Special Remarks: Embossed Generic Sleeve for the Plus825 Series with innerprinted Sleeves!

Richie Hawtin reveals From My Mind To Yours, a new series of seven 12 inches via his own label Plus 8 Recordings, for which Hawtin has revived some of his most revered aliases - PLASTIKMAN, F.U.S.E., ROBOTMAN,, CIRCUIT BREAKER, 80XX, CHILDSPLAY and R.H.X. The title of the release is a play on the now classic early Plus 8 compilations From Our Mind To Yours from 1991 and 1992.
The records were previously released as very limited hand stamped white labels via Hard Wax in Berlin.

Tracklist
A1. Circuit Breaker - Systematic
B1. 80xx - Creepr


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Special Remarks: Embossed Generic Sleeve for the Plus825 Series with innerprinted Sleeves!

Richie Hawtin reveals From My Mind To Yours, a new series of seven 12 inches via his own label Plus 8 Recordings, for which Hawtin has revived some of his most revered aliases - PLASTIKMAN, F.U.S.E., ROBOTMAN,, CIRCUIT BREAKER, 80XX, CHILDSPLAY and R.H.X. The title of the release is a play on the now classic early Plus 8 compilations From Our Mind To Yours from 1991 and 1992.
The records were previously released as very limited hand stamped white labels via Hard Wax in Berlin.

Tracklist
A1. Plastikman - Akrobatix
B1. Plastikman - Cirkus


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Special Remarks: Embossed Generic Sleeve for the Plus825 Series with innerprinted Sleeves!

Richie Hawtin reveals From My Mind To Yours, a new series of seven 12 inches via his own label Plus 8 Recordings, for which Hawtin has revived some of his most revered aliases - PLASTIKMAN, F.U.S.E., ROBOTMAN,, CIRCUIT BREAKER, 80XX, CHILDSPLAY and R.H.X. The title of the release is a play on the now classic early Plus 8 compilations From Our Mind To Yours from 1991 and 1992. .
A1. No Way Back B1. Stretching B2. Simple Simon


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Special Remarks: Embossed Generic Sleeve for the Plus825 Series with innerprinted Sleeves!

Richie Hawtin reveals From My Mind To Yours, a new series of seven 12 inches via his own label Plus 8 Recordings, for which Hawtin has revived some of his most revered aliases - PLASTIKMAN, F.U.S.E., ROBOTMAN,, CIRCUIT BREAKER, 80XX, CHILDSPLAY and R.H.X. The title of the release is a play on the now classic early Plus 8 compilations From Our Mind To Yours from 1991 and 1992.
The records were previously released as very limited hand stamped white labels via Hard Wax in Berlin.

Tracklist
A1. 80xx - Creatur
B1. 80xx - Grindr


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Special Remarks: Embossed Generic Sleeve for the Plus825 Series with innerprinted Sleeves!

Richie Hawtin reveals From My Mind To Yours, a new series of seven 12 inches via his own label Plus 8 Recordings, for which Hawtin has revived some of his most revered aliases - PLASTIKMAN, F.U.S.E., ROBOTMAN,, CIRCUIT BREAKER, 80XX, CHILDSPLAY and R.H.X. The title of the release is a play on the now classic early Plus 8 compilations From Our Mind To Yours from 1991 and 1992.
The records were previously released as very limited hand stamped white labels via Hard Wax in Berlin.

Tracklist
A1. F.U.S.E. vs. Plastikman - EXpanded
B1. R.H.X. - EXtensions


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Special Remarks: Embossed Generic Sleeve for the Plus825 Series with innerprinted Sleeves!

Richie Hawtin reveals From My Mind To Yours, a new series of seven 12 inches via his own label Plus 8 Recordings, for which Hawtin has revived some of his most revered aliases - PLASTIKMAN, F.U.S.E., ROBOTMAN,, CIRCUIT BREAKER, 80XX, CHILDSPLAY and R.H.X. The title of the release is a play on the now classic early Plus 8 compilations From Our Mind To Yours from 1991 and 1992.
The records were previously released as very limited hand stamped white labels via Hard Wax in Berlin.

Tracklist
A1. F.U.S.E. - Them
B1. F.U.S.E. - Close


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Special Remarks: Embossed Generic Sleeve for the Plus825 Series with innerprinted Sleeves!

Richie Hawtin reveals From My Mind To Yours, a new series of seven 12 inches via his own label Plus 8 Recordings, for which Hawtin has revived some of his most revered aliases - PLASTIKMAN, F.U.S.E., ROBOTMAN,, CIRCUIT BREAKER, 80XX, CHILDSPLAY and R.H.X. The title of the release is a play on the now classic early Plus 8 compilations From Our Mind To Yours from 1991 and 1992.
The records were previously released as very limited hand stamped white labels via Hard Wax in Berlin.

Tracklist
A1. Plastikman - Purrkusiv
B1. Plastikman - Gymnastiks


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A1:Paco Osuna & John Lagora - Art Confusion A2: Paco Osuna & Uner - Paner AA1:Paco Osuna & Tamamovic - Ponsatu AA2:Paco Osuna & Tony Rohr - StaBass
UPC A Barcode: 815349011835 REL DATE 22.10.2012
Following on from the first Amigos EP on which Spain's Paco Osuna mixed it up with his real life friends comes Amigos Pt. 2, another EP of studio collaborations. It's been a great year for Paco, picking up plenty of acclaim across the board for his sets, remixes and productions, not least from DJ Mag Spain who voted him Best DJ, Best Producer and Best Remixer in their recent awards. The first track, 'Art Confusion' is in conjunction with John Lagora and explores woozy, subtle synth lines, squelchy percussion and plenty of sci-fi cinematism as it slowly snakes from a to b, growing ever funkier with each bar. 'Ponsatu' sees Paco team up with Tamamovic to go deep into the stripped back realms of techno. Above rolling grooves and belches of swollen synths sit intricate percussive patterns and barely recognisable voices before the whole thing bubbles over into a tightly coiled rhythm that kicks like a mule. It's fellow Spaniard Uner who steps up to the controls with Paco on 'Paner' and together the pair explore clicky micro rhythms and de-humanised vocal yelps. Thick with swirling air currents and devilish sound design it's a heady brew indeed. Finally, 'StaBass' in collaboration wit Tony Rohr, is a busy drum workout. Punchy and techy, it twists and turns beneath beguiling synth colours and shooting fire fly like sounds, building to intense highs where tension is built and then released at will. As such, it closes out another far ranging EP that shows Paco's friends are as on point in the studio as he is.


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Returning to Plus 8 for the third time, Julian Jeweil's profile as a contemporary techno titan has continued to grow. The Frenchman is now a firm part of the family and, when not in the studio, can be found owning dancefloors across Europe and beyond, putting to good use the experience he has built up over the last ten years since first emerging. The EP opens with the titular track, 'Bastard' - a rolling, cyclical techno groove with slapping drums and dark, heavily filtered vocal loop. Tension comes from layered, skewed synths that grow louder and louder till breaking down into white noise waves that flood the rest of the mix. 'Hey You' has just as firm and rubbery a bottom end, but here the iron-like synths bring a little funk as tiny FX percolate right at the heart of the track. Wholly abstract as ever, all sorts of other aqueous sounds drip in and out, conjuring thoughts of long dark tunnels disappearing deep underground. On 'The Gang' Jeweil lays down a restless, paranoid arrangement that sounds infected by alien space ships as an ominous vocal beams down from above. One synth here triggers another one there, making sure the whole thing is dynamic and filmic in its make-up. Closing out the EP is 'Zoulou', another steely techno stomper over run by alien sounds and non-human noises. Though his techno surely makes you dance, Julian Jeweil also knows how to get the most of his studio equipment and colours his tracks with more than enough detail to keep your mind as active as your feet.


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Tireless producer, Tronic boss and top international DJ Christian Smith here steps up for his first release on Plus 8. Over the years Christian has offered up a high volume and high quantity of techno inclined singles for myriad labels (Bedrock, Systematic, 100% Pure, Soma), so it only makes sense he now finds himself on one of the scene's most reliable outposts for such material. The two track EP kicks off with 'House is House' which is, as the name suggests, a little house-ier than the flip, but still deals in plenty of heavy bass weight and slick repetition. The devil is in the detail - filtered, dark voices, rattling cowbells, washes of white noise synths and long, thin, forward looking pads - all of which are married to a mid-tempo groove. The more forceful 'Indulge Me' then follows. Taught kick drums start immediately as claps and subtle synth stabs swell in volume until they eventually fill out the whole airwaves. Squirming behind are thin and icy steel lines until the first drop when the deliciously bouncy groove sets in proper. Far from aping the usual Detroit and Chicago tropes, Christian Smith has once again crafted two classy dance floor joints that are not only exquisitely produced, but that bare all the usual hallmarks of Christian Smith, one of the most consistent producers in the game.


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This time Plus 8 turn to Spanish talent Alberto Pascual for their next four track outing. He's a busy man with over thirty releases to his name already (on Plus 8 as well as labels like Drumcode) and a unique techno style all his own. Already the title track, 'Last Train To Party', has become a firm favourite on dancefloors across the world. Groovy kick drums drive the thing along as whooshes of atmosphere blast past and squelchy synth notes act like the ticking of an actual train track as you power through a desolate landscape. Next up, 'Acrobata' is woozy and almost disorientating to start, as thin sounds circle behind a bare drum sound. It's ominous and eerie before eventually getting into a groove and forcing you to dance. '1970' explores more of a rolling house vibe. It's warm and inviting despite the fact a snatched male voice sound is the only humanness in what sounds like a voyage to the edge of deep space. 'A Nebula Intro' is the final track and one that proves Pascual has plenty of range in his production toolbox. A little techier and more metallic than the other cuts, it's a loopy and hypnotic affair that draws you in with a dropped-shoulder beat and echoing percussion.
Stripped back but still detailed in all the right ways, Alberto Pascual's techno is precision crafted for maximum dancefloor impact.


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Here Uto Karem returns to Plus 8 for his second release on the label, with the two tracks he serves up - "Take Control" and "All Over You" - continuing in the rising Italian star's good run of form. As well as being an in-demand remixer, DJ and producer, Karem also runs his own Agile Recordings imprint on which he explores the same deep techno rhythms and loopy hypnotism as he does with his two original tracks here."Take Control" is a liquid track which builds in looped layers through piston pumping percussion, up-right beats and plenty of melodic drama. Though it pushes on from left to right in true Plus 8 style, the warmth and atmosphere that surrounds the main beats and bass is what really sets the track alight. "All Over You" again features a crisp, almost dry production style as various percussive elements flesh out a 4/4 techno groove. Hidden within each bar are some wooden sounding hits and various melodic notes, all of which are heart-warming additions to a killer dancefloor groove. As well as this, there is a more driving dub version of "Take Control" which canters on a knife edge for its six minute duration, closing out another efficient and streamlined techno release on Plus 8.


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27 year old Spaniard Alberto Pascual is the latest techno talent to be welcomed into the Plus 8 fold with Vertigo, his debut EP for the label.
A skilled DJ and live performer, Pascual has been producing since 2004, with over 30 releases to his name, all of which pursue a direct and powerful techno style. It's much the same on Vertigo, the title track of this EP which hits loopy depths immediately. Dramatic FX, crunchy hats and tension mounting hisses fill out the spaces between the beats, but the militant, marching groove never wavers.
'Truchas Rancias' is more reserved: Economical arrangements characterise the techno eeriness this time, forever hinting something is just around the corner but never quite showing you. Final vinyl cut 'Continuous Learning' is more unhinged, with swirling synths, dripping water sounds and shadowy voice sounds all coming together like classic Plus 8 weaponry.
The first of two digital only cuts, 'Serious Injury' is a warmer but equally pinpoint technoid affair. It builds slowly and with a tender touch, somewhat spaced out and perfect for the later hours, whereas 'Component' is at once a more hurried affair. It's impatient, loopy and hypnotic, building to a various electro charged zeniths.


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Italian-born Luigi Madonna made his name in his home town of Naples with early EPs released by Loose Records and Analytic Trail, catching the ear of many established techno stars before his original productions and remixes for the likes of Material and Drumcode began punctuating a succession of Plus 8 / Minus boss Richie Hawtin's DJ sets in recent months.

And so Hawtin has now called upon the producer to step up for his debut EP on the Plus 8 imprint, throughout which Madonna explores streamlined and stripped back grooves of the sort perfectly befitting the outlook of the label. The Sensation EP's lead track received a high profile debut in October, making an appearance early on in Hawtin's performance at the Boiler Room Minus special from ADE 2011 (which has thus far reached an online audience of over 100,000).
The EP is marked with the stamp of the Neopolitan's best work: '300' is hypnotic from the off, with wavy grooves building through warm apocalyptic winds and the slinkiest of hi hat patterns. Some rasping synth textures squirm through the whole thing toward the end, whereas 'Vibration works up and down as much as side-to-side. It's derelict, dark and devilishly functional techno whilst next effort 'Blaster' is punchy loopy perfection and 'Fuencarral' hops it way through classic Plus 8 territory whilst exuding a broody mood all its own.

'Sensation' itself has more of an insistent snap in its tail. The kicks and percussion here are livelier than before, with spraying synth sounds and classic techno percussion exploding into a beautifully bouncy peak time concoction.


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Frenchman Julian Jeweil’s second EP on Richie Hawtin’s Plus 8 label is sure to confirm Jeweil’s status as one of techno’s most reliable talents. The four track EP encompasses everything Jeweil has honed in his ten year plus career – tough sounds, high energy and a fusion of electro and minimal that hypnotises as much as moves you. Thus far it has come on labels like Cocoon and Skryptöm Records, whilst at the same time Jeweil (real name Julien Bérard) has been busy playing underground parties all across his homeland. ‘Hermanos’ is a thunderous affair where tight, bobbling basslines quickly unravel to expose a housier percussive line and kick drum in their midst. When searching synths begin to circle and a filtered vocal snatch and chilling FX play off each other, it’s anyone’s guess as to where the track will go next. Rather than exploding, it boils over then simmers repeatedly, with tension and motion coming from a number of apocalyptic samples, horns and bells. ‘Tabasco’ is even more tightly wound, with micro clicks and blips bubbling around an undulate beat structure that hits hard and deep once full in its stride. If that sounds good, things rally excel when frantic xylophone styled notes play busy, paranoid melodies that simply scream – ‘freak out!’ The third of four offerings, ‘Circus’ is another streamlined, urgent, minimalistic affair that establishes a groove early on before peppering it with the sort of abstract, alien sounds you’d expect. It’s bold and forceful but reserved and subtle at the same time, and it’s the balance between the two, which really enthrals. ‘Juice’ goes deeper and moans and groans in the darkened nether regions of minimal techno’s underbelly. A looping bass line falls deep below the twitchy synth stabs above. A micro-funk comes from the hooky percussive hits and the whole thing moves from a to b with a sleek, economic but efficient precision that confirms Julian Jeweil is well deserving of his place amongst the Plus 8 glitterati.

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out 3rd of oct
Since 1993, Sam Paganini has released a refined brand of deep techno that's won him support from the likes of Marco Carola, Timo Maas and Paco Osuna. Furthermore, his progressive techno offerings like 'Zoe' or harder efforts like 'Strobe' have also become chart topping fan favourites. As such, 2011 sees Plus 8 come calling for the revered Italian's sounds.
Titular track 'Cobra' is firm but not without groove. Whilst whole eco-systems of background FX, percussive slithers and wave-breaking synths add depth, a hurried techno beat drives things forward and builds in pressure. It finally breaks, melting to nothing but the kicking bottom end once more: it's techno perfection.'
'Last Call' proceeds at more of a canter, rising up and down as it rolls forwards. What sound like gale force winds howl in the background, darting in and out of the percussion, shifting your focus from here to there. It's brooding but balanced and plays out like a nightmare walk through a chilly, eerie forest in the dead of night.
'Phantom' confirms Paganini to be a man of economical yet efficient means - on the face of it another stripped down and pulsating cut, listen closer to the seven-minute workout and there's more abstract narratives hidden within the devilish background details. So, too, does this cut allow in more light than the rest when, late on, subtle rising chords inject some read hot warmth and a feel good undertones.


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After their legendary parties at The End sadly finished, veteran London production and DJ duo Layo & Bushwacka! have continued to champion the finest techno talents with their raw Shake It! parties featuring the likes of Plus 8/Minus boss Richie Hawtin, Minus stars Magda & Marc Houle and many more. It’s those credentials, coupled with their consistent back catalogue, which see the duo return to Plus 8 for a second offering this July in the form of Storm & Stress. Where the last effort focused on the concept of endangered animals, this one is all about military associations and, as such, sees them offer up three appropriately powerful dancefloor weapons. ‘Storm & Stress’ is the first track – a steely tech cut that fuses the detail of a dystopian, darkened landscape with the power of a marauding beat structure. Peeling away the percussion and effects then laying them all on thick once again, the dynamism of the many different lines is what makes this as urgent and propulsive a cut as it is: no two bars are the same as the thing plays out over its seven minute length. The flip, ‘Artillery’ pumps its way through frantic blips and sandy snares with all the intent a prime time techno cut needs, while the digital-only ‘Gunpowder’ is more undulating and glitchy, riding up and down like a stormy sea as it rolls onward with a mobile, subby groove buried deep down below. Myriad filters, effects and alien sounds pepper the airwaves to ensure your mind is as busy as your feet and demonstrate the sort of acute attention to welldesigned sounds that has gotten Layo & Bushwacka! where they are today.

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Rights : World excluding Fr & UK

Packaging: 2x Solid White Vinyl, Gatefold Sleeve, 2 x heavy weight printed inner, marketing sticker

VINYL TRACKLISTING

A 1. WATERJUMP / A2. FREEFLOATING / A3. NAIVE RESPONSE
B 1. DRONE LOGIC / B2. THESE NIGHTS NEVER END / B3. PLATFORM ZERO

C1. NEED ELECTRIC / C2. ALL I NEED / C3. SPRING 27
D1. SIMULREC / D2. NO ENERGY / D3. KNOWING WE'LL BE THERE


SHORT INFOS
This year marks 10 years of Daniel Avery ' s seminal masterpiece debut "Drone Logic" which was originally released October 7th 2013 and will be reissued by Phantasy & Because Music as first time ever limited Double Colored Vinyl.

QUOTES FROM ORIGINAL ALBUM RELEASE
The Guardian - A superb debut album 4/5 Time Out A great debut
4/5 Mojo Master of the slow build and unexpected twist..a compelling debut
8.5/10 DJ - Potent stuff 4/5 Q A future underground superstar
8/10 Uncut This is a techno album that seldom sags 8/10 NME - In a league of its own
9/10 Mixmag One of the best of 2013 Pitchfork - Avery owns this space
Resident Advisor - Underground dance music with this much ambition hasn't been heard in quite a while

BIOG FROM 2013
The 12 track album was written and produced since the turn of 2013 and mixed with Erol Alkan at 'The Phantasy Sound', the label's own studio in London. A difficult trick to master but like Carl Craig's 'More Songs About Food And Revolutionary Art', Plastikman's 'Consumed' or more recently the work of Four Tet, the album works as a cohesive whole rather than a disparate collection of tracks. Innovative and forward thinking, Drone Logic manages to draw influences from beyond the dancefloor via My Bloody Valentine, NEU! and Chris Carter while still having the techno pulse to scale the walls of any club. The wide array of plaudits and early adopters of Avery's music is proof of this, ranging from acid house legends like The Chemical Brothers, Andrew Weatherall and Richie Hawtin to the best of the new breed in Maya Jane Coles, James Holden and Factory Floor.
Firmly established as one of the UK's most exciting new DJ / producers having cut his teeth in Weatherall's Shoreditch studio bunker, Drone Logic follows up Avery's universally acclaimed mix CD for London clubbing institution Fabric where he remains a resident, recent remixes for Primal Scream, The Horrors & Django Django and last year's Need Electric and Water Jump EPs on Alkan's Phantasy label. This summer sees him play at Bestival, Festival No.6 and the Green Man festival.

"The one thing I knew was that I wanted this record to be a trip. All my favourite artists and DJs, they take the audience with them when they play; people lock into their world for a few hours and can't easily step out again. You're with them for the ride. When I go out, I want to give myself up to music. That was the idea for the album."
If the main motivation whilst making Drone Logic was to take the listener on a hi-fidelity trip for the duration of his debut album, then Daniel Avery has emphatically succeeded. From Water Jump's hypnotic pulse and punch through to the crystalline click of closer Knowing We'll Be Here via the title track's elemental acid swirl and New Energy's take on Neon Lights relocated to a post-midnight cab ride through London, Avery's debut pushes and pulls at the senses and blurs the boundaries between dancefloor and home listening experience. Thoroughly modern, utterly 'now', it's a record that justifies Andrew Weatherall's selection of Avery as 'one to watch' in Time Out - adding that he that made "gimmick-free machine-funk of the highest order". Drone Logic is indeed that: an album confident enough to sit comfortably next to the genre's classics.
"Although I wanted to make something very current, something that could only have been made in 2013 - I found myself going back to records like the Chemical Brothers' Surrender and Dig Your Own Hole as well as albums by Four Tet and Underworld. Records with a real dynamic; records that take you with them. None of those albums sound like 'computer music'. That was definitely something I wanted to avoid. I wanted the album to have a real life to it; it needed to be much more than just a bloke in a bedroom on a laptop making tracks."
Sonically, Drone Logic doesn't really fit expected templates of what a dance record in 2013 should sound like. There are no set piece vocals; when voices emerge on tracks, they are invariably disembodied, odd. And as distortion whips across techno-based backing tracks, it splices modern club music with the kind of sounds that forward thinking guitar bands might conjure up. The result is wholly compelling, gloriously transcendent and, yes, trippy. And much like Avery's lauded FABRICLIVE 66 compilation, Drone Logic follows the path of a precision DJ set.







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LP + 16 track Download

Release: 15.11.2019

Tracklist Vinyl:
A1. Fire in the Jungle / A2. We are All Lost feat. Monolink / A3. Tiny Sparks / B1. The Arctic Voice feat. Township Rebellion / B2. Endorphins / B3. Friendly Reminder feat. Cioz

Release info:

Part homage, part prophecy: ‘Fire in the Jungle’ is the 8th studio album from Berlin-based DJ, producer and label owner Oliver Koletzki, released on 15 November 2019 by Stil vor Talent.

With sounds as diverse as the stamps collected in Koletzki’s passport over the past 18 months, ‘Fire in the Jungle’ is a statement in itself: complex, verdant, the product of years of growth.

From the arid desert tundra of Australia, to the lush turquoise beaches and sacred sites of Mexico, to the dusty Playa of Burning Man: these rich and varied landscapes, people, experiences have strongly influenced Koletzki in the production of this multifaceted masterpiece.

Musical maestro and storyteller Koletzki expertly weaves live instruments with a range of electronic music production techniques, with producers Sam Shure, Township Rebellion, Hidden Empire, Niko Schwind and Cioz taking listeners on an extraordinary aural peregrination of genres and styles.

Lyrical and vocal collaborations with Monolink, Aparde, Temple Haze and Lisa Who are layered with Koletzki’s signature sound, adding their unique influence to this distinctive 16-track album.

Running the gamut from full-power, bass-heavy dance floor anthems to slower, more sultry tracks, the dramaturgy of this album is matched only by the eclectic exotica and psychedelia of the jungle.

As the Amazonian jungle burns, this versatile and thought-provoking album raises important questions about what sustains us and asks us to reconsider the egoism and laziness of the human species.

Tracklist Mp3 Download:
1. Melting Into to the Surroundings / 2. Lenny in the Sea with Dolphins / 3. Rainbow Serpent / 4. Fire in the Jungle / 5. Sequel feat. Aparde / 6. We are All Lost feat. Monolink / 7. Friendly Reminder feat. Cioz / 8. Tiny Sparks / 9. The Arctic Voice feat. Township Rebellion / 10. Action Speaks Louder than Words / 11. Zeitgeist / 12. Let Go feat. Temple Haze / 13. Endorphins / 14. Love Song / 15. Boxhagener Platz / 16. Away feat. Lisa Who


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GENRE/S:
Deep House, Lo-Fi House

TRACKLISTS:
A1. We Begin
A2. Understanding
B1. We Begin (Frank & Tony and Will Long Wide Open Edit)

SHORT INFO:
Following the success of their EPs released last year on Scissor and Thread, Frank & Tony return with another outing of deeper than deep house with a three track EP including an expansive collaborative exploration with Comatonse recording artist Will Long.
The title track, Understanding takes a nod to 90s Chicago deep house with a slow rolling groove set against plush pads and euphoric stabs sure to send dancefloors swirling in the earliest of nights and mornings alike. We Begin, a dreamy trip of emotive soundscapes, kicks things up a notch with jazzy undertones but a drive meant for peak times as it unfolds in moods and grooves for ages.
The EP then culminates with a vast rework of the same track in collaboration with Comatonse artist and DJ Sprinkles collaborator, Will Long, pushing the EP to psychedelic lengths as the essence of what we call a house groove reaches new idiosyncratic heights. Essential.











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REPRESS!

1xLP, Standard Jacket, Printed Sleeves, Marketing Sticker, pressed on Black vinyl with White Splatter

About:
Enigmatic Society is the next offering from the multi-faceted, Grammy-nominated supergroup Dinner Party. Full of opulently intricate instrumentation and a range of sleek R&B to smooth neo-soul vocals, Enigmatic Society is mesmerizing in its entirety. The album features brilliant performances from the debut Dinner Party crew: Terrace Martin, Robert Glasper, Kamasi Washington and 9th Wonder, with additional help vocalists Phoelix, Arin Ray, Ant Clemons, Tank and producers Sounwave, Hi-Tek and Trevor Lawrence Jr. Enigmatic Society serves as a follow up to the group's 2020 debut self-titled album and continues as a celebration of Black joy, life, art, and culture, as it pays tribute to the duality that manifests in both the beauty and adversity in Black America. This deep sense of community and family flows throughout the project with the album's artwork designed by Kamasi Washington's sister, artist Amani Washington.


Tracklist:
1. Answered Prayer (feat. Phoelix)
2. Breathe (feat. Arin Ray)
3. Insane (feat. Ant Clemons)
4. Watts Renaissance
5. For Granted (feat. Arin Ray)
6. Secure (feat. Phoelix & Tank)
7. Can't Go (feat. Phoelix)
8. The Lower East Side
9. Love Love (feat. Arin Ray)



Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore

Format: 1 x LP | Deluxe Handmade Tip-On sleeve | Analogue Remastered
Versions:
Limited Yellow Vinyl Edition

Side A
A1 You've Come A Long Way Baby
A2 Freak Around
A3 Strange
A4 I've Been Lovin' You Too Long
Side B
B1 Eye For An Eye
B2 Broken Down Man
B3 Let Me See Some Knees Pleeze
Release Notes:
Get ready to unleash your inner seventies funk and soul enthusiast with the reissued edition
of Miami's self-titled album! This record, which sadly became their last before disbanding in
the early 1980s following the collapse of T.K. Records, for which they were the in-house
band, will take you on a captivating musical journey.
The energy radiating from this album is almost palpable, filling the air with an electrifying
atmosphere. From start to finish, Miami's self-titled album bursts with infectious energy that
will transport you back to the soulful sounds of the era.
As the needle hits the vinyl, you'll be captivated by the undeniable groove and irresistible
beats. It's a sonic experience that will make you want to move your feet and let loose to the
soulful rhythms. This reissued masterpiece brings new life to a record that has long deserved
celebration and recognition.
So, let's give Miami's self-titled album the overdue acclaim it deserves. Dust off this musical
gem, crank up the volume, and let the funky and soulful melodies guide you on a nostalgic
journey. Get ready to groove like never before and experience the magic of Miami's
unforgettable sound in this special reissue

Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore

[Trifold 3x12” LP] incl. 18 Tracks for download

GENRE/S: House / Techno

TRACKLIST:

Vinyl:

A1 My Last Attempt
A2 Oliver's Silly Jam (feat. Oliver Klostermann)
A3 Get on the Bus

B1 Stay Until the Light (with Niko Schwind feat. Talmirage)
B2 Heart on Hold (feat. Fritz Kalkbrenner)
B3 Mind Games (with Natascha Polkè)

C1 Space Papi
C2 Candyflip
C3 Pleasure of the Very First Time

D1 Elevation (with Hidden Empire)
D2 Mantra for Bora
D3 Chasing Holes

E1 Branka (with Andhim)
E2 Hasenheide
E3 Is it Real (feat. Malou)

F1 Sonne geht auf (feat. LOLY)
F2 Midnight Reggae
F3 Don't Ever Wake Me Up (feat. Marlena Dae)



Download:

1. Oliver Koletzki, Oliver Klostermann - Oliver's Silly Jam
2. Oliver Koletzki - Get on the Bus
3. Oliver Koletzki, Niko Schwind feat. Talmirage - Stay Until the Light
4. Oliver Koletzki, Andhim - Branka
5. Oliver Koletzki, Fritz Kalkbrenner - Heart on hold
6. Oliver Koletzki feat. Natascha Polké - Mind Games
7. Oliver Koletzki - My Last Attempt
8. Oliver Koletzki feat. LOLY - Sonne geht auf
9. Oliver Koletzki - Midnight Reggae
10. Oliver Koletzki feat. Malou - Is It Real
11. Oliver Koletzki - Pleasure of the Very First Time
12. Oliver Koletzki - Candyflip
13. Oliver Koletzki - Space Papi
14. Oliver Koletzki, Hidden Empire - Elevation
15. Oliver Koletzki - Mantra for Bora
16. Oliver Koletzki - Chasing Holes
17. Oliver Koletzki - Hasenheide
18. Oliver Koletzki feat. Marlena Dae - Don't Ever Wake Me Up

Release Info:

With 'Trip to Sanity,' Berlin-based producer, DJ, live performer, and Stil vor Talent label head Oliver Koletzki presents a milestone in his 36-year long musical career and his 18-year tenure at the top of global electronic nightlife – his 10th studio album.

The album’s title, "Trip to Sanity’" – a reference to the classic German children’s story of the little dragon 'Tabaluga' – reflects Oliver's own path as a DJ within the world of club culture. But it also represents the appeal to an unbroken childlike curiosity as a producer, driven by the utopias of this parallel society. Naturally, Koletzki found his creative spark while performing on the stages of renowned festivals like Burning Man, Coachella, Garbicz, and Fusion, as well as in moments of peace and relaxation on meditative hikes and long beach walks in his second home of Cape Town.

In South Africa, Oliver wrote most of "Trip to Sanity" in the winter, then flashed out and finalised the tracks in his studio at Kreuzberg's Holzmarkt. Within the last 18 months a collection of complex and varied songs formed, which, typical for Oliver's collaborative approach, were often created in cooperation with musicians like techno-pop legend Fritz Kalkbrenner, Burning Man chance encounter Talmirage, scene friends Andhim, Hidden Empire, Oliver Klostermann and Niko Schwind, or the exceptional voices Natascha Polké, Malou, LOLY and Marlena Dae. The result is a rollercoaster ride through a diverse spectrum of dance music, effortlessly held together by Koletzki's unmistakable sound signature and his intrinsic sense for the exact tension between hedonistic dancefloor focus and poppy earworm impact. At the centre of it all shines a joie de vivre that runs like a thread through "Trip to Sanity": Playful, cheeky, imaginative, euphoric, a rainbow of genres and influences flow into each other, balanced by moments of reflection, melancholy or harshness.

The journey of discovery begins with the funky piano licks of "Oliver's Silly Jam," seamlessly followed by the disco groover "Get on the Bus." The radio single "Stay Until the Light" (feat. Niko Schwind & Talmirage) then combines pop vocals with deep emotions before Koletzki, alongside his superfriends Andhim, kicks it up a notch on the Afro-house masterclass "Branka." Next up, Fritz Kalkbrenner lends his unmistakable voice to the atmospheric anthem "Heart on Hold," paving the way for "Mind Games." Here, Natascha Polké's ethereal vocals glide over an almost haunting instrumental, heading towards the night.

At the album’s midpoint Koletzki breaks away from the expectations of the typical "techno blueprint" in a formal sense. Starting with the prophetically titled "My Last Attempt," a deep and muscular downtempo workout, Oliver creates a (further) homage to incredibly long nights with "Sonne Geht Auf" (feat. LOLY) and shows a completely different side of himself on the neon-infused dub track "Midnight Reggae." This segment of strong contrasts and a desire for reinvention is rounded off by the dreamy indie-dance atmosphere of "Is It Real" (feat. Malou), slowly leading us back to the club.

Because "The Pleasure of the Very First Time," "Candyflip," "Space Papi," "Elevation" (feat. Hidden Empire), and "Mantra for Bora" are clearly designed for the peak time, which is where Oliver predominantly finds himself during his sets. This part of the album is powerful, driving, and ecstatic – it captures the sweat of the dancefloor and the pulsation of the strobe light, making it tangible while listening.

Then, another shift is presented with "Chasing Holes" and "Hasenheide," two particularly rhythmic tracks characterised by hand drums and Balearic accents. Ultimately, Oliver concludes with the bittersweet closer "Don't Ever Wake Me Up" (feat. Marlena Dae). The title of this finale couldn't be more fitting, as it encapsulates what makes Oliver Koletzki's music so special at its core – it speaks to the subconscious, the senses, hits the heart, and leads it into the here and now.

For those who want to experience said state of mind even more intensely, there’s the opportunity this winter as part of the "Trip to Sanity" live concert tour in Germany. A long term dream of Oliver’s, who will present tracks from the new album paired with highlights from his extensive catalogue – naturally performed on an array of instruments in a proper live setup and as an audio-visual gesamtkunstwerk. For Oliver Koletzki, one milestone follows the other this year.










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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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2LP + 16 track MP3 download

Vinyl:
A1. Some Kind of Trip / A2. Hiding w/ Artche / A3. Resurgence / B1. Lost Spirits / B2. Dark Matter / B3. Mr. P / C1. All of Us w/ Bebetta / C2. Once Upon feat. Lazarusman / C3. Pina Colada / D1. Indio / D2. Eternal Vale / D3. Organic Train

Mp3 Download:
1. Some Kind Of Trip / 2. Hiding w/ Artche / 3. Resurgence / 4. Dark Matter / 5. Organic Train / 6. Mr. P / 7. All Of Us w/ Bebetta / 8. Indio / 9. Hectic Dreams / 10. Single Instance / 11. Once Upon feat. Lazarusman / 12. Breeding Ground / 13. Eternal Vale / 14. Eleven / 15. Lost Spirits / 16. Pina Colada


Short info:
'Lost Spirits' is an exploration in sounds for dancing. Catalysed by the catastrophe that was 2020, Hidden Empire step off the stage and retreat to the studio on a quest to find out what moves the people.

They seem to have found it. One out of the box, this 16 track album is designed for diversity. Hidden Empire oar their creative rudders, lending their hand from techno to deep house with a cheeky reach-around to a more downtempo vibe.

The first three tracks send you down the rabbit hole on a toe-tapping, hip-slapping aural escapade to the heavier edge of techno, the sublime vocals of Artche taking you directly back to those dancefloor moments when time stands still.

Taking the stairs two at a time in polyamorous heels, you’ll fall in love with the sassy, classy, savage vibes of ‘Resurgence’ and ‘Dark Matter’.

Transitioning to a more tribalesque vibe is ‘Organic Train’ a cut which blends the primitive, esoteric influence of the old world with the punchy, industrial sounds of the new world. Continuing on the exploratory sound voyage of downtempo, broken beaten space techno, ‘Mr. P’ stands in the forest listening to the plants talk to the people. Bebetta slips in with her inimitable style in the collectively inspired ‘All of Us’, keeping the Fun Dial turned right up.

Delving deep into the tundra, ‘Hectic Dreams’ become reality as the album turns towards the chunkier end of the musical spectrum. Punching out the bass-heavy bangers like 'Once Upon' (with a cameo from South African slam poet & spoken word artist The Lazarusman), Hidden Empire roll out with a flurry of cuts that are limitless in genre and luminous in effect.

The ‘Lost Spirits’ album is a nod to the certain kind of limitless magic which happens when people come together, without preconceptions, to get lost in the music together.

Packed full of 100% pre-pandemic dance-floor approved cuts, wrap your ears around these tasty morsels, in anticipation of a live show where we can all dance together en masse.





Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore

2LP Gatefold

Fluxion is an artist with a long standing contribution to the electronic music scene. "Perspectives" is the artist's 9th full length album under this moniker.
His collaborations over the years with top boutique labels, such as Chain Reaction and Echocord records, and his total volume of albums and eps, place him at the forefront of the electronic music scene, for more than 20 years.From avant guard electronic dance music to techno with ambient textures, Fluxion has managed to stay at the forefront producing music that helped shape up a whole scene.
"Perspectives" is a more personal album expressing the artist's state of mind at a specific point in time where the need for change was a necessity..
There are moments in every artistic path, where instead of following a concept, an instinct, a theorem, music becomes the tool that allows you to see and reflect more clearly on your own feelings.
Music has this unique ability to talk straight to your inner world, and doesn't necessarily request the process and the complexities of an analytical mind in order to be understood..It can just be felt.
That is at the core of "Perspectives", which sees a release on the artist's imprint Vibrant Music.
This album reflects on moments and moods, but in the process of doing so it manages to balance between listening environments, making it a fine full LP listening experience, and at the same time offering some great club choices, with tracks like "Formation","Glimpses". "Dawn","Glimpses II" and "Cliff" a version of which has been released by XLR8R last year.
With "Perspective" Fluxion has no intention to impress, but rather express in a more honest way, and share a moment in time, full of intimate moods, and take us on a journey..
One where feeling the music, is at the center.


Tracklist 2xLP
A1. Schism 4:00
A2. Formation 6:41
A3. Within 6:07
B1. Glimpses 12:53
B2. Dawn 6:20
C1. Glimpses II 9:15
C2. Down The Line 6:13
D1. Distance 6:28
D2. Cliff 6:09
D3. Promise 4:03



Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore