Patrik Sjeren, J-Dubs and Work Them Records founder Spencer Parker give Dan Beaumont's lauded 'Spirit Talkin'' the dub treatment. Having seen much support from names like Truncate, Job Jobse, Marcel Fengler and ItaloJohnson, 'Spirit Talkin'' was an enormous testament to the London-based DJ, promoter and venue owner's production prowess. First up on dub duties, Swedish veteran Patrik Sjeren, who's been releasing under numerous monikers since the early 90s on the likes of FXHE, delivers a chilling production courtesy of ghostly echoes and tantalising synths. J Dubs aka Jamie Fry, founder of the STABLO imprint, then focuses on understated percussion as an undulating bassline joins infectious claps, before Work Them boss Spencer Parker combines rumbling kicks with shuffling hats for a stripped back dub version of his Workmix.

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Dan Beaumont makes his debut on NFS with a solid double helping of deliciously deep beats, ‘Bath House’ already making a splash as it prime position on Matt Tolfrey’s newly released ‘Fabric 81’ mix CD. Hot Swedish duo Mr Tophat and Art Alfie’ also provide a remix in their inimitable style.


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London-based producer, DJ, promoter and venue owner Dan Beaumont drops an imaginative and esoteric house single titled 'Spirit Talkin'' on Work Them Records with a remix from label founder Spencer Parker. The man behind Dalston Superstore, Dance Tunnel, the Chapter 10 warehouse parties, an NTS radio show and releases on the likes of Classic, No Fit State and Disco Bloodbath - one word to describe Dan Beaumont is multifaceted. ‘Spirit Talkin'' sees him deliver a lengthy dancefloor cut with a heady groove and intricate drum patterns joined by penetrating vocal wails that emit feeling throughout. His 'Beaumont Beats' version keeps things percussive in a classic NY drum track style, whilst Spencer Parker's 'Workmix' raises the tempo with a strong emphasis on kicks before slowly introducing energetic chords and the powerful vox.

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The latest musical addition to the Classic family is Mr. Dan Beaumont. Integral in the birth of Disco Bloodbath, Paris' Acid Ball, Macho City and setting up the London basement rave institutions Dance Tunnel and Dalston Superstore, Dan wowed Luke's heart a year ago after sending him this throwback, move forward disco, hi - energy , house stomper. The track was tentatively titled Trippy Pumper, a title that Luke felt was fitting. Fast forward to now and Classic's relationship with Dan has been cemented in their residency at Dan's wonderful and legendary club, Dalston Superstore. The song now has a ridiculously brilliant video and has awesome remixes from techno kid of the moment "October" and Acid House nobility "Justin Robertson."Bingo…..2014………the year of the Trippy Pumper.

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Disco Bloodbath's latest sees the man behind the Tusk Wax empire swap his A&R hat for a pair of producer pants and team up with the highly talented Causa for a four track EP. 'Confide' is a moody slo-mo chugfest with vocals courtesy of Tusk himself. Causa's dub strips back the groove and let's the synths wig out, while Scott Fraser aims for the floor and provides a sterling remix full of clattering drums and acid flourishes. The package is rounded off with Iniciar, a stunning ambient synth piece with a sci-fi soundtrack feel.

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With his first release for Disco Bloodbath, London based Scottish producer Objects Of Illusion offers a powerful statement of intent.
The ‘Private Games EP’ features four tracks of raw emotional club music that, while there are nods to early Chicago and Detroit, go beyond mere pastiche and are instead something heartfelt and sublime. A stunning debut from an exciting new talent.

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Disco Bloodbath Recordings’ first release of 2013 sees the return of label boss Damon Martin with the vinyl only ‘Wintermute EP’. Lead track, ‘Feel It’, is a club pumper with shades of early Chicago and Detroit. Raw drums, energetic synths and an insistent vocal sample all contribute to the feeling that this wouldn’t sound out of place on The Scene or The New Dance Show. On the flip the EP’s title track has a more introspective feel. Percussive TR-909 drums contrast with swirling harmonies conjuring up images of desolate landscapes. The release is rounded off by a remix from Sean Johnston, aka Hardway Bros, who turns in an acidic drug-chugger very much in keeping with the sound he has been pushing alongside Andrew Weatherall at their A Love From Outer Space club-night.

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Disco Bloodbath Recordings continue their run of stellar releases with the debut on the label of the mysterious Al Gobi, accompanied by heavy remix pressure courtesy of Crooked Man and Wild Geese. The ‘Halfway House’ original is simple yet extremely effective. Analogue drums work with twin bass and piano lines building to a dancefloor satisfying crescendo. The first remix sees Wild Geese inject some big room energy via thundering sub-bass and a reworked piano line while on the flip Crooked Man provides an eleven and a half minute epic, retaining the bassline of the original but replacing the drums with a killer electro groove and introducing additional vocals and a twisted horn part. BIG TUNE!!

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Disco Bloodbath Recordings' third release drops this October with synth-beat duo G&S turning in 'The Green Man' EP featuring a remix from Soul Jazz, Comeme and DFA artist, Capracara. Started just a few months back, Disco Bloodbath Recordings has already set its stall out as a label of note, with two wildly different releases from Damon Martin and Hand Plant doing the Disco Bloodbath name proud. G&S, aka Nadia Ksaiba and Matt Waites, made a name for themselves at Our Disco and Liars Club that, along with Trash, helped with the resurgence of modern eclecticism around the turn of the century. The duo's previous releases were the formidable 'Show Me The Good Times' on Dissident and 'Portable Control' on Codek and now we're treated to the next instalment of weighty electronics. The unmistakable punch of a Roland TR808 drives 'The Green Man' while jabbing tones add to the gritty foundation that slowly opens up into a stirring, electro-disco cut characterised by soaring strings and light chords.

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London’s Disco Bloodbath launches it’s long awaited label this June with the raw, unbridled house of ‘That Ain’t Right’ by co-founder Damon Martin and backed with remixes from Waze & Odyssey and Legendary Children. Disco Bloodbath began life in 2007 as an irregular speakeasy party in the basement of a Caribbean restaurant in East-London, the brainchild of its resident DJs Damon Martin, Ben Pistor and Dan Beaumont (now ex-Bloodbath). Since then the collective’s raw disco, spaced out Italo, vintage house and proto-techno have taken the Bloodbath sound across the world while making some exceptional remixes for the likes of Franz Ferdinand, Little Boots, The Aliens and White Lies. Disco Bloodbath Recordings first outing see’s Damon Martin crack out his TR909, Juno60 and sampler for a succinct, emotional slice of timeless club music that tips a respectful nod to the USA’s finest proponents of House with a capital ‘H’. Waze & Odyssey, rightly riding a wave of hype for output for Scucci Manucci and Body Work, don’t disappoint with the first remix of ‘That Ain’t Right’. Self-confessed Todd Terry and MK devotees, the Canadian duo do their inspirations proud with a brilliant executed interpretation that updates and respects the original in equal measure.

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