The inaugural chapter of a two-part epic. Get ready for an eclectic and unique modern twist fusion of proto- EBM, New Beat, Electro, Rave Breaks and early UK house, weaving together a tapestry of diverse influences. Experience the raw energy pulsating through potent basslines, driving each track forward with unstoppable force. Meanwhile, deep and thought-provoking lyrical voice samples captivate the mind, inviting listeners to ponder existential questions and explore the depths of consciousness and creating innovative soundscapes leaving an indelible mark on the listener’s psyche. Presented in ONE-OFF truly limited edition of 300 copies lacquered pressed on 180 gr. high quality solid MAGENTA vinyl. All tracks have been specially mastered for vinyl by Daniel Hallhuber at Young and Cold Studios (Germany).

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Out of the Krishna-core punk scene of Buenos Aires and into the rave underground, Candido's debut LP on Natural Sciences Recs "La Muerte de Occidente" (death to the western world) has club culture in it's cross-hairs, with eight tracks of crushing jakbeat, industrial and freestyle stabs around an Eastern spiritual mindset. The first Krishna house LP? You be the judge

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Candido Cameron was a Cuban percussion maestro who had played with luminaries such as Dizzy Gillespie, Buddy Rich and Count Basie throughout his illustrious musical career which started in 1952. Fast forward to 1979 and Candido finds himself caught up in the Disco boom that had engulfed his adopted New York City. Feeling he could add his trademark quick-fire Conga and Bongo playing to Disco's straight 4 x 4 syncopated rhythm he cut some records with legendary NYC label Salsoul. The fruits of this partnership were 2 full length LP's and a handful of 12" singles that changed the face of underground Disco. The first of these two LP's made for Salsoul was the truly epic "Dancin' & Prancin" containing the all time classic "Jingo" which has been sampled, edited, re-configured and coveted by too many names to mention! It's a killer funky Disco version of master Nigerian drummer Olatunji's 1969 percussion suite of the same name, Salsoul style. The LP also contains one of the deepest Disco records of all time; "Thousand Finger Man" a testament to Candido's percussion prowess and a spacey, beautiful voyage that has left more than an indelible mark on modern House music, often being cited as a huge influence by artists such as Masters At Work and more. This new re issue contains all 4 tracks from the original LP plus this new expanded edition contains lost rarities and extended versions of "Jingo" and "Thousand Finger Man". All fully re mastered for 2015 and re released in conjunction with Salsoul.

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After his previously successful outings with Vol. 1 & 2, Nicolas Laugier aka The Reflex is back with the third instalment of his Revisions series of Salsoul catalogue classics. Adding his familiar touch to update the labels renowned disco hits, there’s four tracks to choose from - all with that unique The Reflex flavour. Gaz’s “Sing Sing” and Edwin Birdsong’s “Win Tonight” get the Revision treatment while Rafael Cameron makes a double appearance, with a fresh version of “All That’s Good To Me” and a Cosmic Dub Revision of “Boogie’s Gonna Get Ya”. With three volumes under his belt, if there’s one person who can be trusted with the legendary Salsoul vault it’s The Reflex.

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French producer and remixer Nicolas Laugier aka The Reflex is a name synonymous with supreme remixes and reimaginings of disco, soul, funk and dance classics. This brand new and essential double-pack sees Laugier take on some of the immense Salsoul catalogue, lovingly reworking classics alongside deep digs from the seminal NYC disco labels vaults. There's something for every dancefloor occasion here with Inner Life, Metropolis, Leroy Burgess and Aurra all getting The Reflex touch. These new versions are more than just re-edits, these are proper remixes utilising master stems, session tapes and the original spirit of these incredible recordings. It's no wonder The Reflex's 'revisions' have found themselves in the hands of tastemakers, DJs and hardcore record fiends alike! You need these.... These brand new mixes have been mastered with love, care and respect for Salsoul / BMG. Artwork and design courtesy of Al Kent / Million Dollar Disco. Worldwide manufacture and distribution courtesy of Above Board distribution, 2021.

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Dutch duo Lars Dales and Maarten Smeets, better known as Dam Swindle, are the latest in a line of decorated contemporary producers taking on rework duties for legendary New York disco label, Salsoul Records. Comprised of four tracks split into two volumes, the pair provide fresh takes on a number of Salsoul hits, including the classic ‘Let No Man Put Asunder’ by First Choice and Double Exposure’s ‘Everyman’. There’s some funky edits of tracks by Kebekelektrik and Kongas, wrapping up an essential Reworks package courtesy of one dance music’s premier acts. TRACK LISTING: A Double Exposure - Everyman (Dam Swindle Remix), B Kongas - Kongas Fun (Dam Swindle Edit)

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Dutch duo Lars Dales and Maarten Smeets, better known as Dam Swindle, are the latest in a line of decorated contemporary producers taking on rework duties for legendary New York disco label, Salsoul Records. Comprised of four tracks split into two volumes, the pair provide fresh takes on a number of Salsoul hits, including the classic ‘Let No Man Put Asunder’ by First Choice and Double Exposure’s ‘Everyman’. There’s some funky edits of tracks by Kebekelektrik and Kongas, wrapping up an essential Reworks package courtesy of one dance music’s premier acts.TRACK LISTING: A First Choice - Let No Man Put Asunder (Dam Swindle Remix), B Kebekelektrik - War Dance (Dam Swindle Edit)

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Italian Disco remixer extraordinaire Moplen is back at the controls with a super sublime reworking of a wonderful and rare early 80's Leroy Burgess jam from the Salsoul vaults. 'Heartbreaker' is an underground classic, seeing Burgess back in the studio with longtime collaborator Sonny T. Davenport and Kiss FM mastermixer and producer Shep Pettibone on mixing duties. A tight and flawless early 80's production sensibility and the incredible vocal arrangements and lyrical performance of Leroy Burgess make this one a definite essential in any DJ's box. This is the real deal. If you dig that post-Disco electronic sound this one is for you, simply perfect in every way and quite tough to track down these days in its original form with copies reaching high figures on the second hand market. Needless to say, Moplen injects his own personal style into his remix and adds his unique flair creating an essential new version of this classic on the B-side. Always understanding, respectful and fresh, Moplen pumps 'Heartbreaker' in all the best ways, crafting a drum and bass heavy DJ version and new arrangement that you will be hearing for many years to come! Disco bliss. This remix and reissue is 100% supported by Leroy Burgess, who dug Moplen's new vision of this 1983 classic. Fully licensed, sanctioned and released by Above Board distribution and Salsoul Records, 2020. Accept no imitations! TRACK LISTING: A. Heartbreaker (Original Shep Pettibone 12" Mix), B. Heartbreaker (Moplen Remix)

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UK born, Australia based DJ & producer Dr Packer, who has garnered worldwide praise and acclaim for his soul, funk and disco edits, gives the Rework treatment to no less than four cuts from the legendary Salsoul Records back catalogue. Disco diva Loleatta Holloway and her mega-hit ‘Runaway’ is updated with a 2020 groove that maintains all the character and uplift of the soul drenched original. Rafael Cameron’s ‘Let’s Get It Off’ is a heavy slice of funk, with Cameron’s powerful gruff vocal front and centre over riffs and strings. Next is Ripple’s ‘The Beat Goes On’ – a shimmering, uptempo disco cut where Dr Packer really exhibits the sound and vibe 70’s dancefloors for contemporary ears while in-house collective The Salsoul Orchestra get ‘You’re Just The Right Size’ reworked: the lush percussive beats and elegant orchestral work are brightened up and who can resist that sultry vocal hook? Dr Packer once again reworks his magic to perfection.
TRACK LISTING. A1. Loleatta Holloway - Runaway (Dr Packer Rework), A2. Rafael Cameron - Let's Get It Off (Dr Packer Rework), B1. Ripple - The Beat Goes On & On (Dr Packer Rework), B2. The Salsoul Orchestra - You're Just The Right Size (Dr Packer Rework)


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Salsoul opens the vaults once more to today's top editors and remixers. This incredible 12" sees those PBR Streetgang dudes take the reigns to great effect. Digging in the vaults for those lesser spotted gems, the PBR crew have tweaked up 2 absolute Tom Moulton related killers here for our enjoyment. Side A is a finely tuned, lovingly fondled version of David Christie's LP cut 'Back Fire' from 1978. A sleazy, almost Euro feeling good timer that does the biz. On the flip, is the Destroyers mammoth 'Lectric Love', another lowdown cruiser of a track, nice cosmic FX and leather vibes for the late night prowl! Both edits are brilliantly done, and with a knowing and respectful nod too, one for the heads right her

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Salsoul opens the vaults once more to today's top editors and remixers. This incredible 12" sees Italian maestro Moplen take the reigns. Side A sees Skyy's 'Here's To You' getting some serious boogie love from remix powerhouse Moplen. 2 absolutely essential reworks of this massive garage classic are featured, both vocal & dub mixes for the Salsoul hardcore. Over on side B is Salsoul Orchestra's 'Ooh I love It', again blessed by the Moplen magic, always adding something to the mix in a respectful and knowledgable way, offering up breathtaking contemporary versions of the classics.

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DJ Pope from Chicago has remixed Love Thang by Iconic Salsoul Records girl group First Choice. Lead singer Rochelle Flemming is still touring internationally and singing the groups classics that have stood the test of time, Love Thang being one of them. DJ Pope has made a mark in the soulful house scene and brings his skills to this record for release on Salsoul Records. Featuring funky saxophones, the remix offers a contemporary, progressive take on the original that is sure to get dancefloors moving this summer.

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Some slamming 1978 Disco HEAT from the Salsoul stable! 'Pass The Buck' is a very popular LP cut from the group's sole long player 'Law & Order', naturally any Tom Moulton mix from that period is well worth your ears and your time if you consider yourself a Disco lover, the man's hands were all over a ton of classics and he had the magic touch for real. 'Pass The Buck' has all the hallmarks of the bombastic 'Philly Sound', arranged by the legendary Ron 'Have mercy' Kersey and his team and mixed by Moulton, this blast of FUNK opens side B of said long player. Mysteriously never released as a 12", this is one TM mix that really benefits from a nice loud pressing as it is presented here on this special RSD 19 12" reissue. That's not all, throw in a super, extended, cosmically overdubbed and tweaked re-edit from NYC's master of such disciplines - Joe Claussell - and we're talking some serious business, right? Well, that's what you get on this special limited release, the full 9+ minutes of Joe's very special reinterpretation, this one's all killer and no filler. Spiritual Discofied-Funk straight outta NYC for your enjoyment! Fully licensed, sanctioned and released by Above Board distribution and Salsoul Records. Accept no imitations!

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Walter Gibbons, a true master of the mix, a disco legend, a pioneer of dance music. There's literally very few who can lay claim to progressing the artform of studio mixing and technique than the late Gibbons. His contribution to contemporary music cannot be understated, first as a DJ where his drum laced experimentation captured the ears and minds of his peers and the dancers, then later as a mixer and studio genius where he continued on his quest. Often fixated on the percussion and breaks within records his versions would often dive into spaced out, dubby and stripped back territory that very few of his peers were even contemplating at that time, fervently reconstructing the tracks themselves and often the time, space and dancefloor within which the record was being played. A true original, Gibbons was behind many of the 'definitive' versions of the classics, his unique style often catapulting records that were just fine in their original form into brand new colourful, cosmic interpretations that flourished sonically and rhythmically with brand new sounds that bristled with vision. Salsoul Records thought a well programmed and thought out retrospective of this legends output was in order and this incredible collection of tracks is where we find ourselves. A stellar compilation across 2 heavyweight slabs of wax featuring of some of Gibbons' finest works. Included you'll find genre defining cuts like his mixes of Double Exposure, Loleatta Holloway, Love Committee, First Choice and many more.

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Salsoul and Italy's Sounds Familiar collective coming together is like a Sunday lunch where generations of friends and family cook together. The food of our grandmothers and forefathers getting a fresh new spin as their children come of age and return to the family home. Featuring a stellar array of internationally renowned underground diggers, DJ's, producers and remixers including DJ Spinna, Mark Grusane, GE-OLOGY, Twice & Volcov, Kai Alce and Specter, this special collaborative release shines a light on the deep corners of the Salsoul catalogue, lovingly reworked for 2018's discotheques by those who know, feel and understand the label, the dancefloor and respecting traditions while adding something a little bit different and a little bit new. Even when it’s a little bit different, it still Sounds Familiar.

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A true rarity from Salsoul's vast archive here, one for the bonafide boogie heads out there. This has gotta be one of the rarest Surface records in existence, 3 cuts of that amazing early 80's funk that only Surface can do! A licensed late 90's pressing of this particular EP became highly sought after and has since been impossible to track down for even the most dedicated diggers. 3 full length jams presented here, including a wondrous mix from the legendary Shep Pettibone of the classic 'Falling In Love', also included are the previously unreleased 'Stop Holding Back' and 'When Your X Wants You Back'. This whole record is pure heat, one for the aficionados. Properly licensed, wonderfully remastered and reissued for the dancefloor! You're not gonna find a more solid, well rounded example of that killer post-disco, electronic funk than this collection of cuts. Essential. Snoozing not advised!

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Legendary Australian Disco-fiend Late Nite Tuff Guy turns up the heat on the equally legendary Salsoul Records with 3 absolutely stellar reworks of some bonafide classics. Somehow, LNTG manages to tweak these old-school recordings and injects a thoroughly contemporary edge into them, making them sound brand new. Featured here are 3 stone cold Salsoul monsters, all respectfully handled and edited with care - First Choice's uber-classic 'Doctor Love' & 'Love Having You Around' (penned by Stevie Wonder & his then wife Syreeta, no less!) and Double Exposure's anthemic 'Everyman' all go under the knife in the best possible way! Beautifully mastered and featuring special Black & Gold Salsoul label artwork this special Record Store Day EP will undoubtedly be a collectors item! One for the Disco heads right here!



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Shep Pettibone - A name that commands the greatest of respect from DJ's, diggers, dancers and music lovers across the galaxy. A name that has been emblazoned across so many club classics that the accompanying discography is simply dizzying. The underground Disco of groups like Aurra, First Choice and Candido and early 80's experimental dubbed out club cuts of cult outfits like NV, Alisha and Carol Williams and even the heady pop chart successes of bands like Level 42, The Pet Shop Boys, Jermaine Jackson and many more, have all benefitted from Pettibone's prowess behind the mixing boards. A true musical legend and the man who literally crafted the sounds and styles of almost 2 decades of club music back to back, Shep Pettibone's pedigree can never be called in to question. Salsoul Records thought a well programmed and thought out retrospective of this legends output was in order and this incredible collection of tracks is where we find ourselves. A stellar compilation across 2 heavyweight slabs of wax featuring of some of Pettibone's finest works. Included you'll find genre defining cuts like his mix of Loleatta Holloway's 'Love Sensation', Salsoul Orchestra's majestic 'Love Break' and First Choice's anthemic 'Let No Man Put Asunder' alongside other Salsoul cuts from Weeks & Co, Instant Funk, Inner life and the legendary Leroy Burgess.

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From deep within the UK underground special things can emanate without warning.
This is exactly what happened here, a special one-off white label remix of one of Disco's biggest stars by one of the founding members of possibly the most influential electronic music crews in the land? Yep. For the uninitiated Loleatta Holloway is part of dance music's DNA, one of the most recognisable voices in Disco. Her tones have graced numerous club classics, she's been sampled 1000's of times, her vocal fingerprints are all over classic House music and are instantly recognisable. Remixer Pangaea aka Kevin McAuley is one of the main members of the formidable Hessle Audio crew alongside Ben UFO and Ramadanman. Rising out of the post-dubstep terrain of modern day England McAuley is a truly open minded DJ and producer pushing sonic boundaries and him and his Hessle co-conspirators have long been garnering respect from all corners since their inception as a collective. 'Stand Up' is a truly potent combination of two very different talents, fusing Pangaea's sparse, stripped back, minimalistic approach and Holloway's roof-raising diva vocals with the end result being a futuristic club classic in the making that gives an understanding, respectful nod to what has come before while gazing forth into the unknown.

Originally released as a promo-only white label, this remix has been wreaking havoc on dancefloors over the course of the summer and has featured heavily in the Hessle Audio crew's DJ sets. Gaining rave reviews on sites such as RA and with people literally passing out with excitement over this very special remix / re-edit it felt only right to give it a reissue on the label that serves as Loleatta Holloway's spiritual home - Salsoul Records. The hype is real on this one, do not sleep!


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Yet another solid gold modern reimagining of the mighty Loleatta Holloway, this time her infamous 1977 smash 'Hit & Run' goes under the knife and is tweaked to devastating effect by 2 of Chicago's finest modern day editors - Jamie 326 & Cratebug. Anyone with even a passing interest in Disco or House will be more than familiar with these 2 guys names. Having edited and remixed numerous cuts in their own original ways, they take this all-time Salsoul classic and strip it right back to the essence, to the very basics, and in the process create a total dancefloor weapon. This edit originally came out a few years ago (2013) on a compilation that showcased the new wave of contemporary talent emanating from the Windy City and naturally it was one of the cuts that stood out, finding favour with a wide variety of DJ's across the board from Motor City Drum Ensemble, Todd Terry, Jeremy Underground Paris, Theo Parrish and more. Drawing comparisons with Paperclip People's anthemic 'Throw' from 1994 in the way it snatches a killer loop from 'Hit & Run's' bassline, 'Hit It & Quit It' is a monster, a record you'll literally play over and over and over again, a relentless Disco juggernaut that oozes power. It made perfect sense for this legit single-sided reissue 12" to come out on Salsoul Records, the home of Loleatta Holloway's finest material and all of her classics. This limited reissue has been made in conjunction with Jamie 3:26 & Cratebug and Salsoul Records, 100% sanctioned and lovingly re-presented for your dancing pleasure. This one is HOT. Sleep at your peril!

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Leroy Burgess - One of the pioneers of Boogie, a legendary figure in the NYC Disco scene and all-out originator is well known by dance music aficionados across the globe for his output. His LOGG project from the early 80's especially has acquired a cult status amongst diggers, released on Salsoul in 1981 and boasting mixes from Larry Levan the LP became an instant club classic that still commands the dancefloor in 2017. Salsoul is a label that isn't afraid to bridge the gap between their hugely groundbreaking catalogue and contemporary dance music. They understand the impact and influence their music has had on DJ culture and embrace it wholly. Step up UK underground producer Marquis Hawkes who originally approached Salsoul with this set of killer reworkings that had long been private versions that featured in his sets. Having dropped EP's for labels such as Dixon Avenue Basement Jams, AUS Music, Houndstooth and many more his name is firmly planted in the minds of record fiends across the nation. Adopting a classic US style of production, using analog gear, dope loops and chops and finessing it all with his own grittiness, Hawkes seemed a good fit to remix 2 stellar joints from LOGG's catalogue. 'Something Else' and 'I Know You Will' both get cut up, re-edited and laced with rock solid drum programming by Hawkes on this sublime 12". Lovingly tweaked with just the right amount of RAWNESS for the dance this one won't leave your bag anytime soon! Pure peak-time sounds here, another example of Salsoul embracing the sounds of now and breathing freshness into their untouchable catalogue. Essential.

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CHIWAX PRESENTS THE FOURTH RELEASES BY ROBERT ARMANI ON HIS OWN SERIES CALLED ROBERT ARMANI TRAXX SERIES.
THIS TIME IN THE REBOUND THE MASTERPIECE FROM 1996 FORMERLY OUT ON LEGENDARY DANCE MANIA 173
INCLUDING ROAD TOUR, ROAD TOUR (REMIX BY DAVE CLARKE), CLOCKWORK AND BOUNCING.
ALL TRACK ARE RE-MASTERED. THE VINYL IS EXPECTED IN NOVEMBER.

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WHITE VINYL REPRESS! Well. Where do we start with 'Deep Inside'? Originally released in the golden NYC House era of 1993, this 5 tracker literally smashed everything in sight. And still does now! The epitome of an evergreen, all-time classic release. Masters At Work Louie Vega and Kenny Dope were on a major roll in this era, producing, remixing, dj-ing and everything in-between, these guys put in ridiculous work. They are joined on this EP by a roll-call of names and collaborators, Erick Morillo engineering the title track? Check. Maurice Joshua on co-production duties? You got it. Vocals by Ms. Barbara tucker? They're there. Killer, rock hard drums? Stacks of Soul? Masterfully chopped up Disco samples? All present. Serious stuff. Sometimes a record just manages to capture and distill the true essence of what this is all about and 'Deep Inside' is one such record, it bears all the hallmarks of golden era MAW, all the signposts of what was happening in NYC's clubs in the early to mid 90's were there within it's grooves. You know a record is good when it's still being, quite literally, hammered nearly 25 years later! Now, remastered, and reissued with the full involvement of Strictly Rhythm this seminal piece of NYC House history is made available again with all original, full sleeve artwork intact as per the 1993 original. This one's a straight up essential for any self-respecting dance aficionado. You know what to do!

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Two leading lights of UK house join forces for a special collaboration which delivers every bit as much as you would expect from anything with the Jimpster & Crackazat stamp on. Having been introduced to Crackazat’s vocal and lyric writing on his acclaimed Evergreen LP from last year Jimpster was keen to team up to bring some of that flavour to his own sound. Born out of a desire to stretch outside of their comfort zones, and with a mutual respect for each others productions, the Natural Child EP brings us two original vocal tracks and two dub versions covering a spectrum of moods from classic soulful to deep, atmospheric, contemporary house. Opening track Natural Child leads the charge with Crackazat’s trademark jazz-influenced piano part, swirling moog lines and vocal being complimented with Jimpster’s punchy drums and warm, rounded bassline. The result is a spacious and deceptively simple track which will wrap you up in its warm confines.Next up we have a completely different take on Natural Child which ups the BPM and adds a more live, percussive and rolling vibe which will no doubt get the house dancers throwing down. My Harmony comes next with its slick and soulful sound which draws inspiration from golden era NYC sounds of Blaze and Louie Vega while Nick Cohen’s live bass brings a bounce to the chunky, shuffling house beats. Closing out the EP we have a dub version of My Harmony which loops up the Rhodes part, strips back the groove and adds layers of FX and arpeggiating synths resulting in a heads-down deep and soulful track to warm up the dance

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FrescoEdits returns with the second chapter of his series, editing and unearthing 2 gems from Italian and international pop scene, an italian tv soundtrack, and a smooth jazz track.


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Bedouin aka Tamer Malki and Rami Abousabe are to release their long awaited and adventurous debut album Temple of Dreams on their own label Human By Default this Spring. Over the course of the pandemic, Malki and Abousabe spent a great amount of time finalizing songs created in the past 7 years, composing, song writing, singing, and working on numerous projects including collaborations and new originals. Temple of Dreams was shaped from these sessions and captures the enigmatic sound of the versatile, forward-thinking group. Malki explains that the album looks to “experiment and push the boundaries.” It differs from their previous work, as the album is intended to be a deep listening experience for the fans, rather than a slew of club cuts. The multi-talented artists sought to create a timeless sound in Temple of Dreams. Malki outlines that the album lies between “what we play on stages around the world and what we’re capable of writing and producing as musicians and producers. We wanted to exceed expectations and present something that you might think or feel you’ve heard before, yet it's something completely new and not what might be expected from us.” It starts with the enchanting sounds and candle lit grooves of Rise And Fall then journeys far and wide through the Eastern string sounds of Coldman featuring Nathan Daisy, darkly alluring vocals and mystic rhythms of Voices In My Head and the hypnotic melodic leads of Crazy feat. Iveta Mukuchyan. Elsewhere the richness of Bedouin's sound makes for spellbinding listening on tracks like Hokema Feat. Delaram and Flore Chico feat. Chico Castillo with its alluring Spanish vocals. Love And Hate is a more dynamic and punchier house cut while Fill The Space is an intriguing mix of melodic magic, authentic instrumentation and smooth rolling grooves. The musicians, singer-songwriters, and producers in Bedouin have spent the better part of a decade fine-tuning their sound, which draws as much from their Middle Eastern heritage as it does their world travels as DJs playing iconic venues across the globe. They have pioneered a distinctive and timeless sound on some of the world’s most notable labels such as Crosstown Rebels, Get Physical, All Day I Dream, and recently their own imprint—Human By Default.

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