Palmkids is a creative duo/studio with its own production line based in Pontevedra (Galicia). Among other projects such as PALMCO RADIO, this EP is the result of the union and friendship between Palmkids and the Galician label Must Be On Wax. On this EP, Bruss presents his vision of 90s Brazilian Baile Funk, fusing the pulsating rhythms of Baile Funk and deep grooves of Miami Bass, including remixes by Juait and Street Choice.

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Tracklisting
A1 Ricky Force - Killin Sound
A2 Ricky Force - Soul Feelin'
B1 Ricky Force - Zombie
B2 Ricky Force - Killin Sound (Duality remix)

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Full Bloom is an experimental sound collective traveling through polyrhythmic timezones and psychedelic soundscapes deeply rooted in the aesthetics of Jazz, Hip Hop, Afrobeat and Dub. Whatever happens, we try to convey a feeling that sits deep in your stomach and makes your body move!

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Much of the Collide"s sound is derived from an old Aria Pro II electric guitar from Leif"s childhood, scratched up with damaged and unpredictable electrics. The record leans into this sense of things being broken or damaged - and how sometimes things need to break in order for us to make sense of them- revelling in, rather than resisting, unpredictability. Lush textures traverse us across unexpected terrains.

Tracklist
1.1How to Eat an Orange (Part 1)
1.2How to Eat an Orange (Part 2)
1.3Yes No
1.4Wrong Way
1.5Aria
1.6Filmed Backwards
1.7Learn and Unlearn
1.8Wearing the Sea

Listen: https://listen.k7.com/3f3f3e53-65ae-4a20-affc-0251ce55efcd

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JUAN ATKINS legendary first electro productions from the mid-80's now REPRESSED!!

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Repress!

New half-speed mastering!
Taken from the original Continental master tapes, transferred under supervision by Arthur Verocai. Original replica gatefold artwork.
A complete album masterpiece in every sense of the word, considered by many people to be one of the greatest ever made, regardless of genre.

Recorded at Studio Somil, Rio De Janeiro in 1972, the album was produced, arranged, directed by the self-taught, Arthur Verocai. Previously he had worked on many records in various capacities, with artists including Jorge Ben, Ivan Lins and Celia, but this album gave him the chance to do his thing in it’s most pure form.

The 29 minute masterpiece, perfect in it’s arrangement and fusion of sonics, epitomises the sound of Brazil at the time; strings, guitars, pianos, break beats, bass lines, synthesizers, vocals from the wonderful Célia, Carlos Dafe and Oberdan (Banda Black Rio), plus percussion from Pedro Santos and Paulo Moura on sax. Bossa nova, samba, jazz, MPB, psychedelics and funk sit side by side effortlessly.

The album transcends the genre of Brazilian music, and infact all genres. Highlighted in part by the number of artists that have sampled from it; MF Doom, Ludacris & Common, Little Brother, Jneiro Jarel aka Dr Who Dat?, Dibiase and Action Bronson amongst others.

The original Continental version of the album now fetch around $2000. Our definitive re-issue is an exact replica of the gatefold original LP and the source master is taken from the Continental tapes, re-mastered in 2012 under Arthur’s supervision.

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Tracklist:

SIDE A
1. Martin Street Special
2. Love Got A Hold Of Me
(Instrumental)
3. Hometown Weather

SIDE B
1. Martin Street
2. Love Vibration
3. Party Beats

Soundway releases a storming compilation of Cameroonian-born, Nigerian-based super producer Nkono Teles’ solo work. The pioneer of West African electronic music was known for being tapped by over 100 other musicians to produce or arrange their music, from King Sunny Adé, Guy Lobe, even Steve Monite’s album “Only You” and more.

Having already appeared on Soundway’s best-selling compilation “Doing It In Lagos”, here more of Nkono’s limited solo work is carefully remastered and reissued on vinyl for the first time.

One of a small handful of pioneers of the Nigerian electronic music scene in the 1980s (alongside the likes of Jake Sollo & William Onyeabor), Teles was known for being tapped by over 100 musicians to feature on, produce or arrange their music. The list of ‘80s Nigerian records that his sound and style embellished is seemingly endless: Steve Monite (he arranged and produced the music on the Only You album recently re-issued by Soundway), Dizzy K, Peter Abdul, Odion Iruoje, Steve Black, Rick Asikpo, Feladey, Charly Boy, Majek Fashek & Sonny Okosuns, to name just a few, all engaged his enigmatic production and keyboard services throughout the 1980s. He became known as the first person in Nigeria to push the use of the drum machine into popular music and created a unique and original boogie-funk sound combining these new beats with guitars and an array of new and affordable synthesiser sounds that started appearing in the early 1980s.

FOR FANS OF:
Doing It In Lagos compilation, Steve Monite

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Welcoming elusive Japanese guitarist, Kouhei Fukuzumi, for his 3rd solo full-length as Ultrafog. ‘A Replica Screams’ emerges as a collection of drifting memories, a chain reaction of unique combinations of elements already present in the World. It embraces the idea that existence itself is positively shaped by serendipity and meaningful coincidences, and that we are all falling together, in time, and on time.


The vinyl edition contains an original artwork poster presenting João Bragança Gil’s ‘The Origin’ (On & On), an installation on synchronicity and fossils, which materialized in conjunction with Ultrafog’s live show at Ufonic (Lisbon, September 2024).

Mastering by Giuseppe Tillieci in Rome
Design by Eunseo Kim in Seoul
Manufacturing by AFG in Romev

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Tracklisting
A1 Syntax Error - The Me And I
A2 Syntax Error - The Me And I (Sev Dah remix)
B1 Syntax Error - For All
B2 Syntax Error - For All (DisX3 remix)
B3 Syntax Error - For All (Decka remix)

Sales Note
With Decade of Boxes, Syntax Error confronts the irony of modern tolerance: a societalimpulse to embrace difference that often doubles as a mechanism to further categorize and segregate. The EP's two originals delve into themes of self-perception ("The Meand I") and collective experience ("For All"), while the remix package responds in variedways-each artist refracting the idea of identity through their own interpretive lens.

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Strut presents Mulatu Plays Mulatu, the first major studio album in over 10 years from the father of Ethio-jazz, Mulatu Astatke.

Tracklist
Vinyl:
A1. Zelesenga Dewel
A2. Kulun
A3. Netsanet

B1. Yekermo Sew
B2. Chik Chikka
B3. Motherland
B4. Yekatit

Listen: listen.k7.com/ae404432-cbfc-45cf-8ee4-958f2945bef9

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Repress!

As 'Portrait With Firewood' is Felix's most personal body of work to date, the product of an emotionally turbulent 2017, capturing the range of feelings and emotions he went through in vivid sonic beauty. By putting aside his previous sampladelic approach he returned to his childhood instrument of the piano as a core starting point. "It's a confessional record… I realise that's a word mostly used to describe singer/songwriter rather than (largely) instrumental music, but I think it's apt. There's a sort of emotional candour." Felix is classically trained in the jazz tradition and influenced by the likes of Keith Jarrett and Alice Coltrane. Previously he was shy at the prospect of fans hearing his piano playing, but determined to overcome this fear he has brought forward a new honesty to his work. "Finding the confidence to work with my own piano improvisations was a big part of that. Once I had figured out how I was going to make the music, it actually fell in to place rather quickly." Felix's goal was to create something "overwhelmingly beautiful", but also to capture the "inherent melancholy in beauty in all it's impermanance and fragility". He took inspiration and solace from performance artist Marina Abramovic. "She has an incredibly deep understanding of the human condition, and expresses it in such a poetic way. Many of the themes of her work had particular resonance for me over the course of 2017 as I worked on the album. I was moved to tears on several occasions watching her videos or reading about her work." Felix collaborated with cellist Zosia Jagodzinska and vocalist Lola Empire. Jagodzinska recorded several takes of improvisations over the track 'Creature' which Felix would chop, pitch and layer into new melodic lines and seed throughout the album. Felix's new approach expanded to experimentation with field recording, contact micing his beloved piano and purchasing his first hardware synth, all in service of enriching the personal, humane quality of the record. "Music helps me to communicate the sorts of things that I find almost impossible to put in to words. I think the process for this album has helped me create a more rich and emotionally complex body of work than I have managed before."

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