GAMM is back after a short leave of absence with a grand disco rework (not edit).

Our friend Moplen definitely knows his way around the disco and here it all comes full circle as both music and vinyl artwork (full-color 12" vintage sleeve and labels) look and feel like the sound of black New York City circa 1977.
The Blackout Night comes in a main extended +9 min long version and reprise mix (dub version), both are soaked in big strings, soulful vocals, and a thumpin' Disco backbeat.

One for the DJs...one for the dancers...

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Repress!

Having returned from a 4-year break in August with its latest release from GW & Henry, A&R Edits follows up with a debut for Moplen. With a recent remix of Frankie Knuckles ft. Jamie Principle and a Salsoul Reworks EP, Luca Moplen has been gaining new traction of late, so it felt fitting to release two of his evergreen edits on vinyl for the first time. Moplen’s edit of Tavares’ classic disco stomper ‘It Only Takes A Minute’ coupled with Greg Wilson’s edit of Moplen’s edit of Larry Levan’s mix of David Joseph’s ‘You Can’t Hide (Your Love From Me)’, if you can follow all that!
An all brother group hailing from Providence, Rhode Island, Tavares were a band that evolved with the disco sound, hitting their peak in 1976 when both ‘Heaven Must Be Missing An Angel’ and ‘Don’t Take Away The Music’ became huge club favourites. They scored their first R&B #1 in ‘1974 with a cover of Hall & Oates ‘She’s Gone’ and in 1975 they returned to the top of the R&B chart whilst going top 10 pop and scoring a #2 Disco hit with ‘It Only Takes A Minute’. In 1992 a cover by boy band Take That would gift them their first top 10 entry, many people unaware that this track had first been recorded 17 years earlier.
Rising to prominence in Brit-funk band Hi-Tension, David Joseph soon found his footing as a solo artist after they’d split, with his first release being ‘You Can’t Hide (Your Love From Me)’ in February 1983. That same month, Greg Wilson appeared on The Tube, mixing between two copies of this very record – the first time mixing had been demonstrated on British TV. It would subsequently enter the UK chart, climbing into the top 20. The track would then be remixed by legendary Paradise Garage DJ Larry Levan, resulting in a #2 placing on the Billboard Dance chart. Upon hearing Moplen’s extended dub edit, Greg worked further into it reintroducing the song – given his history with the track it was unthinkable that he’d play it without the vocal. The result is a unique version where Moplen’s dub sets the vibe during the first half of the edit before the song is finally introduced.


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Italian edit maestro Moplen is establishing himself as one of the key figures on the re-edit scene and has been a returning act on GAMM for years. On this strictly vinyl release we see Moplen reworking Deodato's jazz-funk classic 'Whistlebump' into a massive + ten minutes long escapade...
that string breakdown towards the end is jus’ bad ass! On the flip we also included his much demanded rework of Chaka Khans 'I Know You, I Live You' that has been a big spin for many close fam DJs over the last year.

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Dr Love is a veteran and key tastemaker / vinyl junkie on the Montreal scene and Laura Ingalls is a wandering French person of no specific sex who has recently landed in the French-Canadian city.



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The inform Kat Records return for their 37th release with three disco edit purlers. A must for any edit enthusiast.


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Andi and David first met in a forest beside a psychedelic castle in the wild west of Scotland and soon bonded over a love of wrong speeders, Balearic gems hidden in plain sight and the odder side of the dancefloor before DJing together just moments after Andi was unraveled from a burning tarpaulin. A firm friendship and fun partnership was born. Hailing from Mancunia but for some time an export to the USA, Andi, for many years was one of the great things about New York City. A charming, low-key individual, a great, great DJ and a graceful presence in the land of the overhyped and ego driven. Andi held down the musical supervision of Rock Star games and was responsible for a lot of great music getting out to the gaming masses. He was a vital member of Body and Soul for the best part of 15 years, delivering infamous warm up sets for Danny Krivit, Joaquin 'Joe' Claussell and François K, pedigree vibes... David, a music lover since birth, a record collector for more than quarter of a century and a reputation for being the first on the floor at any party. DB's transition from dancer to DJ didn't take too long and his selections of rare disco, oddball gems and panglobal pandemonium have seen him play back rooms, basements, festivals and freakouts throughout the land, whether running his own parties in Glasgow or playing further afield alongside the likes of Young Marco, Jayda G and Moodymann.



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Respectful edits from NYC's finest JKriv (Razor N Tape)



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Pedantic record collector and DJ, Stephen King (AKA Virgo Type), has finally started releasing some of the tracks and edits that he's been working on over the past few years with his vinyl debut on KAT Records. There's an eclectic range of source material on this EP including early disco rap on 'Dancing Heart', chopped up, dusty lounge bar grooves on 'Jazz Cigarette' and even some 90s new-jack-swing gets the loop and filter treatment on 'Outta My Head'. Packing an MPC, drum machine and an extensive record collection, Virgo Type's tracks are a love letter to the people and places that have provided the inspiration for his music.



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Release no 31 finds KAT Records on a European tour with 3 reworks based on 80's Belgium, Italy & Germany disco & new wave with man of the moment Moscow producer Phil Gerus (FutureBoogie, Sonar Kollektiv) taking centre stage. Well, 3 really obscure one's here from KAT with Mr Gerus pulling no punches - 80's Soul, (punk) funk, disco, synth pop & new wave are just some genre's that may well get thrown around here but as ever with KAT, quality prevails. We're going to do a sneaky one here and protect the names of the originals (jus' cause we can!) but suffice to say, these are ace! Agent Yuri is a mid-tempo boogie melter with buckets of soul - A killa groove, silky tinkling piano and a vocal that could sink ships - Pure summer lovin' and then some. When we mention 'pulls no punches' then Mr Hero is what we mean - Full on, no holds barred 80s Belgian new wave bordering on punk/funk with raging guitars to boot - A real grower and when heard on a decent sound system we won't be held responsible for any outlandish actions that may well prevail. Be my Lova couldn't be more Italian if it tried apart from the fact that it's actually German ! Italo vibes with super bloody marvellous vocal, synth's all over the show with a chorus more catchy than the common cold.

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Kat Records reach the ripe ol' age of 30 with the 3rd instalment of reworks by all round super ace guy Jonny Miller. Those of you out there of a certain vintage will not need any intro to Half A Minute - A guilty pleasure to some, with nowt to be feeling guilty about. If it's good then it's good is the KAT ethos and Mr Miller fully embraces this and takes this UK Latin stormer up a notch and then some. Matt Bianco, yes you know...Get out of your lazy bed et all were a house hold name in 80's UK (a Saturday superstore appearance also, well worth a mention we think!) - but we're getting away from the point here... The point is that Half A Minute is a tune, always has been and always will be with the JM edit bringing out the very best from the original with much added shine and aplomb ! On the flip we have 2 African tinged mid-tempo chuggers that tick the boxes of house, Balearic, soul, disco…well sort of ! Kalimba Tree is a track that sits perfectly between the aforementioned genres and Jonny Miller delivers a rework rather than straight up edit - The beats are incredible, very funky and infectious but laid back at the same time…Tabled with the beautiful fender rhodes and that vocal hook, it's time to head direct to your fave Adriatic festival and order a large one and pop a toast to the genius of Maurice White. Last up we have Orere-Elejigbo which is mid-tempo afro-Balearic gem and again, a rework rather than your bog standard edit. 4/4 beats, afro vocal hooks, low slung bass line and a mighty arrangement top things off very nicely on this rather fine 3 track-er. Here's to another 30 releases folks !


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Andy Hart returns after an almost two-year hiatus from the studio to release his first EP on the Voyage imprint. Following on from Urulu's Greetings From Namek, Mistress In Your Mind is the sixth release and adds to a growing collection that already includes releases from Harvey Sutherland, M5K and CTEPEO '57.Mistress in your Mind loosely stems from the intertwining influences of a love-induced delusion broken down over four tracks. Hart draws sentiment from several aspects of his record collection, giving subtle nods to break beat, soul, acid and space-laden house.

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Kat Records once again come up trumps with a blazer of a 4 tracker for release number 27 on the ever consistent imprint. Kat debutant Inxxwel continues the run of releases in fine form with a wonderful EP of not so well known dance floor smashers covering Afro, Disco, New Wave, and 80's Boogie vibes. Kicking things off is the Disco Afro goody that is Check It Out. A mid tempo shake down that ticks all the right boxes with infectious guitar riffs, vocals and bass-lines right through this with a cheeky teaser of an arrangement that's sure to do some damage on them there dance floors! Next up is I See You…. Pure Japanese New Wave badness spliced up with pure love (none of this quantising malarky here). Super quirky vibes with a new wave disco biz and bumps along with aplomb. Make Me is a forgotten 90s RnB tune chopped and given the rework love.. Re-jigged from the original half time track, with some added Moog synth vibes for added oomph. Last up is Old Fashioned, a subbed out garage Boo-gie vibe with sweeter than sweet vocals that hark back to shiny outfits, hair spray and some ever so sexy moves. Lets do this!

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Relentless stuff from KAT with release number 26 coming via the Hinge Project, a disco balled collaboration between Florent F and Yo-One Sutter. Having a penchant for all things Rinder & Lewis is no bad thing and that's what this release if all about, a cap doffed in their El Coco direction. First up we have 'Cocomotion 79' : A top draw, classy as, uber cool disco lounge biggie that was out in (you guessed it) 1979. Things have been slightly slowed down from the original and chopped in all the right places taking this from over 10 mins down to just under 7 strengthening those fender Rhodes and string sections along the way. Next up is 'It's Your Last Chance'… A sultry mid-tempo ditty with an absolute killer groove edited down to accentuate that ace vocal hook. Tempo'd for Dj pleasure (without losing that all important live feel), subtle delays effects sprinkled over the top with a filtered mid section for added oomph - massive ! On the flip we have 'Love Exciter' - A full on dancer with bonafied disco hand claps, squelchy bass, clavs and strings. Here the tempo has been brought down considerably from the original with the beats are locked down for mixing delights and finishing things off nicely we have the classic 'Coco Kane'. Insane disco loops, massive bassline and all round killer string arrangement rounds things up very nicely.

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Four fine edits of super rare cosmic disco tunes from French playboy and producer Maximilian Blanc. Maxi wouldn't reveal the details of the originals but needless to say these tracks will do the business on the dance floor. The tracks range from wigged out funk to space cruising strutters, all with that classic cosmic vibe. Enjoy the ride...

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Ilija Rudman has a passion for disco, pure analogue disco at that with buckets of soul to boot. For over 10 years he's been producing bonafide dance music which has seen him team up with the likes of Mark E, Chaz Jankel, Steve Kotey, The Revenge and Greg Wilson amongst others with releases coming via Rong Music, Under the Shade, Bear Funk and Tirk labels. Here we see Ilija bring a 3 tracker to the table for the KAT imprint which brings somewhat of a change in direction for them as these are not re-edits or reworks but original tracks. ‘Just Remember' is a sultry Summer time Disco house melter which oozes all that's good about dance music... Fender rhodes, laid back guitar licks, strings and a groove that glides along effortlessly throughout but it's the ever so subtle dreamy soulful feel to this track that makes it really shine through. On the flip both tracks take on a slightly more uptempo House feel but the analogue sound continues... ‘Never Forget' really is all about the hooks...staccato guitar licks and a rhythm section that's more solid than your average breeze block. And 'Once and 4 all' ending things on a high with a breathy pad lead track that delivers on all fronts. Iliya's studio has taken 3 years to build and consists of 15 years of collecting studio gear all based around the MCI 542 D Series console from 1981. Fully restored, this is the hub to the whole operation which also has EMT compressors and limiters, 25+ synths including Moog, Prophet and Oberheim and a huge rack of drum machines and samplers. Ilija Rudman returns!

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3 reworks from Antipodean DJ and Producer, Frank Booker. First up is the monster reworking of King Sunny Ade's afro biggie Synchro System, originally released in 1983 and taken from the album of the same name. Things are turned into a mid tempo 4/4 house shuffler with a killer groove and dope arrangement. The guitar lines, horn riffs and vocal hooks will have you gripped and holding on for dear life, but the real winner here is the groove that underpins the whole shebang which just glides along and takes you with it for a highly enjoyable ride.......This will be causing all sorts of commotion on dancefloors near you soon, you have been warned ! On the flip we have Frank's take on Fela Kuti's Egbe Mi O. Again, a low slung 4/4 house groove sits under this Fela classic....All sorts of Afro goodness are diced up (including the ace Ginger Baker percussion) and lovingly strung back together turning this into an instant mid-tempo house classic.. Rounding things off is a cheeky cut n paste track, People Must Jam named after the Sydney based Disco party. It sits somewhere between P-Funk, Roller Skating Jam Disco and House, an achingly infectious filtered groove teases and then teases some more sealing this fine 3 tracker off with a winning smile.

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DJ SUPPORT FROM: HORSE MEAT DISCO / RAINER TRUBY / CRAZY P / LEFTSIDE WOBBLE ETC

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KAT011 brings you 4 edits from Shanghai based duo The Horses....

Starting things off is It just happened, a reworking of Vangelis's blissed out classic Let it Happen from their 1973 album Earth. Subtle 4/4 beats sit oh so well underneath the plush rhodes, pads, chimes & laid back guitar thus shifting the track from the deckchair to the dance floor. Next is Backed up, originally recorded and released in 1975 by Fantasy Records at the height of their jazz funk golden era, this rare groove classic by the Three Pieces and is brought bang up to date, almost doubling the length of the Donald Byrd produced original with a filtered intro and killer groove throughout - BIG !! First up on the flip is Do you Remember...An ace summer mid-tempo melter that could be destroying a soundsystem near you very soon and to finish things off we have the Donald Byrd discofunk biggie Change. Weighing in at over 7 mins in length with dubbed out vocals a plenty, a sure party winner if there ever was one - makes you wanna hustle !


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Anané’s Take A Ride EP was produced by Two Soul Fusion, aka Louie Vega and Josh Milan, all with live string arrangements courtesy of the Apple Hill String Quartet and conducted by Leroy Burgess. The recording dives from the effortless heights of Punk Disco (Let Me Be Your Fantasy, High) into the swirling eddies of Jazz Funk (Coffy Is The Color) before climbing back out into the languorous arms of Italo-Disco (Tutto Previsto). Strings across the production were The EP is held together in its entirety by the dreamy, sumptuous vocal of its creator Anané, who considers her top line one vital part of the instrumental whole. “I am art,” Anané reflects carefully, “for I am the music as much as I am the singer. Creation means to crawl into the unseen of my own dreams and becoming the beast of my vision, singing to the world as I go by.”

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This is one of the greatest albums of spiritual jazz related back in the 80's by Prince Billy Mahdi Wright who is a jazz saxophonist in the underground scene of Chicago. This is his only record as band leader and it finds him link up with Eldee Young who is well known as member of Young Holt Unlimited. She is credited as bassist of this album, and what an album it is. P-VINE released it as CD this summer and now present it as reissue LP for the first time, so do not sleep.

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Cult status for those new york disco cuts pioneered by legendary djs such as Larry Levan, Franckie Knuckles, Junior Vasquez, David Morales.



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(Pressed on Black vinyl, LP with OBI, Originally released in 1976) 2023 pressing Japanese Import of the Japanese Jazz-Funk classic. Deeply involved in the works of Terumasa Hino, Akira Ishikawa and Jiro Inagaki the 1976 Jazz-funk classic 'Flying-High,' showed his innovativeness, which was always one step ahead of the times, in the overall financial results.

TRACKLIST
A1. High-Flying
A2. Screwdriver
A3. Scramble

B1. Between O&M
B2. Smash
B3. Straight Flash
B4. Out of Focus



INFO



Hiromasa Suzuki is a composer/arranger/key player who has been active in the Japanese music world, including jazz as well as movies, television and commercials. In the late ‘60s and mid-’70s, he was deeply involved in the works of Terumasa Hino, Akira Ishikawa and Jiro Inagaki in the most radical times. The album “High-Flying,” recorded in 1976, showed his innovativeness, which was always one step ahead of the times, in the overall financial results.



Composed By, Arranged By, Keyboards, Synthesizer, Piano, Electric Piano – Hiromasa Suzuki

Drums – Shuichi Murakami

Electric Bass – Akira Okazawa, Kenji Takamizu

Electric Guitar – Fujimaru Yoshino, Kiyoshi Sugimoto, Masayoshi Takanaka

Keyboards, Synthesizer – Jun Fukamachi

Percussion – Larry Sunaga

Producer, Flute, Tenor Saxophone, Soprano Saxophone – Jiro Inagaki

Vocals – Kayoko Ishu

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Since its launch in 2006, the Groove-Diggers series has been unearthing high-quality records (grooves) regardless of genre, nationality or era, from soul, funk, jazz, Brazilian to Latin, and has released over 100 titles to date.

In 1969, Sahib Shihab and five leading members of the Clarke-Boland Big Band, including Francy Boland, Jimmy Woode, Kenny Clarke, and Fats Sadi, recorded this album for West Germany's Vogue label. The album features the exquisite Latin jazz track "Seeds," the waltz number "Peter's Waltz" dedicated to his son, and the modal piece "Mauve." Each track is highly stylish and sophisticated, showcasing a pinnacle of European jazz that could only be achieved by this exceptional lineup.

Tracklist:
A1. Seeds
A2. Peter's Waltz
A3. Set Up
A4. Who'll Buy My Dream
A5. Jay Jay
B1. Another Samba
B2. My Kind'A World
B3. A Fitted Sheet of Three Cores
B4. Mauve
B5. The Wild Man



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MJ getting the krewcial remix treatment. Mixed from the original multi-tracks, with love and respect for the original. Side A sets off with an alternate version of 'Get On The Floor', completely built on the various afrobeat inspired elements within the original multitracks. The result is a hard hitting and intense +7 minutes dancefloor workout. 'Baby' takes us from Off The Wall to Thriller, with classic 80’s MJ on one of his more underrated midtempo tunes, updated for today’s dancefloor.

On the Flip Krewcial presents a 9 minute never-ending version of 'Get On The Floor', true to the spirit of the album version. Limited Vinyl Only Release

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Mukatsuku returns with another superb little remastered package here on limited 12" hand-numbered to 400 copies. It features the Afro disco sounds of Fred Fisher Atalobhor And His Ogiza Dance Band .'WTFS' was originally released back in 1981 from the African Carnival album. It's a booty-wiggling cut with myriad funky lines, squelchy synth motifs, lush chords and soul drenched vocals that bring the sunshine and party in equally playful measure. On the flip is 'Ebi Lolo' which is defined by its big brass section and loosey-goose guitar lines, bright chords and subtle funk and currently being championed by Charlie Dark on social media and his recent DJ sets….

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