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Ray Mang - Osea Island
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Tigerbalm - Cosmic Union (feat Joy Tyson)
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Ruf Dug - Vape Quarter Rhythm
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Tuccillo - Siroco
20/20 Vision and Crazy P continue their long and fruitful relationship with a fourth volume of carefully curated and super-fresh new cuts as part of this fine ongoing series. Scandi-disco don Ray Man opens up with typically lush cosmic melodies and loose-limed nu-disco beats with more than a hint of funk. Tigerbalm then heads into a tropical oasis with 'Cosmic Union' (feat Joy Tyson) which has Afro rhythms and steamy vocals bringing the heat. Ruf Dug shows his multi-genre chops again with 'Vape Quarter Rhythm' which is part proto-house cut and part dreamy Italo bliss out with rave whistles and hands-in-the-air chords. Ibiza's Tuccillo closes out with one of his signature Balearic gems in 'Siroco', which is as breezy and carefree as cocktails by the sea at sundown.
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More records from 20/20 Vision
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Voigtmann - Pinfire
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Voigtmann - Transitory Moments
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Voigtmann - North Of The Sun
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Voigtmann - Lowrider
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Voigtmann - Abundance
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Voigtmann - Figures Of Eight
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Voigtmann - Flight Of Fancy
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Voigtmann - Send Love To The Future
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Voigtmann - Headlong
Long-cherished underground stalwart Claus Voigtmann finally serves up his long-awaited new album Life Miles after many years of essential sounds on labels like Assemble and Intermission. He really shows his range here with a record that draws on his experiences of playing around the world in all sorts of different settings. 'Pinfire' and 'Transitory Moments' open up and take you to the heart of fabric, a club he has played so often, while 'North of the Sun' heads off into space on sleek electro rhythms while the likes of 'Abundance' bring cosmic melodic fun to a lively and inventive rhythm. Elsewhere there is the high-speed electro-funk of 'Flight Of Fancy' and the introspective downbeat trip 'Send Love To The Future' making this a varied and vital affair.
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Snad - Bootlickerz
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Snad - Goobernatorial Candidacy
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Snad - Per Savour
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Snad - Butt Heads
Luther Vine's Fragments Of Reality and its various artists series have been a real doozy for 20/20 but now the sub-label offers up a first solo EP. It is Snad who gets the gig and he is a house producer from Berlin making big waves right now. This one follows outings on Chicago's Kimochi Records, Chez Damier's Courtesy of Balance and the Dungeon Meat label and is another raw, stripped-back offering of tough house. 'Bootlickerz' is a bristling cut ready for the peak time, 'Goobernatorial Candidacy' has a more stripped-back but just as compelling groove and 'Per Savour' goes deep into late-night goodness before closer 'Butt Heads' picks up the pace once more.
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Hardware Bros - Here's To The Wind (Hardway Bros Meet Monkton Under Blue Moon)
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Das Komplex - Wanna Do It
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Lea Lisa - Lost In Space
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Red Rack'em - Love & Peace
After the first two well-received outings of this series, Crazy P is back with another of their Curates offerings This is another limited edition selection with four cuts all carefully selected by the disco funksters and all served p with fresh art by the one and only Bristol artist Victoria Topping. Hardway Bros kick off with some nice far-sighted deep disco, Das Komplex's is a more psyched-out offering then Lea Lisa brings a lush and symphonic sound and Red Rack'em offers late-night lover's grooves to make for a very tasteful and nicely diverse selection
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The Advent X Zein Ferreira - Carpe Diem
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London Modular Alliance - Lump Of Coal
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London Modular Alliance - Lump Of Coal (Beats)
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Konerytmi - Pulssi
5
DeFeKT - Radar
6
Zobol - Data Wars
Exit Planet Earth continues its exploration of the world of electro universe with an expansive, extended six track EP, featuring The Advent x Zein Ferreira, DeFeKT, London Modular Alliance, Konertymi and Zobol. The Advent, whose weekly Gardening Club residency in the mid-90s helped to drag electro out of the realms of the retro and back into the future, team up with Zein Ferreira for a Kraftwerk-on-speed extended mix of 'CarpeDiem', before London Modular Alliance's more moderately paced but still squiggle and bleep laced 'Lump of Coal' plus a 'beats' breakdown for the DJs. The B-side brings us the acid-powered 'Pulssi' by Konerytmi, the bouncy, breakdance-friendly 'Radar' by DeFeKT, and the relatively pure, optimistic sonics of Zobol's 'Data Wars'. Thumbs up all round.
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1
Versalife - Altered Perception
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Versalife - Equilibirum
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Versalife - Temporal Resolution
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Versalife - Altered Sense
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Versalife - Oculus
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Versalife - Polychron
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Versalife - Perceptual Time Dilation
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Versalife - Clairvoyance
Following the epic dystopian LP 'Manifold' Versalife returns with his second album on 20/20 Vision 'Chronoception'. The accomplished Dutch producer Boris Bunnik aka Conforce delves deep into the cosmic abyss with 8 auditory adventures laced with shadowy tones, deep base and robotic funk.
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Hot Toddy - Barry & The Mouse
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A Certain Ratio - Atmosphere Sings
3
Daniele Baldelli & Marco Dionigi - Neono
4
Sarah Bates - All About That
Ralph Lawson's 20/20 Vision has been a reliable home for disco funksters Crazy P over the years. Even though the label has veered more into electro sounds of late, happily it still has the space for this second volume of tunes curated by the Nottingham outfit. It shows how their sound has broadened over the years and takes in the gorgeous downtempo lushness of A Certain Ratio's 'Atmosphere Sings' next to Hot Toddy's deep and thoughtful groove 'Barry & The Mouse'. On the flip is some majestic and cosmic Italo from scene-godfather Daniele Baldelli & Marco Dionigi on 'Neono' and then Sarah Bates rounds out with some rugged bass guitar riffs and late-night tropical heat on 'All About That'.
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Crazy P - People (We Can Transform)
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ASHRR - Fizzy (Felix Dickinson remix)
3
Ashley Beedle - War On The Bullshit (Revive)
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Change Request & Saucy Lady - Be Dramatic
20/20 Vision have enlisted disco overlords Crazy P to curate a brand new series of records for the label, with exclusive tracks produced by some of their favourite artists on the cards. Designed to stretch beyond the world of disco and showcase the band's wide ranging and eclectic musical tastes, there'll be Balearic moments, downtempo beats, indie dance and electronica spread over four vinyl records.
Volume One kicks things off in style with a brand new track from Crazy P themselves, 'People (We Can Transform)', a slinky medium paced groove run through with a slowly opening acid line, funky guitars and an uplifting vocal. Elsewhere, Ashley Beedle declares 'War On The Bullshit (Revive)' with a barnstorming dancefloor stomper and Felix Dickinson remixes ASHRR's 'Fizzy' into a classy noir instrumental where jazz funk keyboards swirl around a rock solid b-line. Change Request & Saucy Lady close the whole affair with soul drenched diva-fest 'Be Dramatic', definitely the most old skool of the lot. It all bodes very well for the next three instalments. More
Volume One kicks things off in style with a brand new track from Crazy P themselves, 'People (We Can Transform)', a slinky medium paced groove run through with a slowly opening acid line, funky guitars and an uplifting vocal. Elsewhere, Ashley Beedle declares 'War On The Bullshit (Revive)' with a barnstorming dancefloor stomper and Felix Dickinson remixes ASHRR's 'Fizzy' into a classy noir instrumental where jazz funk keyboards swirl around a rock solid b-line. Change Request & Saucy Lady close the whole affair with soul drenched diva-fest 'Be Dramatic', definitely the most old skool of the lot. It all bodes very well for the next three instalments. More
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Isolated Material - Abstraction Layer
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Isolated Material - Asynchronous Funk
3
Isolated Material - Hidden Node
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Isolated Material - Unmarked Sequence
Originally from France and now based in Berlin Isolated Material has dropped a steady run of heavy hitting releases on labels including; Brokntoys, Haws, Ukonx, 909 Connection and Mind Controlled Rectifier before joining us for his debut EP on 20/20 Vision.
'Hidden Node' kicks off the wax with a jarring excursion of futuristic breaks and abrasive sound design firing on all cylinders with complex drum patterns, bleeps and glitches. 'Asynchronous Funk' sees Isolated Material serve up an abstract slice of electro funk with a solid broken beat groove peppered with unexpected moments of off-kilter magic.
On the flip side - title track 'Hidden Node' offers up a dose of Drexciyan inspired funk primed for a set on the dark side of the moon with; high octane breaks, quick fire drum programming, intricate synth patterns and ominous undertones. Wrapping up the EP 'Unmarked Sequence' is an equally potent chaser for the wide eyed deep space traveller in need of body jerking breaks. More
'Hidden Node' kicks off the wax with a jarring excursion of futuristic breaks and abrasive sound design firing on all cylinders with complex drum patterns, bleeps and glitches. 'Asynchronous Funk' sees Isolated Material serve up an abstract slice of electro funk with a solid broken beat groove peppered with unexpected moments of off-kilter magic.
On the flip side - title track 'Hidden Node' offers up a dose of Drexciyan inspired funk primed for a set on the dark side of the moon with; high octane breaks, quick fire drum programming, intricate synth patterns and ominous undertones. Wrapping up the EP 'Unmarked Sequence' is an equally potent chaser for the wide eyed deep space traveller in need of body jerking breaks. More
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Subb An - State Of Flow
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Subb An - State Of Flow (Adam Pits Remix)
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Subb An - State Of Flow (Armec Remix)
Subb-an returns to 20/20 Vision with 'State Of Flow' featuring vocals from Oli Gosh (Crosstown Rebels). Ash Subhan has been an integral part of the deep house and techno scenes over the last decade and more with releases for One Records, Spectral and Culprit.
'State Of Flow' is a beautiful slice of deep techno that incapsulates atmospheric layers of melodies and vocals with powerful bottom heavy bass and percussive floor control. SOF is the first collaboration between Subb-an and singer songwriter Oli Gosh and has resulted in new directions and musical landscapes.ASOF comes complete with remixes from Adam Pits and Armec.
Adam Pits delivers a devious little gem aimed at dance-floor destruction that winds it's way between a heavy garage bassline and 90's four to floor house rhythms, fragmenting the vocal around an increasingly unhinged and infectious groove. It's fusion served at it's finest and a super fresh sound perfectly placed for the current club scene.
Armec accentuates and expands the immense power hidden in 'State Of Flow' by breakin' the beats up and adding heavily swung filtered loops snaking around a massive bass. The Armec remix comes complete with a twist to its tale with the additional of a magnificently wobbly arpeggiated synth twisting our melons into a right old state. More
'State Of Flow' is a beautiful slice of deep techno that incapsulates atmospheric layers of melodies and vocals with powerful bottom heavy bass and percussive floor control. SOF is the first collaboration between Subb-an and singer songwriter Oli Gosh and has resulted in new directions and musical landscapes.ASOF comes complete with remixes from Adam Pits and Armec.
Adam Pits delivers a devious little gem aimed at dance-floor destruction that winds it's way between a heavy garage bassline and 90's four to floor house rhythms, fragmenting the vocal around an increasingly unhinged and infectious groove. It's fusion served at it's finest and a super fresh sound perfectly placed for the current club scene.
Armec accentuates and expands the immense power hidden in 'State Of Flow' by breakin' the beats up and adding heavily swung filtered loops snaking around a massive bass. The Armec remix comes complete with a twist to its tale with the additional of a magnificently wobbly arpeggiated synth twisting our melons into a right old state. More
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Crazy P - Caught Up (Still Going Dub Mix)
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Crazy P - Never Gonna Reach Me (Hot Toddy Mix)
The much loved and highly sought after Hot Toddy Remix of Never Gonna Reach Me is finally getting a long overdue vinyl repress from the original masters and artwork. It's no exaggeration to say that NGRM has become a bona fide disco classic since its first release that has stood the test of time. Crazy P band member Chris Todd took the original version from the band's Stop, Space, Return album and remixed it up for the dance floor adding disco drums, rhodes keys and arpeggiated synth sequences. On the flip side there is another sublime remix from Still Going, the New York duo best known for their output on DFA. All in all an absolutely essential addition to any record collection...
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Carl Finlow - Desequence
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Carl Finlow - Downstream
3
Carl Finlow - Guttural
4
Carl Finlow - Wavefront
Carl Finlow has produced an astonishing catalogue of music over a career spanning three decades, with his discography including hundreds of releases and remixes under a variety of monikers. 'Desequence' is the latest edition to Finlow's expansive productions and a masterclass in electronic music.A
'Desequence' kicks off the record with a heavy dose of integalactic funk with interstellar beats rockin' over squelchy bass lines and razor sharp glitches. While 'Downstream' delivers a warped groove wrapped up in Finlow's intricate programming.A
'Guttural' is an overwhelming assault of rapid fire elements, forming complex off kilter breaks littered with robotic licks and served over deep, low end bass. 'Wavefront' closes yet another impeccable addition to Finlow's highly accomplished works, with an off planet adventure through extraterrestrial soundscapes. More
'Desequence' kicks off the record with a heavy dose of integalactic funk with interstellar beats rockin' over squelchy bass lines and razor sharp glitches. While 'Downstream' delivers a warped groove wrapped up in Finlow's intricate programming.A
'Guttural' is an overwhelming assault of rapid fire elements, forming complex off kilter breaks littered with robotic licks and served over deep, low end bass. 'Wavefront' closes yet another impeccable addition to Finlow's highly accomplished works, with an off planet adventure through extraterrestrial soundscapes. More
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Ataxia & Mister Joshooa - Subversive
2
Harrison BDP - Dirty Mochyn
3
Adam Pits - Pat On The Back
4
Keisuke - OK Taiko
ATAXIA & Mister Joshooa kick off with 'Subversive' - a slick tripped-out breakbeat-driven jam from Detroit's Marble Bar and TV Lounge residents. It's a powerful and expertly programmed production with a barrage of drums and bass held down by an array of ricocheting synth and vocal FX, tried and tested on Detroit's most discerning dancefloors. Next up Harrison BDP let's loose with 'Dirty Mochyn', a 90's inspired roller from the prolific producer featuring his signature dubby sound design, synth licks and a throbbing bassline.
Strap yourselves in, as the flip side opens with a deep house composition from hotly tipped Leeds based producer Adam Pits. 'Pat On The Back' sucks you into a wormhole of bubbling music with cosmic pads swirling around the stereo field and a beautifully expressive synth line - finished to perfection with a highly swung TR909 groove. The record is then perfectly balanced by Berlin based Keisuke with 'Ok Taiko' - a deep driving house track following hot on the heels from his killer debut EP on Phonica White. 'Ok Taiko' oozes with TB303 goodness and nostalgia-evoking piano stabs, all strung together with an ever evolving house rhythm. More
Strap yourselves in, as the flip side opens with a deep house composition from hotly tipped Leeds based producer Adam Pits. 'Pat On The Back' sucks you into a wormhole of bubbling music with cosmic pads swirling around the stereo field and a beautifully expressive synth line - finished to perfection with a highly swung TR909 groove. The record is then perfectly balanced by Berlin based Keisuke with 'Ok Taiko' - a deep driving house track following hot on the heels from his killer debut EP on Phonica White. 'Ok Taiko' oozes with TB303 goodness and nostalgia-evoking piano stabs, all strung together with an ever evolving house rhythm. More
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Egyptian Lover & Soul Clap - Hai Karate (Dub)
2
Futurenauts - We Are The Futurenauts
3
Sound Synthesis - You Are The Force
4
Mick Wilson & August Artier - Akira's City
The Exit Planet Earth series continues with the first ever collaboration between two undisputed electro-funk heavyweights Egyptian Lover & Soul Clap. Egypt knows how to rock the TR 808 like no other and has been a true player on the LA electro scene since 1984. While Soul Clap have forged their unique E-Funk sound coming out of New York City as part of the Crew Love collective. The resulting track 'Hai Karate' is a slice of superbly produced classic electro designed to rattle bass bins from Miami to Mars.
Following form in classic electro directions, Futurenauts present their debut track 'We are the Futurenauts' that brings a slower based groove reminiscent of 'A Love from Outer Space' into the cosmos and delivers a powerful message to humanity. The flip sees a welcome return to 20/20 Vision from the Maltese magician Sound Synthesis who continues the vocoded vocals but adds a state-of-the-art assault on the senses with a slamming track aimed firmly at the discerning dancefloor. EPE 08 is finished off in fine style by Mick Wilson & August Artier with 'Akira's Cry', which fuses a deep house bassline and chords with tight break beat programming and powerful lead strings. More
Following form in classic electro directions, Futurenauts present their debut track 'We are the Futurenauts' that brings a slower based groove reminiscent of 'A Love from Outer Space' into the cosmos and delivers a powerful message to humanity. The flip sees a welcome return to 20/20 Vision from the Maltese magician Sound Synthesis who continues the vocoded vocals but adds a state-of-the-art assault on the senses with a slamming track aimed firmly at the discerning dancefloor. EPE 08 is finished off in fine style by Mick Wilson & August Artier with 'Akira's Cry', which fuses a deep house bassline and chords with tight break beat programming and powerful lead strings. More
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Subb An & Luther Vine - Expression
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Rudolf C - Animal Anthem
3
Voodoos & Taboos - Pyramid
4
Eris - Enchanted
Fragments of Reality continues to suck you through wormholes into the multiverse with the second selection of exclusive V/A tracks produced for the fledgling imprint.
FOR 02 opens with a brand new collaboration between Subb-an (ONE records) and Luther Vine (Phonica) with a track called 'Expression' - an ominous, swirling, floor-filling monster that combines relentless rhythms, otherworldly vocals and futuristic synths into a high-quality production. It's closely followed by 'Animal Anthem' from acid breaks maestro Rudolf C, that features his trademark multi-dimensional layers of sound wrapped up in a contemplative mood and finished with intense production skills.
The flip side opens with 'Pyramid' a fresh new sound from a mysterious duo, Voodoos and Taboos. Following a string of high calibre releases on Phonica AM and their own label the duo continue to make their mark as masters of cinematic sound design with this tripped out mind melter! FOR 02 is beautifully balanced with 'Enchanted' from Berlin based duo ERIS, known amongst other things for their releases on Tokyo based label, Cabaret. Once again Fragments of Reality delivers four unique excursions into different dimensions and soundscapes. More
FOR 02 opens with a brand new collaboration between Subb-an (ONE records) and Luther Vine (Phonica) with a track called 'Expression' - an ominous, swirling, floor-filling monster that combines relentless rhythms, otherworldly vocals and futuristic synths into a high-quality production. It's closely followed by 'Animal Anthem' from acid breaks maestro Rudolf C, that features his trademark multi-dimensional layers of sound wrapped up in a contemplative mood and finished with intense production skills.
The flip side opens with 'Pyramid' a fresh new sound from a mysterious duo, Voodoos and Taboos. Following a string of high calibre releases on Phonica AM and their own label the duo continue to make their mark as masters of cinematic sound design with this tripped out mind melter! FOR 02 is beautifully balanced with 'Enchanted' from Berlin based duo ERIS, known amongst other things for their releases on Tokyo based label, Cabaret. Once again Fragments of Reality delivers four unique excursions into different dimensions and soundscapes. More
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Annie Hall - Maruxaina
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Annie Hall - Meiga
3
Annie Hall - Bretema
4
Annie Hall - Sarabia
Barcelona based Annie Hall drops her debut EP on 20/20 Vision 'Maruxaina', following releases on D1, Detroit Underground, Semantica, CPU and most recently our Exit Planet Earth vinyl series. Annie's eclectic and uniquely expressive output has seen her serve up tracks that take you straight to the dance floor, alongside complex and inventive musical soundscapes.
Kicking things off on the A side the title track 'Maruxaina' draws you in with nostalgic breaks and bass trudges, complimented by warm echoed chords and hypnotic tones. Next up on the A side 'Meiga' serves up a driving groove with deep rolling drums and patterned glitches, intertwining uplifting chord progressions and a soothing vocal, forming a uniquely mesmerising electronic soundscape.A
'Bretema' opens up the B side with a space bound atmospheric gem, grounded by a solid break groove yet elevated with cinematographic synths and harmonic melodies. Wrapping up the EP 'Sarabia' provides an unapologetic experimental expression that blurs the boundaries of genre, with off kilter pads, deep kicks and edgy glass synths creating a beautifully obscure serenity. More
Kicking things off on the A side the title track 'Maruxaina' draws you in with nostalgic breaks and bass trudges, complimented by warm echoed chords and hypnotic tones. Next up on the A side 'Meiga' serves up a driving groove with deep rolling drums and patterned glitches, intertwining uplifting chord progressions and a soothing vocal, forming a uniquely mesmerising electronic soundscape.A
'Bretema' opens up the B side with a space bound atmospheric gem, grounded by a solid break groove yet elevated with cinematographic synths and harmonic melodies. Wrapping up the EP 'Sarabia' provides an unapologetic experimental expression that blurs the boundaries of genre, with off kilter pads, deep kicks and edgy glass synths creating a beautifully obscure serenity. More
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Kim Cosmik - Night Flight
2
Kim Cosmik - Ore
3
Kim Cosmik - Nocturnal
4
Kim Cosmik - Drifting
There seems to be something in the water down in Hastings as a veritable hive of electronic music artists have been busy making beats in ever growing numbers down there - including Kim Cosmik.
Kim's debut on 20/20 Vision is an impressive and highly original mix of techno, electro, broken beats and industrial sounds, destined to destroy the long-anticipated dance floor revival. Although overall the record is abrasive, hard-hitting and takes no prisoners - beneath the surface, in tracks like 'Drifting' we also find nuances of emotional musicality that shed vast streams of light on the proceedings. The record does indeed kick off with intent though with 'Night Flight' - a blistering techno workout that would resonate magnificently in the mighty Berghain hall. There's no holding back the menacing bass line, fortified tough jacking groove on this one as strong synth lines and strings embellish and complete the soundscape.Over to 'Ore' which cranks up the gears into an industrial techno slammer packed with abstract outer-planet sound design finished off with pounding overdriven drums programmed with military precision.
On the flip side is a gem called 'Nocturnal'- this is the cut that first really caught our attention at 20/20 Vision, with it's merciless industrial dubstep kick drums and brutal precision. It's a simple, stripped back workout held in place beautifully by a discordant string - there's just no escaping this fierce ruling diva. Not for the faint-hearted but those who dare will be rewarded.
Kim's final track 'Drifting' is the jewel in the crown that provides the light after the storm. It's a blissful, cosmic, jazz fused musical tapestry driven by break beats, while compassionate strings infused with Kim's own vocal harmonies and subtle piano motifs glisten and glide over the track adding soothing layers of harmonious quality. Drifting is the perfect close to a truly stunning debut EP. More
Kim's debut on 20/20 Vision is an impressive and highly original mix of techno, electro, broken beats and industrial sounds, destined to destroy the long-anticipated dance floor revival. Although overall the record is abrasive, hard-hitting and takes no prisoners - beneath the surface, in tracks like 'Drifting' we also find nuances of emotional musicality that shed vast streams of light on the proceedings. The record does indeed kick off with intent though with 'Night Flight' - a blistering techno workout that would resonate magnificently in the mighty Berghain hall. There's no holding back the menacing bass line, fortified tough jacking groove on this one as strong synth lines and strings embellish and complete the soundscape.Over to 'Ore' which cranks up the gears into an industrial techno slammer packed with abstract outer-planet sound design finished off with pounding overdriven drums programmed with military precision.
On the flip side is a gem called 'Nocturnal'- this is the cut that first really caught our attention at 20/20 Vision, with it's merciless industrial dubstep kick drums and brutal precision. It's a simple, stripped back workout held in place beautifully by a discordant string - there's just no escaping this fierce ruling diva. Not for the faint-hearted but those who dare will be rewarded.
Kim's final track 'Drifting' is the jewel in the crown that provides the light after the storm. It's a blissful, cosmic, jazz fused musical tapestry driven by break beats, while compassionate strings infused with Kim's own vocal harmonies and subtle piano motifs glisten and glide over the track adding soothing layers of harmonious quality. Drifting is the perfect close to a truly stunning debut EP. More
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Lloyd Stellar / The Droid - Rise Of The Machines
2
Lloyd Stellar / The Droid - Prisoners
3
Lloyd Stellar / The Droid - Cell Block
4
Lloyd Stellar / The Droid - Room & Pillar
5
Lloyd Stellar / The Droid - The Neutral Zone
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Lloyd Stellar / The Droid - Coming Home
"Lloyd Stellar X The Droid - Rise of theAMachines is an exciting debut collaboration between Erik Griffioen & Ben Evans.AAn impressive maxi EP, loaded with cutting edge electro brimmingAwith musicality, sound design and expert production.A
Kicking off the release comes theAtitle track 'Rise Of The Machines', this quirky yet nuanced excursion sets the pace, allowing it's nifty ricocheting sequences, slick 808s, and tripped out ear candy to hit the clubs. 'Prisoners features a wiggly bass led jam, plastered with synths and finished with a dash of vocoded vocals. TheAduos ability to illustrate a dense sonic picture is evident once again on 'Cell Block' as intricate razor sharp drum programming holds the ship steady while ominous synths let the head wander before rich melancholic pads blast a sense of perspective and emotive depth.A
A
Onto the flip side - 'Room And Pillar'Agrabs the bull by the horns with a tough and aggressive bass line driven banger. Shrieking, twisted synth lines and FX are shattered across the track, keeping tension levels peaking, while TR808 rhythms cut through with military precision. Contrasting A'The Neutral Zone' sucks us into a deep atmospheric orbit of blissful yet inquisitive FM synthesis, distant emotive pads, fortified by warm stately bass tones. ARounding off the EP 'Coming Home' exhibits electro minimalism at its finest. An entangled, ever evolving musical conversation between bass and upper register synths leads, filled with a sense of hope and optimism, assisted by meticulous programmed electro drums, reminiscent of the best of Schatraxx.A
A1 Rise of the MachinesA
A2 PrisonersA
A3 Cell BlockA
B1 Room and Pillar
B2 The Neutral Zone
B3 Coming Home More
Kicking off the release comes theAtitle track 'Rise Of The Machines', this quirky yet nuanced excursion sets the pace, allowing it's nifty ricocheting sequences, slick 808s, and tripped out ear candy to hit the clubs. 'Prisoners features a wiggly bass led jam, plastered with synths and finished with a dash of vocoded vocals. TheAduos ability to illustrate a dense sonic picture is evident once again on 'Cell Block' as intricate razor sharp drum programming holds the ship steady while ominous synths let the head wander before rich melancholic pads blast a sense of perspective and emotive depth.A
A
Onto the flip side - 'Room And Pillar'Agrabs the bull by the horns with a tough and aggressive bass line driven banger. Shrieking, twisted synth lines and FX are shattered across the track, keeping tension levels peaking, while TR808 rhythms cut through with military precision. Contrasting A'The Neutral Zone' sucks us into a deep atmospheric orbit of blissful yet inquisitive FM synthesis, distant emotive pads, fortified by warm stately bass tones. ARounding off the EP 'Coming Home' exhibits electro minimalism at its finest. An entangled, ever evolving musical conversation between bass and upper register synths leads, filled with a sense of hope and optimism, assisted by meticulous programmed electro drums, reminiscent of the best of Schatraxx.A
A1 Rise of the MachinesA
A2 PrisonersA
A3 Cell BlockA
B1 Room and Pillar
B2 The Neutral Zone
B3 Coming Home More
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Alfred - Direct Hit
2
Alfred - Direct Hit (Cignol Remix)
3
Alfred - Iris
4
Alfred - Core Velocity
20/20 Vision has always been a label that sets the bar high when it comes to dancefloor releases - one of Yorkshire's most treasured institutions, to say the least. And while historically the imprint has often been on a tech-y house tip, lest we forget the is the crew that were letting a then-emergent Paul Woolford explore the outer reaches of electro house and breaks way back when, and that attitude hasn't really changed since.
Here the team hand the spotlight to another Leeds name, Alfred, who responds with three original tracks that are punchy, funky, engaging and hugely impactful. Broken beats, subtle rave hoover lines, mind-melting synth arpeggiations and a thoroughly futuristic feeling throughout. Definitely a powerful addition to any DJ's arsenal - the sort of tunes that can marry up well with so many styles and always grab maximum attention. More
Here the team hand the spotlight to another Leeds name, Alfred, who responds with three original tracks that are punchy, funky, engaging and hugely impactful. Broken beats, subtle rave hoover lines, mind-melting synth arpeggiations and a thoroughly futuristic feeling throughout. Definitely a powerful addition to any DJ's arsenal - the sort of tunes that can marry up well with so many styles and always grab maximum attention. More
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V/A (HOLDTight , Delfonic, Franck Roger) - A2 HOLDTight - Disco Power
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V/A (HOLDTight , Delfonic, Franck Roger) - B1 Franck Roger - Pinguino Blumo
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V/A (HOLDTight , Delfonic, Franck Roger) - B2 Dj Steef - Warp Odyssey
Hot'n'Spicy' is back for a captivating compilation of hedonistic disco delights. Experience the magic as disco players come together again on this album. Featuring the German groove sensation Delfonic, the iconic House stallion Franck Roger, the very Cosmic Dj Steef , and the Disconimo HOLDTight. Get ready for the musical journey filled with quality slow-disco soul jams, feverish disco beats, and enchanting cosmic grooves. On Side A, a Chicago disco groover « Everything is love » by Delfonic, followed by the slow house cracker « Disco Power » by HOLDTight. On Side B, « Pinguino Bloumo », a superb piece of disco cooked by Franck Roger, and indulge in the Cosmic journey of « Warp Odyssey »by Dj STEEF. This vinyl release is a must-have for any discerning music lover seeking an exquisite blend of disco. Thanks for being with us on this journey. As always, a tasty piece for diggers and late-night DJs
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Hot Toddy - No Title
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Hot Toddy - No Title
3
Hot Toddy - No Title
4
Hot Toddy - No Title
A1 – Synthesize
A2 - Wilde Touch
B1 - Still We Are
B2 - Positive Emotion (Feat Danielle Moore)
Crazy P’s Hot Toddy screeches through the gates of House Of Disco, whacks on the handbrake and delivers a carepackage of all killer, no filler disco house. Slicker than slick, these four cuts go full power from the off, with that full-frontal production weight that Hot Toddy is renowned for.
Side A kicks off with a tropical disco tinge via ‘Synthesize’, sweeping vocals and all, before ‘Wilde Touch’ takes things bass heavy, for a turbocharged ‘80s influenced cut.
Flip it over to find, ‘Still We Are’ a dreamlike balearic number with Hot Toddy sailing out into the open seas and finally ‘Positive Emotion’ where Crazy P queen, Danielle Moore joins for a peaktime stomper More
A2 - Wilde Touch
B1 - Still We Are
B2 - Positive Emotion (Feat Danielle Moore)
Crazy P’s Hot Toddy screeches through the gates of House Of Disco, whacks on the handbrake and delivers a carepackage of all killer, no filler disco house. Slicker than slick, these four cuts go full power from the off, with that full-frontal production weight that Hot Toddy is renowned for.
Side A kicks off with a tropical disco tinge via ‘Synthesize’, sweeping vocals and all, before ‘Wilde Touch’ takes things bass heavy, for a turbocharged ‘80s influenced cut.
Flip it over to find, ‘Still We Are’ a dreamlike balearic number with Hot Toddy sailing out into the open seas and finally ‘Positive Emotion’ where Crazy P queen, Danielle Moore joins for a peaktime stomper More
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Dana Kelley (DKMA) - A1. Left With Nothing (Featuring David Walker)
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Dana Kelley (DKMA) - A2. Nastiness
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Dana Kelley (DKMA) - B1. Armageddon
4
Dana Kelley (DKMA) - B2. Got 2 Groove (Featuring – Devorah & Ida Burroughs)
CHIWAX CLASSIC EDITION presents Dana Kelley "Beta".
Originally released in 1999 on Sugardish Recordings.
The re-mastered version will be out early December 2023!
Highly recommended! More
Originally released in 1999 on Sugardish Recordings.
The re-mastered version will be out early December 2023!
Highly recommended! More
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Kerri Chandler - Who’s Afraid Of The Dark (Original)
2
Josh Butler - Sunday Club (Original Mix)
Kerri’s Kaoz Theory label unlocks the vault to two key tracks from the early days of the label that have never pressed on vinyl before.
First up the man himself, Kerri Chandler with a deep, heads down stomper ‘Who’s Afraid Of The Dark’. Kerri at his hard hitting best, as vocal refrains wash over the chunkiest of synth stabs and basslines with crunched up percussion laying the basis for a track that is readymade for smoke filled clubs and pumping sound systems.
On the flip, Josh Butler ‘Sunday Club’ goes deep down the rabbit hole effortlessly moving from ethereal elegance to twisted machine energy, showcasing that light and dark can sit together seamlessly to produce something seriously special. More
First up the man himself, Kerri Chandler with a deep, heads down stomper ‘Who’s Afraid Of The Dark’. Kerri at his hard hitting best, as vocal refrains wash over the chunkiest of synth stabs and basslines with crunched up percussion laying the basis for a track that is readymade for smoke filled clubs and pumping sound systems.
On the flip, Josh Butler ‘Sunday Club’ goes deep down the rabbit hole effortlessly moving from ethereal elegance to twisted machine energy, showcasing that light and dark can sit together seamlessly to produce something seriously special. More
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Head High - Break Away
2
Head High - Push It!
3
Head High - Chamber No.6
Supremely effective House bomb b/w raving Techno stepper
More
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Octave One - Price We Pay (Orbital Remix)
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Octave One - Price We Pay (Giorgia Angiuli Remix)
3
Octave One - Lifelike
4
Octave One - Soon After
5
Octave One - Mona
Octave One return with Never On Sunday Vol.2, an EP with new remixes from Orbital and Giorgia Angiuli next to three standout recent tracks. The Detroit duo’s Never On Sunday alias was born in the nineties with a view to making a mix of downtempo, deeper and more thoughtful electronic sounds. After just two EPs, it lay dormant until last year when the new EP The Bearer on their own 430 West label brought it back to life to a great reception. Then came the Octave One Presents Never On Sunday album this year that collected together a wealth of originals and remixes which are now coming on 12". First up is legendary brotherly duo Orbital - a UK antecedent to the Burden brothers who have been crafting pioneering electronic sounds for decades. Their remix of ‘Price We Pay’ feat. Karina Mia is deep house excellence. It has a bouncy groove, elastic bassline and simmering vocals that send shivers down the spine and the sci-fi synths twinkle up top. Italian multi-instrumentalist Giorgia Angiuli has long been innovating in the techno world, drawing on her classical background to craft standout sounds for the likes of Kevin Saunderson’s KMS label. Her remix is six uplifting minutes of synth arpeggios, soulful techno drums and epic breakdowns that will captivate any dance floor. The b-side features three cuts from the Never On Sunday (Deluxe) album and opens up with 'Lifelike', a slow, pulsing dub with mysterious melodies and sinewy synths reflecting light like stars in a night sky. A textured bassline arrives to bring a real sense of tension to the melodic beauty. 'Soon After' is another cosmic cut that rides on hammering bass beneath lush synths capes and rays of hope that pierce the darkness. The blissful 'Mona' closes down with heavenly and expansive pads that shimmer and shine as rich bell sounds and choral pads bring a warm sense of atmosphere. Never On Sunday Vol.2 is another package of deeply emotional electronic sounds.
More
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Don Carlos - Paradise Mix
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Don Carlos - Flute House Mix
3
Don Carlos - Sax Ambient Mix
2023 REPRESS !
More
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Kyle Hall - The Cosmic Touch
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Kyle Hall - Colbalt
3
Kyle Hall - Phantom
Apnea 105 presents Kyle Hall in pure Detroit Techno explorations, deep and cosmic dancefloor burners crafted around Hall's signature syncopated rhythms, reminiscent of Detroit's 90s Matrix Records era.
More
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Kerri Chandler - What Will We Do Ft. Grampa
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Kerri Chandler - Tonight
3
Kerri Chandler - Into The Night
4
Kerri Chandler - This And That
Repress!
Kerri Chandler delivers ‘Lost & Found Vol.1’ this March, a four-track collection of revisited, unreleased archive cuts, including Kerri’s own Grampa, Calvin Reed Sr. as a featuring artist on the opening track.
New Jersey’s Kerri Chandler has been at the forefront of house music since the beginning of his career in the early 90’s. Over the past three decades he’s released an extensive back catalogue of material including several albums on his own Madhouse and Kaoz Theory imprints as well as the likes of DJ Deep’s Deeply Rooted, Apollonia, Jerome Sydenham’s Ibadan and Watergate Records.
Here we see Kerri dig up some never before heard archived material from the 90’s and early 2000’s for this four-track EP. Up first is ‘What Will We Do ft Grampa’, featuring spoken word and vocal lines from Kerri’s Grandfather Calvin Reed St. atop gritty swinging drums, organ lines and rounded subs. ‘Tonight’ follows and tips focus over to airy chord sequences, choppy bass notes, dreamy arpeggio lines and dynamic drums.
‘Into The Night’ opens the b-side next, bringing a raw bass hook, tension building strings and vocal chants of the track’s title into the forefront while bumpy stripped-back drums keep things driving. ‘This and That’ then rounds out the release, bringing twitchy resonant synths and phaser sweeps into the mix alongside stuttering drum programming for a funk-infused, loop driven eight minute workout. More
Kerri Chandler delivers ‘Lost & Found Vol.1’ this March, a four-track collection of revisited, unreleased archive cuts, including Kerri’s own Grampa, Calvin Reed Sr. as a featuring artist on the opening track.
New Jersey’s Kerri Chandler has been at the forefront of house music since the beginning of his career in the early 90’s. Over the past three decades he’s released an extensive back catalogue of material including several albums on his own Madhouse and Kaoz Theory imprints as well as the likes of DJ Deep’s Deeply Rooted, Apollonia, Jerome Sydenham’s Ibadan and Watergate Records.
Here we see Kerri dig up some never before heard archived material from the 90’s and early 2000’s for this four-track EP. Up first is ‘What Will We Do ft Grampa’, featuring spoken word and vocal lines from Kerri’s Grandfather Calvin Reed St. atop gritty swinging drums, organ lines and rounded subs. ‘Tonight’ follows and tips focus over to airy chord sequences, choppy bass notes, dreamy arpeggio lines and dynamic drums.
‘Into The Night’ opens the b-side next, bringing a raw bass hook, tension building strings and vocal chants of the track’s title into the forefront while bumpy stripped-back drums keep things driving. ‘This and That’ then rounds out the release, bringing twitchy resonant synths and phaser sweeps into the mix alongside stuttering drum programming for a funk-infused, loop driven eight minute workout. More
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Yoruba Singers - Ojinga's Own
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Yoruba Singers - What To Do
3
Yoruba Singers - Stay Away
4
Yoruba Singers - Uncomprehensidensible Radio-Matic Woman
5
Yoruba Singers - Neighbour Jean
6
Yoruba Singers - G.o.-Go
7
Yoruba Singers - Massacura Man
8
Yoruba Singers - Woman A Dead Ya Fuh Man
9
Yoruba Singers - Ka Duma
10
Yoruba Singers - I've Got To Be Somebody
11
Yoruba Singers - No Intention
Tracklist:
Sida A
1. Ojinga’s Own
2. What To Do
3. Stay Away
4. Uncomprehensidensible
Radio-Matic Woman
5. Neighbour Jean
6. G.o.-Go
SIDE B
1. Massacura Man
2. Woman A Dead Ya Fuh Man
3. Ka Duma
4. I’ve Got To Be Somebody
5. No Intention
The 1974 debut album Ojinga’s Own and single Basa Bongo/Black Pepper by Guyanese Afro-Folk band The Yoruba Singers has been remastered for vinyl and digital.
The Yoruba Singers formed in Georgetown, Guyana in 1971. Despite their name they were not from Nigeria, but identified strongly with the area from which so many of the African diaspora in Guyana and neighbouring regions were originally descended.
The group started adapting Guyanese traditional folk music as well as writing their own - blending a mixture of protest, social commentary, blues, and genres inspired by the times. Beginning with about 12 people sharing vocal duties, most of the early repertoire was inspired by folk songs that started life on plantations or in religious settings accompanied by a few sparse musical instruments.
Integral to the Yoruba Singers’ sound are echoes of Obeah traditions which are very closely related to the Santería religion of Cuba and the Orisha and Shango traditions of Trinidad and Tobago. Calypso and steel-band culture from nearby Trinidad and Tobago was to some extent part of the musical DNA of the group, but they were naturally also influenced by the massive volume of rocksteady and roots-reggae coming from Jamaica.
For Fans Of:
Sir Victor Uwaifo, Francis Bebey, Fela Kuti More
Sida A
1. Ojinga’s Own
2. What To Do
3. Stay Away
4. Uncomprehensidensible
Radio-Matic Woman
5. Neighbour Jean
6. G.o.-Go
SIDE B
1. Massacura Man
2. Woman A Dead Ya Fuh Man
3. Ka Duma
4. I’ve Got To Be Somebody
5. No Intention
The 1974 debut album Ojinga’s Own and single Basa Bongo/Black Pepper by Guyanese Afro-Folk band The Yoruba Singers has been remastered for vinyl and digital.
The Yoruba Singers formed in Georgetown, Guyana in 1971. Despite their name they were not from Nigeria, but identified strongly with the area from which so many of the African diaspora in Guyana and neighbouring regions were originally descended.
The group started adapting Guyanese traditional folk music as well as writing their own - blending a mixture of protest, social commentary, blues, and genres inspired by the times. Beginning with about 12 people sharing vocal duties, most of the early repertoire was inspired by folk songs that started life on plantations or in religious settings accompanied by a few sparse musical instruments.
Integral to the Yoruba Singers’ sound are echoes of Obeah traditions which are very closely related to the Santería religion of Cuba and the Orisha and Shango traditions of Trinidad and Tobago. Calypso and steel-band culture from nearby Trinidad and Tobago was to some extent part of the musical DNA of the group, but they were naturally also influenced by the massive volume of rocksteady and roots-reggae coming from Jamaica.
For Fans Of:
Sir Victor Uwaifo, Francis Bebey, Fela Kuti More
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Paradox - Scorpius
2
Paradox - Crate Logic
red + black marbled vinyl / printed sleeve
Tracklisting:
A1 Paradox - Scorpius
B1 Paradox - Crate Logic
Sales Note
2023 Repress in updated tea stained sleeve More
Tracklisting:
A1 Paradox - Scorpius
B1 Paradox - Crate Logic
Sales Note
2023 Repress in updated tea stained sleeve More
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Amy Dabbs - Everything alright feat. Aika Mal
2
Amy Dabbs - Everything alright feat. Aika Mal (Dam Swindle remix)
3
Amy Dabbs - Eleven eleven twenty two
4
Amy Dabbs - Crush
5
Amy Dabbs - Only breaks can love your heart
Format : Vinyl 12” (180 gr., Limited Full Cover)
Track list:
A1. Everything alright feat. Aika Mal
A2. Everything alright feat. Aika Mal (Dam Swindle remix)
A3. Eleven eleven twenty two
B1. Crush
B2. Only breaks can love your heart
Release Info:
Amy Dabbs puts her heart and soul in the breaks anthem ‘Everything Alright feat. Aika Mal’ on her Heist debut EP.
Bonus: A tantalizing 140BPM Dam Swindle remix
Amy Dabbs might be one of the hardest working artists in the game right now. Making it in the current electronic music landscape is not an easy thing, which might be why this talented artist is so heavily invested in her musical output. With releases on Aus Music, Shall not Fade and her own Dabbs traxx, a monthly residency on Rinse FM and a tour schedule that seems to get busier by the minute, we’re happy to see her hard work is paying off. Add to that some support by artists such as Special Request, The Blessed Madonna, Jaguar and Cinthie and you know this Berlin-based artist is right where she belongs: in the spotlight.
With a love for all things high energy – including, but not limited to house music and breaks – Amy knows how to set fire to a dancefloor (or record for that matter). Her music has been described by Resident Advisor as “Elegant and soulful drum & bass, that’ll still catch the ears of house heads.” So here you go, house heads: Amy Dabbs on Heist. The ‘Only breaks can love your heart’ EP is packed with feelgood energy and comes with a Dam Swindle remix that has the duo laying down some pleasantly unexpected breakbeats on an altogether rush-inducing record.
Right from the start, you know you’ve got an anthem on your hands with ‘Everything alright’. The gorgeous vocals by Aika Mal give you that right amount of emotive, ravey energy and come wrapped in a package of solid breaks and mesmerizing chords. With a hint of acid and a couple of meticulously crafted breakdowns you’ll be singing along with this track before you know it.
The Dam Swindle remix drops the tempo a little bit, but with its 140 bpm, warm broken beat and UK bass, the duo delivers a curveball of a track with a lot of crossover appeal. They went for a more stripped back approach that combines introverted percussion with bouncy keys that complement the vocals perfectly for an altogether irresistible remix.
‘Crush’ is a signature Amy Dabbs tracks, with driving 909 percussion, female vocal chops, ethereal pads and classic strings. It’s a warmhearted affair laced with Amy’s feelgood DNA. On the flip you’ll find ‘Eleven eleven twenty two’; a classic deep house track with subtle hints of UKG in its sampling and bass. The pads and leads are moody and the skippy percussion gives this track the kind of energy you’d welcome when pulling an all-nighter.
Rounding off the EP, we’ve got the ep title track ‘Only breaks can love your heart’; another showcase of Amy’s knack to make house aficionados dance to drum and bass. There’s a certain contrast in pace – raging drums versus dreamy chords that makes you feel at ease listening to a fast-paced track like this. The vocals are equally hazy with a subtle 90’s and 00’s RnB feel. Bassface guaranteed on this one!
We’re extremely happy we get to call Amy our friend and proud to share her music through Heist. As always, play it loud and dance, dance, dance!
Yours Sincerely,
Maarten & Lars More
Track list:
A1. Everything alright feat. Aika Mal
A2. Everything alright feat. Aika Mal (Dam Swindle remix)
A3. Eleven eleven twenty two
B1. Crush
B2. Only breaks can love your heart
Release Info:
Amy Dabbs puts her heart and soul in the breaks anthem ‘Everything Alright feat. Aika Mal’ on her Heist debut EP.
Bonus: A tantalizing 140BPM Dam Swindle remix
Amy Dabbs might be one of the hardest working artists in the game right now. Making it in the current electronic music landscape is not an easy thing, which might be why this talented artist is so heavily invested in her musical output. With releases on Aus Music, Shall not Fade and her own Dabbs traxx, a monthly residency on Rinse FM and a tour schedule that seems to get busier by the minute, we’re happy to see her hard work is paying off. Add to that some support by artists such as Special Request, The Blessed Madonna, Jaguar and Cinthie and you know this Berlin-based artist is right where she belongs: in the spotlight.
With a love for all things high energy – including, but not limited to house music and breaks – Amy knows how to set fire to a dancefloor (or record for that matter). Her music has been described by Resident Advisor as “Elegant and soulful drum & bass, that’ll still catch the ears of house heads.” So here you go, house heads: Amy Dabbs on Heist. The ‘Only breaks can love your heart’ EP is packed with feelgood energy and comes with a Dam Swindle remix that has the duo laying down some pleasantly unexpected breakbeats on an altogether rush-inducing record.
Right from the start, you know you’ve got an anthem on your hands with ‘Everything alright’. The gorgeous vocals by Aika Mal give you that right amount of emotive, ravey energy and come wrapped in a package of solid breaks and mesmerizing chords. With a hint of acid and a couple of meticulously crafted breakdowns you’ll be singing along with this track before you know it.
The Dam Swindle remix drops the tempo a little bit, but with its 140 bpm, warm broken beat and UK bass, the duo delivers a curveball of a track with a lot of crossover appeal. They went for a more stripped back approach that combines introverted percussion with bouncy keys that complement the vocals perfectly for an altogether irresistible remix.
‘Crush’ is a signature Amy Dabbs tracks, with driving 909 percussion, female vocal chops, ethereal pads and classic strings. It’s a warmhearted affair laced with Amy’s feelgood DNA. On the flip you’ll find ‘Eleven eleven twenty two’; a classic deep house track with subtle hints of UKG in its sampling and bass. The pads and leads are moody and the skippy percussion gives this track the kind of energy you’d welcome when pulling an all-nighter.
Rounding off the EP, we’ve got the ep title track ‘Only breaks can love your heart’; another showcase of Amy’s knack to make house aficionados dance to drum and bass. There’s a certain contrast in pace – raging drums versus dreamy chords that makes you feel at ease listening to a fast-paced track like this. The vocals are equally hazy with a subtle 90’s and 00’s RnB feel. Bassface guaranteed on this one!
We’re extremely happy we get to call Amy our friend and proud to share her music through Heist. As always, play it loud and dance, dance, dance!
Yours Sincerely,
Maarten & Lars More