A1 - One Plus One (Dave Lee Extended Club Mix)
B1 - One Plus One (Dave Lee Boogie Boy Dub)
B2 - One Plus One (Dave Lee Reprise)

An unearthed and unreleased Leroy Burgess tape from the same sessions as ‘Heartbreaker’ finally sees the light of day with three brand new mixes from the legendary Dave Lee.

Last year when searching though the Salsoul archive Dave Lee came across a Leroy Burgess tape which contained a song called ‘One + One’ that he didn't recognise the title of. On the off chance it could be something interesting Dave got the tape digitised when he heard it quickly realised this wasn’t some out take but a killer tune. He contacted Mr Burgess to ask him if he knew why this song had never been released, Leroy was overjoyed when he heard that ‘One + One’ had been unearthed after 35 years of going missing.

It turned out that it was recorded in the same sessions as Leroy’s classic ‘Heartbreaker’ for an album that never came out but the tape had somehow been lost and he’d given up hope of it ever being located. ‘One + One’ is Leroy on top form in his prime with the full team of New York musicians who featured on many of his classics (Jocelyn Brown, Melissa Morgan, Stan Lucas, Sonny Davenport, James Calloway). Mr Lee has given the song three brand new mixes, a full vocal, Dub and reprise. If you’re Burgess fan this is an essential as it gets.

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Wonderful re issue of Leroy Burgess (collaborator with Patrick Adams amongst many others) single "Heartbreaker / Stranger". This single originally released in 1983, his second ever production, showcases his wonderful production and vocal talents on this boogie classic. Shep Pettibone supplies both mixes on this extended 12" from the Salsoul vaults.


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After his previously successful outings with Vol. 1 & 2, Nicolas Laugier aka The Reflex is back with the third instalment of his Revisions series of Salsoul catalogue classics. Adding his familiar touch to update the labels renowned disco hits, there’s four tracks to choose from - all with that unique The Reflex flavour. Gaz’s “Sing Sing” and Edwin Birdsong’s “Win Tonight” get the Revision treatment while Rafael Cameron makes a double appearance, with a fresh version of “All That’s Good To Me” and a Cosmic Dub Revision of “Boogie’s Gonna Get Ya”. With three volumes under his belt, if there’s one person who can be trusted with the legendary Salsoul vault it’s The Reflex.

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French producer and remixer Nicolas Laugier aka The Reflex is a name synonymous with supreme remixes and reimaginings of disco, soul, funk and dance classics. This brand new and essential double-pack sees Laugier take on some of the immense Salsoul catalogue, lovingly reworking classics alongside deep digs from the seminal NYC disco labels vaults. There's something for every dancefloor occasion here with Inner Life, Metropolis, Leroy Burgess and Aurra all getting The Reflex touch. These new versions are more than just re-edits, these are proper remixes utilising master stems, session tapes and the original spirit of these incredible recordings. It's no wonder The Reflex's 'revisions' have found themselves in the hands of tastemakers, DJs and hardcore record fiends alike! You need these.... These brand new mixes have been mastered with love, care and respect for Salsoul / BMG. Artwork and design courtesy of Al Kent / Million Dollar Disco. Worldwide manufacture and distribution courtesy of Above Board distribution, 2021.

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Dutch duo Lars Dales and Maarten Smeets, better known as Dam Swindle, are the latest in a line of decorated contemporary producers taking on rework duties for legendary New York disco label, Salsoul Records. Comprised of four tracks split into two volumes, the pair provide fresh takes on a number of Salsoul hits, including the classic ‘Let No Man Put Asunder’ by First Choice and Double Exposure’s ‘Everyman’. There’s some funky edits of tracks by Kebekelektrik and Kongas, wrapping up an essential Reworks package courtesy of one dance music’s premier acts. TRACK LISTING: A Double Exposure - Everyman (Dam Swindle Remix), B Kongas - Kongas Fun (Dam Swindle Edit)

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Dutch duo Lars Dales and Maarten Smeets, better known as Dam Swindle, are the latest in a line of decorated contemporary producers taking on rework duties for legendary New York disco label, Salsoul Records. Comprised of four tracks split into two volumes, the pair provide fresh takes on a number of Salsoul hits, including the classic ‘Let No Man Put Asunder’ by First Choice and Double Exposure’s ‘Everyman’. There’s some funky edits of tracks by Kebekelektrik and Kongas, wrapping up an essential Reworks package courtesy of one dance music’s premier acts.TRACK LISTING: A First Choice - Let No Man Put Asunder (Dam Swindle Remix), B Kebekelektrik - War Dance (Dam Swindle Edit)

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UK born, Australia based DJ & producer Dr Packer, who has garnered worldwide praise and acclaim for his soul, funk and disco edits, gives the Rework treatment to no less than four cuts from the legendary Salsoul Records back catalogue. Disco diva Loleatta Holloway and her mega-hit ‘Runaway’ is updated with a 2020 groove that maintains all the character and uplift of the soul drenched original. Rafael Cameron’s ‘Let’s Get It Off’ is a heavy slice of funk, with Cameron’s powerful gruff vocal front and centre over riffs and strings. Next is Ripple’s ‘The Beat Goes On’ – a shimmering, uptempo disco cut where Dr Packer really exhibits the sound and vibe 70’s dancefloors for contemporary ears while in-house collective The Salsoul Orchestra get ‘You’re Just The Right Size’ reworked: the lush percussive beats and elegant orchestral work are brightened up and who can resist that sultry vocal hook? Dr Packer once again reworks his magic to perfection.
TRACK LISTING. A1. Loleatta Holloway - Runaway (Dr Packer Rework), A2. Rafael Cameron - Let's Get It Off (Dr Packer Rework), B1. Ripple - The Beat Goes On & On (Dr Packer Rework), B2. The Salsoul Orchestra - You're Just The Right Size (Dr Packer Rework)


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Salsoul opens the vaults once more to today's top editors and remixers. This incredible 12" sees those PBR Streetgang dudes take the reigns to great effect. Digging in the vaults for those lesser spotted gems, the PBR crew have tweaked up 2 absolute Tom Moulton related killers here for our enjoyment. Side A is a finely tuned, lovingly fondled version of David Christie's LP cut 'Back Fire' from 1978. A sleazy, almost Euro feeling good timer that does the biz. On the flip, is the Destroyers mammoth 'Lectric Love', another lowdown cruiser of a track, nice cosmic FX and leather vibes for the late night prowl! Both edits are brilliantly done, and with a knowing and respectful nod too, one for the heads right her

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Salsoul opens the vaults once more to today's top editors and remixers. This incredible 12" sees Italian maestro Moplen take the reigns. Side A sees Skyy's 'Here's To You' getting some serious boogie love from remix powerhouse Moplen. 2 absolutely essential reworks of this massive garage classic are featured, both vocal & dub mixes for the Salsoul hardcore. Over on side B is Salsoul Orchestra's 'Ooh I love It', again blessed by the Moplen magic, always adding something to the mix in a respectful and knowledgable way, offering up breathtaking contemporary versions of the classics.

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DJ Pope from Chicago has remixed Love Thang by Iconic Salsoul Records girl group First Choice. Lead singer Rochelle Flemming is still touring internationally and singing the groups classics that have stood the test of time, Love Thang being one of them. DJ Pope has made a mark in the soulful house scene and brings his skills to this record for release on Salsoul Records. Featuring funky saxophones, the remix offers a contemporary, progressive take on the original that is sure to get dancefloors moving this summer.

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Some slamming 1978 Disco HEAT from the Salsoul stable! 'Pass The Buck' is a very popular LP cut from the group's sole long player 'Law & Order', naturally any Tom Moulton mix from that period is well worth your ears and your time if you consider yourself a Disco lover, the man's hands were all over a ton of classics and he had the magic touch for real. 'Pass The Buck' has all the hallmarks of the bombastic 'Philly Sound', arranged by the legendary Ron 'Have mercy' Kersey and his team and mixed by Moulton, this blast of FUNK opens side B of said long player. Mysteriously never released as a 12", this is one TM mix that really benefits from a nice loud pressing as it is presented here on this special RSD 19 12" reissue. That's not all, throw in a super, extended, cosmically overdubbed and tweaked re-edit from NYC's master of such disciplines - Joe Claussell - and we're talking some serious business, right? Well, that's what you get on this special limited release, the full 9+ minutes of Joe's very special reinterpretation, this one's all killer and no filler. Spiritual Discofied-Funk straight outta NYC for your enjoyment! Fully licensed, sanctioned and released by Above Board distribution and Salsoul Records. Accept no imitations!

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Walter Gibbons, a true master of the mix, a disco legend, a pioneer of dance music. There's literally very few who can lay claim to progressing the artform of studio mixing and technique than the late Gibbons. His contribution to contemporary music cannot be understated, first as a DJ where his drum laced experimentation captured the ears and minds of his peers and the dancers, then later as a mixer and studio genius where he continued on his quest. Often fixated on the percussion and breaks within records his versions would often dive into spaced out, dubby and stripped back territory that very few of his peers were even contemplating at that time, fervently reconstructing the tracks themselves and often the time, space and dancefloor within which the record was being played. A true original, Gibbons was behind many of the 'definitive' versions of the classics, his unique style often catapulting records that were just fine in their original form into brand new colourful, cosmic interpretations that flourished sonically and rhythmically with brand new sounds that bristled with vision. Salsoul Records thought a well programmed and thought out retrospective of this legends output was in order and this incredible collection of tracks is where we find ourselves. A stellar compilation across 2 heavyweight slabs of wax featuring of some of Gibbons' finest works. Included you'll find genre defining cuts like his mixes of Double Exposure, Loleatta Holloway, Love Committee, First Choice and many more.

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Salsoul and Italy's Sounds Familiar collective coming together is like a Sunday lunch where generations of friends and family cook together. The food of our grandmothers and forefathers getting a fresh new spin as their children come of age and return to the family home. Featuring a stellar array of internationally renowned underground diggers, DJ's, producers and remixers including DJ Spinna, Mark Grusane, GE-OLOGY, Twice & Volcov, Kai Alce and Specter, this special collaborative release shines a light on the deep corners of the Salsoul catalogue, lovingly reworked for 2018's discotheques by those who know, feel and understand the label, the dancefloor and respecting traditions while adding something a little bit different and a little bit new. Even when it’s a little bit different, it still Sounds Familiar.

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A true rarity from Salsoul's vast archive here, one for the bonafide boogie heads out there. This has gotta be one of the rarest Surface records in existence, 3 cuts of that amazing early 80's funk that only Surface can do! A licensed late 90's pressing of this particular EP became highly sought after and has since been impossible to track down for even the most dedicated diggers. 3 full length jams presented here, including a wondrous mix from the legendary Shep Pettibone of the classic 'Falling In Love', also included are the previously unreleased 'Stop Holding Back' and 'When Your X Wants You Back'. This whole record is pure heat, one for the aficionados. Properly licensed, wonderfully remastered and reissued for the dancefloor! You're not gonna find a more solid, well rounded example of that killer post-disco, electronic funk than this collection of cuts. Essential. Snoozing not advised!

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Legendary Australian Disco-fiend Late Nite Tuff Guy turns up the heat on the equally legendary Salsoul Records with 3 absolutely stellar reworks of some bonafide classics. Somehow, LNTG manages to tweak these old-school recordings and injects a thoroughly contemporary edge into them, making them sound brand new. Featured here are 3 stone cold Salsoul monsters, all respectfully handled and edited with care - First Choice's uber-classic 'Doctor Love' & 'Love Having You Around' (penned by Stevie Wonder & his then wife Syreeta, no less!) and Double Exposure's anthemic 'Everyman' all go under the knife in the best possible way! Beautifully mastered and featuring special Black & Gold Salsoul label artwork this special Record Store Day EP will undoubtedly be a collectors item! One for the Disco heads right here!



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Shep Pettibone - A name that commands the greatest of respect from DJ's, diggers, dancers and music lovers across the galaxy. A name that has been emblazoned across so many club classics that the accompanying discography is simply dizzying. The underground Disco of groups like Aurra, First Choice and Candido and early 80's experimental dubbed out club cuts of cult outfits like NV, Alisha and Carol Williams and even the heady pop chart successes of bands like Level 42, The Pet Shop Boys, Jermaine Jackson and many more, have all benefitted from Pettibone's prowess behind the mixing boards. A true musical legend and the man who literally crafted the sounds and styles of almost 2 decades of club music back to back, Shep Pettibone's pedigree can never be called in to question. Salsoul Records thought a well programmed and thought out retrospective of this legends output was in order and this incredible collection of tracks is where we find ourselves. A stellar compilation across 2 heavyweight slabs of wax featuring of some of Pettibone's finest works. Included you'll find genre defining cuts like his mix of Loleatta Holloway's 'Love Sensation', Salsoul Orchestra's majestic 'Love Break' and First Choice's anthemic 'Let No Man Put Asunder' alongside other Salsoul cuts from Weeks & Co, Instant Funk, Inner life and the legendary Leroy Burgess.

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From deep within the UK underground special things can emanate without warning.
This is exactly what happened here, a special one-off white label remix of one of Disco's biggest stars by one of the founding members of possibly the most influential electronic music crews in the land? Yep. For the uninitiated Loleatta Holloway is part of dance music's DNA, one of the most recognisable voices in Disco. Her tones have graced numerous club classics, she's been sampled 1000's of times, her vocal fingerprints are all over classic House music and are instantly recognisable. Remixer Pangaea aka Kevin McAuley is one of the main members of the formidable Hessle Audio crew alongside Ben UFO and Ramadanman. Rising out of the post-dubstep terrain of modern day England McAuley is a truly open minded DJ and producer pushing sonic boundaries and him and his Hessle co-conspirators have long been garnering respect from all corners since their inception as a collective. 'Stand Up' is a truly potent combination of two very different talents, fusing Pangaea's sparse, stripped back, minimalistic approach and Holloway's roof-raising diva vocals with the end result being a futuristic club classic in the making that gives an understanding, respectful nod to what has come before while gazing forth into the unknown.

Originally released as a promo-only white label, this remix has been wreaking havoc on dancefloors over the course of the summer and has featured heavily in the Hessle Audio crew's DJ sets. Gaining rave reviews on sites such as RA and with people literally passing out with excitement over this very special remix / re-edit it felt only right to give it a reissue on the label that serves as Loleatta Holloway's spiritual home - Salsoul Records. The hype is real on this one, do not sleep!


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Yet another solid gold modern reimagining of the mighty Loleatta Holloway, this time her infamous 1977 smash 'Hit & Run' goes under the knife and is tweaked to devastating effect by 2 of Chicago's finest modern day editors - Jamie 326 & Cratebug. Anyone with even a passing interest in Disco or House will be more than familiar with these 2 guys names. Having edited and remixed numerous cuts in their own original ways, they take this all-time Salsoul classic and strip it right back to the essence, to the very basics, and in the process create a total dancefloor weapon. This edit originally came out a few years ago (2013) on a compilation that showcased the new wave of contemporary talent emanating from the Windy City and naturally it was one of the cuts that stood out, finding favour with a wide variety of DJ's across the board from Motor City Drum Ensemble, Todd Terry, Jeremy Underground Paris, Theo Parrish and more. Drawing comparisons with Paperclip People's anthemic 'Throw' from 1994 in the way it snatches a killer loop from 'Hit & Run's' bassline, 'Hit It & Quit It' is a monster, a record you'll literally play over and over and over again, a relentless Disco juggernaut that oozes power. It made perfect sense for this legit single-sided reissue 12" to come out on Salsoul Records, the home of Loleatta Holloway's finest material and all of her classics. This limited reissue has been made in conjunction with Jamie 3:26 & Cratebug and Salsoul Records, 100% sanctioned and lovingly re-presented for your dancing pleasure. This one is HOT. Sleep at your peril!

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Leroy Burgess - One of the pioneers of Boogie, a legendary figure in the NYC Disco scene and all-out originator is well known by dance music aficionados across the globe for his output. His LOGG project from the early 80's especially has acquired a cult status amongst diggers, released on Salsoul in 1981 and boasting mixes from Larry Levan the LP became an instant club classic that still commands the dancefloor in 2017. Salsoul is a label that isn't afraid to bridge the gap between their hugely groundbreaking catalogue and contemporary dance music. They understand the impact and influence their music has had on DJ culture and embrace it wholly. Step up UK underground producer Marquis Hawkes who originally approached Salsoul with this set of killer reworkings that had long been private versions that featured in his sets. Having dropped EP's for labels such as Dixon Avenue Basement Jams, AUS Music, Houndstooth and many more his name is firmly planted in the minds of record fiends across the nation. Adopting a classic US style of production, using analog gear, dope loops and chops and finessing it all with his own grittiness, Hawkes seemed a good fit to remix 2 stellar joints from LOGG's catalogue. 'Something Else' and 'I Know You Will' both get cut up, re-edited and laced with rock solid drum programming by Hawkes on this sublime 12". Lovingly tweaked with just the right amount of RAWNESS for the dance this one won't leave your bag anytime soon! Pure peak-time sounds here, another example of Salsoul embracing the sounds of now and breathing freshness into their untouchable catalogue. Essential.

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Following on from his stellar record store day 2017 double-pack, Dimitri is back with another clutch of indispensable Disco edits from his impressive archive for the legendary Salsoul label. Any self-respecting DJ or Disco-lover will be brimming over with excitement upon looking at this impressive selection of tracks, all respectfully and lovingly tweaked by Disco-Dim. Salsoul Orchestra's 'Ooh I Love It (Love Break)' kicks things off, a true blue classic, just gently touched in all the right places and extended in the best possible way. Following up is Skyy's total anthem 'First Time Around', a classic Garage groove and Dimitri's version is near perfect, again, re-touched by someone who truly understands what Disco all about! Essential stuff. On the flipside The Jammers - 'Be Mine Tonight', is another massive Garage smasher, here Dimitri almost edges Shep Pettibone's OG mix into the Boogie stratosphere, just incredible! It makes perfect sense that this amazing double-pack should finish on one of Dimitri's most sought after edits - Love Committee's 'Just As Long As I Got You', an epic slab of soulful, almost dark, Disco. Absolutely huge. I

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official Sony reissue of Charles Earland's 'Coming To You Live' another one of those rare infectious 12" releases which has grown in stature over the years. Championed by big names such as Gilles Peterson, Theo Parrish and Moodymann, it has become a firm favourite with dj's and clubbers alike, entertaining many discerning dance-floors. Pressed on 180g vinyl, using the original master tapes.


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Repress!
Dark Grooves reissue of these rare E.B.E house / tech-house releases from from 1999 and early 2000's which were originally released on Plastic City America.

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Two incredible 70’s soul cuts from The O’Jays get the reissue treatment for 2018. The A side contains the mighty ‘For The Love Of Money’ a near 7 minute cautionary tale to the dangers of greed and exploitation. "For the love of money. People will lie, Lord, they will cheat. For the love of money. People don't care who they hurt or beat." As pertinent now as it was in the 70’s if not more so considering current affairs. A much sampled record, loved by many! On the flip, ‘Darlin' Darlin' Baby (Sweet, Tender, Love)’, the second hit single off the O’Jay’s album ‘Message In The Music’, is a romantic soul serenade with that killer Gamble and Huff production – Philly’s finest!


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Written by one of the seminal figures of the Philly Sound - Norman Harris, The Player is arguably one of the groups greatest records.
On the flip, NYC DJ & producer Mike Maurro respectfully remixes the original.


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Repress!

A certified Patrick Adam’s classic from the Heavenly Star Records back catalogue, Cloud One - Flying High, gets a much-needed remastered reissue. A welcome sight to many, considering originals sell for over £100.

One of countless studio projects that Adams put his name to, ‘Flying High’ saw the multi-platinum, award winning producer and songwriter join forces with P&P head honcho Peter Brown to produce this blindingly brilliant cosmic disco number. Stratospheric synths, beefy drums and heavyweight basslines coupled with celestial vocoder refrains, will have your head flying through the clouds at the drop of a needle.

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Collecting Orders For Repress!

It's always great to have access to quality masters from some of the world's greatest-ever artists and Gladys Knight hits that spot, especially via the original 12 inch version of Love Is Always On Your Mind is another one of those impossibly rare Buddah 12 inch from the mid-70s.

This is really a 10 minute plus tour-de-force of relentless Disco with Gladys's impassioned vocals doing their usual superlative job. Mint 12 inch copies are reputedly worth £200 but the fact is that there's no mint original ones left anymore.

Until now. Additionally we've cheated slightly by including one of Gladys Knight & The Pips in-demand Columbia recordings on the flip - the Ashford & Simpson penned classic Bourgie Bourgie on which Gladys laid down the definitive vocal to this club classic on the full 4.37 original 12 inch mix.

Two definitive dancefloor gems on one 12 inch pressing mastered from the original tapes. What more could you want ?

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Back To Life transports you to a new stunning acid-tinged deep house journey
Officially licensed from F-Communications / Pias.
A truly gem from 1995 that also includes a remix by Shazz.

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