Tracklist:
A) Skream Remix
B1) Acid Pauli Cloudbuster Remix (Vinyl only)
B2) Tiefschwarz Dub
Infotext:
Tiefschwarz are back again on Watergate with a dub version and three stellar remixes of 'Free Falling feat. Khan' from their recent and highly acclaimed album 'Left'. Kicking things off is Skream and he takes the original to new heights in true Skream fashion with vivid arpeggios and silky vocals laid over reverb heavy snares and driving percussion ideal for the more climactic dance floor scenarios. Up next is a man who needs no introduction: Acid Pauli. Already a legend in his own right, we last saw him on Watergate on the Peahen EP with MyMy and Lee Jones back in 2010 and now he's back with not one, but two incredible remixes. Both his 'Cloudbuster and Clouddiver Remix' are lush displays of melodic, yet driving takes on the original. Warm pads and pulsing bass create a swirling melodic journey on both with 'Cloudbuster' being the more pumping and 'Clouddiver' taking the deeper route giving you two foolproof options. Wrapping things up is Tiefschwarz' own dub version of 'Free Falling feat Khan' and with it they deliver a stripped down take of the original, yet keeping just a touch of the low slung, sleek vocals to make sure it still has the quintessential Tiefschwarz feel. Enjoy!


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Tracklist LP:

A1 Heavy Weather feat. Khan A2 Do Me feat. Khan A3 Free Falling feat. Khan A4 Morgen Abend B1 Dark Light B2 110 feat. Mama B3 Prayer feat. Khan C1 Hi Fu C2 Echo Drug feat. Khan C3 Any Moment feat. Emily Karpel D1 Dings D2 Forever feat. Khan D3 Laid Black


Infotext

It takes time for a series of seperate ideas to evolve into a fully concepteptualized album if it wants to have a place in history for Ali and Basti Schwarz, better known as Tiefschwarz. Since 1998 the duo, as both DJ's and producers, have perfected the art of dominating the moments only experienced on a dance floor, deeply immersed in sound. Their music is unique as it is creative. Among the countless extended players and remixes, the three landmark Tiefschwarz albums: "RAL 9005", "Eat Books" and "Chocolate" all have a common thread weaving them together; a historic vision uniting the musical crossroads of past and future. As with the previous albums, Tiefschwarz pause briefly on the subjective localization of artists in the (music) world to create an album which unfolds like a story told by master story tellers. Igniting the dance floor while at the same time giving the listener the opportunity to look beyond themselves and into the journey that is "Left".

With "Left", Tiefschwarz were able to radicalize the album-specific approach and focus more intently on combining grooves with an introspective perspective. They refrained to bring in an outside co-producer for the album and made sure to forego the cliche variety of guest musicians, concentrating instead on one congenial companion: Khan, who both Ali and Basti have been close friends with since the 90's. Khan, a Frankfurt native of Turkish and Finnish decent, is one of the most prominent and exhilarating German Techno pioneers. Since the early 90's, Khan has been looking to the future with his Bizz O.D. moniker or his demimonde project Captain Comatose in the 2000's when he blew up the club world with his brand of fierce theatrics, trash and outrageous hits. He has published on Harvest, accompanied Gus Gus on tour and held residencies from Mexico to New York to Berlin. His residencies also highlight his choice of musical programming: devilish eroticism, glamour, and a "do it yourself' approach as well as combining three distinctly amusing personalities: the classic crooner, the diva, and the cabaret star. Between Tiefschwarz and Khan, the project emotes an entirely new undertone of glamour weaving beats through a Hollywood of broken dreams.

While the music industry today seems to be in a state of upheaval, certainties crumble and the album
threatens to fall the way of the dinosaur, the view of twenty years of club and musical experience see Ali, Basti and Khan taking the opportunity to seize what they see is a wake-up call to experiment. A chance to express their vision, which stands alone and unparalleled. Through a chance encounter in Mexico, Ali and Basti found that Khan was a perfect addition to the duo. As the experiment begins Khan writes, sings and instantly expresses himself as the third tastemaker while sounds meander from one machine to another and the three eat, drink and discuss how the vision will reveal itself as a tangible artifact. Before long the result is clear. Tiefschwarz have created soulful, yearning music that goes beyond the club doors and covers the whole world in a blue satin blanket. A dance written to be as sexy as it is pensive. It can be heard throughout the album as it highlights recurring historical moments in music as it comes of age. The ability to look back on times like when the Motown King, Marvin Gaye unveiled his classic "What's Going On" in the 60's or when the Black Dog's "Bytes" changed perceptions in the 90's.

Although Tiefschwarz have become masters of cryptic dance floor seduction, they are constantly paying homage to the Chicago House anthems as heard in their track "Free Falling" where happiness and horror are captured in a single line: "We transform from men to seaweed". Through Khan's words and voice, the ambivalence of Tiefschwarz's music is never more clear than before. In "Do Me", Khan takes on a clownish vocoder character with an alienated melody singing "Do you wanna dance, I'm on a crawl, I'm just behind, in aching heat, I'll be your shadow forever". Even though they are deeply rooted in club music, it's also important to always stay looking to broaden the spectrum of what would be expected from them. This moment became clear while in a session with guest musician Sven Regener from Element Of Crime. It was this moment when Tiefschwarz romantically professed to have found a soul mate. With the sound of Miles Davis' echoing trumpet coming from the lips of Sven Regener in "Morgen Abend", the three have produced an exit from an impending post-industrial gloom. Between just these two compositions from the album, there is a clear statement. Seduction and threat: the two eternal themes of "Left". And, with this, the finished album has brought Tiefschwarz to a mellow euphoria. "I could go on and on forever, in this light of bliss. I would not change a single thing. I just love it the way it is".


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Tracklist CD:
01. Heavy Weather feat. Khan 02. Free Falling feat. Khan 03. Morgen Abend 04. Do Me feat. Khan
05. Dark Light 06. 110 feat. Mama 07. Prayer feat. Khan 08. Hi Fu 09. Echo Drug feat. Khan 10. Any Moment feat. Emily Karpel 11. Dings 12. Forever feat. Khan 13. Laid Black

Infotext
It takes time for a series of seperate ideas to evolve into a fully concepteptualized album if it wants to have a place in history for Ali and Basti Schwarz, better known as Tiefschwarz. Since 1998 the duo, as both DJ's and producers, have perfected the art of dominating the moments only experienced on a dance floor, deeply immersed in sound. Their music is unique as it is creative. Among the countless extended players and remixes, the three landmark Tiefschwarz albums: "RAL 9005", "Eat Books" and "Chocolate" all have a common thread weaving them together; a historic vision uniting the musical crossroads of past and future. As with the previous albums, Tiefschwarz pause briefly on the subjective localization of artists in the (music) world to create an album which unfolds like a story told by master story tellers. Igniting the dance floor while at the same time giving the listener the opportunity to look beyond themselves and into the journey that is "Left".

With "Left", Tiefschwarz were able to radicalize the album-specific approach and focus more intently on combining grooves with an introspective perspective. They refrained to bring in an outside co-producer for the album and made sure to forego the cliche variety of guest musicians, concentrating instead on one congenial companion: Khan, who both Ali and Basti have been close friends with since the 90's. Khan, a Frankfurt native of Turkish and Finnish decent, is one of the most prominent and exhilarating German Techno pioneers. Since the early 90's, Khan has been looking to the future with his Bizz O.D. moniker or his demimonde project Captain Comatose in the 2000's when he blew up the club world with his brand of fierce theatrics, trash and outrageous hits. He has published on Harvest, accompanied Gus Gus on tour and held residencies from Mexico to New York to Berlin. His residencies also highlight his choice of musical programming: devilish eroticism, glamour, and a "do it yourself' approach as well as combining three distinctly amusing personalities: the classic crooner, the diva, and the cabaret star. Between Tiefschwarz and Khan, the project emotes an entirely new undertone of glamour weaving beats through a Hollywood of broken dreams.

While the music industry today seems to be in a state of upheaval, certainties crumble and the album
threatens to fall the way of the dinosaur, the view of twenty years of club and musical experience see Ali, Basti and Khan taking the opportunity to seize what they see is a wake-up call to experiment. A chance to express their vision, which stands alone and unparalleled. Through a chance encounter in Mexico, Ali and Basti found that Khan was a perfect addition to the duo. As the experiment begins Khan writes, sings and instantly expresses himself as the third tastemaker while sounds meander from one machine to another and the three eat, drink and discuss how the vision will reveal itself as a tangible artifact. Before long the result is clear. Tiefschwarz have created soulful, yearning music that goes beyond the club doors and covers the whole world in a blue satin blanket. A dance written to be as sexy as it is pensive. It can be heard throughout the album as it highlights recurring historical moments in music as it comes of age. The ability to look back on times like when the Motown King, Marvin Gaye unveiled his classic "What's Going On" in the 60's or when the Black Dog's "Bytes" changed perceptions in the 90's.

Although Tiefschwarz have become masters of cryptic dance floor seduction, they are constantly paying homage to the Chicago House anthems as heard in their track "Free Falling" where happiness and horror are captured in a single line: "We transform from men to seaweed". Through Khan's words and voice, the ambivalence of Tiefschwarz's music is never more clear than before. In "Do Me", Khan takes on a clownish vocoder character with an alienated melody singing "Do you wanna dance, I'm on a crawl, I'm just behind, in aching heat, I'll be your shadow forever". Even though they are deeply rooted in club music, it's also important to always stay looking to broaden the spectrum of what would be expected from them. This moment became clear while in a session with guest musician Sven Regener from Element Of Crime. It was this moment when Tiefschwarz romantically professed to have found a soul mate. With the sound of Miles Davis' echoing trumpet coming from the lips of Sven Regener in "Morgen Abend", the three have produced an exit from an impending post-industrial gloom. Between just these two compositions from the album, there is a clear statement. Seduction and threat: the two eternal themes of "Left". And, with this, the finished album has brought Tiefschwarz to a mellow euphoria. "I could go on and on forever, in this light of bliss. I would not change a single thing. I just love it the way it is".


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2010 has been a very intense year for Tiefschwarz! Having released their new album Chocolate on their own label imprint Souvenir in May, they played a heavy schedule of DJ and LIVE gigs all over the world and released "More Chocolate" and "Melted Chocolate": a fine series of productions and remixes inspired by the original album release. "Melted Chocolate 3" completes the series and brings the "Chocolate year 2010" to a beautiful ending with remixes by: Reboot, Bruno Pronsato and Marcus Meinhardt. One of the secret weapons of DJs such as Sven Väth, Dubfire and Loco Dice in 2010 has been "The Whistler". To honour this very special tune, Souvenir included "The Whistler" into the digital version of "Melted Chocolate 3" with remixes by Nic Fanciulli and &Me + Rampa. For those who have not seen Tiefschwarz playing LIVE yet: take your chance to celebrate Christmas Eve at Cocoon Frankfurt with Sven Väth and Tiefschwarz Live! Merry X-Mas!!


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No break for Tiefschwarz! On top of touring the world with their new live show together with Santé and their always edgy DJ sets, Ali and Basti Schwarz have collected outstanding new remix materials inspired by the candy world of their last LP "Chocolate": The MELTED CHOCOLATE collection. Not so surprisingly the first set of Melted Chocolates (including remixes of Guido Schneider, SIS, Ruede Hagelstein and Tiefschwarz themselves) have been heavily supported over the summer by A-List International deejays of the likes of Loco Dice, Dubfire, Ivan Smagghe, Anja Schneider or Radioslave to name just a few. Tiefschwarz will keep on heating the dancefloors up with the release of Part2 and 6 additional brandnew remixes carefully crafted by PENNER & MUDER, SOULCLAP,KIKI and MAHER DANIEL. Highlight of "Chocolate" featuring the "voodoo-esque" vocals of Dave Aju, Ali and Basti have invited some of the finest talents of the German Scene to add their own ingredients to the recipe of "I Can´t resist". Recently hailed for their first album in June on Sasse´s Mood Music imprint, the duo Penner & Muder alternates dark stomping beats and melancholic piano-led parts for a remix, which equally speaks to the mind and to the body. With EP releases for 8 bits, NRK or Great Stuff, Amir (AKA Rimah Khalouf) has rapidly made a name for himself among the House experts. Amir liquefies the original track with bubbling sound effects and turns the vocals into dizzying futuristic chants. Your peak time`s next favourite. Bpitch Control´s Finnish superstar, KIKI goes straight for the groove. His jazzy keyboard simmers with classic deep waves and frequency noises, spicy and uplifting. Believe us you won´t resist. Also included in the vinyl package, "Home" (feat. David Wilde) has been given the remix treatment of Boston duo Dj Producer, SOUL CLAP (Wolf and Lamb). Mental and anguished, their infectious input should no doubt intoxicate the best hours of your after party in the few months to come.
Last but not the least, two additional remixes are included in the digital package. MAHER DANIEL is back on Souvenir (Souvenir Plus 02) with a devastating version of "Legends" and Kiki offers us dub version of his remix for "I Can´t resist" as extra gift. Greedy Autumn with Tiefschwarz!


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STILL HOT! Tiefschwarz and Souvenir Records proudly present: TIEFSCHWARZ "MELTED CHOCOLATE 1".
No summer break for Tiefschwarz! On top of touring the world with their new live show together with Santé and their always edgy DJ sets, Ali and Basti Schwarz have collected outstanding new remix materials inspired by the candy world of their last LP "Chocolate", which will be released from now on in a series of "Melted Chocolate" singles including remix contributions by REBOOT, SOULCLAP, PENNER & MUDER, SIS, GUIDO SCHNEIDER, RUEDE HAGELSTEIN, KIKI and THE TIEFSCHWARZ brothers themselves. The 29th EP release on their own Souvenir imprint compiled a first set of those extra gifts: one TIEFSCHWARZ REWORK version of "STONES", two remixes by Guido Schneider and SIS of "FIND ME" featuring CASSY and one remix by RUEDE HAGELSTEIN of "LEGENDS". In other words: four more opportunities to play "Chocolate" over the months to come. Tiefschwarz's "STONES REWORK" has the rhythmical obedience and intricacies of a fully automated machine. It is easy to get lost in the plethora of alternate beats that merge in and out of each other. Layering on top of this bed of percussion is the "blink and you miss" stabs of vocals and melodic synthesizers that build to a fantastic climax at the songs mid-point. Hypnotic is a term that is thrown about somewhat in these genres; this time...it has a rightful home in this track! Released early this year, "FIND ME" featuring CASSY has made it's way to the charts of an incredible amount of twisted House experts and is a perfect counterpoint to "STONES". With a much more organic flavor, GUIDO SCHNEIDER (A-list champion of Poker Flat) keeps a strong pace with the marching octave bass, large & lazy claps accentuate the beat with sweeping synthesizer swells that evolve into the lead vocal line sweetly delivered to finish off the arrangement. Last but not least, Souvenir´s very own RUEDE HAGELSTEIN delivers another proof of his outstanding qualities with a superb remix of "LEGENDS".

Put on the heat: Melt the chocolate!


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The night sky is a shade of "Tiefschwarz" (deep black). Or at least it has been in Germany, Europe and the rest of the world since sometime around 1997 when brothers Ali and Basti Schwarz joined rhythmic forces. Their first venture was '24seven', which firmly put the then sleepy Stuttgart on the map as a top nightlife destination. The deep house duo then debuted with their pertinently titled single 'Music' in 1998 and by 2001 the pair were expanding the parameters of modern dance music with their album 'RAL9005'. Tiefschwarz quickly became a mainstay on the club scene. With the licensing of the album by Classic Recordings Tiefschwarz captured the attention of London, paving the way for their rise to international notoriety. Through high profile remixes they have also made a name for themselves as masters of reworking other people's tunes. Depeche Mode ('John The Revelator'), Madonna ('Get Together') and Spektrum ('Kinda New') are just three of the many artists who have had the Tiefschwarz treatment. So that's the background story. But the days of setting up their decks in the evening sun at the now legendary club ON-U in Stuttgart are now a distant memory for Tiefschwarz - you're now more likely to find them in their studio in Berlin. And as it gets dark and the deep black of the night sets in, Tiefschwarz come to life - clubbing being their biggest vice, yet also their biggest strength. Now they're back with their third album 'Chocolate', and a major leap forward for the duo: things are different now for Tiefschwarz, as this is the first release on their own label, Souvenir. Ali and Basti now have the world at their feet and are revelling in the artistic freedom that comes with their independence, as you can hear in their latest work; the tracks reflect their musical development over the last few years. Techno and house still form the foundations, yet Tiefschwarz push themselves beyond their previous limits. They've found a new, intrinsic sound of their own that oscillates between numerous genres - at once both clear-cut and immensely intricate. One minute the steady bass drives a dancing rhythm, the next it would have you believe that four to the floor is actually a beat based on a prime number. 'Chocolate' is everything: subtle, bitter, and sweet, without milk and sugar, it is hand crafted from only the finest ingredients. The tracks work perfectly on the dance floor, yet at the same time, the album as a whole is great to listen to outside of the club setting, due to its fantastic depth, enduring vocal tracks and subtle production methods. The first single 'Find Me' is the perfect example of striking the right balance between music to dance to and music to listen to - resident at Berlin's Panorama Bar, Cassy can be heard on this track, who has made a name for herself through working with the likes of Steve Bug and Ricardo Villalobos. Alongside Cassy, guest features include Seth Troxler, Dave Aju and a talented new singer with an incredible voice, whose identity is yet to be revealed... Ali and Basti worked with Philipp Maier, alias Santé to produce the tracks, and the new dynamic that has emerged from the collaborative production process has manifested itself in a distinct live quality. So much so that Tiefschwarz will now be performing as a live act for the first time, with Santé joining Ali and Basti to complete the live Tiefschwarz line up. Preparations for this summer's Chocolate tour are well under way, with big ideas in the pipeline. Tiefschwarz aren't just perfecting the art of creating their tracks live, but are also entering new territory with their plans for the use of visuals. Without wanting to give too much away, it's safe to say that light and shadow will play a role in creating new depths within a charged and penetrating live performance. And the focus is not on two, ahem, three men with their laptops, but rather on the music itself.


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2025 repress / UPC 827170488762

Format: 12" comes in full cover sleeve and black innersleeves.


A) Take Words In Return (Return Version)
AA) Take Words In Return (C2 Vocal Rmx)



The gifts of our 10th anniversary last summer are still spinning on our decks and now we also celebrate catalognumber 10 with our vinyl label. As a reminder: we released a double-CD-box with exclusive tracks of our favourite artists. One of these releases is a special gem: Henrik Schwarz' first house-track since ages. Our label insists on re-releasing this knightly accolade with a remix. "Take Words In Return" will be released as a "Return Version" end of february and will also contain a vocal remix from grandmaster Carl Craig! Schwarz' original is a vocal-based house-anthem, which emerges from his musical finesse to gasp for air in form of a folk-inspired hookline. After a percussive break the record's to-the-floor efficiency is unleashed. This is where Carl Craig's remix begins. From dreamy to sawing synth-lines, he utilizes the original's massive potential - to 12 minutes.


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2025 Re Release

82717049046 Release: 25.02.2013

12"

Tracklist:

A) Take Words In Return (C2 Inst Rmx)

Schwarz' original is a vocal-based house-anthem, which emerges from his musical finesse to gasp for air in form of a folk-inspired hookline. After a percussive break the record's to-the-floor efficiency is unleashed. This is where Carl Craig's remix begins. From dreamy to sawing synth-lines, he utilizes the original's massive potential - to 12 minutes.



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2024 repress, WG Standard Sleeve

Tracklist:
01. Adana Twins - The Curve
02. Adana Twins - Cyrus
03. Adana Twins - Alone

Release Info:
Adana Twins return to Watergate Records with a magnificent three-tracker that begs for a summer
dancefloor (but the tracks are that good, they’ll be played for a while to come).
Since their label debut in 2017 with ‘Flower of Cane’, Adana Twins have become firm favourites of the
Oberbaumbrücke crew. From handling mix duties on ‘Watergate 25’ to holding down regular gigs at the
club prior to 2020, the Hamburg duo always deliver.
‘The Curve’ is their first release on WG since 2019’s cracking remixes of Josh Wink’s ‘Higher State of
Consciousness’. The title track is a big bouncy electro cut packed with plenty of groove. A super fun
production sure to bring a smile to your face. ‘Cyrus’ belongs in a motion picture and is epic in
composition. It traverses cyborg breaks before moving into a retro key-laden riff, all the while driven by a
powerful ‘Silence / Violence’ vocal. This was made for a big festival moment. ‘Alone’ is the emotional final.
At first propelled by an ‘80s synth and airy pads before a shimmering lead takes control and pushes the
track into celestial terrain.

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2024 repress, Watergate standard sleeve

Tracklist:
A1) Checkmate
A2) Checkmate (Cinthie Remix)
B1) Checkmate (Steve Rachmad Remix)

Infotext:
It's been quite a while since we've last seen our next artist on Watergate Records. It was 2014 when he dropped his Watergate mix and EP so it is with great pleasure that we welcome back the legendary Kerri Chandler.
'Checkmate' is the epitome of a Kerri Chandler classic and has all the makings of a timeless future classic. With bold, soulful keys and massive analog drums 'Checkmate' elevates any dance floor's intensity to meteoric levels. To give an extra perspective to the single we invited another icon, Steve Rachmad to remix the original and he delivers an incredibly soulful Techno revision while Watergate mainstay Cinthie hands over a expertly crafted modern twist with classic appeal. No matter what your searching for, there is a gem for you here. Welcome back Kerri!


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2023 repress WG Standard Sleeve

Tracklist

A) Patrice Bäumel – Roar (Adana Twins Remix)
B) Adana Twins – Aufstand der Massen

Infotext

Coming in hot off their latest Watergate Mix Adana Twins deliver their first EP stemming from the mix itself putting what could be the standout track off the compilation: their remix of Patrice Bäumel’s ‘Roar' front and center. Taking the hugely successful original which could be considered as much a tool as it is a peak time bomb, the duo twist the initial anthem into a climactic, euphoric ride by adding their signature percussion and shimmers of melody while utilizing the original’s spine tingling tension to create an absolutely massive and memorable dance floor experience.

Flipping to the B-side, Adana Twins present ‘Aufstand der Massen’ where they dive into the ethereal corners of dramatic Techno reminiscent of the ‘Jupiter’ EP from early this year creating a flawlessly executed trip into enchanted territory. Having already been in constant rotation of heavy hitters like Solomun and Tale Of Us is proof enough that Adana Twins have a hit on their hands and now it’s time for you to have it too.


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Repress WG standard sleeve

Tracklist

A) WhoMadeWho – Montserrat (Artbat Edit)
B) WhoMadeWho – Closer feat. WhoMadeWho

Coming in hot with the first of three EP’s from WhoMadeWho’s Watergate 26 is two of the standout tracks from the mix. Both tracks come from WhoMadeWho and Artbat, yet with a unique twist each one sees the collaborators exchange creative roles.

Kicking things off Artbat’s edit of WhoMadeWho’s ‘Monsterrat’ is as deep and hypnotic as it is soulful and energetic as traces of Rock harmonize with low slung House and shimmers of Disco resulting in an eternal dance floor weapon.

Flipping sides WhoMadeWho features on Artbat’s ‘Closer’ where we witness the two outfits concoct a dramatic, emotional ride into celestial spaces where sweltering vocals balance delicately on massive bursts of low end and dreamy progressions creating an incredibly tense yet captivating outcome. Indulge in these two timeless cuts until we bring you more soon from the stellar WhoMadeWho Watergate 26. Enjoy!


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2024 repress im WG Standard Repress Sleeve

Tracklist:
A1) Gorje Hewek & Polo - Altitude
A2) Gorje Hewek, Roy Rosenfeld & Dulus - Vida
B1) Gorje Hewek & Dulus - Earth
B2) Gorje Hewek, Dulus & Molac - Astro World
B3) Gorje Hewek, Hernan Cattaneo & Dulus - Kaleidoscope

Release Info:
Gorje Hewek follows up last year’s impressive ‘Life EP’, with a new 5-track package brimming with
collaborative spirit. The work also marks the Watergate label debut of the legendary Hernan
Cattaneo.
The artist is a mainstay of the All Day I Dream collective and a master of intricately woven electronic
compositions, which also transfix the dancefloor. For his return contribution to Watergate Records he brings
a string of cohorts in toe – Dulus, Polo & Molac from his excellent Shanti Records imprint, alongside ADID
affiliate Roy Rosenfeld and Argentinean great Cattaeno.
The opener ‘Altitude’ is a dreamy bass-driven heater that unfolds beautifully over an eight-minute period
and is highlighted by a key driven melody that’s both playful and emotive. ‘Astro World’ is an eclectic slice
of organic house that captivates with a string-laden break before dropping down into a rhythmic second
half. The EP’s title track is a silky sunset cut resplendent with twinkling pads that has enough groove to
seduce a dusty dancefloor. ‘Vida’ begins life as a slinky percussive jam, before the dam breaks and a
colourful river of melody drives the track home. A delight. ‘Kaleidoscope’ stays true to its name driven by a
lush chord melody that cascades throughout. A gem made for big moments.



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Tracklist
A1) 8Kays & Glowal - Matemática feat. Abrão
A2) 8Kays & Juan Hansen - Falling Down
B1) 8Kays & Juan Hansen - Falling Down (Colyn & Beswerda Remix)
B2) 8Kays & Juan Hansen - Falling Down (Chris Avantgarde Remix)
B3) 8Kays - Lyra

Release Info
8Kays delivers an inspiring label debut on Watergate Records, as the artistic project of Ukrainian sound-producer and live act Iryna Shvydka reinforces why there’s so much excitement surrounding her with the slick ‘Falling Down’ EP.
A collaborative rich EP, 8Kays links with Italian pair Glowal for the punchy ‘Matemática’, that brings plenty of eerie minor key vibes to the dancefloor thanks to the vocal contribution from Brasilian singer Abrão. ‘Falling Down’ sees 8Kays team up with the Buenos Aires-based producer and live act Juan Hansen for a captivating slice of electronic prog lit up by Hansen’s memorable vox and delicate strings. One for those special end-of-night moments.
Dutch pair Colyn & Beswerda suit up ‘Falling Down’ for a different occasion, adding a tougher backbone, while teasing out all the melodic flourishes to craft a remix that’s functional and stunning in equal doses. Man-of-the moment Chris Avantgarde then ramps up the intensity to eleven adding his own re-rub that’s everything we’ve come to love about the producer: bold, powerful and memorable. The EP ends with a terrific 8Kays solo cut, the luminescent ‘Lyra’, a dreamy arpeggio-driven gem that closes out the work beautifully.



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12“ + DOWNLOAD

Tracklist:
A1) Woo York - Samum
A2) Woo York - Prophet
B1) Woo York - Samum (8Kays Remix)
B2) Woo York - Samum (Echonomist Remix)

Release Info:
Woo York - supreme electronic music duo make their debut on Watergate Records.
The Ukrainian duo have a watertight reputation for crafting stunning dancefloor compositions, having
released music on Life And Death, Soma, Dystopian, Drumcode and Afterlife, the latter home to their
critically acclaimed 2018 album ‘Chasing the Dream’. Their appearances at Watergate have been numerous
over the years, making them an obvious choice to join the label family.
Their Watergate Records debut maiden offering is sparkling. The title track begins as a chugging key-laden
cut before a stirring folky melody rises to the fore with beautiful intent. With its unique sonic signature,
‘Samum’ will stand out in any set. Woo York show a new side of their outstanding musical talent “For this
release we wanted to push boundaries of the melodic techno sound. For Samum we have worked with a
bag pipe, one of the oldest instruments to give the track an almost „housy" note.”
The accompanier is ‘Prophet’, an emotional slice of dance music, hopeful and melancholic in equal doses,
this is custom made for big dancefloor moments.
Accompanying the package are remixes of ‘Samum’ by fellow Ukrainian producer and live act 8Kays, who
turns in a dark and shimmering re-rub, not losing any of the original’s power. Meanwhile Greek artist
Echonomist crafts a rich and multi-faceted reinterpretation that fits for the club and home listening alike.




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2023 repress, WG Standard Sleeve

Tracklist:
A1) GameOvr A2) GameOvr (Cassy Remix) B1) Trigonometry B2) Trigonometry (La Fleur Remix)

Infotext:
Sasha continues to make this year his own as he drops his debut EP on Watergate, 'GameOvr'. The EP features two original tracks, including the long-awaited 'Trigonometry', and first class remixes from Cassy and La Fleur. After his recent critically acclaimed sell-out live shows at the Barbican and his 'Out Of Time' EP on Kompakt, not to mention gearing up for his RESISTANCE residency with John Digweed in Ibiza, Sasha officially confirms his debut release on Watergate Records. 'Trigonometry' has been a highlight in Sasha's sets in recent months and has sparked many a heated debate online, from excited pleas for a Track ID, to urgent demands for a release date. The track is as ethereal as it is compelling, constantly building up to the sublime break down and those iconic chords that have left ravers spellbound worldwide. Swedish born Berlin-based La Fleur puts her stamp on the remix, keeping the riff but adding gravitas with a rhythmic bassline. She's fast become a key player on the house and techno circuit, with a string of releases on the likes of Cocoon, Watergate, and Sasha's own Last Night On Earth imprint. 'GameOvr' shows the producer's tougher side; a strong techno track in keeping with Sasha's constant focus on the future, always exploring new directions, though his signature groove is still on board. Revered Panorama Bar resident Cassy, whose stunning album 'Donna' was one of 2016's outstanding releases, turns her hand to remixing the title track, delivering a harder edged driving cut with a heavier kick drum, echoing chords and hypnotic percussion. This EP marks yet another creative landmark in this, one of the most fruitful and exciting phases in Sasha's distinguished career.




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2023 Repress WG standard sleeve

Tracklist

A) Jupiter
B) Sequence 01


Infotext

After their impressive debut on Watergate this past summer, Adana Twins deliver two stunning tracks on their 'Jupiter' EP finally curbing any anticipation of their return to the label. Both tracks are beautifully crafted cosmic journeys into the "headier" sonic spaces, perfectly balancing powerful grooves and euphoric melodies.

'Jupiter' kicks off with relentlessly pulsing low end that carries lush harmonies and breathtaking shimmers of synthesis to a stunning crescendo leaving an indelible experience not soon forgotten.

'Sequence 01', already tapped by Tale Of Us in their most recent mix for the famous Fabric Mix Series and reviewed by Resident Advisor as "a bona fide belter, all squaling, pitch-shifted synths and a beat insistent enough to rouse the most resolute of wallflowers", follows suit yet takes a slightly softer approach.

It's a wild ride where dreamy pads and flickering melodics embrace a hypnotically infectious groove resulting in an overwhelming dance floor encounter. It's apparent now that the Adana Twins are back, better than ever and going nowhere soon. Enjoy their 'Jupiter' EP!



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Tracklist:
A1) JAMIIE - Voices
A2) JAMIIE - Unfold Me
B1) JAMIIE - Voices (DJEFF Remix)
B2) JAMIIE - Voices (Malandra Jr. Remix)
B3) JAMIIE - Unfold Me (Annett Gapstream Remix)

Release Info:
A vital collective member and resident, JAMIIE steps up for her long-awaited debut EP on Watergate Records.
The artist has been a regular at the club stretching back to 2016, when she joined RISE, the Afro House collective that
runs monthly residencies at Watergate. Despite this, JAMIIE has always gone her own way sonically, exploring deeper
house and melodic tones, alongside the Afro influences.
A constant at Oberbaumbrücke spot during the 2020/2021, she, along with Kristin Velvet were the beating hearts of the
club, hosting the Watergate Worldwide streams every week. This year has been a standout for her playing
Tomorrowland, Exit Festival and supporting Solomun at Watergate, among many other highlights.
Following up label contributions which include ‘Suwedi’, with Niko Schwind that featured on Hyenah’s ‘Watergate 27’
compilation and the fantastic ‘Echoes’ on ‘Watergate 20’ due out November 2020, we’re treated to a generous five-track
package for her maiden EP outing on Watergate Records.
Beginning life during a summer-time sketch session in bed (her favourite spot to start new creative ideas), ‘Voices’ is an
emotive weapon, driven by a captivating synth lead, and chunky Afro-infused bottom end. "’Voices’" is mysterious and is
inspired by our thoughts, our inner voice,” JAMIIE shares. “There’s something truly mysterious and remarkable about our
inner voice, the means by which we make ourselves aware of who we are and what we think and even feel. Our inner
voice is very powerful. It can lift us up and weigh us down. It also makes decisions for us, even when sometimes we
don’t want to listen to it.”
‘Unfold Me’ is a glorious end-of-night future classic, as grandiose synths rub shoulders with beautiful bass melodies,
before a delicate key interlude gives JAMIIE the opportunity to build the energy right back up again. “This has a personal
meaning and again, has to do with the journey inwards to discovered ourselves. Like many other people I am an
extroverted introvert. I think we can be quite confusing and peculiar to others. On the one hand, social and outgoing; on
the other, very guarded, selective and hard to get to know. So, it needs time to unfold the layers to understand an
extrovert introvert person, if they should let you in,” she explains.
The originals are complemented by a trio of tight remixes chosen by JAMIIE, from three artists close to her heart:
Portuguese Afro Tech producer DJEFF delivers a blissfully silky re-work of ‘Voices’; Italian artist Malandra Jr., whose
most notably released on Diynamic, crafts a chugging and cosmic reinterpretation of the title track, while Stil Vor Talent’s
Annett Gapstream sends ‘Unfold Me’ on a dreamy orbit skywards.

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3LP + COLORED VINYL + DOWNLOAD + TICKET

Features:
- Triple Gatefold with matt plastification finish, hot foil
stamping & spot lack.
- Vinyl white+black, yellow+black, red+black ink-spot
„corona vinyl“ color effect, limited to 500 copies.
- Printed 180g inner sleeves.
- Contains admission voucher for Watergate Club for
two people at a night of their choice.
- Contains download code.

Tracklisting 3LP:
A1) Henrik Schwarz - You Need Attitude, A2) Ede & Max Joni - Weine nicht Kind, A3) DJEFF - Cloud 7,
B1) Adana Twins - Nacht, B2) Kollektiv Turmstrasse - Raw, B3) JOPLYN - Lima, C1) Sasha - Wolf Cider,
C2) Mia Mendi - Astromech, C3) Stephan Jolk - Better Together, D1) Gorje Hewek & Joseph Ashworth -
Noa, D2) Jos & Eli - Place 2 High, D3) Kid Simius - Fabrica de Baile, E1) Extrawelt - Rover, E2) Anja
Schneider - Can’t You See Me No More?, E3) Kristin Velvet - Wanted Competition, F1) Matthias Meyer &
Ryan Davis - Genki, F2) Hyenah - Going in Circles, F3) Biesmans - Basic Bro

Tracklisting digital / DL code:
01. Henrik Schwarz – You Need Attitude, 02. Ede & Max Joni – Weine Nicht Kind, 03.
JOPLYN - Lima, 04. Biesmans – Basic Bro, 05. Stephan Jolk – Better Together, 06. Jos &
Eli – Place to High, 07. Mia Mendi – Astromech, 08. Anja Schneider – Can’t You See Me
No More, 09. Kid Simius – Fabrica De Baile, 10. Extrawelt – Rover, 11. Sasha – Wolf Cider,
12. Kristin Velvet – Wanted Competition, 13. Adana Twins – Nacht, 14. Kollektiv
Turmstrasse – Raw, 15. Gorje Hewek & Joseph Ashworth – Noa, 16. Matthias Meyer &
Ryan Davis – Genki, 17. DJEFF – Cloud 7, 18. Hyenah – Going in Circles, 19. JAMIIE –
Echoes, 20. Marco Resmann & Lee Jones – Tone Trails

Release Info:

The iconic club by the Spree celebrates 20 years with a mammoth 20 track compilation of new and
unreleased tracks exclusive to the compilation. From Sasha to Anja Schneider, Henrik Schwarz and
Adana Twins, right through to the ascendent names such as JAMIIE, Kristin Velvet, JOPLYN and
Biesmans, the compilation is an exhilarating snapshot of some of the artists who have shaped Watergate’s
sound; both via the label and through laying down unforgettable sets at the club over a two-decade period.
The highlight heavy compilation charts a course throughout all the deep, dark, euphoric, tech and even
pop-laden corners of house music. Henrik Schwarz navigates a classic course via the vibey ‘You Need
Attitude’, while JOPLYN brings soaring melodies and arresting vox with ‘Lima’. Biesmans is in
characteristic sleek form with the sparkling nostalgic-soaked business of ‘Basic Bro’, before emerging stars
Mia Mendi contribute a driving electro jam ‘Astromech’.
The iconic Anja Schneider is an essential addition. The Berlin icon brings her A-Game with the big piano
chords and gospel vocals of ‘Can’t You See Me No More’ before handing the baton to Extrawelt who
comes strong with a delicious micro house serenade ‘Rover’. Sasha weaves a trademark masterful beast
with ‘Wolf Cider, a dark and twisted weapon that’s packed with plenty of groove and low-end attitude. First
premiered during her excellent Boiler Room session in 2019, Kristin Velvet’s ‘Wanted Competition’ is a
propulsive gem that reinforces her position as one of the most exciting breakout producers of the last two
years.
Adana Twins are always on-point and they don’t disappoint with ‘Nacht’ a deviant, distorted house tool the
belongs in every DJ’s back pocket. Matthias Meyer & Ryan Davis enjoy a superlative history on Watergate
Records and share another ace ‘Genki’, a shimmering, drama-laden piece that morphs into a tougher psyladen finish. New Watergate Agency signing DJEFF crafts an uplifting string-laden ace with ‘Cloud 7,
showing off his impressive musicianship along the way, while Hyenah make an essential contribution with
the funky key-driven houser ‘Going in Circles’. Club resident JAMIIE shares the wicked ‘Echoes’, which is
pacey and hypnotizing in equal measures and brought to life by colourful arpeggios and a latticework of key
patterns. The project rounds out on a stunning note with ‘Tone Trails’, a lilting slice of electronica by
Watergate stalwart Marco Resmann & Lee Jones, which is inflected with organic guitar and dreamy
melodies.
The release will be presented as a triple gatefold vinyl using a special ink-spot color effect and will feature a
collection of the compilation’s key tracks, while all tracks will be available digitally.

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CD

01. Biesmans & Vandesande - Away
02. Biesmans & Shubostar - Across the Universe
03. Biesmans & Kasper Bjørke - Holiday ft. Jacob Bellens
04. Biesmans & Alex Medina - Hola y Bienvenido
05. Biesmans & Zombies in Miami - Smooth Monday
06. Biesmans - March for Peace
07. Biesmans & Kid Simius - Me Gusta Acid
08. Biesmans - Macrodosing
09. Biesmans & Johannes Albert - Luft
10. Biesmans - Hipster Paradise
11. Biesmans - All Day, Every Day
12. Biesmans & Dusky - Back in the Daze
13. Biesmans & Mala Ika - Crème Brûlée
14. Biesmans & Mathew Jonson - Quantum Computing
15. Biesmans & TomTheBomb - Shock Therapy
16. Biesmans & Adana Twins - Hounds Of Hell
17. Biesmans & Joy Adegoke - Vanishing Flowers

Biesmans will mix the next volume of Watergate’s prestigious mix series, following in the
footsteps of Ellen Allien, Solomun, Jimi Jules and WhoMadeWho. Going above and beyond
the standard mix compilation brief, the Belgian artist has produced a work consisting
entirely of his own original productions. The project also features collaborations with a
diverse range of artists including Dusky, Mathew Jonson, Adana Twins and Kasper Bjørke,
alongside rising talent such as Shubostar and Mala Ika.
We got our most significant taste of what a special and unique artist Biesmans is last year, with
the release of ‘Trains, Planes & Automobiles’, his superb debut LP. This wasn’t any ordinary album
project, however. Rather, he set himself the task of completing three tracks per week, pairing theaudio with vintage ‘80s film and video clips, sharing the creations to his Instagram followers as he
went along.
Since this point, he’s gone on to develop a live PA, tour it to places including Exit Festival and
Fusion Festival and become a pivotal artist on the W-Agency roster, after already being a solid
member of the club’s crew having worked there as a technician for around 8 years.
His next impressive career stride is ‘Watergate 28’, a joyful neon dancefloor trip that takes in
synthwave, indie dance, nu disco and all manner of celestial tracks in the house spectrum. It’s
also the first Watergate compilation since dOP’s in 2012 to take on the mammoth challenge of
producing all original and exclusive material for the project. An unofficial album per se, with the
thrilling arc of soundtracking a hiplashing on Watergate’s iconic Main Floor.
The scene was set in Mexico in February 2022. The call came through from Watergate HQ and the
deadline was tight: deliver a volume of the club’s esteemed mix series within a three-month
window, the brief stipulating that the mix should have four originals and two collaborations.
Biesmans went sober for a three-month period so he could give everything he had to the project,
swapping the lunchtime beers for sport sessions. When he arrived back in Berlin in mid-February
ready to begin studio time, he was in the zone and immediately begun work completing a sketch
on ‘Smooth Monday’, the track that would go onto to be his luminescent collaboration with the
Permanent Vacation-backed Zombies In Miami. Two weeks into his studio time, it was clear there
was more than enough quality material to not only fulfill, but smash Watergate’s original brief.
What followed was no less than 17 original tracks and 13 collaborations – arguably the most
ambitious in Watergate’s compilation history.
Already in touch after releasing on their imprint 17 Steps in 2019, he sent three sketches to Dusky
and the nostalgia-soaked ‘Back in the Daze’ was the shimmering result. The vibes flowed like a
dream when he linked with Kid Simius for the funky nu disco gem ‘Me Gusta Acid’, even
recording Kid’s vocals in one-take. A visit to his hero Mathew Jonson’s studio for the day saw the
birth of the pumping piano-laden houser ‘Quantum Computing’, a project highlight. After bonding
over their shared love of cosmic synths in Tulum this year, Biesmans invited South Korean artist
Shubostar into his studio to create the wavy ‘80s inspired creation ‘Across the Universe’.
Biesmans likewise mined inspiration wherever he went, his track ‘March for Peace’ was created
off the back of attending a rally to support Ukraine.
Biesmans pieced together each track like a jigsaw puzzle, building up sonic moods throughout.
“Sometimes I would do three tracks in one day, or set specific moods. For example, if someone
sent me some powerful chords, then I decided to do an intro track with that. Then I started to put
some artists together like a puzzle, connecting the artist with the position in the mix.”
The resulting mix is an exhilarating technicolour journey. From the immense opener ‘Away’ with
one half of dOP’s Vandesande, to the woozy arpeggiated bliss of ‘Holiday’ with Kasper Bjørke and
the synth-drenched breakbeat euphoria of the Biesmans solo cut ‘All Day Every Day’, it’s a
highlight-heavy 78-minute ride.
“Even though this is (sort of) another album, the concept is definitely different. I've approached
this project as a DJ mix. When I record a podcast or mixtape, I like to take the listener on a
journey. Starting of beatless and moving slowly into the party/dancing mood. I also felt that I had
to step away from the album sound of last year. I don't want to keep on repeating myself, but I still
have a love for synth sounds so it was important to explore new territory with these elements. The
collaboration part made it also a super interesting project in which you already get inspired by
whoever you work with. I also think that speed played a big role in this project, the whole thing
was done in less than 3 months.” - Biesmans
Biesmans will be touring a new live PA to support the release of ‘Watergate 28’ this summer.

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12“ + DOWNLOAD

Tracklist:
A1) Biesmans & Mathew Jonson - Quantum Computing
A2) Biesmans & Mala Ika - Crème Brûlée
A3) Biesmans & TomTheBomb - Shock Therapy
B1) Biesmans & Johannes Albert - Luft
B2) Biesmans & Kid Simius - Me Gusta Acid
B3) Biesmans - Hipster Paradise

Release Info:
The final sixer from ‘Watergate 28’ LP mixed by Biesmans inside 3 months, a testament to his talent and
intense focus. Featuring collabs with Mathew Jonson, Mala Ika, TomTheBomb, Johannes Albert, Kid Simius
and another solo cut from the Belgian producer’s 17 original tracks for W28, arguably the label’s most
ambitious to date. And this EP’s a banger.


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Tracklist:
A1) Biesmans & Adana Twins - Hounds of Hell
A2) Biesmans & Shubostar - Across the Universe
A3) Biesmans & Dusky - Back in the Daze
B1) Biesmans & Kasper Bjørke - Holiday ft. Jacob Bellens
B2) Biesmans & Zombies in Miami - Smooth Monday
B3) Biesmans - All Day, Every Day

Release Info:
A generous DJ/party-friendly 6-pack from Biesmans’ brilliant, intense contribution to Watergate’s revered mix
LP series, selecting from the 17-track LP collaborations with Adana Twins, Shubostar, Dusky, Kasper Bjørke
& Jacob Bellens and Zombies in Miami, plus a solo from the Belgian Indie dance maestro.


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Tracklist:
A1) JOPLYN - Can’t Get Enough
A2) JOPLYN - Fact & Fiction
B1) JOPLYN - Can’t Get Enough (Adana Twins Remix)
B2) JOPLYN - Fact & Fiction (JAMIIE Remix)

Release Info:
First time available on vinyl!
A pair of Watergate favourites add their touch to JOPLYN standout label debut from last year, as
'Fact & Fiction' and 'Can't Get Enough' get impressive remixes from Adana Twins and JAMIIE.
A prodigiously talented producer, DJ and live act on the rise, JOPLYN’s Watergate Records debut last
December was an exhilarating eleventh hour highlight of 2022.
Championed by Pete Tong on BBC Radio 1, the release now gets a second life in time for summer. Adana
Twins re-fashion 'Can't Get Enough' into a beast of a tune that cleverly retains the emotion of the original,
while propelling it into peak-time festival territory, with a blissful build up and a bass-face inducing bottom
end. A straight up fire tune.
‘Fact & Fiction’ get JAMIIE’s vibe-heavy touch, taking the dreamy tones of the original and re-working them
into an impact-heavy end-of-night opus.

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Territory: WW-UK/EIRE & USA,Canada

2024 repress

Double Vinyl
Pressed on BioVinyl and packaged in environmental wrapping


To celebrate its 30th anniversary, Plastikman's redefining acid techno masterpiece, Sheet One, has been mastered from the original tapes and reissued on vinyl via Mute and NovaMute.

Released in 1993 on Mute's subsidiary label NovaMute, this record was the debut for Richie Hawtin's alias Plastikman. 30 years on Sheet One is a landmark album in the field of electronic music, it changed the shape of what the genre could be and became.

Introducing one of techno's most recognisable logos, the album achieved a degree of notoriety for its acid blotter-style perforated artwork. Musically it focuses on laser-precise minimalist rhythms to drive a series of echo-box acid lines that gradually acquire power over the course of lengthy album tracks, with frequent use of the Roland TB-303, which gained prominence in the electronic music world as a staple of Chicago's acid house scene. Hawtin once described Sheet One perfectly in an interview with MusicRadar, saying "...It's music for the end of the party as you're melting into the floor, which is exactly what the name Plastikman was made to represent."

This seminal album helped to establish the template for minimal techno, and is a must listen for lovers of electronic music.

Available on double bio vinyl.

TRACKLIST
A1 Drp
A2 Plasticity
A3 Gak
B1 Okx
B2 Helikopter
B3 Glob
C1 Plasticine
C2 Koma
D1 Vokx
D2 Smak
D3 Ovokx



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WHITE VINYL + DOWNLOAD

A1) The Spirit
A2) From My Mind
A3) Pulse
B1) From My Mind (Extrawelt Remix)
B2) From My Mind (Biesmans Remix)

Release Info:
Belgian techno don Marco Bailey lands on Watergate with a debut that’s guaranteed to intrigue as
he leans into electro territory, grabbing rerubs from Extrawelt & Biesmans while he’s at it.
DJ, producer and label chief, his is a storied career that spans three decades, and it’s long been evident
that Marco’s enthusiasm and passion remains resolute. He closed 2021 with the release of his sixth studio
album Surreal Stage, an ambitious, introspective body of work that dropped via his booming imprint
Materia. His own label aside, his discography is stacked with cuts across eminent labels Second State,
ARTS, Bedrock Records, as well as being one of the first artists to debut on Carl Cox’s seminal INTEC.
While it’s techno that he’s become firmly associated with, his adeptness in the studio isn’t limited to the
nuances of one genre and this is a rare opportunity to showcase a different side to his musicality.
‘The Spirit’ floods in first, almost immediately engaging listeners as it ebbs and flows with complete
abandon. If the promise of electro grabbed your attention, it’s ‘From My Mind’ that delivers and sticks in
your mind - from the heavy synth bassline to the soaring ascendant melody, and distorted, robotic vocals.
‘Pulse’ slaps and packs plenty of punch power as it snakes its way through with dominating, ascendant
chords.
German duo Extrawelt and Belgian export Biesmans step in with rerubs of ‘From My Mind’, and firmly grip
some of the elements which make this electro excursion so memorable.

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Into the mystic. Crank up the amp and drop the needle on the record. Exclusively on vinyl only, it's the cross-genre collaboration everybody's talking about - between the don of drum'n'bass and one of the godfather's of grime. Goldie and Skepta share a birthday, an elemental connection and an impeccable taste in beats. Upstart is the blistering outcome of their studio sessions together - a fierce, futuristic alchemy of tense horrorshow melodics, street-level rhymes and bangin' breaks. Minted somewhere between Blade Runner and A Clockwork Orange, it's for the kind of kids who want to ram-raid tomorrow, become a ghost in the machine, a contagion that cannot be stopped. Upstart is for everyone who hates the fake shit, the crass commercial crapola, the fucked-up state of everything. It's pyrotechnic protest music for the hip at heart. "Grime grew out of speed garage, which in turn came out of drum 'n'bass," says Goldie. "It's come full circle." In truth, it's a union that's surely meant to be. And so fate shuffled the deck bringing Goldie (DOB 19.09.65) and Skepta (DOB 19.09.82) together.
It's a generational thing. But it's also the alchemy of the in-between, the outsider, the otaku. Forget the kill-switch. Get the deck warmed up. Crank up the amp, play loud and repeat after me: "I'm an upstart…"
TRACKLISTING:
A1. Goldie & Skepta - Upstart (Road Trip)
A2. Goldie & Skepta - Upstart (Road Trip) [Instrumental]
B1. Goldie & Fraims Featuring DRS - Poisonous Darts
B2. Goldie & Fraims Featuring DRS - Poisonous Darts [Instrumental]


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Tracklist / EP:
A1. 140bpm
A2. part of 9
B1. galop
B2. dewild99
Info:
Recognition opens up its archives and invites to a futuristic sentimental journey with respective stages set by the records 9702 (CD version) and 9799 (four exclusive tracks on a vinyl EP). Four tracks from single come from the time of Jacek Sienkiewicz's first record (Recognition CD). These earliest recordings openly refer to a formula and rhythmical density of Detroit Techno, although end result of this confrontation turns out to be surprisingly "separate" and individualistic. In turn, 9702 album contains a set of varied tracks recorded withing five years after Warsaw label's launch and its first release. Extended compositions and short improvised sound notes resemble eccentric propositions of such labels as (early) Warp or Rephlex, standing next to melancholy-saturated minimalistic techno and abstract collage structures which prove out to share many characteristics of clicks'n'cuts movement of the second half of the 1990s. Usage of human voice samples is an outstanding feature of many of these archive materials. Entirety of mastered-anew content encompassing both records, contains all principal trademarks which distinguish Jacek Sienkiewicz's creations an his label Recognition - utmost care about depth of sound sphere, experimental inclinations and focus on complex motoric aspect of the rhythmical base. This collection of music from Recognition's first five years, surprising for its freshness and sheer impetus, is a must for all fans of Jacek Sienkiewicz and Polish electronic music of the turn of the 20th and 21st centuries. In connection with publication of yet-unheard tracks, Jacek shares another slice of yet-unknown artistic vision, connecting sound with other media such as image, light and movement. RECOGNITION XX - audio-video performance - comes out in summer as a result of this retrospective look.


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Tracklist:
A1 – There Is No Distance Between Us
B1 – There Is No Distance Between Us (u.r.trax remix)

Release Info:
Turbo Recordings is proud to present a 12”-inch vinyl release of Tiga’s trance pilgrimage to the centre of your personal space, “There Is No Distance Between Us.”
Co-produced by Tiga and on-again/off-again musical life partner Jesper Dahlback,
the track was originally released digitally as a b-side to the Tiga mega-hit “Easy” earlier this year, and is now available in its glorious physical manifestation with an insane after-hours techno remix from Paris producer u.r. trax, perhaps the first Turbo
artist with a Master’s Degree in something other than Comparative Tiga Studies.
“Yeah, I’m back up in your area,” says Tiga from atop the rock-climbing wall inside
his virtual panic room. “Something just didn’t sit right with me about this track not existing on the material plane. Here I am singing about human connection and not giving you something you can hold in your filthy hands? Anyone who knows me knows I
hate hypocrisy, so I had to make things right, vinyl-style. If I could make the world’s
problems go away by pressing records, I would. And I can, so I will. This is only the
beginning."



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Rights : World excluding FR & UK

2 x CD , Trifold digisleeve made with rainbow mirrorboard

SHORT INFOS
Timeless is regularly cited as one of the greatest dance music albums ever made., a Dark Side of the Moon for the rave generation. As Tony Marcus, writing in Mixmag back in 1995, concluded: "Timeless is a record that couldn't have been made if it wasn't for the party, the MDMA, the noise and the rage. Timeless tells you that you can't ignore or erase this history because to Goldie, and to so many others, it holds their lives, dreams and feelings."
Timeless went on to become a landmark release not just for Drum 'n' Bass but for electronic music as a whole. Within a year of its release (1995), it had racked up more than 100,000 sales. Now sees the release of TIMELESS THE REMIXES, featuring hand-picked remixes by Goldie from the likes of Break, Doc Scott, Teebee, 4 Hero, Trevino and many more.

Tracklisting:

CD1
1. Inner City Life (Break Remix) 2. Kemistry (Grey Code Remix)
3. State Of Mind (Searchlight Remix) 4. Angel (Scar Remix)
5. Inner City Life (Nookie's '2021' Remix) 6. Jah (J Kenzo Tribute Remix)
7. Sensual (Searchlight Remix) 8. Inner City Life (Trevino Remix)
9. Kemistry (OneMind Remix)

CD 2
1. Angel (Peshay Back From Narm Remix) 2. Inner City Life (4 Hero Remix 'Remix 1')
3. Inner City Life (Nookie's 94 Remix) 4. Angel (TeeBee Remix) Remaster
5. Kemistry (Doc Scott Remix) 6. Still Life (Photek Remix)
7. Inner City Life (Baby Boys)8. State Of Mind (Hip Hop instrumental)





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WORLD EXCLUDING GERMANY, SWITZERLAND, AUSTRIA (GSA)

Special remarks : 2LP Gatefold 2LP Vinyl + Downloadcode

Genre: Electronica/Dance


Tracklist LP:
A1. Sky is the Limit feat. the Beloved
A2. Amazing feat. Steve Van Velvet
A3. Wasteland feat. Inga Humpe
B1. C´est la Vie feat. Richard Judge
B2. Du Schneidest mir mein Herz auf feat. Ben Becker
B3. We Could Be You feat. Yasha
C1. Job of Dying Young feat. Marian Gold
C2. White Boy (Percy Tech Remix) feat. After Life 3000
C3. Time Marches On feat. Henning Wehland
D1. Goldelse Is Burning ( Album Dub Mix)
D2. No Melody feat. Dieter Meier
D3. No Crap feat. Beccy Boo


Short Info:


On his new album "Famous Last Songs Vol. 1" Westbam presents himself as a brilliant curator of his own music. With unerring instinct, the legendary techno DJ and producer succeeds together with guests such as Dieter Meier (Yello), Inga Humpe (2raumwohnnung) and Jon Marsh (The Beloved) in paying homage to the spirit of the Eighties and making the ultimate statement about the current time: music for the club in your head.


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Longevity is something we talk about a lot in dance music nowadays. But timelessness, however frequently mentioned, is in fact a rare and sadly lacking ingredient in much of today‘s music. Well, you can thank Steve Bug and the Poker Flat crew that this isn‘t the case here, as we present the second unavoidable installment in the ‚Raw Essentials‘ feature, reviving some classic moments from the Raw Elements catalogue. Re-borne for another chance to rock it, Russ Gabriel‘s intense tweaked out remix of Steve Bug‘s ‚Honeymoon‘ fi nds the coveted position of A1. British born Gabriel produced some of the fi nest moments of the late nineties, and this technoid groover still stands out above many as a bold and futuristic statement about the pure electronic soul that this music thrives off. Just what is it about a combination of sounds or rhythms that has the ability to hook us in so gracefully and so completely? The answer is of course not in words... Enigmatic producer and remixer extraordinaire, Les Rythmes Digitales aka Jacques Lu Cont, aka the Thin White Duke, aka the UK‘s Stuart Price takes on another Steve Bug cut, fi rst featured on Raw Elements 620 in 1997. Price‘s unique sonic craftsmanship is proudly
on show here and he works the funked up guitar riffs and jagged bass of the original into a nervous electro stepping groove revolving around Bug‘s freaky vocal memento. Not dissimilar to the work of Orbital or other cross-genre electronica artists of the day, this track hasn‘t lost any of its heart or fond disobedience, even by today‘s standards! And so we come to the B side and it only seems fi t that
another seminal Vincenzo track is brought out from the depths for the chance to shine again. ‚At Throb‘, originally the lead cut from his debut solo EP on Raw Elements, is a masterful lesson in percussion and musicality. Not quite so stripped as previous re-incarnations, this track builds from a lone groove into a spectacularly spaced, embracing moment, the kind of music Vincenzo has always had a calling for. Gentle and sympathetic melodies blur together into one extended feeling, as the track‘s percussion takes second place, unusually, allowing the soft strings and warm vibes take over, whisking us off
into coma of beauty. Tracklisting: A1: Steve Bug: Honeymoon (Russ Gabriel Remix) A2: Steve Bug: Drives Me Up The Wall (Les Rythmes Digitales Remix) B: Vincenzo: At Throb

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LP, 180G

Tracklist vinyl :

A1 JD kst
A2 tor un
A3 ufx33
A4 wolod
B1 bemo1
B2 arpszym
B3 DIM machine

The sun, kissing the forehead through half-closed blinds; the night, coming uninvited through a
windowpane like a damp, sticky shroud. Light and darkness, solid foundations and elusive glimpses
of parallel realities. Armies of digital insects - taken aback by warmth of one brave heart, 90s chillout
rooms updated for todays vast and desolated space full of fragile souls desperate in their look for
any kind of communion; “artificial intelligence” after three decades of wandering, trying to finally
find a helping hand, solace and peace. Shimmer and shine. Welcome to “Pristine”, a new recording
from the mind of Jacek Sienkiewicz.
For the past years Jacek has been escaping his image of relentless producer and performer of
driving, multi-layered club music. His most recent works include deep ambient records, abstract
electro-acoustic experiments, and super smart, stripped-down yet incredibly complex
contemporary electronica. The last few records, mostly on his own label Recognition include albums
with Max Loderbauer and Atom™, reinterpretations of works by Bogdan Mazurek of the legendary
Polish Radio Experimental Studio, scores for radio plays and last year’s massively overlooked
“Krasz”, music for theatrical performance of Ballard’s/Cronenberg’s “Crash”.
“Pristine”, a labour of love, is at times abstract and atonal, at times breathtakingly beautiful and
tender.

8 tracks written and performed in Jacek’s unmistakable, singular style, and covering many grounds -
abstract, electronic forms, neo-classical wonders, super tight compositions and freeform, jazz-like
improvisations and stripped-down rhythms. Different moods, machine-translated and reverseengineered in a variety of recording locations, make up this exceptional record.
Shimmer and shine, immerse and enjoy.

Co-Financed By The Minister Of Culture And National Heritage of Poland.
The project has been implemented in co-production with Recognition Records and the National Centre for
Culture of Poland

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Tracklist:
1/a1. hide away 2/a2. first run 3/b1. desert plan 4/b2. kingdom of lo 5/c1. hideland 6/c2. gone 7/d1. radionist 8/d2. last run

Info:
Sound and rhythm are effective means of individual’s self-defence in face of chaotic steamroller of everyday life. Hiding in a familiar yet simultaneously hardly recognisable parallel space does not have to result from the need of escaping the world or nurturing one’s ego. Too many times to mention, music appearing under Recognition imprint served as a peculiar type of a vehicle of survival and a tool for internal transformation.
“Hideland”, new record by Polish electronic music producer Jacek Sienkiewicz is released precisely year after “Drifting”, which largely explored tropes of classical club techno sound. Eight (nine in extended CD version) tracks comprising this album go beyond easy-to-pigeonhole genres, creating a microcosm of utopian sound constructs. Surprisingly unobvious and precisely composed release could be fascinating both for loyal fans and for new listeners looking for threads of experimentalism. It’s another intriguing proposal in Jacek Sienkiewicz’s growing discography, but above all - a laboratory where dreams and artistic visions metamorphose into concrete reality.
www.recognition.pl


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- exclusive deluxe digipak slipcase with silver hot foil embossing



Tracklisting:

CD
1. (CD1) Logic System - Unit
2. (CD1) Kraftwerk - Computerwelt (2009 Remastered)
3. (CD1) Whodini - Magic's Wand
4. (CD1) Rocker's Revenger - Walking on Sunshine (feat. Donnie Calvin)
5. (CD1) Klein & MBO - Dirty Talk (European Connection)
6. (CD1) Liaisons Dangereuses - Los Niños Del Parque
7. (CD1) Yello - Bostich
8. (CD1) The The - Giant
9. (CD1) The Residents - Kaw-Liga
10. (CD1) Clan Of Xymox - Stranger
11. (CD1) A Split - Second - Flesh
12. (CD1) Severed Heads - Dead Eyes Opened
13. (CD1) 16 Bit - Where Are You?

1. (CD2) The Weathermen - Poison!
2. (CD2) New Order - Blue Monday
3. (CD2) Anne Clark - Our Darkness
4. (CD2) Phuture - We Are Phuture
5. (CD2) Model 500 - No UFO's (Vocal)
6. (CD2) Frankie Knuckles feat. Jamie Principle - Your Love
7. (CD2) Quest - Mind Games (Street Mix)
8. (CD2) Jasper van't Hof - Pili Pili
9. (CD2) Guem Et Zaka Percussion - Le Serpent
10. (CD2) Hugh Masekela - Don't Go Lose It Baby
11. (CD2) Sly & Robbie - Make 'Em Move

1. (CD3) Brian Eno - David Byrne - Help Me Somebody
2. (CD3) Primal Scream - Loaded (Andy Weatherall Mix)
3. (CD3) The Ecstasy Club - Jesus Loves The Acid
4. (CD3) Foremost Poets - Reason To Be Dismal?
5. (CD3) Lhasa - The Attic
6. (CD3) A Guy Called Gerald - Voodoo Ray
7. (CD3) M/A/R/R/S - Pump up the Volume - USA 12" Mix
8. (CD3) Bobby Konders - Nervous Acid
9. (CD3) Meat Beat Manifesto - Helter Skelter
10. (CD3) Raze - Break 4 Love
11. (CD3) Sueño Latino with Manuel Goettsching performing E2-E4
- Sueño Latino (Paradise Version)
12. (CD3) OFF - Electrica Salsa



Sven Väth - What I Used To Play

For this uniquely personal retrospective spread over twelve vinyl discs, Sven Väth takes us back to the early days of his DJ career. On What I Used To Play we meet great pioneers of electronic music, gifted percussionists, obscure wave bands, and innovative producers of a bygone 'new electronic' era. Rough beats and irresistible grooves from the identification stage of house, techno, and acid remind us not just how far electronic music has evolved over the past four decades, but how great it was to dance to EBM, techno, and house for the very first time.

If there is one protagonist of the electronic music scene who has remained curious, innovative and at the very cutting edge of music for over four decades, it's Sven Väth. His multi-layered artist albums and Sound of the Season mix compilations have been defining the genre for over two decades, and even today, he is constantly on the lookout for the next top tune to add to the highlights of his next set. At least, that's the case when he's not producing them himself as an artist or remixer. "Actually, it's always been part of my DNA to think ahead," and nothing had been further from his mind than looking back at his past, but when in spring of 2020 the international DJ circuit had to be scaled down to virtually zero, the 'restless traveler' suddenly had time. Time to stop and reflect on "how it actually was back then, at the very beginning of my career..."

"It was a great trip and with every track, beautiful memories came flooding back".
In the London apartment, he had just moved into, Sven has set up a "little music room", where he cocooned himself for several days, "to look way back for the first time and review my musical journey through the eighties, so to speak."

The interim result was six thematically oriented playlists with a grand total of 120 tracks from 'early 80s' to 'Balearic late 80s', together with excursions into afrobeat, European new wave, and EBM sounds and a few epochal techno/house tracks from the USA in between. From these 'Best of Sven Väth's favorites', the project What I Used To Play crystallized. Sven remembers how the Cocoon team reacted to his proposal: "They found the idea of making a compilation out of it MEGA from the beginning and everyone said 'Sven, go for it', but then, of course, the work really started, namely, to clear the rights and to get clean sounding masters of the up to 40-year-old tracks. There was also disappointment, of course. We couldn't clear certain titles because the rights holders in the USA had fallen out with each other or simply disappeared from the scene. In short, it wasn't easy, but now I can safely say we got the most important tracks."

Finally, after two years of research, curation, design, and administrative fine-tuning, the "little retrospective" from 1981 to 1990 is available. The exquisitely packaged, and three-kilo heavy box set is not only physically impressive, WIUTP is also the definitive record of Sven Väth's musical development. On each of the twenty-four sides of vinyl, you can trace track by track, what influenced him during which phase, and how he took off as a DJ from his parents' Queen's Pub straight into the spotlight at Dorian Gray. There and at Vogue (later OMEN), Sven became the style-defining player in the DJ booth that he still is today.




1981 - 1990: Future Sounds of Now

In the early eighties, the crowd in clubs like Vogue and Dorian Gray danced to what nowadays we call 'dance classics' - mainly disco, funk, soul, and chart pop. It was up to a new generation of DJs, including Sven Väth, the youngest protagonist in the Rhine-Main area at the time, to create their own club-ready music mix. Good new tracks and potential floor-fillers were rarities that had to be sought out and found, in order to prove oneself worthy.
Without MP3s, internet streaming, or other digital download possibilities, music didn't just gravitate to the DJ, instead, it had to be tracked down. In well-stocked record stores in Frankfurt and Wiesbaden or even in Amsterdam, London, or New York, Sven and friends sourced the material for countless magical nights. On WIUTP we can follow Sven's very personal journey through this wild, innovative era in which synth-pop, funk, hip-hop, and disco were successively replaced as 'club music' by house, techno, acid, and breakbeat. By the end of the decade, it was clear to see that these once exotic 'fringe' phenomena would soon become 'mass' phenomena.



Early 80s

Dirty Talk by the Italian-American duo Klein & M.B.O. represents the most innovative phase of the Italo-disco genre in the early eighties like no other track. Mario Boncaldo (I) and Tony Carrasco relied entirely on the original synthetic drum and percussion sounds of the Roland TR-808, coupled with the raunchy vocals of Rossana Casale and guitar accents of Davide Piatto. Of course, other tracks from this period were also influential in style, most notably Unit by Logic System, which worked as the perfect soundtrack to the laser lighting system at the legendary Dorian Gray club. With stomping beats and robotic rap interludes, Bostich by Yello also belongs on Sven's eternal playlist - after all, it caught the attention of Afrikaa Bambaataa, who invited the Swiss duo to perform at the Roxy in New York in 1983.



EBM Wave - Mid 80s

From today's point of view, the almost ten-minute-long, downtempo track Giant by Matt Johnson's band project The The, would probably not be considered an obvious club classic. However, a closer (re)listen reveals the rhythmic intricacies of the percussion overdubs by JG Thirlwell (aka Foetus) on Johnson's composition, and it becomes clear why this exceptional piece of music is one of Sven's absolute favorites. Other classics from this phase include Kaw-Liga by the mysterious The Residents, the hypnotic-synthetic Our Darkness by Anne Clark (and David Harrow), and last but not least, the somber, monotonous anthem Where Are You? by 16Bit, one of Sven Väth's projects together with Michael Münzing, Luca Anzilotti from 1986.



US House - Late 80s

You certainly can't talk about Chicago house without mentioning Frankie Knuckles. The resident DJ at the Warehouse not only gave the name to an entire genre, but also produced epochal floor fillers on the Trax label like the timeless Your Love, sung (and moaned) by Jamie Principle. Acid house protagonists Phuture also hail from Chicago, and on We Are Phuture (also released on Trax) we hear the chirping acid sounds of the legendary Roland TB-303 in full effect. Another featured classic is No UFO's by Detroit's Model 500 aka Juan Atkins, who is rightly considered the 'Godfather of Techno' even if the genre-defining track from 1985 still breathes with the spirit of hip-hop and electro from the first breakdance era.





Afrobeat

Le Serpent, by Algerian-born Abdelmadjid Guemguem, is a track that sounds completely different from everything else on WIUTP. Made in 1978, it's a monumental, rousing groove created without bass or synths, just with five congas! Even though Guem sadly passed away in 2021, his immortal, acoustic beats are understood all over the world and will continue to enrich many thousands of DJ sets for years to come. Another classic that not only Sven appreciates beyond measure is Hugh Masekela's Don't Go Lose it, Baby. In addition to being one of the most important jazz pioneers, the trumpeter and freedom fighter from Johannesburg was very experimental, integrating electronic sounds into his music in later years, in a similar vein to Miles Davis and Herbie Hancock. Dutch jazz pianist Jasper van't Hof's afrobeat project Pili Pili has also aged well. The trance-like, almost sixteen-minute-long track of the same name, manages to fill a whole side on the seventh of twelve vinyl discs in the WIUTP box.



UK-US-Euro - Late 80s

Time for a change of scene, in the truest sense of the word, and from a musical perspective, this section is like landing on another planet. First up is Andrew Weatherall's classic remix of Primal Scream's Loaded, featuring the iconic Peter Fonda sample (lifted from the 1966 biker film Wild Angels) that came to personify the mood triggered by the British Second Summer of Love in the late eighties: "We wanna be free to do what we wanna do, and we wanna get loaded...". This period also saw the emergence of M/A/R/R/S whose only single, 1987's Pump Up The Volume, became a club classic with support from DJ legend CJ Mackintosh. In this most eclectic of sections, we also encounter New York house and reggae producer Bobby Konders and his seminal Nervous Acid.



Balearic - Late 80s

Those who know him, know that Sven had already lost his heart to the 'magic island' of Ibiza as a teenager, so with that in mind, the WIUTP project couldn't end without a Balearic chapter. Inspired by Manuel Göttsching's E2-E4, the immortal, eponymously titled Sueño Latino belongs in there without question. Equally popular on the island was, and still is Break 4 Love by Raze, which thinking about it, would also fit perfectly into the house chapter. Last, but not least, there's an overdue reunion with Sven Väth himself, in his role as frontman of the successful Frankfurt trio OFF. Together with Michael Münzing and Luca Anzilotti (later of Snap!) this 'Organization For Fun' created the off-the-wall club hit Electric Salsa in 1986 which incidentally turned into an international chart smash, putting Sven in the enviable position of having to decide between pop stardom and a DJ career. Well, we all know how that decision turned out and the rest, as they say, is history. A not insignificant part of his story is What I Used To Play. Enjoy!





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