Since infiltrating dancefloors and airwaves with April’s 2SOX001 release, Debukas? has been dreaming away in his ‘Shake Box’ and travelling to another world. The follow up to that debut 2Sox release is the Dream Travel EP ?from “the Mr. Fingers of the Highlands” (Brewster. Bill, 2015, Low Life). Inspired by a holiday to the Scottish town on the Isle of Lewis, Carloway ?is a head nodding dreamy builder, with a killer bassline, leading into some classic piano chords. A sure fire dance floor stealer. Larks ?throws together rave stabs and a real doof kick but supplements this with a floaty, dream like, melody that whirls around the head forever. Kick starting the flip side, Moons? decides to chill the EP out. A warm, fuzzy, vintage Carl Craig style track with a contemporary feel. Take some time to drift away to another planet with this one. And last, but certainly not least, the title track Dream Travel delivers some sumptuous chord progressions and, in keeping with Debukas’ homage to Detroit, some fierce string action. This release comes hot on the heels of the first 2Sox radio show on London’s legendary station Rinse FM?. It will also be preceded by Debukas’ appearance on the Forward to the Past 3 ?compilation from Steve Bug’s Poker Flat ?label.



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2014 saw Debukas receive critical acclaim thanks to his debut album, ‘I am Machinery’, on 2020Vision, and the subsequent remix album featuring a stellar lineup including Ripperton, JD Twitch and Tuff City Kids. The year also saw Debukas entertain crowds at Fabric, Moog Club and Sonar by Night. 2015 sees the ‘one-man synth orchestra’ return with an EP on his new Glasgow/Inverness based imprint, 2Sox. With the Transparent Living EP, Debukas focuses his gaze on the dancefloor throughout. Imagine a late night Detroit taxi took a wrong turn and ended up in Glasgow. LMBA opens up with deep synth layers and a driving rhythm before letting it’s hooky off-kilter melody take hold. Sunning is all about the molten hot Jupiter 6 bassline and live hi-hats, with hits of string chords adding to the mutant mix of disco and early techno. Title track Transparent Living draws deeply on classic Atkins and Passarani, the soundtrack to many an intoxicated Glasgow sunrise. Gnork rounds the EP off with a hypnotic rework in his unique space house style, heard recently on his widely praised material for Blind Jack’s Journey and Bokhari. Debukas is set to ramp it up a notch in 2015; with a hot release planned for 2020Vision and a series of releases pencilled in for the 2Sox label. Expect similar vibes over the year as Debukas and his label partner, Aldo, aim to work with like-minded artists for certified belterous releases.


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Debukas follows up his two critically acclaimed EP's with another superb emission of underground electronics with a pop sensibility. His way of approaching electronic music been compared to the likes of John Talabot, Caribou and Hot Chip in the way he mixes his pop and underground influences. And with a history that ranges from top of the pops appearances to twisted Detroit electro and with a grounding in classic house and techno, he's suitably placed to explore such wide ranging influences from Arthur Russell to Yello to Model 500. People might wear their analogue credentials on their sleeves these days, but for Debukas the music making process has always featured miles of wires, unreliable synths and hardware drum machines, which can all be seen on his youtube tribute videos. He also brings this same process to his original material, mixing his voice with his machines during long jam sessions which form the basis of his music. Reach Out Feel is one of his more club ready tracks, exploring his housier leanings, but retaining the trademark Debukas musicality . It comes with a very handy acapella of Reach Out Feel. Love Plant cuts up his vocals into a signature leftfield house groove and builds up to a more jackin' finale. Satellite is one of his most beautiful laid-back tracks with the nearest thing to a full vocal we can expect from him, the way he extracts real emotion from his synths on this track is breathtaking.


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Debukas might be a new name to enter the music scene, a quick google reveals just a remix of The Wild Beast and guest vocals on Simon Baker’s recent album, but he’s got a colourful and varied past.Debukas is the first solo project where he has been able to blend his love of underground electronics, leftfield pop and more importantly showcase his superb vocals. The music is strongly informed by the original Chicago and Detroit sounds of Larry Heard and Carl Craig but equally classic electronics from the likes of Yello, Gino Soccio and Klein & MBO. His vocals come to the fore in soulful bursts of song, and also in the very fabric of the tracks as percussion, riffs, melodies and FX, making his music instantly recognisable but also totally original. A self confessed analogue freak, (check the youtube footage of his Model 500, Aaron Carl and Nitzer Ebb tributes) he creates a rich, warm sound, that can only come from years of knob twiddling on vintage synths

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Ralph Lawson's Leeds-based 20/20 Vision Recordings continues to mark its 30th anniversary with another special release. Full Circle Vol. Two revisits label classics through a series of fresh, heavyweight remixes. Co-founder Random Factor flips Ricardo Villalobos' seminal 'Easy Lee' into bubbling electro, all lush harmonies and tremulous bass. Bobby reimagines 'Lockdown' as a moody, propulsive 4/4 club weapon and on the B-side, Fabric resident Craig Richards strips 'Convergence' into hypnotic, percussive minimalism, while Hardway Bros' acid-tinged rework of 'Digitize' delivers rumbling low-end and twisted vocal fragments.

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Repress!

Electro don Carl Finlow dropped 'Convergence' under his Random Factor alias back in 2005. It was a definitive showcase of the talent that continues to stand him out two decades on and is completely devoid of samples. Every note is carefully crafted as part of an emotional electro-pop classic that track gained legendary status thanks to Craig Richards, who has made it a regular in his sets at Fabric and Houghton Festival. John Tejada injects glitchy textures and stuttered vocals into his rework, and this reissue includes a subtly remastered version with improved fidelity and brand-new artwork by Finlow himself.

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20/20 Vision marks its 30th anniversary with another great release here in the form of some remixes of Crazy P's iconic single 'Stop Space Return'. The late Danielle Moore's unmistakable vocals shine across two stellar reworks from Colleen 'Cosmo' Murphy who infuses her cosmic, acid-laced disco energy into the track. Her Cosmodelica Remix and Dub version blend trippy 303s, cowbells and deep grooves into something suitably fresh. Also included are two classic Unabombers mixes from 2009, and they offer raw house heat and dubbed-out psychedelia that serves as a fine floor-focused reinterpretation of a beloved anthem.

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LA-based band ASHRR picked up plenty of new fans with their recent Sunshine Low album and now they're back with the sixth single from it and it comes with some seriously heavyweight names on the remix. Chicago house pioneer Ron Trent does his thing to 'Please Don't Stop The Rain' by going super deep, spine tingling and heady with some lush arps and distant guitar twangs adding a Balearic feel. Dub treatments come from the Prescription boss himself, while ASHRR's alter ego, ASHRR Soundsystem, offer up an instrumental and a remix that lay down dubby house drums and lush chord work. This one keeps the summer vibes going well into winter.

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LA threesome ASHRR aka lead vocalist Steven Davis and producer-musician-vocalists Josh Charles and Ethan Allen are back with a brilliant new album for Ralph Lawson's superb 20/20 Vision Recordings that finds them working by the old mantra of 'art for art's sake'. This effortlessly eclectic record collides electronic soul, post-punk, space disco and indie-dance and is rich in melancholic melody, hazy, late-summer moods and late-night dancing. The vocals bring an indie edge to jangling delights like 'Please Don't Stop The Rain' while 'What's Been Turning You On' is a laidback and languid groove for lazy sessions.

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Long-cherished underground stalwart Claus Voigtmann finally serves up his long-awaited new album Life Miles after many years of essential sounds on labels like Assemble and Intermission. He really shows his range here with a record that draws on his experiences of playing around the world in all sorts of different settings. 'Pinfire' and 'Transitory Moments' open up and take you to the heart of fabric, a club he has played so often, while 'North of the Sun' heads off into space on sleek electro rhythms while the likes of 'Abundance' bring cosmic melodic fun to a lively and inventive rhythm. Elsewhere there is the high-speed electro-funk of 'Flight Of Fancy' and the introspective downbeat trip 'Send Love To The Future' making this a varied and vital affair.

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20/20 Vision and Crazy P continue their long and fruitful relationship with a fourth volume of carefully curated and super-fresh new cuts as part of this fine ongoing series. Scandi-disco don Ray Man opens up with typically lush cosmic melodies and loose-limed nu-disco beats with more than a hint of funk. Tigerbalm then heads into a tropical oasis with 'Cosmic Union' (feat Joy Tyson) which has Afro rhythms and steamy vocals bringing the heat. Ruf Dug shows his multi-genre chops again with 'Vape Quarter Rhythm' which is part proto-house cut and part dreamy Italo bliss out with rave whistles and hands-in-the-air chords. Ibiza's Tuccillo closes out with one of his signature Balearic gems in 'Siroco', which is as breezy and carefree as cocktails by the sea at sundown.

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Luther Vine's Fragments Of Reality and its various artists series have been a real doozy for 20/20 but now the sub-label offers up a first solo EP. It is Snad who gets the gig and he is a house producer from Berlin making big waves right now. This one follows outings on Chicago's Kimochi Records, Chez Damier's Courtesy of Balance and the Dungeon Meat label and is another raw, stripped-back offering of tough house. 'Bootlickerz' is a bristling cut ready for the peak time, 'Goobernatorial Candidacy' has a more stripped-back but just as compelling groove and 'Per Savour' goes deep into late-night goodness before closer 'Butt Heads' picks up the pace once more.

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After the first two well-received outings of this series, Crazy P is back with another of their Curates offerings This is another limited edition selection with four cuts all carefully selected by the disco funksters and all served p with fresh art by the one and only Bristol artist Victoria Topping. Hardway Bros kick off with some nice far-sighted deep disco, Das Komplex's is a more psyched-out offering then Lea Lisa brings a lush and symphonic sound and Red Rack'em offers late-night lover's grooves to make for a very tasteful and nicely diverse selection

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Exit Planet Earth continues its exploration of the world of electro universe with an expansive, extended six track EP, featuring The Advent x Zein Ferreira, DeFeKT, London Modular Alliance, Konertymi and Zobol. The Advent, whose weekly Gardening Club residency in the mid-90s helped to drag electro out of the realms of the retro and back into the future, team up with Zein Ferreira for a Kraftwerk-on-speed extended mix of 'CarpeDiem', before London Modular Alliance's more moderately paced but still squiggle and bleep laced 'Lump of Coal' plus a 'beats' breakdown for the DJs. The B-side brings us the acid-powered 'Pulssi' by Konerytmi, the bouncy, breakdance-friendly 'Radar' by DeFeKT, and the relatively pure, optimistic sonics of Zobol's 'Data Wars'. Thumbs up all round.

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Following the epic dystopian LP 'Manifold' Versalife returns with his second album on 20/20 Vision 'Chronoception'. The accomplished Dutch producer Boris Bunnik aka Conforce delves deep into the cosmic abyss with 8 auditory adventures laced with shadowy tones, deep base and robotic funk.

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Ralph Lawson's 20/20 Vision has been a reliable home for disco funksters Crazy P over the years. Even though the label has veered more into electro sounds of late, happily it still has the space for this second volume of tunes curated by the Nottingham outfit. It shows how their sound has broadened over the years and takes in the gorgeous downtempo lushness of A Certain Ratio's 'Atmosphere Sings' next to Hot Toddy's deep and thoughtful groove 'Barry & The Mouse'. On the flip is some majestic and cosmic Italo from scene-godfather Daniele Baldelli & Marco Dionigi on 'Neono' and then Sarah Bates rounds out with some rugged bass guitar riffs and late-night tropical heat on 'All About That'.

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20/20 Vision have enlisted disco overlords Crazy P to curate a brand new series of records for the label, with exclusive tracks produced by some of their favourite artists on the cards. Designed to stretch beyond the world of disco and showcase the band's wide ranging and eclectic musical tastes, there'll be Balearic moments, downtempo beats, indie dance and electronica spread over four vinyl records.
Volume One kicks things off in style with a brand new track from Crazy P themselves, 'People (We Can Transform)', a slinky medium paced groove run through with a slowly opening acid line, funky guitars and an uplifting vocal. Elsewhere, Ashley Beedle declares 'War On The Bullshit (Revive)' with a barnstorming dancefloor stomper and Felix Dickinson remixes ASHRR's 'Fizzy' into a classy noir instrumental where jazz funk keyboards swirl around a rock solid b-line. Change Request & Saucy Lady close the whole affair with soul drenched diva-fest 'Be Dramatic', definitely the most old skool of the lot. It all bodes very well for the next three instalments.

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Originally from France and now based in Berlin Isolated Material has dropped a steady run of heavy hitting releases on labels including; Brokntoys, Haws, Ukonx, 909 Connection and Mind Controlled Rectifier before joining us for his debut EP on 20/20 Vision.

'Hidden Node' kicks off the wax with a jarring excursion of futuristic breaks and abrasive sound design firing on all cylinders with complex drum patterns, bleeps and glitches. 'Asynchronous Funk' sees Isolated Material serve up an abstract slice of electro funk with a solid broken beat groove peppered with unexpected moments of off-kilter magic.

On the flip side - title track 'Hidden Node' offers up a dose of Drexciyan inspired funk primed for a set on the dark side of the moon with; high octane breaks, quick fire drum programming, intricate synth patterns and ominous undertones. Wrapping up the EP 'Unmarked Sequence' is an equally potent chaser for the wide eyed deep space traveller in need of body jerking breaks.

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Subb-an returns to 20/20 Vision with 'State Of Flow' featuring vocals from Oli Gosh (Crosstown Rebels). Ash Subhan has been an integral part of the deep house and techno scenes over the last decade and more with releases for One Records, Spectral and Culprit.

'State Of Flow' is a beautiful slice of deep techno that incapsulates atmospheric layers of melodies and vocals with powerful bottom heavy bass and percussive floor control. SOF is the first collaboration between Subb-an and singer songwriter Oli Gosh and has resulted in new directions and musical landscapes.ASOF comes complete with remixes from Adam Pits and Armec.
Adam Pits delivers a devious little gem aimed at dance-floor destruction that winds it's way between a heavy garage bassline and 90's four to floor house rhythms, fragmenting the vocal around an increasingly unhinged and infectious groove. It's fusion served at it's finest and a super fresh sound perfectly placed for the current club scene.

Armec accentuates and expands the immense power hidden in 'State Of Flow' by breakin' the beats up and adding heavily swung filtered loops snaking around a massive bass. The Armec remix comes complete with a twist to its tale with the additional of a magnificently wobbly arpeggiated synth twisting our melons into a right old state.

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