Tracklist

A1. Nonneo
A2. Mystified Acid (2024 rework)
B1. Nonneo – Donato Dozzy remix
B2. Love and Sex Acid

Acid Test repress the very first Acid Test 12”, a now-renowned outing by Vienna’s Tin Man aka Johannes Auvinen. ACIDTEST01.1 the repress serves up the original “Nonneo” alongside a new 2024 rework of “Mystified Acid” on the A side, while the B-side sees the revered hypnotic “Nonneo” remix by Italian techno master Donato Dozzy, rounded off by long-time favourite “Love Sex Acid” from the Acid Acid album. It’s a sweetly balanced package of vintage Tin Man vibes, always searching for the heart in the machine.

Mastered and recut by Rashad.









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Tracklist

A1. Hidden Acid
A2. Swaying Acid
B1. Running Acid
B2. Wrapped Up Acid


Release Info:

Vienna-based producer and 303 maestro Tin Man returns to Acid Test for his first solo EP for the label in over 5 years. It's another impeccable outing of romantic acid variations, especially tailored for unforgettable dancefloor revelations.

Tin Man has been setting the pace for forward-looking acid lovers for close to two decades now, and on his 15th Acid Test appearance he takes the vibe back to early and proto-house roots, stripping back the musical elements while layering in the euphoria with four perfectly crafted slices of feelgood 303.

Opening track Hidden Acid already sounds like a long lost classic, with strings draped over bouncy acid and motorik drums, stretching out over nearly nine minutes, and beautifully capturing the feel of house music circa 1991. Swaying Acid comes in all propulsive, toms and congas setting the foundation for melodic acid lines to weave through your heart strings.

On the B Side, Running Acid is fully optimized for the autobahn fast lane - a gradual, slow-filtered acid meltdown that builds and releases in tandem with driving hats and vaporous pads that hang over the track like early morning mists. Wrapped Up Acid brings the EP to a fitting close, slowing the tempo for a low-key easy dance excursion par excellence - smooth yet spikey 303 riffs punctuate the chords that drift through with a hint of Badalamenti in the progression.

With the Hidden Acid EP Tin Man might hark back to more vintage times, but the emotive power is as strong as ever. The naivety of the ‘90s is instead replaced with a conviction behind the musical choices that brings even more weight to the heartwarming vibes. This is acid in some of the best shape it's ever been, enhanced and upgraded specifically for the dance.









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4LP (full 3LP original classic version + 4th LP Bonus)
Acid Test reissues the highly sought after 'Acid Acid' 3 LP from Tin Man,
now titled 'Acid Acid Acid' and includes a 4th disc of unreleased material recorded from the period, and has been remastered by Stefan Betke.

A Flip
B Forever
C1 Confusion's In
C2 Acid Supreme
D1 Giving It To You
D2 Love And Sex
E1 Come Feel The Acid
E2 Bass Tunnel
F1 Hot Juice
F2 Acid Acid
G1 Heated Acid
H1 Crisp & Cosey Acid
H2 Jack It Acid



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CD - ATCD04 UPC: 827170145122 Release 22.09.14

Tracklist: CD:
1. No New Violence (vocal) 2. In Your System 3. Depleted Serotonin (vocal) 4. What A Shame 5. Vertigo (vocal) 6. Memorphillia (vocal) 7. Ode 8-11 Bonus instrumentals of said vocal tracks

What does a rave sound like the next day? The strobe lights in a dark warehouse, the pounding kick, the blur of ecstatic faces lead to a morning-after emptiness, all fade into memories of the friends you once had. On Ode, Tin Man (proper name Johannes Auvinen) explores this feeling, offering tracks which possess an exhausted joy, the aural equivalent of the stretch of time beginning when the last record is played and stretching on towards the doleful contemplation of last night's unmade sheets.

Appropriately, Tin Man's melancholic dance music is more club-ready than ever. The opening tracks explore the spacious atmosphere first proposed on Neo Neo Acid and the (recently repressed) Acid Test 01 collaboration with Donato Dozzy. Auvinen continues to coax unique, bittersweet sounds out of the 303 - his control is akin to a virtuosic theremin player, all dramatic lunges and dynamics. Yet on tracks like Depleted Serotonin, the memories of half-remembered nights surface. That track reprises the minor-key rave breakdown, ending with nearly three-minutes of knackered techno throb. Similarly, "What a Shame" sounds like a forgotten Warp classic run through Tin Man's palette of tasteful reserve.

Always conceptual, Tin Man is commenting on big room techno music by presenting his thoughtful, hungover version of it. On Vertigo, he reins in the acid box acrobatics - opting instead for a rudimentary, early-Chicago style pattern, eventually following optimistic chords skyward. It's a simulacrum of that end-of-the-night moment when the music is so charged and utopic that all fatigue is forgotten. Auvinen's recognized talent to imbue machines with complex human emotion draws us into his world. With Tin Man's music, there is always something left unsaid -- he uses familiar elements yet his perspective remains singular and mysterious. Each dreamlike track is another clue.

He ends the set with the intensely dramatic Memoraphilia and Ode. The former concludes on an ominous note with strings that evoke paranoia, yet this feeling, too, will pass. The final (and title) track begins with the Deepchord-level percussive filtering that acts as the album's textural base. Almost immediately, Tin Man introduces an octave jumping acid refrain. The four-bar loop reaches operatic heights of yearning. Ode's rave stabs indicate this drama comes from the implacable notion of being alone in the crowd -- an emptiness which can remain long after it's disbanded. What comes when the dance is over?




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Mini LP

Tracklist
A1. Waste Of Space
A2. Melting Upwards
A3. Gurn
B1. Briar St. Bump
B2. One Eye Open
B3. Sticky Shed

Info:
Patricia clocks back in at Acid Test with Y Try, a six-track Mini-LP, neatly packed, no detours. The brief was never complicated. Big room Patty business, plain and simple. The A-side aims straight for the main room, the flip takes things deeper.



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Tracklist:

A1. Dilute Developer
A2. Subtractive Color
B1. Stop Bath
B2. Fixer

Beat machine freak duo Bill Converse and Patricia (Max Ravitz) present 380/750, a new EP on Acid Test that blends the two producers’ singular styles to form an emotive “introspection on the dance floor” experience over the course of 4 tracks.

Recorded at Ravitz’s Brooklyn studio over the course of two days, 380/750 features raw, no-multitrack, no-edit live recordings that showcase the duo’s intuition for expressive rhythm tracks. Considering Converse’s roots in the 90’s Michigan rave scene, and Ravitz’s Chicago upbringing, the midwestern strains really shine through. With rhythm-composer mutations, acid dripping over atmospheric synth textures, and the ever-present jack throughout, 380/750 offers a deep sound to get lost in that feels both new and classic at the same time.









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Tracklist

A1. Test 7
A2. Test 3 (Vocal Version)
B1. Test 2
B2. Test 3

The now 10 year old Acid Test 09 sees a special 10th Anniversary Edition repress with a new vocal mix of track “Test 3”.

The original EP saw acid nomad Tin Man team up with techno dreamweaver Donato Dozzy for three slices of deep acid and dubby, bleepy ambient.

In this special 10 Year Anniversary Edition Test 3” comes with a new vocal mix and it’s a welcome return to the mic for Tin Man. Perfectly-placed words sit among chiming bells and are layered deep into the echoes, almost like the synths themselves are speaking.

Acid Test 09 proved to be pairing in 303 paradise, but the results outclassed even Dozzy and Tin Man’s special partnership - they created simply a timeless signal that could broadcast through space ad infinitum.

Mastered and recut by Rashad.










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Tracklist

A1. Nonneo
A2. Mystified Acid (2024 rework)
B1. Nonneo – Donato Dozzy remix
B2. Love and Sex Acid

Acid Test repress the very first Acid Test 12”, a now-renowned outing by Vienna’s Tin Man aka Johannes Auvinen. ACIDTEST01.1 the repress serves up the original “Nonneo” alongside a new 2024 rework of “Mystified Acid” on the A side, while the B-side sees the revered hypnotic “Nonneo” remix by Italian techno master Donato Dozzy, rounded off by long-time favourite “Love Sex Acid” from the Acid Acid album. It’s a sweetly balanced package of vintage Tin Man vibes, always searching for the heart in the machine.

Mastered and recut by Rashad.









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2023 repress

Format: LP

Tracklist

A1. Motorway Acid
A2. Microdose Mondays
A3. London Stock

B1. Meanwhile… In The Smoking Area
B2. Thursday
B3. Retracted
B4. Praha

Release Info:
Two visionary explorers of the acid and dub intersection team up for a seven track LP In The Afterworld on Acid Test.

Om Unit and TM404 have both been researching production and compositional elements in the crosshairs of dub and acid for the last few years - Om Unit most notably with his Acid Dub Studies 1 & 2, and TM404 with his Acidub album in particular.

Om Unit has been a longtime fan of TM404’s use of the TB-303 and the deconstructed space he brings to the house and techno template. Meanwhile Om Unit’s own leaning towards breaks and reggae instrumentation has offered a different approach to the acid sound they both love so much. So an LP with Acid Test seemed the perfect opportunity to combine those approaches and see what kind of mutations could be discovered. The result is a primordial soup that is in parts acid, dub, breaks and ambient, full of spaced-out synths and psychedelic bass, where the pair enjoyed building tracks with a feel for where the music wanted to go, irrespective of stylistic constraints.

Rolling opener Motorway Acid sets the pace high and strong, conjuring both wide open spaces and fast-paced travel at the same time, with weightless pads, stroboscopic breaks and a mighty 303 riff that can teleport you to the middle of a foggy dancefloor. Microdose Mondays on the other hand, slows the tempo down and veers into cosmic territory, with perfectly dubbed drum rolls and burbling squelch. But it’s London Stock that kicks the album into hyperspace, finding its futuristic steppers groove somewhere in the answer to the hypothetical question ‘what if Shaka had produced Stingray?’

Speaking of underwater electronics, Meanwhile In The Smoking Area delves deep into submarine territory, delivering the kind of bass weight and sonar acid signals you’d need a diver’s suit for. It’s a vibe that’s continued on the tracks Thursday and Refracted, and speaks to the record's title - otherworldly, dreamy bass meditations that aren’t of this realm. The album closes out with Praha, a pacey yet ambient vista of warm wide synths, layers of 303, and dub echoes that sound like the machines are slowly coming to life.

It’s in this altered state that the album resides, somewhere between worlds and styles, emerging out of the space around the TB-303 that Om Unit and TM404 have created, with their open-minded approach to the music and to this collaboration. Free the 303!



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Tracklist

A1. Hidden Acid
A2. Swaying Acid
B1. Running Acid
B2. Wrapped Up Acid


Release Info:

Vienna-based producer and 303 maestro Tin Man returns to Acid Test for his first solo EP for the label in over 5 years. It's another impeccable outing of romantic acid variations, especially tailored for unforgettable dancefloor revelations.

Tin Man has been setting the pace for forward-looking acid lovers for close to two decades now, and on his 15th Acid Test appearance he takes the vibe back to early and proto-house roots, stripping back the musical elements while layering in the euphoria with four perfectly crafted slices of feelgood 303.

Opening track Hidden Acid already sounds like a long lost classic, with strings draped over bouncy acid and motorik drums, stretching out over nearly nine minutes, and beautifully capturing the feel of house music circa 1991. Swaying Acid comes in all propulsive, toms and congas setting the foundation for melodic acid lines to weave through your heart strings.

On the B Side, Running Acid is fully optimized for the autobahn fast lane - a gradual, slow-filtered acid meltdown that builds and releases in tandem with driving hats and vaporous pads that hang over the track like early morning mists. Wrapped Up Acid brings the EP to a fitting close, slowing the tempo for a low-key easy dance excursion par excellence - smooth yet spikey 303 riffs punctuate the chords that drift through with a hint of Badalamenti in the progression.

With the Hidden Acid EP Tin Man might hark back to more vintage times, but the emotive power is as strong as ever. The naivety of the ‘90s is instead replaced with a conviction behind the musical choices that brings even more weight to the heartwarming vibes. This is acid in some of the best shape it's ever been, enhanced and upgraded specifically for the dance.









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Tracklist

A1. Facid Trunktion
B1. Sanskrit Body Rock
B2. Ask It Acid

Release Info:

Detroit’s Marcellus Pittman returns to Acid Test following his Unknown Species track featured on the “10 Years of Acid Test” compilation, he’s back with his debut EP for the label.

Juddering mechanical beats, layered percussion and gurgling 303 basslines are on the menu, from one of Detroit’s finest.

Housed in a full colour sleeve, with a photo by Marcellus himself






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Tracklist

A1. Helium Flash
A2. Red Shift

B1. Meteor Shower
B2. Solar Wind


Johannes Auvinen (Tin Man) and Max Ravitz (Patricia), two devotees in the cult of the TB-303, return to Acid Test with the Celestial Body Music series, a follow up to their 2020 LP Powers Of Ten.

Recorded in Ravitz’s studio in Asheville, NC, Celestial Body Music once again showcases the pair’s penchant for raw yet emotive dance music. With Auvinen’s signature TB-303 programming and Ravitz’s typical melancholic flair, the duo’s styles merge seamlessly over the course of 8 tracks that harken back to the heyday of American techno and house. Following on from Powers of Ten, the pair continue to fix their eyes firmly on the stars, as Celestial Body Music’s song titles conjure visions of listening to Dance Mania 12”s on the ISS. With a tonal palette that features the well-trodden sounds of classic analog hardware like the TR-808, TR-909, TB-303, and SH-101, Ociya demonstrate their ability to breathe new life into these old instruments through thoughtful programming, arrangement, and mixing. This is made all the more significant when considering every song was recorded live to 2-track with no editing over the course of a few days. Sweet and savory both, the new material strikes a perfect balance between emotive sensibility and dance floor appeal.






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Tracklist

A1. Orbital
A2. Oort Cloud

B1. Distant Star
B2. Open Cluster

Release Info:
Johannes Auvinen (Tin Man) and Max Ravitz (Patricia), two devotees in the cult of the TB-303, return to Acid Test with the Celestial Body Music series, a follow up to their 2020 LP Powers Of Ten.

Recorded in Ravitz’s studio in Asheville, NC, Celestial Body Music once again showcases the pair’s penchant for raw yet emotive dance music. With Auvinen’s signature TB-303 programming and Ravitz’s typical melancholic flair, the duo’s styles merge seamlessly over the course of 8 tracks that harken back to the heyday of American techno and house. Following on from Powers of Ten, the pair continue to fix their eyes firmly on the stars, as Celestial Body Music’s song titles conjure visions of listening to Dance Mania 12”s on the ISS. With a tonal palette that features the well-trodden sounds of classic analog hardware like the TR-808, TR-909, TB-303, and SH-101, Ociya demonstrate their ability to breathe new life into these old instruments through thoughtful programming, arrangement, and mixing. This is made all the more significant when considering every song was recorded live to 2-track with no editing over the course of a few days. Sweet and savory both, the new material strikes a perfect balance between emotive sensibility and dance floor appeal.






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2022 Repress Edition, Beautifully Designed 2LP

When Recondite, AKA Lorenz Brunner, emerged with his debut LP for Acid Test (2012's On Acid), we were still learning about the German producer's inward-
looking dance floor sound. A few years later, his sinewy jams have proved near universal -- like an underground Zelig, he's fit perfectly everywhere from Rødhåd's Dystopian to Ghostly International and Innervisions. Acid Test also allows Recondite the chance to indulge his more outré tendencies and a welcomed return it is.

Tracklist:
A1 Compel , A2 Pass Up , A3 Sequenze feat. Tale Of Us
B1 Subdue , B2 Pages , B3 Poised
C1 Ley , C2 Undulate , D1 Nifty , D2 Placid

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Tracklist

A1 – At A. Gallop
A2 – Head Gap Width
B1 – Winding To The Side
B2 – Coffee Computer

Release Info:
After appearing on Acid Test’s 10 Year Anniversary compilation Patricia, aka Max Ravitz, debuts an EP on the label with Less Than 7, a collection of tracks that sits squarely in the club-focused end of the label’s output. Ravitz grew up in Chicago and has family roots in Detroit; these cities cultivated his affinity for mid-western dance music, with early Trax Records being a standout favorite. Years later, while living in New York, collaborator Alexis Georgopoulos introduced Ravitz to Tin Man’s Neo Neo Acid LP (released on Acid Test in 2012). This album struck a particular chord, impacting his creative vision for the Patricia project and setting him on the path towards a fruitful collaboration with Tin Man as Ociya (also released on Acid Test).

After 2021's IDM-leaning Blue Ridge LP, the Less Than 7 EP marks Patricia's return to the dance floor. Here, Ravitz explores four dimensions of acid music, each track deploying that classic squelch to differing effect. Both tracks on the A side pack a gut punch. The almost industrial beat on ‘At A. Gallop’ stomps along under moody pads and dripping acid lines until, midway, new harmonies reveal fresh vistas. ‘Head Gap Width’ is the EP’s most direct statement, a bolt of dubby techno energy with gurgling acid bass and rhythmic Detroit stabs. The B side then shifts things to a more emotive plane. ‘Winding To The Side’ uses its 9 minutes to fully explore the harmonic interplay between its buoyant braindance acid lines, which are engineered to suspend the late morning dance floor in time. ‘Coffee Computer’ closes things out, with its detuned pads, walking acid bassline and child-like piano lending it a wistful air that falls between house and IDM.

Less Than 7 was recorded at Ravitz’s home studio in Asheville, NC, and mastered by close friend Josh Bonati.






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2LP - 2022 Repress Edition

"Recondite's debut album "On Acid" ATLP01 see's a reissue on September 18th together with a brand new single ASD025 "Limber/Undulate - Lawrence Mixes" !
The melancholic acid album released on Absurd's Acid Test imprint gained much acclaim upon it's initial release and has been in high demand for a repress since.
Next to the mentioned Single 12" - the album repress also precedes the release of his upcoming album "PLACID" - For those who have been waiting for "On Acid" to be listened to on long autobahn rides or more generally to have it at hand ready to be played any other time
- Placid will also be released on CD with "On Acid" being Bonus CD 2 !


Tracklist:
A1 Petrichor , A2 Tie In , B1 Felicity , B2 Petrichor - Tin Man remix , C1 Harbinger , C2 Sultry , D1 Jaded , D2 Jaded - Scuba remix




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Cassette tracklist

01. Apollo
02. Tank
03. Mentat
04. The Woods
05. Propwash
06. Time and Distance
07. Crush
08. Factory
09. Controlled
10. Suite de Paris

Release Info:
Lerosa’s fourth full-length, Catena, is also his second for Berlin-via-LA label Acid Test. It sees the Dublin-based producer once again draw deeply on his diverse influences – dub, industrial, electro, trance, funk, IDM – and transform them into a sound signature that has always been uniquely his own.
This alchemy is no accident. Rather it is driven by Lerosa’s ongoing pursuit of the fundamental meaning of dance music: to immerse ourselves in sound to the point where our only desire is to move and feel in the moment. Hence how, on Catena, the slow and sensual sway of a cavernous bit of dub can sit side-by-side with hands-up trance-like ecstasy, and all still sound like Lerosa.
This achievement is the result of a dedicated daily studio practice. Each track starts from a dynamic studio jam in which Lerosa plays drum machines and synthesisers live and then overdubs them with further modulated layers. He uses looping techniques to build up the density of certain instruments while mixing the layers on-the-fly, using something as unassuming as an iPad. This imbues each track with a spontaneous shifting quality that defines the entire album.
What comes through is a sound that speaks of Lerosa’s love for the studio, for the tangible substance of an audio frequency – analogue and digital, raw and processed, pure and saturated – and the intangible, indeed bewitching mystery of how these frequencies can transport us to other places.



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12” tracklist

A1 - Apollo - Jordan GCZ remix
A2 - Apollo – Original
B1 - Suite de Paris - Donato Dozzy remix
B2 - Suite de Paris - Original

12”
Accompanying the cassette album of Lerosa’s fourth full-length, Catena, this heavyweight 12” features two originals from the album and two remixes from familiar faces: childhood friend Donato Dozzy and long-time fellow traveller Jordan GCZ (of Juju & Jordash). Album closer ‘Suite De Paris’ places pitch-bent liquid acid over a huge skanking bassline, the perfect material for Dozzy to make hay with his simmering techno take. Meanwhile, album opener ‘Apollo’ churns with industrial fervour, before Jordan GCZ reduces it down to its acid techno essence, leaving little space for us to catch our breath.





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3LP

Tracklist:
A1. Lerosa - Uneasy
A2. Tin Man - Afters Acid
A3. VC-118a - Silver
B1. Erika - Violet Fungus
B2. TM404 - Rysa
C1. Achterbahn D’Amour - 7_edit
C2. Marcellus Pittman - Unknown Species
D1. John Tejada - Squillo
D2. Sepehr - Persian Acid Prince
D3. Wata Igarashi
E1. SW. chalAnJAzzz
E2. Donato Dozzy - Morena
F1. Skudge - Bite
F2. Patricia - Higher Still
F3. AAAA - Extended Fantasy


Release Info:
Ten years ago, Acid Test began with a simple concept—each track the label released would make use of the Roland TB-303. Like a producer purposefully paring down their studio setup, or the continuous imperative within underground electronic music to reduce, this concept engendered creativity with the introduction of what seemed to be an aesthetic limit. However, the decade that followed, which now culminates in the triple-LP compilation Ten Years Of Acid Test, proves acid is limitless.

That the Berlin-via-LA label would expand upon the classical conception of acid house and techno is no surprise considering the cast of characters that have come in fold over the past decade. Ten Years Of Acid Test gathers key material from the label's extended family of acid acolytes. There's that Vienna-via-LA maestro of sad, elegant acid Tin Man (Johannes Auvinen), whose "Afters Acid" is both a highlight within his prolific catalogue and a distillation of his symphonic approach to the 303. Detroit giants Erika and Marcellus Pittman, both of whom have released remixes on Acid Test, present their respective and singular Bass Line visions. Erika, the Interdimensional Transmissions lynchpin, crafts a dark, delicate take on broken techno on "Violet Fungus" while Pittman continues his cubist house explorations on "Unknown Species," both tracks straying from typical acid lines in favor of the intricate textures achievable on the 303.

This variation in approach applies to tempo as well. Irish-based master Lerosa, as well as Delsin affiliate VC-118A, delve into downtempo atmospherics. Meanwhile, Japanese deep techno virtuoso Wata Igarashi, SUED co-founder SW. (a regular on Acid Test's leftfield sub-label Avenue 66) and Patricia (one-half of Acid Test act Ociya) use acid as a creative jumping-off point for complex melodic concepts. Wata layers an orchestra of synth-bliss drone overtop a squelchy bassline on "Ephemeral." SW.'s "ChaIAnJAzzz" cycles through an array of dusted chords eventually landing in skewed, fuzzy rave nostalgia, anthemic chords held aloft by a wicked UK-flavour bass line. Patricia's “Higher Still” explores dreamy, IDM-flavoured acid, cinematic synthlines counterbalanced by propulsive, squelching acid.

Acid Test devotees will be thrilled at the return of various luminaries from the catalogue, including Achterbahn D'Amour, Skudge, AAAA, John Tejada and Donato Dozzy, whose memorable remix of Tin Man's "Nonneo" from Acid Test 01 served as a kind of proof of concept for the label. There's new blood too. San Francisco up-and-comer Sepehr makes his label debut with the excellent "Persian Acid Prince," as does Andreas Tilliander's beloved hardware techno project, TM404.

Like the original Hot Mix 5 Acid compilation, which highlighted the original cohort of Chicago acid innovators including Pierre, Fingers and Armando, Ten Years Of Acid Test is a valuable portrait of a group of artists linked by a dedication to innovation within acid, in line with the genre's storied roots. Over ten years, Acid Test has gracefully made a case for the 303's past, present and future, the story of acid continuing to unfurl in unpredictable, addictive patterns.


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2LP

As Ociya, hardware freaks Tin Man (Johannes Auvinen) and Patricia (Max Ravitz), come together in unholy acid matrimony on a definitive double-album, Powers Of Ten.

We know both sides well. Over a prolific run of records for Acid Test and his own Global A, Auvinen has expounded upon the promise of "Nonneo" (recently named one of Resident Advisor's 2010-19: Tracks Of The Decade), unearthing new, emotional vistas from the Roland TB-303. Ravitz, meanwhile, matches Tin Man in studio ethic, establishing himself as one of North America's hardware masters on records for Ghostly and Opal Tapes.

What we couldn't have predicted is how well the parts merge. Cuts like "Ghost Moons" channel the hazy IDM legacies of the past, while "Hopeful Galaxy" mixes a plaintive Rhodes motif with a hopeful 303 line for the perfect "tears on the dance floor" cut. The track titles on Power Of Ten— a perfect melodic techno LP generously spread across two records—are celestially minded ("Gravity Knots," "Star Scraping") and indeed, the cosmic metaphor is apt or the newly-formed duo. On Powers Of Ten, Tin Man's acid lines rocket through space like brilliant, shooting stars. His signature orchestral acid moments are given the perfect backdrop, the nebula of Patricia's rich atmospherics and melodies.

The album was recorded live to 2 track in Patricia’s studio in New York, no edits.

Tracklist

A1 - Powers Of Ten
A2 - Ghost Moons
B1 - Overview Effect
B2 - Control Subsystem
C1 - Hopeful Galaxy
C2 - Gravity Knots
D1 - Spring On Jupiter
D2 - Star Scaping

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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

As Ociya, hardware freaks Tin Man (Johannes Auvinen) and Patricia (Max Ravitz), come together in unholy acid matrimony on a EP (here) and definitive double-album, Powers Of Ten (coming up on april 27).

We know both sides well. Over a prolific run of records for Acid Test and his own Global A, Auvinen has expounded upon the promise of "Nonneo" (recently named one of Resident Advisor's 2010-19: Tracks Of The Decade), unearthing new, emotional vistas from the Roland TB-303. Ravitz, meanwhile, matches Tin Man in studio ethic, establishing himself as one of North America's hardware masters on records for Ghostly and Opal Tapes.

The album was recorded live to 2 track in Patricia’s studio in New York, no edits.
This 12-inch simply called Acid Test 15, will be released before the album and also features remixes from Plasmic Eddy

EP
A1 - Solar Flare
A2 - Ghost Moons
B1 - Delta Sector Discotech
B2 - Gravity Knots - Plasmic Eddy remix




Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

Territories:
Worldwide no restrictions

Format Notes:

2026 first time ever vinyl reissue of this undisputed "holy grail", *the* most sought after album for J Dilla / Madlib sample collectors. Produced with the full and extensive participation of Gap, tip-on sleeve, 2 page insert, 140g vinyl.


Track List:

A1 Boy With Toys
A2 Diana In The Autumn Wind
A3 Long Hair Soulful
A4 Yesterday
A5 The XIth Commandment
A6 St. Thomas

B1 You're Nobody Till Somebody Loves You
B2 Pond With Swans
B3 You Are My Sunshine
B4 Free Again
B5 Dream On Little Dreamer
B6 Graduate Medley

Release Notes:

Gap Mangione's monumentally influential Diana In The Autumn Wind. AKA BEWITH200LP. And, without question, Be With's White Whale.

They said it could never be done. And with good reason.

We've spent the past 12 years trying to license this legendary 1968 recording from Gap and, after much work, it's finally here. Remarkably, this is the first ever vinyl reissue of Gap Mangione's Diana In The Autumn Wind, produced with the full and extensive participation of Gap. An exceedingly rare album, it's been coveted by funk, soul, jazz and hip-hop sample fiends for decades.

It's unarguably *the* most sought after album for J Dilla / Madlib sample collectors. It has also been brilliantly sampled by A Tribe Called Quest, Large Professor, Ghostface Killah, Kendrick Lamar and Talib Kweli.

But this record is so much more than a sample-spotters curio. It's solid gold throughout. Bursting with killer funky-jazz grooves and tracks adorned with warm electric piano, the release is notable for featuring some extremely significant players at the very outset of their careers; Tony Levin, at 21, whose superb playing on both acoustic and electric bass was the harmonic mainstay of the trio and Steve Gadd, at 23, one of the greatest drummers of his generation.

With acceptable copies of this holy grail changing hands for $400, to call this reissue "much-needed" underplays just how vital it is. Gap's story is told in his words alongside rare photos across a sumptuously designed 2-page insert and, to augment this deluxe edition further, its all wrapped up in a beautiful, no-expense-spared luxury tip-on sleeve, as per the original hens-teeth release. And, while we're talking packaging, just take a look at that cover - a work of art in and of itself.

The tracks are short but complex, with that extraordinary rhythm section backing the beautiful piano, organ and electric piano work of Gap. It's like the best ever library funk breaks record you never heard - but all your favourite golden age rap producers were all over it, long ago. It's a stunning blend of the vibrant, driving music of the Gap Mangione Trio coupled with the sensitive composition and superb orchestration of Gap's legendary brother, Chuck Mangione, who helmed an amalgam of seemingly disparate elements – rock, big band jazz, solo improvisation and "classical" music - into a spectacularly cohesive whole that has aged wonderfully well. As Gap himself notes in the liners, "with this group I was able to explore and add new and exciting elements from rock, Brazilian and then-current pop music."

Opener "Boy With Toys" triumphantly swaggers out the gate, all big band horns, flutes and dextrous organ work. The synthesis of everything going on is nothing short of stunning. When one wise YouTube commentator called this tune "old school superhero music", Gap agreed. Rap luminaries did, too, amongst them Talib Kweli, who rapped over DJ Scratch's chopped up intro for "Shock Body" on his Quality album back in 2002.

You've barely recovered from that incredibly affecting opener when you get hit over the head with the exquisite title-track. And now you see how two of the greatest beats of all time emerged from one single track produced nearly 50 years earlier. Unforgettably utilised by Dilla for Slum Village's heartbreakingly good "Fall In Love" and then Madlib for his "Official" beat for Dilla to rap over, on the Jaylib record. Regardless of the records it went on to spawn, this is just a staggering tune in its own right. Be beguiled by the flutes and the flutter tonguing, the counter-melody from the trombones, the soprano sax solo. All of it. Simply beautiful.

The questing organ and horn workout "Long Hair Soulful" deserves a lot more attention, overshadowed somewhat by the opening two monsters but no less fantastic. It swings, it grooves and Gadd and Levin truly cook. Up next, Gap's wonderfully percussive, mellifluously piano-heavy cover of "Yesterday" by some fellas called The Beatles. It's a subtly arresting gem. "The XIth Commandment" is damn fine, with thick, gorgeous electric piano and snappy drum work underpinning chaotic soundtracky horns. To close out the side, "St. Thomas" showcases the "fourth" member of the Gap Mangione Trio, conga drummer Dhui Mandingo. Having performed with the Trio since 1965, Dhui‘s African-based and jazz-latin-influenced style amazed listeners and its way to hear why.

Opening the B-Side, standard "You're Nobody Till Somebody Loves You" breezes along in the late-night jazz club fashion before things get super deep with the outstanding and - up to now - un-sampled "Pond With Swans". It's simply heavenly, and how its moody, melancholic intro has yet to be pilfered is anybody's guess. It oscillates between gentle, sombre movements and bombastic grooves, equally hypnotic and joyous. The rendition of "You Are My Sunshine" is yet another showcase for Gap's virtuoso playing and Gadd's mastery of the pocket. Indeed Gadd's drumming on "Free Again" is nothing short of neck-SNAPPING! Ghostface took it for not one but two "Iron's Theme" tracks across his seminal Supreme Clientele. It's got that Galt MacDermot "Coffee Cold" feel. Suuuuuper cool. The frantic "Dream On Little Dreamer" hurtles along and must've surely had the whole room absolutely swinging from the chandeliers back in Rochester in the late 60s. The album closes with the magnificent Graduate Medley, featuring memorable renditions of "Scarborough Fair", "The Sounds of Silence" and "Mrs. Robinson". The warm electric piano lines of the former were sampled by The Ummah (Dilla again!) for Tribe's "Pad & Pen" from their reappraised final album, The Love Movement, as well as by Large Professor on his much-loved "The LP (For My People)".

Under the watchful eye - and extremely attentive ears - of Gap Mangione himself, the audio for Diana In The Autumn Wind has been carefully remastered by Be With regular Simon Francis, with a few much needed tweaks here and there, according to the artist's wishes. At the prestigious Abbey Road Studios, Cicely Balston's expert skills have made sure nothing is lost in the cut whilst the records have been pressed to the highest possible standard at the always stellar Record Industry in Holland. The artwork restoration has taken place here at Be With HQ and has that drop-dead gorgeous cover artwork popping like new. Buy on sight!


Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

Format: blue vinyl

Tracklist
A1. City Heat - G’s Underground Dub
B1. Serendipity
B2. Work

Info:
The special one! Mr. G’s productions are distinctive, deep, driving and, above all, a listen to behold. Like the man–machine interface between hypno house and roots techno, he manages to unite dance floors either through his High Mass–like live sets full of swing, grit and soul, or simply through other DJs playing his records.
Blessing Running Back for the second time, Mr. G’s Reconnection EP is the result of a serious dive into his vaults.
City Heat (G’s Underground Dub) is a picture-perfect example of his skill to groove without a doubt: raw, funky and fabulous. Serendipity and Work on the flip side complete this picture. Decades of record buying, music making and a love supreme for this culture rolled into one. Made yesterday, released today, and it will still sound great tomorrow. A personal gift from Mr. G’s archive to Running Back.










Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More