Shadow Pressings celebrates one year and its 5th release with another killer selection of deep, chunky house from the very same (unknown) producer as the label’s debut release.
My Soul sets the tone with a stripped back late night groove, working up THOSE Freddie Hubbard strings and a hooky sax riff. The sound palette is familiar but put together in a skilful and original way ensuring this banger will stand out in the crowd.
Tears follows with a similarly punchy, paired back groove which leaves space for the chiming melodies and spoken word samples to shine. Flipping over we have Lost In The Dance and What Galaxy Is This? which continue the theme of choice vox samples, shuffling drums and rolling basslines.

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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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With releases on Brooklyn’s Major Records and UK imprints Non Stop Rhythm and Indulgence, DJ Split is a breakthrough producer putting his own stamp on the classic Chicago house sound. For his Shadow Pressings debut he has conjured up five original club cuts that will work their magic on any dance-floor worth it’s salt.

Last Night Baby sets the tone with taught 909 beats, punchy bassline stuttering vocal hits. Piano chords and a smattering of melodic chimes and just the right amount of musicality without taking away any of the raw energy and turbo-charged grunt. Treading a similar path but upping the BPM’s, XNXX goes for the jugular with gnarly FM bassline and frenetic groove.

Flip over for Can I Tell You? which goes a little deeper with a rolling bassline, filtering Detroit pads and strings whilst Step For brings touches of acid, banging 909 toms and vocal chops. Closing out the EP we have One In A Life Time which turns up the jack factor with snappy 808 snares, mechanical bass line and deep stabs. DJ Split is a man on a mission to bang the party and has come prepared with his piñata fully loaded with big, fat beats n basslines.



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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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No Returns!

Shadow Pressings hits release number 3 with a fully stacked EP from Detroit luminary Mike Agent X Clark. Founding father of the Beatdown sound, Mike’s productions can be found on labels such as Third Ear, Planet E and Shockwave Records as well as being a member of the Underground Resistance crew.

For his Shadow Pressings debut Mike has conjured up some classic house tracks with his trademark Detroit touch. Lead track In The House Club features the spoken word of fellow Detroit native Dr. Tinglefingers who lays down his call to the dance floor making for a solid slice of raw, minimal, classic house music. Jimpster gets busy on the remix working up a similar mood to that of his evergreen 2005 remix for Delano Smith’s Message For The DJ. Keeping all the elements in place, Jimpster thickens up the stabs with extra Rhodes and adds some choice touches to keep the energy bubbling nicely.

Get Up is just the kind of stripped back, bass-heavy drum tool that Ron Hardy might have worked the dancers into a frenzy with at the Muzic Box. Closing out the release we have Fresh Air which keeps things deep and minimal for a proper heads-down, no nonsense basement jam with that authentic Agent X flair.

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Liebigstrasse 2-20
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Germany
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Fledgling label Shadow Pressings already made a mark with their debut release in March entitled the Chicago EP, garnering love from Hunee, Terry Farley and Luke Solomon to name a few. Striking while the iron is hot, the label are serving up four more heavyweight club tracks which include acidic edits, crunchy deep house, 808 electro grooves and dusty breakbeats.
Lead track Find A Friend jacks up the perennial classic with 808 rims and toms and additional synths but keeps things loopy and rolling. Holding One Shoe continues with the 808 theme whilst injecting a healthy dose of acid resulting in what sounds like a long lost Yazoo B side filtered through a lysergic lens. Train Of Fools decontextualises a well known acapella making for a deep and techy basement jam which will keep the floor moving and the speaker pumping.
Closing out the EP we have More Music In The Night, which chops up some familiar samples and layers up an 808 electro groove and breakbeats for a fresh take on early 90’s house.

A1 - Find A Friend
A2 - Holding One Shoe
B1 - Train Of Fools
B2 - More Music In The Night



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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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The debut release on brand new label Shadow Pressings hits the ground running with 4 heavyweight club tracks that doff the cap to the halcyon days of Chicago house music. Opening track The Messiah takes the maestro Lil Louis blueprint with sampled sax licks and punchy synth stabs accompanying the raw, minimal house groove. It Started In Chicago heads in a more jacking direction with a snaking bassline, muscular drum groove, cut up vocal and sax hits.

Flipping over we have How Does It Feel which brings a touch of late night deepness with a rolling FM bassline and familiar vocal hook. Classic string stabs join the party in the breakdown adding the icing on the cake and making for a track guaranteed to create a special moment on the dance floor. Closing out this killer 4 tracker we have Changes which keeps things stripped back to the meat and potatoes placing all the emphasis on the punchy 909 drums and simple bassline.

A1 - The Messiah
A2 - It Started In Chicago
B1 - How Does It Feel
B2 - Changes

Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

With releases on Brooklyn’s Major Records and UK imprints Non Stop Rhythm and Indulgence, DJ Split is a breakthrough producer putting his own stamp on the classic Chicago house sound. For his Shadow Pressings debut he has conjured up five original club cuts that will work their magic on any dance-floor worth it’s salt.

Last Night Baby sets the tone with taught 909 beats, punchy bassline stuttering vocal hits. Piano chords and a smattering of melodic chimes and just the right amount of musicality without taking away any of the raw energy and turbo-charged grunt. Treading a similar path but upping the BPM’s, XNXX goes for the jugular with gnarly FM bassline and frenetic groove.

Flip over for Can I Tell You? which goes a little deeper with a rolling bassline, filtering Detroit pads and strings whilst Step For brings touches of acid, banging 909 toms and vocal chops. Closing out the EP we have One In A Life Time which turns up the jack factor with snappy 808 snares, mechanical bass line and deep stabs. DJ Split is a man on a mission to bang the party and has come prepared with his piñata fully loaded with big, fat beats n basslines.



Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

2025 Repress

Tracklist:
A. Nata Alma (Club Smash Hit Version) 08:40
AA Venq Tolep (Hit Club Version) 06:24

Release Info:
Robag Wruhme, working on the material. On the very same piece. And performing two different movements. First, thinking in category Album: who will hear it where? also: mood, position, length. Second, thinking in category Maxisingle: a spinning-tool for the club – another form of another functionality: accelerating the rhythm, lowering the harmonicmelodious, still preserving the nature of the song. And each version should make you HOT for the other!
Nata Alma, a voice loses itself in the infinite, a car brakes, a horse whinnies, the sun scorches relentless. Further, further on, towards the flickering, stoically. Water, flames on the horizon, Fata Morgana, a mirage. »And you might say, we've got no place to go?« - okay? no notokay at all!: Shuffle!
Nata Alma, melancholic Eight-minute-forty. A love song, a wave good-bye: »And you might say, that you need me no more?« sings Sidsel Endresen alongside Bugge Wesseltoft's swells and ebb-aways – metal never sounded so longing; a buzzing swing, a siren call from afar.
Robag Wruhme takes a seat at the organ and plays minor bass notes. He gets up, leaves the room and lays down a dry rock of funk: wooden kick on wooden snare, tight-cut voices, driving hi-hats and shakers, gated synth danglers and percussion loops. Relentless, stoically. »And you might say, that it's over?« – relentless, maybe, but that's how he creates the Further: keep going! dance it off! a new day rising!
And right here. Flip it and keep on moving: Venq Tolep. A summer meadow, grass-stains, a gentle breeze, an early smell of hay. Venq Tolep. Endorphins tickle under the skin. A
percussive spectacle, dance of the insects. Hopping around in flat shoes, the beat is phat and reverberated by a cluster of trees. Stabs on the e-piano set in, picturing the euphoric moment when Loving-feelings walk hand-in-hand with a Hint of Melancholy.
Robag Wruhme, Nata Alma and Venq Tolep - music for dance floors, inside and outside, music for the summer, day and night, and for convertibles on the way there.






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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
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Following the lush listening LP outing by KAMM, the EG team is back in fine floorrocking form, this time with both label operatives on the dials as Rodney joins Dave Aju
for his debut co-production. And what a debut it is: Highly-potent, raw, swinging house
music of the highest order, complete with knocking 909 kicks, thick slapping snares,
and a hypnotic melodic call-and-response tonal section that keeps things properly
lifted and moving throughout.
The vox evoke label boss Aju’s earlier catalog work, and he’s in particularly pointed
mode here, spitting fire spoken word lines calling out various questionable corners of
the dance music scene and humanity on the whole. A bold light-shining display during
notably dark times, defending the once-sacred underground dance space against
runaway trends of ego-driven capitalism, online image over actual skill sets, and the
beyond low-ball barrier of entry into the arena. But by the time the soulful chorus lines
hit and rise us up and onward toward the blissful musical finish, it is clear that this is in
fact a unifying floor anthem and that indeed despite our differences amidst
disheartening global chaos, at least “We Still Dancin".
As always with the seasoned DJ-focussed three-piece Elbow Grease EP offerings, here
we have the full A-side OG Vocal Mix cut at a crispy and tight 45rpm, a deliciously
stripped and leveled-up EG Dub Mix on the B1, and finally the uplifting B2 Vibe Mix
which doubles-down as half ambient instrumental builder and essential acapella

Ben Mono:
"fantastic EP"

Jason Kendig:
"always a sucker for a dub but all 3 cuts are dope!"

mark farina:
"good cuts"

Quarion:
"Ouhhhh, this is super fresh! What a vibe"


Mano Le Tough:
"feeling this a lot, cant wait to play!"


Zopelar:
“very nice versions of the same track! love it"


Johannes Albert:
"what a vibe! right up my street"


Huxley:
"this is sick"


Boris Dlugosch:
“This is soooo dope. Love We Still Dancin!!”


deepchild (Rick Bull):
"Aju always with the realness....x"


Laurent Garnier:
"Ohhh whaouuu.. How good is this ???"


Massimiliano Pagliara:
"Nice tunes"


Chris Duckenfield:
“Vibe mix - VERY useful”


Luna City Express:
“Cool EP!! Will def play thanks;-)”

Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More