In demand veteran DJ Richard Sen debuts his full length 2xLP India Man on Do You Recordings. His radio show on www.Doyou.World has been growing in popularity by the week. Rave reviews and almost sold out on pre order.

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Since 2014, Public Release has been enlisting the raw, trademark groove of Richard Sen on a variety of now- renowned remixes. Label boss Eug has cited him in numerous interviews as being one of his all-time favourite producers, so it was inevitable that a solo EP would eventually materialize. That time has finally come, and in the Spring of 2022, the UK legend drops his solo EP “My Definition of Funk” on Public Release. These three raw, gritty, hard-hitting, peak-time tracks are quintessential Richard Sen, combining the energy and influences of post-punk, breaks, and house in one sturdy sonic package. More

Klasse Wrecks' sub-label GRAFITI TAPES is back for its 12th instalment and features music and artwork from one of the most important and formative writers in early UK graffiti history, in fact Coma (or Richard Sen as he's also known) has the accolade of being one of the first ever writers to paint the London Underground system in the mid 1980s. His iconic 'Bottleneck' style train panel (which features on the sleeve artwork of this release) caused quite a storm in the national press and served as a landmark for the countless writers that came after him. Richard put down the spraycans in 1988 and has since had a flourishing and long career in music as a DJ and talented producer, his productions sonically capturing the 'boilingpot catch-all' style of Hip Hop culture. Richard's release for GRAFITI TAPES comes on two formats (vinyl and tape cassette) and serves up a total of 6 tracks. Included within is a melange of post-punk basslines, clattering breakbeats, trancey pads and a unique atmosphere that many writers will recognise from a legacy of graffiti video soundtracks, dusty 45s and boombox funk. More

Former Padded Cell and Bronx Dogs man Richard Sen has made some great records in his time, and "Songs of Pressure" is up there with the best of them. Joining the dots between murky dub disco, horror soundtracks and EBM, it layers spooky, delay-laden synthesizer motifs and wonky vocal samples atop a heavy dub rhythm and punchy machine drums. Pals Andrew Weatherall and Timothy J Fairplay deliver a bongo-laden, dubbed-out revision (part wayward exotica, part humid Balearic dub), while Acca strips the track down to its' nare bones for a ket-addled Dub.
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Graffiti artist, graphic designer, music curator, DJ and producer, Richard Sen has been around the block and back several times. Now he comes up solo with the Ghost Train EP - a dark and brooding release of old school meets new school house jack. Taking inspiration from the late 80s NYC, British and Italian house records that exploded on our consciousness and changed many lives, Ghost Train is both a homage and totally new take on what club music is about. After curating the amazing "This Ain't Chicago: The Underground Sound Of UK House & Acid 1987-1991" compilation in 2012, Richard now shows how it's done. Taking those influences running deep and melding the sounds of a mispent youth into an EP that has been moving dancefloors from LA to Berlin since appearing late last year as a limited white label. Chugging, brooding, deep but with a low slung groove and (can you name them?) samples underpinning the classic feel of Ghost Train and it's minimal sibling, Ghost Dub, the EP could end here and be killer. However, Richard shows his skill of soaking up his clubbing years in to new musical directions with Meteor Shower. Steppers kick, discoid bass and tranced out keys are go. Hype and demand has been interesting to see with support from Andrew Weatherall, Dominic Capello, Cosmo Vitelli, Mark E, Metro Area, Soft Rocks, The Glimmers and Trevor Jackson to name a few.
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Kim Ann Foxman’s NYC label is back with two sizzling originals and two scorching on-point remixes.
‘Connection’ bumps with rave echoes and warehouse memories. Cavernous in its scope and emotional pull, the heady waves of nostalgia and unabashed futurism whip and wallop as Kim’s ethereal cries counter the analogue grit. It’s complemented by precision remix twist from Klasse act Luca Lozano who breaks up the drums and adds a little Tesor-like touches to the synths to create another timeless perspective.
Deeper again we hit ‘Magic Magic’, Bathed in dark bass bubbles, shimming chimes and dubby reflections. It’s 3am, you’re completely immersed and you never want it to stop. Luckily it doesn’t have to as Matisa hurls us deep into a version excursion that conjures memories of the classic Age Of Love.
Connected through spirit, sounds and just the right amount of magic. Firehouse is back! More

NTS mainstay Kasra V joins Firehouse Records with a sublime 6 track EP. Featuring a remix from Mike Servito and Justin Cudmore, and a collaboration with Dopplereffekt’s ?Rudolf Klorzeiger and To Nhan?.
“I’ve always admired Dopplereffekt's work, which is monumental to techno, so to have them on board for a collaboration is immense. I like to think of this EP as new millennium post proto trance/IDM.”-? ?Kasra V
A common thread weaves through Kasra’s thoughtful ?Akasa ?EP, each track adding an extra element to the journey. ?The EP ?opens up with the collaboration with Motor City group Dopplereffekt. ?Atropa Belladonna i?s a beatless beauty that flows effortlessly into the breakbeat rhythm of ?Bloom. Akasa ?follows with its dreamy synths. On the flipside ?Otaku delves delicately into IDM territory and ?Inferno ?finishes off the EP with its techno leanings, glitchy bleeps and blips that spill into lilting synths. ?Servito and ?Cudmore provide their own take on ?Bloom, s?tripping it back and creating an intergalactic track with a deeper bassline.
Iranian-born London-based producer Kasra V has been steadily rising through the ranks. His show on London station NTS and his DJ sets showcase his broad musical taste and his ability to seamlessly blend genres- from old school beats to middle-eastern grooves to acid and trance and beyond. His productions are equally diverse, releasing on Make Love In Public Spaces and Feelings.
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Kim Ann Foxman’s Firehouse imprint storms into 2018 with an extra special re-release of the 1994 rave classic Scott Richmond and John Selway aka Psychedlic Research Lab, Keep On Climbin’ .The package features both original mixes alongside two outstanding remixes from Deetron and Kim Ann Foxman. Mix 1 and Mix 2 sound as glorious now as they did when they were released. Mix 1, a bold, breakbeat construct, chopped vocal and emerging acid lines. Mix 2 places four to the floor. It’s deeper with added percussion, soft chord stabs and an almighty breakdown to the drop. Deetron makes his debut on Firehouse with a tough, grinding version, underpinned by his signature, gnarling bassline sound. Kim Ann Foxman incorporates acid lines to her revision. It builds intensely from start to finish, using Angela Johnson’s iconic vocal loop to perfection. More

Brooklyn resident Kim Ann Foxman kicks off 2017 with a fresh release on her own Firehouse Records imprint. ?Energy EP comprises four new tracks heavy with Foxman’s recognisable sound, centred around her own unique vocals and the nostalgia of early house and techno records. Following on from a series of highly acclaimed solo productions on Firehouse, Foxman once again creates musictointoxicate.?“EnergyEPdiv esintomyraveroots,’sheexplains,‘Itincludesaselectionoftracksto be enjoyed at diff?erent times of the night.” ‘?URMagnetic’setsthetonewithafeverishvocalhookedonhauntingund?ertones,while‘?E4Energy’steps up the tempo with a rhythm that exudes Foxman’s own fire and intensity, whilst also capturing the spirit of rave.
Foxman’s vocals are centre? stage in ’?U & Me Electricity’, a track reminiscent of the UK rave scene and concluding in true mind-b?ending style is ’?2 The Source’.
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After dropping his “Can’t Remember”/”Talking To You” EP, his debut solo release for DFA, last summer, Austrian musician and producer Wolfram Eckert returns with a stellar four-tracker for Kim Ann Foxman's Firehouse imprint. His new offering, a track called “United 707”, finds Wolfram in fine form, delivering an infectious jam that makes us want to jump in his ’80s VW Scirocco for a late-night ride around New York. The release comes backed with remixes by Simoncino and Legowelt! Pressed on 180-gram heavyweight vinyl, housed in a full colour sleeve, limited to 500 copies worldwide. More

The first signing to Kim Ann Foxman’s trailblazing Firehouse imprint is a dancefloor-shredding hi-energy house track that’s been going down a storm at clubs from Ibiza to San Francisco this summer, created by Sankey’s resident DJ Josef K and producer Winter Son aka Thomas Ragsdale featuring singer Flora Cruz. Says Kim Ann Foxman: “Tribal Rhythm is fire! It's a fresh new track with a classic feel done right. It's got lots of energy, a sassy vox; it’s super catchy and a dance floor bomb! I’ve been playing it out non-stop, and it always creates a huge reaction on the dance floor. Hands go up in the air - the crowd goes wild. It’s a winner!” Says Josef K + Winter Son: “We really to make something hypnotic and starting making the piano swirl around, locking it in with the percussion. It was all done in pretty much one take and we just went with the track's momentum. It's dedicated to the nights we've spent with Sankeys' Tribal Sessions across the globe, and to everyone who's spent time on the dancefloor there.” Josef K + Winter Son’s influences, from Detroit to Berlin, are encapsulated through their hardware jams creating music with atmosphere, and intensity, both sharing duties on all manner of synths and drum machines in their Manchester studio. Their debut release, 'The Straw That Broke The Camel's Back', was released on Sasha's label Last Night On Earth. ‘Tribal Rhythm’ is the fourth release on Kim Ann Foxman’s Firehouse imprint - a collaboration with The Vinyl Factory - and follows three stellar EP’s by Kim Ann, including a re-release of her solo debut, the classic ‘Creature’. More

Kim Ann Foxman’s ‘C?reature’?was the introduction to her solo career. Now getting a rerelease and rework for her unstoppable Firehouse imprint, complete with fiery remixes from a/jus/ted, Nick Simoncino and Richy Ahmed. Originally released on Andy Butler’s Mr International, Foxman’s liquid gold vocals on ‘?Creature’ w?ere her first endeavour since their time together in Hercules & Love Affair and a beautiful example of her adept technique to craft unique, synth­inspired dance music. Undeniably her most recognised record, championed on Radio 1 and the like, it was never given the attention it deserved, leading to this special reinvention for her new label. “Creature is a jam that I hold very close to my heart,’ e?xplains Kim,”?so I'm really excited to be releasing it, along with brand new remixes, on my own label Firehouse. It’s never been available on wax vinyl before so I'm really excited that I’ll finally be able to have it in my hands.”? Kim’s own remix brings the track in line with her current style, the retro edges polished to a smoother finish and her vocals drifting away in whispering licks.?a?/jus/ted i?s a fellow New York outfit, his versions grounded in high energy and acid heat, while Italian?Nick Simoncino’?s two versions are charred with nostalgia, elevating the classic house and techno and highlighting the track’s simplicity. Finally Hot Creations figure Richy Ahmed’?s version decelerates the tempo and cracks and sizzles with finesse, giving this untamed ‘Creature’?many new leases of life. More