Tracklisting:
A1 Eduardo De La Calle - Son Of Sri Ranchor
A2 Eduardo De La Calle - Kardama vs SRPGKM
B1 Eduardo De La Calle - Deva Juti
B2 Eduardo De La Calle - ARNOHCR

Sales Note
Out of the many artists, both new and established, that Futurepast has welcomed to its family, Spanish producer and DJ Eduardo De La Calle is one that we can definitively call a legend. His vast discography includes many of dance music's most appreciated labels, so we're humbled to present a full EP from him.

His EP "Kardama" emerged as the winter of 2022 bled into 2023, a period where he'd actually been producing more downtempo works, so "Kardama" is his most recent take on techno; a genre he is certainly well-versed in with over 25 years experience.

As a reflective work, De La Calle processes emotions and thoughts with analog methods, reverse delays and pedals on "Kardama". The emotions that he holds close to himself show up in the detail that sits deeper within each track.

"I simply make music with the intention of feeling better" says De La Calle, "it is a therapy for my mind and for my spiritual state. Through a creative process, I feel calm and useful for the world and for myself." More

Deep driving techno tracks by the Spanish techno don More

Eduardo De La Calle s recent Distortion Theory III EP on Abstract Reasoning was another impressive piece of work from the prolific producer. Now come four diverse remixes of the title track, each with their own unique twist on the warped machinations of the original.
J - Keel kicks off proceedings with a droning, tense interpretation which toughens up the original considerably. Reversed chord stabs pitch up and down as ominous bass bores a steady course through the track s underbelly, with ticking percussive elements ensuring a motorik pulse.
The masterful Roman Fl gel teases out the chime motif of the original and supplements them with muted marimba-esque arpeggios for a soothing, underwater feel. The beats are kept to a succinct minimum, with subtle swathes of strings bringing a majestic, dreamlike tinge to this refined, minimalistic production.
Fellow Spaniard ORBE brings an ambient feel to the hazy, delicate melodics of his mix, with the delayed, warped synth patterns that struggle to be heard and beautiful atmospherics recalling Carl Craig. Moments of distorted pressure seep through and remind us of the buggedout flavour of the original.
Holland s Conforce rounds things off with plump low end throbs and sparse synth pulses reminiscent of Basic Channel, with gently shuffling hi-hats underpinning the murky yet warm textures and broad, heavily reverbed swathes of chord drama.
A1 Eduardo De La Calle ? Distortion Theory III (J-Keel remix)
A2 Eduardo De La Calle ? Distortion Theory III (Roman Flügel remix)
B1 Eduardo De La Calle ? Distortion Theory III (ORBE remix)
B2 Eduardo De La Calle ? Distortion Theory III (Conforce remix)
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Eduardo De La Calle has been doing his thing since the early 2000s, but the last couple of years have seen him move into overdrive. Releases on Planet E, Hivern Discs, Nitsa Trax, Turbo Recordings, Gigolo and Darkroom Dubs to name just a few have shown he is both prolific and consistent, and this new four-track collection is just as compelling as his recent output.\\r\\n\\r\\nDistortion Theory III is a whirring hypnotic machine jam that melds shimmering synth snippets to mind-bending FX undulations and throbbing low end. Disorientating and wonky as hell, it\\\'s the sound of a funky computer malfunction somewhere in deep space.\\r\\n\\r\\nLight Tunnel continues the theme, coming across like the dying throes of space station spinning out of control due to excessive amounts of sub bass. It\\\'s a dizzying, disorientating ride.\\r\\n\\r\\nAcid Aaron C (Edit) wastes no time getting down to business with its gurgling, incessant 303 line present from the get-go. Shuffling percussion rubs up against heady female vocal lines and wonky detuned 8-bit synth blips, the undercurrent of the track swelling and calming seemingly at will. \\r\\n\\r\\nThe Dub Math takes things down a notch with hazy sounds and plodding sub bass combining with heavily reverbed vocal incantations which all combine to bring together the vibe referenced in the title. More

Suns out, guns out: Darkroom Dubs ease into 2018 slowly with a new addition to their limited vinyl series courtesy of Madrid analogue scientist Eduardo De La Calle. Last spotted on Planet E and boasting a 15 year back-cat on the likes of Cadenza, Biologic, Just This, Hivern Discs and Mule Muziq, Eduardo is a man you’re already well acquainted with. And you’re going to want to get even closer once you’ve digested these four straight-to-business stripped-back traxx. Each cut designed for deep mix tailoring that you can really bend minds with. More

Eduardo always delivers quality music, but this is a very special record, we can say that "this is a showcase of electronic music". Four tracks with four different styles of electronica: deep and marvelous keys in “Wondrous Punia”, a mastely detroit house lesson in “Knockout Sakshi”, the minimal techno monster in “Great Manojar”, and the psichodelic electronic cult song “Georgeous Shiama”.
Another timeless record for your collection.
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Shimmering from the depths of experimental techno, Eduardo returns to Anemone with the Bhishma EP.
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“Everything is sound in the material world. You and me, we are vibrations” Sampling, strife and spirituality - three notions that form the basics of Eduardo’s lifestyle. De la Calle is back on Forbidden Colours, again flaunting his connection with El_Txef_A. The release consists of three original cuts. On the A Side at 45 rpm is the energy and freneticism of 'Hobson’s Choice': "Because a person may refuse to accept what is offered, the two options are taking it or taking nothing" On the B side, the sublime 'Paradox of Choice' leads with a strange kick loop and astral synthesizers followed by 'Transportation Forecasting', where a classic 4x4 kick is paired with analog recordings to depict a more colorful setting. More

Eduardo de la Calle signs Sungate's first release, an original four track EP which overall concept takes inspiration from Hindu mythology and comes alive through four balanced, elegant and strong productions. Analog sound with hypnotic cadence, futuristic personality and Eduardo's unique personal trademark.
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Eduardo makes his return to Nonplus with the Sensitive Compartmented Information EP. Eduardo is one of techno’s most dedicated underground legends and continues on a path unaffected by fads or fashions. Following on from his Sequoia Symposium in April last year again we have a 4 tracker exploring the deep realms of techno More

2019 is mule musiq’s 15 years anniversary. we’re going to release twelve 12inchs with our friend artists and stefan marx make the collectable artwork. 10th release is our long time friend hippie dance’s superpitcher aka pachanga boys. “maki” on a side is a tribute song for legendary japanese folk singer maki asakawa, superpitcher wrote the lyrics and dip in the pool’s miyako koda translated in japanese and did the reading. “mishima” on b side is a trademark of superpitcher’s melancholic house tune. it sounds like updated percussive nyc house in early 90’s. More

the debut release on alex niggemann on mule musiq. alex have been released many records on poker flat,watergate,sasha’s last night on earth and his own aeon. we were actually not familiar with his music but sandrino(aka frankey&sandrino) let me listened the demo and we signed immediately! two first class hypnotic house tunes. More

is it the best jazz record from japan, as the french-born english disc jockey, record label owner and music collector gilles peterson once assumed? or is it maybe the best jazz record of all jazz records? well, everybody needs to decide by himself and has to listen to “watabase”, the second solo piano album of the japanese jazz pianist fumio itabashi, that was originally released in 1982. tokyo based mule music unearth it, remastered the original recordings and brings it back to the global stores in order to seduce all music lovers that embrace notes who come straight from the heart and soul. More

the first collaboration of kuniyuki and japanese legendary jazz pianist fumio itabashi, it’s originally released in 2009,recorded for kuniyuki’s third album “walking in the naked city”. kuniyuki and itabashi invited henrik schwarz as vocalist,maybe you remember henrik&kuniyuki’s house version. itabashi said river is one of the best song which i have produced.
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sebastian mullaert, sweden’s long standing techno, experimental and ambient producer, is back on mule musiq with three deep tunes that shake your emotions profoundly. on the a-side the epic track “mirror” seduces with discreet claps, a kind of drunken groove, deeply meditative tones and a twisted melody that arrests your emotions inwardly. on the b-side you find two tracks by the same name: “broken mirror”. b1 is a sensible layered grower that delivers unhasty grooving minimal techno for those who love to dance slow. the second “broken mirror” tune comes as a “wa wu we reflection”, is even more slow, but still deeply groovy and packed with mesmerizing sound particles that stretch your mind and soul endlessly. electronic music straight from the heart. full of human sensitivity delivered with sebastian mullaert’s very own signature feeling for rhythmical journeys full of musicality and details in melody, chords and tones. More

it was in february 2015 when japanese producer and sound designer kuniyuki takahashi, sometimes known as koss, releases with the ep “newwave project ‘2” a record, that tapped some roots of his mu-sical education: new wave, german electro punk from bands like a daf, ebm from acts like front 242 as well as industrial music. styles, about kuniyuki claims that they are his “favourite music”. now, nearly two years after his first newwave project ep, he drops an album that is leaning towards his musical love from the past. com-pared to his former work, that was rooted in worlds of classic, jazz, house, ambient, and electronic song-writing, his new tunes are full of melodic drifts and rhythmical shifts. as usual all is loaded with tones and rhythms straight from the heart that filter and modulate human emotions without losing their natural source. to get a sound that is fresh but still leaning to the 1980ees, he used some old synthesisers like a roland jupiter 8, a juno 60, a korg ms 20, an old tape echo machine but also new instruments like the roland aira. furthermore, his modular synthesizers talk too.
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nyc producer marcos cabral, often releasing certain dj weapons from the labels as l.i.e.s, the triology tapes gave the birth to 3 tracks with punchy energetic machine-ism. his polyrhythms(which makes us addicted,) and lo-fi hardware pulse always set some hooks to our mind, which we found in boosted drum lines and sometimes industrial noises as a1 and b1. set up with b2 which is also nicely balanced deep house tune, it is definitely capturing aesthetics of roughness and fineness as whole ep. More

germany-via- artist osker offermann, the owner of leading label white presents us a quality dou-bled package on the mule, strongly effecting his meditated mindsets.
as well as his dj sets, his crafted productions have a superb balance between being not too exces-sive, but not being too minimalistic - creating the dynamism which make people move, based on his own aesthetic featured with well-polished, functional electro phrases and raw machine beats. because of its floating grooves, will be nice for club use, but also surely will be a good accompany for the home-listening. oskar continually points forward us the fact, that listening to deep house is no longer meandering journey, but something meaningful and fruitful in your life. More

with his third album “vin ploile” the bucharest, romania based producer, musician and dj petre in-spirescu captured a whole new audience in 2015 and reached out with minimal leftfield ambient sounds to music loving folks, that are not part of the world-wide dance music universe. More

we are very pleased to announce the 2nd release of auntie flo on mule musiq. “reverence” is african taste very deep tech house.if you like culoe de song or mr raoul k,
you will love this song. “drum meditation” is more dj tool edit and "synthapella" is nice sound effect tool. More

mathias kaden’s project “mathimidori" is back to mule musiq since our first release in 2013. this time he teamed up with japanese female singer shoco (she is actually girlfriend of our friend “dj pige”). it’s a great mixture of atmospheric tech house and cool japanese poetry reading.
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debut release of german duo “frankey&sandrino” on mule musiq. off course “acamar on innervisions” was one of the biggest tune for us in the last year. frankey&sandrino provided us two strong hypnotic future house! More

kyodai’s debut release on mule musiq! they have released quality house music from freerange,local talk and their own imprint beer. this time kyodai teamed up with female singer and result is very emotional vocal house tune. it reminds me bit henrik schwarz remix of ane brun-headphone silence. More

the second time around: fred p aka fp-oner is back on mule musiq with another record that demonstrates the many cosmic qualities of his deeper shade of soul. More

the second time around: fred p aka fp-oner is back on mule musiq with another record that demonstrates the many cosmic qualities of his deeper shade of soul. More

Known To All People In Tokyo And Worldwide, The Yoyogi Park Seems To Be Just Another Gorgeous Everyday Green Life Spot. But Behind His Beauty And Anonymity You Can Find Much Craziness And Mystery, Too. It's Like The Latest Ten Tracks By Lawrence: Behind His Abstract Beats And Compelling Functionality You Will Discover Parts Of Magic With A Full-Colour Palette Of Mind-Expanding Sounds. Some Of His Album Tracks Contain Live Samples That He Recorded In His Hometown Hamburg With His Band Sky Walking, Consisting Of Christian Naujoks, Rvds And Himself. Others Are Versions Of Previous Released Dreamily Sublime Ambient Tracks. A One-Of-A-Kind Blend Of Varied, Deep, Widescreen And Star-Crossed Electronica That Works Romantic And Enchanting. His Excellent New Recordings Seduce With In Depth House Rhythm Sensibilities While Spreading Otherworldly Melodies That Are Almost Physical. His Vividly Immersive Tracks Have Been Again Produced Up-Road. Some Started In His Cosy Backyard Studio In Hamburg. Others Have Been Crafted And Tough Out On The Road Between Cities Like Berlin, Buenos Aires, New York City And Tokyo. They Are All Highly Entertaining With Some Analogue Warmth In The Bloodline That Spreads Mystery And Allure. More