St. David makes his debut on NYC label Body N'Deep, with a solid EP demonstrating why this producer is so in demand right now with 4 tracks of quality deep house. This 12" release comes with remixes from label head honcho Jovonn on 'The Message' and a cosmic space funk remix on 'Wet Dreams'! Tip!

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We're glad to welcome St. David in the Groovin new releases series. Davide Disanto aka St. David is dj , producer and musician born in Bari, Italy in the early 90's. His production style is groovy and heavy stomping with classic drums, disco jazz samples and old school Akai Mpc rhythms which perfectly define his classic house signature.

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ONLY ONE MUSIC presents St. David - Poetry & Rhythm EP
A timeless beauty which will be available end of August.
Highly recommended!

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The St. David Jam trilogy is complete! Once again, the Italian producer plunges into the depths of his music mine, chisels out a few rough gems, and polishes them off until the glinting diamonds beneath are exposed. As advertised, this EP is disco through and through. “Sexy Funk '98” is a slinky shuffler that gets the engine running and “I Got the Music” is a schmaltzy twirler that settles the party squarely under the mirror ball. The reverse is both more feisty and laid back. It starts with “Where U Move,” a lighter number with a hint of tropical rhythms and beachy sunniness. With “The Connection,” the 12-inch comes to a joyous conclusion; the sampled crowd cheers and jeers sound like a dance floor begging for an encore at the end of a long night.

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A second helping of dance floor ammo from the Italian deep house classicist St. David. Almost exactly a year ago, we released his LPH debut, Fools Jam, and now we're back with a new trio of tunes that finds our friend once again embracing his enthusiasm for and celebrating old-school New York house pioneers like Todd Terry, Kenny “Dope,” and all other devotees of the MPC.
Need we say more?

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Keep Your Mind Alive is the LPH debut for Rydm Sectors, an Italian duo that bridges classic New York house and UK garage and lightens the resultant hybrid with well-placed sparkly synth work, jazzy drum fills, swanky piano licks. Nightclub music that’s been genetically modified to be just as functional and fun there as it is laying on a breezy beach, soft white sand your pillow, crashing high-tide waves reminder of the nature around you.

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Four tracks sure to get some antifreeze in your veins, prevent you from turning to a brick of ice during this brutal winter. Philip Budny is a Berlin-based producer who’s making his LPH debut here with Somnambulism, an easy, buoyant grip of tracks that’ll lift your heart to the heavens as they keep your feet shuffling. Starry-eyed house. Packaged in a custom graph paper sleeve.

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Nutcracker. We concluded 2018 with a gentle bed of ethereal, chilly ambient so we could rocket into 2019 with something especially loud, brash, pummeling. Here is ?Lights Out?, a four-track EP by Viers, a.k.a. LK, proprietor of Hokkaido Dance Club and purveyor of surgically-precise, brutal techno, riotous electro, jacked house. If this doesn’t wake you up, nothing will.

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Summertime funtime courtesy of... someone from somewhere. Who know? “Liwando” is Madchester rave culture with a disco underbelly and a bongo and conga fervor. Jacques Renault’s mix somehow manages to cram a few more sticks of dynamite into the mix, beefing up the funkiness quotient (that bass!) and embellishing the breakdowns (that horn!) “Didn’t I (Acid Version)” is definitely the afterward to “Liwando,” a joyous, soaring encore that has, yes, a touch of acid folded in.

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Keita Sano returns to Let’s Play House with another album, the physical iteration of which we’re presenting as two separately-packed 12-inch EPs. First is Kubo, a sharp and cutting collection of four house ditties that are equal parts eccentrically off-kilter and warmly welcoming, esoterically out there and remarkably familiar, in a way only Sano can pull off.

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With Totsu , we complete our two-part Keita Sano album. This one, like Kubo before, is a fiery maelstrom of house and disco dance floor destruction that has a dusting of that impossible-to-place Keita Sano absurdity. A magnetic sprint through MPC-fueled workouts, trance-y space-outs, and loopy hypnotizers. Together, Kubo and Totsu make up O¯totsu , an eight-track long-player that will be made available as a digital release as well as a special limited-edition vinyl double-pack

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Lost Loops & Broken Tapes Vol.2 treads the lines between smudged-up disco, raw house and french-touch. Don’t think about that too much, just let the music work its magic… J&AG join the likes of Adesse Versions, Project Pablo and Seb Wildblood on Let’s Play House, the ever-dynamic New York label operated by Nik Mercer and Jacques Renault.

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Three raw, tough, cutting originals from a Brooklyn borough brother only known as Trey. All tracky and dynamic, blunt and deliberate, and most definitely made for clubs that exist on the fringes, in the seedier, stranger corners of the world. To be played during the small hours of the night.

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The follow-up to last year’s LPHWHTD! As with the last one, this is a collection of tunes from some of our friends and folks already on the label, though these, unlike those, are 100 percent new—not one of the four has been released online or elsewhere yet. Keita Sano, Klubbhuset, Lovers (Harry Benson, formerly of Sisterhood), and Jacques Renault. Easy!

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Who is Chocki Hookon? You probably know him/her/them, but don’t preoccupy yourself with trying to figure out the mystery. Where’s the fun in that!? These tracks were made to make you dance and that’s all you really need to know. Two originals, two remixes by LPH co­head, Jacques Renault. Limited­edition/vinyl­only release

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