Tracklist

A1. Helium Flash
A2. Red Shift

B1. Meteor Shower
B2. Solar Wind


Johannes Auvinen (Tin Man) and Max Ravitz (Patricia), two devotees in the cult of the TB-303, return to Acid Test with the Celestial Body Music series, a follow up to their 2020 LP Powers Of Ten.

Recorded in Ravitz’s studio in Asheville, NC, Celestial Body Music once again showcases the pair’s penchant for raw yet emotive dance music. With Auvinen’s signature TB-303 programming and Ravitz’s typical melancholic flair, the duo’s styles merge seamlessly over the course of 8 tracks that harken back to the heyday of American techno and house. Following on from Powers of Ten, the pair continue to fix their eyes firmly on the stars, as Celestial Body Music’s song titles conjure visions of listening to Dance Mania 12”s on the ISS. With a tonal palette that features the well-trodden sounds of classic analog hardware like the TR-808, TR-909, TB-303, and SH-101, Ociya demonstrate their ability to breathe new life into these old instruments through thoughtful programming, arrangement, and mixing. This is made all the more significant when considering every song was recorded live to 2-track with no editing over the course of a few days. Sweet and savory both, the new material strikes a perfect balance between emotive sensibility and dance floor appeal.






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Tracklist:

A1. Dilute Developer
A2. Subtractive Color
B1. Stop Bath
B2. Fixer

Beat machine freak duo Bill Converse and Patricia (Max Ravitz) present 380/750, a new EP on Acid Test that blends the two producers’ singular styles to form an emotive “introspection on the dance floor” experience over the course of 4 tracks.

Recorded at Ravitz’s Brooklyn studio over the course of two days, 380/750 features raw, no-multitrack, no-edit live recordings that showcase the duo’s intuition for expressive rhythm tracks. Considering Converse’s roots in the 90’s Michigan rave scene, and Ravitz’s Chicago upbringing, the midwestern strains really shine through. With rhythm-composer mutations, acid dripping over atmospheric synth textures, and the ever-present jack throughout, 380/750 offers a deep sound to get lost in that feels both new and classic at the same time.









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Tracklist

A1. Test 7
A2. Test 3 (Vocal Version)
B1. Test 2
B2. Test 3

The now 10 year old Acid Test 09 sees a special 10th Anniversary Edition repress with a new vocal mix of track “Test 3”.

The original EP saw acid nomad Tin Man team up with techno dreamweaver Donato Dozzy for three slices of deep acid and dubby, bleepy ambient.

In this special 10 Year Anniversary Edition Test 3” comes with a new vocal mix and it’s a welcome return to the mic for Tin Man. Perfectly-placed words sit among chiming bells and are layered deep into the echoes, almost like the synths themselves are speaking.

Acid Test 09 proved to be pairing in 303 paradise, but the results outclassed even Dozzy and Tin Man’s special partnership - they created simply a timeless signal that could broadcast through space ad infinitum.

Mastered and recut by Rashad.










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Tracklist

A1. Nonneo
A2. Mystified Acid (2024 rework)
B1. Nonneo – Donato Dozzy remix
B2. Love and Sex Acid

Acid Test repress the very first Acid Test 12”, a now-renowned outing by Vienna’s Tin Man aka Johannes Auvinen. ACIDTEST01.1 the repress serves up the original “Nonneo” alongside a new 2024 rework of “Mystified Acid” on the A side, while the B-side sees the revered hypnotic “Nonneo” remix by Italian techno master Donato Dozzy, rounded off by long-time favourite “Love Sex Acid” from the Acid Acid album. It’s a sweetly balanced package of vintage Tin Man vibes, always searching for the heart in the machine.

Mastered and recut by Rashad.









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2023 repress

Format: LP

Tracklist

A1. Motorway Acid
A2. Microdose Mondays
A3. London Stock

B1. Meanwhile… In The Smoking Area
B2. Thursday
B3. Retracted
B4. Praha

Release Info:
Two visionary explorers of the acid and dub intersection team up for a seven track LP In The Afterworld on Acid Test.

Om Unit and TM404 have both been researching production and compositional elements in the crosshairs of dub and acid for the last few years - Om Unit most notably with his Acid Dub Studies 1 & 2, and TM404 with his Acidub album in particular.

Om Unit has been a longtime fan of TM404’s use of the TB-303 and the deconstructed space he brings to the house and techno template. Meanwhile Om Unit’s own leaning towards breaks and reggae instrumentation has offered a different approach to the acid sound they both love so much. So an LP with Acid Test seemed the perfect opportunity to combine those approaches and see what kind of mutations could be discovered. The result is a primordial soup that is in parts acid, dub, breaks and ambient, full of spaced-out synths and psychedelic bass, where the pair enjoyed building tracks with a feel for where the music wanted to go, irrespective of stylistic constraints.

Rolling opener Motorway Acid sets the pace high and strong, conjuring both wide open spaces and fast-paced travel at the same time, with weightless pads, stroboscopic breaks and a mighty 303 riff that can teleport you to the middle of a foggy dancefloor. Microdose Mondays on the other hand, slows the tempo down and veers into cosmic territory, with perfectly dubbed drum rolls and burbling squelch. But it’s London Stock that kicks the album into hyperspace, finding its futuristic steppers groove somewhere in the answer to the hypothetical question ‘what if Shaka had produced Stingray?’

Speaking of underwater electronics, Meanwhile In The Smoking Area delves deep into submarine territory, delivering the kind of bass weight and sonar acid signals you’d need a diver’s suit for. It’s a vibe that’s continued on the tracks Thursday and Refracted, and speaks to the record's title - otherworldly, dreamy bass meditations that aren’t of this realm. The album closes out with Praha, a pacey yet ambient vista of warm wide synths, layers of 303, and dub echoes that sound like the machines are slowly coming to life.

It’s in this altered state that the album resides, somewhere between worlds and styles, emerging out of the space around the TB-303 that Om Unit and TM404 have created, with their open-minded approach to the music and to this collaboration. Free the 303!



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Tracklist

A1. Hidden Acid
A2. Swaying Acid
B1. Running Acid
B2. Wrapped Up Acid


Release Info:

Vienna-based producer and 303 maestro Tin Man returns to Acid Test for his first solo EP for the label in over 5 years. It's another impeccable outing of romantic acid variations, especially tailored for unforgettable dancefloor revelations.

Tin Man has been setting the pace for forward-looking acid lovers for close to two decades now, and on his 15th Acid Test appearance he takes the vibe back to early and proto-house roots, stripping back the musical elements while layering in the euphoria with four perfectly crafted slices of feelgood 303.

Opening track Hidden Acid already sounds like a long lost classic, with strings draped over bouncy acid and motorik drums, stretching out over nearly nine minutes, and beautifully capturing the feel of house music circa 1991. Swaying Acid comes in all propulsive, toms and congas setting the foundation for melodic acid lines to weave through your heart strings.

On the B Side, Running Acid is fully optimized for the autobahn fast lane - a gradual, slow-filtered acid meltdown that builds and releases in tandem with driving hats and vaporous pads that hang over the track like early morning mists. Wrapped Up Acid brings the EP to a fitting close, slowing the tempo for a low-key easy dance excursion par excellence - smooth yet spikey 303 riffs punctuate the chords that drift through with a hint of Badalamenti in the progression.

With the Hidden Acid EP Tin Man might hark back to more vintage times, but the emotive power is as strong as ever. The naivety of the ‘90s is instead replaced with a conviction behind the musical choices that brings even more weight to the heartwarming vibes. This is acid in some of the best shape it's ever been, enhanced and upgraded specifically for the dance.









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Tracklist

A1. Facid Trunktion
B1. Sanskrit Body Rock
B2. Ask It Acid

Release Info:

Detroit’s Marcellus Pittman returns to Acid Test following his Unknown Species track featured on the “10 Years of Acid Test” compilation, he’s back with his debut EP for the label.

Juddering mechanical beats, layered percussion and gurgling 303 basslines are on the menu, from one of Detroit’s finest.

Housed in a full colour sleeve, with a photo by Marcellus himself






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Tracklist

A1. Helium Flash
A2. Red Shift

B1. Meteor Shower
B2. Solar Wind


Johannes Auvinen (Tin Man) and Max Ravitz (Patricia), two devotees in the cult of the TB-303, return to Acid Test with the Celestial Body Music series, a follow up to their 2020 LP Powers Of Ten.

Recorded in Ravitz’s studio in Asheville, NC, Celestial Body Music once again showcases the pair’s penchant for raw yet emotive dance music. With Auvinen’s signature TB-303 programming and Ravitz’s typical melancholic flair, the duo’s styles merge seamlessly over the course of 8 tracks that harken back to the heyday of American techno and house. Following on from Powers of Ten, the pair continue to fix their eyes firmly on the stars, as Celestial Body Music’s song titles conjure visions of listening to Dance Mania 12”s on the ISS. With a tonal palette that features the well-trodden sounds of classic analog hardware like the TR-808, TR-909, TB-303, and SH-101, Ociya demonstrate their ability to breathe new life into these old instruments through thoughtful programming, arrangement, and mixing. This is made all the more significant when considering every song was recorded live to 2-track with no editing over the course of a few days. Sweet and savory both, the new material strikes a perfect balance between emotive sensibility and dance floor appeal.






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2022 Repress Edition, Beautifully Designed 2LP

When Recondite, AKA Lorenz Brunner, emerged with his debut LP for Acid Test (2012's On Acid), we were still learning about the German producer's inward-
looking dance floor sound. A few years later, his sinewy jams have proved near universal -- like an underground Zelig, he's fit perfectly everywhere from Rødhåd's Dystopian to Ghostly International and Innervisions. Acid Test also allows Recondite the chance to indulge his more outré tendencies and a welcomed return it is.

Tracklist:
A1 Compel , A2 Pass Up , A3 Sequenze feat. Tale Of Us
B1 Subdue , B2 Pages , B3 Poised
C1 Ley , C2 Undulate , D1 Nifty , D2 Placid

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Tracklist

A1 – At A. Gallop
A2 – Head Gap Width
B1 – Winding To The Side
B2 – Coffee Computer

Release Info:
After appearing on Acid Test’s 10 Year Anniversary compilation Patricia, aka Max Ravitz, debuts an EP on the label with Less Than 7, a collection of tracks that sits squarely in the club-focused end of the label’s output. Ravitz grew up in Chicago and has family roots in Detroit; these cities cultivated his affinity for mid-western dance music, with early Trax Records being a standout favorite. Years later, while living in New York, collaborator Alexis Georgopoulos introduced Ravitz to Tin Man’s Neo Neo Acid LP (released on Acid Test in 2012). This album struck a particular chord, impacting his creative vision for the Patricia project and setting him on the path towards a fruitful collaboration with Tin Man as Ociya (also released on Acid Test).

After 2021's IDM-leaning Blue Ridge LP, the Less Than 7 EP marks Patricia's return to the dance floor. Here, Ravitz explores four dimensions of acid music, each track deploying that classic squelch to differing effect. Both tracks on the A side pack a gut punch. The almost industrial beat on ‘At A. Gallop’ stomps along under moody pads and dripping acid lines until, midway, new harmonies reveal fresh vistas. ‘Head Gap Width’ is the EP’s most direct statement, a bolt of dubby techno energy with gurgling acid bass and rhythmic Detroit stabs. The B side then shifts things to a more emotive plane. ‘Winding To The Side’ uses its 9 minutes to fully explore the harmonic interplay between its buoyant braindance acid lines, which are engineered to suspend the late morning dance floor in time. ‘Coffee Computer’ closes things out, with its detuned pads, walking acid bassline and child-like piano lending it a wistful air that falls between house and IDM.

Less Than 7 was recorded at Ravitz’s home studio in Asheville, NC, and mastered by close friend Josh Bonati.






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2LP - 2022 Repress Edition

"Recondite's debut album "On Acid" ATLP01 see's a reissue on September 18th together with a brand new single ASD025 "Limber/Undulate - Lawrence Mixes" !
The melancholic acid album released on Absurd's Acid Test imprint gained much acclaim upon it's initial release and has been in high demand for a repress since.
Next to the mentioned Single 12" - the album repress also precedes the release of his upcoming album "PLACID" - For those who have been waiting for "On Acid" to be listened to on long autobahn rides or more generally to have it at hand ready to be played any other time
- Placid will also be released on CD with "On Acid" being Bonus CD 2 !


Tracklist:
A1 Petrichor , A2 Tie In , B1 Felicity , B2 Petrichor - Tin Man remix , C1 Harbinger , C2 Sultry , D1 Jaded , D2 Jaded - Scuba remix




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Cassette tracklist

01. Apollo
02. Tank
03. Mentat
04. The Woods
05. Propwash
06. Time and Distance
07. Crush
08. Factory
09. Controlled
10. Suite de Paris

Release Info:
Lerosa’s fourth full-length, Catena, is also his second for Berlin-via-LA label Acid Test. It sees the Dublin-based producer once again draw deeply on his diverse influences – dub, industrial, electro, trance, funk, IDM – and transform them into a sound signature that has always been uniquely his own.
This alchemy is no accident. Rather it is driven by Lerosa’s ongoing pursuit of the fundamental meaning of dance music: to immerse ourselves in sound to the point where our only desire is to move and feel in the moment. Hence how, on Catena, the slow and sensual sway of a cavernous bit of dub can sit side-by-side with hands-up trance-like ecstasy, and all still sound like Lerosa.
This achievement is the result of a dedicated daily studio practice. Each track starts from a dynamic studio jam in which Lerosa plays drum machines and synthesisers live and then overdubs them with further modulated layers. He uses looping techniques to build up the density of certain instruments while mixing the layers on-the-fly, using something as unassuming as an iPad. This imbues each track with a spontaneous shifting quality that defines the entire album.
What comes through is a sound that speaks of Lerosa’s love for the studio, for the tangible substance of an audio frequency – analogue and digital, raw and processed, pure and saturated – and the intangible, indeed bewitching mystery of how these frequencies can transport us to other places.



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12” tracklist

A1 - Apollo - Jordan GCZ remix
A2 - Apollo – Original
B1 - Suite de Paris - Donato Dozzy remix
B2 - Suite de Paris - Original

12”
Accompanying the cassette album of Lerosa’s fourth full-length, Catena, this heavyweight 12” features two originals from the album and two remixes from familiar faces: childhood friend Donato Dozzy and long-time fellow traveller Jordan GCZ (of Juju & Jordash). Album closer ‘Suite De Paris’ places pitch-bent liquid acid over a huge skanking bassline, the perfect material for Dozzy to make hay with his simmering techno take. Meanwhile, album opener ‘Apollo’ churns with industrial fervour, before Jordan GCZ reduces it down to its acid techno essence, leaving little space for us to catch our breath.





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3LP

Tracklist:
A1. Lerosa - Uneasy
A2. Tin Man - Afters Acid
A3. VC-118a - Silver
B1. Erika - Violet Fungus
B2. TM404 - Rysa
C1. Achterbahn D’Amour - 7_edit
C2. Marcellus Pittman - Unknown Species
D1. John Tejada - Squillo
D2. Sepehr - Persian Acid Prince
D3. Wata Igarashi
E1. SW. chalAnJAzzz
E2. Donato Dozzy - Morena
F1. Skudge - Bite
F2. Patricia - Higher Still
F3. AAAA - Extended Fantasy


Release Info:
Ten years ago, Acid Test began with a simple concept—each track the label released would make use of the Roland TB-303. Like a producer purposefully paring down their studio setup, or the continuous imperative within underground electronic music to reduce, this concept engendered creativity with the introduction of what seemed to be an aesthetic limit. However, the decade that followed, which now culminates in the triple-LP compilation Ten Years Of Acid Test, proves acid is limitless.

That the Berlin-via-LA label would expand upon the classical conception of acid house and techno is no surprise considering the cast of characters that have come in fold over the past decade. Ten Years Of Acid Test gathers key material from the label's extended family of acid acolytes. There's that Vienna-via-LA maestro of sad, elegant acid Tin Man (Johannes Auvinen), whose "Afters Acid" is both a highlight within his prolific catalogue and a distillation of his symphonic approach to the 303. Detroit giants Erika and Marcellus Pittman, both of whom have released remixes on Acid Test, present their respective and singular Bass Line visions. Erika, the Interdimensional Transmissions lynchpin, crafts a dark, delicate take on broken techno on "Violet Fungus" while Pittman continues his cubist house explorations on "Unknown Species," both tracks straying from typical acid lines in favor of the intricate textures achievable on the 303.

This variation in approach applies to tempo as well. Irish-based master Lerosa, as well as Delsin affiliate VC-118A, delve into downtempo atmospherics. Meanwhile, Japanese deep techno virtuoso Wata Igarashi, SUED co-founder SW. (a regular on Acid Test's leftfield sub-label Avenue 66) and Patricia (one-half of Acid Test act Ociya) use acid as a creative jumping-off point for complex melodic concepts. Wata layers an orchestra of synth-bliss drone overtop a squelchy bassline on "Ephemeral." SW.'s "ChaIAnJAzzz" cycles through an array of dusted chords eventually landing in skewed, fuzzy rave nostalgia, anthemic chords held aloft by a wicked UK-flavour bass line. Patricia's “Higher Still” explores dreamy, IDM-flavoured acid, cinematic synthlines counterbalanced by propulsive, squelching acid.

Acid Test devotees will be thrilled at the return of various luminaries from the catalogue, including Achterbahn D'Amour, Skudge, AAAA, John Tejada and Donato Dozzy, whose memorable remix of Tin Man's "Nonneo" from Acid Test 01 served as a kind of proof of concept for the label. There's new blood too. San Francisco up-and-comer Sepehr makes his label debut with the excellent "Persian Acid Prince," as does Andreas Tilliander's beloved hardware techno project, TM404.

Like the original Hot Mix 5 Acid compilation, which highlighted the original cohort of Chicago acid innovators including Pierre, Fingers and Armando, Ten Years Of Acid Test is a valuable portrait of a group of artists linked by a dedication to innovation within acid, in line with the genre's storied roots. Over ten years, Acid Test has gracefully made a case for the 303's past, present and future, the story of acid continuing to unfurl in unpredictable, addictive patterns.


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2LP

As Ociya, hardware freaks Tin Man (Johannes Auvinen) and Patricia (Max Ravitz), come together in unholy acid matrimony on a definitive double-album, Powers Of Ten.

We know both sides well. Over a prolific run of records for Acid Test and his own Global A, Auvinen has expounded upon the promise of "Nonneo" (recently named one of Resident Advisor's 2010-19: Tracks Of The Decade), unearthing new, emotional vistas from the Roland TB-303. Ravitz, meanwhile, matches Tin Man in studio ethic, establishing himself as one of North America's hardware masters on records for Ghostly and Opal Tapes.

What we couldn't have predicted is how well the parts merge. Cuts like "Ghost Moons" channel the hazy IDM legacies of the past, while "Hopeful Galaxy" mixes a plaintive Rhodes motif with a hopeful 303 line for the perfect "tears on the dance floor" cut. The track titles on Power Of Ten— a perfect melodic techno LP generously spread across two records—are celestially minded ("Gravity Knots," "Star Scraping") and indeed, the cosmic metaphor is apt or the newly-formed duo. On Powers Of Ten, Tin Man's acid lines rocket through space like brilliant, shooting stars. His signature orchestral acid moments are given the perfect backdrop, the nebula of Patricia's rich atmospherics and melodies.

The album was recorded live to 2 track in Patricia’s studio in New York, no edits.

Tracklist

A1 - Powers Of Ten
A2 - Ghost Moons
B1 - Overview Effect
B2 - Control Subsystem
C1 - Hopeful Galaxy
C2 - Gravity Knots
D1 - Spring On Jupiter
D2 - Star Scaping

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As Ociya, hardware freaks Tin Man (Johannes Auvinen) and Patricia (Max Ravitz), come together in unholy acid matrimony on a EP (here) and definitive double-album, Powers Of Ten (coming up on april 27).

We know both sides well. Over a prolific run of records for Acid Test and his own Global A, Auvinen has expounded upon the promise of "Nonneo" (recently named one of Resident Advisor's 2010-19: Tracks Of The Decade), unearthing new, emotional vistas from the Roland TB-303. Ravitz, meanwhile, matches Tin Man in studio ethic, establishing himself as one of North America's hardware masters on records for Ghostly and Opal Tapes.

The album was recorded live to 2 track in Patricia’s studio in New York, no edits.
This 12-inch simply called Acid Test 15, will be released before the album and also features remixes from Plasmic Eddy

EP
A1 - Solar Flare
A2 - Ghost Moons
B1 - Delta Sector Discotech
B2 - Gravity Knots - Plasmic Eddy remix




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Leopoldo Rosa's debut for Acid Test is the producer's first album in eight years, but since then he's put out in the neighborhood of 15 EPs for the likes of Idle Hands, Ferox and Saft, homing in on his own lush sound, which weaves effortlessly between deep house, acid and electro.

A/BUCKET OF EGGS
CLUSTER
B/CONJURORS
DEADLINE
ONE IS TOO SHORT
C/DAMOCLES
SHEFFIELD
D/SUBTERFUGE
SELF INFLICTED
DON'T WORRY



Release Info:

" To know Lerosa is to have a huge amount of respect for him. The Dublin-based, Italian producer isn't concerned with the limelight. Rather, his studio philosophy resembles the Japanese concept of "kaizen" a workmanlike, incremental improvement.

Leopoldo Rosa's debut for Acid Test is the producer's first album in eight years, but since then he's put out in the neighborhood of 15 EPs for the likes of Idle Hands, Ferox and Saft, homing in on his own lush sound, which weaves effortlessly between deep house, acid and electro.

He applies all these patient lessons on "Bucket Of Eggs", the ten masterful tracks fit perfectly within the label's concept. Yet Rosa, like the label's stable of 303 auteurs (Tin Man, Recondite, John Frusciante, Pepe Bradock) opens up bold new vistas for the subgenre. On "Conjurors," he spends half the track building up atmosphere so thick and dubby you could cut it with a knife, before introducing an acid line and jack track heralding back to the acid's maddening, revolutionary roots.

About halfway through the set, Lerosa is done setting the stage, and thusluy delivers a string of freakishly good late night tracks. For Lerosa, the hips and the head work in concert-"One Is Too Short"'s no-nonsense rhythm section perfectly balanced by the track's dreamy synth and zero-grav piano breaks. On "Self Inflicted," he joins a rarified class, synthesizing electro funkiness, widescreen ambience and acid counterpoint.

On initial contact, Lerosa's "Bucket Of Eggs" feels astonishing, an expertly-paced, near-perfect LP. But for those who have been following the low-key producer, it feels like a natural culmination. "




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On their debut album as DOVS, Tin Man and AAAA summon the ethereal spirit of acid.

Tracklist:
A1 – Rad Glyers Above All
A2 – Distant Buildups
A3 – Fluffy Designs
B1 – Nostalgic Oblivion
B2 – Rene Figures
C1 – Portal Vein
C2 – Sixteenth Shelters
C3 – Whining Acid
D1 – Atlantis Drive
D2 – Dysphoric Fix
D3 – Diazepam Blues

Release Info:
On their debut album as DOVS, Tin Man and AAAA summon the ethereal spirit
of acid. Tin Man, AKA Johannes Auvinen, has been studying the emotional potential of the Roland TB-303 for 15 years now, and AAAA (Gabo Barranco), a fixture of the Mexico City underground, might as well be his acolyte. While the coincidental similarities of their studio and live approaches make this collaboration feel natural, even expected, Silent Cities is anything but.

We recognize most of the elements here—the ubiquitous acid box and hardware drum machines—yet Auvinen and Barranco arrive in new, mysterious territory this time out. Lush arpeggiation, breakbeats and atmosphere imbue tracks like "Nostalgic Oblivion" with a widescreen grandeur. "Rene Figures" recalls Specific Momentific-era Cristian Vogel, symphonic, melodic techno with a kick heavy enough for dark, cavernous rooms. Meanwhile, beatless cuts like "Whining Acid" are as intricately crafted as Tin Man's well-loved classical work (Vienna Blues). But as a duo, they craft a virtuosic harmonic narrative almost solely with 303s.

Tin Man and Donato Dozzy's "Nonneo" was the first release on Acid Test, setting the tone for the label and unlocking new potential for the genre. DOVS' closer on Silent Cities, “Diazepam Blues”, is the label's new melancholic acid anthem and a statement of purpose for Tin Man and AAAA, two hardware masters who have created an album of remarkable emotional depth.



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On their debut album as DOVS, Tin Man and AAAA summon the ethereal spirit of acid. Tin Man, AKA Johannes Auvinen, has been studying the emotional potential of the Roland TB-303 for 15 years now, and AAAA (Gabo Barranco), a fixture of the Mexico City underground, might as well be his acolyte. While the coincidental similarities of their studio and live approaches make this collaboration feel natural, even expected, Silent Cities is anything but.

Acid Test 14 features remixes from select trackboth Tin Man & AAAA individually as well as label mate John Tejada.

A1 - Nostalgic Oblivion - John Tejada remix
A2 - Distant Buildups - AAAA remix
A1 - Whining Acid - Tin Man Sweet Harmony mix)
A2 - Whining Acid - Tin Man's Weepy mix)






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Limited Cassette Version

Tracklisting (Included are the Same Songs as on the LP/CD Version)

A1. Film 2
A2. Schlachtet!
A3. Hinter Den Bergen
A4. Maikäfer Flieg
A5. Marmelade Und Himbeereis
A6. Wütendes Glas
A7. Kälte Kriecht
A8. Kunstgewerbe
A9. Der Weg Zu Zweit
A10. In Der Nacht
B1. Eisbär
B2. Ich Lieb Sie
B3. Moskau
B4. Ein Tanz Mit Dem Tod
B5. Traüme Mit Mir
B6. Ich Und Du
B7. Wütendes Glas (Maxi Version)
B8. Raum
B9. Film 1

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Tresor Records proudly announces From The Far Future Pt. 3, a new album from Terrence Dixon.
Continuing the story of his previous two iterations on this title, spanning 3 vinyl discs, it is a serene undertaking of unrivalled Motor City rhythms and sound. It finds the Detroit producer oscillating, from excursions in paradises of synth pointillism to husky storytelling and Dixon's peculiar beat work.
A master in letting shapes find their form, Dixon allows the listener to wallow in recurring scenes. Lost Communication Procedure, Found In Space and Remarkable Wanderer etch a sound world of choral vibrations and cinematic dirge. Where gaseous clouds scrape the natural sonic pastures of such environments, the hypnotized listener staggers a drunken step, moving sideways by 0 or 1 or -1 into new scenes. Not least an expert in industrial abstraction, a human silhouette permeates Dixon's sound. His ethereal storytelling portrays the heart-rending romance of Unconditional Love and unearths in I'm Away In Detroit monologuing moodscapes recalling our GPS voice assistants.
Out of Darkness initial recalls Kraftwerk's Geiger counter, as from pure signal data and feedback spells an unceasing locomotive wormhole. Hazy, dense grooves drive across bleak city scenes in We Can Rebuild Him, into the raw vibe of Framework and the rude stabs of Spectrum of Light. The varying presence of Dixon's work is one of his textural signatures, at arm's length, brushing right within, and far out. The bumping mood of Earth Station is one such moment, close enough to isolate the diving bass somewhere within, simultaneously from afar it becomes positively gravitational.
The first two records of the series are rightfully considered among the finest embodiments of contemporary minimalism, symbolic documents of afro-futurism. This new work revives the classic series, continuing the relationship between Tresor and the undisputed master of Detroit techno into the present day.
TRACKLIST LP A1 Lost Communication Procedure A2 We Can Rebuild Him A3 Don't Panic B1 Found In Space B2 Spectrum Of Light C1 Remarkable Wanderer C2 Unconditional Love C3 Program Weight D1 Earth Station D2 Framework D3 By Land E1 The Horizon Project E2 Out Of Darkness (vinyl exclusive!) E3 I'm Away In Detroit F1 Victory F2 Rotation (Delay Mix)


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Rights: Europe (excluding France & UK) + Middle East (including Turkey)

LP+CD edition with black vinyl in sleeve with 3mm spine. CD included.

Tracklist:

A1. Shlon / A2. Shi Tridin / A3. Mawwal
B1. Abou Zilif / B2. 3tini 7obba / B3. Layle

CD features the same tracks in the same order.

Short info:

After the acclaimed "Wenu Wenu" & "Bahdeni Nami" released in 2015 and the success of "To Syria With Love" (2017) followed by collaborations with Björk and Four Tet, Omar Souleyman presents his fourth and new studio album “Shlon”. The album's romantic poetry is the work of Moussa Al Mardood - a long-time collaborator of Omar's who currently lives in Turkey - who wrote the songs in the studio during the recording sessions. 6 tracks are offered to us with Love as the one and only theme. All the tracks are based on techno with an avant-garde sound in the genre and on high-speed Kurdish and Arabic dabkes and styles, except for the track ‘Mawwal’, whose rhythm is traditionally slower.

TOUR DATES
06/12/2019 – The Netherlands – Groningen
01/02/2020 – Portugal - Lisbon
06/02/2020 – UK – London
07/02/2020 – UK – Cambridge
06/03/2020 – Denmark – Aarhus
20/03/2020 – Germany – Berlin
+ more dates announced soon


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2023 repress

Tracklist:
A. 1979 B. Nokturn (Grand Finale)
Shortinfo:
Pampa's favourite Barnhus boy returns to the label fold, and his previous episode is no easy act to follow: 2010 was the year, Holy Love was the name, and "Purple Drank" the undeniable track of the year; it captured the dancefloor zeitgeist with its sultry tempo, and created an classic with its instantly recognizable vocal. While he last left us falling down the rabbit hole, Axel Boman's newest concern is upward, forward, accelerated motion. "1979" cool-toned and pensive take on classic downtempo deep house. It holds on to the necessary bare banes of percussion, but surrounds it with light touches and a soothing pastoral feel. Time is taken and moments have room to breathe, in this meditative exploration of gently shifting moods. "Nokturn (Grand Finale)" is carnivalesque in the grandest sense, with endless movement via its dominant percussion pattern. Its looping background is perpetually primed for take off, building in intensity as the Latin rhythms preoccupy the shoulders and hips. A double bass phrase minimalist bass loop takes care of the low end groove, and together with glimpses of vintage disco sounds, creates another surefire hit.



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Deep Techno / Techno / Detroit Techno / Deep House


12", Strictly limited to 250 Copies worldwide (no repress). Grab yours while they last.

Tracklist:
A1. RekaB - Soulful Season 05:58
A2. RekaB – My Future and My Past 06:14

B1. RekaB – Raw Note 05:43
B2. RekaB – Bad Nights Better Nights – 06:43


Yore is on something like a roll at the moment. Think of Kaidi Tatham's "It never Stops EP", or the much acclaimed version of Frankie Knuckles Tears by Chicago's Elbert Philips & Andre Espeut or the recent series of classic Detroit Techno Ep's by our very own P0lyrhythm. A lot is to be expected with having had these under our belts. But as you'd expect, we draw out quick, faster than Lucky Luke's shadow - this time with a deep as its gets Techno EP by ReKaB.

It's easy to forget that, at its core, Techno hopes for a better future. This new four-track EP of connoisseur-grade repetitive beats from ReKaB (AKA James Baker) reminds us of this with a reverent nod to the past and a look forward to a human-centred tomorrow.

Tradition is a big part of the ReKaB sound. Classic timbres run through all the tracks, but what James does so well is how he deploys and contrasts the elements. Piano chords layer late-night soul over syncopated bass. Comforting strings and ethereal pads upgrade your consciousness while your body remains rooted by Techno City square waves. Call and response between acid lines and synth patterns feel like the machines interact, whilst the ever-present 909 thump adds the all-important dance floor framework.

Throughout the whole EP, ReKaB shows deep knowledge and respect for the art form, proving he is no less than a master of the craft.
Strictly limited to 250 Copies worldwide (no repress). Grab yours while they last.



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Tracklist:
A1 CATHARSIS
A2 ASCENDING TO OUR SOLITUDE
B1 DEPRESSED FUN SEEKERS
B2 2 STEP KING
C1 THE CHECKER
C2 WATS IT MEAN 2 U
D1 GIMME (TIMELESS WORLDS OF SPACE)
D2 MIND DIVING
E ADRIANA’S ANXIETIES
F1 CLOSER
F2 JINGLE ALL THE WAY

Release Info:
Soul departure time. Drowning in a dreamlike state where drifting with the current is free movement. Driven by echoes of serious intentions and playfulness. The order of music takes you further. In time, on the floor, under the skin, melting measures and dimensions. On a way back to where the future of your comfort has dawned. Through zones of whispers and expanding beauty. On a memory lane while passing all your favourite things and sentiments. On a straight, gently quantized line through tunnels of love and liberation. To a vanishing point where the soul is exposed to a scattered radiation of joy, content, revival, liveliness, melancholia. Feels like an arrival, no detour or deviation. Soul: its vulnerability becomes a superpower.


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Genre: Techno


Tracklist 12":
A1 Conrad Van Orton – City Roaming
A2 Conrad Van Orton – You Can’t Run in Dreams
B1 Conrad Van Orton – Asakusa Station
B2 Conrad Van Orton – Blossom



Short Info: Irrestible, and refreshing fast paced dub techno EP



Mastering & lacquer cut by Kassian Troyer at Dubplates & Mastering Berli



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Tracklist:
A1. Janeiro
B1. Shortwave
Shortinfo:
Another Picture has the honour to welcome DJ Honesty to the label's crew! The Berlin mainstay keeps on delivering for two decades and counting. Now residing in sunny and meanwhile ultra-lively spot Lissabon/Portugal he shows up with two pieces of pure electronic groove with a dubby technoid flavour. Studio knowledge at work!
Usually known for positive vibes with a still abstract feel now DJ Honesty reveals a darker shade of experience. Get involved with a tougher edge and face some deeper emotion and sonic consequence - see you on today's dancefloors..
DJ Honesty's releases come as various projects and collaborations: Honesty, Honeydrop, Slope (with Daniel Paul) and Suparaw (with Woody) on such labels as Cabinet, Sonar Kollektiv and Quality Vibe to name a few. He is part of the touring Cab Drivers live crew. Don't miss!




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2024 Repress

Special remarks: 2 VINYL ONLY TRACKS // 180G VINYL // PRINTED KRAFTPACK SLEEVE

Tracklist 12":

A1 See Through My Eyes
A2 See Through My Eyes (Miroloja Remix)
B1 Sigma (Vinyl Only)
B2 Sigma (Roger Gerressen Remix) (Vinyl Only)

Next up for Pornbugs is a collaboration project with Frink – ‘See Through My Eyes’. Remix support comes from Miroloja and Roger Gerressen.

DJ and production duo Pornbugs have been blasing a trail since 2005 and set up the label
Bondage-Music not long after to showcase their sound and the talented House artists around them. Frink is the epitome of underground. A talented artist with a steadfast fanbase that releases banger after banger with integrity and soul.

‘See Through My Eyes’ is a solid slice of contemporary house music. Deeply hypnotic and wildly addictive, its vibey bass, scattergun percussions and icy, cinematic pads feel like an warm audio blanket on a cold winters night. On the remix, Miroloja Strips away at the layers for a deeper groove.

‘Sigma’ sees the triplet explore the tribal side of House. Rubber bass wraps around the opening tribal framework and develops into a classy deep houser with bags of soul. Roger Gerresen takes the baton and runs on the remix. Dubbing out the stabs for an icy, hypnotic journey. Perfect for the early morning hours after a long club night!
















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2022 Re Edition

Special remarks : LP with digital download card
Follow up to the labels previous releases - Sky Girl and Midnite Spares

Tracklist:
A1. Irena Xero - Lady On The Train
A2. Andy Rantzen - Will I Dream?
A3. Prod - Knife On Top
A4. Software Seduction - New Collision
A5. Ironing Music - Don't Wish It Away
B1. He Dark Age - Holding Out For Eden
B2. The Horse He's Sick - Larynx
B3. MK Ultra & The Assassins of Light - Jesus Krist Klap Rap (Orthodox Mix)
B4. Moral Fibro - Take A Walk in the Sun
B5. Zerox Dreamflesh - Squids Can Fly


Short info:
Efficient Space continues to expose Australia's esoteric musical history with Oz Waves - a collection of 80s DIY recordings, compiled by odd wave anthropologist Steele Bonus. Definitive proof that inhabitants of the Down Underground were links in a global network of creative kooks, Oz Waves connects those who utilised mobile recording rigs and small press releases to create and disseminate misfit synth-punk, tape loop experiments and inner city pop. Through overseas mail order exchanges, anonymous groups like Zerox Dreamflesh could find place on Belgian compilations, while Chris and Cosey lullabied their son to sleep with Irena Xero and her interdisciplinary art collective Zip.

Bonus selects 10 survivors from the fertile period (1982-1989), most of which were only issued on cassette in tiny editions of 5 to 100 copies. M Squared affiliates Prod join the extraterrestrial Software Seduction, He Dark Age's minimal wave neglect and the irreverent cut ups of The Horse He's Sick and MK Ultra & the Assassins of Light. The remaining tracks have been sourced from musicians' private archives and are being officially released on Oz Waves for the first time - Andy Rantzen's industrial dub Itch-E & Scratch-E precursor, the buoyant vocal-drone of Ironing Music and Moral Fibro, Sydney's short lived answer to Weekend and Marine Girls. With detailed track by track notes, lines are drawn to Severed Heads, Scattered Order and other antipodean post-punk royalty.

As a DJ, Steele Bonus has gained notoriety via the exquisite selections that form his ongoing mix series Odd Waves. Sydney-born, Amsterdam-based, his graphic design has not only been responsible for sleeves on Efficient Space, but also trusted Amsterdam connoisseurs Music From Memory and Young Marco's Safe Trip.




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Rights: World excluding France & UK

DOUBLE CD: 2 x CD, 22 tracks, 4 page digisleeve remus spine, printed inners, sticker.

GENRE : Electronics

DOUBLE CD
CD 1
1. Time Becomes
2. Planet Of The Shapes
3. Lush 3-1
4. Lush 3-2
5. Impact (The Earth Is Burning)
6. Remind
7. Walk Now…
8. Monday
9. Halcyon + On + On
10. Input Out

CD2
1. Halcyon
2. The Naked And The Dead
3. Sunday
4. The Naked And The Dub
5. Lush 3-3 (Underworld)
6. Lush 3-4 (Warrior Drift) (Psychick Warriors Ov Gaia)


SHORT PRODUCT INFORMATIONS

- DOUBLE CD : 2 x CD, 16 tracks, 4 page digisleeve remus spine, printed inners, sticker . includes a 2nd disc of rarities, including the full 11:09 version of Halycon and the 13-minute Underworld mix of Lush.



SHORT INFOS / KEY POINTS

- Originally released in 1993, 'The Brown Album' marked a significant evolution in Orbital's sound - and was met with widespread critical acclaim. NME awarded it 9/10 in their review, and it was chosen as one of Mixmag's best albums of all time.


- Standout track, "Halcyon + On + On", became an instant classic, known for its ethereal atmosphere and haunting vocal sample from Opus III's It's a Fine Day. The track's dreamy progression and uplifting yet melancholic tone made it a staple in film soundtracks and DJ sets, embodying the emotional depth electronic music could achieve. "Impact (The Earth Is Burning)" is another defining moment, an evolving journey of layered breakbeats and dynamic synth arrangements, reflecting the duo's ability to create both club-ready and introspective music. Meanwhile, "Lush 3-1" and "Lush 3-2" demonstrate Orbital's knack for crafting intricate, evolving grooves, balancing pulsating rhythms with melodic flourishes that keep the listener engaged.


- 'The Brown Album' 2LP reissue has been cut at half speed, to ensure maximum audio fidelity for this landmark release, and is the first time the album has been pressed on vinyl for over ten year

- The Brown Album' 2CD includes a 2nd disc of rarities, including the full 11:09 version of Halycon and the 13-minute Underworld mix of Lush.




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Format : Vinyl 12” (180 gr., Limited Full Cover)

Track list:

A1 I Can Tell You What You Want
A2 A Taste of the 90s
B1 Dirty Jazz
B2 You Know What I Mean?

Release Info:

DJ Sneak returns to his roots on his Synesthesia EP on Heist Recordings.

Last year, when DJ Sneak visited our studio during ADE, we spoke for a long time about his newly found joy in house music, producing music in the current landscape, and letting go of all the things that made him uneasy with the scene for a long time. At one point, he grabbed a bunch of his hard drives, fired up our Dave Smith & Pioneer Toraiz sampler (the one we used for our live shows and the workstation he swears by for producing and arranging all his music), and showed us what must be one of the most impressive collections of demos we’ve ever seen. He talked us through his ideas for a new record on Heist with the enthusiasm of a producer who had just bought his first MPC60 back in the 80s. His ‘Back to love’ EP was still due to release and we already knew the follow-up would be equally amazing.

Fast forward about a year and after amazing feedback on his Heist debut from platforms like XLR8R, DJ Mag, Faith fanzine and plenty of radio coverage, along with DJ support from the likes of Joy Anonymous, Louie Vega, Jamie Jones, Honey Dijon, TSHA, Dj Seinfeld, Jennifer Cardini, Carista, he drops a new record on Heist recordings; The Synesthesia EP is another showcase of the raw talent of DJ Sneak, skillfully working his gear and churning out massive tunes full of classic Chicago house references, 90’s euphoria, and chunky synths.

The EP kicks off with ‘I can tell what you want’, a deep and bubbly groover where DJ Sneak takes some naughty chopped up R’n’B vocals and adds a pinch of the ghetto sound that he adopted in his formative years in Chicago. Sneak manages to take that influence and deliver something altogether contemporary with this track, ticking all the right boxes of catchy vocals, moody chords, a nasty bassline, and clever sampling.

If the first track embodies his Chicago spirit, then ‘A taste of the 90s’ embodies DJ Sneak’s New York spirit. With funky guitar and key licks, loopy horns, shuffling percussion and plenty of changeovers in the arrangement, he masterfully shows us the joy of classic house music. There’s always another element that gets added or taken away to build anticipation or release the energy with its chunky low end. It’s a true party starter with the energy of a young DJ Sneak spinning his first records way back when.

On the flip, we’ve got ‘Dirty jazz’. This delicious piece of Deep House is built around off-kilter drums with a syncopated bass line and quirky sample cuts. It’s got enough beef to keep the energy going, and the right amount of weirdness to grab your attention whenever this is played.

The closing track ‘You know what I mean’ adds another layer of weird-sounding vocals that will stick with you until long after the song is over. This track – and the whole EP for that matter – oozes the playful energy of a producer who’s completely comfortable with his musicality. It’s fun and playful, delivered with the class that only a hero of the underground like Sneak can do.

On the Synesthesia EP, DJ Sneak takes you deep on a trip through his musical roots and keeps you on the edge of your seat with 4 tracks bursting with personality.

Grab this record while you can and share the love,
Heist Recordings.

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