2022 Repress Edition, Beautifully Designed 2LP
When Recondite, AKA Lorenz Brunner, emerged with his debut LP for Acid Test (2012's On Acid), we were still learning about the German producer's inward-
looking dance floor sound. A few years later, his sinewy jams have proved near universal -- like an underground Zelig, he's fit perfectly everywhere from Rødhåd's Dystopian to Ghostly International and Innervisions. Acid Test also allows Recondite the chance to indulge his more outré tendencies and a welcomed return it is.
Tracklist:
A1 Compel , A2 Pass Up , A3 Sequenze feat. Tale Of Us
B1 Subdue , B2 Pages , B3 Poised
C1 Ley , C2 Undulate , D1 Nifty , D2 Placid More
When Recondite, AKA Lorenz Brunner, emerged with his debut LP for Acid Test (2012's On Acid), we were still learning about the German producer's inward-
looking dance floor sound. A few years later, his sinewy jams have proved near universal -- like an underground Zelig, he's fit perfectly everywhere from Rødhåd's Dystopian to Ghostly International and Innervisions. Acid Test also allows Recondite the chance to indulge his more outré tendencies and a welcomed return it is.
Tracklist:
A1 Compel , A2 Pass Up , A3 Sequenze feat. Tale Of Us
B1 Subdue , B2 Pages , B3 Poised
C1 Ley , C2 Undulate , D1 Nifty , D2 Placid More
More records from recondite
1
Recondite - Edge
2
Recondite - Nova
Recondite makes his HABITAT debut with a two-track EP that showcases his mastery of deep, emotive techno. The A-side, "Edge," offers a hypnotic blend of basslines and subtle melodies, perfect for late-night sets. On the flip side, "Nova" delivers a dreamlike, immersive experience with its ethereal synths and pulsing rhythm. Both tracks highlight Recondite's ability to evoke emotion through minimalism, cementing his place in the techno scene.
More
1
Recondite - Shun (5:43)
2
Recondite - Tide (6:05)
3
Recondite - Dust (Album Version) (5:13)
4
Recondite - Karat (5:25)
5
Recondite - Vait (5:30)
6
Recondite - Introsepct (5:35)
7
Recondite - Atma (Album Version) (4:59)
8
Recondite - Uvanet with Chris Avantgarde (6:08)
9
Recondite - Cut (Album Version) (5:12)
10
Recondite - Falling (Album Version) (3:37)
GENRE/S: Techno, Ambient Techno, Melodic Techno
Exclusive artwork design by Deutsche & Japaner
TRACKLIST:
A1. Recondite – Shun (5:43)
A2. Recondite – Tide (6:05)
B1. Recondite – Dust (Album Version) (5:13)
B2. Recondite – Karat (5:25)
C1. Recondite – Vait (5:30)
C2. Recondite – Introsepct (5:35)
C3. Recondite – Atma (Album Version) (4:59)
D1. Recondite – Uvanet with Chris Avantgarde (6:08)
D2. Recondite – Cut (Album Version) (5:12)
D3. Recondite – Falling (Album Version) (3:37)
INFO:
Feeling the deep and the hi simultaneously. Not craving for the extreme - finding balance instead. Indifference.
The word reflects what I often felt in recent times. Not just a feeling but a desire for things less pointed. It seems to be a general zeitgeist phenomenon but as I am part of the electronic music scene, I reflect a lot
about what is happening within this genre. There has been an urge for the either really hard, driving, fast and aggressive, or the extreme opposite.
Catchy vocals with a pop music feel, very direct and relatable melodies, soft grooves, piano chords. Either way - it feels like it has to be very distinctive - aggressive or soft - as long as it is extreme. It seems to be a moment in time where in whatever you do - it HAS to be in the face. All of this is fine of course - but never was my nature or personality. There is a reason why I chose to the adjective "Recondite" as an artist name because I could identify with the meaning of it. "hidden, obscure, not in the obvious”.
“Indifferent” is opposing this Zeitgeist and is representing driving techno with minimalistic melodic atmospheres, deep, haunting vibes, reserved yet strong and decisive within its own language, floating between melancholic desperation and hopefulness - music that lives right in between the hard and the soft... the aggressive and the neat... not black or white.
Not separated but INDIFFERENT.
SHORT VERSION:
“Indifferent” is opposing this Zeitgeist and is representing driving techno with minimalistic melodic atmospheres, deep, haunting vibes, reserved yet strong and decisive within its own language, floating between melancholic desperation and hopefulness - music that lives right in between the hard and the soft... the aggressive and the neat... not black or white.
Not separated but INDIFFERENT.
More
Exclusive artwork design by Deutsche & Japaner
TRACKLIST:
A1. Recondite – Shun (5:43)
A2. Recondite – Tide (6:05)
B1. Recondite – Dust (Album Version) (5:13)
B2. Recondite – Karat (5:25)
C1. Recondite – Vait (5:30)
C2. Recondite – Introsepct (5:35)
C3. Recondite – Atma (Album Version) (4:59)
D1. Recondite – Uvanet with Chris Avantgarde (6:08)
D2. Recondite – Cut (Album Version) (5:12)
D3. Recondite – Falling (Album Version) (3:37)
INFO:
Feeling the deep and the hi simultaneously. Not craving for the extreme - finding balance instead. Indifference.
The word reflects what I often felt in recent times. Not just a feeling but a desire for things less pointed. It seems to be a general zeitgeist phenomenon but as I am part of the electronic music scene, I reflect a lot
about what is happening within this genre. There has been an urge for the either really hard, driving, fast and aggressive, or the extreme opposite.
Catchy vocals with a pop music feel, very direct and relatable melodies, soft grooves, piano chords. Either way - it feels like it has to be very distinctive - aggressive or soft - as long as it is extreme. It seems to be a moment in time where in whatever you do - it HAS to be in the face. All of this is fine of course - but never was my nature or personality. There is a reason why I chose to the adjective "Recondite" as an artist name because I could identify with the meaning of it. "hidden, obscure, not in the obvious”.
“Indifferent” is opposing this Zeitgeist and is representing driving techno with minimalistic melodic atmospheres, deep, haunting vibes, reserved yet strong and decisive within its own language, floating between melancholic desperation and hopefulness - music that lives right in between the hard and the soft... the aggressive and the neat... not black or white.
Not separated but INDIFFERENT.
SHORT VERSION:
“Indifferent” is opposing this Zeitgeist and is representing driving techno with minimalistic melodic atmospheres, deep, haunting vibes, reserved yet strong and decisive within its own language, floating between melancholic desperation and hopefulness - music that lives right in between the hard and the soft... the aggressive and the neat... not black or white.
Not separated but INDIFFERENT.
More
1
Recondite - Rise
2
Recondite - Leafs
3
Recondite - Still
4
Recondite - Riant
5
Recondite - Stems
6
Recondite - Floe
7
Recondite - Abscondence
8
Recondite - Clouded
9
Recondite - Fey
10
Recondite - The Fade
Limited edition "smoky black" vinyl. Download card includes digital bonus tracks. In 2013, following excursions in deep house, acid, and techno that made him "one of Berlin's most compelling artists," per Resident Adviser, Lorenz Brunner brought his Recondite project to Ghostly International for the definitive full-length, Hinterland. The producer looked to his childhood homeland of Lower Bavaria, utilizing field recordings to map the music to the emotions of the region's seasons. Hinterland presented an atmosphere - icy, eerie, melancholic music that crossed intimate melodies with crisp percussion - what would become Recondite's signature. "This is the album that had to come out of Recondite eventually," he said at the time. "It is Recondite." A decade later, the sound remains wholly his own.
More
2LP - 2022 Repress Edition
"Recondite's debut album "On Acid" ATLP01 see's a reissue on September 18th together with a brand new single ASD025 "Limber/Undulate - Lawrence Mixes" !
The melancholic acid album released on Absurd's Acid Test imprint gained much acclaim upon it's initial release and has been in high demand for a repress since.
Next to the mentioned Single 12" - the album repress also precedes the release of his upcoming album "PLACID" - For those who have been waiting for "On Acid" to be listened to on long autobahn rides or more generally to have it at hand ready to be played any other time
- Placid will also be released on CD with "On Acid" being Bonus CD 2 !
Tracklist:
A1 Petrichor , A2 Tie In , B1 Felicity , B2 Petrichor - Tin Man remix , C1 Harbinger , C2 Sultry , D1 Jaded , D2 Jaded - Scuba remix
More
"Recondite's debut album "On Acid" ATLP01 see's a reissue on September 18th together with a brand new single ASD025 "Limber/Undulate - Lawrence Mixes" !
The melancholic acid album released on Absurd's Acid Test imprint gained much acclaim upon it's initial release and has been in high demand for a repress since.
Next to the mentioned Single 12" - the album repress also precedes the release of his upcoming album "PLACID" - For those who have been waiting for "On Acid" to be listened to on long autobahn rides or more generally to have it at hand ready to be played any other time
- Placid will also be released on CD with "On Acid" being Bonus CD 2 !
Tracklist:
A1 Petrichor , A2 Tie In , B1 Felicity , B2 Petrichor - Tin Man remix , C1 Harbinger , C2 Sultry , D1 Jaded , D2 Jaded - Scuba remix
More
LP + Album Digital-Download Code inside
TRACKLIST:
Vinyl:
A1. Recondite – Torpid (4:33)
A2. Recondite – Resilient (4:09)
A3. Recondite – Naif (3:24)
A4. Recondite – Fight Thru (4:41)
A5. Recondite – Sweet Pain (3:28)
B1. Recondite – Detach (4:27)
B2. Recondite – Elation (4:25)
B3. Recondite - Mutant (4:02)
B4. Recondite – Scare (3:31)
B5. Recondite – Qualm (3:36)
B6. Recondite – Taum (6:41)
SHORT INFO:
Recondite returns to his Plangent label in January 2022 with a hugely personal seventh studio album,
Taum.
The tracks were written between his Berlin home and the Lower Bavaria hinterland of his youth. In
capturing the array of emotions, he was feeling during the pandemic and mixing up both pastoral and
urban influences, the album is his most diverse to date. It takes in classic Recondite tracks that are deep,
melodic and meditative as well more edgy, darker beats inspired by his lifelong love of hip hop, grime and
trap.
With Taum, Recondite takes his signature sounds further than ever before. More
TRACKLIST:
Vinyl:
A1. Recondite – Torpid (4:33)
A2. Recondite – Resilient (4:09)
A3. Recondite – Naif (3:24)
A4. Recondite – Fight Thru (4:41)
A5. Recondite – Sweet Pain (3:28)
B1. Recondite – Detach (4:27)
B2. Recondite – Elation (4:25)
B3. Recondite - Mutant (4:02)
B4. Recondite – Scare (3:31)
B5. Recondite – Qualm (3:36)
B6. Recondite – Taum (6:41)
SHORT INFO:
Recondite returns to his Plangent label in January 2022 with a hugely personal seventh studio album,
Taum.
The tracks were written between his Berlin home and the Lower Bavaria hinterland of his youth. In
capturing the array of emotions, he was feeling during the pandemic and mixing up both pastoral and
urban influences, the album is his most diverse to date. It takes in classic Recondite tracks that are deep,
melodic and meditative as well more edgy, darker beats inspired by his lifelong love of hip hop, grime and
trap.
With Taum, Recondite takes his signature sounds further than ever before. More
Plangent Records is happy to host the limited vinyl edition of Pantha Du Prince his The Triad Remixes. Including remixes by Efdemin, Shinedoe, Alva Noto, Solomun, Recondite, Ambarchi and Sprenger, John Roberts.
More
More
1
Recondite - Valvate
2
Recondite - Rainmaker
3
Recondite - Saudade
4
Recondite - Rufus
5
Recondite - Step Back
6
Recondite - Arcane
Non Exclusive.
Tracklist 2 x 12":
A Valvate
B1 Rainmaker
B2 Saudade
C Rufus
D1 Step Back
D2 Arcane
Short Info:
Recondite signs his first full record to the Afterlife label, following two tracks on the Realm Of Consciousness compilations and many revered performances under the iconic man.
‘Rainmaker’ is a six-track, double-vinyl EP crafted from the delicate-yet-powerful ingredients that are Recondite’s signature. Free-falling from the tense opener ‘Valvate’ through various shades of his sound, you’re at once enchanted by the alluring melodies and moved to dance. ‘Rufus’ provides euphoria, ‘Step Back’ is trippy and minimal, ‘Arcane’ a haunting, atmospheric finish.
More
Tracklist 2 x 12":
A Valvate
B1 Rainmaker
B2 Saudade
C Rufus
D1 Step Back
D2 Arcane
Short Info:
Recondite signs his first full record to the Afterlife label, following two tracks on the Realm Of Consciousness compilations and many revered performances under the iconic man.
‘Rainmaker’ is a six-track, double-vinyl EP crafted from the delicate-yet-powerful ingredients that are Recondite’s signature. Free-falling from the tense opener ‘Valvate’ through various shades of his sound, you’re at once enchanted by the alluring melodies and moved to dance. ‘Rufus’ provides euphoria, ‘Step Back’ is trippy and minimal, ‘Arcane’ a haunting, atmospheric finish.
More
Non Exclusive. Fifth album from Recondite - 2LP Gatefold Vinyl + Downloadcode & CD inside
Tracklist
01 Daemmerlicht
02 Durch Den Hohlweg
03 Lichtung
04 Hoehlenlichter
05 Der Steinmetz
06 Von Der Kanzel
07 Am Tag Danach
08 Im Holz
09 Im Regen
10 Am Sonntag
11 Unten
12 Immer Da
Short Info:
Recondite has announced his fifth album, Daemmerlicht , due out in February on his own Plangent Records. Translated as "fading light," the new album finds the Bavarian musician exploring novel territory, combining his love of instrumental hip hop and downbeat with ambient and classical music.
The result is Recondite's most focused, meditative work yet. From the haunting soundscapes of "Lichtung," to the cinematic beauty of closing track "Immer Da," the album demonstrates a new level of sophistication to Lorenz Brunner's venerated catalogue of work. Making conscious use of atmosphere and space, the album ultimately harkens to Brunner's unique upbringing in Lower Bavaria. More
Tracklist
01 Daemmerlicht
02 Durch Den Hohlweg
03 Lichtung
04 Hoehlenlichter
05 Der Steinmetz
06 Von Der Kanzel
07 Am Tag Danach
08 Im Holz
09 Im Regen
10 Am Sonntag
11 Unten
12 Immer Da
Short Info:
Recondite has announced his fifth album, Daemmerlicht , due out in February on his own Plangent Records. Translated as "fading light," the new album finds the Bavarian musician exploring novel territory, combining his love of instrumental hip hop and downbeat with ambient and classical music.
The result is Recondite's most focused, meditative work yet. From the haunting soundscapes of "Lichtung," to the cinematic beauty of closing track "Immer Da," the album demonstrates a new level of sophistication to Lorenz Brunner's venerated catalogue of work. Making conscious use of atmosphere and space, the album ultimately harkens to Brunner's unique upbringing in Lower Bavaria. More
Special edition 2 CD Digipack , includes Debut Album: "On Acid" on CD2 for the first time ever on CD!
When Recondite, AKA Lorenz Brunner, emerged with his debut LP for Acid Test (2012's On Acid), we were still learning about the German producer's inward-looking dance floor sound. A few years later, his sinewy jams have proved near universal -- like an underground Zelig, he's fit perfectly everywhere from Rødhåd's Dystopian to Ghostly International and Innervisions. Acid Test also allows Recondite the chance to indulge his more outré tendencies and a welcomed return it is.
CD1 "Placid":
1 Compel , 2 Pass Up , 3 Sequenze feat. Tale Of Us , 4 Subdue , 5 Pages , 6 Poised , 7 Ley , 8 Undulate , 9 Nifty , 10 Placid
CD2 "On Acid":
1 Petrichor , 2 Tie In , 3 Felicity , 4 Petrichor - Tin Man remix , 5. Harbinger , 6. Sultry , 7. Jaded , 8. Jaded - Scuba remix
More
When Recondite, AKA Lorenz Brunner, emerged with his debut LP for Acid Test (2012's On Acid), we were still learning about the German producer's inward-looking dance floor sound. A few years later, his sinewy jams have proved near universal -- like an underground Zelig, he's fit perfectly everywhere from Rødhåd's Dystopian to Ghostly International and Innervisions. Acid Test also allows Recondite the chance to indulge his more outré tendencies and a welcomed return it is.
CD1 "Placid":
1 Compel , 2 Pass Up , 3 Sequenze feat. Tale Of Us , 4 Subdue , 5 Pages , 6 Poised , 7 Ley , 8 Undulate , 9 Nifty , 10 Placid
CD2 "On Acid":
1 Petrichor , 2 Tie In , 3 Felicity , 4 Petrichor - Tin Man remix , 5. Harbinger , 6. Sultry , 7. Jaded , 8. Jaded - Scuba remix
More
Brand new Single 12" - World Exclusive Title - precedes the release of Recondites upcoming album "PLACID" - Placid will be released in October as 2LP + 2CD.
CD version will feature "Placid" as well as Bonus "On Acid" - Recondites first Album first Time on CD !
12" track info below
A1 Limber - A2 Undulate
B1 Lawrence remix - B2 Lawrence Dub remix
More
CD version will feature "Placid" as well as Bonus "On Acid" - Recondites first Album first Time on CD !
12" track info below
A1 Limber - A2 Undulate
B1 Lawrence remix - B2 Lawrence Dub remix
More
1
recondite - Think Twice
2
recondite - Serak
A long time friend of the label and an artist who needs no introduction, Recondite presents two unique techno narratives for his much anticipated first EP on Life and Death. Up first and straight out the gate like the turning of the great Boethian wheel, Think Twice turns over and on top of itself again, like the march of time and the fortunes of paupers and princes alike. An ever advancing urgent reminder of the transitory nature of the eternal now, it graces us with her beauty and leaves us with a shaking sensation deep in our bones. On the B side, Serak begins with a bellowing bass emitted like a series of holotropic breaths from belly of Stanislav Grof himself. A sequence of sounds sent like a fishing line to the depths of the psyche, it returns with a portentous melody that winds and wanders until exploding midway thru the piece in a burst of restrained emotion.
More
More records from Acid Test
1
Bill Converse & Patricia - Dilute Developer
2
Bill Converse & Patricia - Subtractive Color
3
Bill Converse & Patricia - Stop Bath
4
Bill Converse & Patricia - Fixer
Tracklist:
A1. Dilute Developer
A2. Subtractive Color
B1. Stop Bath
B2. Fixer
Beat machine freak duo Bill Converse and Patricia (Max Ravitz) present 380/750, a new EP on Acid Test that blends the two producers’ singular styles to form an emotive “introspection on the dance floor” experience over the course of 4 tracks.
Recorded at Ravitz’s Brooklyn studio over the course of two days, 380/750 features raw, no-multitrack, no-edit live recordings that showcase the duo’s intuition for expressive rhythm tracks. Considering Converse’s roots in the 90’s Michigan rave scene, and Ravitz’s Chicago upbringing, the midwestern strains really shine through. With rhythm-composer mutations, acid dripping over atmospheric synth textures, and the ever-present jack throughout, 380/750 offers a deep sound to get lost in that feels both new and classic at the same time.
More
A1. Dilute Developer
A2. Subtractive Color
B1. Stop Bath
B2. Fixer
Beat machine freak duo Bill Converse and Patricia (Max Ravitz) present 380/750, a new EP on Acid Test that blends the two producers’ singular styles to form an emotive “introspection on the dance floor” experience over the course of 4 tracks.
Recorded at Ravitz’s Brooklyn studio over the course of two days, 380/750 features raw, no-multitrack, no-edit live recordings that showcase the duo’s intuition for expressive rhythm tracks. Considering Converse’s roots in the 90’s Michigan rave scene, and Ravitz’s Chicago upbringing, the midwestern strains really shine through. With rhythm-composer mutations, acid dripping over atmospheric synth textures, and the ever-present jack throughout, 380/750 offers a deep sound to get lost in that feels both new and classic at the same time.
More
1
Donato Dozzy & Tin Man - Test 7
2
Donato Dozzy & Tin Man - Test 3 (Vocal Version)
3
Donato Dozzy & Tin Man - Test 2
4
Donato Dozzy & Tin Man - Test 3
Tracklist
A1. Test 7
A2. Test 3 (Vocal Version)
B1. Test 2
B2. Test 3
The now 10 year old Acid Test 09 sees a special 10th Anniversary Edition repress with a new vocal mix of track “Test 3”.
The original EP saw acid nomad Tin Man team up with techno dreamweaver Donato Dozzy for three slices of deep acid and dubby, bleepy ambient.
In this special 10 Year Anniversary Edition Test 3” comes with a new vocal mix and it’s a welcome return to the mic for Tin Man. Perfectly-placed words sit among chiming bells and are layered deep into the echoes, almost like the synths themselves are speaking.
Acid Test 09 proved to be pairing in 303 paradise, but the results outclassed even Dozzy and Tin Man’s special partnership - they created simply a timeless signal that could broadcast through space ad infinitum.
Mastered and recut by Rashad.
More
A1. Test 7
A2. Test 3 (Vocal Version)
B1. Test 2
B2. Test 3
The now 10 year old Acid Test 09 sees a special 10th Anniversary Edition repress with a new vocal mix of track “Test 3”.
The original EP saw acid nomad Tin Man team up with techno dreamweaver Donato Dozzy for three slices of deep acid and dubby, bleepy ambient.
In this special 10 Year Anniversary Edition Test 3” comes with a new vocal mix and it’s a welcome return to the mic for Tin Man. Perfectly-placed words sit among chiming bells and are layered deep into the echoes, almost like the synths themselves are speaking.
Acid Test 09 proved to be pairing in 303 paradise, but the results outclassed even Dozzy and Tin Man’s special partnership - they created simply a timeless signal that could broadcast through space ad infinitum.
Mastered and recut by Rashad.
More
1
Tin Man - Nonneo
2
Tin Man - Mystified Acid (2024 rework)
3
Tin Man - Nonneo – Donato Dozzy remix
4
Tin Man - Love and Sex Acid
Tracklist
A1. Nonneo
A2. Mystified Acid (2024 rework)
B1. Nonneo – Donato Dozzy remix
B2. Love and Sex Acid
Acid Test repress the very first Acid Test 12”, a now-renowned outing by Vienna’s Tin Man aka Johannes Auvinen. ACIDTEST01.1 the repress serves up the original “Nonneo” alongside a new 2024 rework of “Mystified Acid” on the A side, while the B-side sees the revered hypnotic “Nonneo” remix by Italian techno master Donato Dozzy, rounded off by long-time favourite “Love Sex Acid” from the Acid Acid album. It’s a sweetly balanced package of vintage Tin Man vibes, always searching for the heart in the machine.
Mastered and recut by Rashad.
More
A1. Nonneo
A2. Mystified Acid (2024 rework)
B1. Nonneo – Donato Dozzy remix
B2. Love and Sex Acid
Acid Test repress the very first Acid Test 12”, a now-renowned outing by Vienna’s Tin Man aka Johannes Auvinen. ACIDTEST01.1 the repress serves up the original “Nonneo” alongside a new 2024 rework of “Mystified Acid” on the A side, while the B-side sees the revered hypnotic “Nonneo” remix by Italian techno master Donato Dozzy, rounded off by long-time favourite “Love Sex Acid” from the Acid Acid album. It’s a sweetly balanced package of vintage Tin Man vibes, always searching for the heart in the machine.
Mastered and recut by Rashad.
More
1
Om Unit + TM404 - Motorway Acid
2
Om Unit + TM404 - Microdose Mondays
3
Om Unit + TM404 - London Stock
4
Om Unit + TM404 - Meanwhile… In The Smoking Area
5
Om Unit + TM404 - Thursday
6
Om Unit + TM404 - Retracted
7
Om Unit + TM404 - Praha
2023 repress
Format: LP
Tracklist
A1. Motorway Acid
A2. Microdose Mondays
A3. London Stock
B1. Meanwhile… In The Smoking Area
B2. Thursday
B3. Retracted
B4. Praha
Release Info:
Two visionary explorers of the acid and dub intersection team up for a seven track LP In The Afterworld on Acid Test.
Om Unit and TM404 have both been researching production and compositional elements in the crosshairs of dub and acid for the last few years - Om Unit most notably with his Acid Dub Studies 1 & 2, and TM404 with his Acidub album in particular.
Om Unit has been a longtime fan of TM404’s use of the TB-303 and the deconstructed space he brings to the house and techno template. Meanwhile Om Unit’s own leaning towards breaks and reggae instrumentation has offered a different approach to the acid sound they both love so much. So an LP with Acid Test seemed the perfect opportunity to combine those approaches and see what kind of mutations could be discovered. The result is a primordial soup that is in parts acid, dub, breaks and ambient, full of spaced-out synths and psychedelic bass, where the pair enjoyed building tracks with a feel for where the music wanted to go, irrespective of stylistic constraints.
Rolling opener Motorway Acid sets the pace high and strong, conjuring both wide open spaces and fast-paced travel at the same time, with weightless pads, stroboscopic breaks and a mighty 303 riff that can teleport you to the middle of a foggy dancefloor. Microdose Mondays on the other hand, slows the tempo down and veers into cosmic territory, with perfectly dubbed drum rolls and burbling squelch. But it’s London Stock that kicks the album into hyperspace, finding its futuristic steppers groove somewhere in the answer to the hypothetical question ‘what if Shaka had produced Stingray?’
Speaking of underwater electronics, Meanwhile In The Smoking Area delves deep into submarine territory, delivering the kind of bass weight and sonar acid signals you’d need a diver’s suit for. It’s a vibe that’s continued on the tracks Thursday and Refracted, and speaks to the record's title - otherworldly, dreamy bass meditations that aren’t of this realm. The album closes out with Praha, a pacey yet ambient vista of warm wide synths, layers of 303, and dub echoes that sound like the machines are slowly coming to life.
It’s in this altered state that the album resides, somewhere between worlds and styles, emerging out of the space around the TB-303 that Om Unit and TM404 have created, with their open-minded approach to the music and to this collaboration. Free the 303!
More
Format: LP
Tracklist
A1. Motorway Acid
A2. Microdose Mondays
A3. London Stock
B1. Meanwhile… In The Smoking Area
B2. Thursday
B3. Retracted
B4. Praha
Release Info:
Two visionary explorers of the acid and dub intersection team up for a seven track LP In The Afterworld on Acid Test.
Om Unit and TM404 have both been researching production and compositional elements in the crosshairs of dub and acid for the last few years - Om Unit most notably with his Acid Dub Studies 1 & 2, and TM404 with his Acidub album in particular.
Om Unit has been a longtime fan of TM404’s use of the TB-303 and the deconstructed space he brings to the house and techno template. Meanwhile Om Unit’s own leaning towards breaks and reggae instrumentation has offered a different approach to the acid sound they both love so much. So an LP with Acid Test seemed the perfect opportunity to combine those approaches and see what kind of mutations could be discovered. The result is a primordial soup that is in parts acid, dub, breaks and ambient, full of spaced-out synths and psychedelic bass, where the pair enjoyed building tracks with a feel for where the music wanted to go, irrespective of stylistic constraints.
Rolling opener Motorway Acid sets the pace high and strong, conjuring both wide open spaces and fast-paced travel at the same time, with weightless pads, stroboscopic breaks and a mighty 303 riff that can teleport you to the middle of a foggy dancefloor. Microdose Mondays on the other hand, slows the tempo down and veers into cosmic territory, with perfectly dubbed drum rolls and burbling squelch. But it’s London Stock that kicks the album into hyperspace, finding its futuristic steppers groove somewhere in the answer to the hypothetical question ‘what if Shaka had produced Stingray?’
Speaking of underwater electronics, Meanwhile In The Smoking Area delves deep into submarine territory, delivering the kind of bass weight and sonar acid signals you’d need a diver’s suit for. It’s a vibe that’s continued on the tracks Thursday and Refracted, and speaks to the record's title - otherworldly, dreamy bass meditations that aren’t of this realm. The album closes out with Praha, a pacey yet ambient vista of warm wide synths, layers of 303, and dub echoes that sound like the machines are slowly coming to life.
It’s in this altered state that the album resides, somewhere between worlds and styles, emerging out of the space around the TB-303 that Om Unit and TM404 have created, with their open-minded approach to the music and to this collaboration. Free the 303!
More
1
Tin Man - Hidden Acid
2
Tin Man - Swaying Acid
3
Tin Man - Running Acid
4
Tin Man - Wrapped Up Acid
Tracklist
A1. Hidden Acid
A2. Swaying Acid
B1. Running Acid
B2. Wrapped Up Acid
Release Info:
Vienna-based producer and 303 maestro Tin Man returns to Acid Test for his first solo EP for the label in over 5 years. It's another impeccable outing of romantic acid variations, especially tailored for unforgettable dancefloor revelations.
Tin Man has been setting the pace for forward-looking acid lovers for close to two decades now, and on his 15th Acid Test appearance he takes the vibe back to early and proto-house roots, stripping back the musical elements while layering in the euphoria with four perfectly crafted slices of feelgood 303.
Opening track Hidden Acid already sounds like a long lost classic, with strings draped over bouncy acid and motorik drums, stretching out over nearly nine minutes, and beautifully capturing the feel of house music circa 1991. Swaying Acid comes in all propulsive, toms and congas setting the foundation for melodic acid lines to weave through your heart strings.
On the B Side, Running Acid is fully optimized for the autobahn fast lane - a gradual, slow-filtered acid meltdown that builds and releases in tandem with driving hats and vaporous pads that hang over the track like early morning mists. Wrapped Up Acid brings the EP to a fitting close, slowing the tempo for a low-key easy dance excursion par excellence - smooth yet spikey 303 riffs punctuate the chords that drift through with a hint of Badalamenti in the progression.
With the Hidden Acid EP Tin Man might hark back to more vintage times, but the emotive power is as strong as ever. The naivety of the ‘90s is instead replaced with a conviction behind the musical choices that brings even more weight to the heartwarming vibes. This is acid in some of the best shape it's ever been, enhanced and upgraded specifically for the dance.
More
A1. Hidden Acid
A2. Swaying Acid
B1. Running Acid
B2. Wrapped Up Acid
Release Info:
Vienna-based producer and 303 maestro Tin Man returns to Acid Test for his first solo EP for the label in over 5 years. It's another impeccable outing of romantic acid variations, especially tailored for unforgettable dancefloor revelations.
Tin Man has been setting the pace for forward-looking acid lovers for close to two decades now, and on his 15th Acid Test appearance he takes the vibe back to early and proto-house roots, stripping back the musical elements while layering in the euphoria with four perfectly crafted slices of feelgood 303.
Opening track Hidden Acid already sounds like a long lost classic, with strings draped over bouncy acid and motorik drums, stretching out over nearly nine minutes, and beautifully capturing the feel of house music circa 1991. Swaying Acid comes in all propulsive, toms and congas setting the foundation for melodic acid lines to weave through your heart strings.
On the B Side, Running Acid is fully optimized for the autobahn fast lane - a gradual, slow-filtered acid meltdown that builds and releases in tandem with driving hats and vaporous pads that hang over the track like early morning mists. Wrapped Up Acid brings the EP to a fitting close, slowing the tempo for a low-key easy dance excursion par excellence - smooth yet spikey 303 riffs punctuate the chords that drift through with a hint of Badalamenti in the progression.
With the Hidden Acid EP Tin Man might hark back to more vintage times, but the emotive power is as strong as ever. The naivety of the ‘90s is instead replaced with a conviction behind the musical choices that brings even more weight to the heartwarming vibes. This is acid in some of the best shape it's ever been, enhanced and upgraded specifically for the dance.
More
1
Marcellus Pittman - Facid Trunktion
2
Marcellus Pittman - Sanskrit Body Rock
3
Marcellus Pittman - Ask It Acid
Tracklist
A1. Facid Trunktion
B1. Sanskrit Body Rock
B2. Ask It Acid
Release Info:
Detroit’s Marcellus Pittman returns to Acid Test following his Unknown Species track featured on the “10 Years of Acid Test” compilation, he’s back with his debut EP for the label.
Juddering mechanical beats, layered percussion and gurgling 303 basslines are on the menu, from one of Detroit’s finest.
Housed in a full colour sleeve, with a photo by Marcellus himself
More
A1. Facid Trunktion
B1. Sanskrit Body Rock
B2. Ask It Acid
Release Info:
Detroit’s Marcellus Pittman returns to Acid Test following his Unknown Species track featured on the “10 Years of Acid Test” compilation, he’s back with his debut EP for the label.
Juddering mechanical beats, layered percussion and gurgling 303 basslines are on the menu, from one of Detroit’s finest.
Housed in a full colour sleeve, with a photo by Marcellus himself
More
Label:Acid Test
Cat-No:AcidTest018.1
Release-Date:11.11.2022
Genre:House / Techno
Configuration:12" Excl
Label:Acid Test
Cat-No:AcidTest018.1
Release-Date:11.11.2022
Genre:House / Techno
Configuration:12" Excl
1
Ociya (Tin Man + Patricia) - Helium Flash
2
Ociya (Tin Man + Patricia) - Red Shift
3
Ociya (Tin Man + Patricia) - Meteor Shower
4
Ociya (Tin Man + Patricia) - Solar Wind
Tracklist
A1. Helium Flash
A2. Red Shift
B1. Meteor Shower
B2. Solar Wind
Johannes Auvinen (Tin Man) and Max Ravitz (Patricia), two devotees in the cult of the TB-303, return to Acid Test with the Celestial Body Music series, a follow up to their 2020 LP Powers Of Ten.
Recorded in Ravitz’s studio in Asheville, NC, Celestial Body Music once again showcases the pair’s penchant for raw yet emotive dance music. With Auvinen’s signature TB-303 programming and Ravitz’s typical melancholic flair, the duo’s styles merge seamlessly over the course of 8 tracks that harken back to the heyday of American techno and house. Following on from Powers of Ten, the pair continue to fix their eyes firmly on the stars, as Celestial Body Music’s song titles conjure visions of listening to Dance Mania 12”s on the ISS. With a tonal palette that features the well-trodden sounds of classic analog hardware like the TR-808, TR-909, TB-303, and SH-101, Ociya demonstrate their ability to breathe new life into these old instruments through thoughtful programming, arrangement, and mixing. This is made all the more significant when considering every song was recorded live to 2-track with no editing over the course of a few days. Sweet and savory both, the new material strikes a perfect balance between emotive sensibility and dance floor appeal.
More
A1. Helium Flash
A2. Red Shift
B1. Meteor Shower
B2. Solar Wind
Johannes Auvinen (Tin Man) and Max Ravitz (Patricia), two devotees in the cult of the TB-303, return to Acid Test with the Celestial Body Music series, a follow up to their 2020 LP Powers Of Ten.
Recorded in Ravitz’s studio in Asheville, NC, Celestial Body Music once again showcases the pair’s penchant for raw yet emotive dance music. With Auvinen’s signature TB-303 programming and Ravitz’s typical melancholic flair, the duo’s styles merge seamlessly over the course of 8 tracks that harken back to the heyday of American techno and house. Following on from Powers of Ten, the pair continue to fix their eyes firmly on the stars, as Celestial Body Music’s song titles conjure visions of listening to Dance Mania 12”s on the ISS. With a tonal palette that features the well-trodden sounds of classic analog hardware like the TR-808, TR-909, TB-303, and SH-101, Ociya demonstrate their ability to breathe new life into these old instruments through thoughtful programming, arrangement, and mixing. This is made all the more significant when considering every song was recorded live to 2-track with no editing over the course of a few days. Sweet and savory both, the new material strikes a perfect balance between emotive sensibility and dance floor appeal.
More
Label:Acid Test
Cat-No:AcidTest018.2
Release-Date:11.11.2022
Genre:House / Techno
Configuration:12" Excl
Label:Acid Test
Cat-No:AcidTest018.2
Release-Date:11.11.2022
Genre:House / Techno
Configuration:12" Excl
1
Ociya (Tin Man + Patricia) - Orbital
2
Ociya (Tin Man + Patricia) - Oort Cloud
3
Ociya (Tin Man + Patricia) - Distant Star
4
Ociya (Tin Man + Patricia) - Open Cluster
Tracklist
A1. Orbital
A2. Oort Cloud
B1. Distant Star
B2. Open Cluster
Release Info:
Johannes Auvinen (Tin Man) and Max Ravitz (Patricia), two devotees in the cult of the TB-303, return to Acid Test with the Celestial Body Music series, a follow up to their 2020 LP Powers Of Ten.
Recorded in Ravitz’s studio in Asheville, NC, Celestial Body Music once again showcases the pair’s penchant for raw yet emotive dance music. With Auvinen’s signature TB-303 programming and Ravitz’s typical melancholic flair, the duo’s styles merge seamlessly over the course of 8 tracks that harken back to the heyday of American techno and house. Following on from Powers of Ten, the pair continue to fix their eyes firmly on the stars, as Celestial Body Music’s song titles conjure visions of listening to Dance Mania 12”s on the ISS. With a tonal palette that features the well-trodden sounds of classic analog hardware like the TR-808, TR-909, TB-303, and SH-101, Ociya demonstrate their ability to breathe new life into these old instruments through thoughtful programming, arrangement, and mixing. This is made all the more significant when considering every song was recorded live to 2-track with no editing over the course of a few days. Sweet and savory both, the new material strikes a perfect balance between emotive sensibility and dance floor appeal.
More
A1. Orbital
A2. Oort Cloud
B1. Distant Star
B2. Open Cluster
Release Info:
Johannes Auvinen (Tin Man) and Max Ravitz (Patricia), two devotees in the cult of the TB-303, return to Acid Test with the Celestial Body Music series, a follow up to their 2020 LP Powers Of Ten.
Recorded in Ravitz’s studio in Asheville, NC, Celestial Body Music once again showcases the pair’s penchant for raw yet emotive dance music. With Auvinen’s signature TB-303 programming and Ravitz’s typical melancholic flair, the duo’s styles merge seamlessly over the course of 8 tracks that harken back to the heyday of American techno and house. Following on from Powers of Ten, the pair continue to fix their eyes firmly on the stars, as Celestial Body Music’s song titles conjure visions of listening to Dance Mania 12”s on the ISS. With a tonal palette that features the well-trodden sounds of classic analog hardware like the TR-808, TR-909, TB-303, and SH-101, Ociya demonstrate their ability to breathe new life into these old instruments through thoughtful programming, arrangement, and mixing. This is made all the more significant when considering every song was recorded live to 2-track with no editing over the course of a few days. Sweet and savory both, the new material strikes a perfect balance between emotive sensibility and dance floor appeal.
More
1
Patricia - At A. Gallop
2
Patricia - Head Gap Width
3
Patricia - Winding To The Side
4
Patricia - Coffee Computer
Tracklist
A1 – At A. Gallop
A2 – Head Gap Width
B1 – Winding To The Side
B2 – Coffee Computer
Release Info:
After appearing on Acid Test’s 10 Year Anniversary compilation Patricia, aka Max Ravitz, debuts an EP on the label with Less Than 7, a collection of tracks that sits squarely in the club-focused end of the label’s output. Ravitz grew up in Chicago and has family roots in Detroit; these cities cultivated his affinity for mid-western dance music, with early Trax Records being a standout favorite. Years later, while living in New York, collaborator Alexis Georgopoulos introduced Ravitz to Tin Man’s Neo Neo Acid LP (released on Acid Test in 2012). This album struck a particular chord, impacting his creative vision for the Patricia project and setting him on the path towards a fruitful collaboration with Tin Man as Ociya (also released on Acid Test).
After 2021's IDM-leaning Blue Ridge LP, the Less Than 7 EP marks Patricia's return to the dance floor. Here, Ravitz explores four dimensions of acid music, each track deploying that classic squelch to differing effect. Both tracks on the A side pack a gut punch. The almost industrial beat on ‘At A. Gallop’ stomps along under moody pads and dripping acid lines until, midway, new harmonies reveal fresh vistas. ‘Head Gap Width’ is the EP’s most direct statement, a bolt of dubby techno energy with gurgling acid bass and rhythmic Detroit stabs. The B side then shifts things to a more emotive plane. ‘Winding To The Side’ uses its 9 minutes to fully explore the harmonic interplay between its buoyant braindance acid lines, which are engineered to suspend the late morning dance floor in time. ‘Coffee Computer’ closes things out, with its detuned pads, walking acid bassline and child-like piano lending it a wistful air that falls between house and IDM.
Less Than 7 was recorded at Ravitz’s home studio in Asheville, NC, and mastered by close friend Josh Bonati.
More
A1 – At A. Gallop
A2 – Head Gap Width
B1 – Winding To The Side
B2 – Coffee Computer
Release Info:
After appearing on Acid Test’s 10 Year Anniversary compilation Patricia, aka Max Ravitz, debuts an EP on the label with Less Than 7, a collection of tracks that sits squarely in the club-focused end of the label’s output. Ravitz grew up in Chicago and has family roots in Detroit; these cities cultivated his affinity for mid-western dance music, with early Trax Records being a standout favorite. Years later, while living in New York, collaborator Alexis Georgopoulos introduced Ravitz to Tin Man’s Neo Neo Acid LP (released on Acid Test in 2012). This album struck a particular chord, impacting his creative vision for the Patricia project and setting him on the path towards a fruitful collaboration with Tin Man as Ociya (also released on Acid Test).
After 2021's IDM-leaning Blue Ridge LP, the Less Than 7 EP marks Patricia's return to the dance floor. Here, Ravitz explores four dimensions of acid music, each track deploying that classic squelch to differing effect. Both tracks on the A side pack a gut punch. The almost industrial beat on ‘At A. Gallop’ stomps along under moody pads and dripping acid lines until, midway, new harmonies reveal fresh vistas. ‘Head Gap Width’ is the EP’s most direct statement, a bolt of dubby techno energy with gurgling acid bass and rhythmic Detroit stabs. The B side then shifts things to a more emotive plane. ‘Winding To The Side’ uses its 9 minutes to fully explore the harmonic interplay between its buoyant braindance acid lines, which are engineered to suspend the late morning dance floor in time. ‘Coffee Computer’ closes things out, with its detuned pads, walking acid bassline and child-like piano lending it a wistful air that falls between house and IDM.
Less Than 7 was recorded at Ravitz’s home studio in Asheville, NC, and mastered by close friend Josh Bonati.
More
2LP - 2022 Repress Edition
"Recondite's debut album "On Acid" ATLP01 see's a reissue on September 18th together with a brand new single ASD025 "Limber/Undulate - Lawrence Mixes" !
The melancholic acid album released on Absurd's Acid Test imprint gained much acclaim upon it's initial release and has been in high demand for a repress since.
Next to the mentioned Single 12" - the album repress also precedes the release of his upcoming album "PLACID" - For those who have been waiting for "On Acid" to be listened to on long autobahn rides or more generally to have it at hand ready to be played any other time
- Placid will also be released on CD with "On Acid" being Bonus CD 2 !
Tracklist:
A1 Petrichor , A2 Tie In , B1 Felicity , B2 Petrichor - Tin Man remix , C1 Harbinger , C2 Sultry , D1 Jaded , D2 Jaded - Scuba remix
More
"Recondite's debut album "On Acid" ATLP01 see's a reissue on September 18th together with a brand new single ASD025 "Limber/Undulate - Lawrence Mixes" !
The melancholic acid album released on Absurd's Acid Test imprint gained much acclaim upon it's initial release and has been in high demand for a repress since.
Next to the mentioned Single 12" - the album repress also precedes the release of his upcoming album "PLACID" - For those who have been waiting for "On Acid" to be listened to on long autobahn rides or more generally to have it at hand ready to be played any other time
- Placid will also be released on CD with "On Acid" being Bonus CD 2 !
Tracklist:
A1 Petrichor , A2 Tie In , B1 Felicity , B2 Petrichor - Tin Man remix , C1 Harbinger , C2 Sultry , D1 Jaded , D2 Jaded - Scuba remix
More
1
Lerosa - Apollo
2
Lerosa - Tank
3
Lerosa - Mentat
4
Lerosa - The Woods
5
Lerosa - Propwash
6
Lerosa - Time and Distance
7
Lerosa - Crush
8
Lerosa - Factory
9
Lerosa - Controlled
10
Lerosa - Suite de Paris
Cassette tracklist
01. Apollo
02. Tank
03. Mentat
04. The Woods
05. Propwash
06. Time and Distance
07. Crush
08. Factory
09. Controlled
10. Suite de Paris
Release Info:
Lerosa’s fourth full-length, Catena, is also his second for Berlin-via-LA label Acid Test. It sees the Dublin-based producer once again draw deeply on his diverse influences – dub, industrial, electro, trance, funk, IDM – and transform them into a sound signature that has always been uniquely his own.
This alchemy is no accident. Rather it is driven by Lerosa’s ongoing pursuit of the fundamental meaning of dance music: to immerse ourselves in sound to the point where our only desire is to move and feel in the moment. Hence how, on Catena, the slow and sensual sway of a cavernous bit of dub can sit side-by-side with hands-up trance-like ecstasy, and all still sound like Lerosa.
This achievement is the result of a dedicated daily studio practice. Each track starts from a dynamic studio jam in which Lerosa plays drum machines and synthesisers live and then overdubs them with further modulated layers. He uses looping techniques to build up the density of certain instruments while mixing the layers on-the-fly, using something as unassuming as an iPad. This imbues each track with a spontaneous shifting quality that defines the entire album.
What comes through is a sound that speaks of Lerosa’s love for the studio, for the tangible substance of an audio frequency – analogue and digital, raw and processed, pure and saturated – and the intangible, indeed bewitching mystery of how these frequencies can transport us to other places.
More
01. Apollo
02. Tank
03. Mentat
04. The Woods
05. Propwash
06. Time and Distance
07. Crush
08. Factory
09. Controlled
10. Suite de Paris
Release Info:
Lerosa’s fourth full-length, Catena, is also his second for Berlin-via-LA label Acid Test. It sees the Dublin-based producer once again draw deeply on his diverse influences – dub, industrial, electro, trance, funk, IDM – and transform them into a sound signature that has always been uniquely his own.
This alchemy is no accident. Rather it is driven by Lerosa’s ongoing pursuit of the fundamental meaning of dance music: to immerse ourselves in sound to the point where our only desire is to move and feel in the moment. Hence how, on Catena, the slow and sensual sway of a cavernous bit of dub can sit side-by-side with hands-up trance-like ecstasy, and all still sound like Lerosa.
This achievement is the result of a dedicated daily studio practice. Each track starts from a dynamic studio jam in which Lerosa plays drum machines and synthesisers live and then overdubs them with further modulated layers. He uses looping techniques to build up the density of certain instruments while mixing the layers on-the-fly, using something as unassuming as an iPad. This imbues each track with a spontaneous shifting quality that defines the entire album.
What comes through is a sound that speaks of Lerosa’s love for the studio, for the tangible substance of an audio frequency – analogue and digital, raw and processed, pure and saturated – and the intangible, indeed bewitching mystery of how these frequencies can transport us to other places.
More
1
Lerosa - Apollo - Jordan GCZ remix
2
Lerosa - Apollo – Original
3
Lerosa - Suite de Paris - Donato Dozzy remix
4
Lerosa - Suite de Paris - Original
12” tracklist
A1 - Apollo - Jordan GCZ remix
A2 - Apollo – Original
B1 - Suite de Paris - Donato Dozzy remix
B2 - Suite de Paris - Original
12”
Accompanying the cassette album of Lerosa’s fourth full-length, Catena, this heavyweight 12” features two originals from the album and two remixes from familiar faces: childhood friend Donato Dozzy and long-time fellow traveller Jordan GCZ (of Juju & Jordash). Album closer ‘Suite De Paris’ places pitch-bent liquid acid over a huge skanking bassline, the perfect material for Dozzy to make hay with his simmering techno take. Meanwhile, album opener ‘Apollo’ churns with industrial fervour, before Jordan GCZ reduces it down to its acid techno essence, leaving little space for us to catch our breath.
More
A1 - Apollo - Jordan GCZ remix
A2 - Apollo – Original
B1 - Suite de Paris - Donato Dozzy remix
B2 - Suite de Paris - Original
12”
Accompanying the cassette album of Lerosa’s fourth full-length, Catena, this heavyweight 12” features two originals from the album and two remixes from familiar faces: childhood friend Donato Dozzy and long-time fellow traveller Jordan GCZ (of Juju & Jordash). Album closer ‘Suite De Paris’ places pitch-bent liquid acid over a huge skanking bassline, the perfect material for Dozzy to make hay with his simmering techno take. Meanwhile, album opener ‘Apollo’ churns with industrial fervour, before Jordan GCZ reduces it down to its acid techno essence, leaving little space for us to catch our breath.
More
1
Various - A1. Lerosa - Uneasy
2
Various - A2. Tin Man - Afters Acid
3
Various - A3. VC-118a - Silver
4
Various - B1. Erika - Violet Fungus
5
Various - B2. TM404 - Rysa
6
Various - C1. Achterbahn D’Amour - 7_edit
7
Various - C2. Marcellus Pittman - Unknown Species
8
Various - D1. John Tejada - Squillo
9
Various - D2. Sepehr - Persian Acid Prince
10
Various - D3. Wata Igarashi
11
Various - E1. SW. chalAnJAzzz
12
Various - E2. Donato Dozzy - Morena
13
Various - F1. Skudge - Bite
14
Various - F2. Patricia - Higher Still
15
Various - F3. AAAA - Extended Fantasy
3LP
Tracklist:
A1. Lerosa - Uneasy
A2. Tin Man - Afters Acid
A3. VC-118a - Silver
B1. Erika - Violet Fungus
B2. TM404 - Rysa
C1. Achterbahn D’Amour - 7_edit
C2. Marcellus Pittman - Unknown Species
D1. John Tejada - Squillo
D2. Sepehr - Persian Acid Prince
D3. Wata Igarashi
E1. SW. chalAnJAzzz
E2. Donato Dozzy - Morena
F1. Skudge - Bite
F2. Patricia - Higher Still
F3. AAAA - Extended Fantasy
Release Info:
Ten years ago, Acid Test began with a simple concept—each track the label released would make use of the Roland TB-303. Like a producer purposefully paring down their studio setup, or the continuous imperative within underground electronic music to reduce, this concept engendered creativity with the introduction of what seemed to be an aesthetic limit. However, the decade that followed, which now culminates in the triple-LP compilation Ten Years Of Acid Test, proves acid is limitless.
That the Berlin-via-LA label would expand upon the classical conception of acid house and techno is no surprise considering the cast of characters that have come in fold over the past decade. Ten Years Of Acid Test gathers key material from the label's extended family of acid acolytes. There's that Vienna-via-LA maestro of sad, elegant acid Tin Man (Johannes Auvinen), whose "Afters Acid" is both a highlight within his prolific catalogue and a distillation of his symphonic approach to the 303. Detroit giants Erika and Marcellus Pittman, both of whom have released remixes on Acid Test, present their respective and singular Bass Line visions. Erika, the Interdimensional Transmissions lynchpin, crafts a dark, delicate take on broken techno on "Violet Fungus" while Pittman continues his cubist house explorations on "Unknown Species," both tracks straying from typical acid lines in favor of the intricate textures achievable on the 303.
This variation in approach applies to tempo as well. Irish-based master Lerosa, as well as Delsin affiliate VC-118A, delve into downtempo atmospherics. Meanwhile, Japanese deep techno virtuoso Wata Igarashi, SUED co-founder SW. (a regular on Acid Test's leftfield sub-label Avenue 66) and Patricia (one-half of Acid Test act Ociya) use acid as a creative jumping-off point for complex melodic concepts. Wata layers an orchestra of synth-bliss drone overtop a squelchy bassline on "Ephemeral." SW.'s "ChaIAnJAzzz" cycles through an array of dusted chords eventually landing in skewed, fuzzy rave nostalgia, anthemic chords held aloft by a wicked UK-flavour bass line. Patricia's “Higher Still” explores dreamy, IDM-flavoured acid, cinematic synthlines counterbalanced by propulsive, squelching acid.
Acid Test devotees will be thrilled at the return of various luminaries from the catalogue, including Achterbahn D'Amour, Skudge, AAAA, John Tejada and Donato Dozzy, whose memorable remix of Tin Man's "Nonneo" from Acid Test 01 served as a kind of proof of concept for the label. There's new blood too. San Francisco up-and-comer Sepehr makes his label debut with the excellent "Persian Acid Prince," as does Andreas Tilliander's beloved hardware techno project, TM404.
Like the original Hot Mix 5 Acid compilation, which highlighted the original cohort of Chicago acid innovators including Pierre, Fingers and Armando, Ten Years Of Acid Test is a valuable portrait of a group of artists linked by a dedication to innovation within acid, in line with the genre's storied roots. Over ten years, Acid Test has gracefully made a case for the 303's past, present and future, the story of acid continuing to unfurl in unpredictable, addictive patterns.
More
Tracklist:
A1. Lerosa - Uneasy
A2. Tin Man - Afters Acid
A3. VC-118a - Silver
B1. Erika - Violet Fungus
B2. TM404 - Rysa
C1. Achterbahn D’Amour - 7_edit
C2. Marcellus Pittman - Unknown Species
D1. John Tejada - Squillo
D2. Sepehr - Persian Acid Prince
D3. Wata Igarashi
E1. SW. chalAnJAzzz
E2. Donato Dozzy - Morena
F1. Skudge - Bite
F2. Patricia - Higher Still
F3. AAAA - Extended Fantasy
Release Info:
Ten years ago, Acid Test began with a simple concept—each track the label released would make use of the Roland TB-303. Like a producer purposefully paring down their studio setup, or the continuous imperative within underground electronic music to reduce, this concept engendered creativity with the introduction of what seemed to be an aesthetic limit. However, the decade that followed, which now culminates in the triple-LP compilation Ten Years Of Acid Test, proves acid is limitless.
That the Berlin-via-LA label would expand upon the classical conception of acid house and techno is no surprise considering the cast of characters that have come in fold over the past decade. Ten Years Of Acid Test gathers key material from the label's extended family of acid acolytes. There's that Vienna-via-LA maestro of sad, elegant acid Tin Man (Johannes Auvinen), whose "Afters Acid" is both a highlight within his prolific catalogue and a distillation of his symphonic approach to the 303. Detroit giants Erika and Marcellus Pittman, both of whom have released remixes on Acid Test, present their respective and singular Bass Line visions. Erika, the Interdimensional Transmissions lynchpin, crafts a dark, delicate take on broken techno on "Violet Fungus" while Pittman continues his cubist house explorations on "Unknown Species," both tracks straying from typical acid lines in favor of the intricate textures achievable on the 303.
This variation in approach applies to tempo as well. Irish-based master Lerosa, as well as Delsin affiliate VC-118A, delve into downtempo atmospherics. Meanwhile, Japanese deep techno virtuoso Wata Igarashi, SUED co-founder SW. (a regular on Acid Test's leftfield sub-label Avenue 66) and Patricia (one-half of Acid Test act Ociya) use acid as a creative jumping-off point for complex melodic concepts. Wata layers an orchestra of synth-bliss drone overtop a squelchy bassline on "Ephemeral." SW.'s "ChaIAnJAzzz" cycles through an array of dusted chords eventually landing in skewed, fuzzy rave nostalgia, anthemic chords held aloft by a wicked UK-flavour bass line. Patricia's “Higher Still” explores dreamy, IDM-flavoured acid, cinematic synthlines counterbalanced by propulsive, squelching acid.
Acid Test devotees will be thrilled at the return of various luminaries from the catalogue, including Achterbahn D'Amour, Skudge, AAAA, John Tejada and Donato Dozzy, whose memorable remix of Tin Man's "Nonneo" from Acid Test 01 served as a kind of proof of concept for the label. There's new blood too. San Francisco up-and-comer Sepehr makes his label debut with the excellent "Persian Acid Prince," as does Andreas Tilliander's beloved hardware techno project, TM404.
Like the original Hot Mix 5 Acid compilation, which highlighted the original cohort of Chicago acid innovators including Pierre, Fingers and Armando, Ten Years Of Acid Test is a valuable portrait of a group of artists linked by a dedication to innovation within acid, in line with the genre's storied roots. Over ten years, Acid Test has gracefully made a case for the 303's past, present and future, the story of acid continuing to unfurl in unpredictable, addictive patterns.
More
1
Ociya aka Patricia & Tin Man - A1 - Powers Of Ten
2
Ociya aka Patricia & Tin Man - A2 - Ghost Moons
3
Ociya aka Patricia & Tin Man - B1 - Overview Effect
4
Ociya aka Patricia & Tin Man - B2 - Control Subsystem
5
Ociya aka Patricia & Tin Man - C1 - Hopeful Galaxy
6
Ociya aka Patricia & Tin Man - C2 - Gravity Knots
7
Ociya aka Patricia & Tin Man - D1 - Spring On Jupiter
8
Ociya aka Patricia & Tin Man - D2 - Star Scaping
2LP
As Ociya, hardware freaks Tin Man (Johannes Auvinen) and Patricia (Max Ravitz), come together in unholy acid matrimony on a definitive double-album, Powers Of Ten.
We know both sides well. Over a prolific run of records for Acid Test and his own Global A, Auvinen has expounded upon the promise of "Nonneo" (recently named one of Resident Advisor's 2010-19: Tracks Of The Decade), unearthing new, emotional vistas from the Roland TB-303. Ravitz, meanwhile, matches Tin Man in studio ethic, establishing himself as one of North America's hardware masters on records for Ghostly and Opal Tapes.
What we couldn't have predicted is how well the parts merge. Cuts like "Ghost Moons" channel the hazy IDM legacies of the past, while "Hopeful Galaxy" mixes a plaintive Rhodes motif with a hopeful 303 line for the perfect "tears on the dance floor" cut. The track titles on Power Of Ten— a perfect melodic techno LP generously spread across two records—are celestially minded ("Gravity Knots," "Star Scraping") and indeed, the cosmic metaphor is apt or the newly-formed duo. On Powers Of Ten, Tin Man's acid lines rocket through space like brilliant, shooting stars. His signature orchestral acid moments are given the perfect backdrop, the nebula of Patricia's rich atmospherics and melodies.
The album was recorded live to 2 track in Patricia’s studio in New York, no edits.
Tracklist
A1 - Powers Of Ten
A2 - Ghost Moons
B1 - Overview Effect
B2 - Control Subsystem
C1 - Hopeful Galaxy
C2 - Gravity Knots
D1 - Spring On Jupiter
D2 - Star Scaping More
As Ociya, hardware freaks Tin Man (Johannes Auvinen) and Patricia (Max Ravitz), come together in unholy acid matrimony on a definitive double-album, Powers Of Ten.
We know both sides well. Over a prolific run of records for Acid Test and his own Global A, Auvinen has expounded upon the promise of "Nonneo" (recently named one of Resident Advisor's 2010-19: Tracks Of The Decade), unearthing new, emotional vistas from the Roland TB-303. Ravitz, meanwhile, matches Tin Man in studio ethic, establishing himself as one of North America's hardware masters on records for Ghostly and Opal Tapes.
What we couldn't have predicted is how well the parts merge. Cuts like "Ghost Moons" channel the hazy IDM legacies of the past, while "Hopeful Galaxy" mixes a plaintive Rhodes motif with a hopeful 303 line for the perfect "tears on the dance floor" cut. The track titles on Power Of Ten— a perfect melodic techno LP generously spread across two records—are celestially minded ("Gravity Knots," "Star Scraping") and indeed, the cosmic metaphor is apt or the newly-formed duo. On Powers Of Ten, Tin Man's acid lines rocket through space like brilliant, shooting stars. His signature orchestral acid moments are given the perfect backdrop, the nebula of Patricia's rich atmospherics and melodies.
The album was recorded live to 2 track in Patricia’s studio in New York, no edits.
Tracklist
A1 - Powers Of Ten
A2 - Ghost Moons
B1 - Overview Effect
B2 - Control Subsystem
C1 - Hopeful Galaxy
C2 - Gravity Knots
D1 - Spring On Jupiter
D2 - Star Scaping More
1
Ociya aka Patricia & Tin Man - A1 - Solar Flare
2
Ociya aka Patricia & Tin Man - A2 - Ghost Moons
3
Ociya aka Patricia & Tin Man - B1 - Delta Sector Discotech
4
Ociya aka Patricia & Tin Man - B2 - Gravity Knots - Plasmic Eddy remix
As Ociya, hardware freaks Tin Man (Johannes Auvinen) and Patricia (Max Ravitz), come together in unholy acid matrimony on a EP (here) and definitive double-album, Powers Of Ten (coming up on april 27).
We know both sides well. Over a prolific run of records for Acid Test and his own Global A, Auvinen has expounded upon the promise of "Nonneo" (recently named one of Resident Advisor's 2010-19: Tracks Of The Decade), unearthing new, emotional vistas from the Roland TB-303. Ravitz, meanwhile, matches Tin Man in studio ethic, establishing himself as one of North America's hardware masters on records for Ghostly and Opal Tapes.
The album was recorded live to 2 track in Patricia’s studio in New York, no edits.
This 12-inch simply called Acid Test 15, will be released before the album and also features remixes from Plasmic Eddy
EP
A1 - Solar Flare
A2 - Ghost Moons
B1 - Delta Sector Discotech
B2 - Gravity Knots - Plasmic Eddy remix
More
We know both sides well. Over a prolific run of records for Acid Test and his own Global A, Auvinen has expounded upon the promise of "Nonneo" (recently named one of Resident Advisor's 2010-19: Tracks Of The Decade), unearthing new, emotional vistas from the Roland TB-303. Ravitz, meanwhile, matches Tin Man in studio ethic, establishing himself as one of North America's hardware masters on records for Ghostly and Opal Tapes.
The album was recorded live to 2 track in Patricia’s studio in New York, no edits.
This 12-inch simply called Acid Test 15, will be released before the album and also features remixes from Plasmic Eddy
EP
A1 - Solar Flare
A2 - Ghost Moons
B1 - Delta Sector Discotech
B2 - Gravity Knots - Plasmic Eddy remix
More
1
Lerosa - Bucket Of Eggs
2
Lerosa - Cluster
3
Lerosa - Conjurors
4
Lerosa - Deadline
5
Lerosa - One is too short
6
Lerosa - Damocles
7
Lerosa - Sheffield
8
Lerosa - Subterfuge
9
Lerosa - Self inflicted
10
Lerosa - Dontworry
Leopoldo Rosa's debut for Acid Test is the producer's first album in eight years, but since then he's put out in the neighborhood of 15 EPs for the likes of Idle Hands, Ferox and Saft, homing in on his own lush sound, which weaves effortlessly between deep house, acid and electro.
A/BUCKET OF EGGS
CLUSTER
B/CONJURORS
DEADLINE
ONE IS TOO SHORT
C/DAMOCLES
SHEFFIELD
D/SUBTERFUGE
SELF INFLICTED
DON'T WORRY
Release Info:
" To know Lerosa is to have a huge amount of respect for him. The Dublin-based, Italian producer isn't concerned with the limelight. Rather, his studio philosophy resembles the Japanese concept of "kaizen" a workmanlike, incremental improvement.
Leopoldo Rosa's debut for Acid Test is the producer's first album in eight years, but since then he's put out in the neighborhood of 15 EPs for the likes of Idle Hands, Ferox and Saft, homing in on his own lush sound, which weaves effortlessly between deep house, acid and electro.
He applies all these patient lessons on "Bucket Of Eggs", the ten masterful tracks fit perfectly within the label's concept. Yet Rosa, like the label's stable of 303 auteurs (Tin Man, Recondite, John Frusciante, Pepe Bradock) opens up bold new vistas for the subgenre. On "Conjurors," he spends half the track building up atmosphere so thick and dubby you could cut it with a knife, before introducing an acid line and jack track heralding back to the acid's maddening, revolutionary roots.
About halfway through the set, Lerosa is done setting the stage, and thusluy delivers a string of freakishly good late night tracks. For Lerosa, the hips and the head work in concert-"One Is Too Short"'s no-nonsense rhythm section perfectly balanced by the track's dreamy synth and zero-grav piano breaks. On "Self Inflicted," he joins a rarified class, synthesizing electro funkiness, widescreen ambience and acid counterpoint.
On initial contact, Lerosa's "Bucket Of Eggs" feels astonishing, an expertly-paced, near-perfect LP. But for those who have been following the low-key producer, it feels like a natural culmination. "
More
A/BUCKET OF EGGS
CLUSTER
B/CONJURORS
DEADLINE
ONE IS TOO SHORT
C/DAMOCLES
SHEFFIELD
D/SUBTERFUGE
SELF INFLICTED
DON'T WORRY
Release Info:
" To know Lerosa is to have a huge amount of respect for him. The Dublin-based, Italian producer isn't concerned with the limelight. Rather, his studio philosophy resembles the Japanese concept of "kaizen" a workmanlike, incremental improvement.
Leopoldo Rosa's debut for Acid Test is the producer's first album in eight years, but since then he's put out in the neighborhood of 15 EPs for the likes of Idle Hands, Ferox and Saft, homing in on his own lush sound, which weaves effortlessly between deep house, acid and electro.
He applies all these patient lessons on "Bucket Of Eggs", the ten masterful tracks fit perfectly within the label's concept. Yet Rosa, like the label's stable of 303 auteurs (Tin Man, Recondite, John Frusciante, Pepe Bradock) opens up bold new vistas for the subgenre. On "Conjurors," he spends half the track building up atmosphere so thick and dubby you could cut it with a knife, before introducing an acid line and jack track heralding back to the acid's maddening, revolutionary roots.
About halfway through the set, Lerosa is done setting the stage, and thusluy delivers a string of freakishly good late night tracks. For Lerosa, the hips and the head work in concert-"One Is Too Short"'s no-nonsense rhythm section perfectly balanced by the track's dreamy synth and zero-grav piano breaks. On "Self Inflicted," he joins a rarified class, synthesizing electro funkiness, widescreen ambience and acid counterpoint.
On initial contact, Lerosa's "Bucket Of Eggs" feels astonishing, an expertly-paced, near-perfect LP. But for those who have been following the low-key producer, it feels like a natural culmination. "
More
1
DOVS - Rad Glyers Above All
2
DOVS - Distant Buildups
3
DOVS - Fluffy Designs
4
DOVS - Nostalgic Oblivion
5
DOVS - Rene Figures
6
DOVS - Portal Vein
7
DOVS - Sixteenth Shelters
8
DOVS - Whining Acid
9
DOVS - Atlantis Drive
10
DOVS - Dysphoric Fix
11
DOVS - Diazepam Blues
On their debut album as DOVS, Tin Man and AAAA summon the ethereal spirit of acid.
Tracklist:
A1 – Rad Glyers Above All
A2 – Distant Buildups
A3 – Fluffy Designs
B1 – Nostalgic Oblivion
B2 – Rene Figures
C1 – Portal Vein
C2 – Sixteenth Shelters
C3 – Whining Acid
D1 – Atlantis Drive
D2 – Dysphoric Fix
D3 – Diazepam Blues
Release Info:
On their debut album as DOVS, Tin Man and AAAA summon the ethereal spirit
of acid. Tin Man, AKA Johannes Auvinen, has been studying the emotional potential of the Roland TB-303 for 15 years now, and AAAA (Gabo Barranco), a fixture of the Mexico City underground, might as well be his acolyte. While the coincidental similarities of their studio and live approaches make this collaboration feel natural, even expected, Silent Cities is anything but.
We recognize most of the elements here—the ubiquitous acid box and hardware drum machines—yet Auvinen and Barranco arrive in new, mysterious territory this time out. Lush arpeggiation, breakbeats and atmosphere imbue tracks like "Nostalgic Oblivion" with a widescreen grandeur. "Rene Figures" recalls Specific Momentific-era Cristian Vogel, symphonic, melodic techno with a kick heavy enough for dark, cavernous rooms. Meanwhile, beatless cuts like "Whining Acid" are as intricately crafted as Tin Man's well-loved classical work (Vienna Blues). But as a duo, they craft a virtuosic harmonic narrative almost solely with 303s.
Tin Man and Donato Dozzy's "Nonneo" was the first release on Acid Test, setting the tone for the label and unlocking new potential for the genre. DOVS' closer on Silent Cities, “Diazepam Blues”, is the label's new melancholic acid anthem and a statement of purpose for Tin Man and AAAA, two hardware masters who have created an album of remarkable emotional depth.
More
Tracklist:
A1 – Rad Glyers Above All
A2 – Distant Buildups
A3 – Fluffy Designs
B1 – Nostalgic Oblivion
B2 – Rene Figures
C1 – Portal Vein
C2 – Sixteenth Shelters
C3 – Whining Acid
D1 – Atlantis Drive
D2 – Dysphoric Fix
D3 – Diazepam Blues
Release Info:
On their debut album as DOVS, Tin Man and AAAA summon the ethereal spirit
of acid. Tin Man, AKA Johannes Auvinen, has been studying the emotional potential of the Roland TB-303 for 15 years now, and AAAA (Gabo Barranco), a fixture of the Mexico City underground, might as well be his acolyte. While the coincidental similarities of their studio and live approaches make this collaboration feel natural, even expected, Silent Cities is anything but.
We recognize most of the elements here—the ubiquitous acid box and hardware drum machines—yet Auvinen and Barranco arrive in new, mysterious territory this time out. Lush arpeggiation, breakbeats and atmosphere imbue tracks like "Nostalgic Oblivion" with a widescreen grandeur. "Rene Figures" recalls Specific Momentific-era Cristian Vogel, symphonic, melodic techno with a kick heavy enough for dark, cavernous rooms. Meanwhile, beatless cuts like "Whining Acid" are as intricately crafted as Tin Man's well-loved classical work (Vienna Blues). But as a duo, they craft a virtuosic harmonic narrative almost solely with 303s.
Tin Man and Donato Dozzy's "Nonneo" was the first release on Acid Test, setting the tone for the label and unlocking new potential for the genre. DOVS' closer on Silent Cities, “Diazepam Blues”, is the label's new melancholic acid anthem and a statement of purpose for Tin Man and AAAA, two hardware masters who have created an album of remarkable emotional depth.
More
1
DOVS aka Tin Man & AAAA - Nostalgic Oblivion - John Tejada remix
2
DOVS aka Tin Man & AAAA - Distant Buildups - AAAA remix
3
DOVS aka Tin Man & AAAA - Whining Acid - Tin Man Sweet Harmony mix
4
DOVS aka Tin Man & AAAA - Whining Acid - Tin Man's Weepy mix
On their debut album as DOVS, Tin Man and AAAA summon the ethereal spirit of acid. Tin Man, AKA Johannes Auvinen, has been studying the emotional potential of the Roland TB-303 for 15 years now, and AAAA (Gabo Barranco), a fixture of the Mexico City underground, might as well be his acolyte. While the coincidental similarities of their studio and live approaches make this collaboration feel natural, even expected, Silent Cities is anything but.
Acid Test 14 features remixes from select trackboth Tin Man & AAAA individually as well as label mate John Tejada.
A1 - Nostalgic Oblivion - John Tejada remix
A2 - Distant Buildups - AAAA remix
A1 - Whining Acid - Tin Man Sweet Harmony mix)
A2 - Whining Acid - Tin Man's Weepy mix)
More
Acid Test 14 features remixes from select trackboth Tin Man & AAAA individually as well as label mate John Tejada.
A1 - Nostalgic Oblivion - John Tejada remix
A2 - Distant Buildups - AAAA remix
A1 - Whining Acid - Tin Man Sweet Harmony mix)
A2 - Whining Acid - Tin Man's Weepy mix)
More
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2018 Reissue, 3LP , Gatefold, Complete Tracklisting 1st Time on Vinyl!
Special vinyl re-issue of Trentemøller's groundbreaking debut album. Includes all of the 13 songs on vinyl for the first time. Triple-vinyl in gatefold sleeve.
Tracklist:
A1. Take Me Into Your Skin
A2. Vamp
B1. Evil Dub
B2. Always Something Better
C1. While the Cold Winter Waiting
C2. Nightwalker
D1. Like Two Strangers
D2. The Very Last Resort
E1. Snowflake
E2. Chameleon
F1. Into The Trees (Serenetti Part 3)
F2. Moan
F3. Miss You
Special vinyl re-issue of Trentemøller's groundbreaking debut album. Includes all of the 13 songs on vinyl for the first time. Triple-vinyl in gatefold sleeve.
Trentemøller's debut album remains one of the few genre-defining and groundbreaking
albums in many regards. It's still being praised for its composition and sounddesign alike and sounds as fresh and breathtaking today as it did when it was originally released in 2006.
The Last Resort - a beautifully crafted, astonishing masterpiece, that will leave you breathless. The 13
instrumental tracks together form a wordless musical story, almost like the soundtrack of a movie. It
manages to capture a whole range of emotions in subtle melodic miniatures, dreamy ambiences, dusty beats, deep dub-tracks and driving groove-excursions. An ever-changing kaleidoscope of colours and moods. Although it's an electronic album, it also incorporates live-drums, guitars, bass and other acoustic instruments like celesta, glockenspiel, melodica and even DJ scratching to create a more organic feel. The album received fantastic acclaim from both music fans and journalists around the world and made it into the top-lists of the month, the year, the decade - alongside an array of awards for best production or best album.
Back in 2006, the original pressing only included a selection of songs from the original 13-track album release. It missed out on songs which had been released on singles or didn't "fit" on the so called "vinyl edition". Due to 'public demand' and simply because this album deserves a proper vinyl
release we are happy to finally present, for the first time, the full album on vinyl. It spans of three vinyl discs and is packed in a beautiful gatefold sleeve which also holds a download-code. The recut has been carefully crafted from first generation, orignal masters by Calyx in Berlin. Since the album has been praised for its fantastic sound the primary directive was to cut the lacquers for the re-issue so that they would sound exactly the same as the original release, which has been the CD version of the album. No 'digital remastering' or any other alterations have been applied.
All 13 songs of the classic album on one vinyl release for the first time. Triple-Vinyl edition. Gatefold sleeve. download code. original sound-quality. NO digital remastering.
More
Special vinyl re-issue of Trentemøller's groundbreaking debut album. Includes all of the 13 songs on vinyl for the first time. Triple-vinyl in gatefold sleeve.
Tracklist:
A1. Take Me Into Your Skin
A2. Vamp
B1. Evil Dub
B2. Always Something Better
C1. While the Cold Winter Waiting
C2. Nightwalker
D1. Like Two Strangers
D2. The Very Last Resort
E1. Snowflake
E2. Chameleon
F1. Into The Trees (Serenetti Part 3)
F2. Moan
F3. Miss You
Special vinyl re-issue of Trentemøller's groundbreaking debut album. Includes all of the 13 songs on vinyl for the first time. Triple-vinyl in gatefold sleeve.
Trentemøller's debut album remains one of the few genre-defining and groundbreaking
albums in many regards. It's still being praised for its composition and sounddesign alike and sounds as fresh and breathtaking today as it did when it was originally released in 2006.
The Last Resort - a beautifully crafted, astonishing masterpiece, that will leave you breathless. The 13
instrumental tracks together form a wordless musical story, almost like the soundtrack of a movie. It
manages to capture a whole range of emotions in subtle melodic miniatures, dreamy ambiences, dusty beats, deep dub-tracks and driving groove-excursions. An ever-changing kaleidoscope of colours and moods. Although it's an electronic album, it also incorporates live-drums, guitars, bass and other acoustic instruments like celesta, glockenspiel, melodica and even DJ scratching to create a more organic feel. The album received fantastic acclaim from both music fans and journalists around the world and made it into the top-lists of the month, the year, the decade - alongside an array of awards for best production or best album.
Back in 2006, the original pressing only included a selection of songs from the original 13-track album release. It missed out on songs which had been released on singles or didn't "fit" on the so called "vinyl edition". Due to 'public demand' and simply because this album deserves a proper vinyl
release we are happy to finally present, for the first time, the full album on vinyl. It spans of three vinyl discs and is packed in a beautiful gatefold sleeve which also holds a download-code. The recut has been carefully crafted from first generation, orignal masters by Calyx in Berlin. Since the album has been praised for its fantastic sound the primary directive was to cut the lacquers for the re-issue so that they would sound exactly the same as the original release, which has been the CD version of the album. No 'digital remastering' or any other alterations have been applied.
All 13 songs of the classic album on one vinyl release for the first time. Triple-Vinyl edition. Gatefold sleeve. download code. original sound-quality. NO digital remastering.
More
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Extrawelt - Dark Side Of My Room
2
Extrawelt - Wippsteert
3
Extrawelt - Trümmerfeld
4
Extrawelt - Must Attack
5
Extrawelt - Wolkenbruch
6
Extrawelt - Added Planet
7
Extrawelt - Daten Raten
8
Extrawelt - Lost In Willaura
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Extrawelt - Kurt Curtain (Skit)
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Extrawelt - One Tree Hill
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Extrawelt - Messy Machinery (Rough Mix)
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Extrawelt - Homing
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Extrawelt - Bright Side Of My Room
3x12" Gatefold White Vinyl (Download Code Inside)
1. Extrawelt - Dark Side Of My Room (DE-Q20-08-00161)
2. Extrawelt - Wippsteert (DE-Q20-08-00162)
3. Extrawelt - Trümmerfeld (DE-Q20-08-00165)
4. Extrawelt - Must Attack (DE-Q20-08-00164)
5. Extrawelt - Wolkenbruch (DE-Q20-08-00166)
6. Extrawelt - Added Planet (DE-Q20-08-00167)
7. Extrawelt - Daten Raten (DE-Q20-08-00169)
8. Extrawelt - Lost In Willaura (DE-Q20-08-00170)
9. Extrawelt - Kurt Curtain (Skit) (DE-Q20-08-00168)
10. Extrawelt - One Tree Hill (DE-Q20-08-00160)
11. Extrawelt - Messy Machinery (Rough Mix) (DE-Q20-00-01376)
12. Extrawelt - Homing (DE-Q20-08-00171)
13. Extrawelt - Bright Side Of My Room (DE-Q20-22-00014)
Including all the tracks from the original release. But adding "Bright Side Of My Room" to the list as a counterpart of "Dark Side Of My Room" makes this release even more attractive. And to top it all off, as another treat, there's the "Messy Machinery" Rough Mix instead of the Original Mix.
It's all about hooking up our music to the emotional world of electronic music at the beginning of the Nineties, however, without falling for nostalgic references. We don't want to do cowardly Zeitgeist Techno, we want to have the heart to dare big sounds and more melodies. Sunrise scenarios, energy, revolution, and kaput-ness, all these are parts of the Extrawelt." (Extrawelt, 2008)
However, don't panic even if the aesthetics of the debut album of the two Hamburg-born artists Arne Schaffhausen and Wayan Raabe is affected by the attentive observation of electronic dance music over the last fifteen years, the "Schöne Neue Extrawelt" is above all this: Premium Techno 2008! The Hamburg-based producer team has been unmistakably imprinting the last three years' club sound with widely noticed releases on Border Community ("Sooper Track"), Traum Schallplatten ("Doch Doch") and Cocoon Recordings ("Titelheld") as well as with remixes for Gregor Tresher, Minilogue or Alexander Kowalski - last but not least due to an excellent live presence, that resulted in the second rank in the Groove Live Act Charts, even still without the accompanying long-player.
The work on "Schöne Neue Extrawelt" started more than two years ago for Schaffhausen and Raabe. "The initial idea was to present an album covering all styles of electronic music between Ambient, Breakbeats, and Techno. When we had 25 tracks for the album ready, we had to realize that this approach did not work for us. Insofar, we finally decided to use the 4/4 bass drum in all tracks except in the little intermezzo "Kurt Curtain". We have tested all tracks live over the last three months and constantly re-interpreted them. So, the 'danceability' is clearly in our focus, but the sound spectrum and the dramaturgy of the titles should not be solely functioning in the club. Our intention was definitely not to deliver an album full of superficial peak time hits."
Those twelve tracks on "Schöne Neue Extrawelt", all unreleased, are therefore primarily representing a pleasurable 'in-between', the organic development of hypnotically compressed dance music that is more than "just" Minimal Techno, reduced Trance or electronic listening sounds of the Warp era - even all those elements have left their marks. From the richly decorated musical-clock-intro "One Tree Hill" via the stereo singing bowl of "Trümmerfeld" to the Asian-sounding creaking of "Daten Raten", Extrawelt celebrate a vision of futuristic melancholy with organic detail richness, which is permanently in motion but is nevertheless seeming to be well-balanced. However, in the Extrawelt universe, one gets along quite well with antagonisms. "We have always been polarizing, not only in the Techno scene but also in the Trance scene. Because in the end, "Schöne Neue Extrawelt" - freely adapted from Aldous Huxley - is now not only a big neon-colored future but is likewise positioned in the often-disillusioning grey of the here and now."
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1. Extrawelt - Dark Side Of My Room (DE-Q20-08-00161)
2. Extrawelt - Wippsteert (DE-Q20-08-00162)
3. Extrawelt - Trümmerfeld (DE-Q20-08-00165)
4. Extrawelt - Must Attack (DE-Q20-08-00164)
5. Extrawelt - Wolkenbruch (DE-Q20-08-00166)
6. Extrawelt - Added Planet (DE-Q20-08-00167)
7. Extrawelt - Daten Raten (DE-Q20-08-00169)
8. Extrawelt - Lost In Willaura (DE-Q20-08-00170)
9. Extrawelt - Kurt Curtain (Skit) (DE-Q20-08-00168)
10. Extrawelt - One Tree Hill (DE-Q20-08-00160)
11. Extrawelt - Messy Machinery (Rough Mix) (DE-Q20-00-01376)
12. Extrawelt - Homing (DE-Q20-08-00171)
13. Extrawelt - Bright Side Of My Room (DE-Q20-22-00014)
Including all the tracks from the original release. But adding "Bright Side Of My Room" to the list as a counterpart of "Dark Side Of My Room" makes this release even more attractive. And to top it all off, as another treat, there's the "Messy Machinery" Rough Mix instead of the Original Mix.
It's all about hooking up our music to the emotional world of electronic music at the beginning of the Nineties, however, without falling for nostalgic references. We don't want to do cowardly Zeitgeist Techno, we want to have the heart to dare big sounds and more melodies. Sunrise scenarios, energy, revolution, and kaput-ness, all these are parts of the Extrawelt." (Extrawelt, 2008)
However, don't panic even if the aesthetics of the debut album of the two Hamburg-born artists Arne Schaffhausen and Wayan Raabe is affected by the attentive observation of electronic dance music over the last fifteen years, the "Schöne Neue Extrawelt" is above all this: Premium Techno 2008! The Hamburg-based producer team has been unmistakably imprinting the last three years' club sound with widely noticed releases on Border Community ("Sooper Track"), Traum Schallplatten ("Doch Doch") and Cocoon Recordings ("Titelheld") as well as with remixes for Gregor Tresher, Minilogue or Alexander Kowalski - last but not least due to an excellent live presence, that resulted in the second rank in the Groove Live Act Charts, even still without the accompanying long-player.
The work on "Schöne Neue Extrawelt" started more than two years ago for Schaffhausen and Raabe. "The initial idea was to present an album covering all styles of electronic music between Ambient, Breakbeats, and Techno. When we had 25 tracks for the album ready, we had to realize that this approach did not work for us. Insofar, we finally decided to use the 4/4 bass drum in all tracks except in the little intermezzo "Kurt Curtain". We have tested all tracks live over the last three months and constantly re-interpreted them. So, the 'danceability' is clearly in our focus, but the sound spectrum and the dramaturgy of the titles should not be solely functioning in the club. Our intention was definitely not to deliver an album full of superficial peak time hits."
Those twelve tracks on "Schöne Neue Extrawelt", all unreleased, are therefore primarily representing a pleasurable 'in-between', the organic development of hypnotically compressed dance music that is more than "just" Minimal Techno, reduced Trance or electronic listening sounds of the Warp era - even all those elements have left their marks. From the richly decorated musical-clock-intro "One Tree Hill" via the stereo singing bowl of "Trümmerfeld" to the Asian-sounding creaking of "Daten Raten", Extrawelt celebrate a vision of futuristic melancholy with organic detail richness, which is permanently in motion but is nevertheless seeming to be well-balanced. However, in the Extrawelt universe, one gets along quite well with antagonisms. "We have always been polarizing, not only in the Techno scene but also in the Trance scene. Because in the end, "Schöne Neue Extrawelt" - freely adapted from Aldous Huxley - is now not only a big neon-colored future but is likewise positioned in the often-disillusioning grey of the here and now."
More
NO VINYLE OF ANY MANU CHAO ALBUM HAS BEEN AVAILABLE ON SALE FOR AGES. ALL STUDIO & LIVE ALBUMS ARE BACK ON DOUBLE VINYL GATEFOLD FEAT. THE CD
TRACKLIST
A1. INTRO - A2. BIENVENIDA A TIJUANA - A3. MACHINE GUN - A4. POR DONDE SALDRA EL SOL? - A5. PELIGRO - A6. WELCOME TO TIJUANA - A7. EL VIENTO - A8. CASA BABYLON - B1. POR EL SUELO - B2. BLOOD AND FIRE - B3. EZLN… PARA TOD@S TODO… - B4. MR BOBBY - B5. BONGO BONG - B6. RADIO BEMBA - B7. QUE PASO QUE PASO - B8. PINOCCHIO (VAGGIO IN GROPPA AL TONNO) - B9. CAHI EN LA TRAMPA - C1. CLANDESTINO - C2. RUMBA DE BARCELONA - C3. LA DESPEDIDA - C4. MALA VIDA - C5. RADIO BEMBA 2 - C6. QUE PASO QUE PASO 2 - C7. PINOCCHIO 2 (VAGGIO IN GROPPA AL TONNO) - D1. LA PRIMAVERA - D2. THE MONKEY - D3. KING KONG FIVE - D4. MINHA GALERA - D5. PROMISCUITY More
TRACKLIST
A1. INTRO - A2. BIENVENIDA A TIJUANA - A3. MACHINE GUN - A4. POR DONDE SALDRA EL SOL? - A5. PELIGRO - A6. WELCOME TO TIJUANA - A7. EL VIENTO - A8. CASA BABYLON - B1. POR EL SUELO - B2. BLOOD AND FIRE - B3. EZLN… PARA TOD@S TODO… - B4. MR BOBBY - B5. BONGO BONG - B6. RADIO BEMBA - B7. QUE PASO QUE PASO - B8. PINOCCHIO (VAGGIO IN GROPPA AL TONNO) - B9. CAHI EN LA TRAMPA - C1. CLANDESTINO - C2. RUMBA DE BARCELONA - C3. LA DESPEDIDA - C4. MALA VIDA - C5. RADIO BEMBA 2 - C6. QUE PASO QUE PASO 2 - C7. PINOCCHIO 2 (VAGGIO IN GROPPA AL TONNO) - D1. LA PRIMAVERA - D2. THE MONKEY - D3. KING KONG FIVE - D4. MINHA GALERA - D5. PROMISCUITY More
AAL record on Other People.
Pressed on to wax due to popular demand.
Tracklist:
A 1. THIS OLD HOUSE IS ALL I HAVE 3:39 A.A.L (AGAINST ALL LOGIC)
2. I NEVER DREAM 6:46 A.A.L (AGAINST ALL LOGIC)
3. SOME KIND OF GAME 6:47 A.A.L (AGAINST ALL LOGIC)
B 4. HOPELESS 5:41 A.A.L (AGAINST ALL LOGIC)
5. SUCH A BAD WAY 4:53 A.A.L (AGAINST ALL LOGIC)
6. FLASH IN THE PAN 7:28 A.A.L (AGAINST ALL LOGIC)
C 7. CITYFADE 5:41 A.A.L (AGAINST ALL LOGIC)
8. NOW U GOT ME HOOKED 5:51 A.A.L (AGAINST ALL LOGIC)
9. KNOW YOU 4:25 A.A.L (AGAINST ALL LOGIC)
D 10. YOU ARE GOING TO LOVE ME AND SCREAM 5:35 A.A.L (AGAINST ALL LOGIC)
11. RAVE ON U 9:56 A.A.L (AGAINST ALL LOGIC)
More
Pressed on to wax due to popular demand.
Tracklist:
A 1. THIS OLD HOUSE IS ALL I HAVE 3:39 A.A.L (AGAINST ALL LOGIC)
2. I NEVER DREAM 6:46 A.A.L (AGAINST ALL LOGIC)
3. SOME KIND OF GAME 6:47 A.A.L (AGAINST ALL LOGIC)
B 4. HOPELESS 5:41 A.A.L (AGAINST ALL LOGIC)
5. SUCH A BAD WAY 4:53 A.A.L (AGAINST ALL LOGIC)
6. FLASH IN THE PAN 7:28 A.A.L (AGAINST ALL LOGIC)
C 7. CITYFADE 5:41 A.A.L (AGAINST ALL LOGIC)
8. NOW U GOT ME HOOKED 5:51 A.A.L (AGAINST ALL LOGIC)
9. KNOW YOU 4:25 A.A.L (AGAINST ALL LOGIC)
D 10. YOU ARE GOING TO LOVE ME AND SCREAM 5:35 A.A.L (AGAINST ALL LOGIC)
11. RAVE ON U 9:56 A.A.L (AGAINST ALL LOGIC)
More
1
Grauzone - A1. Film 2
2
Grauzone - A2. Schlachtet!
3
Grauzone - A3. Hinter Den Bergen
4
Grauzone - A4. Maikäfer Flieg
5
Grauzone - A5. Marmelade Und Himbeereis
6
Grauzone - B1. Wütendes Glas
7
Grauzone - B2. Kälte Kriecht
8
Grauzone - B3. Kunstgewerbe
9
Grauzone - B4. Der Weg Zu Zweit
10
Grauzone - B5. In Der Nacht
11
Grauzone - C1. Eisbär
12
Grauzone - C2. Ich Lieb Sie
13
Grauzone - C3. Moskau
14
Grauzone - C4. Ein Tanz Mit Dem Tod
15
Grauzone - D1. Träume Mit Mir
16
Grauzone - D2. Ich Und Du
17
Grauzone - D3. Wütendes Glas (Maxi Version)
18
Grauzone - D4. Raum
19
Grauzone - D5. Film 1
Double LP: Heavy 350gsm Sleeve, Liner Notes, Sticker
- Official reissue of Grauzone's album with 9 bonus songs including the megahit "Eisbär" and more, straight from the original reels!
Genre: Post-Punk, Electronic, New Wave, Cold Wave, Pop, Synth, Industrial, Experimental
Tracklisting Double LP Album
A1. Film 2
A2. Schlachtet!
A3. Hinter Den Bergen
A4. Maikäfer Flieg
A5. Marmelade Und Himbeereis
B1. Wütendes Glas
B2. Kälte Kriecht
B3. Kunstgewerbe
B4. Der Weg Zu Zweit
B5. In Der Nacht
C1. Eisbär
C2. Ich Lieb Sie
C3. Moskau
C4. Ein Tanz Mit Dem Tod
D1. Traüme Mit Mir
D2. Ich Und Du
D3. Wütendes Glas (Maxi Version)
D4. Raum
D5. Film 1
WRWTFWW Records is very happy to reissue Swiss cult band Grauzone's self-titled album in an expanded 40 Years Anniversary Edition packed with the original 1981 album plus 9 extra songs, as well as extensive liner notes by Swiss music historian Lurker Grand. The 19-track album is available as a double LP vinyl in heavy 350gsm sleeve and a digipack CD, both sourced from the original reels and put together under the supervision of band member and all around legend Stephan Eicher.
The pioneering band from Bern (Switzerland) had a short-lived but highly-regarded career which birthed a cult discography that still fascinates and resonates today. Consisting of core members Martin Eicher, Stephan Eicher, and Marco Repetto, and on-and-off participants Christian GT Trüssel, Claudine Chirac, and Ingrid Berney, the elusive group broke new grounds in the early 80s, experimenting with punk and industrial music, early techno sounds, minimalism, new wave, pop, and various electronics. With an innovative and polished approach to design, visuals, performance, and all around style and philosophy on top of their superb music, the constantly transforming unit developed a whole experience - the Grauzone experience: wild and unpredictable, yet sophisticated and cohesive, or as Swiss music historian Lurker Grand would call it, "an Art band with a Punk attitude".
Completely rejecting the music industry rules and refusing to play the game of promotion, touring, release schedules, and TV appearances even though they had a multi-platinum international hit with the song "Eisbär", the band quickly disintegrated in full convention-defying glory, leaving behind an inspiring music legacy for the world to discover and discover again, one generation after the other.
This extended version of their debut (and only) album beautifully crystallizes the Grauzone miracle/accident - where pop and youthful experimentation meet at (new/cold/no) wave and industrial crossroads, and where classic hits ("Eisbär", "FILM 2", "Raum", "Träume Mit Mir", "Der Weg Zu Zweit"…) flawlessly mesh with unconventional deep cuts ("In Der Nacht", "Film 1", "Maikäfer Flieg"…). Very simply put: GOOD timeless music with an edge.
Stephan Eicher went on to be, arguably, the most successful Swiss musician ever, with an international career extending from pop chanson to experimental escapades and collaborations with Moondog, artists Sophie Calle and Sylvie Fleury, and author Martin Suter among many other luminaries. Marco Repetto flourished as a techno and ambient producer, releasing multiple projects including releases on Aphex Twin's Rephlex label.
Points of interests
- For fans of electronic, post-punk, new wave, cold wave, Swiss wave, no wave, Neue Deutsche Welle (Welle means wave!), synth, pop, industrial, proto-techno, 80s, Stephan Eicher, Marco Repetto, Liaisons Dangereuses, Tristesse Contemporaine, Young Marble Giants, The Cure but weirder, Switzerland, romance, mountains, polar bears, contemporary art, wearing nice (white) shoes in dirty basement squats, and xerox machines.
- New release from WRWTFWW Records (Grauzone's Eisbär and Raum, Midori Takada's Through The Looking Glass, Kenji Kawai's Ghost in the Shell Original Soundtrack, John Carpenter's Dark Star Soundtrack, Ryo Fukui's Scenery, Dominique Guiot's L'Univers de la Mer, Bernard Parmegiani soundtracks and more).
More
- Official reissue of Grauzone's album with 9 bonus songs including the megahit "Eisbär" and more, straight from the original reels!
Genre: Post-Punk, Electronic, New Wave, Cold Wave, Pop, Synth, Industrial, Experimental
Tracklisting Double LP Album
A1. Film 2
A2. Schlachtet!
A3. Hinter Den Bergen
A4. Maikäfer Flieg
A5. Marmelade Und Himbeereis
B1. Wütendes Glas
B2. Kälte Kriecht
B3. Kunstgewerbe
B4. Der Weg Zu Zweit
B5. In Der Nacht
C1. Eisbär
C2. Ich Lieb Sie
C3. Moskau
C4. Ein Tanz Mit Dem Tod
D1. Traüme Mit Mir
D2. Ich Und Du
D3. Wütendes Glas (Maxi Version)
D4. Raum
D5. Film 1
WRWTFWW Records is very happy to reissue Swiss cult band Grauzone's self-titled album in an expanded 40 Years Anniversary Edition packed with the original 1981 album plus 9 extra songs, as well as extensive liner notes by Swiss music historian Lurker Grand. The 19-track album is available as a double LP vinyl in heavy 350gsm sleeve and a digipack CD, both sourced from the original reels and put together under the supervision of band member and all around legend Stephan Eicher.
The pioneering band from Bern (Switzerland) had a short-lived but highly-regarded career which birthed a cult discography that still fascinates and resonates today. Consisting of core members Martin Eicher, Stephan Eicher, and Marco Repetto, and on-and-off participants Christian GT Trüssel, Claudine Chirac, and Ingrid Berney, the elusive group broke new grounds in the early 80s, experimenting with punk and industrial music, early techno sounds, minimalism, new wave, pop, and various electronics. With an innovative and polished approach to design, visuals, performance, and all around style and philosophy on top of their superb music, the constantly transforming unit developed a whole experience - the Grauzone experience: wild and unpredictable, yet sophisticated and cohesive, or as Swiss music historian Lurker Grand would call it, "an Art band with a Punk attitude".
Completely rejecting the music industry rules and refusing to play the game of promotion, touring, release schedules, and TV appearances even though they had a multi-platinum international hit with the song "Eisbär", the band quickly disintegrated in full convention-defying glory, leaving behind an inspiring music legacy for the world to discover and discover again, one generation after the other.
This extended version of their debut (and only) album beautifully crystallizes the Grauzone miracle/accident - where pop and youthful experimentation meet at (new/cold/no) wave and industrial crossroads, and where classic hits ("Eisbär", "FILM 2", "Raum", "Träume Mit Mir", "Der Weg Zu Zweit"…) flawlessly mesh with unconventional deep cuts ("In Der Nacht", "Film 1", "Maikäfer Flieg"…). Very simply put: GOOD timeless music with an edge.
Stephan Eicher went on to be, arguably, the most successful Swiss musician ever, with an international career extending from pop chanson to experimental escapades and collaborations with Moondog, artists Sophie Calle and Sylvie Fleury, and author Martin Suter among many other luminaries. Marco Repetto flourished as a techno and ambient producer, releasing multiple projects including releases on Aphex Twin's Rephlex label.
Points of interests
- For fans of electronic, post-punk, new wave, cold wave, Swiss wave, no wave, Neue Deutsche Welle (Welle means wave!), synth, pop, industrial, proto-techno, 80s, Stephan Eicher, Marco Repetto, Liaisons Dangereuses, Tristesse Contemporaine, Young Marble Giants, The Cure but weirder, Switzerland, romance, mountains, polar bears, contemporary art, wearing nice (white) shoes in dirty basement squats, and xerox machines.
- New release from WRWTFWW Records (Grauzone's Eisbär and Raum, Midori Takada's Through The Looking Glass, Kenji Kawai's Ghost in the Shell Original Soundtrack, John Carpenter's Dark Star Soundtrack, Ryo Fukui's Scenery, Dominique Guiot's L'Univers de la Mer, Bernard Parmegiani soundtracks and more).
More
Selah Sue was not destined to become an artist. "I grew up in a really little town in Belgium, and none of my family was into music," reveals the twenty-one year old, with refreshing sincerity. "As a kid, I wanted to be a ballerina. I danced from the age of six to twelve".
Even without romanticising it, her story is like a fairy tale. It's the story of a young musician who ignores her fate, and pours her anxieties into her songs and her guitar. "I had all these worries and depressions that I wrote down, it was a way of structuring my thoughts".
She turns her doubts into soul, funk and reggae melodies, trying hard to be worthy of her idols, Lauryn Hill, Erykah Badu and Bob Marley. She sings in local clubs on the weekend and attends high school during the week. She records in home-studios, at friends houses, and publishes drafts of her songs on Myspace, without a thought of making a career in music.
What happens next seems almost unreal. Thousands of fans respond to her on the net, attracting the attention of professionals, and the interest of Because Music, which eventually leads to a record deal for the young musician. Then Farhot (Nneka) and Patrice take on the production of her first album. Meshell Ndegeocello stays with her in the studio for two days to produce the track "Mommy". Cee-Lo Green agrees to accompany her on a duet and ends up asking her to put the track ("Please") on his own album. And, last but not least, last autumn Prince offered her a coveted support slot at his show in Antwerp, Belgium.
To put it in a nutshell, in just two years, Selah Sue has fulfilled her dreams. To keep her grounded, she has insisted on keeping the songs she wrote during her teens for her debut album. It's a way of reminding the world that she has not been unfairly spoiled by destiny and that before Prince, Cee-Lo Green, radio play and incredible press, there was just a teenage girl, with her guitar, who was chosen spontaneously by fans on the net.
For example, her first single "Raggamuffin" is one of her oldest songs and was viewed more than a million times online. "This track symbolizes me" she explains. "It shows my soulful and singing side, but also my hard side, between rap and ragga. When my manager asked me who I wanted to work with, I said Farhot straight away, as I'm a fan of Nneka. But I also wanted an intimate, dark, melodious record, with light and lively beats. Farhot is crazy about digital sounds and Patrice, who I know well, was the ideal man for the melodious part. They were my two accomplices in the studio."
Her first album is ambitious. It is a smart melting pot between electric rock, organic hip-hop and soul-funk. The twelve tracks shift from poignant ballads like "Mommy" to wilder styles like "Crazy Vibes". Like Janelle Monae, M.I.A. or Aloe Blacc, Selah Sue belongs to a new generation for whom music has no boundaries. Selah Sue will tour her new record in the Spring.
Tracklisting:
A Side
This World
Peace of Mind
Raggamuffin
Crazy Vibes
Black Part Love
Mommy
B Side
Explanations
Please feat. Cee Lo Green
Summertime
Crazy Sufferin Style
Fyah Fyah
Just Because I Do
More
Even without romanticising it, her story is like a fairy tale. It's the story of a young musician who ignores her fate, and pours her anxieties into her songs and her guitar. "I had all these worries and depressions that I wrote down, it was a way of structuring my thoughts".
She turns her doubts into soul, funk and reggae melodies, trying hard to be worthy of her idols, Lauryn Hill, Erykah Badu and Bob Marley. She sings in local clubs on the weekend and attends high school during the week. She records in home-studios, at friends houses, and publishes drafts of her songs on Myspace, without a thought of making a career in music.
What happens next seems almost unreal. Thousands of fans respond to her on the net, attracting the attention of professionals, and the interest of Because Music, which eventually leads to a record deal for the young musician. Then Farhot (Nneka) and Patrice take on the production of her first album. Meshell Ndegeocello stays with her in the studio for two days to produce the track "Mommy". Cee-Lo Green agrees to accompany her on a duet and ends up asking her to put the track ("Please") on his own album. And, last but not least, last autumn Prince offered her a coveted support slot at his show in Antwerp, Belgium.
To put it in a nutshell, in just two years, Selah Sue has fulfilled her dreams. To keep her grounded, she has insisted on keeping the songs she wrote during her teens for her debut album. It's a way of reminding the world that she has not been unfairly spoiled by destiny and that before Prince, Cee-Lo Green, radio play and incredible press, there was just a teenage girl, with her guitar, who was chosen spontaneously by fans on the net.
For example, her first single "Raggamuffin" is one of her oldest songs and was viewed more than a million times online. "This track symbolizes me" she explains. "It shows my soulful and singing side, but also my hard side, between rap and ragga. When my manager asked me who I wanted to work with, I said Farhot straight away, as I'm a fan of Nneka. But I also wanted an intimate, dark, melodious record, with light and lively beats. Farhot is crazy about digital sounds and Patrice, who I know well, was the ideal man for the melodious part. They were my two accomplices in the studio."
Her first album is ambitious. It is a smart melting pot between electric rock, organic hip-hop and soul-funk. The twelve tracks shift from poignant ballads like "Mommy" to wilder styles like "Crazy Vibes". Like Janelle Monae, M.I.A. or Aloe Blacc, Selah Sue belongs to a new generation for whom music has no boundaries. Selah Sue will tour her new record in the Spring.
Tracklisting:
A Side
This World
Peace of Mind
Raggamuffin
Crazy Vibes
Black Part Love
Mommy
B Side
Explanations
Please feat. Cee Lo Green
Summertime
Crazy Sufferin Style
Fyah Fyah
Just Because I Do
More
1
Jay Richford and Gary Stevan - A1 : Flying High (3:35)
2
Jay Richford and Gary Stevan - A2 : Going Home (2:46)
3
Jay Richford and Gary Stevan - A3 : Walking In The Dark (4:42)
4
Jay Richford and Gary Stevan - A4 : Fighting For Life (3:37)
5
Jay Richford and Gary Stevan - A5 : Feeling Tense (4:05)
6
Jay Richford and Gary Stevan - B1 : Running Fast (4:42)
7
Jay Richford and Gary Stevan - B2 : Loving Tenderly (3:27)
8
Jay Richford and Gary Stevan - B3 : Fearing Much (3:35)
9
Jay Richford and Gary Stevan - B4 : Being Friendly (2:54)
10
Jay Richford and Gary Stevan - B5 : Having Fun (4:00)
2023 repress
Format Notes: 140g vinyl, remastered from the original tapes
Territories:
Worldwide no restrictions
Track List:
A1 : Flying High (3:35)
A2 : Going Home (2:46)
A3 : Walking In The Dark (4:42)
A4 : Fighting For Life (3:37)
A5 : Feeling Tense (4:05)
B1 : Running Fast (4:42)
B2 : Loving Tenderly (3:27)
B3 : Fearing Much (3:35)
B4 : Being Friendly (2:54)
B5 : Having Fun (4:00)
Release Notes:
More than once Jay Richford and Gary Stevan’s Feelings has been described as the greatest library record ever released. Of course Be With can’t be seen to be playing favourites, but we have to admit, it’s pretty good. Insanely rare and immensely sought-after, it’s a tough funk, street jazz masterpiece coveted for many years by collectors of all musical genres.
Since its original release on Italian label Carosello in 1974, Feelings has appeared on several labels with different sleeves and even under a different artist. Indeed cult library label Conroy put it out in one of their iconic red sleeves in 1976 and yes, Feelings has indeed had more than one modern re-issue since these “original” releases. But a record this special deserves to be kept in press and we think it deserves the Be With treatment.
No, Jay Richford and Gary Stevan aren’t two of the most Italian sounding names. As the story goes these were the pseudonyms adopted by Stefano Torossi and Giancarlo Gazzani who wrote the album but couldn’t use their real names on the original release for legal reasons. But Stefano Torossi himself later both clarified and confused the tale further by explaining that Feelings was the work of four people not just Gazzani and himself. Fellow composers and musicians Sandro Brugnolini and Puccio Roelens also worked on the album and as Torossi himself explained “we all worked together”, with all four gents “dividing the royalties in equal parts… that’s the story.” Right, so, with that all sorted out let’s get back to talking about the music. And what music it is.
Long hailed as a holy grail of library music, Feelings is the epitome of the sort of cinematic orchestral jazzy funk that is “that 70s library music sound”. Infectiously funky, deliciously melodic and with impeccible, elegant production, this record is the showcase for a stunning set of compositions and arrangements and with performances that are nothing short of virtuoso.
The record’s first side lifts off with “Flying High”, soaring brilliant and shimmering. Funk licks, menacing strings and swaggering horns combine for an ice-cold intro groove that Isaac Hayes would surely have envied, before the steady-paced drums deliver the slo-mo TKO. The string-drenched cop-funk of “Going Home” raises the tempo. All funky quick-fire bass lines and killer electric guitar soloing. A real thriller.
“Walking In The Dark” positively drips in blaxploitation-funk drama strings and horn struts, all laced with delicate drums, velvet piano and more filthy wah-wah. “Fighting For Life” is another funk-fuelled workout built around an effortlessly relentless drum track that refuses to give up until even the stiffest-necked head is nodding.
The loping, open drum break that guides the much-loved “Feeling Tense” through its early stages would be good enough on its own. The heavy bass gloss, swirling strings and ominous horns that follow take things to the next level.
The second side opens with another favourite “Running Fast”, and the track does precisely that. This is one fine rollicking chase theme underpinned by frenetic (yet funky) Fender Rhodes and skipping bass and drums. Those sweeping strings are a gorgeous extra. It’s a deliciously feel-good groove that sets the heart racing.
“Loving Tenderly” envelops us in warm, velvety night-time vibes with easy listening horns and slinky strings dialing up the seduction. Definitely one for the lithe lovers out there. The pace picks up on the electrifying “Fearing Much” where strings dart around deep bass, buzzing guitars and another funky drum break. The lush, melancholic “Being Friendly” is another easy beauty, all warm Rhodes and strings. Majestic stuff that puts an aural arm around you. The climactic “Having Fun” rides a pulsating, bass-heavy drum break with snatches of a funky guitar refrain, some luxurious keys, sweeping strings and triumphant horns. Sensational.
“Feelings” is a profoundly appropriate title for such an emotionally funky and genuinely affecting record. Groove-laden bass, irrepressible horns, sweet flute lines, warm Rhodes, lush string arrangements, blaxploitation-styled wah-wah guitars and so, so much more make this one of the finest instrumental soul LPs of the 70s, if not of all time.
The audio for this re-issue of Feelings comes from the original analogue tapes and has been remastered for vinyl by Be With regular Simon Francis and cut by Pete Norman. The same care has been taken by the Be With team to restore that glorious original Carosello sleeve. Feelings is almost too good to be true. Feels good all over.
More
Format Notes: 140g vinyl, remastered from the original tapes
Territories:
Worldwide no restrictions
Track List:
A1 : Flying High (3:35)
A2 : Going Home (2:46)
A3 : Walking In The Dark (4:42)
A4 : Fighting For Life (3:37)
A5 : Feeling Tense (4:05)
B1 : Running Fast (4:42)
B2 : Loving Tenderly (3:27)
B3 : Fearing Much (3:35)
B4 : Being Friendly (2:54)
B5 : Having Fun (4:00)
Release Notes:
More than once Jay Richford and Gary Stevan’s Feelings has been described as the greatest library record ever released. Of course Be With can’t be seen to be playing favourites, but we have to admit, it’s pretty good. Insanely rare and immensely sought-after, it’s a tough funk, street jazz masterpiece coveted for many years by collectors of all musical genres.
Since its original release on Italian label Carosello in 1974, Feelings has appeared on several labels with different sleeves and even under a different artist. Indeed cult library label Conroy put it out in one of their iconic red sleeves in 1976 and yes, Feelings has indeed had more than one modern re-issue since these “original” releases. But a record this special deserves to be kept in press and we think it deserves the Be With treatment.
No, Jay Richford and Gary Stevan aren’t two of the most Italian sounding names. As the story goes these were the pseudonyms adopted by Stefano Torossi and Giancarlo Gazzani who wrote the album but couldn’t use their real names on the original release for legal reasons. But Stefano Torossi himself later both clarified and confused the tale further by explaining that Feelings was the work of four people not just Gazzani and himself. Fellow composers and musicians Sandro Brugnolini and Puccio Roelens also worked on the album and as Torossi himself explained “we all worked together”, with all four gents “dividing the royalties in equal parts… that’s the story.” Right, so, with that all sorted out let’s get back to talking about the music. And what music it is.
Long hailed as a holy grail of library music, Feelings is the epitome of the sort of cinematic orchestral jazzy funk that is “that 70s library music sound”. Infectiously funky, deliciously melodic and with impeccible, elegant production, this record is the showcase for a stunning set of compositions and arrangements and with performances that are nothing short of virtuoso.
The record’s first side lifts off with “Flying High”, soaring brilliant and shimmering. Funk licks, menacing strings and swaggering horns combine for an ice-cold intro groove that Isaac Hayes would surely have envied, before the steady-paced drums deliver the slo-mo TKO. The string-drenched cop-funk of “Going Home” raises the tempo. All funky quick-fire bass lines and killer electric guitar soloing. A real thriller.
“Walking In The Dark” positively drips in blaxploitation-funk drama strings and horn struts, all laced with delicate drums, velvet piano and more filthy wah-wah. “Fighting For Life” is another funk-fuelled workout built around an effortlessly relentless drum track that refuses to give up until even the stiffest-necked head is nodding.
The loping, open drum break that guides the much-loved “Feeling Tense” through its early stages would be good enough on its own. The heavy bass gloss, swirling strings and ominous horns that follow take things to the next level.
The second side opens with another favourite “Running Fast”, and the track does precisely that. This is one fine rollicking chase theme underpinned by frenetic (yet funky) Fender Rhodes and skipping bass and drums. Those sweeping strings are a gorgeous extra. It’s a deliciously feel-good groove that sets the heart racing.
“Loving Tenderly” envelops us in warm, velvety night-time vibes with easy listening horns and slinky strings dialing up the seduction. Definitely one for the lithe lovers out there. The pace picks up on the electrifying “Fearing Much” where strings dart around deep bass, buzzing guitars and another funky drum break. The lush, melancholic “Being Friendly” is another easy beauty, all warm Rhodes and strings. Majestic stuff that puts an aural arm around you. The climactic “Having Fun” rides a pulsating, bass-heavy drum break with snatches of a funky guitar refrain, some luxurious keys, sweeping strings and triumphant horns. Sensational.
“Feelings” is a profoundly appropriate title for such an emotionally funky and genuinely affecting record. Groove-laden bass, irrepressible horns, sweet flute lines, warm Rhodes, lush string arrangements, blaxploitation-styled wah-wah guitars and so, so much more make this one of the finest instrumental soul LPs of the 70s, if not of all time.
The audio for this re-issue of Feelings comes from the original analogue tapes and has been remastered for vinyl by Be With regular Simon Francis and cut by Pete Norman. The same care has been taken by the Be With team to restore that glorious original Carosello sleeve. Feelings is almost too good to be true. Feels good all over.
More
Having become one of the most instantly recognisable voices in UK Hip-Hop over the past few years, with a slew of heralded releases on Blah Records, London-based rapper CLBRKS (AKA Conrad Brooks) prepares to release his new LP ‘CLBELLIC’ via Bradley Zero’s heralded imprint Rhythm Section.
Tracklist
1.1Special To Me
1.2Walking On Hombult
1.3Brucie Kibbutz
1.4Melee Weapon
1.5Badman
1.6Cl Bellic
1.7Little Jacob
1.8Sparkdalaa
1.9Who Are You Working
1.10Adios
1.11Gin & Tonic (Bonus)
https://listen.k7.com/78a8e43a-c205-46b5-9af9-64965a29d844 More
Tracklist
1.1Special To Me
1.2Walking On Hombult
1.3Brucie Kibbutz
1.4Melee Weapon
1.5Badman
1.6Cl Bellic
1.7Little Jacob
1.8Sparkdalaa
1.9Who Are You Working
1.10Adios
1.11Gin & Tonic (Bonus)
https://listen.k7.com/78a8e43a-c205-46b5-9af9-64965a29d844 More
1
Tommy Guerrero - Hello Again
2
Tommy Guerrero - The Under Dog
3
Tommy Guerrero - Badder Than Bullets
4
Tommy Guerrero - Tomorrow’s Goodbye
5
Tommy Guerrero - No Guns More Glory
6
Tommy Guerrero - War No More
7
Tommy Guerrero - Salve
8
Tommy Guerrero - Mission Flats
9
Tommy Guerrero - 1966
10
Tommy Guerrero - Don’t Fake It
11
Tommy Guerrero - Just Ain’t Me
12
Tommy Guerrero - Create And Destroy
13
Tommy Guerrero - Let Me In Let Me Out
14
Tommy Guerrero - Molotov Telegram
Format: LP
Format Notes: Remastered, 180g vinyl, first time on vinyl
EAN: 4251648413387
Track List:
A1 : Hello Again
A2 : The Under Dog
A3 : Badder Than Bullets
A4 : Tomorrow’s Goodbye
A5 : No Guns More Glory
A6 : War No More
A7 : Salve
A8 : Mission Flats
B1 : 1966
B2 : Don’t Fake It
B3 : Just Ain’t Me
B4 : Create And Destroy
B5 : Let Me In Let Me Out
B6 : Molotov Telegram
Release Notes:
Yes! Tommy Guerrero’s much-loved 4th LP – the smooth West Coast classic From The Soil To The Soul - gets its first ever vinyl release. As the follow up to his revered Soul Food Taqueria, this album was originally released by Quannum Records 2006 but only on CD. Working with Tommy directly, the LP has been fully remastered, cut on to heavyweight wax, and comes with artwork freshly reworked by the man himself.
From The Soil To The Soul represents a continuation of Tommy’s blissful guitar-soul whilst demonstrating increasingly complex chops and a slightly darker side to his distinctive sound. His spare, effortless funk is blended here with elements of Americana, heavy psych, lo-fi fuzz and intoxicating Latin rhythms. Combined with his typically breezy, laid-back San Franciscan style, it’s a vibe from start to finish.
Recorded primarily in his home studio, Tommy wrote, arranged and played nearly all the instruments, including bass, guitar, keyboards, percussion and kalimba. Renowned street artist Barry McGee, aka Twist, designed the cover art which Tommy has now recast in a deep, deep red for the vinyl version.
As ever with Tommy, the highlights are many and memorable. From twinkling, sun-drenched opener “Hello Again” to the penultimate, punk-rocking track “Let Me In Let Me Out” (featuring the melodic yet fearsome rapping of Lyrics Born), the variety across the LP is relentless, but satisfying, and without once losing focus.
We’re treated to the gorgeous hip-hop blues of “The Under Dog”, Meters-style Hammond B-3 jams like “War No More” and “No Guns More Glory” and Balearic bangers like Bing Ji Ling’s star-turn on the sleazy “Don’t Fake It.”
Curumin’s soulful guest vocal elevates the already-great Brazilian lounge feels of “Salve” to hitherto unscaled heights and the heavy, driving basslines - funky and warm on “Badder Than Bullets”, sombre and intense in “Tomorrow’s Goodbye” and “Molotov Telegram” – never fail to move both body and soul.
But our favourite track is the beautiful breezy pop of “Just Ain’t Me”. A bittersweet, skipping ballad which boasts an incredibly rare instance of Tommy singing. “What you want from me, I can never give” he repeats throughout, lending the already-melancholic atmosphere greater poignancy. It would’ve been number 1 across the planet in a parallel universe.
More
Format Notes: Remastered, 180g vinyl, first time on vinyl
EAN: 4251648413387
Track List:
A1 : Hello Again
A2 : The Under Dog
A3 : Badder Than Bullets
A4 : Tomorrow’s Goodbye
A5 : No Guns More Glory
A6 : War No More
A7 : Salve
A8 : Mission Flats
B1 : 1966
B2 : Don’t Fake It
B3 : Just Ain’t Me
B4 : Create And Destroy
B5 : Let Me In Let Me Out
B6 : Molotov Telegram
Release Notes:
Yes! Tommy Guerrero’s much-loved 4th LP – the smooth West Coast classic From The Soil To The Soul - gets its first ever vinyl release. As the follow up to his revered Soul Food Taqueria, this album was originally released by Quannum Records 2006 but only on CD. Working with Tommy directly, the LP has been fully remastered, cut on to heavyweight wax, and comes with artwork freshly reworked by the man himself.
From The Soil To The Soul represents a continuation of Tommy’s blissful guitar-soul whilst demonstrating increasingly complex chops and a slightly darker side to his distinctive sound. His spare, effortless funk is blended here with elements of Americana, heavy psych, lo-fi fuzz and intoxicating Latin rhythms. Combined with his typically breezy, laid-back San Franciscan style, it’s a vibe from start to finish.
Recorded primarily in his home studio, Tommy wrote, arranged and played nearly all the instruments, including bass, guitar, keyboards, percussion and kalimba. Renowned street artist Barry McGee, aka Twist, designed the cover art which Tommy has now recast in a deep, deep red for the vinyl version.
As ever with Tommy, the highlights are many and memorable. From twinkling, sun-drenched opener “Hello Again” to the penultimate, punk-rocking track “Let Me In Let Me Out” (featuring the melodic yet fearsome rapping of Lyrics Born), the variety across the LP is relentless, but satisfying, and without once losing focus.
We’re treated to the gorgeous hip-hop blues of “The Under Dog”, Meters-style Hammond B-3 jams like “War No More” and “No Guns More Glory” and Balearic bangers like Bing Ji Ling’s star-turn on the sleazy “Don’t Fake It.”
Curumin’s soulful guest vocal elevates the already-great Brazilian lounge feels of “Salve” to hitherto unscaled heights and the heavy, driving basslines - funky and warm on “Badder Than Bullets”, sombre and intense in “Tomorrow’s Goodbye” and “Molotov Telegram” – never fail to move both body and soul.
But our favourite track is the beautiful breezy pop of “Just Ain’t Me”. A bittersweet, skipping ballad which boasts an incredibly rare instance of Tommy singing. “What you want from me, I can never give” he repeats throughout, lending the already-melancholic atmosphere greater poignancy. It would’ve been number 1 across the planet in a parallel universe.
More
1
Fredfades - Caviar (feat. Arthur Kay)
2
Fredfades - My Heart Is On The Edge (feat. Kristina Hamilton)
3
Fredfades - Winner (Telephones Mix) (feat. Telephones)
4
Fredfades - Tenerife 1994
5
Fredfades - Intuition (feat. MoRuf)
6
Fredfades - Summer Of Love
7
Fredfades - Well, Well, Well
8
Fredfades - My Heart Is On The Edge (Falconry Data Mix)
Special remarks: High quality lacquer cut LP in reverse board cover. It comes shrink wrapped with EAN sticker on shrink wrap.
Genre: House, Deep House, Techno, Electronic, Balearic, Euro-House.
A1 Caviar (feat. Arthur Kay)
A2 My Heart Is On The Edge (feat. Kristina Hamilton)
A3 Winner (Telephones Mix) (feat. Telephones)
A4 Tenerife 1994
B1 Intuition (feat. MoRuf)
B2 Summer Of Love
B3 Well, Well, Well
B4 My Heart Is On The Edge (Falconry Data Mix)
Press text:
Fredfades is finally ready with his second album as a solo artist. The producer and DJ and has remained active as a musician ever since his debut single in 2008. Since he released his debut solo album 'Warmth' six years ago he's ben diving into a bunch of different genres and cross-ing musical landscapes such as ambient, hip-hop and house, which has led to releases and productions across labels like his own Mutual Inten-tions imprint, as well as bigger labels like Stones Throw, Fresh Selects and Jakarta Records. This sonic voyage has resulted in ‘Caviar’ - an album that tells the story of a producer who's ready to let go of his youthful love and indulge himself to electronic music.
Fredfades name is more often seen on foreign club posters than back home in Norway. This has colored the musical expression of the Oslo-born multi-artist, and on ‘Caviar’ he is gathering inspiration from every corner of the world where he has traveled. You can clearly hear the inspi-rations from the sounds of Rome, Manchester, South-Africa, Detroit, New York, Berlin, Paris and the Balearic ocean, which are all well repre-sented throughout the album's eight tracks. If you close your eyes and put your ears close to the speakers you will hear loons, running water, African percussion instruments, roaring saxophones, bit-crushed samples, moaning women, TB 303’s, bottom-heavy basslines and recordings of whales communicating at the bottom of the ocean. Everything seamlessly put together for Fredfades’ own sonic world view. The album features a bunch of talented friends of Fred, such as Telephones or the vocalists MoRuf and Kristian Hamilton.
Despite being known as more of a progressive and edgy DJ that haunts down a lot of indie and private press electronic music, Fredfades has cultivated a more elegant and controversial output in his own music. His progressions often consist of dwelling jazz chords from electric pianos or mellow sub-filtered synth patches that creates space where he can unleash rowdy basslines, rhythm sections and leads just as confident and captivating as the man himself. On the jazzy ‘Tenerife 1994’ you can hear a tribute to one of Fred’s greatest heroes in music: Pharoah Sanders, while on ‘My Heart Is On The Edge’ and ‘Summer of Love’ the energy and euphoria is boiling over and directs your mind towards the summer raves which Fredfades is known to throw down in Oslo.
On the LP covers backside Fredfades is posing with a Korg Wavestation in front of the block where he grew up in the suburbs outside Oslo, while the front cover is showing an airbrushed illustration of Caviar from sturgeon - ‘From block to Beluga’. The black vinyl contains magic grooves created by an electronic musical convertite, with the power to transport the listener from a perpetual winter to the 90s warm dance floors and the 'Second Summer of Love’.
More
Genre: House, Deep House, Techno, Electronic, Balearic, Euro-House.
A1 Caviar (feat. Arthur Kay)
A2 My Heart Is On The Edge (feat. Kristina Hamilton)
A3 Winner (Telephones Mix) (feat. Telephones)
A4 Tenerife 1994
B1 Intuition (feat. MoRuf)
B2 Summer Of Love
B3 Well, Well, Well
B4 My Heart Is On The Edge (Falconry Data Mix)
Press text:
Fredfades is finally ready with his second album as a solo artist. The producer and DJ and has remained active as a musician ever since his debut single in 2008. Since he released his debut solo album 'Warmth' six years ago he's ben diving into a bunch of different genres and cross-ing musical landscapes such as ambient, hip-hop and house, which has led to releases and productions across labels like his own Mutual Inten-tions imprint, as well as bigger labels like Stones Throw, Fresh Selects and Jakarta Records. This sonic voyage has resulted in ‘Caviar’ - an album that tells the story of a producer who's ready to let go of his youthful love and indulge himself to electronic music.
Fredfades name is more often seen on foreign club posters than back home in Norway. This has colored the musical expression of the Oslo-born multi-artist, and on ‘Caviar’ he is gathering inspiration from every corner of the world where he has traveled. You can clearly hear the inspi-rations from the sounds of Rome, Manchester, South-Africa, Detroit, New York, Berlin, Paris and the Balearic ocean, which are all well repre-sented throughout the album's eight tracks. If you close your eyes and put your ears close to the speakers you will hear loons, running water, African percussion instruments, roaring saxophones, bit-crushed samples, moaning women, TB 303’s, bottom-heavy basslines and recordings of whales communicating at the bottom of the ocean. Everything seamlessly put together for Fredfades’ own sonic world view. The album features a bunch of talented friends of Fred, such as Telephones or the vocalists MoRuf and Kristian Hamilton.
Despite being known as more of a progressive and edgy DJ that haunts down a lot of indie and private press electronic music, Fredfades has cultivated a more elegant and controversial output in his own music. His progressions often consist of dwelling jazz chords from electric pianos or mellow sub-filtered synth patches that creates space where he can unleash rowdy basslines, rhythm sections and leads just as confident and captivating as the man himself. On the jazzy ‘Tenerife 1994’ you can hear a tribute to one of Fred’s greatest heroes in music: Pharoah Sanders, while on ‘My Heart Is On The Edge’ and ‘Summer of Love’ the energy and euphoria is boiling over and directs your mind towards the summer raves which Fredfades is known to throw down in Oslo.
On the LP covers backside Fredfades is posing with a Korg Wavestation in front of the block where he grew up in the suburbs outside Oslo, while the front cover is showing an airbrushed illustration of Caviar from sturgeon - ‘From block to Beluga’. The black vinyl contains magic grooves created by an electronic musical convertite, with the power to transport the listener from a perpetual winter to the 90s warm dance floors and the 'Second Summer of Love’.
More
1
Fredfades & Jawn Rice - A1. Luv Neva Fades ft. Byron The Aquarius & Javonntte
2
Fredfades & Jawn Rice - A2. Arthur (Fred’s O.G. Mix) ft. Arthur Kay
3
Fredfades & Jawn Rice - A3. SP1200 ft. Bendik HK
4
Fredfades & Jawn Rice - B1. Barcelona 1990
5
Fredfades & Jawn Rice - B2. Travels Through Air
6
Fredfades & Jawn Rice - B3. Arthur ft. Arthur Kay (Jawn’s Stripped Mix)
Special remarks :
High quality laqcuer cut LP with custom pantone printed innersleeve, pantone printed outer sleeve,
shrink wrap and hype sticker!
Features the deep house pioneers Byron The Aquarius & Javonntte. The record has already played by
top DJ’s and selectors such as Motor City Drum Ensemble and JeremyUnderground.
Deep house, techno, disco, soulful house, jazz
Tracklist:
A1 Luv Neva Fades ft. Byron The Aquarius & Javonntte
A2 Arthur (Fred’s O.G. Mix) ft. Arthur Kay
A3 SP1200 ft. Bendik HK
B1 Barcelona 1990
B2 Travels Through Air
B3 Arthur ft. Arthur Kay (Jawn’s Stripped Mix)
Press text:
To say Fredfades and Jawn Rice are House music producers would be sneering at their efforts across
genres like Hip Hop, Soul, and Jazz. The Mutual Intentions collaborators have forged a sound together in classic House, siphoning a myriad of influences through their intricate constructions in the studio
as solo acts since first meeting in 2007. Becoming fast friends over a shared love of the dusty beats of
an SP1200, Jawn Rice and Fredfades started working together while the Mutual Intentions collective
gestated around them. Individual works by Jawn and Fred dot the collective’s back catalogue like various nodes of evolution through the course of MI’s output.
“We’ve always been sharing sketches,” explains Jawn Rice, “but I feel that these past years have
been more productive in getting some of these sketches out as songs with Fredrik. It’s just a continuation of our friendship.” Emboldened by this friendship and with their finely tuned skills in the studio,
honed to near-perfection, they eventually started making music together. Following two seminal solo
LPs – Fredfades’ Warmth and Jawn Rice’s Highlights – the pair consolidated their music as a duo in
2019, striking out with their electrifying debut, Jacuzzi Boyz. In a fusion between Jawn’s electronic inclinations and Fred’s soulful eccentricities, Jacuzzi Boyz established the duo as a new force workingNew Release Information
within the broad scope of House music, with a sound imbued in the origin story of House and the
genre’s hip-hop allegiances.
In 2020 they continue to pursue music together in the sophomore LP, Luv Neva Fades. Following the
release of the title track and lead single, Luv Neva Fades finds the producers cementing their artistic
voice and re-enforcing their commitment to a singular sound. Lush Rhodes keys and bouncing percussion lay the foundations for the album, while buoyant bass-lines and sparkling synthesisers provide
the catalyst for a crooning vocal or ruminating melody. It’s a record that thrives in a sultry mood; an LP
that basks in the warmth of its analogue origins and cools in the shade of languid chord progressions.
Like Jacuzzi Boys, this album is an extended collaborative affair, as Mutual Intentions’ reach stretches
across the Atlantic with guest appearances from Byron the Aquarius, Javonntte, Arthur Kay, Bendik HK
and the SP1200 that started it all. Shimmering melodies, hazy harmonies and boisterous beats draw
Fredfades and Jawn Rice out of the jacuzzi and onto the dance floor, moving under shimmering stars,
where the duo cement what they started with Luv Neva Fades.
More
High quality laqcuer cut LP with custom pantone printed innersleeve, pantone printed outer sleeve,
shrink wrap and hype sticker!
Features the deep house pioneers Byron The Aquarius & Javonntte. The record has already played by
top DJ’s and selectors such as Motor City Drum Ensemble and JeremyUnderground.
Deep house, techno, disco, soulful house, jazz
Tracklist:
A1 Luv Neva Fades ft. Byron The Aquarius & Javonntte
A2 Arthur (Fred’s O.G. Mix) ft. Arthur Kay
A3 SP1200 ft. Bendik HK
B1 Barcelona 1990
B2 Travels Through Air
B3 Arthur ft. Arthur Kay (Jawn’s Stripped Mix)
Press text:
To say Fredfades and Jawn Rice are House music producers would be sneering at their efforts across
genres like Hip Hop, Soul, and Jazz. The Mutual Intentions collaborators have forged a sound together in classic House, siphoning a myriad of influences through their intricate constructions in the studio
as solo acts since first meeting in 2007. Becoming fast friends over a shared love of the dusty beats of
an SP1200, Jawn Rice and Fredfades started working together while the Mutual Intentions collective
gestated around them. Individual works by Jawn and Fred dot the collective’s back catalogue like various nodes of evolution through the course of MI’s output.
“We’ve always been sharing sketches,” explains Jawn Rice, “but I feel that these past years have
been more productive in getting some of these sketches out as songs with Fredrik. It’s just a continuation of our friendship.” Emboldened by this friendship and with their finely tuned skills in the studio,
honed to near-perfection, they eventually started making music together. Following two seminal solo
LPs – Fredfades’ Warmth and Jawn Rice’s Highlights – the pair consolidated their music as a duo in
2019, striking out with their electrifying debut, Jacuzzi Boyz. In a fusion between Jawn’s electronic inclinations and Fred’s soulful eccentricities, Jacuzzi Boyz established the duo as a new force workingNew Release Information
within the broad scope of House music, with a sound imbued in the origin story of House and the
genre’s hip-hop allegiances.
In 2020 they continue to pursue music together in the sophomore LP, Luv Neva Fades. Following the
release of the title track and lead single, Luv Neva Fades finds the producers cementing their artistic
voice and re-enforcing their commitment to a singular sound. Lush Rhodes keys and bouncing percussion lay the foundations for the album, while buoyant bass-lines and sparkling synthesisers provide
the catalyst for a crooning vocal or ruminating melody. It’s a record that thrives in a sultry mood; an LP
that basks in the warmth of its analogue origins and cools in the shade of languid chord progressions.
Like Jacuzzi Boys, this album is an extended collaborative affair, as Mutual Intentions’ reach stretches
across the Atlantic with guest appearances from Byron the Aquarius, Javonntte, Arthur Kay, Bendik HK
and the SP1200 that started it all. Shimmering melodies, hazy harmonies and boisterous beats draw
Fredfades and Jawn Rice out of the jacuzzi and onto the dance floor, moving under shimmering stars,
where the duo cement what they started with Luv Neva Fades.
More
1
Sepalot - 1. stand by your side
2
Sepalot - 2. visions (feat. Malva)
3
Sepalot - 3. get higher (Main Artist: Temple Haze)
4
Sepalot - 4. i know you can
5
Sepalot - 5. never give up
6
Sepalot - 6. sun upside (Main Artist: Angela Aux)
7
Sepalot - 7. ÄÖ
8
Sepalot - 8. there is a fire in me
9
Sepalot - 9. neverlost (feat.: Fabian Füss)
10
Sepalot - 10. patterns (feat. Matthias Lindermayr)
LP
2. GENRE/S: Trip-Hop, House
3. TRACKLISTS:
1. stand by your side
2. visions (feat. Malva)
3. get higher (Main Artist: Temple Haze)
4. i know you can
5. never give up
6. sun upside (Main Artist: Angela Aux)
7. ÄÖ
8. there is a fire in me
9. neverlost (feat.: Fabian Füss)
10. patterns (feat. Matthias Lindermayr)
4. SHORT INFO:
Sepalot's upcoming studio album neverlost showcases his genre-blending abilities when he seamlessly blends elements of trip-hop, house and a touch of Ennio Morricone to create a unique, innovative and captivating sound.
5. VITAL SALES POINTS:
- Sixth studio album from Sepalot
- Releases on Eskapaden Musik
More
2. GENRE/S: Trip-Hop, House
3. TRACKLISTS:
1. stand by your side
2. visions (feat. Malva)
3. get higher (Main Artist: Temple Haze)
4. i know you can
5. never give up
6. sun upside (Main Artist: Angela Aux)
7. ÄÖ
8. there is a fire in me
9. neverlost (feat.: Fabian Füss)
10. patterns (feat. Matthias Lindermayr)
4. SHORT INFO:
Sepalot's upcoming studio album neverlost showcases his genre-blending abilities when he seamlessly blends elements of trip-hop, house and a touch of Ennio Morricone to create a unique, innovative and captivating sound.
5. VITAL SALES POINTS:
- Sixth studio album from Sepalot
- Releases on Eskapaden Musik
More