Key UK house player Richy Ahmed is next up on Play It Say It with a standout twotrack EP that proves just why he is such an essential talent. Ahmed is currently in the headlines for his Four Thirty Two label, which has put out some of his own great music and will A&R plenty from his peers in the future. It has also spawned a big party in Ibiza at Privilege, and has hosted events from Glasgow’s Sub Club to Leeds’ Mint Club. All this comes after years of Richy headlining all over the world and working with labels like Hot Creations and Crosstown Rebels. Now really into his stride as a producer, his latest is sure to rock ‘floors worldwide. Up first is the big and bombastic ‘Kimalaya’ with its tribal tinged and jumbled beats and big woodblock hits. Wordless chants also join the groove, and the looseness of the whole thing is what will ensure it really gets the dancefloor going. Add in diving bass notes and some clever breakdowns and you have a sure-fire recipe for success. Just as infectious is ‘Come With Us’, a more nimble and peak time tune with lively synths darting and jumping about above techno leaning drums. It’s a freaky cut with inventive synth patterns that really get under your skin as it rumbles on.
With these latest tracks Richy Ahmed once again offers up some truly fresh house perspectives.

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Richy Ahmed launches his new imprint, Four Thirty Two, with a self-produced two-track single, “Put Me In A Trance”, featuring the vocal talents of Gloria Adereti and a collaboration with up and coming producer, Janson. The new label is a back to basics, analogue vision, directed by Richy, which will include original material, unearthed and undiscovered artist appearances, and remixes from the Richy and Janson alias Love Hurtz, as well as featuring a variety of vocalists from surrounding circles. Each release will have a clear focus on the sound of vinyl and clean-cut imagery presented with each record. Since his debut EP “The Drums” on Hot Creations in 2013, Richy has continued to pave the way for genre spanning and aspiring artists. Aside from his recording and production ventures, Richy has been at the forefront of UK house music and its surrounding avenues for some years, taking a lead role in programming DC10’S Paradise parties, and a variety of club projects. Richy has forthcoming remixes for the likes of FFRR and Snatch, and has recently had solo singles out on Strictly Rhythm and Rinse Records, as well as a prestigious remix for New Order. As an extension to the label releases, Four Thirty Two will tour the UK as an operating label party brand, with early shows selling out in record time and forthcoming label nights around the UK and Europe scheduled, all side stepping Richy’s usual realms of clubland for smaller and more intimate venues.

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LoveHrtz bounce back onto Richy Ahmed’s Four Thirty Two label with a bumper release, brining together two original tracks and remixes from Chicago house don, K’Alexi Shelby, and rising star, Seb Zito. ‘Crazy About Your Love’ is a euphoric and hyperactive house track; a Marshall Jefferson-esque piano riff hammers over a pacey groove and classic strings augment the sense of drama in this dramatic vocal track. Seb Zito (FUSE/Edible) provides two remixes here; ‘Remix 1’ pairs quirky organ stabs and a bubbling acid motif with chopped up vocals, whilst ‘Remix 2’ takes a darker route, reminiscent of Sound Factory era NYC house, with a decidedly dubbier and sleazier take on the original. In their original mix of ‘Burning Up’, LoveHrtz deliver more top notch, classic house vibes, with a frenetic and bouncing club heater. Relentless bells, a seductive saxophone riff and a roof-raising vocal, a future classic this does make! House music royalty, in the shape of K’Alexi Shelby, graces Four Thirty Two with his musical presence, remixing ‘Burning Up’ into an everlasting (well, just shy of 10 minutes) slice of pure disco heaven. With a musical curriculum vitae that has contributed to pivotal labels like Trax, DJ International, Djax-Up-Beats, and countless more, K’Alexi sprinkles huge handfuls of feel-good factor over his version of ‘Burning Up’, topping off a huge release package from Four Thirty Two

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The ‘Vista’ EP caps off an intensely busy year for Geoff Kirkwood, otherwise known as Man Power. The British DJ/producer has become quite the ‘tour de force’ in 2018, with releases and remixes for Futureboogie, DFA, Correspondant, Exotic Series, Skint Records, and his very own Me Me Me imprint. So it seems quite fitting to seal a productive 12 months with a release on Richy Ahmed’s Four Thirty Two, a label that itself has been firing out big releases this year from EJECA, Jansons & Senzala and Ahmed himself. And joining this big end of year party, enter stage left, Roman Flu¨gel, who delivers an absolutely stellar remix of ‘Vista’. Meaty synths and clattering 909 drums are doused in futuristic Italo disco vibes for ‘Outrider’, whilst a winning combo of breakbeats and acid affected bass provide the backbone of the simply gargantuan ‘Vista’. Roman Flu¨gel’s interpretation of the title track brings the break to the fore, playfully teasing out the acidic sounds and surging strings for another truly memorable remix that we’ve come to expect from Mr. Flu¨gel. Closing the EP, ‘Poly Pop’ delivers a vivid and bright burst of melody over clanking percussion and sturdy beats, filled with ‘end of the night’ optimism that’s become Man Power’s forte.

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The Belfast based DJ & producer, Garry McCartney, otherwise known as EJECA, has been steadily and consistently building his sound and profile over time, through a series of impressive releases for Aus Music, Unknown To The Unknown, W&O Street Tracks, BPitch Control and Last Night On Earth, amongst others. EJECA carves out an energetic slab of audacious party house on ‘Unloving’, resplendent with rolling beats and stabby chords, and topped off with dramatic strings and vocal chops. Elsewhere on the EP, EJECA unleashes some 303 bassline action and dark vocals on ‘Standard Acid House Track’, which thankfully rises well above anything standard! And on ‘Crystal Maze’, EJECA harks back to the darker dance energies that were a staple of the late 1980s UK acid house boom. Wrapping up the EP, ‘ISWHATIS’ gets ever so slightly twisted with an orbiting synth hook and weighty stabs over a spirited rhythm section.

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London duo Senzala is made up of Jonni Santos and Sam Holland, a pair who have impressed with their inventive sounds and rich musical palettes on labels like Pets Recordings and forthcoming releases on No. 19. Fellow Londoner Jansons, meanwhile, has been tipped as one to watch, with numerous plays of his recent releases on Four Thirty Two, Knee Deep In Sound and VIVa across all the BBC radio specialist dance shows. Opening up in brilliantly arresting fashion is ‘JNZ’, a big-hearted house track with bouncy rubber kicks and scattered percussion, bringing a loose sense of funk to the groove. Perfectly soulful, pitch shifted vocals (from Margaret Grace, for the spotters out there) bring an inescapable ‘hands in the air’ vibe that’s already tearing up some of the more discerning dancefloors out there, and already big with jocks like Jamie Jones, Richy Ahmed, Hot Since 82 and many more. On the flip is ‘Aura’, with its razor sharp hi hats and exuberant drums molding an expertly functional track. Withering sci-fi synths shoot through the mix as frazzled chords bring more energy and atmospherics to this full fat house banger!

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Richy Ahmed’s Four Thirty Two imprint continues to shine a light on the freshest talent emerging from the house music underground, and on the label’s third release, the London based Senzala get to flex their muscle on a fine release, backed with a remix from Ahmed and Jansons AKA Lovehertz. Having previously released on the French label Mr. KS & Friends, and Politics Of Dancing, the Senzala boys, otherwise known as Jonni Santos & Sam Holland, deliver the goods once more on the “Phase” EP. The title track packs rolling 909s and looping filtered disco riffs into its punch; never letting the energy levels drop. Vocal licks and techno-laced stabs drive this club-focused track fantastically, with a glossy production that really shines through. Richy Ahmed and Jansons come correct with a Loveherts remix; a heavyweight analogue bassline dominated the mix and the vocal parts slide down the arpeggiated riff as incessant synth stabs ramp up the heat, taking their remix right to fever pitch. The Senzala boys grind out more solid house grooves on “All For You”, deploying disco samples and vocals that are filtered and twisted around the tough drums to great effect, whilst on “Agora”, the mood remains unfaltering as feel good riffs and warm keys wrap around Senzala’s steady beat to complete a stellar release that’s packed with energy and infectious vibes.

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Four Thirty Two, the new record label directed and curated by Richy Ahmed, reveals its second release this Spring with a fantastic new single from Luca Cazal. Out on vinyl & digital in April, ‘Be Alone’ is backed with collaboration with Italian producer, Andrea Fiorito. Cazal has previously released music on Crosstown Rebels, Classic Music Company and his own See Double label, and once again displays his house music credentials on this Four Thirty Two release. His understanding of club music runs deep; knowing what makes a dancefloor tick is an essential skill for any producer, and Cazal’s DJ residency at the Paradise DC10 club nights and regular gigs at Circoloco keep him firmly in tune and adept at carving out modern and fresh party moments. ‘Be Alone’ is an inspiriting, rolling house track that builds steadily over its tenure. A filtered vocal hook unfurls over tension building strings and nimble keys, the hi-hats assuredly rattling over rolling snare fills and with the energy levels never dropping, Cazal serves up a cracking club cut with all the hallmarks of a filtered house classic in the making. The infectious house grooves keep coming with ‘Manali’, with Cazal partnering up with Andrea Fiorito (Cynosure) for a no-nonsense, heads down, acidic basement moment. An urgent bassline bounces around the locked groove whilst choppy vocals, haunting synths and energetic percussion all hustle for prime position in this lively and effective track.

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Richy Ahmed launches his new imprint, Four Thirty Two, with a self-produced two-track single, “Put Me In A Trance”, featuring the vocal talents of Gloria Adereti and a collaboration with up and coming producer, Janson. The new label is a back to basics, analogue vision, directed by Richy, which will include original material, unearthed and undiscovered artist appearances, and remixes from the Richy and Janson alias Love Hurtz, as well as featuring a variety of vocalists from surrounding circles. Each release will have a clear focus on the sound of vinyl and clean-cut imagery presented with each record. Since his debut EP “The Drums” on Hot Creations in 2013, Richy has continued to pave the way for genre spanning and aspiring artists. Aside from his recording and production ventures, Richy has been at the forefront of UK house music and its surrounding avenues for some years, taking a lead role in programming DC10’S Paradise parties, and a variety of club projects. Richy has forthcoming remixes for the likes of FFRR and Snatch, and has recently had solo singles out on Strictly Rhythm and Rinse Records, as well as a prestigious remix for New Order. As an extension to the label releases, Four Thirty Two will tour the UK as an operating label party brand, with early shows selling out in record time and forthcoming label nights around the UK and Europe scheduled, all side stepping Richy’s usual realms of clubland for smaller and more intimate venues.

Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
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Germany
Conatct: [email protected]More