1
chocki hookon - In The Street
2
chocki hookon - Random Madness
3
chocki hookon - In The Street (Jacques Renault BK Club Mix)
4
chocki hookon - In The Street (Jacques Renault Piano Mix)
Who is Chocki Hookon? You probably know him/her/them, but don’t preoccupy yourself with trying to figure out the mystery. Where’s the fun in that!? These tracks were made to make you dance and that’s all you really need to know. Two originals, two remixes by LPH cohead, Jacques Renault. Limitededition/vinylonly release
More
More records from LET'S PLAY HOUSE WHITE
1
rydm sectors - Can't Stop Thinking About U
2
rydm sectors - In My Brain
3
rydm sectors - The Rebirth
4
rydm sectors - Keep Your Mind Alive (4AM Jazzy Mix)
Keep Your Mind Alive is the LPH debut for Rydm Sectors, an Italian duo that bridges classic New York house and UK garage and lightens the resultant hybrid with well-placed sparkly synth work, jazzy drum fills, swanky piano licks. Nightclub music that’s been genetically modified to be just as functional and fun there as it is laying on a breezy beach, soft white sand your pillow, crashing high-tide waves reminder of the nature around you.
More
1
philip budny - No Title
2
philip budny - No Title
3
philip budny - No Title
4
philip budny - No Title
Four tracks sure to get some antifreeze in your veins, prevent you from turning to a brick of ice during this brutal winter. Philip Budny is a Berlin-based producer who’s making his LPH debut here with Somnambulism, an easy, buoyant grip of tracks that’ll lift your heart to the heavens as they keep your feet shuffling. Starry-eyed house. Packaged in a custom graph paper sleeve.
More
1
viers - Lights Out
2
viers - Dolphin Telephone
3
viers - AFB
4
viers - By Your Side
Nutcracker. We concluded 2018 with a gentle bed of ethereal, chilly ambient so we could rocket into 2019 with something especially loud, brash, pummeling. Here is ?Lights Out?, a four-track EP by Viers, a.k.a. LK, proprietor of Hokkaido Dance Club and purveyor of surgically-precise, brutal techno, riotous electro, jacked house. If this doesn’t wake you up, nothing will.
More
1
unknown artist - Liwando
2
unknown artist - Liwando (Jacques Renault BK Club Version)
3
unknown artist - Didn't I (Acid Mix)
Summertime funtime courtesy of... someone from somewhere. Who know? “Liwando” is Madchester rave culture with a disco underbelly and a bongo and conga fervor. Jacques Renault’s mix somehow manages to cram a few more sticks of dynamite into the mix, beefing up the funkiness quotient (that bass!) and embellishing the breakdowns (that horn!) “Didn’t I (Acid Version)” is definitely the afterward to “Liwando,” a joyous, soaring encore that has, yes, a touch of acid folded in.
More
1
keita sano - A Place Called Sun Beach
2
keita sano - Hmmm
3
keita sano - Sweet Fruit
4
keita sano - My Pain
Keita Sano returns to Let’s Play House with another album, the physical iteration of which we’re presenting as two separately-packed 12-inch EPs. First is Kubo, a sharp and cutting collection of four house ditties that are equal parts eccentrically off-kilter and warmly welcoming, esoterically out there and remarkably familiar, in a way only Sano can pull off.
More
1
keita sano - Can't Wait the Party
2
keita sano - Bitch
3
keita sano - Psychedelic Ants
4
keita sano - The Stripper
With Totsu , we complete our two-part Keita Sano album. This one, like Kubo before, is a fiery maelstrom of house and disco dance floor destruction that has a dusting of that impossible-to-place Keita Sano absurdity. A magnetic sprint through MPC-fueled workouts, trance-y space-outs, and loopy hypnotizers. Together, Kubo and Totsu make up O¯totsu , an eight-track long-player that will be made available as a digital release as well as a special limited-edition vinyl double-pack
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1
javonntte - Just Listen
2
javonntte - Indigo Blues
1
j & ag - Girl
2
j & ag - MDK
3
j & ag - Nothing to Worry ABout
4
j & ag - Vitamin Loops
Lost Loops & Broken Tapes Vol.2 treads the lines between smudged-up disco, raw house and french-touch. Don’t think about that too much, just let the music work its magic… J&AG join the likes of Adesse Versions, Project Pablo and Seb Wildblood on Let’s Play House, the ever-dynamic New York label operated by Nik Mercer and Jacques Renault.
More
1
trey - I Got a Good Idea
2
trey - Smoke That Shit
3
trey - Why Does It Flow
Three raw, tough, cutting originals from a Brooklyn borough brother only known as Trey. All tracky and dynamic, blunt and deliberate, and most definitely made for clubs that exist on the fringes, in the seedier, stranger corners of the world. To be played during the small hours of the night.
More
1
st. david - Fools Jam
2
st. david - Night Lovers
3
st. david - Dream It (Emphasi Mix)
4
st. david - La Luna (Spiritual Dub)
Wrapping up the summer with a bit of a 90s throwback number by St. David, ?Fools Jam?. The EP opens with the the titual track, a crunchy, crisp deep house burner, and moves on, with “Night Lovers,” into speedier, smoother floor-filling fodder that’s all wiggling, weaving pads and synth leads. The B is a little gentler and more contemplative, but no less melodious; “Dream It (Emphasi Mix)” is a playful yet gauzy piano-led tune that serenades the listener, and “La Luna (Spiritual Dub)” is a tranquil ditty that serenely glides off into the distance. A calming, mellow conclusion to a particularly emotive 12-inch.
More
1
Keita Sano - - Long Run (Pt. 3)
2
Klubbhuset - - Omedelbar Karlek
3
Lovers - - Fresh 'N' Hot
4
Jacques Renault - - Top Billin' (BK Club Version)
The follow-up to last year’s LPHWHTD! As with the last one, this is a collection of tunes from some of our friends and folks already on the label, though these, unlike those, are 100 percent new—not one of the four has been released online or elsewhere yet. Keita Sano, Klubbhuset, Lovers (Harry Benson, formerly of Sisterhood), and Jacques Renault. Easy!
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Customers who bought this also bought this
1
Jovonn - Garage Shelter
2
Jovonn - Tribal
3
Jovonn - I Like The Way
4
Jovonn - Garage Shelter
5
Jovonn - Love Destination
Release : 18.02.2013 Special Remarks: Double EP Set with Custom Color Sleeve
Tracklist 2x12":
A. Garage Shelter
B. Love Destination
C1. I Like The Way
C2. Tribal
D. Garage Shelter (Tuff City Kids Remix)
"Garage Shelter" is an undeniable classic by living New York house legend and recent Objectivity roster addition Jovonn, it was featured on the 1994 double EP set called "Stump It EP" on Nite Stuff and is highly in demand ever since. It has been picked up during the years by high-profile DJs like Theo Parrish, Ricardo Villalobos or Efdemin and became kind of a very effective secret weapon for them. Mojuba is very happy to make this rare killer release available again for you, completely restored and remastered and packed with an addition remix by recent Ostgut Ton / Unterton artists Tuff City Kids. Gerd Janson and Phillip Lauer are taking Garage Shelter to a whole new direction, maybe satisfying even the techno heads of you, who are more into the sound of WAX, EQD or Shed these days rather than old school underground garage house! A worthy follow up release after the Tyree - Nuthin Wrong 12" in the Mojuba Underground Series!
- one of the most sought-after Jovonn releases finally reissued
- played by the likes of Theo Parrish & Ricardo Villalobos
- all four original tracks plus a cross-genre remix by the aspiring Tuff City Kids
- remastered by Redshape
More
Tracklist 2x12":
A. Garage Shelter
B. Love Destination
C1. I Like The Way
C2. Tribal
D. Garage Shelter (Tuff City Kids Remix)
"Garage Shelter" is an undeniable classic by living New York house legend and recent Objectivity roster addition Jovonn, it was featured on the 1994 double EP set called "Stump It EP" on Nite Stuff and is highly in demand ever since. It has been picked up during the years by high-profile DJs like Theo Parrish, Ricardo Villalobos or Efdemin and became kind of a very effective secret weapon for them. Mojuba is very happy to make this rare killer release available again for you, completely restored and remastered and packed with an addition remix by recent Ostgut Ton / Unterton artists Tuff City Kids. Gerd Janson and Phillip Lauer are taking Garage Shelter to a whole new direction, maybe satisfying even the techno heads of you, who are more into the sound of WAX, EQD or Shed these days rather than old school underground garage house! A worthy follow up release after the Tyree - Nuthin Wrong 12" in the Mojuba Underground Series!
- one of the most sought-after Jovonn releases finally reissued
- played by the likes of Theo Parrish & Ricardo Villalobos
- all four original tracks plus a cross-genre remix by the aspiring Tuff City Kids
- remastered by Redshape
More
1
Monolink - A. Return to Oz - Artbat Remix – 8:00
2
Monolink - B1. Father Ocean - Ben Böhmer Remix – 7:56
3
Monolink - B2. Sirens - Patrice Bäumel Remix – 7:25
2024 repress
Tracklist:
A Monlink - Return to Oz - Artbat Remix – 8:00
B1 Monolink - Father Ocean - Ben Böhmer Remix – 7:56
B2 Monolink - Sirens - Patrice Bäumel Remix – 7:25
Short Info:
Berlin’s own Steffen Linck, a multi-instrumentalist known as Monolink, announces the 12” remixes release, due June 7th via Embassy One. ARTBAT + BEN BÖHMER + PATRICE BÄUMEL + MONOLINK – no more words needed.
More
Tracklist:
A Monlink - Return to Oz - Artbat Remix – 8:00
B1 Monolink - Father Ocean - Ben Böhmer Remix – 7:56
B2 Monolink - Sirens - Patrice Bäumel Remix – 7:25
Short Info:
Berlin’s own Steffen Linck, a multi-instrumentalist known as Monolink, announces the 12” remixes release, due June 7th via Embassy One. ARTBAT + BEN BÖHMER + PATRICE BÄUMEL + MONOLINK – no more words needed.
More
1
DJ Koze - Pick Up (12" Extended Disco Version)
2
DJ Koze - The Love Truck
2023 repress
Tracklist
A. Pick Up (12" Extended Disco Version)
B. The Love Truck
DJ Koze might be one of the world's best producers, but above all he's a DJ, and it's his DJ ear that governs. Just as in a great set, so with his releases: "Seeing Aliens" came out of nowhere, a big buzzing beast of a track, to announce that Koze was back on the scene and prime everyone for the coming album, knock knock. But now that Koze has your attention, it's time to remind everyone what's most important about club music, pull things back, take a turn to the left, and get deep into the groove.
Thus "Pick Up": the second single from knock knock is 100% pure groove, doubly so in the extended 12" version. In a sense it's incredibly familiar - it is essentially a filter disco record, very close to something you could imagine coming out of Paris around the turn of the millennium. But of course, this is Koze. Nothing is normal or familiar in his world, and he's taken this most foundational of clubland staples into new territory. Flipping samples of Gladys Knight & the Pips "Neither One Of Us (Wants to Be the First to Say Goodbye)" and Melba Moore's "Pick Me Up, I'll Dance", it creates something completely airborne, shot through with emotions such as gods must feel: not quite explicable to the human mind but strong enough to knock you off your feet. In its way it's absolutely as powerful as "Seeing Aliens", but it comes in like the proverbial iron fist in a glove of velvet.
The flip, a ten-minute new track, "The Love Truck" is a big contrast again. If "Pick Up" is giddy flight, "The Love Truck" is woozy floating. Its sharp, clicking percussion recalls 2000s minimal techno, but this time absolutely nothing is generic. The long, intense, on-and-off bass tones, the flickers of birdsong, the pure voices slipping in backwards as if from the future... it's all like the most blissful dream, and culminates in a coda so subtle yet so beautiful it's like ever time you've ever seen the sun rise and thought "I never want this to end", all the while understanding deep down that the fleeting nature of the pleasure is also what give it its power. But of course, being created with that consummate DJ's ear, it's also full of the thrill of wondering what Koze has in store next.
More
Tracklist
A. Pick Up (12" Extended Disco Version)
B. The Love Truck
DJ Koze might be one of the world's best producers, but above all he's a DJ, and it's his DJ ear that governs. Just as in a great set, so with his releases: "Seeing Aliens" came out of nowhere, a big buzzing beast of a track, to announce that Koze was back on the scene and prime everyone for the coming album, knock knock. But now that Koze has your attention, it's time to remind everyone what's most important about club music, pull things back, take a turn to the left, and get deep into the groove.
Thus "Pick Up": the second single from knock knock is 100% pure groove, doubly so in the extended 12" version. In a sense it's incredibly familiar - it is essentially a filter disco record, very close to something you could imagine coming out of Paris around the turn of the millennium. But of course, this is Koze. Nothing is normal or familiar in his world, and he's taken this most foundational of clubland staples into new territory. Flipping samples of Gladys Knight & the Pips "Neither One Of Us (Wants to Be the First to Say Goodbye)" and Melba Moore's "Pick Me Up, I'll Dance", it creates something completely airborne, shot through with emotions such as gods must feel: not quite explicable to the human mind but strong enough to knock you off your feet. In its way it's absolutely as powerful as "Seeing Aliens", but it comes in like the proverbial iron fist in a glove of velvet.
The flip, a ten-minute new track, "The Love Truck" is a big contrast again. If "Pick Up" is giddy flight, "The Love Truck" is woozy floating. Its sharp, clicking percussion recalls 2000s minimal techno, but this time absolutely nothing is generic. The long, intense, on-and-off bass tones, the flickers of birdsong, the pure voices slipping in backwards as if from the future... it's all like the most blissful dream, and culminates in a coda so subtle yet so beautiful it's like ever time you've ever seen the sun rise and thought "I never want this to end", all the while understanding deep down that the fleeting nature of the pleasure is also what give it its power. But of course, being created with that consummate DJ's ear, it's also full of the thrill of wondering what Koze has in store next.
More
1
Sven Weisemann - Untitled A1
2
Sven Weisemann - Untitled A2
3
Sven Weisemann - Untitled A3
4
Sven Weisemann - Untitled B1
5
Sven Weisemann - Untitled B2
6
Sven Weisemann - Untitled B3
NON RETOURNABLE!
Special remarks:
limited 12" vinyl in screen-printed cover
Genre: Tech House, House, Deep House
Tracklist 12":
A1
A2
A3
B1
B2
B3
Short Info:
Long awaited 2nd part of Sven Weisemann's Limerence ToolZ series is here to jack your body and causing swinging motions while stirring up dance floors, enjoy!
Vital Sales Points:
(add some important short facts as below)
- limited edition
- collectable hand screen-printed cover
More
Special remarks:
limited 12" vinyl in screen-printed cover
Genre: Tech House, House, Deep House
Tracklist 12":
A1
A2
A3
B1
B2
B3
Short Info:
Long awaited 2nd part of Sven Weisemann's Limerence ToolZ series is here to jack your body and causing swinging motions while stirring up dance floors, enjoy!
Vital Sales Points:
(add some important short facts as below)
- limited edition
- collectable hand screen-printed cover
More
1
Mike Huckaby - The Tresor Track 06:24
2
Mike Huckaby - Basement Trax 05:36
3
Mike Huckaby - The Upstairs Lounge 06:01
Territories: WORLD minus UK and US
2023 Repress
FORMAT 12", dl card
TRACKLIST
A1 The Tresor Track 06:24
B1 Basement Trax 05:36
B2 The Upstairs Lounge 06:01
Release Info:
Following the club and label’s 20th anniversary back in 2011, Tresor memorialised its two decades of existence with an exclusive
mix from one of its esteemed Detroit connections, Mike Huckaby. On that mix, Mike Huckaby included an exclusive production of
his, the first one to be released on Tresor Records.
Today, Tresor is proud to announce the repress of the ‘The Tresor Track’ on wax, making up for a massive A-side cut at 45 RPM.
This title is on its way to stand along with the label’s most important classics, a genuine anthem for the Berlin techno institute.
On the flip, Mike Huckaby goes for a stroll through the Tresor building, heading downstairs, exploring the room’s darker and more
twisted corners with ‘Basement Trax’, going back towards ‘The Upstairs Lounge’ and surprising his audience with some original
rhythmic patterns. The Tresor EP is a statement, a seal manifesting for a fruitful and long-lasting collaboration between Mike
Huckaby and Tresor.
"I try to create a vibe, feeling or idea that could create a vicarious expression. Often, this is derived from many of my personal
clubbing experiences. I have a permanent snapshot in my mind from the vibe I remember at the Music Institute in Detroit, or the
Shelter in NYC. So I vibe o of that quite often. In terms of house, it's usually based around strong chord progressions, and very
colorful and expressive sounds. For techno, it can be a mixture of both, or purely abrasive and dance floor driven.
Music is reciprocal. I have coined or phrased a term called "the reciprocal relationship" in music. The reciprocal relationship in
music demonstrates that tones excite chords, and chords excite tones. Here's an example to further elaborate on that: A chord
can invoke a specific feeling within the listener. But the strength or degree in which a feeling is invoked within the listener has a
lot to do with the notes or chord progression that is played upon a specific tone or patch.” Mike Huckaby, 2010.
In loving memory of one of the greatest. More
2023 Repress
FORMAT 12", dl card
TRACKLIST
A1 The Tresor Track 06:24
B1 Basement Trax 05:36
B2 The Upstairs Lounge 06:01
Release Info:
Following the club and label’s 20th anniversary back in 2011, Tresor memorialised its two decades of existence with an exclusive
mix from one of its esteemed Detroit connections, Mike Huckaby. On that mix, Mike Huckaby included an exclusive production of
his, the first one to be released on Tresor Records.
Today, Tresor is proud to announce the repress of the ‘The Tresor Track’ on wax, making up for a massive A-side cut at 45 RPM.
This title is on its way to stand along with the label’s most important classics, a genuine anthem for the Berlin techno institute.
On the flip, Mike Huckaby goes for a stroll through the Tresor building, heading downstairs, exploring the room’s darker and more
twisted corners with ‘Basement Trax’, going back towards ‘The Upstairs Lounge’ and surprising his audience with some original
rhythmic patterns. The Tresor EP is a statement, a seal manifesting for a fruitful and long-lasting collaboration between Mike
Huckaby and Tresor.
"I try to create a vibe, feeling or idea that could create a vicarious expression. Often, this is derived from many of my personal
clubbing experiences. I have a permanent snapshot in my mind from the vibe I remember at the Music Institute in Detroit, or the
Shelter in NYC. So I vibe o of that quite often. In terms of house, it's usually based around strong chord progressions, and very
colorful and expressive sounds. For techno, it can be a mixture of both, or purely abrasive and dance floor driven.
Music is reciprocal. I have coined or phrased a term called "the reciprocal relationship" in music. The reciprocal relationship in
music demonstrates that tones excite chords, and chords excite tones. Here's an example to further elaborate on that: A chord
can invoke a specific feeling within the listener. But the strength or degree in which a feeling is invoked within the listener has a
lot to do with the notes or chord progression that is played upon a specific tone or patch.” Mike Huckaby, 2010.
In loving memory of one of the greatest. More
1
Louwave & Splinter (UA) - A1. Baby, Let's Vibe
2
Louwave & Splinter (UA) - A2. Different Souls
3
Louwave & Splinter (UA) - B1. To Be Continued
4
Louwave & Splinter (UA) - B2. Doom Drummer
12"
vinyl runs inside-out, 180g special cut, full color sleeve
2. GENRE/S:
Techno, tribal techno
3. TRACKLISTS:
A1. Baby, Let's Vibe
A2. Different Souls
B1. To Be Continued
B2. Doom Drummer
4. SHORT INFO:
Ukrainian record label NECHTO introduces a new design concept with the upcoming release NECH022 by Louwave & Splinter (UA). Founded by the illustrious DJ NASTIA, NECHTO has been a torchbearer for authentic dance music. This fresh design is a testament to the imprint's commitment to evolving while staying true to the core values of the dance music community. From its very beginning, Splinter (UA) has played a pivotal role within the label by joining label nights, producing the third EP and making notable appearances on both volumes of the 'Scary Beautiful' compilation. Following his relocation from Odessa to Lviv, he embarked on a collaborative studio venture with Louwave, ultimately giving rise to their joint release. Louwave and Splinter (UA) are no strangers to the electronic music realm, each boasting over 15 years of experience in their individual careers. Their live performances stand out with their ability to connect with the audience, turning each live show into an immersive experience. The upcoming EP skillfully blends classic techno elements with tribal groove aesthetics, resulting in a sonic landscape that tugs at emotions and entices dance floors alike.
5. VITAL SALES POINTS:
small pressing 150 copies
full color sleeve
inside-out cut on 180g vinyl
label run by Ukrainian DJ Nastia
supporting and presenting Ukrainian artists
More
vinyl runs inside-out, 180g special cut, full color sleeve
2. GENRE/S:
Techno, tribal techno
3. TRACKLISTS:
A1. Baby, Let's Vibe
A2. Different Souls
B1. To Be Continued
B2. Doom Drummer
4. SHORT INFO:
Ukrainian record label NECHTO introduces a new design concept with the upcoming release NECH022 by Louwave & Splinter (UA). Founded by the illustrious DJ NASTIA, NECHTO has been a torchbearer for authentic dance music. This fresh design is a testament to the imprint's commitment to evolving while staying true to the core values of the dance music community. From its very beginning, Splinter (UA) has played a pivotal role within the label by joining label nights, producing the third EP and making notable appearances on both volumes of the 'Scary Beautiful' compilation. Following his relocation from Odessa to Lviv, he embarked on a collaborative studio venture with Louwave, ultimately giving rise to their joint release. Louwave and Splinter (UA) are no strangers to the electronic music realm, each boasting over 15 years of experience in their individual careers. Their live performances stand out with their ability to connect with the audience, turning each live show into an immersive experience. The upcoming EP skillfully blends classic techno elements with tribal groove aesthetics, resulting in a sonic landscape that tugs at emotions and entices dance floors alike.
5. VITAL SALES POINTS:
small pressing 150 copies
full color sleeve
inside-out cut on 180g vinyl
label run by Ukrainian DJ Nastia
supporting and presenting Ukrainian artists
More
1
winx - Don't Laugh (Live Raw Mix)
2
winx - Don't Laugh (Accapella)
3
winx - Don't Laugh (Richie Hawtin Remix)
A heavyweight classic! 'Don't Laugh' is one of those records, you know you've heard it, you may not who, what or where, but you know it! The original Winx mix is a classic, often imitated, never bettered, but the real gem here is Richie Hawtin's manic, almost borderline sinister 15+ minute reworking. Monster doesn't do it justice, tweaked out, narcotic, minimalist jacking gear. A dope combination of severe LOW end and some bracing sine waves that cut straight through. This one will surely test any club sound-system, if the venue is built for it you will know! This is one for the real heads, pure late night business oft overlooked for the more famous A-side, but trust us - Hawtin's mix will smash any dance! Oh, and there's an insane laughing acappella for those who want to mix and blend! Reissued, remastered and re-sorted for 2017 by Above Board Records with the full involvement of Nervous Records NYC.
More
1
Vintage Culture & Sonny Fodera - - Nightjar ft. SHELLS
2
Vintage Culture & Sonny Fodera - - Nightjar ft. SHELLS (Riva Starr Bassbin Remix)
3
Louie Vega & The Martinez Brothers with - Let It Go (Vintage Culture Remix )
4
Vintage Culture - - It Is What It Is ft. Elise Legrow (Vintage Culture VIP Mix)
The fourteenth edition of Defected’s vinyl series continues to commit the label’s biggest digital releases to wax, delivering some of the best house music previously unavailable on vinyl. This special release celebrates all things Vintage Culture, who over the past ten years has established himself as an international powerhouse, reaching #11 in DJ MAG’s 2022 Top 100 DJs. The A-side of this four-track EP features two versions of his 2022 hit ‘Nightjar’. First up is the original collaboration with Australian house producer Sonny Fodera featuring vocalist SHELLS, followed by the Bassbin Remix by Italian producer and SNATCH! Records owner Riva Starr. Both versions of ‘Nightjar’ have universal appeal thanks to the diversity of its collaborators. A Vintage Culture collection would not be complete without some signature remixes; the B-side opens with his version of ‘Let It Go’ by Louie Vega & The Martinez Brothers with Marc E. Bassy. This is followed by a VIP remix of ‘It Is What It Is’, one of the DJ’s infectious original tracks and Defected debut featuring Canadian talent Elise LeGrow.
More
1
A'Studio ft. Polina - - SOS (Skylark Remix - Nic Fanciulli Edit)
2
Tensnake - - Coma Cat (Chloe´ Caillet Remix)
3
Harry Romero - - Revolution (House Masters Edit)
4
Prunk & Rona Ray - - Keep It Simple
Defected’s vinyl series continues to commit the label’s biggest digital releases to wax, delivering the best house music previously unavailable on vinyl. This seventeenth edition collates four unmissable releases from the first half of 2023. Opening the compilation, Grammy nominated producer and Saved Records boss Nic Fanciulli revisits his Skylark alias remix of ‘SOS’ by A’Studio featuring Polina, maintaining the bouncy, rolling feel of the original and taking dancers late into the night. Next up, BBC Radio 1 Dance Future Star and one of DJ Mag's artists to watch for 2023, Parisian DJ and producer Chloé Caillet remixes a record box essential, bringing her busy French touch and disco-inspired sound to Tensnake's iconic 'Coma Cat'. On the B-Side is the humble House Master Harry Romero’s update of 'Revolution', a powerful, modern Jersey jam, layering a familiar vocal loop over tight percussion. Closing out this massive collection is the highly anticipated Defected debut from founder of esteemed Amsterdam label PIV; Prunk showcases his signature addictive grooves on ‘Keep It Simple’, with Poland based Rona Ray on vocal duties.
More
1
Masters At Work - Boyd's Jam (On The Organ Mix)
2
Masters At Work - Boyd's Jam (MAW Synth Dub)
3
Masters At Work - Boyd's Jam (MAW Zipper Beats)
MAW Records release the next tracks in line from the Maw Lost Tapes digging saga by Masters At Work. This release entails the story of a special studio session by one of the NY House Pioneers who brought you 'The Music's Got Me' by Visual along with his partner Timmy Regisford back in 1982. His name is Boyd Jarvis (RIP), a keyboard genius, also one of the early creators of this unique sound. Masters At Work had only a few rare sessions in the early 90s with Boyd and the outcome are some of these stunning outtakes on 'Boyd's Jam' produced by MAW. Driven by the Zipper sound and swinging house KD beats in MAW style, the Boyd bassline carries the tune in the pocket groove with LV chords bringing atmosphere and mood. Then comes the Boyd magic with his organ solo ripping through the hypnotic groove. This one is classic Masters At Work taken from the early 91-92 sessions, it's as authentic as can be.
More
Label:Tresor Records / BMG
Cat-No:TRESOR313EP1
Release-Date:13.10.2023
Genre:Techno
Configuration:12" Excl
Label:Tresor Records / BMG
Cat-No:TRESOR313EP1
Release-Date:13.10.2023
Genre:Techno
Configuration:12" Excl
1
Cybotron - Maintain 04:56
2
Cybotron - The Golden Ratio (Version) 04:43
Territory: WORLD
FORMAT 12” 180g vinyl, printed labels,
A4 printed inlay 170gsm, dl code,
black innersleeve, white outersleeve
TRACKLIST
A. Maintain 04:56
B. The Golden Ratio (Version) 04:43
INFO
Cybotron has re-emerged in our contemporary cybercultural age when artifactual futures begin a transition into a new era of
"Meta".
By combining their knowledge of philosophy, science fiction, and mechanical engineering, at a time when electronic instrument
companies were only just beginning to distribute their products to the masses, two prosumer audio technicians named Juan
Atkins and Rik Davis were able to re-engineer Cybotron – a combination of the words “Cyborg” and “Cyclotron” (an atomic
particle accelerator) – to be used as a home studio performance music that would change the course of independently produced
and distributed electronic music.
Dissolving the boundary between singer, songwriter, and producer, Juan Atkins named Cybotron’s future forward funkadelic
sound “techno” in reference to Alvin To ler’s concept of unlikely “techno rebels” against technocracy. Techno is music that
sounds like technology, and its purpose was to help society survive our collision with a universally felt “future shock” by inserting
an audio virus into the cultural matrix.
Techno’s blueprint spread across the Detroit-Berlin Axis between Metroplex and Tresor. As human society began its transition
from a post-industrial to an information-based market economy, Cybotron enabled a thorough system override of the human
senses towards a tangible man-machine hybridity and showed the world how to channel their emotions and imaginations into
new sound technologies and create new ‘sonic’ spatialities where listeners can transport themselves out of the physical world
into the future. The cover of their debut album Enter (1983) transmitted a fragmented view of a body in motion being digitized
mid-stride, dissolving physical and virtual reality into sonic fiction.
Today, the man-machine hybridity of Cybotron is still the truest form of techno, coevolving in conversation with the technological music they created and inspired. The latest data disk marks a new chapter that reflects a techgnostic musical expression of
the knowledge acquired during their decades-long hiatus. Unlike the dance music industrial replications of the Model 500
formula, acknowledging the content marketing expectations that segments music into specific, sellable genres, this techno
music is self-aware. Cybotron processes dance music tropes spawned from its very own blueprint with a meta-tactical precision
out of sync with our current rave new world.
Cybotron’s return demonstrates a studied engagement with what techno was and should be with a peerless update of Juan
Atkins’ initial inventive idea of do-it-yourself electrically reengineered music xeroxed onto both sides of the 12” – uploaded
directly into the alleys of your mind.
- The Rhythmanalyst
More
FORMAT 12” 180g vinyl, printed labels,
A4 printed inlay 170gsm, dl code,
black innersleeve, white outersleeve
TRACKLIST
A. Maintain 04:56
B. The Golden Ratio (Version) 04:43
INFO
Cybotron has re-emerged in our contemporary cybercultural age when artifactual futures begin a transition into a new era of
"Meta".
By combining their knowledge of philosophy, science fiction, and mechanical engineering, at a time when electronic instrument
companies were only just beginning to distribute their products to the masses, two prosumer audio technicians named Juan
Atkins and Rik Davis were able to re-engineer Cybotron – a combination of the words “Cyborg” and “Cyclotron” (an atomic
particle accelerator) – to be used as a home studio performance music that would change the course of independently produced
and distributed electronic music.
Dissolving the boundary between singer, songwriter, and producer, Juan Atkins named Cybotron’s future forward funkadelic
sound “techno” in reference to Alvin To ler’s concept of unlikely “techno rebels” against technocracy. Techno is music that
sounds like technology, and its purpose was to help society survive our collision with a universally felt “future shock” by inserting
an audio virus into the cultural matrix.
Techno’s blueprint spread across the Detroit-Berlin Axis between Metroplex and Tresor. As human society began its transition
from a post-industrial to an information-based market economy, Cybotron enabled a thorough system override of the human
senses towards a tangible man-machine hybridity and showed the world how to channel their emotions and imaginations into
new sound technologies and create new ‘sonic’ spatialities where listeners can transport themselves out of the physical world
into the future. The cover of their debut album Enter (1983) transmitted a fragmented view of a body in motion being digitized
mid-stride, dissolving physical and virtual reality into sonic fiction.
Today, the man-machine hybridity of Cybotron is still the truest form of techno, coevolving in conversation with the technological music they created and inspired. The latest data disk marks a new chapter that reflects a techgnostic musical expression of
the knowledge acquired during their decades-long hiatus. Unlike the dance music industrial replications of the Model 500
formula, acknowledging the content marketing expectations that segments music into specific, sellable genres, this techno
music is self-aware. Cybotron processes dance music tropes spawned from its very own blueprint with a meta-tactical precision
out of sync with our current rave new world.
Cybotron’s return demonstrates a studied engagement with what techno was and should be with a peerless update of Juan
Atkins’ initial inventive idea of do-it-yourself electrically reengineered music xeroxed onto both sides of the 12” – uploaded
directly into the alleys of your mind.
- The Rhythmanalyst
More
1
Masters At Work - Funky Anane´ (MAW Jazz Dub)
2
Masters At Work - MAW Want You
Maw Records continues to unleash Maw Lost Tapes for all Maw & Kenlou fans & enthusiats. Funky Anane’ brings forth the genius Kenny Dope layered,thick beats, syncopated snares, long with thumpin’ kicks and snaps to compliment te Louie Vega walking bassline and deep organ / clarinet sounds playing chords. From the archives we pulled this track out noticing the new parts never heard along with the vocal sample which was actually Anane’s first time in the studio with Masters At Work behind the mic back in 96’. Maw Want You is a early signature Maw groove which has inspired many house producers to pull from that vibe. Just a little Maw reminder of these timelss tracks now ready for the next generation to appreciate and play out!
More