i did the "this beat is talking to you" (club mix) at my parents house in my old kinderzimmer. i forgot to take my blood pressure pills back then so maybe thats the reason it sounds like that. jacques renault is a old friend of mine who is one of the best djs. he told me he was working with mark verbos in the studio so i had to ask both for a remix. mark has already released awesome acid in 1994 on labels like DJAX-UP-BEATS and he is responsible for the best live performance i've seen in a hotel room in miami! secret circuit is eddie ruscha who doesnt need an introduction. but i heard his release on "beats in space" records and i fell in love with his 707 madness. furthermore looking at his sweaters was trippy enough for me to ask for a remix

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Kim Ann Foxman’s NYC label is back with two sizzling originals and two scorching on-point remixes.
‘Connection’ bumps with rave echoes and warehouse memories. Cavernous in its scope and emotional pull, the heady waves of nostalgia and unabashed futurism whip and wallop as Kim’s ethereal cries counter the analogue grit. It’s complemented by precision remix twist from Klasse act Luca Lozano who breaks up the drums and adds a little Tesor-like touches to the synths to create another timeless perspective.
Deeper again we hit ‘Magic Magic’, Bathed in dark bass bubbles, shimming chimes and dubby reflections. It’s 3am, you’re completely immersed and you never want it to stop. Luckily it doesn’t have to as Matisa hurls us deep into a version excursion that conjures memories of the classic Age Of Love.
Connected through spirit, sounds and just the right amount of magic. Firehouse is back!

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NTS mainstay Kasra V joins Firehouse Records with a sublime 6 track EP. Featuring a remix from Mike Servito and Justin Cudmore, and a collaboration with Dopplereffekt’s ?Rudolf Klorzeiger and To Nhan?.
“I’ve always admired Dopplereffekt's work, which is monumental to techno, so to have them on board for a collaboration is immense. I like to think of this EP as new millennium post proto trance/IDM.”-? ?Kasra V
A common thread weaves through Kasra’s thoughtful ?Akasa ?EP, each track adding an extra element to the journey. ?The EP ?opens up with the collaboration with Motor City group Dopplereffekt. ?Atropa Belladonna i?s a beatless beauty that flows effortlessly into the breakbeat rhythm of ?Bloom. Akasa ?follows with its dreamy synths. On the flipside ?Otaku delves delicately into IDM territory and ?Inferno ?finishes off the EP with its techno leanings, glitchy bleeps and blips that spill into lilting synths. ?Servito and ?Cudmore provide their own take on ?Bloom, s?tripping it back and creating an intergalactic track with a deeper bassline.
Iranian-born London-based producer Kasra V has been steadily rising through the ranks. His show on London station NTS and his DJ sets showcase his broad musical taste and his ability to seamlessly blend genres- from old school beats to middle-eastern grooves to acid and trance and beyond. His productions are equally diverse, releasing on Make Love In Public Spaces and Feelings.


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Kim Ann Foxman’s Firehouse imprint storms into 2018 with an extra special re-release of the 1994 rave classic Scott Richmond and John Selway aka Psychedlic Research Lab, Keep On Climbin’ .The package features both original mixes alongside two outstanding remixes from Deetron and Kim Ann Foxman. Mix 1 and Mix 2 sound as glorious now as they did when they were released. Mix 1, a bold, breakbeat construct, chopped vocal and emerging acid lines. Mix 2 places four to the floor. It’s deeper with added percussion, soft chord stabs and an almighty breakdown to the drop. Deetron makes his debut on Firehouse with a tough, grinding version, underpinned by his signature, gnarling bassline sound. Kim Ann Foxman incorporates acid lines to her revision. It builds intensely from start to finish, using Angela Johnson’s iconic vocal loop to perfection.

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Richard Sen's sound has always been influenced by black dance music and European electronic music and these two tracks carry on the vibe - dark, electronic funk! 'Flow Master" is inspired by old school New York house combined with European industrial body music. Sen calls it 'muscle house'. 'Bad Meaning Good' is a lighter, deep groove that takes inspiration from African percussion artists like Kongotronics.

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Brooklyn resident Kim Ann Foxman kicks off 2017 with a fresh release on her own Firehouse Records imprint. ?Energy EP comprises four new tracks heavy with Foxman’s recognisable sound, centred around her own unique vocals and the nostalgia of early house and techno records. Following on from a series of highly acclaimed solo productions on Firehouse, Foxman once again creates musictointoxicate.?“EnergyEPdiv esintomyraveroots,’sheexplains,‘Itincludesaselectionoftracksto be enjoyed at diff?erent times of the night.” ‘?URMagnetic’setsthetonewithafeverishvocalhookedonhauntingund?ertones,while‘?E4Energy’steps up the tempo with a rhythm that exudes Foxman’s own fire and intensity, whilst also capturing the spirit of rave.
Foxman’s vocals are centre? stage in ’?U & Me Electricity’, a track reminiscent of the UK rave scene and concluding in true mind-b?ending style is ’?2 The Source’.


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The first signing to Kim Ann Foxman’s trailblazing Firehouse imprint is a dancefloor-shredding hi-energy house track that’s been going down a storm at clubs from Ibiza to San Francisco this summer, created by Sankey’s resident DJ Josef K and producer Winter Son aka Thomas Ragsdale featuring singer Flora Cruz. Says Kim Ann Foxman: “Tribal Rhythm is fire! It's a fresh new track with a classic feel done right. It's got lots of energy, a sassy vox; it’s super catchy and a dance floor bomb! I’ve been playing it out non-stop, and it always creates a huge reaction on the dance floor. Hands go up in the air - the crowd goes wild. It’s a winner!” Says Josef K + Winter Son: “We really to make something hypnotic and starting making the piano swirl around, locking it in with the percussion. It was all done in pretty much one take and we just went with the track's momentum. It's dedicated to the nights we've spent with Sankeys' Tribal Sessions across the globe, and to everyone who's spent time on the dancefloor there.” Josef K + Winter Son’s influences, from Detroit to Berlin, are encapsulated through their hardware jams creating music with atmosphere, and intensity, both sharing duties on all manner of synths and drum machines in their Manchester studio. Their debut release, 'The Straw That Broke The Camel's Back', was released on Sasha's label Last Night On Earth. ‘Tribal Rhythm’ is the fourth release on Kim Ann Foxman’s Firehouse imprint - a collaboration with The Vinyl Factory - and follows three stellar EP’s by Kim Ann, including a re-release of her solo debut, the classic ‘Creature’.

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Kim Ann Foxman’s ‘C?reature’?was the introduction to her solo career. Now getting a rerelease and rework for her unstoppable Firehouse imprint, complete with fiery remixes from a/jus/ted, Nick Simoncino and Richy Ahmed. Originally released on Andy Butler’s Mr International, Foxman’s liquid gold vocals on ‘?Creature’ w?ere her first endeavour since their time together in Hercules & Love Affair and a beautiful example of her adept technique to craft unique, synth­inspired dance music. Undeniably her most recognised record, championed on Radio 1 and the like, it was never given the attention it deserved, leading to this special reinvention for her new label. “Creature is a jam that I hold very close to my heart,’ e?xplains Kim,”?so I'm really excited to be releasing it, along with brand new remixes, on my own label Firehouse. It’s never been available on wax vinyl before so I'm really excited that I’ll finally be able to have it in my hands.”? Kim’s own remix brings the track in line with her current style, the retro edges polished to a smoother finish and her vocals drifting away in whispering licks.?a?/jus/ted i?s a fellow New York outfit, his versions grounded in high energy and acid heat, while Italian?Nick Simoncino’?s two versions are charred with nostalgia, elevating the classic house and techno and highlighting the track’s simplicity. Finally Hot Creations figure Richy Ahmed’?s version decelerates the tempo and cracks and sizzles with finesse, giving this untamed ‘Creature’?many new leases of life.

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