, across radio stations, clubs and festivals, testimony to the sheer importance of this techno classic. Released originally in 1990 on the R&S Records label, ‘Beltram Vol. 1’ included the aforementioned ‘Energy Flash’, alongside three equally ground-breaking dance tracks that possibly get overshadowed by the big lead track. But tracks like ‘Subsonic Bass’ broke the mould and went on to influence a raft of rave and drum ‘n’ bass tunes, thanks in part to its use of the now legendary ‘hoover’ bass sound. The sinister acid of ‘Jazz 3033’ still sounds as fresh today as it did 33 years ago, and the menacingly titled ‘Psycho Bass’ reveals the EP’s most passive moment, as its solid breakbeat cuts through ethereal tones and chugging synths. ‘Beltram Volume 1’ has been remastered by Beau Thomas at Ten Eight Seven Mastering, and the release comes in an updated sleeve, faithfully recreating the 1990 packaging.
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What can be said about Joey Beltram’s ‘Energy Flash’ that hasn’t be said already! The track still gets rinsed, week in, week out, across radio stations, clubs and festivals, testimony to the sheer importance of this techno classic. Released originally in 1990 on the R&S Records label, ‘Beltram Vol. 1’ included the aforementioned ‘Energy Flash’, alongside three equally ground-breaking dance tracks that possibly get overshadowed by the big lead track. But tracks like ‘Subsonic Bass’ broke the mould and went on to influence a raft of rave and drum ‘n’ bass tunes, thanks in part to its use of the now legendary ‘hoover’ bass sound. The sinister acid of ‘Jazz 3033’ still sounds as fresh today as it did 33 years ago, and the menacingly titled ‘Psycho Bass’ reveals the EP’s most passive moment, as its solid breakbeat cuts through ethereal tones and chugging synths. ‘Beltram Volume 1’ has been remastered by Beau Thomas at Ten Eight Seven Mastering, and the release comes in an updated sleeve, faithfully recreating the 1990 packaging.
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DE - 22113 Hamburg
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1
Joey Beltram - My Sound
2
Joey Beltram - The Melody
3
Joey Beltram - Sub-Bass Experience
4
Joey Beltram - The Reflex
lThere are techno classics, and there are techno classics! It’s without doubt that Joey Beltram has played a pivotal role in the growth of the techno sound that gestated in Detroit and was lapped up in Europe during those early years. Beltram spearheaded a darker sound that became a staple in the UK and European rave scene in the early 90s, and a sound that continues to come back around for revival and a new twist on the genre from the producers and DJs of the day. ‘Beltram Volume 2’ was first released on R&S Records in 1991, and despite the huge success of the ‘Energy Flash’ single, released a year prior, ‘Volume 2’, some say, is ‘Beltram’s definitive release on R&S’. Deep, dark and deliciously hypnotic, all four cuts on this EP still sound as raw and devastating 30 years later. Big tunes at seminal clubs like Rage (Fabio & Grooverider) and the network of UK raves soundtracked by the likes of Carl Cox, Colin Faver, Eddie Richards et al, Beltram’s unique sound help spawn the bass heavy drum & bass genre that was also burgeoning at the time. ‘Beltram Volume 2’ has been remastered by Beau Thomas at Ten Eight Seven Mastering, and the release comes in an updated sleeve, faithfully recreating the 1991 packaging featuring Christel Brodahl’s now legendary oil painting.
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1
Joey Beltram - My Sound
2
Joey Beltram - The Melody
3
Joey Beltram - Sub-Bass Experience
4
Joey Beltram - The Reflex
lThere are techno classics, and there are techno classics! It’s without doubt that Joey Beltram has played a pivotal role in the growth of the techno sound that gestated in Detroit and was lapped up in Europe during those early years. Beltram spearheaded a darker sound that became a staple in the UK and European rave scene in the early 90s, and a sound that continues to come back around for revival and a new twist on the genre from the producers and DJs of the day. ‘Beltram Volume 2’ was first released on R&S Records in 1991, and despite the huge success of the ‘Energy Flash’ single, released a year prior, ‘Volume 2’, some say, is ‘Beltram’s definitive release on R&S’. Deep, dark and deliciously hypnotic, all four cuts on this EP still sound as raw and devastating 30 years later. Big tunes at seminal clubs like Rage (Fabio & Grooverider) and the network of UK raves soundtracked by the likes of Carl Cox, Colin Faver, Eddie Richards et al, Beltram’s unique sound help spawn the bass heavy drum & bass genre that was also burgeoning at the time. ‘Beltram Volume 2’ has been remastered by Beau Thomas at Ten Eight Seven Mastering, and the release comes in an updated sleeve, faithfully recreating the 1991 packaging featuring Christel Brodahl’s now legendary oil painting.
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1
Synkro - Cycles
2
Synkro - Information
3
Synkro - Signal
4
Synkro - Last Breath
Joe McBride AKA Synkro has built up a hugely impressive catalogue of releases over the last few years. Via albums and singles for Apollo, Exit Records and his own Synkro Music imprint, the Manchester based producer and sound architect has amassed a dazzling archive of elaborate, emotive and intellectual soundscapes drawing in influences across a spectrum of bass culture and electronica. On the ‘Information’ EP, it’s business as usual, as Synkro deploys four fresh and forward thinking tracks that slither across the genres with ease. From the frantic percussion and dubwise tones of title track ‘Information’ to the absorbing textures and crackling ambience of the beatless opener ‘Cycles’, the attention to detail and the depth of layered sonics across all four tracks afford the listener a truly mesmerising experience. The dusty and dark skank of ‘Signal’ is a real mood piece, whilst ‘Last Breath’ closes the EP drenched in sanguine sentiments.
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1
Chizawa Q - Asia 2 (Lost Q Remix)
2
Chizawa Q - Asia 4
3
Chizawa Q - Panther
Originally released on R&S Records in 2006, Chizawa Q revives his ‘Asia’ release with the surfacing of a new remix, the ‘Asia 4 (Lost Q Mix)’. The Japanese producer, who has enjoyed a modest string of releases for F-Communications and Deka Traxxx, fires out an epically irresistible remix that is sure to soundtrack the summer clubs and festivals ahead. With its roots in the Detroit school of techno, it’s easy to hear the influences of such legends as Underground Resistance and Rolando, and the melodic style of jazzy techno established by artists like R&S Records’ Dave Angel, Vince Watson and Steve Rachmand, but the ‘Lost Asia’ EP is no pastiche. Emotive and musical, delivered with the purity and spirit often lacking in modern techno, Chizawa Q’s music is a reminder that the authentic sounds always rise to the top in the end.
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1
Blocks & Escher - Shot in the Dark
2
Blocks & Escher - Abyss
3
Blocks & Escher - This One
4
Blocks & Escher - Dance Girl
Operating on the outer rim of the drum & bass scene for over a decade, Blocks & Escher have been designing intelligent and forward-thinking electronic dance across a multitude of releases for labels such as Metalheadz, Digital Soundboy and their own Narratives Music. Their first release of 2022, ‘Shot In The Dark’ EP, pulls together four outstanding cuts of shadowy breaks and abstract electronica. Otherwise known as Phillip Smith and Will Hansen, Blocks & Escher distilled their sound into the critically acclaimed 2018 album ‘Something Blue’. Released on Goldie’s Metalheadz imprint, the long player displayed a confident maturity of sound, and a more than capable accomplishment of pulling the visionary sounds of drum & bass into a new era. The industrial breaks and hoover bass of ‘Shot In The Dark’ anchor a wave of cinematic synth sweeps, fashioning an arresting opening track on this accomplished EP. The ingenious beats continue to unfurl across ‘Abyss’ and ‘This One’, as brooding atmospherics wash over in waves. The finale of ‘Dance Girl’ ramps up the BPMs and beat complexity, as a breathless assault of rhythm and sound captivates and rewards in abundance.
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1
Second Phase - Mentasm
2
Second Phase - Mentasm (Beltram & Mundo Remix)
3
Second Phase - Mind To Mind
1991 techno classics - repressed and reissued for 2021!
Second Phase (aka Joey Beltram and Mundo Muzique) are 2 legendary producers whose output shaped an entire generation of ravers, DJs and producers minds. 'Mentasm / Mind To Mind' is one such influential release, literally creating new styles, new directions and impacting on dance music for decades to come. Unique programming and fresh sounds made their records stand out head and shoulders above everyone else's output. 'Mentasm' particularly broke ground with it's now infamous 'hoover sound', influencing house, techno and trance music to come and even spilling over into the nascent hardcore, jungle and D&B scenes where it was often imitated or sampled by producers who wanted that ruff, visceral feel for their own tracks, but didn't know how to create it themselves. A new energy was born and it emanated from this milestone 12". 'Mind To Mind' on the flipside is equally as deadly, but in a deeper, more spaced out realm it maneuvers and pulls into a trippy early morning space, the yin to 'Mentasm's yang. This is a quintessential techno record, a glimpse of innovation from back in the day. File under 'classic'. This special 2021 edition is reissued by R&S Records from original master sources, remastered by Curve Pusher.
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Second Phase (aka Joey Beltram and Mundo Muzique) are 2 legendary producers whose output shaped an entire generation of ravers, DJs and producers minds. 'Mentasm / Mind To Mind' is one such influential release, literally creating new styles, new directions and impacting on dance music for decades to come. Unique programming and fresh sounds made their records stand out head and shoulders above everyone else's output. 'Mentasm' particularly broke ground with it's now infamous 'hoover sound', influencing house, techno and trance music to come and even spilling over into the nascent hardcore, jungle and D&B scenes where it was often imitated or sampled by producers who wanted that ruff, visceral feel for their own tracks, but didn't know how to create it themselves. A new energy was born and it emanated from this milestone 12". 'Mind To Mind' on the flipside is equally as deadly, but in a deeper, more spaced out realm it maneuvers and pulls into a trippy early morning space, the yin to 'Mentasm's yang. This is a quintessential techno record, a glimpse of innovation from back in the day. File under 'classic'. This special 2021 edition is reissued by R&S Records from original master sources, remastered by Curve Pusher.
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1
Capricorn - 20 Hz (Extended)
2
Capricorn - Didn't I
3
Capricorn - For The Soul, Body & Mind
Presenting a special limited edition reissue of a stone cold classic from the R&S vaults, 1993 style, remastered and repressed on special transparent wax. Capricorn aka Dutch producer and DJ Hans Weekhout originally released the '20Hz' 3 track EP on R&S sub-label Global Cuts to much acclaim.
A record that was literally everywhere in '93 and still rocks any club today, '20Hz' is undoubtedly an all-time anthem with it's combination of rolling, thunderous drums, glacial marimba-like melodies and a tense trance inducing atmosphere that literally lifts the dancefloor to another place. 'Didn't I' is also a proper old-school peak-time stormer, it's uptempo, dripping in positive vibes with sampled soulful vocals and chopped up drum breaks all encapsulated within a real rave sensibility. Closing out the EP we are treated to 'For The Soul, Body & Mind' which is a much darker, deeper and menacing vibe than the previous cuts. More in line with the earliest fringes of jungle, hardcore and bleep tehcno the track takes us on a journey into the heart of the night with it's bass heavy and intricate sound programming and breakbeats, proving that Hans Weekhout was an extremely versatile and open minded producer. Overall, a truly classic and essential EP from the heyday of European house and techno that still packs a punch today! This special 2021 edition is reissued by R&S Records from original master sources, remastered by Curve Pusher.
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A record that was literally everywhere in '93 and still rocks any club today, '20Hz' is undoubtedly an all-time anthem with it's combination of rolling, thunderous drums, glacial marimba-like melodies and a tense trance inducing atmosphere that literally lifts the dancefloor to another place. 'Didn't I' is also a proper old-school peak-time stormer, it's uptempo, dripping in positive vibes with sampled soulful vocals and chopped up drum breaks all encapsulated within a real rave sensibility. Closing out the EP we are treated to 'For The Soul, Body & Mind' which is a much darker, deeper and menacing vibe than the previous cuts. More in line with the earliest fringes of jungle, hardcore and bleep tehcno the track takes us on a journey into the heart of the night with it's bass heavy and intricate sound programming and breakbeats, proving that Hans Weekhout was an extremely versatile and open minded producer. Overall, a truly classic and essential EP from the heyday of European house and techno that still packs a punch today! This special 2021 edition is reissued by R&S Records from original master sources, remastered by Curve Pusher.
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1
PROGedia - We Are The Night (Original Mix)
2
PROGedia - We Are The Night (Charles Webster Mix)
3
PROGedia - We Are The Night (Charles Webster Ambient Mix)
Master sampler Fed Conti has a way of making grooves sound as light as a feather, elevating kraut and jazz phrases to dreamy realms where the imagination is tickled. To kick off the forthcoming debut PROGedia album, revered producer and remixer Charles Webster adds his inimitable touch to the single ‘We Are The Night’, expanding on Conti’s heartfelt arrangements, playing with beats and textures, as he travels smooth melodic lines. PROGedia is the newest alias of the Italian producer Fed Conti, also known as Mahjong and Nardis. After having played his Hammond organ with several jazz deities, and produced samples for Coca Cola and Universal, he is finally unleashing his kinky musical imagination in the PROGedia album; ‘We Are The Night’ kicks off a mixture of kraut, psychedelic grooves and nu jazz, tied together through clever arrangements and a refined sampling process. ‘It’s an escape from modern decadence,’ says Fed, who adores the authentic and offbeat. It only makes sense, then, that the first track of his upcoming album is called ‘We Are The Night’; during the darkest hours PROGedia’s retro extravagance can claim a foothold, offering a warm breeding ground for quirkiness, infatuation, and musical liberation. The renowned producer Charles Webster, too, is a real music fetishist; he got his first instruments at the age of 13 and went on to collaborate with the likes of Juan Atkins, Derrick May and Kevin Saunderson, founding his own Love From San Francisco project and following with two decades of classy and sophisticated music productions. For this occasion, he has added his unmistakable touch to the ‘We Are The Night’ title track, complementing PROGedia’s infectious grooves with poignant rhythms and motley textures.
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1
Loxy & Ink - Manifested Visions
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Loxy & Ink - Phoenix Rising (ft. Resound, Jody Lulati & Miriam Safo)
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Loxy & Ink - Give Me a Dubplate (ft. Resound)
4
Loxy & Ink - Embrace The Meaning
5
Loxy & Ink - Get Back Up (ft. Tha Lion)
Two titans in UK breakbeat culture, Loxy & Ink were both present at the inception of the birth of UK dance music and continue to be torchbearers. With ‘Manifested Visions’ the duo does exactly what the title suggests; transcending the boundaries of genre, roots dub meets hip hop and in-your-face drum and bass to create a five-track EP that will make you submit, revel, rave and float.
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Sam Interface (formerly known as SNØW) returns to the seminal R&S Records following the success of last year’s R&S Presents: More Time Records Vol 1, which was a 4 track compilation featuring Ahadadream, Bala Bala Boyz, Bryte & SNØW. He is the co-founder of London’s More Time Records, on which he has released much of his own music as SNØW (including collaborations with Zed Bias, Fox, Dread MC & more) and can also be found monthly on Rinse FM and Reprezent Radio playing a range of percussive genres including UK Funky, GQOM, Kuduro, Afrobeats and more. The name change takes him closer to his first alias Interface, under which he had DnB hits with the likes of DJ Die and more, he explains: “When i first released music back in my early DnB days I used the alias “Interface” and so many people still call me Sam Interface - it feels like the most natural name for me.” The lead track “Underground” (which samples an announcement from the tube) references a range of London-centric genres, combining polyrhythmic percussion with an extremely upfront bass sound which draws influence from and exxagerates recent drill productions. “Finally”, a collaboration with an old friend & prolific DnB producer Break follows, bringing frantic motion to the release. The third track “Crud” utilises Sam’s signature gully bass production, flooding the speakers with low end on the drop. The EP wraps up with “Pink Dolphins” - a euphoric dancefloor moment which channels the energy and emotion of jungle, drawing on some of Sam’s earliest rave influences. TRACK LISTING: A1. Underground, A2. Finally (ft. Break), B1. Crud, B2. Pink Dolphins
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Space Dimension Controller returns to R&S Records for the follow up album to 'Welcome To Mikrosector-50'. Stranded at the edge of space and time; Mr. 8040 has crash landed on a strange planet following a space dust and vecta grog fuelled burnout on the astro bandit colony of PVLN. With distress calls lost to the planet's surrounding empty space and his life support system damaged beyond repair; Mr. 8040 exits his ship to brave the unknown world in the hope of finding help. Weakened by the planet's heavy atmosphere; Mr. 8040 collapses. He is awoken by the calming presence of a native woman who offers to guide him to someone that may be able to repair his ship. Though frail and disorientated; Mr. 8040 moves forward, growing ever fonder of his new aquaintance. She bestows a small piece of her life-force to him, aiding him on the early stages of their journey. Days later the pair reach The Reflective Forest; A beautiful, yet dangerous region of the planet where time moves slower - the psychoactive environment can cause crippling hallucinations. Tormented by the visions of his past; Mr. 8040 breaks down. Uncertain of his ability to travel any further, he is reassured by his companion. By sundown they find themselves at the end of their journey; but not where Mr. 8040 had expected. It is the crash site of his ship and from within the flames a figure of static and noise walks towards him. Face to face with the mysterious figure, Mr. 8040 realises it is an apparition of his former self. Under the advice of the woman that saved his life, he knows that in order to continue he must let go of all that came before the crash, both good and bad. In a sudden burst of light, Mr. 8040 and the apparition become one. The light fades and his ship appears unscathed, his newfound muse waiting onboard. With his mind and ship repaired, Mr. 8040 climbs on board. The pair leave the planet behind, embarking on new adventures deep into the unknown galaxy…
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Berlin-based producer Adam Longman Parker announces "Colored", his first full-length LP as Afriqua for R&S Records. The album is a celebration of the unifying power of Black culture through the prism of electronic music.
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1
East Of Oceans - Neverlasting Love
2
East Of Oceans - Broken Seas
3
East Of Oceans - Hard Red
R&S welcomes Brock Van Wey AKA East Of Oceans (also known as ambient legend dvdub for his stunning 2018 album 'Drowning in Daylight' on Apollo) "East of Oceans is a pure tribute to my rave history that brought everything into being; pure elation, pure drive, pure escape, and frankly, just hearing shit that was the fucking jam." Van Wey debuts on R&S with his stunning new EP as East Of Oceans 'Neverlasting Love'. As always, Van Wey's music connects deeply into his past - his East of Oceans monicker draws on his time as a stalwart DJ and promoter of the halcyon 90s San Francisco rave scene, and features a much more direct aesthetic than the gauzy remembrances of his work as bvdub. "My music as bvdub is about pausing to remember what it means - East of Oceans is about moving to forget it all." Before Brock began DJing, made his first ambient mixtape, or began down the road of ambient, deep electronics, and deep house to follow; "I began my rave life, as many did, in breaks and hardcore, the faster the better. The harder the better. But always the deeper the better.” Packed with explosive breakbeats combined with haunting vocals and sepia tinged soundscapes, ‘Neverlasting Love’ is another stunning release that see Van Wey working at the peak of his powers
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Quiet Village & Vanessa Daou - Naked Hunger (Vocal Mix)
2
Quiet Village & Vanessa Daou - Naked Hunger (Spoken Word Mix)
Quiet Village collaborate with Vanessa Daou on 'Naked Hunger’ Legendary New York artist and The Daou front-woman Vanessa Daou lends vocals to Matt 'Radio Slave' Edwards and Joel Martin's second release on the ‘The Quiet Village’ imprint. Matt ‘Radio Slave' Edwards and Joel Martin's critically acclaimed Quiet Village project follow-up, 2024's 'Reunion' with the Vanessa Daou collaboration, 'Naked Hunger' on September 5th, '25. 'Naked Hunger', which comes in 'Vocal Mix' and 'Spoken Word Mix' versions, sees Quiet Village employ their hypnotic sensibilities to one of house music's most tantalising vocal talents in Daou, resulting in a mid-tempo house cut that completely envelops. While the vocal mix of 'Naked Hunger' leans into the interplay between Vanessa Daou's cosseting song voice and spoken vocals, with the rest of the track embracing a subtly dubby ethereal musicality, Quiet Village ramp up the instrumentation on the' Spoken Vocal' version with bass guitar and piano flourishes accompanying her sultry poetic delivery. 'Naked Hunger', Daou's first collaboration with Quiet Village, marks her first release since 2019's 'Little Black Dress'. Throughout her illustrious career, the acclaimed three-time #1 Billboard Dance Chart topper has collaborated with Danny Tenaglia, David Morales, Mood II Swing, Ralphi Rosario, Terry Farley (Farley & Heller), Charles Webster, Horse Meat Disco's Severino Panzetta, Hifi Sean, and Eli Escobar. Friends since meeting at Goldie's legendary MetalHeadz sessions at London's Blue Note in the '90s, Quiet Village, aka Matt Edwards and Joel Martin, began releasing their brand of dubbed-out, balearic-and-beyond tracks in 2005 via NYC's Whatever We Want Records. The duo's 2008 'Silent Movie' LP was a critical smash hit that resulted in remix commissions for the likes of Bryan Ferry, The Gorillas, Leftfi eld, Francois K, Massive Attack and many more. After a few years in the wilderness, unable to use their nom de plume due to contractual restrictions, the pair launched The Quiet Village label in 2024 with 'Reunion', a stunning 6/8-time urban jazz odyssey, a favourite of the likes of Luke Una, Gilles Peterson and Ryan Elliott.
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1
Robert Leiner - Out Of Control
2
Robert Leiner - Visions Of The Past
3
Robert Leiner - Interval
4
Robert Leiner - To Places You've Never Been
5
Robert Leiner - Aqua Viva
6
Robert Leiner - Full Moon Ritual
7
Robert Leiner - Zenit
8
Robert Leiner - Dream Of Reality
9
Robert Leiner - From Beyond And Back
10
Robert Leiner - Northern Dark
Swedish producer Robert Leiner’s landmark 1994 album ‘Visions Of The Past’ finally gets a vinyl LP reissue on Apollo, the ‘ambient division’ of R&S Records. Long regarded as one of the pivotal ambient/electronic long players, the album has stood the test of time and serves as a reminder on how potent the early ambient techno releases were.
Leiner was a central figure in the early European techno and ambient landscape, carving out a distinctive sound that bridged atmospheric depth and rhythmic intensity. Known for his releases as The Source Experience and contributions to the R&S/Apollo catalogue, as a producer and engineer, Leiner’s work resonated across the underground, earning him a reputation for visionary, emotionally charged productions that stood apart from his contemporaries.
'Visions Of The Past’ captures this duality perfectly with expansive ambient passages that drift into hypnotic techno, while layers of intricate sound design and pulsating low end create a timeless and immersive listening experience. Tracks unfold with patience and precision, like the 12-minute-long marine epic ‘Aqua Viva’, balancing introspection with kinetic dance energy, and the new age ambience of ‘Dream Or Reality’ and ‘Northern Dark’ embodying the forward-thinking ethos that defined Apollo’s golden era.
Three decades on, this long out of print album finally returns on vinyl format, freshly remastered and restored, reaffirming its status as an essential document of electronic music’s evolution and Robert Leiner’s enduring influence.
‘Visions Of The Past’ by Robert Leiner is available on Apollo Records from 7th November 2025.
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Leiner was a central figure in the early European techno and ambient landscape, carving out a distinctive sound that bridged atmospheric depth and rhythmic intensity. Known for his releases as The Source Experience and contributions to the R&S/Apollo catalogue, as a producer and engineer, Leiner’s work resonated across the underground, earning him a reputation for visionary, emotionally charged productions that stood apart from his contemporaries.
'Visions Of The Past’ captures this duality perfectly with expansive ambient passages that drift into hypnotic techno, while layers of intricate sound design and pulsating low end create a timeless and immersive listening experience. Tracks unfold with patience and precision, like the 12-minute-long marine epic ‘Aqua Viva’, balancing introspection with kinetic dance energy, and the new age ambience of ‘Dream Or Reality’ and ‘Northern Dark’ embodying the forward-thinking ethos that defined Apollo’s golden era.
Three decades on, this long out of print album finally returns on vinyl format, freshly remastered and restored, reaffirming its status as an essential document of electronic music’s evolution and Robert Leiner’s enduring influence.
‘Visions Of The Past’ by Robert Leiner is available on Apollo Records from 7th November 2025.
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Label:We Release Jazz
Cat-No:WRJ001-REG
Release-Date:19.10.2018
Genre:Electronic, Electronica
Configuration:LP Excl
Label:We Release Jazz
Cat-No:WRJ001-REG
Release-Date:19.10.2018
Genre:Electronic, Electronica
Configuration:LP Excl
1
Ryo Fukui - It Could Happen To You
2
Ryo Fukui - I Want To Talk About You
3
Ryo Fukui - Early Summer
4
Ryo Fukui - Willow Weep For Me
5
Ryo Fukui - Autumn Leaves
6
Ryo Fukui - Scenery
The Standard Edition - Territory - NO Sales to Japan
Ryo Fukui's 1976 highly sought-after jazz masterpiece SCENERY-
LP Edition: Mastered at half speed, 140g vinyl, Sticker
We Release Jazz (WRWTFWW Records' new sister-label) is proud to present its first release, the official reissue of Ryo Fukui's highly sought-after masterpiece Scenery (1976), sourced from the original masters and available on limited edition 180g vinyl mastered at half speed for audiophile sound and on digipack CD.
Unquestionably one of the most important Japanese jazz albums ever recorded, Scenery reveals Ryo Fukui as a miraculously brilliant self-taught pianist fusing modal, bop, and cool jazz influences for a very personal, dexterous and game-changing take on classic standards made famous by Bing Crosby and John Coltrane among others. From "It Could Happen To You" and its serene and calm intro which magically flows into a jubilant and upbeat piece, to the out-of-this-world piano solo of "Early Summer", or the incredible teamwork of "Autumn Leaves" where Fukui leads Satoshi Denpo (bass) and Yoshinori Fukui (drums) into groove heaven, every single note on the album oozes precision, confidence and flair and every single section slides seamlessly into one another, creating a supreme and elegant blend of jazz. Often compared to McCoy Tyner or Bill Evans, Ryo Fukui was a genius in his own right, a true master of his craft whose perfectionism gave birth to some of the greatest music ever recorded. Scenery is his magnum opus and an absolute must-have.
The Hokkaido wizard-pianist followed Scenery with the soulful gem Mellow Dream (also available on We Release Jazz) in 1977. He then focused on improving his live skills, often performing at Sapporo's Slowboat Jazz Club (which he co-founded with his wife Yasuko Fukui) and releasing 2 live albums. Ryo Fukui sadly passed away in March 2016, leaving behind a legacy of works that is sure to captivate jazz lovers for generations to come.
Tracklisting Vinyl LP
A1 It Could Happen To You
A2 I Want To Talk About You
A3 Early Summer
B1 Willow Weep For Me
B2 Autumn Leaves
B3 Scenery
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Ryo Fukui's 1976 highly sought-after jazz masterpiece SCENERY-
LP Edition: Mastered at half speed, 140g vinyl, Sticker
We Release Jazz (WRWTFWW Records' new sister-label) is proud to present its first release, the official reissue of Ryo Fukui's highly sought-after masterpiece Scenery (1976), sourced from the original masters and available on limited edition 180g vinyl mastered at half speed for audiophile sound and on digipack CD.
Unquestionably one of the most important Japanese jazz albums ever recorded, Scenery reveals Ryo Fukui as a miraculously brilliant self-taught pianist fusing modal, bop, and cool jazz influences for a very personal, dexterous and game-changing take on classic standards made famous by Bing Crosby and John Coltrane among others. From "It Could Happen To You" and its serene and calm intro which magically flows into a jubilant and upbeat piece, to the out-of-this-world piano solo of "Early Summer", or the incredible teamwork of "Autumn Leaves" where Fukui leads Satoshi Denpo (bass) and Yoshinori Fukui (drums) into groove heaven, every single note on the album oozes precision, confidence and flair and every single section slides seamlessly into one another, creating a supreme and elegant blend of jazz. Often compared to McCoy Tyner or Bill Evans, Ryo Fukui was a genius in his own right, a true master of his craft whose perfectionism gave birth to some of the greatest music ever recorded. Scenery is his magnum opus and an absolute must-have.
The Hokkaido wizard-pianist followed Scenery with the soulful gem Mellow Dream (also available on We Release Jazz) in 1977. He then focused on improving his live skills, often performing at Sapporo's Slowboat Jazz Club (which he co-founded with his wife Yasuko Fukui) and releasing 2 live albums. Ryo Fukui sadly passed away in March 2016, leaving behind a legacy of works that is sure to captivate jazz lovers for generations to come.
Tracklisting Vinyl LP
A1 It Could Happen To You
A2 I Want To Talk About You
A3 Early Summer
B1 Willow Weep For Me
B2 Autumn Leaves
B3 Scenery
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Germany
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1
Senses - Ratio
2
Senses - Still
3
Senses - Spirit Vector
4
Senses - Sun Runner
Tracklisting
A1 Senses - Ratio
A2 Senses - Still
B1 Senses - Spirit Vector
B2 Senses - Sun Runner
Sales Note
Returning to Curvature for his eagerly awaited second EP, Senses brings an impressively varied array of atmospheric jungle to the table, drawing from a multitude of influences across the musical spectrum with Convex Reflex.
A1 - Ratio
A break-laden intro lays the groundwork for a considered foray into the old-school - Senses flecking the mix liberally with synths and female vocal hits of yesteryear, before the welcome crunch of thunderous amens takes over. A cascade of rip-roaring edits
floods the track taking you on an epic ride through the ages, breaks chopped with riotous energy confirming this track as a perfect DJ tool for the dancefloor.
A2 - Sun Runner
Beautifully crisp drums open a DJ-friendly intro to Sun Runner, delightfully clear sounding with distinctive cymbals, a thick snare and subtle bongos. An airy soundscape soon washes into the mix with calming synths and flutes, creating a delicately jazzy blend of styles with soothing melodies contrasting perfectly with the breaks. More pronounced synthwork follows to spice things up as the bassline rumbles along below.
B1 - Spirit Vector
Dense atmospherics are the order of the day as Senses deploys Spirit Vector, opening with an array of synths and strings to create an intro reminiscent of Intense's work in the late 90's. Soon we are treated to a paradoxical assortment of heavy amens that work impeccably in the mix - thundering forth with pads soaring high and a heavy sub bass below. Various instrument samples litter the breakdown before a vocal sample declares "Yes". Yes indeed.
B2 - Still
Closing the EP in style, Still opens with sparse breaks, lightly building with extremely subtle apache breaks in the backdrop with sporadic keys and smooth pads. The drop arrives with warm, room-filling basslines and synths to elevate the atmosphere alongside luscious flute samples.Layers are added to the excellent breaks as Senses sprinkles instrument samples, keys and a classic female vocal, completing a joyous composition for Curvature.
Words by Chris Hayes (Spatial / Red Mist)
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A1 Senses - Ratio
A2 Senses - Still
B1 Senses - Spirit Vector
B2 Senses - Sun Runner
Sales Note
Returning to Curvature for his eagerly awaited second EP, Senses brings an impressively varied array of atmospheric jungle to the table, drawing from a multitude of influences across the musical spectrum with Convex Reflex.
A1 - Ratio
A break-laden intro lays the groundwork for a considered foray into the old-school - Senses flecking the mix liberally with synths and female vocal hits of yesteryear, before the welcome crunch of thunderous amens takes over. A cascade of rip-roaring edits
floods the track taking you on an epic ride through the ages, breaks chopped with riotous energy confirming this track as a perfect DJ tool for the dancefloor.
A2 - Sun Runner
Beautifully crisp drums open a DJ-friendly intro to Sun Runner, delightfully clear sounding with distinctive cymbals, a thick snare and subtle bongos. An airy soundscape soon washes into the mix with calming synths and flutes, creating a delicately jazzy blend of styles with soothing melodies contrasting perfectly with the breaks. More pronounced synthwork follows to spice things up as the bassline rumbles along below.
B1 - Spirit Vector
Dense atmospherics are the order of the day as Senses deploys Spirit Vector, opening with an array of synths and strings to create an intro reminiscent of Intense's work in the late 90's. Soon we are treated to a paradoxical assortment of heavy amens that work impeccably in the mix - thundering forth with pads soaring high and a heavy sub bass below. Various instrument samples litter the breakdown before a vocal sample declares "Yes". Yes indeed.
B2 - Still
Closing the EP in style, Still opens with sparse breaks, lightly building with extremely subtle apache breaks in the backdrop with sporadic keys and smooth pads. The drop arrives with warm, room-filling basslines and synths to elevate the atmosphere alongside luscious flute samples.Layers are added to the excellent breaks as Senses sprinkles instrument samples, keys and a classic female vocal, completing a joyous composition for Curvature.
Words by Chris Hayes (Spatial / Red Mist)
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DE - 22113 Hamburg
Germany
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1
Who's Who - Palace Palace (5:39)
2
Who's Who - Hypno Dance (4:44)
3
Who's Who - Popeden (4:29)
4
Who's Who - Roll Jacky Roll (4:42)
5
Who's Who - Ad Libitum 80 (5:08)
6
Who's Who - Dancin' Machine (5:10)
Format Notes: Hyper-rare disco dynamite from Thomas Bangalter's (Daft Punk) dad. 2025 first time ever, official vinyl reissue, 140g vinyl
Track List:
A1 Palace Palace 5:39
A2 Hypno Dance 4:44
A3 Popeden 4:29
B1 Roll Jacky Roll 4:42
B2 Ad Libitum 80 5:08
B3 Dancin' Machine 5:10
Release Notes:
"Daft Punk brought me here, he brought me Daft Punk"
Just knowing that this slice of hyper-rare disco dynamite was crafted by Thomas Bangalter's dad should be enough for you to buy this on sight, if only to understand a little bit more about Thomas and Daft Punk's background. But this is so much more than a Daft Punk family curio.
Born Bangalter in 1947, Daniel Vangarde is a French songwriter and producer. In 1975, Vangarde founded his label, Zagora Records, who we have worked closely with on this lovingly curated reissue. For years, Vangarde wrote and produced songs that remained underground, under several pseudonyms and for various artists. Dubbed "the secret father of French disco" this here groove-fulled firecracker - using his Who’s Who moniker - is for disco-funk, library music and cosmic beat lovers.
The intense, evocative opener "Palace Palace" positively throbs with raw energy and sounds, honestly, like something off Daft Punk's Discovery. The title refers to the fashionable Parisian club Le Palace, essentially the Parisian Studio 54. "I’d been to a nightclub in New York, a big ring where people were roller skating with a whistle. The atmosphere was great. The music was all disco. I made this song when I came back. A vocoder transformed my voice. Back then, it wasn’t used much." The track rides a killer groove and is deceptively complex, with layers of fantastic percussion and ace synth work going on all over it. Listed to on repeat, it's brilliance is simply undeniable.
The louche, slo-mo heater "Hypno Dance" is, in Be With's opinion, *the* deadly dancefloor track. A svelte slice of ace space disco again geared towards the roller skating dance mania of the day. So deep, so disco, so instrumental. An unreal track and, as the title hints at, totally hypnotic. The side closes with the somewhat throwaway "Popeden" - it's a jaunty number that you're probably best skipping, in all honesty. Have we ever steered you wrong?
The B-Side opens with the frankly enormous "Roll Jacky Roll" is another thrilling, high class roller-rink jam with beautiful melodies that's adored the world over. The wonky, abstract "Ad Libitum 80" is a super dope, swirling, staccato electro-funk bounce which sounds light years ahead of its time. This might be the real lowkey sleeper gem on this record. CHECK! This remarkable LP rounds out with the huge "Dancin' Machine". It's got sleek drums that emit an absolutely ace swagger and elements of Italo synth funk feels. A relaxed, slow rhythm throughout ensures you can't help but get your funk on when this crashes soundsystems. We'll leave the final word on this to Daniel: "It amuses me to think that my son Thomas was influenced by "Dancin’ Machine" for "Around The World", he says. Both songs being based on an hypnotic repetitive refrain. Both songs being, of course, timeless pieces of Euro genius.
Who's Who really is a fantastic late-70s-early 80s roller disco-funk essential. The audio has been carefully remastered by Be With regular Simon Francis, ensuring it sounds better than ever. Cicely Balston's expert skills have made sure nothing is lost in the cut whilst the records have been pressed to the highest possible standard at Record Industry in Holland.
When it came to the sleeve for this we were presented with an unusual problem: we usually have to rely on an original sleeve as the starting point for the restoration, but instead we were able to scan the original 35mm transparency of the front cover photo. The problem is that with a modern scanner the results were far sharper than when they made the original sleeve. We’ve played around with the exposure and the colour grading but we’re sorry to say that our version of the front cover still ended up looking too good! Don’t hate us.
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Track List:
A1 Palace Palace 5:39
A2 Hypno Dance 4:44
A3 Popeden 4:29
B1 Roll Jacky Roll 4:42
B2 Ad Libitum 80 5:08
B3 Dancin' Machine 5:10
Release Notes:
"Daft Punk brought me here, he brought me Daft Punk"
Just knowing that this slice of hyper-rare disco dynamite was crafted by Thomas Bangalter's dad should be enough for you to buy this on sight, if only to understand a little bit more about Thomas and Daft Punk's background. But this is so much more than a Daft Punk family curio.
Born Bangalter in 1947, Daniel Vangarde is a French songwriter and producer. In 1975, Vangarde founded his label, Zagora Records, who we have worked closely with on this lovingly curated reissue. For years, Vangarde wrote and produced songs that remained underground, under several pseudonyms and for various artists. Dubbed "the secret father of French disco" this here groove-fulled firecracker - using his Who’s Who moniker - is for disco-funk, library music and cosmic beat lovers.
The intense, evocative opener "Palace Palace" positively throbs with raw energy and sounds, honestly, like something off Daft Punk's Discovery. The title refers to the fashionable Parisian club Le Palace, essentially the Parisian Studio 54. "I’d been to a nightclub in New York, a big ring where people were roller skating with a whistle. The atmosphere was great. The music was all disco. I made this song when I came back. A vocoder transformed my voice. Back then, it wasn’t used much." The track rides a killer groove and is deceptively complex, with layers of fantastic percussion and ace synth work going on all over it. Listed to on repeat, it's brilliance is simply undeniable.
The louche, slo-mo heater "Hypno Dance" is, in Be With's opinion, *the* deadly dancefloor track. A svelte slice of ace space disco again geared towards the roller skating dance mania of the day. So deep, so disco, so instrumental. An unreal track and, as the title hints at, totally hypnotic. The side closes with the somewhat throwaway "Popeden" - it's a jaunty number that you're probably best skipping, in all honesty. Have we ever steered you wrong?
The B-Side opens with the frankly enormous "Roll Jacky Roll" is another thrilling, high class roller-rink jam with beautiful melodies that's adored the world over. The wonky, abstract "Ad Libitum 80" is a super dope, swirling, staccato electro-funk bounce which sounds light years ahead of its time. This might be the real lowkey sleeper gem on this record. CHECK! This remarkable LP rounds out with the huge "Dancin' Machine". It's got sleek drums that emit an absolutely ace swagger and elements of Italo synth funk feels. A relaxed, slow rhythm throughout ensures you can't help but get your funk on when this crashes soundsystems. We'll leave the final word on this to Daniel: "It amuses me to think that my son Thomas was influenced by "Dancin’ Machine" for "Around The World", he says. Both songs being based on an hypnotic repetitive refrain. Both songs being, of course, timeless pieces of Euro genius.
Who's Who really is a fantastic late-70s-early 80s roller disco-funk essential. The audio has been carefully remastered by Be With regular Simon Francis, ensuring it sounds better than ever. Cicely Balston's expert skills have made sure nothing is lost in the cut whilst the records have been pressed to the highest possible standard at Record Industry in Holland.
When it came to the sleeve for this we were presented with an unusual problem: we usually have to rely on an original sleeve as the starting point for the restoration, but instead we were able to scan the original 35mm transparency of the front cover photo. The problem is that with a modern scanner the results were far sharper than when they made the original sleeve. We’ve played around with the exposure and the colour grading but we’re sorry to say that our version of the front cover still ended up looking too good! Don’t hate us.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Houndstooth
Cat-No:HTH185LP
Release-Date:24.07.2026
Genre:Electronic, Electronica
Configuration:12"
Label:Houndstooth
Cat-No:HTH185LP
Release-Date:24.07.2026
Genre:Electronic, Electronica
Configuration:12"
1
DjRUM - I Wander
Following the success of Under Tangled Silence last year which peaked at number one in the Dance Albums charts and peaked at 9 on the Albums Chart staying in for 21 weeks, DjRUM returns to Houndstooth with a 15 minute continuous EP pressed to side A and a custom etched picture disk on Side B. Felix (DjRUM) was a child prodigy as an instrumentalist and his advanced musicality has always been prominent in his music, but here he has put himself front and centre as a composer. And this sense of exposure as a performer interweaves with an unflinching emotional openness too. Where sometimes electronic production as advanced as this can use intellect and techniques as shields from soul-baring, this is the sound of someone who can boldly say “I feel things, I cry all the time, and I'm not afraid to say it or show it in the music.” But this doesn’t mean there’s a move away from the soundsystems and dancefloors where Felix made his name as a uniquely innovative vinyl DJ, this EP encapsulates his musical upbringing weaving in percussive elements across the stereo field to create a truly mesmerising listening experience.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Djrum - A Tune For Us
2
Djrum - Waxcap
3
Djrum - Unweaving
4
Djrum - L'Ancienne
5
Djrum - Hold
6
Djrum - Galaxy In Silence
7
Djrum - Reprise
8
Djrum - Three Foxes Chasing Each Other
9
Djrum - Let Me
10
Djrum - Out Of Dust
11
Djrum - Sycamore
We go through life. We shed our skins. We become ourselves.” This line from Patti Smith was going round and round Felix Manuel’s head as he gradually constructed Under Tangled Silence, his first album in six years and a record of a literal creative rebirth. Felix originally began it in earnest in 2020 Covid lockdown, but a catastrophic hard-drive meltdown destroyed almost all his work and sent him close to psychic collapse himself. However, ultimately this pushed him to rebuild from scratch and in so doing to confront and reassess every part of his musical and psychological processes. The result is utterly extraordinary. Felix was a child prodigy as an instrumentalist and his advanced musicality has always been prominent in his music, but here he has put himself front and centre as pianist, harpist and more. And this sense of exposure as a performer interweaves with an unflinching emotional openness too. Where sometimes electronic production as advanced as this can use intellect and techniques as shields from soul-baring, this is the sound of someone who can boldly say “I feel things, I cry all the time, and I'm not afraid to say it or show it in the music.” But this doesn’t mean there’s a move away from the soundsystems and dancefloors where Felix made his name as a uniquely innovative vinyl DJ. Even just in the opening track “A Tune for Us”, minimalist piano ripples and jazz drumming flow into the breaks of vintage jungle – and as the structure of the LP unfolds, a deep ambient meditation like “Hold” can sit very naturally in between the futurist dancehall of “L’Ancienne” and the high-definition acid house mind movie of “Galaxy in Silence”. In fact, as with the hands-on musicianship, that gutsy big-speaker electronic impact is delivered with more certainty, more expertise, more personal flourishes than ever. And all of those elements are more integrated than ever too: the sound of a total musical personality emerging afresh is truly something to behold. An already remarkable talent has been refreshed, reborn and is making the music of his life.
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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
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1
Polygonia & Rødhåd - MAUVIER 01 [250120]
2
Polygonia & Rødhåd - MAUVIER 02 [250331.1]
3
Polygonia & Rødhåd - MAUVIER 03 [250331.2]
4
Polygonia & Rødhåd - MAUVIER 04 [250401]
For catalog number 19 Rødhåd teams up with Munich based artist Polygonia. In 2025 these tracks were recorded over multiple sessions at the WSNWG studio in Berlin. The result is MAUVIER a four track EP showcasing the fusion of the two creative minds.
Written & Produced by Polygonia and Rødhåd at WSNWG Studio Berlin.
Mastered by Conor Dalton at Calyx Mastering in Berlin
Vinyl Cut at Lathesville Berlin
MAUVIER 01 [250120]
MAUVIER 02 [250331.1]
MAUVIER 03 [250331.2]
MAUVIER 04 [250401]
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Germany
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Written & Produced by Polygonia and Rødhåd at WSNWG Studio Berlin.
Mastered by Conor Dalton at Calyx Mastering in Berlin
Vinyl Cut at Lathesville Berlin
MAUVIER 01 [250120]
MAUVIER 02 [250331.1]
MAUVIER 03 [250331.2]
MAUVIER 04 [250401]
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DE - 22113 Hamburg
Germany
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1
Ricardo Villalobos - 808 The Bassqueen (Queen Of Bass Mix)
2
Ricardo Villalobos - 808 The Bassqueen (Extended Loop)
3
Ricardo Villalobos - 808 The Bassqueen (Dubstar'z Shorthack)
We are very happy and honored to present you Ricardo Villalobos on his own RAWAX series!
You will find here past & present releases from the Mastermind, starting with the 25 Years
Anniversary edition of "808 The Bassqueen", formerly released on LoFi Stereo.
Special thanks goes out here to Christian Rindermann aka C-Rock!
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Germany
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You will find here past & present releases from the Mastermind, starting with the 25 Years
Anniversary edition of "808 The Bassqueen", formerly released on LoFi Stereo.
Special thanks goes out here to Christian Rindermann aka C-Rock!
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DE - 22113 Hamburg
Germany
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1
Nymfo - Cobb
2
FPX DJ & Encrypt - Unachievers
3
Rregular & Dementia - Canopy
4
Stryke & Fenkari - Poltergeist
Stickered Sleeve
Incl. Insert
Tracklisting
A1 Nymfo - Cobb
A2 FPX DJ & Encrypt - Unachievers
B1 Rregular & Dementia - Canopy
B2 Stryke & Fenkari - Poltergeist
Sales Note
Onryo V/A brings together a powerful lineup of artists including Nymfo, Rregula & Dementia, FPX DJ, Encrypt, Fenkari & Stryke. The release features four distinct tracks, each with it's own character - yet they seamlessly blend into a cohesive sonic journey. 180 records - no repress. Mastering & Lacquer Cut by LXC @ R.A.N.D Muzik Leipzig
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Incl. Insert
Tracklisting
A1 Nymfo - Cobb
A2 FPX DJ & Encrypt - Unachievers
B1 Rregular & Dementia - Canopy
B2 Stryke & Fenkari - Poltergeist
Sales Note
Onryo V/A brings together a powerful lineup of artists including Nymfo, Rregula & Dementia, FPX DJ, Encrypt, Fenkari & Stryke. The release features four distinct tracks, each with it's own character - yet they seamlessly blend into a cohesive sonic journey. 180 records - no repress. Mastering & Lacquer Cut by LXC @ R.A.N.D Muzik Leipzig
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Germany
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1
Djrum - Untitled 9
2
Struction - Don't Blame
3
Struction - Strukture
Repress!
Crunchy Mental Flowing Flavours
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Germany
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Crunchy Mental Flowing Flavours
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Germany
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1
The Inhabitants - Mistaken Identity
2
The Inhabitants - Pursuit Of Bliss
3
The Inhabitants - Restless
Collecting pre-orders for a limited time only.
Please send us your orders by February 26th.
No pre-order = No copies.
We’ll press based on this demand and can’t promise to have more copies available later on. Estimated delivery April.
Evasive are back on track with this stylishly smooth three track 12", Mistaken Identity, Pursuit of Bliss and Restless are the first three offerings from The Inhabitants (Rob Pearson & Kate Smith). With this their debut release as a duo the pair deliver us some fat, futuristic, Detroit meets South London Tech House. Rob & Kate are currently in the studio working on more material so a follow up E.P is imminent.
Originally released in 2002.
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Germany
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Please send us your orders by February 26th.
No pre-order = No copies.
We’ll press based on this demand and can’t promise to have more copies available later on. Estimated delivery April.
Evasive are back on track with this stylishly smooth three track 12", Mistaken Identity, Pursuit of Bliss and Restless are the first three offerings from The Inhabitants (Rob Pearson & Kate Smith). With this their debut release as a duo the pair deliver us some fat, futuristic, Detroit meets South London Tech House. Rob & Kate are currently in the studio working on more material so a follow up E.P is imminent.
Originally released in 2002.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More