Brian d’Souza, better known as Auntie Flo, delivers his brand-new fourth studio album, ‘In My Dreams (I’m A Bird and I’m Free)’, set for release on 21st November. The album, a rich blend of electronic music, live instrumentation, and global influences features collaborations with the likes of Nicola Cruz, Joshua Idehen, Shingai Shoniwa, Yohan Kebede (Kokoroko) and even his Goan Auntie Florie, where the Auntie Flo moniker is derived from. Each track on the album transports you to a different location: Goa, Istanbul, Nairobi, Mexico City, Waiheke Island, Rio De Janeiro, Havana, Seoul are all destinations to nest in across its ten tracks. It will be available in both digital and vinyl formats on his own label, A State of Flo Records.

Auntie Flo’s latest body of work is the culmination of a five-year journey that has seen d’Souza expand both personally and musically. Known for his unique ability to fuse electronic sounds with rhythms and influences from across the globe, d’Souza takes his craft to new heights in this album, offering listeners an intimate look into the experiences, places, and stories that have shaped his artistic evolution. The groundbreaking DJ and producer presents an expansive, deeply personal exploration of global sounds, collaboration, and migration.

Following the success of the Afro-disco single Green City—a dynamic tribute to the legendary Fela Kuti and Luke Una’s ‘track of the year’—In My Dreams (I’m A Bird and I’m Free) ventures further into uncharted musical territory. The album, however, is more than just a continuation of Auntie Flo’s signature sound. It is a reflection of d’Souza’s life and career, capturing his exploration of identity, migration, and cultural fusion. With tracks that draw inspiration from field recordings collected around the world, the album resonates with a profound sense of place and memory.

In My Dreams (I’m A Bird and I’m Free) is not only a reflection of d’Souza’s creative journey but also a commentary on migration—both human and musical. The album draws on the freedom of birds to migrate across borders as a metaphor for artistic and personal freedom, juxtaposed with the challenges that political barriers impose on human migration. As d’Souza explains, “Birds have the freedom to migrate wherever they choose, while humans face constant barriers”.

A State of Flo supports Earth Percent. 10% of the revenue generated from this release will be paid to environmental charities.

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Auntie Flo returns to Highlife! Paying homage to a time well spent in Korea. Delicate and atmospheric sound design from the DMZ. With thanks to our pal Akimbo for granting permission to feature the chuggy remix of High Flight.

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For Against Fascism Trax 006, Auntie Flo takes us to Brazil, a country that is dealing with having a bona fide fascist president, with an EP recorded in Rio De Janeiro. I’m going to shut up and let Afonso Marcondes from Sao Paolo take it from here - In a world in which culture policies (incl. music) win nationalist tones, Brazil has lessons to give with the catastrophic failed experience of the last government and the teletubbies talk on Culture from the current one. As one sometimes feel as if one is on a time-warp from time to time, most often taken there by music, songs like March of The Berimbau here, could easy make for the perfect soundtrack for the political history of Brazil, country in which Auntie Flo got his inspiration and recorded this tracks. From the military regime that gave Brazil bossa nova in the 60’s, the tropicália sounds of the 70’s to the pop rock era of the 80’s all the way from the rave scene of the 90’s to todays Bahia Bass, music in Brazil has always been instrumental in helping shape the political scene. One thing about the Brazilian music ’scene’ is that rarely it lends itself to extreme political views, via lyrics or otherwise, after all, carnaval must be kept a happy time! The number of different cultures living in peace, side by side in Brazil has strenghten the country disapproval of hate talk in music since I can remember growing up in the interior of São Paulo state.


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In the final chapter of the 'Theory of Flo' story, we've enlisted the services of the mighty DJ Sotofett to remix the closing track 'For Mihaly', and what a job he's done! Dark, weird and percussive - just how we like it. We also include brand new versions featuring occasional live drummer, Laurie Pitt and a reprise with Poppy Ackroyd.


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Next up in the series of remixes for Auntie Flo's acclaimed 'Theory of Flo' LP, we've employed the services of our buddies from Stockholm, London and Russia in the form of Kornél Kovács, Throwing Shade and Lipelis respectively. Each of them have done an amazing job turning each track into something very special, as we're sure you'll agree..

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Having been shortlisted for the Scottish Album of the Year? award, we follow up 'Theory of Flo' with some stellar remixes from friends and associates.. Next up in the series, we've employed the services of our Berlin buddies, Africaine 808 and a long time favourite producer of ours, Mark E; who have each delivered a blinder. Auntie Flo himself tops things off with a brand new version of the album opener primed for the dancefloor.

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Having been recently shortlisted for the Scottish Album of the Year award, we follow up 'Theory of Flo' with some stellar remixes from friends and associates. First up HIGHLIFE label mates, Mehmet Aslan and CAIN deliver the goods on Cape Malay Prayer and Hewal3 - as to be expected. What wasn't planned was this sublime rework by The Revenge. We felt so precious about Waiting For A (Woman) - convinced that the original was too good to be tampered with - until an unexpected turn of events brought our fellow Glaswegian (and SAY nominee) to the controls, resulting in a sophisticated rework for the dancefloor - who better really when you think about it?!
Released on vinyl courtesy of Highlife x H+P this summer. More remixes on the way..

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Auntie Flo returns with his 'Theory of Flo' LP masterpiece, his first re- lease on H+P in over 3 years! Following his critically acclaimed 'Future Rhythm Machine' LP, 'Theory of Flo' is a bold step ahead from FRM, as it takes us on the trip of a life- time; spanning continents, genres, languages and cultures to create a wholly unique listening experience; and one which is only possible in 2015. Teaming up with long term collaborator, Esa Williams, the album also features collaborations with the incredible Ghanaian singer, Anbu- ley (who last appeared on the Autonomous Africa hit 'Daabi'), Shingai Showina (of The Noisettes / Matthew Herbert / Dennis Ferrer fame) and has experienced a lengthy recording process between Havana, London and Glasgow - with outstanding results. Scratch the surface and it becomes clear that by interweaving the rhythms and traditions of Africa and Latin America with more familiar western club sounds and four-to-the-floor electronic house music, Auntie Flo's interplanetary projects can break down barriers to fans on both sides of the electronic/world music divide. Fans of Daphni, Debruit or Spoek Mathambo are all too aware of the tendency for media and crit- ics to sub categorise and pigeon-hole. Auntie Flo is building his own artistic response, one that is re-energising house music, that looks out- wards but is very much indebted to the vibrancy of the Glasgow club scene. With regular appearances on the foremost underground dance music filter Boiler Room, and a monthly show on Rinse FM, Auntie Flo has earned the respect to take the marimbas of West Africa and the palenque of Colombia to the unsuspecting.

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Auntie Flo returns with his 'Theory of Flo' LP masterpiece, his first release on H+P in over 3 years! Following his critically acclaimed 'Future Rhythm Machine' LP, 'Theory of Flo' is a bold step ahead from FRM, as it takes us on the trip of a lifetime; spanning continents, genres, languages and cultures to create a wholly unique listening experience; and one which is only possible in 2015. Teaming up with long term collaborator, Esa Williams, the album also features collaborations with the incredible Ghanaian singer, Anbuley (who last appeared on the Autonomous Africa hit 'Daabi'), Shingai Showina (of The Noisettes / Matthew Herbert / Dennis Ferrer fame) and has experienced a lengthy recording process between Havana, London and Glasgow - with outstand- ing results. 'Theory of Flo' lands this November, in the meantime, his 'So In Love' smasher and the spellbinding 'Waiting For A (Woman)' drop on limited 10"..

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We hope you will permit us the indulgence of deviating slightly from our globe trotting explorations on this release as we pay homage to the sun. 'HIGHLIFE on holiday', if you will. Stepping away from the edits, Auntie Flo delivers a new original track. Sun Ritual II takes things up a notch from its earlier counterpart (released on Kompakt), banging dare-we-say-it 'Berghain techno' gives way to warm synth-laden euphoria. On the flip, Miajica, one third of Alma Negra who you may recall from HIGHLIFE2. Here he serves up a delightfully familiar summer treat, the original being an end of the night, HIGHLIFE highlight, particularly at our annual 'Tribute to the Sun' event. We're sure you'll agree that both sides are rock solid and primed for the summer!

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In 2011 he burst onto the scene with his debut ‘Goan Highlife EP’ and his 2012 follow up ‘Oh My Days’ on Huntleys & Palmers winning him fans across a broad musical spectrum. He followed it up with the more experimental mini-album Future Rhythm Machine alongside releases on Kompakt and Mule Musiqe showcasing the full range of his unique sound, encompassing classic house, disco, techno, electronica influences alongside afrobeat, kwaito, cumbia and South American rhythms. His first 12” for Permanent Vacation highlights two full on afro-futurist stompers for maximal Block Party pleasure. The B side sees an Afro Acid Dub take by label mate and Auntie Flo live show collaborator Esa for the basement and warehouse clubs on this planet.




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2019 is mule musiq’s 15 years anniversary. we’re going to release twelve 12inchs with our friend artists and stefan marx make the collectable artwork. 10th release is our long time friend hippie dance’s superpitcher aka pachanga boys. “maki” on a side is a tribute song for legendary japanese folk singer maki asakawa, superpitcher wrote the lyrics and dip in the pool’s miyako koda translated in japanese and did the reading. “mishima” on b side is a trademark of superpitcher’s melancholic house tune. it sounds like updated percussive nyc house in early 90’s.

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the debut release on alex niggemann on mule musiq. alex have been released many records on poker flat,watergate,sasha’s last night on earth and his own aeon. we were actually not familiar with his music but sandrino(aka frankey&sandrino) let me listened the demo and we signed immediately! two first class hypnotic house tunes.

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is it the best jazz record from japan, as the french-born english disc jockey, record label owner and music collector gilles peterson once assumed? or is it maybe the best jazz record of all jazz records? well, everybody needs to decide by himself and has to listen to “watabase”, the second solo piano album of the japanese jazz pianist fumio itabashi, that was originally released in 1982. tokyo based mule music unearth it, remastered the original recordings and brings it back to the global stores in order to seduce all music lovers that embrace notes who come straight from the heart and soul.

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the first collaboration of kuniyuki and japanese legendary jazz pianist fumio itabashi, it’s originally released in 2009,recorded for kuniyuki’s third album “walking in the naked city”. kuniyuki and itabashi invited henrik schwarz as vocalist,maybe you remember henrik&kuniyuki’s house version. itabashi said river is one of the best song which i have produced.


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sebastian mullaert, sweden’s long standing techno, experimental and ambient producer, is back on mule musiq with three deep tunes that shake your emotions profoundly. on the a-side the epic track “mirror” seduces with discreet claps, a kind of drunken groove, deeply meditative tones and a twisted melody that arrests your emotions inwardly. on the b-side you find two tracks by the same name: “broken mirror”. b1 is a sensible layered grower that delivers unhasty grooving minimal techno for those who love to dance slow. the second “broken mirror” tune comes as a “wa wu we reflection”, is even more slow, but still deeply groovy and packed with mesmerizing sound particles that stretch your mind and soul endlessly. electronic music straight from the heart. full of human sensitivity delivered with sebastian mullaert’s very own signature feeling for rhythmical journeys full of musicality and details in melody, chords and tones.

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it was in february 2015 when japanese producer and sound designer kuniyuki takahashi, sometimes known as koss, releases with the ep “newwave project ‘2” a record, that tapped some roots of his mu-sical education: new wave, german electro punk from bands like a daf, ebm from acts like front 242 as well as industrial music. styles, about kuniyuki claims that they are his “favourite music”. now, nearly two years after his first newwave project ep, he drops an album that is leaning towards his musical love from the past. com-pared to his former work, that was rooted in worlds of classic, jazz, house, ambient, and electronic song-writing, his new tunes are full of melodic drifts and rhythmical shifts. as usual all is loaded with tones and rhythms straight from the heart that filter and modulate human emotions without losing their natural source. to get a sound that is fresh but still leaning to the 1980ees, he used some old synthesisers like a roland jupiter 8, a juno 60, a korg ms 20, an old tape echo machine but also new instruments like the roland aira. furthermore, his modular synthesizers talk too.


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nyc producer marcos cabral, often releasing certain dj weapons from the labels as l.i.e.s, the triology tapes gave the birth to 3 tracks with punchy energetic machine-ism. his polyrhythms(which makes us addicted,) and lo-fi hardware pulse always set some hooks to our mind, which we found in boosted drum lines and sometimes industrial noises as a1 and b1. set up with b2 which is also nicely balanced deep house tune, it is definitely capturing aesthetics of roughness and fineness as whole ep.

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germany-via- artist osker offermann, the owner of leading label white presents us a quality dou-bled package on the mule, strongly effecting his meditated mindsets.
as well as his dj sets, his crafted productions have a superb balance between being not too exces-sive, but not being too minimalistic - creating the dynamism which make people move, based on his own aesthetic featured with well-polished, functional electro phrases and raw machine beats. because of its floating grooves, will be nice for club use, but also surely will be a good accompany for the home-listening. oskar continually points forward us the fact, that listening to deep house is no longer meandering journey, but something meaningful and fruitful in your life.

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with his third album “vin ploile” the bucharest, romania based producer, musician and dj petre in-spirescu captured a whole new audience in 2015 and reached out with minimal leftfield ambient sounds to music loving folks, that are not part of the world-wide dance music universe.

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we are very glad that our favorite spanish producer “eduardo de la calle" is back to mule musiq. there are four deep analog techno tunes.

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mathias kaden’s project “mathimidori" is back to mule musiq since our first release in 2013. this time he teamed up with japanese female singer shoco (she is actually girlfriend of our friend “dj pige”). it’s a great mixture of atmospheric tech house and cool japanese poetry reading.


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debut release of german duo “frankey&sandrino” on mule musiq. off course “acamar on innervisions” was one of the biggest tune for us in the last year. frankey&sandrino provided us two strong hypnotic future house!

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kyodai’s debut release on mule musiq! they have released quality house music from freerange,local talk and their own imprint beer. this time kyodai teamed up with female singer and result is very emotional vocal house tune. it reminds me bit henrik schwarz remix of ane brun-headphone silence.

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the second time around: fred p aka fp-oner is back on mule musiq with another record that demonstrates the many cosmic qualities of his deeper shade of soul.

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the second time around: fred p aka fp-oner is back on mule musiq with another record that demonstrates the many cosmic qualities of his deeper shade of soul.

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Known To All People In Tokyo And Worldwide, The Yoyogi Park Seems To Be Just Another Gorgeous Everyday Green Life Spot. But Behind His Beauty And Anonymity You Can Find Much Craziness And Mystery, Too. It's Like The Latest Ten Tracks By Lawrence: Behind His Abstract Beats And Compelling Functionality You Will Discover Parts Of Magic With A Full-Colour Palette Of Mind-Expanding Sounds. Some Of His Album Tracks Contain Live Samples That He Recorded In His Hometown Hamburg With His Band Sky Walking, Consisting Of Christian Naujoks, Rvds And Himself. Others Are Versions Of Previous Released Dreamily Sublime Ambient Tracks. A One-Of-A-Kind Blend Of Varied, Deep, Widescreen And Star-Crossed Electronica That Works Romantic And Enchanting. His Excellent New Recordings Seduce With In Depth House Rhythm Sensibilities While Spreading Otherworldly Melodies That Are Almost Physical. His Vividly Immersive Tracks Have Been Again Produced Up-Road. Some Started In His Cosy Backyard Studio In Hamburg. Others Have Been Crafted And Tough Out On The Road Between Cities Like Berlin, Buenos Aires, New York City And Tokyo. They Are All Highly Entertaining With Some Analogue Warmth In The Bloodline That Spreads Mystery And Allure.

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