WORLD EXCLUDING GERMANY, SWITZERLAND, AUSTRIA (GSA)

Special remarks : CD - Digipack

Genre: Electronica/Dance


Tracklist CD:
01. Sky is the Limit feat. the Beloved
02. Amazing feat. Steve Van Velvet
03. Wasteland feat. Inga Humpe
04. C´est la Vie feat. Richard Judge
05. Du Schneidest mir mein Herz auf feat. Ben Becker
06. We Could Be You feat. Yasha
07. Job of Dying Young feat. Marian Gold
08. White Boy (Percy Tech Remix) feat. After Life 3000
09. Time Marches On feat. Henning Wehland
10. Goldelse Is Burning ( Album Dub Mix)
11. No Melody fest. Dieter Meier
12. No Crap feat. Beccy Boo


Short Info:


On his new album "Famous Last Songs Vol. 1" Westbam presents himself as a brilliant curator of his own music. With unerring instinct, the legendary techno DJ and producer succeeds together with guests such as Dieter Meier (Yello), Inga Humpe (2raumwohnnung) and Jon Marsh (The Beloved) in paying homage to the spirit of the Eighties and making the ultimate statement about the current time: music for the club in your head.


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WAS - Word and Sound Medien GmbH
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Germany
Contact: [email protected]More

WORLD EXCLUDING GERMANY, SWITZERLAND, AUSTRIA (GSA)

Special remarks : CD - Digipack

Genre: Electronica/Dance


Tracklist CD:
01. Sky is the Limit feat. the Beloved
02. Amazing feat. Steve Van Velvet
03. Wasteland feat. Inga Humpe
04. C´est la Vie feat. Richard Judge
05. Du Schneidest mir mein Herz auf feat. Ben Becker
06. We Could Be You feat. Yasha
07. Job of Dying Young feat. Marian Gold
08. White Boy (Percy Tech Remix) feat. After Life 3000
09. Time Marches On feat. Henning Wehland
10. Goldelse Is Burning ( Album Dub Mix)
11. No Melody fest. Dieter Meier
12. No Crap feat. Beccy Boo


Short Info:


On his new album "Famous Last Songs Vol. 1" Westbam presents himself as a brilliant curator of his own music. With unerring instinct, the legendary techno DJ and producer succeeds together with guests such as Dieter Meier (Yello), Inga Humpe (2raumwohnnung) and Jon Marsh (The Beloved) in paying homage to the spirit of the Eighties and making the ultimate statement about the current time: music for the club in your head.


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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
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UPC: 827170145627 Release : 17th November 2014
Tracklist: CD 1
1. Stimming - Southern Sun feat. Piper Davis 2. Alex & Digby - Kudlak 3. Leon Vynehall - Butterflies 4. D'Lonely Al - We Can Have It All 5. Simian Mobile Disco & Roman Flügel - Hachinoko 6. Joseph S Joyce - Vedanta (Sebastian Mullaert Remix) 7. Karim Sahraoui - Nightflow 8. Elbee Bad - It's The People (VOXeMOTIONaLmixx) 9. Marc Philipp - Rezo 10. Hotel Lauer - QD 11. David August - Epikur
CD 2
1. Moderat - Bad Kingdom (DJ Koze Remix) 2. Reboot - Samson 3. Benjamin Damage - Up 4. Dast - Deep Down 5. Sable Sheep - Cargo Room 6. Gary Beck feat. Debra Debs - Get Together 7. Pig & Dan - Sandstorm 8. Tumult Hands - Tumult Hands 9. Daniel Stefanik - Signs 10. Planetary Assault System - Future Modular 11. MMM - Jack 7 12. Slam - Rotary 13. Sawlin & Subjected - Texture 1.1 14. Kölsch feat. Waa Industry - Papageno

Fifteen years on Ibiza, fifty years alive: in 2015 Sven Väth celebrates two major birthdays. With more than 10.000 of his fans he will celebrate his own birthday on October the 25th in Mannheim´s Maimarkthalle. Luciano, DJ Koze and Richie Hawtin will be among the well-wishers behind the turntables. The birthday bash will as well be the kick off for Väth´s world tour, which will take him through three continents. Sven Väth´s fans: Some of them are dancing for more than thirty years to his music. Within Frankfurt´s club scene, they followed him from Dorian Gray, the Omen, U60311, to the CocoonClub to Ibiza. Until now, they rely on Väth's tireless curiosity to reinvent electronic dance music again and again. With his longtime companions Väth not only went through the night, but through life.
Then there are the kids from Ibiza who might have experienced Väth for the first time in one of the wonderful nights of the passed summer at Amnesia or at one of the afterhours. Väth enchants them with an abundance of electronic sounds, styles and moods, they are introduced to the cosmos of sophisticated electronic music. They could be his children. With this experience Väth is lead to a new, more relaxed perspective, a sense of what is really important. In an extensive interview for Resident Advisor Väth told the international audience about his multifaceted history as musician and entrepreneur. In a notable podcast for the same page he offers us an insight in his musical interests beyond electronic dance music for the first time in years.
With "Sound of the 15th Season", Väth has left behind the two-part night & day concept of some of the earlier seasons. For the first time, he mixes a continuous, nearly three-hour set. Väth starts off a with delicate house tune from Stimming and the charming, flirtatiously naive voice of Piper Davis. The lovely piano tones captivate the attention while psychedelic moments arouse curiosity. Väth finishes the short opening sequence with another exceptional track: within Alex & Digbys "Kudlak" children pray to a number of saints, and their sincerity and seriousness appeals to us deep in our inside. Väth gives us a moment to feel where we stand in this point in time. Then the party begins. The next chapter is devoted to a classic, wonderfully level-headed New York house sound creating a peaceful haven in Ibiza´s restlessness. Leon Vynehall draws us with gentle chords to the dance floor, D'Lonely Al adds a euphoric note. Roman Flügel & Simian Mobile Disco set the sounds like dots of color on a canvas. They suspend this impressionistic, playful approach with a strong, emotional bass line. Sebastian Mullaert melds these scattered energies in a wonderful, cardinal number with Karim Sahraoui adding multifaceted emotions. With his nervous funk Elbee Bad adds physicality and sex appeal. With the fascinating "Rezo" by Marc Philipp, the set reaches a first climax. Being full of hope and promise the hookline is directed into the future, yet it does not loose contact to the here and now. The Lauer brothers combine the playful approach of the first tracks with a powerful, driving groove. With David August's epic "Epicurus" the acoustic space gains depth and richness. Until now the set was a family affair, now you immerse yourself in the crowd and get carried away.
With DJ Koze's Remix of Moderats "Bad Kingdom", Väth revives the combination of pop and psychedelica and moves into the third chapter. Koze dissolves the anthemic pop song in poetic, trippy sounds. Fun and easy turn into rapid and uninhibited. Reboot´s bassline spin the dancers around. With his bright, crystal-clear sounds Benjamin Damage nets this turmoil. Dast manages to square the circle: he sounds physical and empathetic like a Strictly-Rhythm-track, yet his explosive energy rather reminds of thriving techno. With Sable Sheep the beats get complicated and dense. Väth synthesizes the heterogeneous energies on the dance floor. Wonderfully straight, the bassline of Gary Beck moves into the track, you feel its razor-sharp, driving force in your fingertips and your tows. Väth reaches the finale: "Sand Storm" by Pig & Dan has the dimensions of a natural event. Gusts of sand grains form a massive sound wave that is sublime and a little scary at the same time. Now everything is possible: Jurek Przezdziecki & Jacek Sienkiewicz turn to a jazzy tonality. Daniel Stefanik counters with a pitch-black sentiment, its elegance being broken by a bizarre creaking and whistling. With this unconditionally demanding machine music we have reached the climax. Transforming this extreme tension in a thrilling acid track, Techno innovator Luke Slater creates clarity and defines a target. MMM pull around the helm, with a fanfare they spread a funny, winking euphoria. Slam grant us a breather with a timeless party track. Sawlin & Subjected break into the scene with futuristic, intricate industrial sounds. At the finale it is Kölsch´s turn: the Dane reconciles madness and beauty with an oblique, funny squeak with an amazing vocal a la James Blake.
Väth is able to excel his intuition for electronic sounds just another time. He puts on a record and knows immediately what is going on in the track's heart. In 2014 Väth gets rid of some ballast that has been piling up in club music´s language. As in Far Eastern physical and spiritual practices, Yoga and Zen, it is often just a matter of holding the energy. Listening to himself, Väth is confronted with a stream of energy inspiring him and drawing us in. He always had the enthusiasm of a child. Now he is a wise man as well.


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Tracklist 12":

A. LIGHTIN
B. TRAKER


Short Info:


Most recently Jacek Sienkiewicz had been mainly preoccupied with with experimental music - his explorations of outer limits of sound resulted in 3 albums released already in 2019, with two more to follow by the end of the year. So, It was good and perhaps refreshing to hear his surprising return to the dancefloor with "Lightin", an unexpected Summer afterparty anthem released digitally in June. By popular demand, it's now released on vinyl in its full, 11+ minutes glory. Lightweight, gentle and tuneful, propelled by a syncopated rhythm, it rolls like a steam engine taking you to your favourite holiday destination. Side B brings us another new track - "Tracker" is definitely built for clubs and designed for peak time moments, be it in a cramped, dark basement or a big room at a festival. This EP is Jacek's first new club-oriented record on his Recognition label since 2016's "Hideland" - and a teaser for an all-new album, due next year.


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- exclusive deluxe digipak slipcase with silver hot foil embossing



Tracklisting:

CD
1. (CD1) Logic System - Unit
2. (CD1) Kraftwerk - Computerwelt (2009 Remastered)
3. (CD1) Whodini - Magic's Wand
4. (CD1) Rocker's Revenger - Walking on Sunshine (feat. Donnie Calvin)
5. (CD1) Klein & MBO - Dirty Talk (European Connection)
6. (CD1) Liaisons Dangereuses - Los Niños Del Parque
7. (CD1) Yello - Bostich
8. (CD1) The The - Giant
9. (CD1) The Residents - Kaw-Liga
10. (CD1) Clan Of Xymox - Stranger
11. (CD1) A Split - Second - Flesh
12. (CD1) Severed Heads - Dead Eyes Opened
13. (CD1) 16 Bit - Where Are You?

1. (CD2) The Weathermen - Poison!
2. (CD2) New Order - Blue Monday
3. (CD2) Anne Clark - Our Darkness
4. (CD2) Phuture - We Are Phuture
5. (CD2) Model 500 - No UFO's (Vocal)
6. (CD2) Frankie Knuckles feat. Jamie Principle - Your Love
7. (CD2) Quest - Mind Games (Street Mix)
8. (CD2) Jasper van't Hof - Pili Pili
9. (CD2) Guem Et Zaka Percussion - Le Serpent
10. (CD2) Hugh Masekela - Don't Go Lose It Baby
11. (CD2) Sly & Robbie - Make 'Em Move

1. (CD3) Brian Eno - David Byrne - Help Me Somebody
2. (CD3) Primal Scream - Loaded (Andy Weatherall Mix)
3. (CD3) The Ecstasy Club - Jesus Loves The Acid
4. (CD3) Foremost Poets - Reason To Be Dismal?
5. (CD3) Lhasa - The Attic
6. (CD3) A Guy Called Gerald - Voodoo Ray
7. (CD3) M/A/R/R/S - Pump up the Volume - USA 12" Mix
8. (CD3) Bobby Konders - Nervous Acid
9. (CD3) Meat Beat Manifesto - Helter Skelter
10. (CD3) Raze - Break 4 Love
11. (CD3) Sueño Latino with Manuel Goettsching performing E2-E4
- Sueño Latino (Paradise Version)
12. (CD3) OFF - Electrica Salsa



Sven Väth - What I Used To Play

For this uniquely personal retrospective spread over twelve vinyl discs, Sven Väth takes us back to the early days of his DJ career. On What I Used To Play we meet great pioneers of electronic music, gifted percussionists, obscure wave bands, and innovative producers of a bygone 'new electronic' era. Rough beats and irresistible grooves from the identification stage of house, techno, and acid remind us not just how far electronic music has evolved over the past four decades, but how great it was to dance to EBM, techno, and house for the very first time.

If there is one protagonist of the electronic music scene who has remained curious, innovative and at the very cutting edge of music for over four decades, it's Sven Väth. His multi-layered artist albums and Sound of the Season mix compilations have been defining the genre for over two decades, and even today, he is constantly on the lookout for the next top tune to add to the highlights of his next set. At least, that's the case when he's not producing them himself as an artist or remixer. "Actually, it's always been part of my DNA to think ahead," and nothing had been further from his mind than looking back at his past, but when in spring of 2020 the international DJ circuit had to be scaled down to virtually zero, the 'restless traveler' suddenly had time. Time to stop and reflect on "how it actually was back then, at the very beginning of my career..."

"It was a great trip and with every track, beautiful memories came flooding back".
In the London apartment, he had just moved into, Sven has set up a "little music room", where he cocooned himself for several days, "to look way back for the first time and review my musical journey through the eighties, so to speak."

The interim result was six thematically oriented playlists with a grand total of 120 tracks from 'early 80s' to 'Balearic late 80s', together with excursions into afrobeat, European new wave, and EBM sounds and a few epochal techno/house tracks from the USA in between. From these 'Best of Sven Väth's favorites', the project What I Used To Play crystallized. Sven remembers how the Cocoon team reacted to his proposal: "They found the idea of making a compilation out of it MEGA from the beginning and everyone said 'Sven, go for it', but then, of course, the work really started, namely, to clear the rights and to get clean sounding masters of the up to 40-year-old tracks. There was also disappointment, of course. We couldn't clear certain titles because the rights holders in the USA had fallen out with each other or simply disappeared from the scene. In short, it wasn't easy, but now I can safely say we got the most important tracks."

Finally, after two years of research, curation, design, and administrative fine-tuning, the "little retrospective" from 1981 to 1990 is available. The exquisitely packaged, and three-kilo heavy box set is not only physically impressive, WIUTP is also the definitive record of Sven Väth's musical development. On each of the twenty-four sides of vinyl, you can trace track by track, what influenced him during which phase, and how he took off as a DJ from his parents' Queen's Pub straight into the spotlight at Dorian Gray. There and at Vogue (later OMEN), Sven became the style-defining player in the DJ booth that he still is today.




1981 - 1990: Future Sounds of Now

In the early eighties, the crowd in clubs like Vogue and Dorian Gray danced to what nowadays we call 'dance classics' - mainly disco, funk, soul, and chart pop. It was up to a new generation of DJs, including Sven Väth, the youngest protagonist in the Rhine-Main area at the time, to create their own club-ready music mix. Good new tracks and potential floor-fillers were rarities that had to be sought out and found, in order to prove oneself worthy.
Without MP3s, internet streaming, or other digital download possibilities, music didn't just gravitate to the DJ, instead, it had to be tracked down. In well-stocked record stores in Frankfurt and Wiesbaden or even in Amsterdam, London, or New York, Sven and friends sourced the material for countless magical nights. On WIUTP we can follow Sven's very personal journey through this wild, innovative era in which synth-pop, funk, hip-hop, and disco were successively replaced as 'club music' by house, techno, acid, and breakbeat. By the end of the decade, it was clear to see that these once exotic 'fringe' phenomena would soon become 'mass' phenomena.



Early 80s

Dirty Talk by the Italian-American duo Klein & M.B.O. represents the most innovative phase of the Italo-disco genre in the early eighties like no other track. Mario Boncaldo (I) and Tony Carrasco relied entirely on the original synthetic drum and percussion sounds of the Roland TR-808, coupled with the raunchy vocals of Rossana Casale and guitar accents of Davide Piatto. Of course, other tracks from this period were also influential in style, most notably Unit by Logic System, which worked as the perfect soundtrack to the laser lighting system at the legendary Dorian Gray club. With stomping beats and robotic rap interludes, Bostich by Yello also belongs on Sven's eternal playlist - after all, it caught the attention of Afrikaa Bambaataa, who invited the Swiss duo to perform at the Roxy in New York in 1983.



EBM Wave - Mid 80s

From today's point of view, the almost ten-minute-long, downtempo track Giant by Matt Johnson's band project The The, would probably not be considered an obvious club classic. However, a closer (re)listen reveals the rhythmic intricacies of the percussion overdubs by JG Thirlwell (aka Foetus) on Johnson's composition, and it becomes clear why this exceptional piece of music is one of Sven's absolute favorites. Other classics from this phase include Kaw-Liga by the mysterious The Residents, the hypnotic-synthetic Our Darkness by Anne Clark (and David Harrow), and last but not least, the somber, monotonous anthem Where Are You? by 16Bit, one of Sven Väth's projects together with Michael Münzing, Luca Anzilotti from 1986.



US House - Late 80s

You certainly can't talk about Chicago house without mentioning Frankie Knuckles. The resident DJ at the Warehouse not only gave the name to an entire genre, but also produced epochal floor fillers on the Trax label like the timeless Your Love, sung (and moaned) by Jamie Principle. Acid house protagonists Phuture also hail from Chicago, and on We Are Phuture (also released on Trax) we hear the chirping acid sounds of the legendary Roland TB-303 in full effect. Another featured classic is No UFO's by Detroit's Model 500 aka Juan Atkins, who is rightly considered the 'Godfather of Techno' even if the genre-defining track from 1985 still breathes with the spirit of hip-hop and electro from the first breakdance era.





Afrobeat

Le Serpent, by Algerian-born Abdelmadjid Guemguem, is a track that sounds completely different from everything else on WIUTP. Made in 1978, it's a monumental, rousing groove created without bass or synths, just with five congas! Even though Guem sadly passed away in 2021, his immortal, acoustic beats are understood all over the world and will continue to enrich many thousands of DJ sets for years to come. Another classic that not only Sven appreciates beyond measure is Hugh Masekela's Don't Go Lose it, Baby. In addition to being one of the most important jazz pioneers, the trumpeter and freedom fighter from Johannesburg was very experimental, integrating electronic sounds into his music in later years, in a similar vein to Miles Davis and Herbie Hancock. Dutch jazz pianist Jasper van't Hof's afrobeat project Pili Pili has also aged well. The trance-like, almost sixteen-minute-long track of the same name, manages to fill a whole side on the seventh of twelve vinyl discs in the WIUTP box.



UK-US-Euro - Late 80s

Time for a change of scene, in the truest sense of the word, and from a musical perspective, this section is like landing on another planet. First up is Andrew Weatherall's classic remix of Primal Scream's Loaded, featuring the iconic Peter Fonda sample (lifted from the 1966 biker film Wild Angels) that came to personify the mood triggered by the British Second Summer of Love in the late eighties: "We wanna be free to do what we wanna do, and we wanna get loaded...". This period also saw the emergence of M/A/R/R/S whose only single, 1987's Pump Up The Volume, became a club classic with support from DJ legend CJ Mackintosh. In this most eclectic of sections, we also encounter New York house and reggae producer Bobby Konders and his seminal Nervous Acid.



Balearic - Late 80s

Those who know him, know that Sven had already lost his heart to the 'magic island' of Ibiza as a teenager, so with that in mind, the WIUTP project couldn't end without a Balearic chapter. Inspired by Manuel Göttsching's E2-E4, the immortal, eponymously titled Sueño Latino belongs in there without question. Equally popular on the island was, and still is Break 4 Love by Raze, which thinking about it, would also fit perfectly into the house chapter. Last, but not least, there's an overdue reunion with Sven Väth himself, in his role as frontman of the successful Frankfurt trio OFF. Together with Michael Münzing and Luca Anzilotti (later of Snap!) this 'Organization For Fun' created the off-the-wall club hit Electric Salsa in 1986 which incidentally turned into an international chart smash, putting Sven in the enviable position of having to decide between pop stardom and a DJ career. Well, we all know how that decision turned out and the rest, as they say, is history. A not insignificant part of his story is What I Used To Play. Enjoy!





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WHITE VINYL + DOWNLOAD

A1) The Spirit
A2) From My Mind
A3) Pulse
B1) From My Mind (Extrawelt Remix)
B2) From My Mind (Biesmans Remix)

Release Info:
Belgian techno don Marco Bailey lands on Watergate with a debut that’s guaranteed to intrigue as
he leans into electro territory, grabbing rerubs from Extrawelt & Biesmans while he’s at it.
DJ, producer and label chief, his is a storied career that spans three decades, and it’s long been evident
that Marco’s enthusiasm and passion remains resolute. He closed 2021 with the release of his sixth studio
album Surreal Stage, an ambitious, introspective body of work that dropped via his booming imprint
Materia. His own label aside, his discography is stacked with cuts across eminent labels Second State,
ARTS, Bedrock Records, as well as being one of the first artists to debut on Carl Cox’s seminal INTEC.
While it’s techno that he’s become firmly associated with, his adeptness in the studio isn’t limited to the
nuances of one genre and this is a rare opportunity to showcase a different side to his musicality.
‘The Spirit’ floods in first, almost immediately engaging listeners as it ebbs and flows with complete
abandon. If the promise of electro grabbed your attention, it’s ‘From My Mind’ that delivers and sticks in
your mind - from the heavy synth bassline to the soaring ascendant melody, and distorted, robotic vocals.
‘Pulse’ slaps and packs plenty of punch power as it snakes its way through with dominating, ascendant
chords.
German duo Extrawelt and Belgian export Biesmans step in with rerubs of ‘From My Mind’, and firmly grip
some of the elements which make this electro excursion so memorable.

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Into the mystic. Crank up the amp and drop the needle on the record. Exclusively on vinyl only, it's the cross-genre collaboration everybody's talking about - between the don of drum'n'bass and one of the godfather's of grime. Goldie and Skepta share a birthday, an elemental connection and an impeccable taste in beats. Upstart is the blistering outcome of their studio sessions together - a fierce, futuristic alchemy of tense horrorshow melodics, street-level rhymes and bangin' breaks. Minted somewhere between Blade Runner and A Clockwork Orange, it's for the kind of kids who want to ram-raid tomorrow, become a ghost in the machine, a contagion that cannot be stopped. Upstart is for everyone who hates the fake shit, the crass commercial crapola, the fucked-up state of everything. It's pyrotechnic protest music for the hip at heart. "Grime grew out of speed garage, which in turn came out of drum 'n'bass," says Goldie. "It's come full circle." In truth, it's a union that's surely meant to be. And so fate shuffled the deck bringing Goldie (DOB 19.09.65) and Skepta (DOB 19.09.82) together.
It's a generational thing. But it's also the alchemy of the in-between, the outsider, the otaku. Forget the kill-switch. Get the deck warmed up. Crank up the amp, play loud and repeat after me: "I'm an upstart…"
TRACKLISTING:
A1. Goldie & Skepta - Upstart (Road Trip)
A2. Goldie & Skepta - Upstart (Road Trip) [Instrumental]
B1. Goldie & Fraims Featuring DRS - Poisonous Darts
B2. Goldie & Fraims Featuring DRS - Poisonous Darts [Instrumental]


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Tracklist / EP:
A1. 140bpm
A2. part of 9
B1. galop
B2. dewild99
Info:
Recognition opens up its archives and invites to a futuristic sentimental journey with respective stages set by the records 9702 (CD version) and 9799 (four exclusive tracks on a vinyl EP). Four tracks from single come from the time of Jacek Sienkiewicz's first record (Recognition CD). These earliest recordings openly refer to a formula and rhythmical density of Detroit Techno, although end result of this confrontation turns out to be surprisingly "separate" and individualistic. In turn, 9702 album contains a set of varied tracks recorded withing five years after Warsaw label's launch and its first release. Extended compositions and short improvised sound notes resemble eccentric propositions of such labels as (early) Warp or Rephlex, standing next to melancholy-saturated minimalistic techno and abstract collage structures which prove out to share many characteristics of clicks'n'cuts movement of the second half of the 1990s. Usage of human voice samples is an outstanding feature of many of these archive materials. Entirety of mastered-anew content encompassing both records, contains all principal trademarks which distinguish Jacek Sienkiewicz's creations an his label Recognition - utmost care about depth of sound sphere, experimental inclinations and focus on complex motoric aspect of the rhythmical base. This collection of music from Recognition's first five years, surprising for its freshness and sheer impetus, is a must for all fans of Jacek Sienkiewicz and Polish electronic music of the turn of the 20th and 21st centuries. In connection with publication of yet-unheard tracks, Jacek shares another slice of yet-unknown artistic vision, connecting sound with other media such as image, light and movement. RECOGNITION XX - audio-video performance - comes out in summer as a result of this retrospective look.


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Tracklist:
A1) Roman Flügel Remix A2) Original B) Frank Wiedemann Orchestra Remix
Infotext:
We here at Watergate Records are ecstatic to bring you the first single release 'Do Me feat. Khan', from Tiefschwarz in anticipation of their stunning new album, 'Left'. Along with a couple of carefully curated remixes by from two of the most prolific and unique remixers working today, Roman Flügel and Frank Wiedemann, the complete package is a trifecta. The original 'Do Me feat. Khan' is fully rooted in Tiefschwarz's cryptic dance floor approach, intricately balancing the serious and the absurd through the call and response of an almost comedically vocoded voice and a smooth, slick talking murmur. Khan's voice joined with a continually climbing bassline, lush percussive melodies and infectious drums result in a cut that is perfect for, and will shine, any time. Going a different direction by barely using the vocal, but staying very true to the original is Roman Flügel. Taking the original bassline and shortening the loop to 3/4 time, Flügel has devised a hypnotic tail chase that continues from beginning to end only to be accompanied by the whip of a big hi hat and wild 909 claps.
Finally, it's the Frank Wiedemann Orchestra Remix, and it's pretty safe to say that this will be one of the anthems of the year. Aptly titled, the remix is a magnum opus conducted by a master. An enormous ensemble of rich strings and delicate melodies that build and swell from start to finish.


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Territory: WW-UK/EIRE & USA,Canada

2024 repress

Double Vinyl
Pressed on BioVinyl and packaged in environmental wrapping


To celebrate its 30th anniversary, Plastikman's redefining acid techno masterpiece, Sheet One, has been mastered from the original tapes and reissued on vinyl via Mute and NovaMute.

Released in 1993 on Mute's subsidiary label NovaMute, this record was the debut for Richie Hawtin's alias Plastikman. 30 years on Sheet One is a landmark album in the field of electronic music, it changed the shape of what the genre could be and became.

Introducing one of techno's most recognisable logos, the album achieved a degree of notoriety for its acid blotter-style perforated artwork. Musically it focuses on laser-precise minimalist rhythms to drive a series of echo-box acid lines that gradually acquire power over the course of lengthy album tracks, with frequent use of the Roland TB-303, which gained prominence in the electronic music world as a staple of Chicago's acid house scene. Hawtin once described Sheet One perfectly in an interview with MusicRadar, saying "...It's music for the end of the party as you're melting into the floor, which is exactly what the name Plastikman was made to represent."

This seminal album helped to establish the template for minimal techno, and is a must listen for lovers of electronic music.

Available on double bio vinyl.

TRACKLIST
A1 Drp
A2 Plasticity
A3 Gak
B1 Okx
B2 Helikopter
B3 Glob
C1 Plasticine
C2 Koma
D1 Vokx
D2 Smak
D3 Ovokx



Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

Longevity is something we talk about a lot in dance music nowadays. But timelessness, however frequently mentioned, is in fact a rare and sadly lacking ingredient in much of today‘s music. Well, you can thank Steve Bug and the Poker Flat crew that this isn‘t the case here, as we present the second unavoidable installment in the ‚Raw Essentials‘ feature, reviving some classic moments from the Raw Elements catalogue. Re-borne for another chance to rock it, Russ Gabriel‘s intense tweaked out remix of Steve Bug‘s ‚Honeymoon‘ fi nds the coveted position of A1. British born Gabriel produced some of the fi nest moments of the late nineties, and this technoid groover still stands out above many as a bold and futuristic statement about the pure electronic soul that this music thrives off. Just what is it about a combination of sounds or rhythms that has the ability to hook us in so gracefully and so completely? The answer is of course not in words... Enigmatic producer and remixer extraordinaire, Les Rythmes Digitales aka Jacques Lu Cont, aka the Thin White Duke, aka the UK‘s Stuart Price takes on another Steve Bug cut, fi rst featured on Raw Elements 620 in 1997. Price‘s unique sonic craftsmanship is proudly
on show here and he works the funked up guitar riffs and jagged bass of the original into a nervous electro stepping groove revolving around Bug‘s freaky vocal memento. Not dissimilar to the work of Orbital or other cross-genre electronica artists of the day, this track hasn‘t lost any of its heart or fond disobedience, even by today‘s standards! And so we come to the B side and it only seems fi t that
another seminal Vincenzo track is brought out from the depths for the chance to shine again. ‚At Throb‘, originally the lead cut from his debut solo EP on Raw Elements, is a masterful lesson in percussion and musicality. Not quite so stripped as previous re-incarnations, this track builds from a lone groove into a spectacularly spaced, embracing moment, the kind of music Vincenzo has always had a calling for. Gentle and sympathetic melodies blur together into one extended feeling, as the track‘s percussion takes second place, unusually, allowing the soft strings and warm vibes take over, whisking us off
into coma of beauty. Tracklisting: A1: Steve Bug: Honeymoon (Russ Gabriel Remix) A2: Steve Bug: Drives Me Up The Wall (Les Rythmes Digitales Remix) B: Vincenzo: At Throb

Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More