Endlessness is a deep dive into the cycle of existence. The 45-minute album delicately spans 10 tracks with a continuous arpeggio playing throughout, creating an expansive, mesmerising celebration of life cycles and rebirth. Following Sinephro’s critically acclaimed 2021 debut album Space 1.8, Endlessness further elevates her as a transcendent and multi-dimensional composer, beautifully morphing jazz, orchestral, and electronic music.

The album was composed, produced, arranged, and engineered by Sinephro. Performing on the album are Sheila Maurice-Grey, Morgan Simpson, James Mollison, Lyle Barton, Nubya Garcia, Natcyet Wakili, and Dwayne Kilvington, joined by Orchestrate’s 21 string players.

The album will be available on black 2LP vinyl with d-side etching as well as CD.

- Specs Black 2LP vinyl with etching to d-side in printed inner sleeves in 5mm spine sleeve. Housed in PVC wallet with flap.

Tracklist:
A1. Continuum 1
A2. Continuum 2
B1. Continuum 3
B2. Continuum 4
B3. Continuum 5
B4. Continuum 6
B5. Continuum 7
B6. Continuum 8
C1. Continuum 9
C2. Continuum 10

Praise for Space 1.8:

"An ambient jazz classic" - The Guardian

"A benchmark in ambient jazz featuring outstanding players and delicately woven arrangements." - 8.3 ‘Best New Music’ Pitchfork

"Music so vast could feel lonely, but the sense of smallness one feels listening to Nala’s music is humbling and reassuring; the magnitudes of beauty we can create are unbound." - Jazzwise

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Caribbean-Belgian composer, producer and musician Nala Sinephro announces her debut album Space 1.8 with lead track “Space 3”. Space 1.8 will be released on 3rd September via Warp Records.

The instrumental “Space 3” is a short clip from a 3 hour improvised session with drummer Eddie Hick (Sons of Kemet) and producer/multi-instrumentalist Dwayne Kilvington on synths bass (Wonky Logic, Steam Down) culminating in a synth driven, particle-splitting, rapture. Speaking about the track, Sinephro explains: “We recorded it in the start of spring, it was a magical day. The day after recording I collaged the drums, added fifteen synths, produced and mixed it at home and it was all done.”

Sinephro’s music fuses meditative sounds, jazz sensibilities, folk and field recordings. Her musical practice is rooted in the study of frequency and geometry and guided by the premise that sound moves matter. Her debut album Space 1.8 takes shape as a metaphysical structure, where each curative space is a womb-like cocoon created by Sinephro in service of relief and affirmative, ecstatic freedom. Space 1.8 was composed, produced, performed, engineered, recorded, mixed by Sinephro at age 22. On the album, she plays modular synths and pedal harp alongside her friends James Mollison, Shirley Tetteh, Nubya Garcia, Eddie Hick, Dwayne Kilvington, Jake Long, Lyle Barton, Rudi Creswick and more.

Following electrifying live performances across the London scene, word of Nala Sinephro’s playing quickly spread throughout the UK jazz scene, consequently landing her performances as part of the celebrated jazz night Steam Down, alongside playing with and supporting the likes of Demae, Eun, Coby Sey, Rosie Turton, Robert Ames, London Contemporary Orchestra, Touching Bass, Spitfire Audio, Nadeem Din-Gabisi. She was touted as one of The Guardian’s artists to watch in 2020, has garnered support from the likes of Gilles Peterson; and is a resident DJ on NTS sharing monthly selections of celestial sounds. In 2021, she joined the innovative Warp Records roster where she continues to weave her unique sound world.

- Specs Black vinyl 12" in printed inner in printed 3mm spine outer with download card insert

TRACKLIST:
A1. Space 1
A2. Space 2
A3. Space 3
A4. Space 4
A5. Space 5
B1. Space 6
B2. Space 7
B3. Space 8

QUOTES:
“A benchmark in ambient jazz featuring outstanding players and delicately woven arrangements” - 8.3 - Pitchfork (Best New Music)
“Space 1.8 is a healing sound bath full of rigorous psychoacoustic knowledge and elegant playing” - The Observer (One to watch)
“Very few records have this capacity to make you temporarily fearless, but on Space 1.8, Sinephro harnesses the power of sound to move and heal the listener in ways that are real, and expansive.” - 9/10 - Loud & Quiet
"What sticks with Space 1.8 is the focus of its vision: precise like mathematics but imbued with a rich cosmic breadth." - 9/10 - UNCUT
'Her debut album sits at a slight angle to anything else you may have heard coming out of the UK in recent years” - Stereogum
"A calming, restorative and mind-expanding blend of jazz and ambient" - Resident Advisor (RA Recommends)

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Growing up in the sound system culture of Leeds in England, George spent a fiver, courtesy of his mum, on a battered old speaker box he named “Echo45”. That box led him to Kevin Harper, a founding member of Nightmares on Wax, a chance meeting that would change the course of his life. With the latest music “Echo45 Sound System”, Nightmares On Wax takes that lineage a step further—a mixtape that feels like both a celebration and a declaration. It's a living, sound system journey inspired by the original “Echo45” speaker box that merges soul, roots, hip-hop, dub, and electronic textures with a fearless spirit. Featuring a carefully curated ensemble of collaborators—including Yasiin Bey, Greentea Peng, Sadie Walker, Liam Bailey, and more—the record doesn’t just reflect where Nightmares on Wax has been. While deeply rooted in his origins, sound system culture, and pirate radio, it boldly announces where he’s going. Selling Points: - Exclusive 2LP gold vinyl - New music from Nightmares on Wax featuring Yasiin Bey (Mos Def), Sadie Walker, Oscar Jerome, Liam Bailey, Greentea Peng & more - Guest shout-outs from friends included Gilles Peterson, Moxie, Goldie, Louie Vega, Iration Steppas, FKJ, Jordan Stephens, Roots Manuva - Creative direction by London-based menswear designer Nicholas Daley - Major live show planned at Royal Albert Hall in London (Mar 2026) - Global radio activation inspired by pirate stations - Specs Gold 2LP in printed inner sleeve in wide spine outer sleeve with printed insert

Tracklist:
A1. Echo45, We Are! feat. Oscar Jerome A2. Dive Into feat. Louis VI A3. Desire feat. Haile Supreme, Liam Bailey A4. Bang Bien feat. Yasiin Bey
B1. Echo45 feat. Liam Bailey B2. True feat. Sadie Walker B3. I Remember feat. Greentea Peng
C1. Starwood Bound feat. Sadie Walker C2. Ain't So… feat. LSK C3. Mumzie Cut feat. Liam Bailey
D1. Holding On feat. Ladi6 D2. Wind Of Change feat. Yarah Bravo C3. Hop-to-Mystic feat. Liam Bailey

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Tranquilizer conjures a sonic hallucination: ambient calm twisting into digital chaos; mundane textures giving way to emotional overload. It’s a record shaped by obscurity and obsolescence. Real and unreal blur. Samples melt into static. A door creaks open inside a dream.

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Tranquilizer conjures a sonic hallucination: ambient calm twisting into digital chaos; mundane textures giving way to emotional overload. It’s a record shaped by obscurity and obsolescence. Real and unreal blur. Samples melt into static. A door creaks open inside a dream.

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Originally released in 1993, Surfing On Sine Waves is the second album released under the Warp Artificial Intelligence series (the series also includes the two titular compilations, as well as contributions by Autechre, The Black Dog, F.U.S.E. and more).

Surfing On Sine Waves is also the sole album released under Richard D. James’ (aka Aphex Twin’s) Polygon Window alias. The name “Polygon Window” originally appeared as a track name under Richard D. James’ other pseudonym The Dice Man, as the track title for his submission on Artificial Intelligence. Surfing On Sine Waves was chosen as a title by Rob Mitchell based on a quote by Richard D. James. The album debuted at #2 on the UK dance charts. The album was followed the same year with a companion EP titled Quoth. The EP’s title track originally appeared on the album, accompanied by additional songs who first appeared on this release.

Fast forward 32 years to 2025, Surfing On Sine Waves (Expanded Edition) sees the pair of companion releases as a single entity, out on vinyl and CD.

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Originally released in 1993, Surfing On Sine Waves is the second album released under the Warp Artificial Intelligence series (the series also includes the two titular compilations, as well as contributions by Autechre, The Black Dog, F.U.S.E. and more).

Surfing On Sine Waves is also the sole album released under Richard D. James’ (aka Aphex Twin’s) Polygon Window alias. The name “Polygon Window” originally appeared as a track name under Richard D. James’ other pseudonym The Dice Man, as the track title for his submission on Artificial Intelligence. Surfing On Sine Waves was chosen as a title by Rob Mitchell based on a quote by Richard D. James. The album debuted at #2 on the UK dance charts. The album was followed the same year with a companion EP titled Quoth. The EP’s title track originally appeared on the album, accompanied by additional songs who first appeared on this release.

Fast forward 32 years to 2025, Surfing On Sine Waves (Expanded Edition) sees the pair of companion releases as a single entity, out on vinyl and CD.

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Autechre continue their chronological series of LP reissues with the albums Untilted (2005) and Quaristice (2008).

Neither of these albums have been repressed since their original release and have been widely unavailable for over 15 years.

Demand in the interim has ensured coveted resale among fans wanting to hear this music on vinyl.

These reissues come at a particularly active time for Autechre as they prepare to embark on one of their most extensive live tours to date, including an entirely sold out run of 25 shows in 29 days through US, Canada and Mexico in October, as well as tours in EU (August) and UK (November).

Autechre most recently released new music in November 2024 with the ongoing digital project AE_2022–.

Other LP Reissues available: Incunabula (1993), Amber (1994), Tri Repetae (1995), Chiastic Slide (1997), LP5 (1998), Confield (2001), Draft 7.30 (2003).

- Specs Black 2LP vinyl in printed inner sleeves in wide spine outer sleeve

Tracklist:
A1. LCC
A2. Ipacial Section
B1. Pro Radii
B2. Augmatic Disport
C1. Iera
C2. Fermium
C3. The Trees
D1. Sublimit

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Autechre continue their chronological series of LP reissues with the albums Untilted (2005) and Quaristice (2008).

Neither of these albums have been repressed since their original release and have been widely unavailable for over 15 years.

Demand in the interim has ensured coveted resale among fans wanting to hear this music on vinyl.These reissues come at a particularly active time for Autechre as they prepare to embark on one of their most extensive live tours to date, including an entirely sold out run of 25 shows in 29 days through US, Canada and Mexico in October, as well as tours in EU (August) and UK (November).

Autechre most recently released new music in November 2024 with the ongoing digital project AE_2022–.

Other LP Reissues available: Incunabula (1993), Amber (1994), Tri Repetae (1995), Chiastic Slide (1997), LP5 (1998), Confield (2001), Draft 7.30 (2003).

- Specs Black 2LP vinyl in printed inner sleeves in wide spine outer sleeve

Tracklist:
A1. Altibzz
A2. The Plc
A3. IO
A4. plyPhon
A5. Perlence
B1. SonDEremawe
B2. Simmm
B3. paralel Suns
B4. Steels
B5. Tankakern
C1. rale
C2. Fol3
C3. fwzE
C4. 90101-5l-l
C5. bnc Castl
D1. Theswere
D2. WNSN
D3. chenc9
D4. Notwo
D5. Outh9X

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Incunabula, the debut full-length offering from Autechre finally made available again on vinyl, having been out of print on vinyl since 2001. Having first emerged onto a post-acid house 1993, Incunabula was released as part 7 of the now legendary Artificial Intelligence series of albums and compilations from Warp. A series that gave us early records from artists who went on to sculpt the electronic landscape both in and out of the club. Being lined up against such contemporaries as Black Dog Productions (Balil and Plaid) Aphex under his Polygon Window guise, Richie Hawtin's FUSE project, Speedy J, B12 & on the series' closing compilation, artists as diverse as Seefeel, Richard H Kirk & The Higher Intelligence Agency. Incunabula set the tone for the following landmark albums from Ae, huge caustic dissections of sound that almost resemble vast mathematical equations more than they do club fodder (though tracks like the breakbeat whip crack of Doctrine and the acidic euphoria of Maetl, which when deployed by the right DJ will go off). For those just arriving at the edge of Ae's world and are looking for an entry point into the sprawling discography of the group, or those of you looking to delve into the pre-MaxMSP archives, this is the record for you. There is not much we can say that has not been said before, but this truly is a landmark album of UK electronica, a legendary recording that still even after twenty-six years still sounds like a future we are yet to arrive at.

Spec: 2LP in paper inners in gatefold sleeve with postcard size download card

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1993 debut album by the trio of Andrew Weatherall, Jagz Kooner and Gary Burns. Unavailable on vinyl and CD since original release. Remastered from the original tapes by Matt Colton, contains “Smokebelch II (Beatless Mix)” for the first time on the 2LP edition.

Coming off the back of his work on the era-defining Screamadelica album by Primal Scream, not to mention groundbreaking remix work for the likes of New Order, My Bloody Valentine and the Happy Mondays, Weatherall was as revered by fans of indie guitar music as he was namechecked by hardcore ravers. The increasing demands on his services led to a studio partnership with Kooner and Burns, forming the production trio The Sabres Of Paradise (named after a 1960 book about a Muslim chieftain’s efforts to repel a Russian invasion).

The opening track on Sabresonic (named after the popular weekly club night Weatherall was then running) started life as a remix of the Primal Scream track “Don’t Fight It Feel It” but got so radically mutated that it turned into something entirely new. As well as reflecting on contemporary trends in dance music (“Inter-Legen-Ten-ko” is a swipe at the IDM genre name), the album also brought in older influences - “R.S.D” is an acronym for “Red Stripe Dub”, the deep influence of King Tubby et al evident at various points throughout the album, whilst the epic icy vistas of the 14 minute+ “Clock Factory” are informed by the electronic experiments of industrial groups such as Coil. The album also flagged future trends in electronic music, with the timeless “Smokebelch II (Beatless Mix)”, a beautiful re-work of an old Chicago house tune by Lamont Booker, becoming a staple of chillout compilation CDs for the rest of the decade.

- Specs Black 2LP vinyl in black polylined inner sleeves in wide spine outer sleeve

Tracklist:
A1. Still Fighting
A2. Smokebelch I
B1. Clock Factory
C1. Ano Electro (Andante)
C2. R.S.D.
D1. Inter-Lergen-Ten-ko
D2. Ano Electro (Allegro)
D3. Smokebelch II (Beatless Mix)

Key Information:
- Both are classic Warp albums - unavailable on vinyl & CD since original release
- Remastered from the original tapes by Matt Colton
- One of the key musical projects of the much-missed Andrew Weatherall who formed the group with Jagz Kooner and Gary Burns, initially as a production unit before signing to Warp and evolving into a proper band
- Remasters available digitally from May 29th 2025
- Sabresonic vinyl contains 'Smokebelch II (Beatless Mix)' for the first time on the 2LP edition
- Haunted Dancehall vinyl contains 'Theme' for the first time on the 2LP edition
- First live shows in over 3 decades

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1994 second album by the trio of Andrew Weatherall, Jagz Kooner and Gary Burns, unavailable on vinyl and CD since original release. A concept album with accompanying text for each track by James Woodbourne, it also includes additional production by Portishead and Mr Scruff. Remastered from the original tapes by Matt Colton, contains “Theme” for the first time on the 2LP edition.

By the time this record came out towards the end of ‘94, The Sabres Of Paradise had evolved from a production trio into a fully fledged band, embarking on live tours and augmented for the stage by additional members such as Rich Thair, from Warp labelmates Red Snapper, and Phil Mossman, later to join LCD Soundsystem. Tapped by Noel Gallagher to support Oasis at enormodomes, the group opted instead to play clubs, student unions, and infamously, a car park in Central London. Their tour adverts contained small print specifying a policy of “no jugglers, no fire eaters, no flutes and no hippies with lawyers”.

The studio sound had shifted radically as well, utilising samples (notably on the 1930s voodoo jazz inflected “Wilmot”), live instrumentation (the heavy twang guitar riff of “Tow Truck”) and a deep love of film scores audible throughout, from the block party funk of “Theme” to the noir-ish soundscapes of the title track. The sense of the album being a soundtrack itself is underpinned by the accompanying text for each track, rumoured to have been penned by Weatherall himself under a pseudonym, each text fragment joining up to form a suitably grimy, low-lit short story. The Guardian later summed up Haunted Dancehall as “techno’s first concept album”.

- Specs Black 2LP vinyl in printed inner sleeves in wide spine outer sleeve, spot gloss to cover

Tracklist:
A1. Bubble And Slide
A2. Bubble And Slide II
A3. Duke Of Earlsfield
B1. Flight Path Estate
B2. Planet D
B3. Wilmot
B4. Tow Truck
C1. Theme
C2. Theme 4
C3. Return To Planet D
C4. Ballad Of Nicky McGuire
D1. Jacob Street 7am
D2. Chapel Street Market 9am
D3. Haunted Dancehall

Key Information:
- Both are classic Warp albums - unavailable on vinyl & CD since original release
- Remastered from the original tapes by Matt Colton
- One of the key musical projects of the much-missed Andrew Weatherall who formed the group with Jagz Kooner and Gary Burns, initially as a production unit before signing to Warp and evolving into a proper band
- Remasters available digitally from May 29th 2025
- Sabresonic vinyl contains 'Smokebelch II (Beatless Mix)' for the first time on the 2LP edition
- Haunted Dancehall vinyl contains 'Theme' for the first time on the 2LP edition
- First live shows in over 3 decades

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Following the release of his new collaborative album Tall Tales with Thom Yorke, a 2LP vinyl repress of Mark Pritchard’s previous solo album Under The Sun will be available on 25 July via Warp Records.

Originally released in 2016, Under The Sun is one story told in chapters and, as with any good story, the spell is only maintained if you don't skip to the end. Pritchard, as usual, defies easy categorisation and that is what gives depth and nuance to this work. He draws on the sounds and influences genetically coded in his musical DNA; ambient, nu-wave, avant-garde electronics and folk; but reimagines them through an otherworldly filter that cements Under The Sun somewhere in the future, rather than the past.

The album features contributions from peers and friends including Thom Yorke, Linda Perhacs, Bibio, and Beans, and explores themes of beauty, desolation, and longing for home.

- "Beautiful melancholic downtempo from masterful electronic polyglot." - MOJO****
- "Under the Sun is deeply atmospheric and richly impressionistic." - Pitchfork

- Specs: 2LP black vinyl in printed inners in gatefold outer

Tracklisting:
A1. ?
A2. Give It Your Choir feat. Bibio
A3. Infrared
A4. Falling

B1. Beautiful People feat. Thom Yorke
B2. Sad Alron
B3. You Wash My Soul feat. Linda Perhacs
B4. Where Do They Go, The Butterflies

C1. Hi Red
C2. Ems
C3. The Blinds Cage
C4. Dawn Of The North

D1. Khufu
D2. Rebel Angels
D3. Under The Sun
D4. Cycles Of 9

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An album beloved by fans since its release in March 2004, Ultravisitor is one of the most popular records in Squarepusher’s entire discography. A unique blend of studio and live recordings, it’s an excellent showcase for the diversity of his music: from the frenetic title track to the funky jazz of “Iambic 9 Poetry” to the sunlit bliss of “Tommib Help Buss” and beyond.

Following last year’s 20th-anniversary expanded deluxe reissue, the standalone remastered edition is now widely available. Carefully remastered from the original tapes by Jason Mitchell at Loud Mastering and overseen by Tom Jenkinson - who was never entirely happy with the original release - this edition brings fresh dynamics and details in the tracks.

- "Spectacle of beauty and of terror." - The Quietus, Reissue Of The Week

- "The most accessible Squarepusher record to date. He has been careful to ensure he continues to challenge and alienate, but one can't help be thankful that he has started to find his human heart." - BBC (2004)

- Specs: Black 2LP vinyl in printed inner sleeves in wide spine outer sleeve

Tracklist:
A1. Ultravisitor
A2. I Fulcrum
A3. Iambic 9 Poetry
A4. Andrei
B1. 50 Cycles
B2. Menelec
B3. C-Town Smash
C1. Steinbolt
C2. An Arched Pathway
C3. Telluric Piece
C4. District Line II
D1. Circlewave
D2. Tetra-Sync
D3. Tommib Help Buss
D4. Every Day I Love

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Tracklisting:
A1. A Fake In A Faker's World
A2. Ice Shelf
A3. Bugging Out Again
B1. Back In The Game
B2. The White Cliffs
B3. The Spirit
C1. Gangsters
C2. This Conversation Is Missing Your Voice
C3. Tall Tales
D1. Happy Days
D2. The Men Who Dance In Stag's Heads
D3. Wandering Genie

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Tracklisting:
A1. A Fake In A Faker's World
A2. Ice Shelf
A3. Bugging Out Again
B1. Back In The Game
B2. The White Cliffs
B3. The Spirit
C1. Gangsters
C2. This Conversation Is Missing Your Voice
C3. Tall Tales
D1. Happy Days
D2. The Men Who Dance In Stag's Heads
D3. Wandering Genie

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Tracklisting:
A1. A Fake In A Faker's World
A2. Ice Shelf
A3. Bugging Out Again
B1. Back In The Game
B2. The White Cliffs
B3. The Spirit
C1. Gangsters
C2. This Conversation Is Missing Your Voice
C3. Tall Tales
D1. Happy Days
D2. The Men Who Dance In Stag's Heads
D3. Wandering Genie

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Tracklisting:
A1. A Fake In A Faker's World
A2. Ice Shelf
A3. Bugging Out Again
B1. Back In The Game
B2. The White Cliffs
B3. The Spirit
C1. Gangsters
C2. This Conversation Is Missing Your Voice
C3. Tall Tales
D1. Happy Days
D2. The Men Who Dance In Stag's Heads
D3. Wandering Genie

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On Now Claims My Timid Heart, Harris and Hedrick continue the experiment started on Swann and Odette, crafting closed systems that promote a hushed correspondence between their sonic (Basic Channel, drone metal) and literary influences (Kafka, Sebald, Pynchon).

On this album (their first record since 2017 as well as their first release on NYC’s Quiet Time Tapes), Harris and Hedrick eliminated much of music’s normal dependence on physical space, instead creating hermetically sealed sonic ‘rooms’ where the songs can live by sending samples and loops through convolution reverb. Each of the eight tracks on Timid Heart is fundamentally, thus, a field recording from an inaccessible world.

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Although humans possess language as a means of communication, We sometimes hurt each other simply by intending to. In war, bullets kill people. If we consider words to be like bullets, they can be violent and cause mental suffering. However, when communication causes problems, the only way to solve them is through more communication. I thought: wouldn't it be wonderful if those bullets could turn int flowers instead? In everyday life, when we talk, laugh and share moments with friends and family, Those moments can be transformed into flowers. Keeping this in mind, I created this album. (Hidetoshi Koizumi aka Hybrid Leisureland)

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‘3' saw the core Lifted duo of Max D & Matt Papich unravel their visions of excess into their most divergent and wide-eyed collection to date. Presented here by Peak Oil in a vinyl edition featuring the painting of Jordan Kasey (yes, related to Martin Kasey, saxophonist on 2019’s LP 2) and packaged for a seamless listen.

First scene ‘Chefs’ places us squarely off-center, landing in a cinematic environment that feels a bit like steadycam Luis Bunuel , wine bottle whoo-ing and horn fanfare. Its music without a hard surface, defined more by its fluidity and characters, found sounds and performed dialogue. “Cymbecko” shifts gears into blissful ambient dub, and paves the way for a Luke Stewart led excursion into the uncanny that is ‘Trip Tongue’. Stewart’s upright bass never stops seeking, while Jordan GCZs Rhodes barely touches down before lifting back up into and out of Jacob Long’s (Earthen Sea, Esau) liquid tone sheets. An outside world of percussion accompanies.

The mood morphs and the scene cuts in hard with “Born in the Roof”, slacker techno that grows shimmering parts, Perlon for potheads. Voiceover slacks right with it, a half-convo caught in the billowing chorus of fx. “Macarena” snaps things into focus, working almost like an open window to airing out the heady fog. Simplicity in the vignette.

After “Mecha Perfume & Variety”, “Snow Dancing” reignites the drama, with burning guitar by Jonny Nash taking a plucky and sliding lead over wildly fused drums by Max D, we get a test of new depths for Lifted with the somber and exuberant “Whipped Cream”. Crackling like a radio but with modern propulsion in the form of richly evocative pads courtesy of Motion Graphics, it sounds like a dinner, a space trip, a storyboard, a scene, threaded together in bouncing, oblique ways.

"Bobby V" drops refreshingly, timed like a credit roll and leaving an afterglow that feels more tuned-in than ever.

Players on this album include: Luke Stewart (Irreversible Entanglements, Blacks Myths), Jeremy Hyman, Jonny Nash (Melody As Truth), Jordan GCZ, Matt Papich, Josh Levi, Mezey, Hirama, Dawit Eklund (1432 R), Motion Graphics, Max D, Jacob Long (Earthen Sea, Esau)

Cover painting, "Double Moon" by Jordan Kasey

Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

Tracklisting
A1 Purl - Backens Sang
A2 Purl - Sus
B1 Purl - Sargyll
C1 Purl - Storisende
C2 Purl - Amneran
D1 Purl - Inapo
E1 Purl - Under Tradens Rotter
F1 Purl - Watts
F2 Purl - Oceanima

Sales Note
Hailed as "one of the finest ambient and dub techno albums around," Deep Ground earned Purl a place in the hearts of many lovers of the deeper side of electronica. Enthusiasts on Discogs describe it as "one of the best dubtech albums ever - hypnotic, mesmerizing & deep" - and compare it to luminaries like Biosphere and bvdub for its "warm deep calming sounds and atmospheres." Reminiscent of Wolfgang Voigt's GAS project, the seminal 2011 album by Purl (Ludvig Cimbrelius) is finally reborn in a remastered 3xLP vinyl reissue on LILA ART. Originally released on the revered Silent Season label based in British Columbia, this ambient techno masterpiece has continued to captivate listeners year after year. In many ways like a darker sister to 154's ethereal techno epic "Strike", Deep Ground echoes the misty forests and quiet expanses of Cimbrelius' youth in Sweden. As the artist reflects in a poem accompanying the release: "We are consciousness, rooted in the deep ground of being. The deep ground of being is where all things begin and end. The deep ground of being is eternal." This ethos permeates every layer of Purl's expression; crafting sonic sanctuaries that remain intimate while evoking the infinite.

Delicately remastered for vinyl by Giuseppe Tillieci (Neel) in collaboration with Purl. Limited to 300 copies worldwide.

Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More