Territory: WW-UK/EIRE & USA,Canada

2024 repress

Double Vinyl
Pressed on BioVinyl and packaged in environmental wrapping


To celebrate its 30th anniversary, Plastikman's redefining acid techno masterpiece, Sheet One, has been mastered from the original tapes and reissued on vinyl via Mute and NovaMute.

Released in 1993 on Mute's subsidiary label NovaMute, this record was the debut for Richie Hawtin's alias Plastikman. 30 years on Sheet One is a landmark album in the field of electronic music, it changed the shape of what the genre could be and became.

Introducing one of techno's most recognisable logos, the album achieved a degree of notoriety for its acid blotter-style perforated artwork. Musically it focuses on laser-precise minimalist rhythms to drive a series of echo-box acid lines that gradually acquire power over the course of lengthy album tracks, with frequent use of the Roland TB-303, which gained prominence in the electronic music world as a staple of Chicago's acid house scene. Hawtin once described Sheet One perfectly in an interview with MusicRadar, saying "...It's music for the end of the party as you're melting into the floor, which is exactly what the name Plastikman was made to represent."

This seminal album helped to establish the template for minimal techno, and is a must listen for lovers of electronic music.

Available on double bio vinyl.

TRACKLIST
A1 Drp
A2 Plasticity
A3 Gak
B1 Okx
B2 Helikopter
B3 Glob
C1 Plasticine
C2 Koma
D1 Vokx
D2 Smak
D3 Ovokx

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Special Remarks: Embossed Generic Sleeve for the Plus825 Series with innerprinted Sleeves!

Richie Hawtin reveals From My Mind To Yours, a new series of seven 12 inches via his own label Plus 8 Recordings, for which Hawtin has revived some of his most revered aliases - PLASTIKMAN, F.U.S.E., ROBOTMAN,, CIRCUIT BREAKER, 80XX, CHILDSPLAY and R.H.X. The title of the release is a play on the now classic early Plus 8 compilations From Our Mind To Yours from 1991 and 1992.
The records were previously released as very limited hand stamped white labels via Hard Wax in Berlin.

Tracklist
A1. Plastikman - Purrkusiv
B1. Plastikman - Gymnastiks
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PLACE YOUR ORDERS NOW, ONLY PRE ORDERED COPIES WILL BE MANUFACTERED AND SHIPPED!!!
Richie Hawtin's triumphant return to the stage as Plastikman in 2010 proved that his best-known alias is as innovative and as relevant as ever. Hawtin has taken Plastikman's most classic material, originally released between 1993 and 2003, and reworked it for a truly live performance accompanied by mind-bending, synchronized visuals-a sound and light show like no other, one that collapses the distance between present-day festivals and the uncompromisingly underground warehouse parties of the mid '90s. For many attendees, this is their first taste of Plastikman. Since 2003, Hawtin has been far better known simply as Richie Hawtin, the celebrated DJ and mastermind behind the Minus label. Some fans today were still infants when Plastikman's acid ripple first began streaming from Hawtin's basement studio in Windsor, Ontario, Canada.For long-time devotees and new fans alike, Hawtin now presents Plastikman's Arkives, a comprehensive release that pulls together 17 years of the Plastikman story so far, including remastered versions of all six previously released Plastikman albums and a trove of rarities, new remixes, unreleased sessions and new material. Arkives is a strictly limited, made-to-order edition, which means only as many copies will be manufactured as have been pre-ordered. Arkives Analog is the vinyl version on 6 pieces of 180 gram vinyl, featuring exclusive tracks taken from the Replikants remixes, plus a limited edition Plastikman poster. The set comes in a special deluxe custom box. Just as Hawtin and his crew used to cap admission to their underground parties, Arkives' edition will be strictly limited and it's a once in a lifetime chance to experience the full sweep of Plastikman's journey so far. 1. Plastikman - Gak (Gaiser's Oozing Through Windsor Tunnel Remix) 2. Plastikman - Akoustik (Francois K Electro Akoustik Remix) 3. Plastikman - Glob (Hobo's Acid Mix) 4. Plastikman - Mind In Rewind (Steve Bicknell Lost Remix) 5. Plastikman - Plasticity (Dubfire Remix) 6. Plastikman - Krakpot (Moby Remix) 7. Plastikman - Ping Pong (Ambivalent's Consumed by Pongs Remix) 8. Plastikman - Oedipus Komplex (Heartthob Rework) 9. Plastikman - Disconnect (Gaiser's Out Of Touch Remix) 10. Plastikman - Mind Rewind (Carl Craig Minus Meditation Movement Mix) 11. Plastikman - Mind Rewind (Ryan Crosson Remix) 12. Plastikman - Helikopter (Green Velvet Remix) 13. Plastikman - Plastique ( matthew johnson remix )
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VINYLEXCLUSIVE TRACK MONKEY!!!

As anticipation builds around Plastikman's forthcoming Arkives box set, Richie Hawtin sneaks up with something we weren't expecting: a new Plastikman single.
If you've heard Hawtin spin this summer, you're going to recognize Slinky as one of the highlights of his set: a blistering acid track that immediately stands out from today's standard-issue bassline techno hits. Ominous and insistent, it corkscrews deep into your brain, digging a wobbly 303 groove and hammering the point home with white-hot 909 snares. It's got all the hallmarks of classic Plastikman, from the octave-jumping acid lines to the white-knuckled, edge-of-your-seat suspense. In terms of intensity, it's right up there with "Glob" and "Spastik"-but, true to its name, it's slinkier and sexier, moving with a grinding, side-winding shuffle. It's quite a tricky business, rhythmically speaking, with unhinged triplet patterns slipping between the cracks of a stomping 4/4 beat. At several crucial points, the downbeat drops out, leaving you unmoored and bobbing dangerously out to sea. It's thrills, chills, and spills galore, and the same goes for the B-side, Monkee, a properly minimalist jungle-drum groove made of dizzily syncopated toms and clean, linear 808 patter. It's a trip into the darkest recesses of the rainforest, complete with the screeching of unknown beasts. And, like "Slinky," the groove works two different ways, with three-against-four pulses tugging your brain in two directions at once. In a word: dizzying. Beyond the obvious impact of both tracks, the single is particularly notable for being the first new Plastikman material since 2005's Nostalgik.2. Or… is it? In the run-up to Arkives, Hawtin has hinted at a trove of unreleased Plastikman material, tracks that have never seen the light of day. Are these tracks part of that bounty? Or are they new expressions of the classic Plastikman style? Hawtin isn't saying-all we know is that they're absolutely devastating.
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Track listing:

A1: ANNA - High Contrast
A2: YUADA - Circle of Acid
AA1: Fabio Florido - The Bliss
AA2: Toni Alvarez - That Days
AAA1: Matrixxman - Full Clipp
AAA2: Dave Simon - Methagem
AAAA1: ONYVAA - MISBHV
AAAA2: ORBE - Agdam

+8138
1/ ANNA – High Contrast
Recognition from Mixmag as one of 2018’s best DJ’s, an Essential Mix early in 2019, and a string of acclaimed releases all point
to the fact that ANNA is one of the biggest DJ’s in the world right now. She arrives on Plus 8 after a long affiliation with
Hawtin.
ANNA: ‘I remember the first time Richie played a song of mine in 2012! It’s been around 7 years now that I’ve been sending
him stuff, and in the meantime I’ve learnt more and refined my sound. ‘High Contrast’ is a symbol of how perseverance and
dedication lead to accomplishment.’
2/ YUADA - Circle of Acid
Japanese musician, artist and DJ, YUADA, has enjoyed an astounding rise since moving to Europe this year. She’s now based in
Amsterdam where she holds a residency at Melkweg. YUADA and Richie Hawtin met at this year’s edition of Awakenings
festival in the Netherlands, and after hearing a demo he decided to include ‘Circle of Acid’ on the compilation. With its
screeching acid lines and hard hitting percussion, it’s a shot of pure dancefloor energy.
YUADA: ‘I was at Awakenings festival with ONYVAA this year. She introduced me to Richie and he asked me to send him
some of my tracks. It was an unforgettable moment for me.’
3/ Fabio Florido - The Bliss
Fabio Florido is an Italian DJ who has played some of the biggest dancefloors around the world. His connection to Richie
Hawtin goes back many years when Richie started playing his tracks. In 2014 Fabio became resident DJ for the ENTER events
at Space Ibiza and ENTER events across the globe. His contribution to this compilation was recorded in a focused and
productive studio session.
Fabio: ‘sometimes I’m mechanical and I need to force myself to make music… but with this track it was a total flow.’ ‘
The Bliss’ takes cues from the label’s past and future : We have the 303, but it’s played in a different way. It’s very energetic,
I’m very proud of it.’
4/ Toni Alvarez - That Days
Toni Alvarez’s heady and percussive track ‘That Days’ recalls the label’s minimalistic techno roots. The Spanish DJ owes his
success to an impressive discography of over 50 tracks and a thrilling, intricate four deck mixing style that has become his
signature. It was his production talent that first got Hawtin’s attention.
Toni: ‘When Richie asked me for some songs to include on the Plus 8 compilation I couldn’t believe it but I immediately sent
him all the music I had.’
5/ Matrixxman - Full Clipp
Matrixxman is a prolific and gifted artist with a discography that includes successful forays into hip-hop and pop music. In
electronic music he’s made a name for himself producing and spinning raw, percussive dancefloor tracks, taking cues from
Chicago, Detroit and the UK. ‘Full Clipp’ sees him explore the darker, trippier side of this sound.
Matrixxman: ‘Rich and I bonded over our mutual love for fucked up futuristic rhythm trax.’
6/ Dave Simon - Methagem
Dave Simon has spent the last decade operating from the centre of Frankfurt’s techno scene. He held a residency at the
legendary club U60311 before its closure. Now he appears regularly at MTW Offenbach as well as Tresor in Berlin. He is the
founder of the label ‘Proper Techno Tunes’ and has released on Planet Rhythm. The tight and potent ‘Methagem’ was sent to
Hawtin as a demo after the two met in 2018.
Dave: I´ve been following Plus 8 since I started listening to electronic Music in the late 90s. I’ve collected so many of their
Vinyl and it is - without a doubt - one of the best labels in its genre.
It felt unreal when I received the message my track will be part of Plus 8 Records.’
7/ ONYVAA - MISBHV
The kinetic ‘MISBHV’ is the first of ONYVAA’s productions to be released outside Passeport Records, the label she operates
from Paris. Passeport releases have attracted the support of DJ’s like Marcel Dettman and Charlotte de Witte. As well as
appearing on this compilation, ONYVAA played live at the Plus 8 label night at FOLD in London and will play again before
Hawtin’s CLOSE show in Los Angeles on Nov 23 2019.
ONYVAA:‘I typically start jamming with my modular gear and hardware until I find a loop I can listen to continuously without
getting bored. After I build from there, trying to keep it stripped with many subtle variations.’
- on making tracks in the studio
8/ Orbe - Agdam
Orbe’s music toys with the division between the dancefloor functionalism of techno and the abstract expressionism of ambient
and IDM. His explorations in techno as a solo artist and under the name ‘Lost Epcot’ with Eduardo de la Calle have earned
him critical acclaim. ‘Agdam’, which features a disembodied melodic loop over submerged percussion, is the compilation’s
most introspective moment.
Orbe: "I am feeling very grateful to be part of this compilation. I’ve been following Richie since my beginning in electronic
music. He has always inspired me .. so this is like a dream come true. More

Special Remarks: Embossed Generic Sleeve for the Plus825 Series with innerprinted Sleeves!

Richie Hawtin reveals From My Mind To Yours, a new series of seven 12 inches via his own label Plus 8 Recordings, for which Hawtin has revived some of his most revered aliases - PLASTIKMAN, F.U.S.E., ROBOTMAN,, CIRCUIT BREAKER, 80XX, CHILDSPLAY and R.H.X. The title of the release is a play on the now classic early Plus 8 compilations From Our Mind To Yours from 1991 and 1992.
The records were previously released as very limited hand stamped white labels via Hard Wax in Berlin.

Tracklist
A1. Circuit Breaker - Systematic
B1. 80xx - Creepr
More

Special Remarks: Embossed Generic Sleeve for the Plus825 Series with innerprinted Sleeves!

Richie Hawtin reveals From My Mind To Yours, a new series of seven 12 inches via his own label Plus 8 Recordings, for which Hawtin has revived some of his most revered aliases - PLASTIKMAN, F.U.S.E., ROBOTMAN,, CIRCUIT BREAKER, 80XX, CHILDSPLAY and R.H.X. The title of the release is a play on the now classic early Plus 8 compilations From Our Mind To Yours from 1991 and 1992. .
A1. No Way Back B1. Stretching B2. Simple Simon
More

Special Remarks: Embossed Generic Sleeve for the Plus825 Series with innerprinted Sleeves!

Richie Hawtin reveals From My Mind To Yours, a new series of seven 12 inches via his own label Plus 8 Recordings, for which Hawtin has revived some of his most revered aliases - PLASTIKMAN, F.U.S.E., ROBOTMAN,, CIRCUIT BREAKER, 80XX, CHILDSPLAY and R.H.X. The title of the release is a play on the now classic early Plus 8 compilations From Our Mind To Yours from 1991 and 1992.
The records were previously released as very limited hand stamped white labels via Hard Wax in Berlin.

Tracklist
A1. 80xx - Creatur
B1. 80xx - Grindr
More

Special Remarks: Embossed Generic Sleeve for the Plus825 Series with innerprinted Sleeves!

Richie Hawtin reveals From My Mind To Yours, a new series of seven 12 inches via his own label Plus 8 Recordings, for which Hawtin has revived some of his most revered aliases - PLASTIKMAN, F.U.S.E., ROBOTMAN,, CIRCUIT BREAKER, 80XX, CHILDSPLAY and R.H.X. The title of the release is a play on the now classic early Plus 8 compilations From Our Mind To Yours from 1991 and 1992.
The records were previously released as very limited hand stamped white labels via Hard Wax in Berlin.

Tracklist
A1. F.U.S.E. vs. Plastikman - EXpanded
B1. R.H.X. - EXtensions
More

Special Remarks: Embossed Generic Sleeve for the Plus825 Series with innerprinted Sleeves!

Richie Hawtin reveals From My Mind To Yours, a new series of seven 12 inches via his own label Plus 8 Recordings, for which Hawtin has revived some of his most revered aliases - PLASTIKMAN, F.U.S.E., ROBOTMAN,, CIRCUIT BREAKER, 80XX, CHILDSPLAY and R.H.X. The title of the release is a play on the now classic early Plus 8 compilations From Our Mind To Yours from 1991 and 1992.
The records were previously released as very limited hand stamped white labels via Hard Wax in Berlin.

Tracklist
A1. F.U.S.E. - Them
B1. F.U.S.E. - Close
More

Special Remarks: Embossed Generic Sleeve for the Plus825 Series with innerprinted Sleeves!

Richie Hawtin reveals From My Mind To Yours, a new series of seven 12 inches via his own label Plus 8 Recordings, for which Hawtin has revived some of his most revered aliases - PLASTIKMAN, F.U.S.E., ROBOTMAN,, CIRCUIT BREAKER, 80XX, CHILDSPLAY and R.H.X. The title of the release is a play on the now classic early Plus 8 compilations From Our Mind To Yours from 1991 and 1992.
The records were previously released as very limited hand stamped white labels via Hard Wax in Berlin.

Tracklist
A1. Plastikman - Purrkusiv
B1. Plastikman - Gymnastiks
More

A1:Paco Osuna & John Lagora - Art Confusion A2: Paco Osuna & Uner - Paner AA1:Paco Osuna & Tamamovic - Ponsatu AA2:Paco Osuna & Tony Rohr - StaBass
UPC A Barcode: 815349011835 REL DATE 22.10.2012
Following on from the first Amigos EP on which Spain's Paco Osuna mixed it up with his real life friends comes Amigos Pt. 2, another EP of studio collaborations. It's been a great year for Paco, picking up plenty of acclaim across the board for his sets, remixes and productions, not least from DJ Mag Spain who voted him Best DJ, Best Producer and Best Remixer in their recent awards. The first track, 'Art Confusion' is in conjunction with John Lagora and explores woozy, subtle synth lines, squelchy percussion and plenty of sci-fi cinematism as it slowly snakes from a to b, growing ever funkier with each bar. 'Ponsatu' sees Paco team up with Tamamovic to go deep into the stripped back realms of techno. Above rolling grooves and belches of swollen synths sit intricate percussive patterns and barely recognisable voices before the whole thing bubbles over into a tightly coiled rhythm that kicks like a mule. It's fellow Spaniard Uner who steps up to the controls with Paco on 'Paner' and together the pair explore clicky micro rhythms and de-humanised vocal yelps. Thick with swirling air currents and devilish sound design it's a heady brew indeed. Finally, 'StaBass' in collaboration wit Tony Rohr, is a busy drum workout. Punchy and techy, it twists and turns beneath beguiling synth colours and shooting fire fly like sounds, building to intense highs where tension is built and then released at will. As such, it closes out another far ranging EP that shows Paco's friends are as on point in the studio as he is.
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Returning to Plus 8 for the third time, Julian Jeweil's profile as a contemporary techno titan has continued to grow. The Frenchman is now a firm part of the family and, when not in the studio, can be found owning dancefloors across Europe and beyond, putting to good use the experience he has built up over the last ten years since first emerging. The EP opens with the titular track, 'Bastard' - a rolling, cyclical techno groove with slapping drums and dark, heavily filtered vocal loop. Tension comes from layered, skewed synths that grow louder and louder till breaking down into white noise waves that flood the rest of the mix. 'Hey You' has just as firm and rubbery a bottom end, but here the iron-like synths bring a little funk as tiny FX percolate right at the heart of the track. Wholly abstract as ever, all sorts of other aqueous sounds drip in and out, conjuring thoughts of long dark tunnels disappearing deep underground. On 'The Gang' Jeweil lays down a restless, paranoid arrangement that sounds infected by alien space ships as an ominous vocal beams down from above. One synth here triggers another one there, making sure the whole thing is dynamic and filmic in its make-up. Closing out the EP is 'Zoulou', another steely techno stomper over run by alien sounds and non-human noises. Though his techno surely makes you dance, Julian Jeweil also knows how to get the most of his studio equipment and colours his tracks with more than enough detail to keep your mind as active as your feet.
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Tireless producer, Tronic boss and top international DJ Christian Smith here steps up for his first release on Plus 8. Over the years Christian has offered up a high volume and high quantity of techno inclined singles for myriad labels (Bedrock, Systematic, 100% Pure, Soma), so it only makes sense he now finds himself on one of the scene's most reliable outposts for such material. The two track EP kicks off with 'House is House' which is, as the name suggests, a little house-ier than the flip, but still deals in plenty of heavy bass weight and slick repetition. The devil is in the detail - filtered, dark voices, rattling cowbells, washes of white noise synths and long, thin, forward looking pads - all of which are married to a mid-tempo groove. The more forceful 'Indulge Me' then follows. Taught kick drums start immediately as claps and subtle synth stabs swell in volume until they eventually fill out the whole airwaves. Squirming behind are thin and icy steel lines until the first drop when the deliciously bouncy groove sets in proper. Far from aping the usual Detroit and Chicago tropes, Christian Smith has once again crafted two classy dance floor joints that are not only exquisitely produced, but that bare all the usual hallmarks of Christian Smith, one of the most consistent producers in the game.
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This time Plus 8 turn to Spanish talent Alberto Pascual for their next four track outing. He's a busy man with over thirty releases to his name already (on Plus 8 as well as labels like Drumcode) and a unique techno style all his own. Already the title track, 'Last Train To Party', has become a firm favourite on dancefloors across the world. Groovy kick drums drive the thing along as whooshes of atmosphere blast past and squelchy synth notes act like the ticking of an actual train track as you power through a desolate landscape. Next up, 'Acrobata' is woozy and almost disorientating to start, as thin sounds circle behind a bare drum sound. It's ominous and eerie before eventually getting into a groove and forcing you to dance. '1970' explores more of a rolling house vibe. It's warm and inviting despite the fact a snatched male voice sound is the only humanness in what sounds like a voyage to the edge of deep space. 'A Nebula Intro' is the final track and one that proves Pascual has plenty of range in his production toolbox. A little techier and more metallic than the other cuts, it's a loopy and hypnotic affair that draws you in with a dropped-shoulder beat and echoing percussion.
Stripped back but still detailed in all the right ways, Alberto Pascual's techno is precision crafted for maximum dancefloor impact.
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Here Uto Karem returns to Plus 8 for his second release on the label, with the two tracks he serves up - "Take Control" and "All Over You" - continuing in the rising Italian star's good run of form. As well as being an in-demand remixer, DJ and producer, Karem also runs his own Agile Recordings imprint on which he explores the same deep techno rhythms and loopy hypnotism as he does with his two original tracks here."Take Control" is a liquid track which builds in looped layers through piston pumping percussion, up-right beats and plenty of melodic drama. Though it pushes on from left to right in true Plus 8 style, the warmth and atmosphere that surrounds the main beats and bass is what really sets the track alight. "All Over You" again features a crisp, almost dry production style as various percussive elements flesh out a 4/4 techno groove. Hidden within each bar are some wooden sounding hits and various melodic notes, all of which are heart-warming additions to a killer dancefloor groove. As well as this, there is a more driving dub version of "Take Control" which canters on a knife edge for its six minute duration, closing out another efficient and streamlined techno release on Plus 8.
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27 year old Spaniard Alberto Pascual is the latest techno talent to be welcomed into the Plus 8 fold with Vertigo, his debut EP for the label.
A skilled DJ and live performer, Pascual has been producing since 2004, with over 30 releases to his name, all of which pursue a direct and powerful techno style. It's much the same on Vertigo, the title track of this EP which hits loopy depths immediately. Dramatic FX, crunchy hats and tension mounting hisses fill out the spaces between the beats, but the militant, marching groove never wavers.
'Truchas Rancias' is more reserved: Economical arrangements characterise the techno eeriness this time, forever hinting something is just around the corner but never quite showing you. Final vinyl cut 'Continuous Learning' is more unhinged, with swirling synths, dripping water sounds and shadowy voice sounds all coming together like classic Plus 8 weaponry.
The first of two digital only cuts, 'Serious Injury' is a warmer but equally pinpoint technoid affair. It builds slowly and with a tender touch, somewhat spaced out and perfect for the later hours, whereas 'Component' is at once a more hurried affair. It's impatient, loopy and hypnotic, building to a various electro charged zeniths.
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Italian-born Luigi Madonna made his name in his home town of Naples with early EPs released by Loose Records and Analytic Trail, catching the ear of many established techno stars before his original productions and remixes for the likes of Material and Drumcode began punctuating a succession of Plus 8 / Minus boss Richie Hawtin's DJ sets in recent months.

And so Hawtin has now called upon the producer to step up for his debut EP on the Plus 8 imprint, throughout which Madonna explores streamlined and stripped back grooves of the sort perfectly befitting the outlook of the label. The Sensation EP's lead track received a high profile debut in October, making an appearance early on in Hawtin's performance at the Boiler Room Minus special from ADE 2011 (which has thus far reached an online audience of over 100,000).
The EP is marked with the stamp of the Neopolitan's best work: '300' is hypnotic from the off, with wavy grooves building through warm apocalyptic winds and the slinkiest of hi hat patterns. Some rasping synth textures squirm through the whole thing toward the end, whereas 'Vibration works up and down as much as side-to-side. It's derelict, dark and devilishly functional techno whilst next effort 'Blaster' is punchy loopy perfection and 'Fuencarral' hops it way through classic Plus 8 territory whilst exuding a broody mood all its own.

'Sensation' itself has more of an insistent snap in its tail. The kicks and percussion here are livelier than before, with spraying synth sounds and classic techno percussion exploding into a beautifully bouncy peak time concoction.
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Frenchman Julian Jeweil’s second EP on Richie Hawtin’s Plus 8 label is sure to confirm Jeweil’s status as one of techno’s most reliable talents. The four track EP encompasses everything Jeweil has honed in his ten year plus career – tough sounds, high energy and a fusion of electro and minimal that hypnotises as much as moves you. Thus far it has come on labels like Cocoon and Skryptöm Records, whilst at the same time Jeweil (real name Julien Bérard) has been busy playing underground parties all across his homeland. ‘Hermanos’ is a thunderous affair where tight, bobbling basslines quickly unravel to expose a housier percussive line and kick drum in their midst. When searching synths begin to circle and a filtered vocal snatch and chilling FX play off each other, it’s anyone’s guess as to where the track will go next. Rather than exploding, it boils over then simmers repeatedly, with tension and motion coming from a number of apocalyptic samples, horns and bells. ‘Tabasco’ is even more tightly wound, with micro clicks and blips bubbling around an undulate beat structure that hits hard and deep once full in its stride. If that sounds good, things rally excel when frantic xylophone styled notes play busy, paranoid melodies that simply scream – ‘freak out!’ The third of four offerings, ‘Circus’ is another streamlined, urgent, minimalistic affair that establishes a groove early on before peppering it with the sort of abstract, alien sounds you’d expect. It’s bold and forceful but reserved and subtle at the same time, and it’s the balance between the two, which really enthrals. ‘Juice’ goes deeper and moans and groans in the darkened nether regions of minimal techno’s underbelly. A looping bass line falls deep below the twitchy synth stabs above. A micro-funk comes from the hooky percussive hits and the whole thing moves from a to b with a sleek, economic but efficient precision that confirms Julian Jeweil is well deserving of his place amongst the Plus 8 glitterati. More

out 3rd of oct
Since 1993, Sam Paganini has released a refined brand of deep techno that's won him support from the likes of Marco Carola, Timo Maas and Paco Osuna. Furthermore, his progressive techno offerings like 'Zoe' or harder efforts like 'Strobe' have also become chart topping fan favourites. As such, 2011 sees Plus 8 come calling for the revered Italian's sounds.
Titular track 'Cobra' is firm but not without groove. Whilst whole eco-systems of background FX, percussive slithers and wave-breaking synths add depth, a hurried techno beat drives things forward and builds in pressure. It finally breaks, melting to nothing but the kicking bottom end once more: it's techno perfection.'
'Last Call' proceeds at more of a canter, rising up and down as it rolls forwards. What sound like gale force winds howl in the background, darting in and out of the percussion, shifting your focus from here to there. It's brooding but balanced and plays out like a nightmare walk through a chilly, eerie forest in the dead of night.
'Phantom' confirms Paganini to be a man of economical yet efficient means - on the face of it another stripped down and pulsating cut, listen closer to the seven-minute workout and there's more abstract narratives hidden within the devilish background details. So, too, does this cut allow in more light than the rest when, late on, subtle rising chords inject some read hot warmth and a feel good undertones.
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After their legendary parties at The End sadly finished, veteran London production and DJ duo Layo & Bushwacka! have continued to champion the finest techno talents with their raw Shake It! parties featuring the likes of Plus 8/Minus boss Richie Hawtin, Minus stars Magda & Marc Houle and many more. It’s those credentials, coupled with their consistent back catalogue, which see the duo return to Plus 8 for a second offering this July in the form of Storm & Stress. Where the last effort focused on the concept of endangered animals, this one is all about military associations and, as such, sees them offer up three appropriately powerful dancefloor weapons. ‘Storm & Stress’ is the first track – a steely tech cut that fuses the detail of a dystopian, darkened landscape with the power of a marauding beat structure. Peeling away the percussion and effects then laying them all on thick once again, the dynamism of the many different lines is what makes this as urgent and propulsive a cut as it is: no two bars are the same as the thing plays out over its seven minute length. The flip, ‘Artillery’ pumps its way through frantic blips and sandy snares with all the intent a prime time techno cut needs, while the digital-only ‘Gunpowder’ is more undulating and glitchy, riding up and down like a stormy sea as it rolls onward with a mobile, subby groove buried deep down below. Myriad filters, effects and alien sounds pepper the airwaves to ensure your mind is as busy as your feet and demonstrate the sort of acute attention to welldesigned sounds that has gotten Layo & Bushwacka! where they are today. More

Territory: WW-UK/EIRE & USA,Canada

2024 repress

Double Vinyl
Pressed on BioVinyl and packaged in environmental wrapping


To celebrate its 30th anniversary, Plastikman's redefining acid techno masterpiece, Sheet One, has been mastered from the original tapes and reissued on vinyl via Mute and NovaMute.

Released in 1993 on Mute's subsidiary label NovaMute, this record was the debut for Richie Hawtin's alias Plastikman. 30 years on Sheet One is a landmark album in the field of electronic music, it changed the shape of what the genre could be and became.

Introducing one of techno's most recognisable logos, the album achieved a degree of notoriety for its acid blotter-style perforated artwork. Musically it focuses on laser-precise minimalist rhythms to drive a series of echo-box acid lines that gradually acquire power over the course of lengthy album tracks, with frequent use of the Roland TB-303, which gained prominence in the electronic music world as a staple of Chicago's acid house scene. Hawtin once described Sheet One perfectly in an interview with MusicRadar, saying "...It's music for the end of the party as you're melting into the floor, which is exactly what the name Plastikman was made to represent."

This seminal album helped to establish the template for minimal techno, and is a must listen for lovers of electronic music.

Available on double bio vinyl.

TRACKLIST
A1 Drp
A2 Plasticity
A3 Gak
B1 Okx
B2 Helikopter
B3 Glob
C1 Plasticine
C2 Koma
D1 Vokx
D2 Smak
D3 Ovokx

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LP
Territory: No sales to: Japan, UK, Eire, Benelux and Americas

Since 2009’s critically acclaimed Machine Dreams they have not sat still, touring the globe and making some high profile friends along the way.
No one in their right mind would have expected the future of soul music to come from Gothenburg, Sweden. But there it is in the dreamy, rhythmical, shifting, moody rainbow creature
that is Little Dragon. It is easy to see why some of the world’s top musical luminaries are falling over themselves to work with them. Stylishly seductive in their own right, their 2007 selftitled debut was filled with classy songwriting and cool production, with the stunning track ‘Twice’ getting played on Grey’s Anatomy and countless adverts since it’s release. Machine
Dreams showed a bouncier side, as they flexed their dancing nous and came up with an album that would turn Prince’s head.
Damon Albarn invited them to collaborate on two tracks for last year’s Gorillaz record Plastic Beach, which became album highlights for the critics with Pitchfork describing the songs
‘Empire Ants’ and ‘To Binge’ as “two of the most arresting things here; they’re airy, elusive and amazingly beautiful”.
Little Dragon started 2011 with a headlining tour of the U.S. and a performance on Late Night with Jimmy Fallon in March, thanks to a recommendation from super-fan Questlove of
The Roots. In May, the band appeared on the track ‘Just Don’t’ from Raphael Saadiq’s Stone Rollin’, a record some are already calling the album of the year. Then Big Boi and DJ
Shadow called to invite the group to work on new music.

TRACKLISTING:
1. Ritual Union
2. Little Man
3. Brush The Heat
4. Shuffle A Dream
5. Please Turn
6. Crystalfilm
7. Precious
8. Nightlight
9. Summertearz
10. When I Go Out
11. Seconds More

Special Remarks: Embossed Generic Sleeve for the Plus825 Series with innerprinted Sleeves!

Richie Hawtin reveals From My Mind To Yours, a new series of seven 12 inches via his own label Plus 8 Recordings, for which Hawtin has revived some of his most revered aliases - PLASTIKMAN, F.U.S.E., ROBOTMAN,, CIRCUIT BREAKER, 80XX, CHILDSPLAY and R.H.X. The title of the release is a play on the now classic early Plus 8 compilations From Our Mind To Yours from 1991 and 1992.
The records were previously released as very limited hand stamped white labels via Hard Wax in Berlin.

Tracklist
A1. Plastikman - Purrkusiv
B1. Plastikman - Gymnastiks
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LP: Black Vinyl With printed inner
Territory: No sales to: Japan, UK, Eire, Benelux and Americas

The debut album from soulful electronic pioneers Little Dragon originally released in 2007 was initially a record
slept on as no one in their right mind would have expected the future of soul music to come from Gothenburg,
Sweden. But there it is in the dreamy, rhythmical, shifting, moody rainbow creature that is Little Dragon. With
hindsight it is easy to see why some of the world’s top musical luminaries went onto fall over themselves to work
with them.
Includes the must own classics “Twice”; a master class in low key pop, with a sparse piano line offset by classy
strings and woozy synth wobbles; it is restrained, but never detached (over 100 million streams across multiple
DSPs) and “Constant Surprises” where Yukimi’s delicious vocal skips and glides atop hi-hats and bubbling bass
laying down the bands distinct soulful credentials (30 million streams)

Tracklist:

Twice
Turn Left
No Love
Recommendation
Constant Surprises
Forever
After The Rain
Place To Belong
Stormy Weather
Test
Wink
Scribbled Paper More

2022 repress

Tracklist:
01 Moan (Trentemoller Remix)
02 Moan (Radioslave Remix)

Only released in October 2006, Anders Trentemøller‘s stunning debut-album „The Last Resort“ already evolved into one of the most successful independent albums of the year. Raving reviews all over the place, various elections as „album of the year“ and solid playlists at the radios express the huge interest in the fantastic album. While 2006 has been topped of with a tour through Australia, the first Trentemøller highlight in 2007 will be the release of „Moan“, the second single from the album. For the a-side Trentemøller himself created a brilliant remix of the „Moan“-Vocal Version, which has been released on the Bonus-CD of the limited edition album only. Trentemøller managed to keep the mystic melancholic vibe of the track featuring the vocals of danish talent Ane Trolle, but adds punshy drums, screaming synths and some more guitars to guarantee serious dancefloor-action. Radioslave aka Matt Edwards aka Rekid aka Quite Village, on of the most in demand remix artists at the moment (Moby, Booka Shade, Justice, Peace Division, Pet Shop Boys, Joakim etc) contributed a great remix on the flipside. Slowly building over reduced drumpatterns their mix culminates into a manic wall of sound. While Poker Flat 81 features the vocal versions of both Trentemøller‘s and Radioslve‘s remixes, the instrumental and dub versions will be released simultaneously More

PLACE YOUR ORDERS NOW, ONLY PRE ORDERED COPIES WILL BE MANUFACTERED AND SHIPPED!!!
Richie Hawtin's triumphant return to the stage as Plastikman in 2010 proved that his best-known alias is as innovative and as relevant as ever. Hawtin has taken Plastikman's most classic material, originally released between 1993 and 2003, and reworked it for a truly live performance accompanied by mind-bending, synchronized visuals-a sound and light show like no other, one that collapses the distance between present-day festivals and the uncompromisingly underground warehouse parties of the mid '90s. For many attendees, this is their first taste of Plastikman. Since 2003, Hawtin has been far better known simply as Richie Hawtin, the celebrated DJ and mastermind behind the Minus label. Some fans today were still infants when Plastikman's acid ripple first began streaming from Hawtin's basement studio in Windsor, Ontario, Canada.For long-time devotees and new fans alike, Hawtin now presents Plastikman's Arkives, a comprehensive release that pulls together 17 years of the Plastikman story so far, including remastered versions of all six previously released Plastikman albums and a trove of rarities, new remixes, unreleased sessions and new material. Arkives is a strictly limited, made-to-order edition, which means only as many copies will be manufactured as have been pre-ordered. Arkives Analog is the vinyl version on 6 pieces of 180 gram vinyl, featuring exclusive tracks taken from the Replikants remixes, plus a limited edition Plastikman poster. The set comes in a special deluxe custom box. Just as Hawtin and his crew used to cap admission to their underground parties, Arkives' edition will be strictly limited and it's a once in a lifetime chance to experience the full sweep of Plastikman's journey so far. 1. Plastikman - Gak (Gaiser's Oozing Through Windsor Tunnel Remix) 2. Plastikman - Akoustik (Francois K Electro Akoustik Remix) 3. Plastikman - Glob (Hobo's Acid Mix) 4. Plastikman - Mind In Rewind (Steve Bicknell Lost Remix) 5. Plastikman - Plasticity (Dubfire Remix) 6. Plastikman - Krakpot (Moby Remix) 7. Plastikman - Ping Pong (Ambivalent's Consumed by Pongs Remix) 8. Plastikman - Oedipus Komplex (Heartthob Rework) 9. Plastikman - Disconnect (Gaiser's Out Of Touch Remix) 10. Plastikman - Mind Rewind (Carl Craig Minus Meditation Movement Mix) 11. Plastikman - Mind Rewind (Ryan Crosson Remix) 12. Plastikman - Helikopter (Green Velvet Remix) 13. Plastikman - Plastique ( matthew johnson remix )
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LP
Territory: No sales to: Japan, UK, Eire, Benelux and Americas


Little Dragon return with a spectacular second album offering in the fall, a pulsating electro pop epic
that Prince would be proud of! Machine Dreams, with its nagging hooks and gloriously infectious tunes, should finally see the
band break out into the mainstream. Having toured relentlessly since the last record, Little Dragon found themselves to be very
popular on the West coast. After appearing on KCRW’s popular ‘Morning Becomes Eclectic’ show, their album became the
most played on the station after Radiohead. No mean feat for the little dragons from Sweden, especially when the record was
only release digitally! The track ‘Twice’ even got played on hit ABC show Grey’s Anatomy, and After The Rain got licensed to
the Hollwywood motion picture 'The Women' starring Meg Ryan. The band soon came to the attention of David Sitek who
became an instant fan (as did notorious basement dweller DJ Shadow) and he wasted no time asking them to support TV On
The Radio on their US tour in May 2009.

Tracklist:

A New
Looking Glass
My Step
Feather
Thunder Love
Never Never
Runabout
Swimming
Blinking Pigs
Come Home
Fortune More

VINYLEXCLUSIVE TRACK MONKEY!!!

As anticipation builds around Plastikman's forthcoming Arkives box set, Richie Hawtin sneaks up with something we weren't expecting: a new Plastikman single.
If you've heard Hawtin spin this summer, you're going to recognize Slinky as one of the highlights of his set: a blistering acid track that immediately stands out from today's standard-issue bassline techno hits. Ominous and insistent, it corkscrews deep into your brain, digging a wobbly 303 groove and hammering the point home with white-hot 909 snares. It's got all the hallmarks of classic Plastikman, from the octave-jumping acid lines to the white-knuckled, edge-of-your-seat suspense. In terms of intensity, it's right up there with "Glob" and "Spastik"-but, true to its name, it's slinkier and sexier, moving with a grinding, side-winding shuffle. It's quite a tricky business, rhythmically speaking, with unhinged triplet patterns slipping between the cracks of a stomping 4/4 beat. At several crucial points, the downbeat drops out, leaving you unmoored and bobbing dangerously out to sea. It's thrills, chills, and spills galore, and the same goes for the B-side, Monkee, a properly minimalist jungle-drum groove made of dizzily syncopated toms and clean, linear 808 patter. It's a trip into the darkest recesses of the rainforest, complete with the screeching of unknown beasts. And, like "Slinky," the groove works two different ways, with three-against-four pulses tugging your brain in two directions at once. In a word: dizzying. Beyond the obvious impact of both tracks, the single is particularly notable for being the first new Plastikman material since 2005's Nostalgik.2. Or… is it? In the run-up to Arkives, Hawtin has hinted at a trove of unreleased Plastikman material, tracks that have never seen the light of day. Are these tracks part of that bounty? Or are they new expressions of the classic Plastikman style? Hawtin isn't saying-all we know is that they're absolutely devastating.
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