2 x 12” with printed sleeve

Tracklist
A1 MDF
A2 Physical Alarm
B1 Hologramist
B2 Exotic Creatures
C1 Private Mandala
C2 Blacksand
D1 Southern Cross
D2 MDF (Eric Cloutier Remix)


Shortinfo:
When I found myself on the main dance floor of ://about blank during Berlin’s most beloved party, Buttons, I was
immersed by the sounds of Shingo Suwa. He has honed his skills as a resident DJ and producer for many years.
In this record, you will hear how his experiences have heavily influenced his productions. We are excited to
release Shingo’s debut album and the first album released by Acid Camp Records. The album includes a bonus
remix from Mixmaster Eric Cloutier. Catch Shingo and I reunited for our tour of Japan this August. Tour dates
can be found on our website ( www.acidcamp.com ).

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12"
* A1 ends in a locked groove

Genres
Techno, Acid, Breakbeat, IDM

Tracklist
A1. Derivative (2025 Remaster)
A2. Recursivity
A3. Recursivity (Scotia's Bigfoot Jacked Me Mix)
B1. Delta
B2. Positivity Percussive Love
B3. Circada's Rhythm

Short Info

Recursivity is a reflection on inspiration, derivations, cycles of life, environments, and the
consequence of time.
Written and produced by Maro Kariya
Artwork by Maro Kariya
Layout by Cookhouse Studio
Mastered & Cut by Tim Xavier at Manmade Mastering Berlin


VITAL SALES POINTS
Releases on Bunker NY, Qeone, and Mesma Records

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Tracklist
01 Let's Start Our Own Thing
02 JMAR
03 NOK
04 Same Format

Shortinfo:
Dar Embarks, the hardware-based collaboration of Chicagoans Dan Jugle and Ken Zawacki, share four precious recordings of bouncing, highly-acidic machine funk and industrial ambiance. This is a posthumous release for Dan Jugle, who departed in 2018.

Dan was a multi-instrumentalist and a pillar of Chicago's techno scene who left an indelible mark on it with his distinctive sound. His infatuation with electronic music began in the mid-90s when he found his way to Midwest raves as soon as he was old enough to drive to them. He began working with analog gear to create his own expression of the music he heard there. Jugle, Zawacki, and Mike Broers started experimenting with a thrifted Roland TR-707, figuring out the controls through trial and error. They performed together as Ghost Arcade in the early 2000s.

Years later, Jugle and Zawacki reunited creatively, forming Dar Embarks and building the foundation for their project. Jugle gained a reputation for crafting washed-out, saturated club tracks as Juzer, a project formed with Beau Wanzer. Dar Embarks' debut EP Fleer (released on CLEAR USA) and Juzer's Horseplay (on Anthony Parasole's label The Corner) were both released in 2014, both elevated by Dan Jugle's live-action knob-twisting and button-pushing composition inspired by sci-fi and comic books. Despite his early passing, Jugle's legacy lives on through his work and his passion for Midwest techno that his friends and fans still remember and carry.

Lovingly wrapped up and presented to Acid Camp by Ken, these heaters are finally set free to move asses and minds.

Artwork by Jeremiah Chiu
Layout by Danielle Davis
Mastered by Tim Xavier at Manmade Mastering
Distributed by wordandsound



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2 x 12” LP with printed sleeve

Tracklist
American Dream
Wide Awake
Fucked Acid
They Gave You What
Electric Snake
Lose Your Mind
Get In
Groovy

Shortinfo:
M Parent brings us a soundtrack of American dystopia, one that gives a pointed sonic voice to the
bubbling frustrations and anxieties of our time. While American politics play out like a circus on the
world stage, M Parent responds to the question of what it means to be American through dirty acid riffs
and eerie electro synth stabs. The album opens up with the title track where a deep voice bellows,
“The American Dream was a lie,” setting the stage for what comes next. A warped sense of reality
bubbles over in Lose Your Mind, as a wailing electric guitar plays a distorted rendition of the Star
Spangled Banner. On the track They Gave You What, a glitched out 808 breakbeat unwinds as
psychedelic paranoia sets in over a stiff melodic hook.

But it’s not all doom and gloom, as it wouldn’t be a complete encapsulation of the American dream
without a sense of hope. Balancing the LP out are playful tracks and aural details that keep the
American tradition of funk alive. Fucked Acid offers a bright acid track with a funky falsetto synth line.
At the album’s cheeky climax, Electric Snake, a reptilian beast is lured out with 808 toms and beat
back by unrelenting snare rolls. Maniacal laughter and an acidic bubbly lead race towards the album’s
conclusion in the track Get In. The LP finishes with Groovy, an uplifting track that adds a fragile sense
of optimism.


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Format: Cassette

TRACKLIST:
Quasar
Triangle Map
Iridescent
Brother In Town
Eyelids
Up Up Yellow Balloon

Shortinfo:
DEEP DARK BLUE presents an album filled with gentle surprises. When We Get Together takes you through lightly psychedelic melodies for the heart and mind to get lost in. Though highly polished as a production, a sense of underlying spontaneity implies a process that's closer to an improvised jam session than a planned composition. The lush synths, complex percussion, and shimmering melodies create rich backdrops for reveries. Each song bobs and weaves through opposite contrasts, often going back and forth between melancholic to bright. Yet each song remains cohesive and leaves you wondering how you arrived at the end of each track.



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2 x 12” with printed sleeve

Tracklist
A1 MDF
A2 Physical Alarm
B1 Hologramist
B2 Exotic Creatures
C1 Private Mandala
C2 Blacksand
D1 Southern Cross
D2 MDF (Eric Cloutier Remix)


Shortinfo:
When I found myself on the main dance floor of ://about blank during Berlin’s most beloved party, Buttons, I was
immersed by the sounds of Shingo Suwa. He has honed his skills as a resident DJ and producer for many years.
In this record, you will hear how his experiences have heavily influenced his productions. We are excited to
release Shingo’s debut album and the first album released by Acid Camp Records. The album includes a bonus
remix from Mixmaster Eric Cloutier. Catch Shingo and I reunited for our tour of Japan this August. Tour dates
can be found on our website ( www.acidcamp.com ).

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12" with printed reverse sleeve

Tracklist
1. Natan H - Horizon
2. Jing - A Special You
3. Damon Eliza Palermo - Uplands
4. Richard Holhburn - Better Not Look Too Close
5. Shingo Suwa - The Third Plant


Shortinfo:
The All Star team at Acid Camp has been touring around the world in search for inspiration. They've created new and engaging tracks for you to share with your favorite dance floor or your private listening environment of choice. Find part one and two of our new series at your favorite record shops. A limited run of colored vinyl will be available at Acid Camp's Bandcamp.



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12" with printed reverse sleeve

Tracklist
1. Jasen Loveland - Ask A Riddle (Extended Club Mix)
2. Dar Embarks - Verldsrymden
3. Some All None - Flight
4. Sepehr - Replace Your Soul
5. Simic - Orbetello


Shortinfo:
The All Star team at Acid Camp has been touring around the world in search for inspiration. They've created new and engaging tracks for you to share with your favorite dance floor or your private listening environment of choice. Find part one and two of our new series at your favorite record shops. A limited run of colored vinyl will be available at Acid Camp's Bandcamp.


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Full Cover Art

TRACKLIST:

1. My Medicine
2. Epoxy (Space Mix)
3. Paranoid Fantasy (Unlimited Mix)
4. Epoxy (Patrick Russell Remix)


Jasen Loveland's prescriptions are strong and may not be suitable for all patients inquiring. These formulations were created in assistance from BMG, Silent Servant, and
a new and improved mix by Patrick Russell, PhD. A full dose of all four medications should not be administered without the help of a certified professional. For more
information please feel free to call the Acid Camp hotline at 1-800-AMI-HIGH.

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LTD, Full Cover Art
TRACKLIST:
1 I've Got Acid (On My Brain)
2 I've Got Acid (On My Brain) (Acapella)
3 The Name Rolls In
4 Field Notes
Next up on the docket for Acid Camp Records is a record created by duo John Tejada and Justin Maxwell. The pair came together to make ACR III with two things in mind: Creating sounds that put a smile on their face while possessing as much character as possible.
The opening track, “I’ve Got Acid (On My Brain)” is a mind-bending wavetable freakout, the likes of which Tejada and Maxwell have been striving to do for years. Using a vintage EMS vocoder to create an original vocal sample, this track is bright, playful, & vivacious. “The Name Rolls In” is layered in an acid playground of sounds. A rhythmic track with a potent 303 bass line, prominent percussion, and that infamous vocoder back at it to create a distinctly groovy track. “Field Notes”, is a composition of celestial arrangements that is completely beatless. Carried through by tiers of sounds, filters, and noisier elements, this track lulls the listener into an alluring sonic dreamscape.



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“THIS RECORD DEFINITELY TAKES A BIT MORE OF A LAYERED APPROACH," — NATAN H OFFERS US YET ANOTHER UNIQUE, IMMERSIVE, AND CHARISMATIC RELEASE FOR ACID CAMP RECORDS"

TRACKLIST:
Atmosphere (in 5), Atmosphere (in 5) (Conforce Remix), Remote View Pt. I, Remote View Pt. II

Acid Camp Records is rolling through again, this time with an artist known for his atmospheric and cosmic-oriented tracks, Natan H. Conveying inspiration for this record
— “Just a little nod to extrasensory experiences and perception” — is undoubtedly fitting for ACR’s second release. The opening track “Atmosphere” begins with layers of time signatures working in tandem. As the track pushes forward, the off-kilter drums grow towards a heavier climax. Followed up with a remix from techno serialist, Conforce. Through the use of filters, polyrhythms, and kinetic programming, Conforce lays a blueprint for driving techno. “Remote View Pt. I” is an ambient break, shifting gears to take listeners to a place both ethereal and planetary. The final track, “Remote View Pt. II”, again breaks away from traditional timing by tracing layers of hi-hats, delayed strings and synths that alternate throughout the arrangement in syncopation.




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Los Angeles based Acid Camp Records launches now with its debut release, Simic's “Corot-7b." The Seattle- based artist's full-length EP, features four original tracks along with a remix of the record’s single “Corot-7b” by John Tejada.

TRACKLIST:
Corot-7b
Corot-7b (John Tejada Remix)
Sysop 1
Expressway

Acid Camp Records launches now with its debut release, Simic's “Corot-7b." The Seattle- based artist's full-length EP, features four original tracks along with a remix of the record’s single “Corot-7b” by John Tejada. The 300-piece release is a double-sided 12” pressed in Europe, and mastered & cut in Berlin by Stefan at Scape Mastering. The title track sets the mood for a truly special record. Deep at heart, the moody track brings an expansive, spacey vibe. It's a dynamic techno track that centers you. Tejada remixes “Corot-7b” into a groovier, forward-moving track with a bassline that brings forth a bouncy and overarching uplifting mood. Whether it be a sunrise set or poolside feels, this is what your perfect sun-filled day sounds like.
"Sysop 1" opens up side B with a catchy, quick-witted synth line that eventually draws in a light tempered shaker. The first two minutes of the track build you up to release you into an airy and atmospheric vibe. Then the synth line enters for a cosmic cool down that waxes and wanes between building the track up to bring it back down. The last track on the record, "Expressway," is light and dreamy — a diverse ambient track that can be the perfect warm up or cool down. The track makes eloquent use of percussion in the form of chimes, wood blocks, and bells.
This release holds court with Acid Camp’s expanding reputation. Just like the podcasts and parties, this record is uncompromisingly thoughtful and well curated. It lends to us surreal, forward-thinking tracks that are notably memorable & dynamic.


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Tracklist:
A1. Dhol Parade
A2. Icari
B1. Huldufolk
B2. Viaggio Tascabile

Info:
Daniele Baldelli and Jolly Mare come together for a record that feels less like a collaboration and more like a shared state of mind. Flusso Uno moves through Afro-cosmic kraut-inflected psychedelia and cinematic electronics with a natural, unforced flow, where rhythm, texture and narrative all pull in the same direction.
Rather than referencing the past, the EP treats it as a living language. The longform, ritualistic percussion of early cosmic dance culture meets the hypnotic motorik pulse of krautrock and the more structured, sample-driven tribalism that followed in later decades. What ties it all together is a deep sense of atmosphere and
intention: music that feels physical, emotional and quietly transportive.
“We particularly focused on ritual percussions, hypnotic grooves and suspended atmospheres, trying to blend musical anthropology, auteur electronics and narrative instinct.”
Dhol Parade opens the journey like a slow-burning procession, drums circling and expanding as if guiding the listener into another space. With Icari the perspective lifts, melodic lines drifting and tilting, constantly searching for balance between gravity and flight. Huldufolk pulls everything back into a shadowy, nocturnal zone, where textures feel half-real, half-imagined.
Finally, Viaggio Tascabile loses the record in a quietly reflective way, a compact voyage that sums up the EP’s philosophy: small in scale, deep in meaning. Flusso Uno is not about nostalgia or revivalism. It is about taking the spirit of cosmic culture and letting it breathe in the present, where storytelling, dancefloor
intuition and sonic exploration still meet. A record made for open ears, open minds and long nights.








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territories : ww -uk -benelux -france

Format: LP, Forest Green biovinyl, Poster 30x60 cm, printed inner-sleeves

Tracklist

A1_Perpetual adoration
A2_The Four Sleeping Princesses
A3_Temple of the Winds
A4_Haze with no Haze

B1_Rachel's Song
B2_Stardust
B3_Melted Moon


The Collaboration - Having toured together over the years, Lattimore and Barwick now join forces to co-write and record this full-length album. Their creative synergy brings together harp, voice, and analog synths in a deeply emotional, immersive sound journey. The album was recorded at the Philharmonie de Paris with co-producer Trevor Spencer (Fleet Foxes, Beach House). This album continues a unique series of collaborations between the label and the Musée de la Musique, featuring historical instruments in contemporary composition. Since 2017, InFiné and the Philharmonie de Paris have co-developed a series of albums designed to highlight the extraordinary instrument collection of the Musée de la Musique. Following the albums InBach by Arandel (2020) and Saturn 63 by Seb Martel (2022), this third release is a meeting of two iconic contemporary ambient voices: Mary Lattimore and Julianna Barwick. The project offers the artists full access to the museum’s playable instruments for recording, sound conservation, and creative reinterpretation.



--


Tragic Magic brings together Julianna Barwick and Mary Lattimore, two of contemporary ambient, experimental and electronic music’s most celebrated composers, for a unique collaboration at the Philharmonie de Paris, with extraordinary access to the Musée de la Musique’s instrument collection, in partnership with the French label InFiné. The album features seven immersive, evocative compositions guided by the human spirit – intimate, grounded in friendship, both earthly and cosmic – and part of a greater continuum, reflecting the solace and transformative power of artistry across generations.

Co-produced by Trevor Spencer (Fleet Foxes, Beach House), Tragic Magic was created in just nine days, a testament to the “musical telepathy” that has developed between Barwick and Lattimore over years of touring and friendship. Arriving in Paris from Los Angeles shortly after the 2025 wildfires, their sessions combined improvisation with the emotions and experiences they carried, in a setting both inspiring and deeply supportive. Lattimore selected harps tracing the instrument’s evolution from 1728 to 1873, while Barwick chose several iconic analog synthesizers, including the Roland JUPITER and Sequential Circuits PROPHET-5. In freeform dialogue between voice and instrument, they create a meditation on tragedy, wonder, and the restorative power of shared experience.

The duo, often joined by Spencer, also explored the city, sharing meals and visiting museums and landmarks, each encounter leaving an impression on their next session. The experience allowed them to work intimately with rare instruments, blending their personal sensibilities with centuries of history, resulting in music that honors the past while remaining a deeply authentic expression of the present.
Throughout Tragic Magic, Barwick and Lattimore find something beyond themselves: a sense that while everything may not be okay, beauty persists. Their approach – transforming life into music, observing, feeling, and creating – continues a lineage of creative expression and visionary invention, embodied in the very instruments they employed for this project.






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2LP

TRACKLIST :

A1 FIRE SPITTER

A2 SAVE US

A3 TEKTONIK



B1 FROM THE DEPTHS

B2 INSOMNIA

B3 MINERAL



C1 CLUB KAIMAN

D1 OCEAN


D2 PHOSPHOR

D3 GODZILLA



THE ATOMIC CONTINUUM
Dresvn launch their new LP GODZILLA that pushes their free, experimental
approach even further.

Analogue machines talk to each other in real time, grooves emerge and
collapse,textures mutate in the moment,everything is process.
Pure, unpolished Dresvn energy.

GODZILLA will be release on the new,Berlin based label MECHINE.

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Format Notes:

2025 first time vinyl release, 140g vinyl


Track List:


A1 It Couldn't Be You
A2 You Can't Hide Always
A3 We'll Make It Again

B1 Walk Straight Ahead
B2 Painting My Life Blue
B3 Just Two Lovers

Release Notes:


Wally Badarou is a synth pioneer and musical polymath. But rarely does he sing over his sumptuous tracks. The 6 songs that comprise new record Simple Things finally realise Wally's vision for select backing tracks from his beloved Colors Of Silence.

The tracks were originally developed back in 2001 for the release of the original CD; here, Wally has “simply" added overdubs and vocals to their mastered mixes with some discerning edits. Simply put, Simple Things is another slice of simply stunning Wally Badarou genius.

Simple Things has been decades in the making. Indeed, Wally struggled not only with the idea of singing these wonderful songs himself but singing them in English and writing his own lyrics, while wrestling with the sensational backing tracks, which themselves seemed to have taken on a life of their own.

As Wally explained to us: "In addition to the instrumental artist I have been known as, so far, there has always been a singer who simply was not sure he was, up until now. Even though “Back To Scales Tonight”, my very first album, was, indeed, a song album."

Opener "It Couldn't Be You" embellishes the uptempo groove of soca-funk gem "The Lights Of Kinshasa". As Wally explained to us, it's about “a simple love story somewhere, one rainy night, under the lights of Kinshasa. A woman, a man, online dating, quite usual in our times. Then they meet, almost missing each other." The guide vocal Wally had laid for Colors Of Silence - with an organ sound - seemed striving for words in Linguala, a Congolese language he could not speak. Therefore the decision to do it himself was not an easy one, for it had to be in English to fit his singing. We think it turned out pretty good!

"You Can't Hide Always" vocalises Wally's deep concerns set to the propulsive "Smiles By The Millions": "Populism, ostracism, radicalism, ethics and values all turned upside down worldwide, are they all inevitably exacerbated by our social networks? It could all melt down one day, like a house of cards in the ocean of fake news and false prophecies”. Wally wanted to keep the track as bare as possible but, inevitably, the backing vocals and the synth-brass arrive ultimately to present a welcome 70s flavour, with no snare-drum added.

The bright and breezy "We'll Make It Again" adds vocals to "Where Were We", a tropical, reggae-tinged bounce through the islands. Here's Waly: "Where were we when we last said: "I love you"? Simple words to express something quite common, but never quite simple to deal with. A simple song about the resilience of the broken hearts.” The reggae came from it being conceived when Wally was scoring for “Third World Cop”, a 1999 Jamaican action movie.

"Walk Straight Ahead" provides Wally's gorgeous, contemplative and idiosyncratic vocals to the deep serenity of Colors Of Silence highlight, "Amber Whispers". It's a gliding, divine, mini melodic masterpiece. It'll make you swoon in its extreme beauty. As Wally describes, "it started as just whispers, sweet amber whispers. Then the colour turned darker, as darker skies seemed to fall upon us while the whole world keeps on walking ahead, straight ahead, regardless of the blatant warnings, feeling much too comfortable in conformity. Initially, the verses were to be spoken only. I realised they could be sung all the while, without overshadowing the ethereal atmosphere." Amen.

The serene, celestial "Painting My Life Blue" presents the vocal version of "Days To Wonder". Says Wally, "how does it feel when your second half is gone after decades of riding life together? Past the temporary loss of your bearings, you come to realise you've been blind to the essential, and suddenly you can see...For this most intimate song of mine, I had tried to come up with a melody on top of the existing backing track, long before realising the melody was in the keyboard part already. It just needed to be properly mixed with it."

The profoundly emotional "Just Two Lovers" works up the formerly-too-brief and glorious "Crystal Falls" into a much fuller masterpiece and features acoustic guitar sparkle before fully glistening with some gentle head-nod percussion. Waly explains further: "Dear little green men, please tell me, what is it about us that makes you want to come and visit us so often (contrary to Fermi's assertion)? And here is the reply I believe I heard them sing: "You've got the key you've been searching for: Love”. I reverted to the initial backing track I had made around 1985, which already bore the melody, and which I added acoustic guitars to, before singing it." An astounding closer.

A synth specialist, there can be few artists more under-appreciated given their vast influence than Wally Badarou. His solo work practically defined the sound of the Balearic DJs of the 1980s, and thus the more sophisticated sound of dance culture thereafter. He was one of the Compass Point All Stars (with Sly and Robbie, Barry Reynolds, Mikey Chung and Uziah "Sticky" Thompson), the in-house recording team of Compass Point Studios responsible for a series of albums in the 1980s recorded by Grace Jones, Tom Tom Club, Mick Jagger, Black Uhuru, Gwen Guthrie, Jimmy Cliff and Gregory Isaacs. Badarou's keyboard playing could also be heard on albums by Robert Palmer, Marianne Faithfull, Herbie Hancock, M (Pop Muzik), Talking Heads, Manu Dibango and Miriam Makeba. He also produced Fela Kuti. Phew!

When we asked Wally about the significance of this collection's title, he explained: "These are "Simple things” that everyday’s life seems to build upon. The simplest are the harder to describe, but when satisfactorily described i.e. with simple words, they are the more genuine and authentic to express and share. I’ve immersed myself in other classic song lyrics, something I hardly did before, just to appreciate the genius behind the simple words they were made of, and had a great time studying how powerful they were in expressing complex ideas such as love."

Recording was twofold: first, most of the backing tracks were recorded in 2001, in Wally's studio in Normandy, mostly using hardware synths and Yamaha digital consoles. Then, he fine-tuned the melodies and wrote the lyrics in late 2023, then added some overdubs and sang them all during summer 2024. States Wally, "Digital Performer was and remains the DAW I’ve been using throughout, ever since the 80s."

Wally's sophisticated synth textures and expressive keyboard runs are so full of character, so full of life, that this work of art transcends any easy genre categorisation. Meticulously remastered and cut by both Simon Francis and Cicely Balston respectively, it has been pressed to the highest possibly quality at Record Industry in Holland. Sometimes, the simple things are the most extraordinary.

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Tracklist:
01 Xoul Trap
02 Temptress
03 Inertia
04 Unorthodox

Release Info:
Otik drops the four-track ‘Xoul Trap EP’ on Will Saul’s Aus Music this May.
Otik, aka Ashley Thomas, has been steadily making himself known as one of the finest exponents of leftfield
UK club music since his debut in 2013 through a string of heavy releases on the likes of Midland’s
Intergraded, Martyn’s 3024, and his own Solar Body imprint. Arriving now on Aus Music, the
London-based DJ/producer brings a set of atmospheric, breakbeat-laden techno tracks for his first
appearance on the label.
‘Xoul Trap’ kicks off the A-side with moody vocal chops, emotive pads, and thunderous kicks combining to
form a hair-raising late-night affair. Following is the shuffling ‘Temptress’, which sees sharp and detailed
percussion fuse with dusty chords and speaker-rattling subs.
On the flip, ‘Inertia’ begins with a pumping 4/4 pattern as washed-out synths reverberate alongside shining
plucks and warm, inviting low end. ‘Unorthodox’ sees shimmering leads swirl around choral samples and UK
Funky-tinged drum hits, rounding out yet another standout record from both Otik and Aus Music.
Otik’s ‘Xoul Trap EP’ drops via Aus Music on 12th May 2023






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LP, 2022 REPRESS EDITION, ORIGINAL ART

played by:
Gregor Schwellenbach /Hauschka/ Daniel Brauer/ Paul Frick (both of Brandt Brauer Frick) Erol Sarp / Lukas Vogel (both of Grandbrothers) / John Kameel Farah

Tracklist:
1. Steve Reich "Six Pianos" 22:09 mins
2. Terry Riley "Study #1" 19:50 mins

Info:
After the widely noticed performance at the "Acht Brücken Festival 2016" at Cologne's Philharmonic Hall, Gregor Schwellenbach, Hauschka, Erol Sarp (of "Grandbrothers"), Daniel Brandt, Paul Frick (both of "Brandt Brauer Frick") and John Kameel Farah will be releasing their interpretation of Steve Reich's "Six Pianos" as a studio recording via FILM. The re-recording of this piece is an interpretation of Reich's composition but still far more than just that - it is a modern approach to his idea behind it.
The basic idea came up at the beginning of the 70s at "The Baldwin Piano & Organ Company" in New York. During a rehearsal phase Steve Reich spent in this very piano store, the idea emerged of writing a composition for all the grand pianos available to him at the company. By the time of the finished piece, the actual number of pianos had settled down to six, whereof "Six Pianos" developed in 1973.
On the occasion of his 80th birthday, the six pianists declare their love to Steve Reich and his composition with this release. Shaped by electronic club music as well as their classical education, they form "Six Pianos" in dignified modernity and top it off with today's sound esthetics and technical recording possibilities.
What you will be hearing is not the recording from the "Kölner Philharmonie" (Cologne Philharmonics) but the ensemble play of six different grand pianos in six different locations, throughout Germany. Each pianist performed his part on his piano using his typical studio equipment and passed the recording over to the next one. Thus the six characteristic and individual timbres of the performers overlay to create the overall picture - "Six Pianos" the way it should be looked at in 2016.
"Pianists are soloists and lone warriors by nature", as Gregor Schwellenbach once said. But the initiator not only won over solo artists to the greatest possible extent such as Hauschka or John Kameel Farah but also musicians from "Brandt Brauer Frick" and "Grandbrothers" as well as their ensemble partners: Jan Brauer mixed "Six Pianos" in the studio while Lukas Vogel provided delays for the b-side.
"Keyboard Study #1" by Terry Riley is a worthy b-side opposed to Reich's composition. The piece is kind of a building set of ever lengthening, repetitive patterns played against each other with the right and left hand displaced. The composition proposes various possible combinations for the performer to choose from and repeat at will. And what the performers have chosen proves Gregor Schwellenbach's assumption: "Especially Terry Riley's and Steve Reich's music are open doors for pianists socialized by pop music and their audience."





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Liebigstrasse 2-20
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Germany
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Artwork and Typography by Stefan Marx

Smallville Records welcomes Barcelona’s Lis Sarroca onto the imprint this November with her four-track ‘Untitled Thoughts’ EP.
Since 2018, Barcelona, Spain’s Lis Sarroca has been steadily unveiling her take on House, Techno, Disco and Electro via the likes of Shall Not Fade, Hot Haus and Chiwax among others as well maintain a steady presence across the globe as a heavily in demand DJ. Here, we see Sarocca making her debut on Smallville with her latest collection of works, again showcasing her widespread influences and mesmerising sonic aesthetic across four cuts.
Up first is ‘Atacote’, a hypnotic house cut with a Balearic feel courtesy of breathy vocals, cinematic strings, piano lines and hazy atmospherics, intertwined with organic percussion and bouncy sub bass tones. ‘Breaks Reminder’ follows and shifts gear into a broken rhythm section, squelchy acid lines and textural synths throughout.
Opening the flip-side is ‘Early Years’, diving back into deeper realms with a multitude of ethereal pads, dubby synth flutters, plucked bass hits and crisp drums. ‘Might Be’ then concludes the EP on a more chuggy Nu-Disco tip, employing gritty bass stabs, bubbling arpeggios, airy flute melodies and a saturated off-kilter drum groove.
Comes with a Full Cover Artwork by Stefan Marx

Tracklist:
A1 Atacote
A2 Breaks Reminder
B1 Early Years
B2 Might Be

All tracks written & produced by Lis Sarroca
Mastering and Vinyl cut by Helmut Erler at Lathesville

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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

2026 Repress

Format : Vinyl 12" (Limited Full Cover)

Track list:

A1 Feel it much?
A2 Backyard galaxy
B1 Rhythm baby
B2 What you give

Release Info:

Dam Swindle's new 'Backyard Galaxy' EP is an ode to house music and the classic Swindle sound.

It's only been a few months since Dam Swindle released their highly acclaimed album "Open" and already the boys are back on Heist with a new release that takes you right back to the dancefloor. Where they've spent the better part of the last 3 years writing their album with all its sonic explorations and collabs, this new EP sees the duo return to their roots of club-ready house music. The 'Backyard Galaxy' EP comes with 4 high-energy house tracks made in their Amsterdam studio that have been road-tested all summer.

EP opener "Feel it much?" has all the ingredients of a classic Swindle heater, with warm pads, rich organic percussion and tons of soul. There's a simple and effective vocal running throughout the track that blends nicely with the classic house elements and electronic textures that are layered throughout the track. There's an effortless flow to this track and it comes as no surprise that it has been a highlight in their sets this summer.

The EP title track 'Backyard Galaxy' is an up-tempo Latin-themed jam with a hint of old school techno. The synth stabs hit you just right and the modulated vocal chops are a lovely boost for the build ups and add a touch of swing to a track that already has a tight groove. Add to that a huge breakdown and drum roll and you've got yourself a track that'll light up any dancefloor.

On the flip, we're moving into garage territory with the shuffling vibes of 'Rhythm Baby'. The current popularity of the genre is not missed on Dam Swindle, but when you look closely, you'll see this track is full of elements that the duo have built their legacy on. The vocal chops, transposed key samples and swing are all on point and work just as well below, as above 130 bpm if speed is your thing.

The EP closes with the NY-style house cut 'What you give', which reminds us of Dam Swindle's remix of Cinthie's Heist hit 'Won't U take me' with its lush organs and moody keys. It's perhaps the most classic house track they've made in a long time and you can hear they had a great time recording this. It's playful, vibey and catchy. Just the way we like it.

Dam Swindle might have delivered one of the standout cross-over albums of 2025, but on this EP the message is clear: Once a househead, always a househead.

As always, enjoy the music and play it loud!

Much love,
Heist HQ


Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More