Genres
Techno, Acid, Breakbeat, IDM

Tracklist
A1. Seishin
A2. Seishin (Jasen Loveland's Acid Musik Department Mix)
B1. Seishin (Clay Wilson Remix)
B2. Seishin (Clay Wilson's with a hint of Jase Remix)

Short Info
"Seishin" is a focused, four-track EP from Japan-born, Berlin-based producer Shingo Suwa on Acid Camp. The title translates to "spirit," and the record treats that idea as both a feeling and a relay: an original transmission from a time of quarantined isolation followed by responses from trusted collaborators. Clay Wilson contributes two versions: one a deep, tensile workout and the other a companion take sparked by the legacy of Jasen Loveland (1980-2021). Jasen Loveland also worked on a remix of his own in 2021. "Seishin" is not only about losing yourself-it is also about the resonance of spirit and memory, passed across friends, to find yourself again.

Written and produced by Shingo Suwa
Artwork by Emma Hastil
Layout by Cookhouse Studio
Mastered & Cut by Tim Xavier at Manmade Mastering Berlin
Pressed at RAND


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Genres
Techno, Acid, Breakbeat, IDM

Tracklist
A1. Seishin
A2. Seishin (Jasen Loveland's Acid Musik Department Mix)
B1. Seishin (Clay Wilson Remix)
B2. Seishin (Clay Wilson's with a hint of Jase Remix)

Short Info
"Seishin" is a focused, four-track EP from Japan-born, Berlin-based producer Shingo Suwa on Acid Camp. The title translates to "spirit," and the record treats that idea as both a feeling and a relay: an original transmission from a time of quarantined isolation followed by responses from trusted collaborators. Clay Wilson contributes two versions: one a deep, tensile workout and the other a companion take sparked by the legacy of Jasen Loveland (1980-2021). Jasen Loveland also worked on a remix of his own in 2021. "Seishin" is not only about losing yourself-it is also about the resonance of spirit and memory, passed across friends, to find yourself again.

Written and produced by Shingo Suwa
Artwork by Emma Hastil
Layout by Cookhouse Studio
Mastered & Cut by Tim Xavier at Manmade Mastering Berlin
Pressed at RAND


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12"
* A1 ends in a locked groove

Genres
Techno, Acid, Breakbeat, IDM

Tracklist
A1. Derivative (2025 Remaster)
A2. Recursivity
A3. Recursivity (Scotia's Bigfoot Jacked Me Mix)
B1. Delta
B2. Positivity Percussive Love
B3. Circada's Rhythm

Short Info

Recursivity is a reflection on inspiration, derivations, cycles of life, environments, and the
consequence of time.
Written and produced by Maro Kariya
Artwork by Maro Kariya
Layout by Cookhouse Studio
Mastered & Cut by Tim Xavier at Manmade Mastering Berlin


VITAL SALES POINTS
Releases on Bunker NY, Qeone, and Mesma Records

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Tracklist
01 Let's Start Our Own Thing
02 JMAR
03 NOK
04 Same Format

Shortinfo:
Dar Embarks, the hardware-based collaboration of Chicagoans Dan Jugle and Ken Zawacki, share four precious recordings of bouncing, highly-acidic machine funk and industrial ambiance. This is a posthumous release for Dan Jugle, who departed in 2018.

Dan was a multi-instrumentalist and a pillar of Chicago's techno scene who left an indelible mark on it with his distinctive sound. His infatuation with electronic music began in the mid-90s when he found his way to Midwest raves as soon as he was old enough to drive to them. He began working with analog gear to create his own expression of the music he heard there. Jugle, Zawacki, and Mike Broers started experimenting with a thrifted Roland TR-707, figuring out the controls through trial and error. They performed together as Ghost Arcade in the early 2000s.

Years later, Jugle and Zawacki reunited creatively, forming Dar Embarks and building the foundation for their project. Jugle gained a reputation for crafting washed-out, saturated club tracks as Juzer, a project formed with Beau Wanzer. Dar Embarks' debut EP Fleer (released on CLEAR USA) and Juzer's Horseplay (on Anthony Parasole's label The Corner) were both released in 2014, both elevated by Dan Jugle's live-action knob-twisting and button-pushing composition inspired by sci-fi and comic books. Despite his early passing, Jugle's legacy lives on through his work and his passion for Midwest techno that his friends and fans still remember and carry.

Lovingly wrapped up and presented to Acid Camp by Ken, these heaters are finally set free to move asses and minds.

Artwork by Jeremiah Chiu
Layout by Danielle Davis
Mastered by Tim Xavier at Manmade Mastering
Distributed by wordandsound



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2 x 12” LP with printed sleeve

Tracklist
American Dream
Wide Awake
Fucked Acid
They Gave You What
Electric Snake
Lose Your Mind
Get In
Groovy

Shortinfo:
M Parent brings us a soundtrack of American dystopia, one that gives a pointed sonic voice to the
bubbling frustrations and anxieties of our time. While American politics play out like a circus on the
world stage, M Parent responds to the question of what it means to be American through dirty acid riffs
and eerie electro synth stabs. The album opens up with the title track where a deep voice bellows,
“The American Dream was a lie,” setting the stage for what comes next. A warped sense of reality
bubbles over in Lose Your Mind, as a wailing electric guitar plays a distorted rendition of the Star
Spangled Banner. On the track They Gave You What, a glitched out 808 breakbeat unwinds as
psychedelic paranoia sets in over a stiff melodic hook.

But it’s not all doom and gloom, as it wouldn’t be a complete encapsulation of the American dream
without a sense of hope. Balancing the LP out are playful tracks and aural details that keep the
American tradition of funk alive. Fucked Acid offers a bright acid track with a funky falsetto synth line.
At the album’s cheeky climax, Electric Snake, a reptilian beast is lured out with 808 toms and beat
back by unrelenting snare rolls. Maniacal laughter and an acidic bubbly lead race towards the album’s
conclusion in the track Get In. The LP finishes with Groovy, an uplifting track that adds a fragile sense
of optimism.


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Format: Cassette

TRACKLIST:
Quasar
Triangle Map
Iridescent
Brother In Town
Eyelids
Up Up Yellow Balloon

Shortinfo:
DEEP DARK BLUE presents an album filled with gentle surprises. When We Get Together takes you through lightly psychedelic melodies for the heart and mind to get lost in. Though highly polished as a production, a sense of underlying spontaneity implies a process that's closer to an improvised jam session than a planned composition. The lush synths, complex percussion, and shimmering melodies create rich backdrops for reveries. Each song bobs and weaves through opposite contrasts, often going back and forth between melancholic to bright. Yet each song remains cohesive and leaves you wondering how you arrived at the end of each track.



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12" with printed reverse sleeve

Tracklist
1. Natan H - Horizon
2. Jing - A Special You
3. Damon Eliza Palermo - Uplands
4. Richard Holhburn - Better Not Look Too Close
5. Shingo Suwa - The Third Plant


Shortinfo:
The All Star team at Acid Camp has been touring around the world in search for inspiration. They've created new and engaging tracks for you to share with your favorite dance floor or your private listening environment of choice. Find part one and two of our new series at your favorite record shops. A limited run of colored vinyl will be available at Acid Camp's Bandcamp.



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12" with printed reverse sleeve

Tracklist
1. Jasen Loveland - Ask A Riddle (Extended Club Mix)
2. Dar Embarks - Verldsrymden
3. Some All None - Flight
4. Sepehr - Replace Your Soul
5. Simic - Orbetello


Shortinfo:
The All Star team at Acid Camp has been touring around the world in search for inspiration. They've created new and engaging tracks for you to share with your favorite dance floor or your private listening environment of choice. Find part one and two of our new series at your favorite record shops. A limited run of colored vinyl will be available at Acid Camp's Bandcamp.


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Full Cover Art

TRACKLIST:

1. My Medicine
2. Epoxy (Space Mix)
3. Paranoid Fantasy (Unlimited Mix)
4. Epoxy (Patrick Russell Remix)


Jasen Loveland's prescriptions are strong and may not be suitable for all patients inquiring. These formulations were created in assistance from BMG, Silent Servant, and
a new and improved mix by Patrick Russell, PhD. A full dose of all four medications should not be administered without the help of a certified professional. For more
information please feel free to call the Acid Camp hotline at 1-800-AMI-HIGH.

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LTD, Full Cover Art
TRACKLIST:
1 I've Got Acid (On My Brain)
2 I've Got Acid (On My Brain) (Acapella)
3 The Name Rolls In
4 Field Notes
Next up on the docket for Acid Camp Records is a record created by duo John Tejada and Justin Maxwell. The pair came together to make ACR III with two things in mind: Creating sounds that put a smile on their face while possessing as much character as possible.
The opening track, “I’ve Got Acid (On My Brain)” is a mind-bending wavetable freakout, the likes of which Tejada and Maxwell have been striving to do for years. Using a vintage EMS vocoder to create an original vocal sample, this track is bright, playful, & vivacious. “The Name Rolls In” is layered in an acid playground of sounds. A rhythmic track with a potent 303 bass line, prominent percussion, and that infamous vocoder back at it to create a distinctly groovy track. “Field Notes”, is a composition of celestial arrangements that is completely beatless. Carried through by tiers of sounds, filters, and noisier elements, this track lulls the listener into an alluring sonic dreamscape.



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“THIS RECORD DEFINITELY TAKES A BIT MORE OF A LAYERED APPROACH," — NATAN H OFFERS US YET ANOTHER UNIQUE, IMMERSIVE, AND CHARISMATIC RELEASE FOR ACID CAMP RECORDS"

TRACKLIST:
Atmosphere (in 5), Atmosphere (in 5) (Conforce Remix), Remote View Pt. I, Remote View Pt. II

Acid Camp Records is rolling through again, this time with an artist known for his atmospheric and cosmic-oriented tracks, Natan H. Conveying inspiration for this record
— “Just a little nod to extrasensory experiences and perception” — is undoubtedly fitting for ACR’s second release. The opening track “Atmosphere” begins with layers of time signatures working in tandem. As the track pushes forward, the off-kilter drums grow towards a heavier climax. Followed up with a remix from techno serialist, Conforce. Through the use of filters, polyrhythms, and kinetic programming, Conforce lays a blueprint for driving techno. “Remote View Pt. I” is an ambient break, shifting gears to take listeners to a place both ethereal and planetary. The final track, “Remote View Pt. II”, again breaks away from traditional timing by tracing layers of hi-hats, delayed strings and synths that alternate throughout the arrangement in syncopation.




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Los Angeles based Acid Camp Records launches now with its debut release, Simic's “Corot-7b." The Seattle- based artist's full-length EP, features four original tracks along with a remix of the record’s single “Corot-7b” by John Tejada.

TRACKLIST:
Corot-7b
Corot-7b (John Tejada Remix)
Sysop 1
Expressway

Acid Camp Records launches now with its debut release, Simic's “Corot-7b." The Seattle- based artist's full-length EP, features four original tracks along with a remix of the record’s single “Corot-7b” by John Tejada. The 300-piece release is a double-sided 12” pressed in Europe, and mastered & cut in Berlin by Stefan at Scape Mastering. The title track sets the mood for a truly special record. Deep at heart, the moody track brings an expansive, spacey vibe. It's a dynamic techno track that centers you. Tejada remixes “Corot-7b” into a groovier, forward-moving track with a bassline that brings forth a bouncy and overarching uplifting mood. Whether it be a sunrise set or poolside feels, this is what your perfect sun-filled day sounds like.
"Sysop 1" opens up side B with a catchy, quick-witted synth line that eventually draws in a light tempered shaker. The first two minutes of the track build you up to release you into an airy and atmospheric vibe. Then the synth line enters for a cosmic cool down that waxes and wanes between building the track up to bring it back down. The last track on the record, "Expressway," is light and dreamy — a diverse ambient track that can be the perfect warm up or cool down. The track makes eloquent use of percussion in the form of chimes, wood blocks, and bells.
This release holds court with Acid Camp’s expanding reputation. Just like the podcasts and parties, this record is uncompromisingly thoughtful and well curated. It lends to us surreal, forward-thinking tracks that are notably memorable & dynamic.


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Special remarks: YELLOW-GREEN COLORED // LIMITED // 2 VINYL ONLY TRACKS // 180G VINYL // PRINTED KRAFTPACK SLEEVE

"TWINGO" - LIMITED COLORED REPRESS - VINYL ONLY RELEASE

Tracklist 12":
A1 Twingo
A2 Black Magic (Vinyl Only)
B1 Duke
B2 Seven (Vinyl Only)

Bondage-Music is excited to announce the new vinyl EP from Markus Homm, titled "Twingo." Following the momentum of his 2022 album "After Dark" on Bondage-Music, Homm delivers four tracks that epitomize his deep, grooving sound. "Great music should get you in the mood," says Markus Homm. "That's what I aim to do." Homm blends influences from classic house with techno textures, continually evolving his sound across releases and DJ sets.

Twingo showcases Homm's signature sonic palette, balancing uplifting grooves with a precise edge. The EP highlights his ability to fuse organic house vibes with driving techno energy, creating a cohesive journey for both dancers and listeners.

Two of the tracks on the EP are vinyl-only, reinforcing Bondage-Music's commitment to offering exclusive material for vinyl enthusiasts.




















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GENRE/S: House, Deep House

TRACKLIST:
A1. AM Yard
A2. Anticip8
B1. The Pursuit
B2. The Pursuit (Frank & Tony's Housebeat Remix)

SHORT INFO:
Up next on Brooklyn's Scissor & Thread is the latest EP from Snad, aka Shyam Anand (also known as Spandrel), the Berlin-based artist whose discography already spans labels like Smallville, Minibar, 20:20 Vision, Phonica AM, TerraFirm, Running Back, Cabinet, Kimochi and Dungeon Meat with remixes for names including Seafoam and Chez Damier.
A trusted selector and producer in the underground, Snad has steadily built a reputation for deeply considered productions that balance classic inspiration with his own forward-thinking edge.
The AM Yard EP opens with its title track, a warm, hazy cut rooted in the kind of bassline architecture that recalls Chez n Trent's Morning Factory but reshaped with Snad's signature dreamlike touch.
Anticip8 fanchors the release with a more direct energy, rolling, insistent and focused on the floor, balancing stripped-down drive of dusty samples wrung through his digitakt with just enough harmonic flourish to pull the listener inward.
On the flip, The Pursuit follows in a slightly different mode, drawing on experimental vocoder techniques and filtered percussion creating a hypnotic push-and-pull that feels as intricate as it is understated.
Rounding things out, label heads Francis Harris and Anthony Collins, under their Frank & Tony alias, reimagine The Pursuit with their Housebeat Remix, extending its atmospherics into an even deeper headspace that glides effortlessly into late-night territory.


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LP non-returnable!

Tracklist:
A1 Jah Will Be There feat. Prince Morella
A2 Satta
A3 You & I feat. Prince Morella
A4 Fever Dub
B1 Wa Dub feat. Prince Morella
B2 Pollux feat. Masis
B3 Augsburg Walk
B4 Axis feat. Yassin Omidi

Wood White Sessions is the new imprint from Sushitech Records.

As the main label celebrates its 20th anniversary, we've decided to launch a new sister label dedicated to a more laid-back, home listening sound, still deeply rooted in the spirit of our family of artists and close friends.

Wood White Sessions will focus primarily on albums from our core artists and close collaborators, all framed within the sonic identity of the Sushitech universe.

Our first release comes from long-time friend and collaborator Another Channel, a true master of dub, presenting a beautifully crafted new LP. This immersive journey of 8 dub tracks features collaborations with Prince Morella, Masis and Yassin Omidi.

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Picture a world without Garys. Picture a world without a Garage. Not a pleasant thought? That’s where Gary’s Garage comes in.
He’s got the Gary. He’s got the Garage (but not the UK Garage, though).Since 1950, there’s been a sharp decline in babies being named Gary. Garys are becoming a rare breed. That’s why Gary’s Garage was born – to release a garage record so pure and joyous, it’ll inspire parents everywhere to name their newborn “Gary,” bringing the name back to its rightful place.
Inspired by a faxed in reaction sheet to Azuli Records in 1999, Gary has graced us with 4 fresh tracks of Gazza Garage to form the Not Enough Garys EP. First up, I’ve Taken (Too Many Garys) — a chunky, bass-driven anthem that hits like a Greggs sausage roll on a summer’s day. Evoking memories of the 0171-dialling code, it’s pure stodge.
Next, Gary’s Ballad finds Gary in a reflective mood, lamenting the loss of the UK high street institution, Woolworths. Side 2 cranks up the GAZ with Gary’s Garage (Is A Good Garage), bringing back memories of some questionable nights in Streatham in the early 2000s.We close out with Nigel Garage, where Gaz digs out his Emu SP1200 and ramps up the BPM for maximum impact. Just kidding — Gary can’t afford an SP1200.

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2025 Repress, LP

Short info:
Wilson Tanner’s 69 returns to Australian soil for a new season. A uniquely provincial take on ambient music, Andrew Wilson (Andras) and John Tanner (Eleventeen Eston) assembled their prized debut over a shared love of seafood, wine and LPG. Recorded in a Perth backyard, these two new friends reached for the tools at hand and made the best of the fine weather. Instrument and implement combine in a languorous bricolage of synthesizer, clarinet and building materials - interrupted only by the occasional flutter of pigeon wings or a call to lunch. Back in print for the first time since 2017, Wilson Tanner hop into Efficient Space’s expanding pot.

Tracklist:

1. Sun Room
2. Long Water
3. Before Lotus
4. Keith
5. Further Than Your Headlights
6. Pilot
7. Tray Tail
8. Odd Low




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12"

Special remarks: High quality laqcuer cut LP with pantone printed disco sleeve, shrink wrap and hype sticker!

Genre: Disco, Soul, Jazz-funk,


Tracklist:
A1 Make Up Your Mind
A2 Make Up Your Mind (Instrumental)
B1 Let Your Body Go
B2 Let Your Body Go (Instrumental)

Press text: "Cake" was a New York band formed in 1973, following a line-up tweak and a change from their previous name "Mixed Company" (referring to the racially mixed personell). At Arabellum Studios in Colony, Albany, NY, the band recorded their only 7-inch single. "Make Up Your Mind" / "Let Your Body Go" was released on Key Records in 1979.

Half a life time later, after appearing in DJ mixes and online auctions in the late 2000s, the single started gaining notoriety among DJs and dig-gers. Working its way up to "holy grail" status on the modern soul and disco collector scene, original copies of the sought after record would eventually sell for as high as $1000.

In 2012, Hans Jørgen Wærner (Mutual Intentions Co-Founder and notorious disco collector) got in touch with Arabellum studio owner Art Snay who produced the record. This lead him to lead singer Bob Treffiletti who had a cassette tape with unreleased long versions of the songs. The sound quality of the tape was not adequate for what Hans had in mind, and so the hunt for the original master tapes began! Unfortunately, Art Snay later passed away. At one point chances of finding the original recordings seemed so slim, the project was all but abandoned….

Luckily, Bob managed to get hold of the master tapes via Art's wife and they were sent away to legendary disco mixer / remixer John Morales, who transferred the tape to digital format. After several rounds in one of Norway's best mastering studios (Strype Audio), noise reduction and sound surgery were done while retaining the soul of the original recordings. The songs were finally ready to be pressed on the format they have always deserved: the 12-inch disco single!

The 12-inch comes with four 5 min + long songs and can be pre-ordered now. The high-quality lacquer cut pressing is produced at Optimal Media in Germany and limited.


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Tracklist:
A1 - Yes Bby
B1 - Basement Trash


‘Two taches intertwine. An EP born out of Demi’s visit to Melbourne during his AU tour, and Luke’s easily accessible studio based above an inviting pub, naturally the vibes were high after a couple of schooners in the summer sun.’
Life & Death welcomes a standout collaboration from Demi Riquísimo and Luke Alessi with the release of their new EP ‘Yes Bby’ landing 29 August 2025. Setting themselves the brief of, “upbeat rollers and a little bit of naughtiness,” the two producers blend their sonic identities on this club-ready two tracker, formed of ‘Basement Trash’ and title track ‘Yes Bby’.
“Basement Trash was actually the first track we wrote. A funky, fun, hypnotic groover thatlocks you in on the d floor, made for those late nights (or early mornings) in the “basement” of a grungy club. For ‘Yes Bby’ we wanted something that worked on a bigger scale. We dialled up the French rave synths, bigger builds, more drive in the groove and added a cheeky classic vocal chop for the hook.”
– Demi Riquísimo & Luke Alessi

Known for his genre-blending productions and distinctive edits, Semi Delicious head honcho Demi has steadily carved out his space in the scene, a respected tastemaker and Ibiza mainstay, while Luke Alessi has continued to establish a global profile over the last 12 months with major European and US gigs, plus releases on Shall Not Fade, SMiiLE records and of course Life & Death, making this pairing a natural fit.
Already receiving support from the likes of Chloé Caillet, Call Super, Moxie and more, ‘Yes Bby’ marks an exciting moment in both artists’ trajectories. For Demi, this EP also serves as the first in a new chapter, one that places him at the centre of a more collaborative space, setting the tone for landmark projects to follow on his own imprint later this year.
As one of dance music’s most respected tastemakers, Life & Death continues to shape the global underground through its diverse output, with ‘Yes Bby’ slotting seamlessly into the label’s catalogue of playful, sexy and forward-thinking club music.

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2525 REPRESS EDITION

ll star cast from 4 different cosmic corners comes the more electronic side of Hamam. T hink of it as the dorian gray of Frankfurt airport , but instead it's at the hamam in istanbul. Fattish - no stranger to electronic versions of loved and cherished turkish songs, Fattish delivers a monster cinematic piece, strings section...the whole lot...check anything he puts his hands on, this one made it to the wax Kozmonotosman - our man on the moon, he visits regularly so if u need any rocks or bits ask him he will bring u, I got loads of rock so u can ask me alternatively.
My man delivers a super dope and groovy number from a not so well known jam from the 70's . Just get down and boogie on this. Kurt Adam - one of the new faves of the Hamam camp, delivers a taverna cut in a housey affair. Don't be fooled by the electronics, I drink raki to this any day at the drinkery. Hold me down if u can m gonna dance in euphoria, hear the wolfman roarrr.



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GENRE/S:
Electronica, Breaks

TRACKLIST:
A. Den Mahlstrom rauf
B1. Den Mahlstrom runter
B2. Den Mahlstrom rauf (Adiel Remix)

SHORT INFO:
For Martin Gretschmann, the ever-evolving Berlin artist known as both Acid Pauli and Console, music has always been a deeply personal journey.
His new imprint, All Is Acid, is the destination, a creative home for his uncompromising and experimental sound. Breaking from the cycle of trends, the label is a return to the essential, offering just a few curated releases a year. Each is intended as a timeless artifact for deep listening, primarily showcasing Acid Pauli's own intricate and intimate productions.
The label debuts with a newly remastered version of his classic 2010 EP "Den Mahlstrom rauf." But the release is given a powerful new dimension by a standout remix from Italian artist Adiel. Their collaboration was sparked by pure serendipity: a fan video of Acid Pauli playing her music in Milan reached Adiel, who responded with a short film for Vogue. In it, she revealed that "Den Mahlstrom rauf" was a formative influence and one of the very first records she ever bought.
Inviting her to remix the track that helped shape her sound was a full-circle moment, artistically and emotionally. Her bold, reverent reinterpretation honors the original's spirit while imprinting it with her own unique signature. With this release, All Is Acid launches not just with music, but with a story of connection, community and a shared artistic lineage








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LP

Special remarks: 180g, printed innersleeve, colored grey vinyl

Tracklist:

A1) 46°27'36.2"N 6°57'52.5“E 00:02:05
A2) 46°27'29.6"N 6°51'03.4“E 00:03:58
A3) 45°55'41.1"N 7°05'46.4“E 00:03:15
A4) 46°27’29.5”N, 6°51’03.2”E 00:05:43
B1) 45°55’41.5”N, 7°05’46.4”E 00:04:12
B2) 46°27’29.9”N, 6°51’03.5”E 00:09:12
B3) 45°55’41.6”N, 7°05’46.5”E 00:03:09

Info:

Swiss percussionist Julian Sartorius and UK electronic artist Dan Nicholls team up as Clay Kin, presenting their debut record on Squama.
They had never planned to make an album yet through pure improvisation and spontaneity, Clay Kin have crafted Vevey. An album of seven tracks, distilled from over seven hours of improvised percussion and electronics. Recorded mostly outdoors––on pedalo boats, up mountains and deep in forests near the namesake Swiss town of Vevey, it is imbued with the soft fascination of birdsong, rushing water and chattering children.
Vevey resists genre. As musicians, Sartorius and Nicholls bridge the divide between acoustic and electronic soundscapes. Sartorius’ raw, organic percussion interweaves with Nicholls’ keyboard-triggered samples and harmonic landscapes, creating a dialogue where the lines between rhythm, melody and noise dissolve. Clay Kin identify their outfit as an audio-visual collective, with visual artist Lou Zon (Louise Boer) rounding out the group, creating videos to accompany both the recorded music and the live experience.



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