1
Djrum - Unblocked
2
Djrum - Waters Rising
3
Djrum - Creature (Part 1)
4
Djrum - Creature (Part 2)
5
Djrum - Sex
6
Djrum - Blue Violet
7
Djrum - Sparrows
8
Djrum - Showreel (Part 3)
9
Djrum - Blood In My Mouth
Repress!
As 'Portrait With Firewood' is Felix's most personal body of work to date, the product of an emotionally turbulent 2017, capturing the range of feelings and emotions he went through in vivid sonic beauty. By putting aside his previous sampladelic approach he returned to his childhood instrument of the piano as a core starting point. "It's a confessional record… I realise that's a word mostly used to describe singer/songwriter rather than (largely) instrumental music, but I think it's apt. There's a sort of emotional candour." Felix is classically trained in the jazz tradition and influenced by the likes of Keith Jarrett and Alice Coltrane. Previously he was shy at the prospect of fans hearing his piano playing, but determined to overcome this fear he has brought forward a new honesty to his work. "Finding the confidence to work with my own piano improvisations was a big part of that. Once I had figured out how I was going to make the music, it actually fell in to place rather quickly." Felix's goal was to create something "overwhelmingly beautiful", but also to capture the "inherent melancholy in beauty in all it's impermanance and fragility". He took inspiration and solace from performance artist Marina Abramovic. "She has an incredibly deep understanding of the human condition, and expresses it in such a poetic way. Many of the themes of her work had particular resonance for me over the course of 2017 as I worked on the album. I was moved to tears on several occasions watching her videos or reading about her work." Felix collaborated with cellist Zosia Jagodzinska and vocalist Lola Empire. Jagodzinska recorded several takes of improvisations over the track 'Creature' which Felix would chop, pitch and layer into new melodic lines and seed throughout the album. Felix's new approach expanded to experimentation with field recording, contact micing his beloved piano and purchasing his first hardware synth, all in service of enriching the personal, humane quality of the record. "Music helps me to communicate the sorts of things that I find almost impossible to put in to words. I think the process for this album has helped me create a more rich and emotionally complex body of work than I have managed before."
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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As 'Portrait With Firewood' is Felix's most personal body of work to date, the product of an emotionally turbulent 2017, capturing the range of feelings and emotions he went through in vivid sonic beauty. By putting aside his previous sampladelic approach he returned to his childhood instrument of the piano as a core starting point. "It's a confessional record… I realise that's a word mostly used to describe singer/songwriter rather than (largely) instrumental music, but I think it's apt. There's a sort of emotional candour." Felix is classically trained in the jazz tradition and influenced by the likes of Keith Jarrett and Alice Coltrane. Previously he was shy at the prospect of fans hearing his piano playing, but determined to overcome this fear he has brought forward a new honesty to his work. "Finding the confidence to work with my own piano improvisations was a big part of that. Once I had figured out how I was going to make the music, it actually fell in to place rather quickly." Felix's goal was to create something "overwhelmingly beautiful", but also to capture the "inherent melancholy in beauty in all it's impermanance and fragility". He took inspiration and solace from performance artist Marina Abramovic. "She has an incredibly deep understanding of the human condition, and expresses it in such a poetic way. Many of the themes of her work had particular resonance for me over the course of 2017 as I worked on the album. I was moved to tears on several occasions watching her videos or reading about her work." Felix collaborated with cellist Zosia Jagodzinska and vocalist Lola Empire. Jagodzinska recorded several takes of improvisations over the track 'Creature' which Felix would chop, pitch and layer into new melodic lines and seed throughout the album. Felix's new approach expanded to experimentation with field recording, contact micing his beloved piano and purchasing his first hardware synth, all in service of enriching the personal, humane quality of the record. "Music helps me to communicate the sorts of things that I find almost impossible to put in to words. I think the process for this album has helped me create a more rich and emotionally complex body of work than I have managed before."
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Germany
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More records from Djrum
1
djrum - Broken Glass Arch
2
djrum - Showreel pt2
3
djrum - Showreel pt1
Djrum is a perennially acclaimed underground artist, since his first release in 2010 who’s quietly built a list of fans that reads like a who’s who of contemporary dance music. As an artist, Djrum has formed a reputation for his unique fusion of a range of genres ranging from jazz, hip hop and dubstep to ambient and techno. His music swells with oceanic bass laded beats, cavernous atmospherics and deeply emotive melodies. An accomplished DJ his compositional approach feels like a natural collage of his influences which has seen him release for the likes of the Zenker Brothers Ilian Tape imprint as well as the influential 2nd Drop label, plus remixes for Ninja Tune and Domino. Felix now steps up to the plate at R&S with one of his most visionary releases to date. Deeply meditative melodies twist and turn through stuttering rhythms and pulsing low bass, hypnotic pads and woozy atmospherics. Manuel’s music somehow manages to retains the urgency and dynamic pressure of the dance floor with the intimacy and elegant detailing of the best headphone music. A natural fit for R&S, there is a full length Djrum album in the pipeline in 2018 - looks like it’s going to be an exciting year ahead.
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DE - 22113 Hamburg
Germany
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Germany
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1
Djrum - A Tune For Us
2
Djrum - Waxcap
3
Djrum - Unweaving
4
Djrum - L'Ancienne
5
Djrum - Hold
6
Djrum - Galaxy In Silence
7
Djrum - Reprise
8
Djrum - Three Foxes Chasing Each Other
9
Djrum - Let Me
10
Djrum - Out Of Dust
11
Djrum - Sycamore
We go through life. We shed our skins. We become ourselves.” This line from Patti Smith was going round and round Felix Manuel’s head as he gradually constructed Under Tangled Silence, his first album in six years and a record of a literal creative rebirth. Felix originally began it in earnest in 2020 Covid lockdown, but a catastrophic hard-drive meltdown destroyed almost all his work and sent him close to psychic collapse himself. However, ultimately this pushed him to rebuild from scratch and in so doing to confront and reassess every part of his musical and psychological processes. The result is utterly extraordinary. Felix was a child prodigy as an instrumentalist and his advanced musicality has always been prominent in his music, but here he has put himself front and centre as pianist, harpist and more. And this sense of exposure as a performer interweaves with an unflinching emotional openness too. Where sometimes electronic production as advanced as this can use intellect and techniques as shields from soul-baring, this is the sound of someone who can boldly say “I feel things, I cry all the time, and I'm not afraid to say it or show it in the music.” But this doesn’t mean there’s a move away from the soundsystems and dancefloors where Felix made his name as a uniquely innovative vinyl DJ. Even just in the opening track “A Tune for Us”, minimalist piano ripples and jazz drumming flow into the breaks of vintage jungle – and as the structure of the LP unfolds, a deep ambient meditation like “Hold” can sit very naturally in between the futurist dancehall of “L’Ancienne” and the high-definition acid house mind movie of “Galaxy in Silence”. In fact, as with the hands-on musicianship, that gutsy big-speaker electronic impact is delivered with more certainty, more expertise, more personal flourishes than ever. And all of those elements are more integrated than ever too: the sound of a total musical personality emerging afresh is truly something to behold. An already remarkable talent has been refreshed, reborn and is making the music of his life.
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1
Djrum - Codex
2
Djrum - Codex pt. 2
3
Djrum - Crawl
4
Djrum - Frekm pt.1
5
Djrum - Frekm pt.2
Djrum's first release since 2019, the Meaning’s Edge EP is an introduction to a whole new world. For the artist also known as Felix Manuel, it was created in the final stretches of six rather traumatic years work. Having carefully honed his techniques and aesthetics, and learned some hard-won emotional lessons over this time, finally he began to work in a quicker, lighter fashion – and to cleanse his palate a little by bringing in a fresh ingredient: his own flute playing. For listeners, though, it will serve as an appetiser, a way into the delights and complexities of this new phase of his creativity. It’s a serious work in its own right, mind. The use of flutes – including Bansuri, Shakuhatchi, Western Classical, and synthesised all blending and blurring into one another – gives it a coherence and a sense of airiness that unites the five tracks over half an hour, however divergent their beats get. And as in all his music, Felix’s whole life is in here. Ethnomusicology studies, untold hours of DJing everywhere from the gnarliest squat raves to the most rarefied deep house clubs, explorations of his own neurological and emotional makeup, and the technical finesse of someone who is never not creating music or art, all roll into an experience that’s dazzling, delightful and keeps on giving. Just the opening track ‘Codex’ alone touches on OG dubstep, Aphex Twin-like braindance, post-classical exploration, movie themes and more. The gentle tones and melodies that rise up out of it perfectly conjure Felix’s running theme of a protective bubble that provides a sense of safety and tranquillity even as the beats and acid gurgles and spurts all around it conjure up the slings and arrows of life’s difficulties. The tone set, the EP moves through ultra-rarefied glass-like p
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1
Djrum - Plantain
2
Djrum - What I Was Doing When I Was Doing What I Was Doing
2023 Repress
Tracklisting:
A1 Djrum - Plantain
B1 Djrum - What I Was Doing When I Was Doing What I Was Doing
Sales Note:
2023 Repress of the Djrum 12" for Samurai Red Seal on a special Colour in Colour pressing
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Tracklisting:
A1 Djrum - Plantain
B1 Djrum - What I Was Doing When I Was Doing What I Was Doing
Sales Note:
2023 Repress of the Djrum 12" for Samurai Red Seal on a special Colour in Colour pressing
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2nd Drop Records release 'Seven Lies', the debut album by Felix Manuel aka Djrum (pronounced "Drum"). Its sounds are inspired by the rawness of urban London, influences of Portishead, DJ Shadow and The Cinematic Orchestra, jungle, minimal techno, classic house, broken beat - all seamlessly segued with a nod to jazz vinyl and film music.
Fans will recognise Djrum's iconic tropes on 'Seven Lies': widescreen atmospheres, dub chords, dusty and melancholic strings, obscure film samples. But this time its spread over a bigger, more luxurious canvas that dips like an undulating terrain of sound; techno troughs, bumpy hip hop breaks, euphoric drum and bass, all filtered through the Djrum node.
Felix would admit himself he is a not a prolific producer. Preferring to craft and hone, often allowing music to mutate and diverge down different paths, his tracks often top the 8-9 min marks in length. However, each track is never at risk of becoming staid or boring, quite the opposite as ideas mutate and evolve, subtle differences and nuances are evoked and explored.
Inspired by the sounds of Ninja Tune's Solid Steel radio show, Oxford born/London based Felix became involved with the free party scene and helped set up the seminal Yardcore nights in 2005. A night of wild extremes, it swept from acts as diverse as Hellfish, Andy Stott, Breakage and Various Production in one night. An aesthetic he still faithfully adheres to in his all-vinyl DJ sets, a seamless blend of techno, garage, dancehall, hip hop, old-school hardcore and jungle.
Just as the dominant dubstep scene was in a painful, if fertile, transitionary period in 2010, Felix made his production debut as Djrum with 12" singles on the On the Edge and Smokin Sessions labels. This would ultimately provide him with the perfect platform for his own hybrid sound. A sound that instead of reflecting the brash energy of his DJ style, turned inwards, almost ingesting and metabolising those sounds to create an introspective and more sensitive and tactile crossbreed.
The 2nd Drop label were lucky enough to pick up on his latent talent, drafting him to remix the wonderful lament 'Explode' by LV and Message To Bears ft Zaki Ibrahim, to widespread acclaim. In 2011 the 'Mountains EP' followed. A four track suite of music that captured the imagination of many: Francois K, Gilles Peterson, Craig Richards, Berlin's highly respected T++, and featured in end of year charts across the board. The 3rd part of the 'Mountains EP' came the following year - as 'Watermark' b/w 'The Darkest Hour is Just Before Dawn (Undercoat Pt2)' - completing an epic body of music and setting up the realization of 'Seven Lies', this highly accomplished debut long player.
The wonderful, celestial artwork is by an artist friend of Djrum's called Jaya Mansberger.
Seven Lies tracklist (available as triple pack vinyl):
1. Obsession
2. Como Los Cerdos
3. Dam
4. Arcana (Do I Need You)
5. Lies (ft Shadowbox)
6. Honey
7. Arcana (Coda)
8. Anchors (ft Shadowbox)
9. Thankyou
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Fans will recognise Djrum's iconic tropes on 'Seven Lies': widescreen atmospheres, dub chords, dusty and melancholic strings, obscure film samples. But this time its spread over a bigger, more luxurious canvas that dips like an undulating terrain of sound; techno troughs, bumpy hip hop breaks, euphoric drum and bass, all filtered through the Djrum node.
Felix would admit himself he is a not a prolific producer. Preferring to craft and hone, often allowing music to mutate and diverge down different paths, his tracks often top the 8-9 min marks in length. However, each track is never at risk of becoming staid or boring, quite the opposite as ideas mutate and evolve, subtle differences and nuances are evoked and explored.
Inspired by the sounds of Ninja Tune's Solid Steel radio show, Oxford born/London based Felix became involved with the free party scene and helped set up the seminal Yardcore nights in 2005. A night of wild extremes, it swept from acts as diverse as Hellfish, Andy Stott, Breakage and Various Production in one night. An aesthetic he still faithfully adheres to in his all-vinyl DJ sets, a seamless blend of techno, garage, dancehall, hip hop, old-school hardcore and jungle.
Just as the dominant dubstep scene was in a painful, if fertile, transitionary period in 2010, Felix made his production debut as Djrum with 12" singles on the On the Edge and Smokin Sessions labels. This would ultimately provide him with the perfect platform for his own hybrid sound. A sound that instead of reflecting the brash energy of his DJ style, turned inwards, almost ingesting and metabolising those sounds to create an introspective and more sensitive and tactile crossbreed.
The 2nd Drop label were lucky enough to pick up on his latent talent, drafting him to remix the wonderful lament 'Explode' by LV and Message To Bears ft Zaki Ibrahim, to widespread acclaim. In 2011 the 'Mountains EP' followed. A four track suite of music that captured the imagination of many: Francois K, Gilles Peterson, Craig Richards, Berlin's highly respected T++, and featured in end of year charts across the board. The 3rd part of the 'Mountains EP' came the following year - as 'Watermark' b/w 'The Darkest Hour is Just Before Dawn (Undercoat Pt2)' - completing an epic body of music and setting up the realization of 'Seven Lies', this highly accomplished debut long player.
The wonderful, celestial artwork is by an artist friend of Djrum's called Jaya Mansberger.
Seven Lies tracklist (available as triple pack vinyl):
1. Obsession
2. Como Los Cerdos
3. Dam
4. Arcana (Do I Need You)
5. Lies (ft Shadowbox)
6. Honey
7. Arcana (Coda)
8. Anchors (ft Shadowbox)
9. Thankyou
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Contact: [email protected]More
More records from R&S
1
djrum - Broken Glass Arch
2
djrum - Showreel pt2
3
djrum - Showreel pt1
Djrum is a perennially acclaimed underground artist, since his first release in 2010 who’s quietly built a list of fans that reads like a who’s who of contemporary dance music. As an artist, Djrum has formed a reputation for his unique fusion of a range of genres ranging from jazz, hip hop and dubstep to ambient and techno. His music swells with oceanic bass laded beats, cavernous atmospherics and deeply emotive melodies. An accomplished DJ his compositional approach feels like a natural collage of his influences which has seen him release for the likes of the Zenker Brothers Ilian Tape imprint as well as the influential 2nd Drop label, plus remixes for Ninja Tune and Domino. Felix now steps up to the plate at R&S with one of his most visionary releases to date. Deeply meditative melodies twist and turn through stuttering rhythms and pulsing low bass, hypnotic pads and woozy atmospherics. Manuel’s music somehow manages to retains the urgency and dynamic pressure of the dance floor with the intimacy and elegant detailing of the best headphone music. A natural fit for R&S, there is a full length Djrum album in the pipeline in 2018 - looks like it’s going to be an exciting year ahead.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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1
JAYDEE - Plastic Dreams
Another legendary R&S classic repressed in very limited numbers only on a one-sided 12" vinyl. The original 1992 release from Dutch producer Jaydee was a 10 minute long Hammond organ workout - many remixes over the years but you cant surpass the original!!!
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1
Joey Beltram - Energy Flash
2
Joey Beltram - Jazz 3033
3
Joey Beltram - Subsonic Trance
4
Joey Beltram - Psycho Bass
What can be said about Joey Beltram’s ‘Energy Flash’ that hasn’t be said already! The track still gets rinsed, week in, week out, across radio stations, clubs and festivals, testimony to the sheer importance of this techno classic. Released originally in 1990 on the R&S Records label, ‘Beltram Vol. 1’ included the aforementioned ‘Energy Flash’, alongside three equally ground-breaking dance tracks that possibly get overshadowed by the big lead track. But tracks like ‘Subsonic Bass’ broke the mould and went on to influence a raft of rave and drum ‘n’ bass tunes, thanks in part to its use of the now legendary ‘hoover’ bass sound. The sinister acid of ‘Jazz 3033’ still sounds as fresh today as it did 33 years ago, and the menacingly titled ‘Psycho Bass’ reveals the EP’s most passive moment, as its solid breakbeat cuts through ethereal tones and chugging synths. ‘Beltram Volume 1’ has been remastered by Beau Thomas at Ten Eight Seven Mastering, and the release comes in an updated sleeve, faithfully recreating the 1990 packaging.
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What can be said about Joey Beltram’s ‘Energy Flash’ that hasn’t be said already! The track still gets rinsed, week in, week out, across radio stations, clubs and festivals, testimony to the sheer importance of this techno classic. Released originally in 1990 on the R&S Records label, ‘Beltram Vol. 1’ included the aforementioned ‘Energy Flash’, alongside three equally ground-breaking dance tracks that possibly get overshadowed by the big lead track. But tracks like ‘Subsonic Bass’ broke the mould and went on to influence a raft of rave and drum ‘n’ bass tunes, thanks in part to its use of the now legendary ‘hoover’ bass sound. The sinister acid of ‘Jazz 3033’ still sounds as fresh today as it did 33 years ago, and the menacingly titled ‘Psycho Bass’ reveals the EP’s most passive moment, as its solid breakbeat cuts through ethereal tones and chugging synths. ‘Beltram Volume 1’ has been remastered by Beau Thomas at Ten Eight Seven Mastering, and the release comes in an updated sleeve, faithfully recreating the 1990 packaging.
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DE - 22113 Hamburg
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1
Joey Beltram - My Sound
2
Joey Beltram - The Melody
3
Joey Beltram - Sub-Bass Experience
4
Joey Beltram - The Reflex
lThere are techno classics, and there are techno classics! It’s without doubt that Joey Beltram has played a pivotal role in the growth of the techno sound that gestated in Detroit and was lapped up in Europe during those early years. Beltram spearheaded a darker sound that became a staple in the UK and European rave scene in the early 90s, and a sound that continues to come back around for revival and a new twist on the genre from the producers and DJs of the day. ‘Beltram Volume 2’ was first released on R&S Records in 1991, and despite the huge success of the ‘Energy Flash’ single, released a year prior, ‘Volume 2’, some say, is ‘Beltram’s definitive release on R&S’. Deep, dark and deliciously hypnotic, all four cuts on this EP still sound as raw and devastating 30 years later. Big tunes at seminal clubs like Rage (Fabio & Grooverider) and the network of UK raves soundtracked by the likes of Carl Cox, Colin Faver, Eddie Richards et al, Beltram’s unique sound help spawn the bass heavy drum & bass genre that was also burgeoning at the time. ‘Beltram Volume 2’ has been remastered by Beau Thomas at Ten Eight Seven Mastering, and the release comes in an updated sleeve, faithfully recreating the 1991 packaging featuring Christel Brodahl’s now legendary oil painting.
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1
Joey Beltram - My Sound
2
Joey Beltram - The Melody
3
Joey Beltram - Sub-Bass Experience
4
Joey Beltram - The Reflex
lThere are techno classics, and there are techno classics! It’s without doubt that Joey Beltram has played a pivotal role in the growth of the techno sound that gestated in Detroit and was lapped up in Europe during those early years. Beltram spearheaded a darker sound that became a staple in the UK and European rave scene in the early 90s, and a sound that continues to come back around for revival and a new twist on the genre from the producers and DJs of the day. ‘Beltram Volume 2’ was first released on R&S Records in 1991, and despite the huge success of the ‘Energy Flash’ single, released a year prior, ‘Volume 2’, some say, is ‘Beltram’s definitive release on R&S’. Deep, dark and deliciously hypnotic, all four cuts on this EP still sound as raw and devastating 30 years later. Big tunes at seminal clubs like Rage (Fabio & Grooverider) and the network of UK raves soundtracked by the likes of Carl Cox, Colin Faver, Eddie Richards et al, Beltram’s unique sound help spawn the bass heavy drum & bass genre that was also burgeoning at the time. ‘Beltram Volume 2’ has been remastered by Beau Thomas at Ten Eight Seven Mastering, and the release comes in an updated sleeve, faithfully recreating the 1991 packaging featuring Christel Brodahl’s now legendary oil painting.
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1
Synkro - Cycles
2
Synkro - Information
3
Synkro - Signal
4
Synkro - Last Breath
Joe McBride AKA Synkro has built up a hugely impressive catalogue of releases over the last few years. Via albums and singles for Apollo, Exit Records and his own Synkro Music imprint, the Manchester based producer and sound architect has amassed a dazzling archive of elaborate, emotive and intellectual soundscapes drawing in influences across a spectrum of bass culture and electronica. On the ‘Information’ EP, it’s business as usual, as Synkro deploys four fresh and forward thinking tracks that slither across the genres with ease. From the frantic percussion and dubwise tones of title track ‘Information’ to the absorbing textures and crackling ambience of the beatless opener ‘Cycles’, the attention to detail and the depth of layered sonics across all four tracks afford the listener a truly mesmerising experience. The dusty and dark skank of ‘Signal’ is a real mood piece, whilst ‘Last Breath’ closes the EP drenched in sanguine sentiments.
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1
Chizawa Q - Asia 2 (Lost Q Remix)
2
Chizawa Q - Asia 4
3
Chizawa Q - Panther
Originally released on R&S Records in 2006, Chizawa Q revives his ‘Asia’ release with the surfacing of a new remix, the ‘Asia 4 (Lost Q Mix)’. The Japanese producer, who has enjoyed a modest string of releases for F-Communications and Deka Traxxx, fires out an epically irresistible remix that is sure to soundtrack the summer clubs and festivals ahead. With its roots in the Detroit school of techno, it’s easy to hear the influences of such legends as Underground Resistance and Rolando, and the melodic style of jazzy techno established by artists like R&S Records’ Dave Angel, Vince Watson and Steve Rachmand, but the ‘Lost Asia’ EP is no pastiche. Emotive and musical, delivered with the purity and spirit often lacking in modern techno, Chizawa Q’s music is a reminder that the authentic sounds always rise to the top in the end.
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1
Blocks & Escher - Shot in the Dark
2
Blocks & Escher - Abyss
3
Blocks & Escher - This One
4
Blocks & Escher - Dance Girl
Operating on the outer rim of the drum & bass scene for over a decade, Blocks & Escher have been designing intelligent and forward-thinking electronic dance across a multitude of releases for labels such as Metalheadz, Digital Soundboy and their own Narratives Music. Their first release of 2022, ‘Shot In The Dark’ EP, pulls together four outstanding cuts of shadowy breaks and abstract electronica. Otherwise known as Phillip Smith and Will Hansen, Blocks & Escher distilled their sound into the critically acclaimed 2018 album ‘Something Blue’. Released on Goldie’s Metalheadz imprint, the long player displayed a confident maturity of sound, and a more than capable accomplishment of pulling the visionary sounds of drum & bass into a new era. The industrial breaks and hoover bass of ‘Shot In The Dark’ anchor a wave of cinematic synth sweeps, fashioning an arresting opening track on this accomplished EP. The ingenious beats continue to unfurl across ‘Abyss’ and ‘This One’, as brooding atmospherics wash over in waves. The finale of ‘Dance Girl’ ramps up the BPMs and beat complexity, as a breathless assault of rhythm and sound captivates and rewards in abundance.
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Germany
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Germany
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1
Second Phase - Mentasm
2
Second Phase - Mentasm (Beltram & Mundo Remix)
3
Second Phase - Mind To Mind
1991 techno classics - repressed and reissued for 2021!
Second Phase (aka Joey Beltram and Mundo Muzique) are 2 legendary producers whose output shaped an entire generation of ravers, DJs and producers minds. 'Mentasm / Mind To Mind' is one such influential release, literally creating new styles, new directions and impacting on dance music for decades to come. Unique programming and fresh sounds made their records stand out head and shoulders above everyone else's output. 'Mentasm' particularly broke ground with it's now infamous 'hoover sound', influencing house, techno and trance music to come and even spilling over into the nascent hardcore, jungle and D&B scenes where it was often imitated or sampled by producers who wanted that ruff, visceral feel for their own tracks, but didn't know how to create it themselves. A new energy was born and it emanated from this milestone 12". 'Mind To Mind' on the flipside is equally as deadly, but in a deeper, more spaced out realm it maneuvers and pulls into a trippy early morning space, the yin to 'Mentasm's yang. This is a quintessential techno record, a glimpse of innovation from back in the day. File under 'classic'. This special 2021 edition is reissued by R&S Records from original master sources, remastered by Curve Pusher.
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Second Phase (aka Joey Beltram and Mundo Muzique) are 2 legendary producers whose output shaped an entire generation of ravers, DJs and producers minds. 'Mentasm / Mind To Mind' is one such influential release, literally creating new styles, new directions and impacting on dance music for decades to come. Unique programming and fresh sounds made their records stand out head and shoulders above everyone else's output. 'Mentasm' particularly broke ground with it's now infamous 'hoover sound', influencing house, techno and trance music to come and even spilling over into the nascent hardcore, jungle and D&B scenes where it was often imitated or sampled by producers who wanted that ruff, visceral feel for their own tracks, but didn't know how to create it themselves. A new energy was born and it emanated from this milestone 12". 'Mind To Mind' on the flipside is equally as deadly, but in a deeper, more spaced out realm it maneuvers and pulls into a trippy early morning space, the yin to 'Mentasm's yang. This is a quintessential techno record, a glimpse of innovation from back in the day. File under 'classic'. This special 2021 edition is reissued by R&S Records from original master sources, remastered by Curve Pusher.
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1
Capricorn - 20 Hz (Extended)
2
Capricorn - Didn't I
3
Capricorn - For The Soul, Body & Mind
Presenting a special limited edition reissue of a stone cold classic from the R&S vaults, 1993 style, remastered and repressed on special transparent wax. Capricorn aka Dutch producer and DJ Hans Weekhout originally released the '20Hz' 3 track EP on R&S sub-label Global Cuts to much acclaim.
A record that was literally everywhere in '93 and still rocks any club today, '20Hz' is undoubtedly an all-time anthem with it's combination of rolling, thunderous drums, glacial marimba-like melodies and a tense trance inducing atmosphere that literally lifts the dancefloor to another place. 'Didn't I' is also a proper old-school peak-time stormer, it's uptempo, dripping in positive vibes with sampled soulful vocals and chopped up drum breaks all encapsulated within a real rave sensibility. Closing out the EP we are treated to 'For The Soul, Body & Mind' which is a much darker, deeper and menacing vibe than the previous cuts. More in line with the earliest fringes of jungle, hardcore and bleep tehcno the track takes us on a journey into the heart of the night with it's bass heavy and intricate sound programming and breakbeats, proving that Hans Weekhout was an extremely versatile and open minded producer. Overall, a truly classic and essential EP from the heyday of European house and techno that still packs a punch today! This special 2021 edition is reissued by R&S Records from original master sources, remastered by Curve Pusher.
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A record that was literally everywhere in '93 and still rocks any club today, '20Hz' is undoubtedly an all-time anthem with it's combination of rolling, thunderous drums, glacial marimba-like melodies and a tense trance inducing atmosphere that literally lifts the dancefloor to another place. 'Didn't I' is also a proper old-school peak-time stormer, it's uptempo, dripping in positive vibes with sampled soulful vocals and chopped up drum breaks all encapsulated within a real rave sensibility. Closing out the EP we are treated to 'For The Soul, Body & Mind' which is a much darker, deeper and menacing vibe than the previous cuts. More in line with the earliest fringes of jungle, hardcore and bleep tehcno the track takes us on a journey into the heart of the night with it's bass heavy and intricate sound programming and breakbeats, proving that Hans Weekhout was an extremely versatile and open minded producer. Overall, a truly classic and essential EP from the heyday of European house and techno that still packs a punch today! This special 2021 edition is reissued by R&S Records from original master sources, remastered by Curve Pusher.
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1
PROGedia - We Are The Night (Original Mix)
2
PROGedia - We Are The Night (Charles Webster Mix)
3
PROGedia - We Are The Night (Charles Webster Ambient Mix)
Master sampler Fed Conti has a way of making grooves sound as light as a feather, elevating kraut and jazz phrases to dreamy realms where the imagination is tickled. To kick off the forthcoming debut PROGedia album, revered producer and remixer Charles Webster adds his inimitable touch to the single ‘We Are The Night’, expanding on Conti’s heartfelt arrangements, playing with beats and textures, as he travels smooth melodic lines. PROGedia is the newest alias of the Italian producer Fed Conti, also known as Mahjong and Nardis. After having played his Hammond organ with several jazz deities, and produced samples for Coca Cola and Universal, he is finally unleashing his kinky musical imagination in the PROGedia album; ‘We Are The Night’ kicks off a mixture of kraut, psychedelic grooves and nu jazz, tied together through clever arrangements and a refined sampling process. ‘It’s an escape from modern decadence,’ says Fed, who adores the authentic and offbeat. It only makes sense, then, that the first track of his upcoming album is called ‘We Are The Night’; during the darkest hours PROGedia’s retro extravagance can claim a foothold, offering a warm breeding ground for quirkiness, infatuation, and musical liberation. The renowned producer Charles Webster, too, is a real music fetishist; he got his first instruments at the age of 13 and went on to collaborate with the likes of Juan Atkins, Derrick May and Kevin Saunderson, founding his own Love From San Francisco project and following with two decades of classy and sophisticated music productions. For this occasion, he has added his unmistakable touch to the ‘We Are The Night’ title track, complementing PROGedia’s infectious grooves with poignant rhythms and motley textures.
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Germany
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1
Loxy & Ink - Manifested Visions
2
Loxy & Ink - Phoenix Rising (ft. Resound, Jody Lulati & Miriam Safo)
3
Loxy & Ink - Give Me a Dubplate (ft. Resound)
4
Loxy & Ink - Embrace The Meaning
5
Loxy & Ink - Get Back Up (ft. Tha Lion)
Two titans in UK breakbeat culture, Loxy & Ink were both present at the inception of the birth of UK dance music and continue to be torchbearers. With ‘Manifested Visions’ the duo does exactly what the title suggests; transcending the boundaries of genre, roots dub meets hip hop and in-your-face drum and bass to create a five-track EP that will make you submit, revel, rave and float.
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Sam Interface (formerly known as SNØW) returns to the seminal R&S Records following the success of last year’s R&S Presents: More Time Records Vol 1, which was a 4 track compilation featuring Ahadadream, Bala Bala Boyz, Bryte & SNØW. He is the co-founder of London’s More Time Records, on which he has released much of his own music as SNØW (including collaborations with Zed Bias, Fox, Dread MC & more) and can also be found monthly on Rinse FM and Reprezent Radio playing a range of percussive genres including UK Funky, GQOM, Kuduro, Afrobeats and more. The name change takes him closer to his first alias Interface, under which he had DnB hits with the likes of DJ Die and more, he explains: “When i first released music back in my early DnB days I used the alias “Interface” and so many people still call me Sam Interface - it feels like the most natural name for me.” The lead track “Underground” (which samples an announcement from the tube) references a range of London-centric genres, combining polyrhythmic percussion with an extremely upfront bass sound which draws influence from and exxagerates recent drill productions. “Finally”, a collaboration with an old friend & prolific DnB producer Break follows, bringing frantic motion to the release. The third track “Crud” utilises Sam’s signature gully bass production, flooding the speakers with low end on the drop. The EP wraps up with “Pink Dolphins” - a euphoric dancefloor moment which channels the energy and emotion of jungle, drawing on some of Sam’s earliest rave influences. TRACK LISTING: A1. Underground, A2. Finally (ft. Break), B1. Crud, B2. Pink Dolphins
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Space Dimension Controller returns to R&S Records for the follow up album to 'Welcome To Mikrosector-50'. Stranded at the edge of space and time; Mr. 8040 has crash landed on a strange planet following a space dust and vecta grog fuelled burnout on the astro bandit colony of PVLN. With distress calls lost to the planet's surrounding empty space and his life support system damaged beyond repair; Mr. 8040 exits his ship to brave the unknown world in the hope of finding help. Weakened by the planet's heavy atmosphere; Mr. 8040 collapses. He is awoken by the calming presence of a native woman who offers to guide him to someone that may be able to repair his ship. Though frail and disorientated; Mr. 8040 moves forward, growing ever fonder of his new aquaintance. She bestows a small piece of her life-force to him, aiding him on the early stages of their journey. Days later the pair reach The Reflective Forest; A beautiful, yet dangerous region of the planet where time moves slower - the psychoactive environment can cause crippling hallucinations. Tormented by the visions of his past; Mr. 8040 breaks down. Uncertain of his ability to travel any further, he is reassured by his companion. By sundown they find themselves at the end of their journey; but not where Mr. 8040 had expected. It is the crash site of his ship and from within the flames a figure of static and noise walks towards him. Face to face with the mysterious figure, Mr. 8040 realises it is an apparition of his former self. Under the advice of the woman that saved his life, he knows that in order to continue he must let go of all that came before the crash, both good and bad. In a sudden burst of light, Mr. 8040 and the apparition become one. The light fades and his ship appears unscathed, his newfound muse waiting onboard. With his mind and ship repaired, Mr. 8040 climbs on board. The pair leave the planet behind, embarking on new adventures deep into the unknown galaxy…
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Berlin-based producer Adam Longman Parker announces "Colored", his first full-length LP as Afriqua for R&S Records. The album is a celebration of the unifying power of Black culture through the prism of electronic music.
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1
East Of Oceans - Neverlasting Love
2
East Of Oceans - Broken Seas
3
East Of Oceans - Hard Red
R&S welcomes Brock Van Wey AKA East Of Oceans (also known as ambient legend dvdub for his stunning 2018 album 'Drowning in Daylight' on Apollo) "East of Oceans is a pure tribute to my rave history that brought everything into being; pure elation, pure drive, pure escape, and frankly, just hearing shit that was the fucking jam." Van Wey debuts on R&S with his stunning new EP as East Of Oceans 'Neverlasting Love'. As always, Van Wey's music connects deeply into his past - his East of Oceans monicker draws on his time as a stalwart DJ and promoter of the halcyon 90s San Francisco rave scene, and features a much more direct aesthetic than the gauzy remembrances of his work as bvdub. "My music as bvdub is about pausing to remember what it means - East of Oceans is about moving to forget it all." Before Brock began DJing, made his first ambient mixtape, or began down the road of ambient, deep electronics, and deep house to follow; "I began my rave life, as many did, in breaks and hardcore, the faster the better. The harder the better. But always the deeper the better.” Packed with explosive breakbeats combined with haunting vocals and sepia tinged soundscapes, ‘Neverlasting Love’ is another stunning release that see Van Wey working at the peak of his powers
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Germany
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R&S present the eponymous, debut, full length album transmission from Lost Souls Of Saturn. Epic in scope, time and space, this multidimensional mind trip is for fans of Mark Leckey's 'Fiorucci Made Me Hardcore', David Morales' Red Zone dubs, Don Cherry's 'Organic Music Society', The Orb's 'Ultraworld' and KLF's 'Space' and much more besides. This ambient house masterpiece combines flavours gathered from across the galaxy, stewing them up into a delicious primordial soup. Old sci-fi soundtracks, acid, free jazz, avant garde, musique concrete, world music and more all whirl around an underground-dance-music axis. Primarily LSOS are Seth Troxler and Phil Moffa, plus further opaque participants congregating to combine music, imagery, and storytelling into an inextricably linked whole, all wrapped-up in a philosophy of their own making. Attempting something creatively that's above-and-beyond, LSOS explore new ways to open doors of perception and challenge the reality vs. simulation paradigm, whilst capturing the spirit of Alejandro Jodorowsky, Philip K. Dick and Sun Ra within their music, live experiences and films. These spiritual, psychoactive aural vibrations resonate for a long distance, all the way back to something deeper and more enchanting than the prosaicism of modern life:
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Customers who bought this also bought this
Daphni's fourth studio album Butterfly - to be released on 6 February 2026 - at first picks up where his last album, 2022's Cherry ("Bar for bar, this might be the most fun there is to be had on a dance record this year" - 8.2 'Best New Music' Pitchfork), left off.
LIMITED INDIES ONLY OPAQUE PINK + WHITE VINYL - NON RETURNABLE.
Listen to new single:
https://daphni.lnk.to/Butterfly
Waiting So Long youtube:
https://daphni.lnk.to/WSL_Video
Pitchfork https://pitchfork.com/news/daphni-announces-new-album-butterfly-shares-songs-listen/
Brooklyn Vegan https://www.brooklynvegan.com/daphni-caribous-dan-snaith-announces-new-album-butterfly-hear-waiting-so-long-lucky/
Exclaim https://exclaim.ca/music/article/daphni-and-caribou-finally-become-one-for-new-album-butterfly
Stereogum https://stereogum.com/2479460/caribous-dance-music-alter-ego-daphni-announces-new-album-butterfly-hear-waiting-so-long/music
At the start of this summer, following a three-year hiatus for Daphni (punctuated only by his first ever collaborative Daphni track 'Unidos' alongside Sofia Kourtesis), he dropped 'Sad Piano House'. The track represented something of a continuation in the Daphni catalogue, its roots growing from Cherry's 'Cloudy' and its subsequent Kelbin remix, something in that song's makeup having a profound effect when played on dancefloors by Snaith and countless others. 'Sad Piano House' deployed more intangibly irresistible bendy piano to equally satisfying effect and continues to achieve similarly rhapsodic dancefloor saturation.
Though a sizeable gap for Daphni releases, between Cherry and Butterfly however of course sits Honey, the latest Caribou album and one that saw the more instantaneous and dancefloor leaning traits of Daphni peaking through the cracks more than ever before. This blurring of the lines leads to an intriguing collaboration in Butterfly's lead single 'Waiting So Long (feat. Caribou)'. An unlikely duo - in that both artists are the same man, Dan Snaith - 'Waiting So Long' is not so much an identity crisis, ego trip, or the result of a chemical spill in the Snaith laboratory. It's simply a track that Snaith felt for the first time belongs to both aliases, and might appeal to fans of both. He has never sung on a Daphni track before, and did not set out with the intention to do so this time, and yet this strange billing was born.
Daphni music has always been Snaith's way of hitting directly to the core of the dancefloors he spends so much of his time playing to, and those dancefloors have been steadily expanding as his name grows, with the music following suit. This album however also draws from further back with a definite kinship to the very first Daphni album, the invigorating bag of ideas that was Jiaolong.
Butterfly is a showcase of the wonderful variety and surprising twists and turns that made that album such an exciting new prospect and that still to this day make Snaith such an intriguing DJ. There are more heavy hitters here, tracks that fill those dancefloors better than anyone, like 'Clap Your Hands' which picks up the energy of 'Sad Piano House' and flips it, exposing the gritty and intoxicating underbelly of Snaith's hitmaking side, while retaining the playful urgency that runs through all of his work of late. Meanwhile 'Hang''s comic-strip horns are unpinned by gleeful force, unrelenting and thrillingly unshakeable. Elsewhere though comes a clutch of other tunes that might creep out somewhere more off the beaten path, a path Snaith has never stopped seeking in amongst his larger billings. 'Lucky' is squirmy and elusively intoxicating, 'Invention' skitters down meandering, inviting corridors, 'Talk To Me' grumbles and broods in the murk, and 'Miles Smiles' could roll on endlessly, so confident in its groove. There are no obvious peaks in these tracks or unifying moments, in fact many of them really have no business being on the dancefloor at all, and yet in the right setting, they could be the most fun to be had all night.
One such club is a good microcosm for the ethos of Butterfly as a whole. "Around the time I was finishing up this album I played a long set in a club called Open Ground in Wuppertal, Germany." Snaith recalls, "It's kind of, in one sense, the platonic ideal of the kind of club I'd want to play in. Every single decision has been taken, at great expense, with the aim of making the perfect sounding medium sized club room. But on top of it being the perfect acoustic environment it also is run by an amazing collection of people in a way that gives it a sense of community that dance music at its best provides. It is an absolute pleasure to play in that room to a crowd of people who come from all over. Playing in there you feel like you can play anything, and I played works in progress of pretty much every track on this album in my set there. Don't get me wrong, I love playing a short set at a festival or in a more raw warehouse kind of club where you bang it out and only really functional music works but on record I guess the point of these Daphni records is to keep in mind a more expansive idea of dance music where the parameters are broad and the church is broad. I think that actually, putting really functional stuff next to weirder tracks (both on an album and in a dj set) might be the thing that's still most interesting to me."
This is the feeling that's most palpable on Butterfly, and in every single time you see Snaith DJ. Right from the inception of the Daphni alias - and even before that - the thrill of trying stuff out, pushing at the boundaries has always been there and on Butterfly is present in all its twists and turns. It leaps all over the place and yet it hangs together, never feeling like a grab bag of dancefloor utilities but rather a distillation of all the strings to Snaith's bow, exhilaratingly human and unified by one singular concept - simple and joyful exploration.
Vinyl Tracklist:
A1 Sad Piano House A2 Clap Your Hands A3 Hang A4 Lucky
B1 Waiting So Long B2 Napoleon's Rock B3 Goodnight Baby B4 Talk To Me
C1 Two Maps C2 Josephine C3 Miles Smiles C4 Goldie
D1 Caterpillar D2 Shifty D3 Invention D4 Eleven
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
LIMITED INDIES ONLY OPAQUE PINK + WHITE VINYL - NON RETURNABLE.
Listen to new single:
https://daphni.lnk.to/Butterfly
Waiting So Long youtube:
https://daphni.lnk.to/WSL_Video
Pitchfork https://pitchfork.com/news/daphni-announces-new-album-butterfly-shares-songs-listen/
Brooklyn Vegan https://www.brooklynvegan.com/daphni-caribous-dan-snaith-announces-new-album-butterfly-hear-waiting-so-long-lucky/
Exclaim https://exclaim.ca/music/article/daphni-and-caribou-finally-become-one-for-new-album-butterfly
Stereogum https://stereogum.com/2479460/caribous-dance-music-alter-ego-daphni-announces-new-album-butterfly-hear-waiting-so-long/music
At the start of this summer, following a three-year hiatus for Daphni (punctuated only by his first ever collaborative Daphni track 'Unidos' alongside Sofia Kourtesis), he dropped 'Sad Piano House'. The track represented something of a continuation in the Daphni catalogue, its roots growing from Cherry's 'Cloudy' and its subsequent Kelbin remix, something in that song's makeup having a profound effect when played on dancefloors by Snaith and countless others. 'Sad Piano House' deployed more intangibly irresistible bendy piano to equally satisfying effect and continues to achieve similarly rhapsodic dancefloor saturation.
Though a sizeable gap for Daphni releases, between Cherry and Butterfly however of course sits Honey, the latest Caribou album and one that saw the more instantaneous and dancefloor leaning traits of Daphni peaking through the cracks more than ever before. This blurring of the lines leads to an intriguing collaboration in Butterfly's lead single 'Waiting So Long (feat. Caribou)'. An unlikely duo - in that both artists are the same man, Dan Snaith - 'Waiting So Long' is not so much an identity crisis, ego trip, or the result of a chemical spill in the Snaith laboratory. It's simply a track that Snaith felt for the first time belongs to both aliases, and might appeal to fans of both. He has never sung on a Daphni track before, and did not set out with the intention to do so this time, and yet this strange billing was born.
Daphni music has always been Snaith's way of hitting directly to the core of the dancefloors he spends so much of his time playing to, and those dancefloors have been steadily expanding as his name grows, with the music following suit. This album however also draws from further back with a definite kinship to the very first Daphni album, the invigorating bag of ideas that was Jiaolong.
Butterfly is a showcase of the wonderful variety and surprising twists and turns that made that album such an exciting new prospect and that still to this day make Snaith such an intriguing DJ. There are more heavy hitters here, tracks that fill those dancefloors better than anyone, like 'Clap Your Hands' which picks up the energy of 'Sad Piano House' and flips it, exposing the gritty and intoxicating underbelly of Snaith's hitmaking side, while retaining the playful urgency that runs through all of his work of late. Meanwhile 'Hang''s comic-strip horns are unpinned by gleeful force, unrelenting and thrillingly unshakeable. Elsewhere though comes a clutch of other tunes that might creep out somewhere more off the beaten path, a path Snaith has never stopped seeking in amongst his larger billings. 'Lucky' is squirmy and elusively intoxicating, 'Invention' skitters down meandering, inviting corridors, 'Talk To Me' grumbles and broods in the murk, and 'Miles Smiles' could roll on endlessly, so confident in its groove. There are no obvious peaks in these tracks or unifying moments, in fact many of them really have no business being on the dancefloor at all, and yet in the right setting, they could be the most fun to be had all night.
One such club is a good microcosm for the ethos of Butterfly as a whole. "Around the time I was finishing up this album I played a long set in a club called Open Ground in Wuppertal, Germany." Snaith recalls, "It's kind of, in one sense, the platonic ideal of the kind of club I'd want to play in. Every single decision has been taken, at great expense, with the aim of making the perfect sounding medium sized club room. But on top of it being the perfect acoustic environment it also is run by an amazing collection of people in a way that gives it a sense of community that dance music at its best provides. It is an absolute pleasure to play in that room to a crowd of people who come from all over. Playing in there you feel like you can play anything, and I played works in progress of pretty much every track on this album in my set there. Don't get me wrong, I love playing a short set at a festival or in a more raw warehouse kind of club where you bang it out and only really functional music works but on record I guess the point of these Daphni records is to keep in mind a more expansive idea of dance music where the parameters are broad and the church is broad. I think that actually, putting really functional stuff next to weirder tracks (both on an album and in a dj set) might be the thing that's still most interesting to me."
This is the feeling that's most palpable on Butterfly, and in every single time you see Snaith DJ. Right from the inception of the Daphni alias - and even before that - the thrill of trying stuff out, pushing at the boundaries has always been there and on Butterfly is present in all its twists and turns. It leaps all over the place and yet it hangs together, never feeling like a grab bag of dancefloor utilities but rather a distillation of all the strings to Snaith's bow, exhilaratingly human and unified by one singular concept - simple and joyful exploration.
Vinyl Tracklist:
A1 Sad Piano House A2 Clap Your Hands A3 Hang A4 Lucky
B1 Waiting So Long B2 Napoleon's Rock B3 Goodnight Baby B4 Talk To Me
C1 Two Maps C2 Josephine C3 Miles Smiles C4 Goldie
D1 Caterpillar D2 Shifty D3 Invention D4 Eleven
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Dopplereffekt - Time Modulation-Graviton Pulse
2
Dopplereffekt - Multiverse Wavefunction
3
Dopplereffekt - Collapse of Simultaneity
4
Dopplereffekt - Olbers Paradox
Territories: World excl. UK
FORMAT: 12" vinyl, generic sleeve, dl card
TRACKLIST:
1. / A1 Time Modulation-Graviton Pulse 05:41
2. / A2 Multiverse Wavefunction 07:02
3. / B1 Collapse of Simultaneity 06:40
4. / B2 Olbers Paradox 04:59
Marking the anniversary of three decades of career, Dopplereffekt debuts on Tresor Records with Metasymmetry, arriving 12 December 2025. This latest release finds members Rudolf Klorzeiger and To-Nhan in deep inquiry in sound, contemplating structure and pattern in physics and nature resulting in a harmonious audio tessellation.
Metasymmetry itself relates to a kind of second-order reality found not in the structures of life but in the rules that govern these structures; that order exists not only in things but in the relationships among systems of order. It is a structure of structures, a logic of laws, an abstract unity embedded in the act of transformation itself.
Accordingly, the four-track EP reflects this duality. Each side opens with a piece of electronic music at its most precise and immovable: defined, kinetic, architectural. This is followed by a second composition that dissolves into a weightless, atmospheric counter-form.
The shift evokes a higher symmetry: an alignment not of parts, but of principles; a sonic model of the universe’s hidden invariance.
Metasymmetry also echoes across Dopplereffekt’s extended sonic continuum; this stands as the first offering on Tresor under the Dopplereffekt name despite an association with the label and club going back to the start. In this, it becomes the source of an echo that reverberates backwards through time; its own reflection:
a mirror reflecting in a mirror
harmony within a system
identities in perfect balance
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
FORMAT: 12" vinyl, generic sleeve, dl card
TRACKLIST:
1. / A1 Time Modulation-Graviton Pulse 05:41
2. / A2 Multiverse Wavefunction 07:02
3. / B1 Collapse of Simultaneity 06:40
4. / B2 Olbers Paradox 04:59
Marking the anniversary of three decades of career, Dopplereffekt debuts on Tresor Records with Metasymmetry, arriving 12 December 2025. This latest release finds members Rudolf Klorzeiger and To-Nhan in deep inquiry in sound, contemplating structure and pattern in physics and nature resulting in a harmonious audio tessellation.
Metasymmetry itself relates to a kind of second-order reality found not in the structures of life but in the rules that govern these structures; that order exists not only in things but in the relationships among systems of order. It is a structure of structures, a logic of laws, an abstract unity embedded in the act of transformation itself.
Accordingly, the four-track EP reflects this duality. Each side opens with a piece of electronic music at its most precise and immovable: defined, kinetic, architectural. This is followed by a second composition that dissolves into a weightless, atmospheric counter-form.
The shift evokes a higher symmetry: an alignment not of parts, but of principles; a sonic model of the universe’s hidden invariance.
Metasymmetry also echoes across Dopplereffekt’s extended sonic continuum; this stands as the first offering on Tresor under the Dopplereffekt name despite an association with the label and club going back to the start. In this, it becomes the source of an echo that reverberates backwards through time; its own reflection:
a mirror reflecting in a mirror
harmony within a system
identities in perfect balance
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Studio Barnhus
Cat-No:BARN099
Release-Date:16.01.2026
Genre:Electronic, Electronica
Configuration:LP Excl
Label:Studio Barnhus
Cat-No:BARN099
Release-Date:16.01.2026
Genre:Electronic, Electronica
Configuration:LP Excl
1
Axel Boman, Trensum Tribe - Sottopassaggio Dub
2
Axel Boman, Trensum Tribe - Gröna Dalen Dub
3
Axel Boman, Trensum Tribe - ’Atra Dub
4
Axel Boman, Trensum Tribe - Dub Grape
5
Axel Boman, Trensum Tribe - One Two Dub
6
Axel Boman, Trensum Tribe - Bhuka Dub
7
Axel Boman, Trensum Tribe - Nowhere Good Dub
8
Axel Boman, Trensum Tribe - Les Lèvres Dub
9
Axel Boman, Trensum Tribe - My Dub Is Out Sailing
10
Axel Boman, Trensum Tribe - Hold On Dub
GENRE/S: Electronic, Dub
[Vinyl]
[Vinyl]
A1. Sottopassaggio Dub
A2. Gröna Dalen Dub
A3. ’Atra Dub
A4. Dub Grape
A5. One Two Dub
B1. Bhuka Dub
B2. Nowhere Good Dub
B3. Les Lèvres Dub
B4. My Dub Is Out Sailing
B5. Hold On Dub
SHORT INFO:
Axel Boman’s critically acclaimed double album LUZ/Quest for fire from 2022 gets a remix & dub treatment from one of Scandinavia's finest reggae-and-beyond soundsystems, Trensum Tribe.
”Great, now they sound better that the originals” said Axel when he heard the remixed versions for the first time, excitedly starting to collect the best ones for an album. Having been heavily inspired by Mad Professor’s work for Massive Attack since a young age (listen to No Protection for example), a project like this had been a dream of Axel Boman's for decades.
There is a certain freedom that comes with remixing, where you can step outside yourself as a producer and take risks and chances you might not in your own work, and Trensum Tribe really took an adventurous new path when they approached this music. On this homage to soundsystem and rave culture, jungle, dub, disco and house all become best friends in front of a huge stack of homemade speakers, standing tall on fresh dew in a Swedish forest on a cold summer night.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
[Vinyl]
[Vinyl]
A1. Sottopassaggio Dub
A2. Gröna Dalen Dub
A3. ’Atra Dub
A4. Dub Grape
A5. One Two Dub
B1. Bhuka Dub
B2. Nowhere Good Dub
B3. Les Lèvres Dub
B4. My Dub Is Out Sailing
B5. Hold On Dub
SHORT INFO:
Axel Boman’s critically acclaimed double album LUZ/Quest for fire from 2022 gets a remix & dub treatment from one of Scandinavia's finest reggae-and-beyond soundsystems, Trensum Tribe.
”Great, now they sound better that the originals” said Axel when he heard the remixed versions for the first time, excitedly starting to collect the best ones for an album. Having been heavily inspired by Mad Professor’s work for Massive Attack since a young age (listen to No Protection for example), a project like this had been a dream of Axel Boman's for decades.
There is a certain freedom that comes with remixing, where you can step outside yourself as a producer and take risks and chances you might not in your own work, and Trensum Tribe really took an adventurous new path when they approached this music. On this homage to soundsystem and rave culture, jungle, dub, disco and house all become best friends in front of a huge stack of homemade speakers, standing tall on fresh dew in a Swedish forest on a cold summer night.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:We Release Jazz
Cat-No:WRJ001-REG
Release-Date:19.10.2018
Genre:Electronic, Electronica
Configuration:LP Excl
Label:We Release Jazz
Cat-No:WRJ001-REG
Release-Date:19.10.2018
Genre:Electronic, Electronica
Configuration:LP Excl
1
Ryo Fukui - It Could Happen To You
2
Ryo Fukui - I Want To Talk About You
3
Ryo Fukui - Early Summer
4
Ryo Fukui - Willow Weep For Me
5
Ryo Fukui - Autumn Leaves
6
Ryo Fukui - Scenery
The Standard Edition - Territory - NO Sales to Japan
Ryo Fukui's 1976 highly sought-after jazz masterpiece SCENERY-
LP Edition: Mastered at half speed, 140g vinyl, Sticker
We Release Jazz (WRWTFWW Records' new sister-label) is proud to present its first release, the official reissue of Ryo Fukui's highly sought-after masterpiece Scenery (1976), sourced from the original masters and available on limited edition 180g vinyl mastered at half speed for audiophile sound and on digipack CD.
Unquestionably one of the most important Japanese jazz albums ever recorded, Scenery reveals Ryo Fukui as a miraculously brilliant self-taught pianist fusing modal, bop, and cool jazz influences for a very personal, dexterous and game-changing take on classic standards made famous by Bing Crosby and John Coltrane among others. From "It Could Happen To You" and its serene and calm intro which magically flows into a jubilant and upbeat piece, to the out-of-this-world piano solo of "Early Summer", or the incredible teamwork of "Autumn Leaves" where Fukui leads Satoshi Denpo (bass) and Yoshinori Fukui (drums) into groove heaven, every single note on the album oozes precision, confidence and flair and every single section slides seamlessly into one another, creating a supreme and elegant blend of jazz. Often compared to McCoy Tyner or Bill Evans, Ryo Fukui was a genius in his own right, a true master of his craft whose perfectionism gave birth to some of the greatest music ever recorded. Scenery is his magnum opus and an absolute must-have.
The Hokkaido wizard-pianist followed Scenery with the soulful gem Mellow Dream (also available on We Release Jazz) in 1977. He then focused on improving his live skills, often performing at Sapporo's Slowboat Jazz Club (which he co-founded with his wife Yasuko Fukui) and releasing 2 live albums. Ryo Fukui sadly passed away in March 2016, leaving behind a legacy of works that is sure to captivate jazz lovers for generations to come.
Tracklisting Vinyl LP
A1 It Could Happen To You
A2 I Want To Talk About You
A3 Early Summer
B1 Willow Weep For Me
B2 Autumn Leaves
B3 Scenery
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Ryo Fukui's 1976 highly sought-after jazz masterpiece SCENERY-
LP Edition: Mastered at half speed, 140g vinyl, Sticker
We Release Jazz (WRWTFWW Records' new sister-label) is proud to present its first release, the official reissue of Ryo Fukui's highly sought-after masterpiece Scenery (1976), sourced from the original masters and available on limited edition 180g vinyl mastered at half speed for audiophile sound and on digipack CD.
Unquestionably one of the most important Japanese jazz albums ever recorded, Scenery reveals Ryo Fukui as a miraculously brilliant self-taught pianist fusing modal, bop, and cool jazz influences for a very personal, dexterous and game-changing take on classic standards made famous by Bing Crosby and John Coltrane among others. From "It Could Happen To You" and its serene and calm intro which magically flows into a jubilant and upbeat piece, to the out-of-this-world piano solo of "Early Summer", or the incredible teamwork of "Autumn Leaves" where Fukui leads Satoshi Denpo (bass) and Yoshinori Fukui (drums) into groove heaven, every single note on the album oozes precision, confidence and flair and every single section slides seamlessly into one another, creating a supreme and elegant blend of jazz. Often compared to McCoy Tyner or Bill Evans, Ryo Fukui was a genius in his own right, a true master of his craft whose perfectionism gave birth to some of the greatest music ever recorded. Scenery is his magnum opus and an absolute must-have.
The Hokkaido wizard-pianist followed Scenery with the soulful gem Mellow Dream (also available on We Release Jazz) in 1977. He then focused on improving his live skills, often performing at Sapporo's Slowboat Jazz Club (which he co-founded with his wife Yasuko Fukui) and releasing 2 live albums. Ryo Fukui sadly passed away in March 2016, leaving behind a legacy of works that is sure to captivate jazz lovers for generations to come.
Tracklisting Vinyl LP
A1 It Could Happen To You
A2 I Want To Talk About You
A3 Early Summer
B1 Willow Weep For Me
B2 Autumn Leaves
B3 Scenery
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
RE-RELEASE! No one can say they didn’t see these two brats coming! Justice, who’s name the world (well at least that part of the world that loves to dance) chants with emotion and whose first album is awaited with bated breath ever since the French duo revolutionised dancefloors with two radically different hits. It comes as no surprise that «†», the first album by Justice, is a fantastic treat for the ears and for the feet. A kind of musical opera marked with religious and baroque symbols, where the melodies are ripped to shreds by the beats, where electro teaches rock a lesson and where pop gets a botox injection.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
GAZZI - A1 Sants
2
GAZZI - A2 Lake Lake Lake
3
GAZZI - A3 Journey
4
GAZZI - A4 Waves of Time
5
GAZZI - A5 Unlimited Light
6
GAZZI - B1 Lila
7
GAZZI - B2 Reloj
8
GAZZI - B3 Opción
9
GAZZI - B4 Eco
LP
2. GENRE/S: Ambient, New Age, Fourth World
3. TRACKLIST:
Side A:
A1 Sants
A2 Lake Lake Lake
A3 Journey
A4 Waves of Time
A5 Unlimited Light
Side B:
B1 Lila
B2 Reloj
B2 Opción
B4 Eco
4. SHORT INFO:
Andalusian emerging-talent producer GAZZI, a young yet influential figure within the broader Spanish electronic scene, presents an LP that feels like a quiet turning point in his career. Rooted in ambient and new-age minimalism, the record drifts through piano-based textures, soft pauses, and spacious moments that invite deep introspection.
Across its delicate arrangements, GAZZI captures the sensation of slowing down in a world where everything feels fleeting. These tracks hold space for reflection-offering nostalgia, stillness, and the subtle suggestion that hope remains at the edges of even the most ephemeral moments. Each piece unfolds like a landscape suspended in time, shaped by restraint, emotional nuance, and a profound sense of presence.
Presented by Glossy Mistakes, the release reflects the label's ongoing commitment to uplifting a new wave of contemporary Spanish artists, highlighting creators who are redefining the country's sonic identity through experimentation, sensitivity, and forward-thinking sound design.
In GAZZI's own words:
"These songs were made to sit with the wound - to let you drift, to feel scattered, contemplative; they're meant to keep you from thinking too much - or maybe to make you think a lot."
The result is a meditative, deeply personal body of work-one that not only marks a cornerstone in GAZZI's artistic path but also extends Glossy Mistakes' mission to showcase innovative, emotionally resonant voices from Spain's evolving music landscape.
5. VITAL SALES POINTS:
- New work by Andalusian emerging talent Gazzi, an introspective meditation rooted in ambient and new age.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
2. GENRE/S: Ambient, New Age, Fourth World
3. TRACKLIST:
Side A:
A1 Sants
A2 Lake Lake Lake
A3 Journey
A4 Waves of Time
A5 Unlimited Light
Side B:
B1 Lila
B2 Reloj
B2 Opción
B4 Eco
4. SHORT INFO:
Andalusian emerging-talent producer GAZZI, a young yet influential figure within the broader Spanish electronic scene, presents an LP that feels like a quiet turning point in his career. Rooted in ambient and new-age minimalism, the record drifts through piano-based textures, soft pauses, and spacious moments that invite deep introspection.
Across its delicate arrangements, GAZZI captures the sensation of slowing down in a world where everything feels fleeting. These tracks hold space for reflection-offering nostalgia, stillness, and the subtle suggestion that hope remains at the edges of even the most ephemeral moments. Each piece unfolds like a landscape suspended in time, shaped by restraint, emotional nuance, and a profound sense of presence.
Presented by Glossy Mistakes, the release reflects the label's ongoing commitment to uplifting a new wave of contemporary Spanish artists, highlighting creators who are redefining the country's sonic identity through experimentation, sensitivity, and forward-thinking sound design.
In GAZZI's own words:
"These songs were made to sit with the wound - to let you drift, to feel scattered, contemplative; they're meant to keep you from thinking too much - or maybe to make you think a lot."
The result is a meditative, deeply personal body of work-one that not only marks a cornerstone in GAZZI's artistic path but also extends Glossy Mistakes' mission to showcase innovative, emotionally resonant voices from Spain's evolving music landscape.
5. VITAL SALES POINTS:
- New work by Andalusian emerging talent Gazzi, an introspective meditation rooted in ambient and new age.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Terry Francis - Took From Me
2
Terry Francis - Little 'N' Large
3
Terry Francis - Furry (Retake)
Terry Francis makes his debut on Pariter with a rare and essential reissue from one of the UK Tech House's original pioneers. A cornerstone of the London scene, long time Fabric resident and a driving force behind the early Housey Doingz and Wiggle movements, Terry's influence runs deep in the foundations of underground house music as we know it today.
This is the second instalment in a short-series showcasing carefully selected tracks from the legend's archive. Took From Me, on the A side is a raw, old school UK tech house classic, an all time favourite of Andrew Weatherall (rip), Richard Fearless and Craig Richards, who also featured it on his first Fabric mix CD. On the flip, Little 'N' Large and an unreleased version of Furry emerge as two massive, hidden monsters. A vital document from a pivotal era.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
This is the second instalment in a short-series showcasing carefully selected tracks from the legend's archive. Took From Me, on the A side is a raw, old school UK tech house classic, an all time favourite of Andrew Weatherall (rip), Richard Fearless and Craig Richards, who also featured it on his first Fabric mix CD. On the flip, Little 'N' Large and an unreleased version of Furry emerge as two massive, hidden monsters. A vital document from a pivotal era.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
LLL - Gaslight District
2
LLL - State Chumps
3
LLL - Teeth
4
LLL - Midi Life Crisis
LLL is back and this time on the properly sized up "HELLLINN EP" full of unhinged and deliberate, off the wall acidic mutant house. Caustic synth lines and furious electro sludge made to ooze out of club speakers. This 4 track EP strikes with intense Chicago club tracks with savage synths.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Mille Plateaux
Cat-No:MP35LP
Release-Date:25.02.2022
Genre:Electronic, Electronica
Configuration:2LP Excl
Label:Mille Plateaux
Cat-No:MP35LP
Release-Date:25.02.2022
Genre:Electronic, Electronica
Configuration:2LP Excl
1
Porter Ricks - A1. Redundance 1
2
Porter Ricks - A2. Redundance 3
3
Porter Ricks - A3. Redundance (Version)
4
Porter Ricks - B1. Redundance 5
5
Porter Ricks - B2. Redundance 6
6
Porter Ricks - B3. Scuba Lounge
7
Porter Ricks - C1. Spoiled
8
Porter Ricks - C2. Spoil
9
Porter Ricks - D1. Decay Chart
10
Porter Ricks - D2. Explore
11
Porter Ricks - D3. Exposed
Format: 2LP
Genre: Techno, Electronics
Tracklist 2LP:
A1 Redundance 1 (6:06)
A2 Redundance 3 (6:19)
A3 Redundance (Version) (4:15)
B1 Redundance 5 (7:02)
B2 Redundance 6 (4:32)
B3 Scuba Lounge (10:28)
C1 Spoiled (9:47)
C2 Spoil (7:56)
D1 Decay Chart (7:15)
D2 Explore (5:47)
D3 Exposed (4:24)
Short Info:
Porter Ricks is a collaboration between Thomas Köner and Andy Mellwig. After the Re-release of the legendary album "Biokinetics", which is superb subaquatic dub techno, we re-release Porter Ricks first album on Mille Plateaux. The album demonstrates the move to a kind of discoid funkyness with an underlying almost organic rhythmight. But still its not music for beautiful souls. Instead, it combines funkyness with alien sonic fluxes and the rhythm of a killing mover.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Genre: Techno, Electronics
Tracklist 2LP:
A1 Redundance 1 (6:06)
A2 Redundance 3 (6:19)
A3 Redundance (Version) (4:15)
B1 Redundance 5 (7:02)
B2 Redundance 6 (4:32)
B3 Scuba Lounge (10:28)
C1 Spoiled (9:47)
C2 Spoil (7:56)
D1 Decay Chart (7:15)
D2 Explore (5:47)
D3 Exposed (4:24)
Short Info:
Porter Ricks is a collaboration between Thomas Köner and Andy Mellwig. After the Re-release of the legendary album "Biokinetics", which is superb subaquatic dub techno, we re-release Porter Ricks first album on Mille Plateaux. The album demonstrates the move to a kind of discoid funkyness with an underlying almost organic rhythmight. But still its not music for beautiful souls. Instead, it combines funkyness with alien sonic fluxes and the rhythm of a killing mover.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Coastal Commission - Straight No Chaser
2
Coastal Commission - Rhodes Through Space
Growing up on the slag heaps of County Durham Northumbria, young Sam Robson dreamed of one day finding a better way & somewhere to live with nicer bloody weather! An avid record collector from an early age he looked to music for the answer…
Born in Bradford in the late 60's and growing up in the North-East in the 70's, alternative music fast became his obsession from punk, to new wave, two tone, rock and new romantic he collected it all. Electro and Hip Hop hit his local boombox in the form of "Crucial Electro" on StreetSounds Records and he was soon hungry for anything new & electronic coming out of the U.S.
His call was answered one day at school his mate Gareth (a fellow music enthusiast) lent him a 12" record from Chicago that opened up his mind & changed his course. The piano and gospel tinged record was none other than Marshall Jefferson's "House Music Anthem" that told him "to move your body" and that "house music was gonna set you free…' The rest is History. forward 10 years later to 1996 and Big Sam is now DJing a weekly House night in Santa Barbara alongside LA stalwart DJ Doc Martin. He lives just south of Santa Barbara two blocks from the Pacific Ocean in the sunny beach town of Carpinteria, (about an hour north of Los Angeles).
The warehouse is kitted out with a full studio set up of Roland Corp's latest & greatest but he also has the City Planning Commission breathing down his neck and threatening the boot as his residence unbeknownst to him had been built without any city permits! He is told that his only hope for keeping his building safe from demolition is THE CALIFORNIA COASTAL COMMISSION who protect everything 3 miles in on the entire California coast.
With the Coastal Commission on his mind & while managing L.A Dance Mecca music store "Beatnonstop Records" he meets fellow Brit, musician & house-head Chris Penny aka CPen. They quickly bond at The Cat & the Fiddle over a pint & early 90's rave and Jungle toons. Sam invites Chris up to his studio in Carpinteria for a weekend getaway from LosAngeles and a studio seshion. That night they stuff Chris's Rhodes piano in the boot of Sam's tiny Beemer and shoot up the coast on Highway 101 Carpinteria bound with their mate Lil Johnny "Toaster Oven."
After burning the midnight oil (with fellow studio boffin & PCH engineer "Evil Eye" Nate), when daylight broke "Rhodes through Space" was born. A mastering session was quickly booked and the white labels arrived a week later where they were quickly stuffed into a suitcase and it was off to South Beach/Miami to promote the track at for WMC aka Winter Music Conference. In quiet desperation and not knowing what to name the collective "COASTAL COMMISSION' featuring CPen was agreed upon and scribbled onto the White Labels. As fortune would have it, Sam would run into Philly House stalwart King Britt outside his hotel who was a regular customer at the store back in L.A. King would be one of the first peeps to receive a copy of the record. That night King invited Sam to the club where he broke the track at the Basement Jaxx Conference party party to a packed house alongside legends Daft Punk, Armand Van Helden & DJ Sneak.
25 years later the Coastal Commission are back, remastered and Cpen has since received two Grammys with Honey Dijon for their work on Beyonce's House album. "Rhodes Through Space" is a musical tribute to the club/rave/warehouse party that is still relatable to this very day.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Born in Bradford in the late 60's and growing up in the North-East in the 70's, alternative music fast became his obsession from punk, to new wave, two tone, rock and new romantic he collected it all. Electro and Hip Hop hit his local boombox in the form of "Crucial Electro" on StreetSounds Records and he was soon hungry for anything new & electronic coming out of the U.S.
His call was answered one day at school his mate Gareth (a fellow music enthusiast) lent him a 12" record from Chicago that opened up his mind & changed his course. The piano and gospel tinged record was none other than Marshall Jefferson's "House Music Anthem" that told him "to move your body" and that "house music was gonna set you free…' The rest is History. forward 10 years later to 1996 and Big Sam is now DJing a weekly House night in Santa Barbara alongside LA stalwart DJ Doc Martin. He lives just south of Santa Barbara two blocks from the Pacific Ocean in the sunny beach town of Carpinteria, (about an hour north of Los Angeles).
The warehouse is kitted out with a full studio set up of Roland Corp's latest & greatest but he also has the City Planning Commission breathing down his neck and threatening the boot as his residence unbeknownst to him had been built without any city permits! He is told that his only hope for keeping his building safe from demolition is THE CALIFORNIA COASTAL COMMISSION who protect everything 3 miles in on the entire California coast.
With the Coastal Commission on his mind & while managing L.A Dance Mecca music store "Beatnonstop Records" he meets fellow Brit, musician & house-head Chris Penny aka CPen. They quickly bond at The Cat & the Fiddle over a pint & early 90's rave and Jungle toons. Sam invites Chris up to his studio in Carpinteria for a weekend getaway from LosAngeles and a studio seshion. That night they stuff Chris's Rhodes piano in the boot of Sam's tiny Beemer and shoot up the coast on Highway 101 Carpinteria bound with their mate Lil Johnny "Toaster Oven."
After burning the midnight oil (with fellow studio boffin & PCH engineer "Evil Eye" Nate), when daylight broke "Rhodes through Space" was born. A mastering session was quickly booked and the white labels arrived a week later where they were quickly stuffed into a suitcase and it was off to South Beach/Miami to promote the track at for WMC aka Winter Music Conference. In quiet desperation and not knowing what to name the collective "COASTAL COMMISSION' featuring CPen was agreed upon and scribbled onto the White Labels. As fortune would have it, Sam would run into Philly House stalwart King Britt outside his hotel who was a regular customer at the store back in L.A. King would be one of the first peeps to receive a copy of the record. That night King invited Sam to the club where he broke the track at the Basement Jaxx Conference party party to a packed house alongside legends Daft Punk, Armand Van Helden & DJ Sneak.
25 years later the Coastal Commission are back, remastered and Cpen has since received two Grammys with Honey Dijon for their work on Beyonce's House album. "Rhodes Through Space" is a musical tribute to the club/rave/warehouse party that is still relatable to this very day.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Pizza Hotline - Polygon Island
2
Pizza Hotline - Region Free
3
Pizza Hotline - Z-buffer
4
Pizza Hotline - BIOS
5
Pizza Hotline - Memory Cycles
6
Pizza Hotline - Collision Detection
7
Pizza Hotline - Stage Select
8
Pizza Hotline - Y2K Dreamscape
Genre: Liquid Drum n’ Bass, Electronic, Jungle, Video Game Music
DLP: Limited Edition Double LP with 45RPM Cut, Heavy 350gsm Gatefold Sleeve, Sticker
Tracklisting DLP
A1. Polygon Island
A2. Region Free
B1. Z-buffer
B2. BIOS
C1. Memory Cycles
C2. Collision Detection
D1. Stage Select
D2. Y2K Dreamscape
Info
WRWTFWW Records is boiling with excitement: Pizza Hotline is back! The UK producer and DJ is following up the already classic Level Select with another liquid drum & bass with a video game music twist beauty: the Polygon Island album, available in a limited edition double LP with a majestic 45rpm cut (for louder, bigger, bolder, deeper earth-shaking bass), packaged in a heavyweight 350gsm gatefold sleeve.
Home of eight all new slices of delicious atmospheric drum & bass, Polygon Island is the perfect artificial paradise beach for Pizza Hotline to deepen his exploration of modern jungle music liquified through the lens of 90s /Y2K video game motifs and seasoned with the soundtrack essence of PS1, PS2, N64, Sega Saturn & Dreamcast adventures.
Bewitching and larger than life, Pizza Hotline’s perfect follow-up to Level Select takes listeners (players?) on an endless summer escapade filled with immaculate vibes, crispy beats, and refashioned homages to, once again, LTJ Bukem, Peshay, the Wipeout OST, and Soichi Terada's Ape Escape. It’s bouncy, it flows, it’s dreamy – something to dance to, something to reminisce to, something to chill to. Pizza Hotline is back and it feels so good.
Press start. Again.
Points of interests
For fans of liquid DNB, video games, ambient, late night vibes, computers and clubs, Soichi Terada's Ape Escape, LTJ Bukem, Peshay, Wipeout OST, Pizza Hotline’s Level Select, good music, good music on video games, playing video games all night and possibly all week. Do that again and again and again.
Super limited edition vinyl of Pizza Hotline’s Polygon Island album redefining liquid drum & bass with a Y2K video game twist again and again and again.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
DLP: Limited Edition Double LP with 45RPM Cut, Heavy 350gsm Gatefold Sleeve, Sticker
Tracklisting DLP
A1. Polygon Island
A2. Region Free
B1. Z-buffer
B2. BIOS
C1. Memory Cycles
C2. Collision Detection
D1. Stage Select
D2. Y2K Dreamscape
Info
WRWTFWW Records is boiling with excitement: Pizza Hotline is back! The UK producer and DJ is following up the already classic Level Select with another liquid drum & bass with a video game music twist beauty: the Polygon Island album, available in a limited edition double LP with a majestic 45rpm cut (for louder, bigger, bolder, deeper earth-shaking bass), packaged in a heavyweight 350gsm gatefold sleeve.
Home of eight all new slices of delicious atmospheric drum & bass, Polygon Island is the perfect artificial paradise beach for Pizza Hotline to deepen his exploration of modern jungle music liquified through the lens of 90s /Y2K video game motifs and seasoned with the soundtrack essence of PS1, PS2, N64, Sega Saturn & Dreamcast adventures.
Bewitching and larger than life, Pizza Hotline’s perfect follow-up to Level Select takes listeners (players?) on an endless summer escapade filled with immaculate vibes, crispy beats, and refashioned homages to, once again, LTJ Bukem, Peshay, the Wipeout OST, and Soichi Terada's Ape Escape. It’s bouncy, it flows, it’s dreamy – something to dance to, something to reminisce to, something to chill to. Pizza Hotline is back and it feels so good.
Press start. Again.
Points of interests
For fans of liquid DNB, video games, ambient, late night vibes, computers and clubs, Soichi Terada's Ape Escape, LTJ Bukem, Peshay, Wipeout OST, Pizza Hotline’s Level Select, good music, good music on video games, playing video games all night and possibly all week. Do that again and again and again.
Super limited edition vinyl of Pizza Hotline’s Polygon Island album redefining liquid drum & bass with a Y2K video game twist again and again and again.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
DJ Stingray 313 - LARGE LANGUAGE MODEL 03:39
2
DJ Stingray 313 - MULTI FUNCTIONAL ROBOTICS 03:29
3
DJ Stingray 313 - SENSOR DATA 03:44
FORMAT 12‘‘ Vinyl, full Pantone printed sleeve, download code
TRACKLIST
1. LARGE LANGUAGE MODEL 03:39
2. MULTI FUNCTIONAL ROBOTICS 03:29
3. SENSOR DATA 03:44
RELEASE INFO
DJ Stingray 313's INDUSTRY 4.0 EP is a sonic exploration into modern manufacturing concepts and the impact on humanity.
Moods and titles across the EP cover artificial intelligence (LARGE LANGUGE MODEL), the internet, and robotics (MULTI FUNCTIONAL ROBOTICS and SENSOR DATA) – all set to his signature high-energy, industrial, cyborg-style productions.
Together, the tracks on INDUSTRY 4.0 work as a striking and current introspective of humanity’s uncertain evolution, moving as fast as the technology it creates.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
TRACKLIST
1. LARGE LANGUAGE MODEL 03:39
2. MULTI FUNCTIONAL ROBOTICS 03:29
3. SENSOR DATA 03:44
RELEASE INFO
DJ Stingray 313's INDUSTRY 4.0 EP is a sonic exploration into modern manufacturing concepts and the impact on humanity.
Moods and titles across the EP cover artificial intelligence (LARGE LANGUGE MODEL), the internet, and robotics (MULTI FUNCTIONAL ROBOTICS and SENSOR DATA) – all set to his signature high-energy, industrial, cyborg-style productions.
Together, the tracks on INDUSTRY 4.0 work as a striking and current introspective of humanity’s uncertain evolution, moving as fast as the technology it creates.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More