Echocord welcomes the return of Mathimidori to the imprint with his ‘Anata’ EP, accompanied by a remix from New Yorker and Novel Sound boss Levon Vincent.

Mathimidori is the dub techno leaning guise of Germany’s Mathias Kaden, known for his works under his own name on imprints such as REKIDS, Ovum and Freude Am Tanzen, while Mathimidori material has found a home on the likes of Mule Musiq, Raum, Ornaments and of course Echocord where he returns here following 2020’s ‘Akebono’ LP.

Opening the release is ‘Anata’, a texturally dense six-and-a-half-minute composition fusing pulsating subs, billowing synth atmospherics, spiralling dub echoes and sporadic dubbed out spoken word running atop a crisp 4/4 rhythm. ‘Zanziba’ follows and dives deeper via ethereal pads, snaking low-end pulsations, choppy stab sequences and heavily echoing reggae chants.

Levon Vincent steps up to remix ‘Zanziba’ next, delivering a typically raw and dynamic rework, upping the energy levels as dub stabs dynamically unfold and retract amongst a thunderous low-end drive, intricate synth flutters and low-slung drums across its ten minute duration.

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Copenhagen’s Echocord returns with a long player from Mathimidori this October, entitled the ‘Akebono’ LP and comprised on ten original compositions. Mathimidori, better know by most as Mathias Kaden has been using this alias as a way to showcase his take on dub-leaning, minimalistic and refined Techno via labels such as Dorian Paic’s Raum Musik, Tokyo’s Mule Musiq and Berlin’s Ornaments. Here though we see deliver his debut long player under the guise, and fittingly the LP will be released via esteemed Dub Techno imprint Echocord, home to releases from the likes of STL, Deepchord, Fluxion, XDB and Forest Drive West. Across the ‘Akebono’ album Mathimidori delivers hazy, spaced out instrumentals like ‘Maiia’, ‘Ork’ and ‘Soso’ while tracks like ‘Asaka’ and ‘Shao’ offer a darker approach. The project also welcomes an assortment of collaborations such as opening track ‘Java’ alongside Spain’s Pulshar, ‘Kioku’ featuring Japanese artist Tomomi Ukumori and ‘Kobe’ with Germany’s Rhauder which all lean towards downtempo dub territories. Also featured are Sakura who provides spoken word vocals for ‘Akebono’ and Shoco who joins Mathimidori for the ambient leaning album conclusion ‘Akari’.

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2019 is mule musiq’s 15 years anniversary. we’re going to release twelve 12inchs with our friend artists and stefan marx make the collectable artwork. 10th release is our long time friend hippie dance’s superpitcher aka pachanga boys. “maki” on a side is a tribute song for legendary japanese folk singer maki asakawa, superpitcher wrote the lyrics and dip in the pool’s miyako koda translated in japanese and did the reading. “mishima” on b side is a trademark of superpitcher’s melancholic house tune. it sounds like updated percussive nyc house in early 90’s.

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the debut release on alex niggemann on mule musiq. alex have been released many records on poker flat,watergate,sasha’s last night on earth and his own aeon. we were actually not familiar with his music but sandrino(aka frankey&sandrino) let me listened the demo and we signed immediately! two first class hypnotic house tunes.

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is it the best jazz record from japan, as the french-born english disc jockey, record label owner and music collector gilles peterson once assumed? or is it maybe the best jazz record of all jazz records? well, everybody needs to decide by himself and has to listen to “watabase”, the second solo piano album of the japanese jazz pianist fumio itabashi, that was originally released in 1982. tokyo based mule music unearth it, remastered the original recordings and brings it back to the global stores in order to seduce all music lovers that embrace notes who come straight from the heart and soul.

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the first collaboration of kuniyuki and japanese legendary jazz pianist fumio itabashi, it’s originally released in 2009,recorded for kuniyuki’s third album “walking in the naked city”. kuniyuki and itabashi invited henrik schwarz as vocalist,maybe you remember henrik&kuniyuki’s house version. itabashi said river is one of the best song which i have produced.


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sebastian mullaert, sweden’s long standing techno, experimental and ambient producer, is back on mule musiq with three deep tunes that shake your emotions profoundly. on the a-side the epic track “mirror” seduces with discreet claps, a kind of drunken groove, deeply meditative tones and a twisted melody that arrests your emotions inwardly. on the b-side you find two tracks by the same name: “broken mirror”. b1 is a sensible layered grower that delivers unhasty grooving minimal techno for those who love to dance slow. the second “broken mirror” tune comes as a “wa wu we reflection”, is even more slow, but still deeply groovy and packed with mesmerizing sound particles that stretch your mind and soul endlessly. electronic music straight from the heart. full of human sensitivity delivered with sebastian mullaert’s very own signature feeling for rhythmical journeys full of musicality and details in melody, chords and tones.

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it was in february 2015 when japanese producer and sound designer kuniyuki takahashi, sometimes known as koss, releases with the ep “newwave project ‘2” a record, that tapped some roots of his mu-sical education: new wave, german electro punk from bands like a daf, ebm from acts like front 242 as well as industrial music. styles, about kuniyuki claims that they are his “favourite music”. now, nearly two years after his first newwave project ep, he drops an album that is leaning towards his musical love from the past. com-pared to his former work, that was rooted in worlds of classic, jazz, house, ambient, and electronic song-writing, his new tunes are full of melodic drifts and rhythmical shifts. as usual all is loaded with tones and rhythms straight from the heart that filter and modulate human emotions without losing their natural source. to get a sound that is fresh but still leaning to the 1980ees, he used some old synthesisers like a roland jupiter 8, a juno 60, a korg ms 20, an old tape echo machine but also new instruments like the roland aira. furthermore, his modular synthesizers talk too.


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nyc producer marcos cabral, often releasing certain dj weapons from the labels as l.i.e.s, the triology tapes gave the birth to 3 tracks with punchy energetic machine-ism. his polyrhythms(which makes us addicted,) and lo-fi hardware pulse always set some hooks to our mind, which we found in boosted drum lines and sometimes industrial noises as a1 and b1. set up with b2 which is also nicely balanced deep house tune, it is definitely capturing aesthetics of roughness and fineness as whole ep.

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germany-via- artist osker offermann, the owner of leading label white presents us a quality dou-bled package on the mule, strongly effecting his meditated mindsets.
as well as his dj sets, his crafted productions have a superb balance between being not too exces-sive, but not being too minimalistic - creating the dynamism which make people move, based on his own aesthetic featured with well-polished, functional electro phrases and raw machine beats. because of its floating grooves, will be nice for club use, but also surely will be a good accompany for the home-listening. oskar continually points forward us the fact, that listening to deep house is no longer meandering journey, but something meaningful and fruitful in your life.

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with his third album “vin ploile” the bucharest, romania based producer, musician and dj petre in-spirescu captured a whole new audience in 2015 and reached out with minimal leftfield ambient sounds to music loving folks, that are not part of the world-wide dance music universe.

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we are very glad that our favorite spanish producer “eduardo de la calle" is back to mule musiq. there are four deep analog techno tunes.

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we are very pleased to announce the 2nd release of auntie flo on mule musiq. “reverence” is african taste very deep tech house.if you like culoe de song or mr raoul k,
you will love this song. “drum meditation” is more dj tool edit and "synthapella" is nice sound effect tool.

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debut release of german duo “frankey&sandrino” on mule musiq. off course “acamar on innervisions” was one of the biggest tune for us in the last year. frankey&sandrino provided us two strong hypnotic future house!

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kyodai’s debut release on mule musiq! they have released quality house music from freerange,local talk and their own imprint beer. this time kyodai teamed up with female singer and result is very emotional vocal house tune. it reminds me bit henrik schwarz remix of ane brun-headphone silence.

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the second time around: fred p aka fp-oner is back on mule musiq with another record that demonstrates the many cosmic qualities of his deeper shade of soul.

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the second time around: fred p aka fp-oner is back on mule musiq with another record that demonstrates the many cosmic qualities of his deeper shade of soul.

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Known To All People In Tokyo And Worldwide, The Yoyogi Park Seems To Be Just Another Gorgeous Everyday Green Life Spot. But Behind His Beauty And Anonymity You Can Find Much Craziness And Mystery, Too. It's Like The Latest Ten Tracks By Lawrence: Behind His Abstract Beats And Compelling Functionality You Will Discover Parts Of Magic With A Full-Colour Palette Of Mind-Expanding Sounds. Some Of His Album Tracks Contain Live Samples That He Recorded In His Hometown Hamburg With His Band Sky Walking, Consisting Of Christian Naujoks, Rvds And Himself. Others Are Versions Of Previous Released Dreamily Sublime Ambient Tracks. A One-Of-A-Kind Blend Of Varied, Deep, Widescreen And Star-Crossed Electronica That Works Romantic And Enchanting. His Excellent New Recordings Seduce With In Depth House Rhythm Sensibilities While Spreading Otherworldly Melodies That Are Almost Physical. His Vividly Immersive Tracks Have Been Again Produced Up-Road. Some Started In His Cosy Backyard Studio In Hamburg. Others Have Been Crafted And Tough Out On The Road Between Cities Like Berlin, Buenos Aires, New York City And Tokyo. They Are All Highly Entertaining With Some Analogue Warmth In The Bloodline That Spreads Mystery And Allure.

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