1
Fred Fisher Atalabhor & His Ogiza Dance - W.T.F.S
2
Fred Fisher Atalabhor & His Ogiza Dance - Ebi Lolo
Mukatsuku returns with another superb little remastered package here on limited 12" hand-numbered to 400 copies. It features the Afro disco sounds of Fred Fisher Atalobhor And His Ogiza Dance Band .'WTFS' was originally released back in 1981 from the African Carnival album. It's a booty-wiggling cut with myriad funky lines, squelchy synth motifs, lush chords and soul drenched vocals that bring the sunshine and party in equally playful measure. On the flip is 'Ebi Lolo' which is defined by its big brass section and loosey-goose guitar lines, bright chords and subtle funk and currently being championed by Charlie Dark on social media and his recent DJ sets….
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More records from Mukatsuku
1
Sidewinder - Stanway's Revenge
2
Sidewinder - Plain Song
Mukatsuku is hurtling towards its 100th release but ahead of that comes another vital and hand-numbered 7'' featuring a brace of tunes taken from the Resolution album from back in 2003 by Sidewinder aka Reading-born Glasgow resident Alan Bryden. 'Stanway's Revenge' you might recognise from Groove Armada's Back To Mine compilation and here, with an exclusive edit . Llush as seductive as ever with the smoochy horns and gentle grooves. On the flip, 'Plain Song' has late-night chords making a sombre vibe while muted trumpet, organic percussion and classy strings all embellish the mood.
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Francis The Great "Look Up In The Sky " is taken from the 1977 Ravissante Baby album later re-issued by French label Hot Casa back in 2015 from which this version is licensed. This hypnotic instrumental re edit version has the track's main focus immersed in the irresistible afro funk groove highlighting the pounding bass from Victor Edimo & Toto Guillaume on guitar over 7 minutes . Hand-numbered to 400 only copies with the b side being a unique full side lazer etching of the Mukatsuku label logo.
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1
Nil's Jazz Ensemble - Reflexiones
2
Nil's Jazz Ensemble - Siempre
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1
Kuja Orchestra - Kuja&'s Disco (Unreleased Extended Mix)
2
Kuja Orchestra - Kuja's Disco (Rudy's Midnight Machine & Nik Weston Mukatsuku mix)
Finnish nine-piece Kuja Orchestra original version of the Afro centric Kuja's disco on Jazz Aggresion label came in under 3 minutes so this unreleased extended version allows the instrumentation to shine through showing off some seriously good solos and horn arrangements. Rudy's Midnight Machine & Nik Weston's Mukatsuku mix makes more use of the uplifting strings for a dramatic intro ,adding a disco bassline and lashings of brass heavy horn workouts for the dancefloor Hand numbered to 500 copies. Strictly no repress
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1
Opensouls - Turn It Up!
2
Opensouls - Turn It Up! (Instrumental)
The latest storming 45 from Mukatsuku is a vocal version fronted by Tyra Hammond & is classic textbook explosive femme funk with brass stabs galore and twangy southern styled guitar.On the flipside an exclusive never heard before instrumental unleashes b boy drums and enough melody to carry on its own merit compacted into a loud cut funky dinked 45.
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1
The Tornadoes & Tyra Hammond - You Got Me Thinkin'
2
The Tornadoes & Tyra Hammond - You Got Me Thinkin' (Unreleased Exclusive Instrumental)
Big b boy drums, punchy brass, twangy guitar and a timeless killer vocal workout from Tyra Hammond.Infectious soul drenched funk fodder !! Initially out on New Zealand imprint On The Crate Records back in 2006 and later featured as a 12'' EP on Mukatsuku in 2007 but long since deleted. The label re visits again this monster classic yet again this time in 7 inch format with a never heard before unreleased exclusive instrumental version on flipside
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1
Harks, Mudd & Payfone - Susta (Instrumental)
2
Harks, Mudd & Payfone - Last Night in Sant Celoni
Mukatsuku goes all balearic with this limited hand-numbered 180 gram 12 inch with a collaboration with Leng.First up is the sultry, melodic & life affirming jazzy keys glory which is ''Susta'' taken from the 10 Years compilation from 2020 now given a whole side of vinyl for itself. On the flipside Payfone is in fine form on "Last Night in Sant Celoni" is where Phil Passera offers up a warm and humid chunk of soft-touch dancefloor bliss underpinned by a combination of vintage analogue drum machine, 1980s style slap bass, rich electric piano motifs, and casually brilliant jazz guitar flourishes provided by regular Payfone guitarist Royce Wood Junior.
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Customers who bought this also bought this
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Celestian Choir - P Joubert - "Stand On The World"
2
Celestian Choir - P Joubert - "Stand On The World"
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1
Amadou Y Mariam - Baara
2
Amadou Y Mariam - Ja Pense A Toi
Amadou et Mariam is a Malian duo made up of Mariam Doumbia (vocals) and Amadou Bagayoko (guitar and vocals). They are a couple and both are blind musicians who met at Mali's Institute for the Young Blind. They came together through a shared love of music and have put out no fewer than 15 albums. 'Baara' from 2009 on Sacred Rhythm proved one of their biggest hits and now fetches high sums on Discogs. This reissue is a welcome one featuring the title track - a joyous mix of live afro drumming, vocal chants and freewheeling melodies, and the touching 'Ja Pense A Toi,' with its pained male leads, desert blues and aching guitar solos. Lovely stuff.
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1
Friebe/Puestel - Fall (10:01)
Genre: House, Tech-House
Tracklist 12":
A1 – Fall (10:01)
Info:
Rico Puestel meets Rico Friebe again and creates 10 epic minutes of moving beauty in FALL!
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Tracklist 12":
A1 – Fall (10:01)
Info:
Rico Puestel meets Rico Friebe again and creates 10 epic minutes of moving beauty in FALL!
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1
NAP92 - Must Protect
2
NAP92 - Blue Superman
3
NAP92 - -
4
NAP92 - Laurent
5
NAP92 - Body, Body
House, Techno
GENRE/S:
House, Techno
TRACKLIST:
A1. Must Protect
A2. Blue Superman
A3. -
B1. Laurent
B2. Body, Body
SHORT INFO:
Versatile, floor-focused house bangers.
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GENRE/S:
House, Techno
TRACKLIST:
A1. Must Protect
A2. Blue Superman
A3. -
B1. Laurent
B2. Body, Body
SHORT INFO:
Versatile, floor-focused house bangers.
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1
Alva Noto - Xerrox Topia
2
Alva Noto - Xerrox Sans Nom I
3
Alva Noto - Xerrox Sans Nom II
4
Alva Noto - Xerrox Ascent I
5
Alva Noto - Xerrox Ascent II
6
Alva Noto - Xerrox Sans Repit
7
Alva Noto - Xerrox Nausicaa
8
Alva Noto - Xerrox Xenonym
9
Alva Noto - Xerrox Ada
10
Alva Noto - Xerrox Arc
11
Alva Noto - Xerrox Kryogen
12
Alva Noto - Xerrox Isotope
2LP
A1. Xerrox Topia
A2. Xerrox Sans Nom I
A3. Xerrox Sans Nom II
B1. Xerrox Ascent I
B2. Xerrox Ascent II
B3. Xerrox Sans Repit
C1. Xerrox Nausicaa
C2. Xerrox Xenonym
C3. Xerrox Ada
D1. Xerrox Arc
D2. Xerrox Kryogen
D3. Xerrox Isotope
NOTON is pleased to announce the release of Xerrox Vol. 5, the final installment of Alva Noto’s Xerrox series.
For anyone who has been following the series since its inception in 2007, the concept of Xerrox no longer requires introduction. Originally, it aimed to create copies of images—both visual and acoustic—that are more memorable than the originals. The exploration of the relationship between the original and the copy, along with the invention of the copier, not only inspired the series name but also informed its underlying concept. In 2024, this series comes to an end, marking the culmination of a journey that began with the first recording in 2005/2006. Over nearly two decades, the five albums in this series have accompanied the artist's evolving perspective and conceptual approach.
Initially characterized by rawness and a conceptual focus on seeking resolution in white noise, the later works engage with themes of dissolution while shifting their emphasis toward acoustic particles. The copying process is now less visible through software manipulation; rather, it unfolds as the artist describes melodic and acoustic images that are then manipulated, copied, and transformed into new patterns during composition.
Nicolai describes this evolution as a journey encompassing buildup, exploration, and resolution, drawing parallels to the Odyssey and the stories of Jules Verne, particularly those featuring Captain Nemo.
The conclusion of this album holds a sense of finality for the artist. “I aimed to create a whole cycle of tracks that frame both the beginning and the end,” Nicolai explains. “The motif of the journey continues, but this time, the story reaches a dissolution through a conceptual object that embarks on its own journey into infinity. The word “dissolution” (“Auflösung” in German) is a wonderful concept. On one hand, you can solve a riddle, on the other hand, a pill can completely dissolve in water. Here, I am deliberately describing the process of dissolution.”
In crafting Volume 5, Nicolai has evolved his compositional process, eschewing samples in favor of original melodies. “This album probably took the longest to complete,” he reveals. “I first created melodic sketches, which became the foundation for the pieces. These recordings are created entirely from scratch. Based on these sketches, I constructed the process of copying, manipulating, and reshaping.”
Drawing from his recent experiences working with film and larger ensembles, Nicolai's approach to composition reflects a growing influence of classical instrumentation. “This experience of working with acoustic classical instruments has flowed into the compositional process for Xerrox Vol. 5. Certain instruments are designed with potential orchestral translation in mind.”
The sonic atmosphere of Xerrox Vol. 5 is one of profound dissolution. “I wasn’t initially interested in strong, emotional melodic aspects,” Nicolai shares, “but I realized that the fragment plays a central role.” This shift leads to an emotionally charged experience, imbued with melancholy and the bittersweet essence of farewell. The passing of Ryuichi Sakamoto, an admirer of the series, has further deepened the album’s emotional resonance.
“Xerrox Vol. 5 has a lot to do with farewell,” the artist explains. "Not only the farewell to the series itself, which I’ve nurtured for almost two decades, but also there have been many farewells to people who were close to me. I believe these people are recognizable in the music. It’s a very emotional, personal album.”
Listeners can expect a visual dimension to the music, though Nicolai intentionally leaves this open to interpretation. “I prefer to allow the music to evoke personal experiences and images rather than dictate a specific narrative,” he states. The result is a layered listening experience that invites tenderness and introspection.
Xerrox Vol. 5 will be released as a limited edition vinyl, digitally, and on CD by NOTON on November 29, 2024.
Album art designed by Carsten Nicolai & Nibo.
Mastering by Bo at Calyx.
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A1. Xerrox Topia
A2. Xerrox Sans Nom I
A3. Xerrox Sans Nom II
B1. Xerrox Ascent I
B2. Xerrox Ascent II
B3. Xerrox Sans Repit
C1. Xerrox Nausicaa
C2. Xerrox Xenonym
C3. Xerrox Ada
D1. Xerrox Arc
D2. Xerrox Kryogen
D3. Xerrox Isotope
NOTON is pleased to announce the release of Xerrox Vol. 5, the final installment of Alva Noto’s Xerrox series.
For anyone who has been following the series since its inception in 2007, the concept of Xerrox no longer requires introduction. Originally, it aimed to create copies of images—both visual and acoustic—that are more memorable than the originals. The exploration of the relationship between the original and the copy, along with the invention of the copier, not only inspired the series name but also informed its underlying concept. In 2024, this series comes to an end, marking the culmination of a journey that began with the first recording in 2005/2006. Over nearly two decades, the five albums in this series have accompanied the artist's evolving perspective and conceptual approach.
Initially characterized by rawness and a conceptual focus on seeking resolution in white noise, the later works engage with themes of dissolution while shifting their emphasis toward acoustic particles. The copying process is now less visible through software manipulation; rather, it unfolds as the artist describes melodic and acoustic images that are then manipulated, copied, and transformed into new patterns during composition.
Nicolai describes this evolution as a journey encompassing buildup, exploration, and resolution, drawing parallels to the Odyssey and the stories of Jules Verne, particularly those featuring Captain Nemo.
The conclusion of this album holds a sense of finality for the artist. “I aimed to create a whole cycle of tracks that frame both the beginning and the end,” Nicolai explains. “The motif of the journey continues, but this time, the story reaches a dissolution through a conceptual object that embarks on its own journey into infinity. The word “dissolution” (“Auflösung” in German) is a wonderful concept. On one hand, you can solve a riddle, on the other hand, a pill can completely dissolve in water. Here, I am deliberately describing the process of dissolution.”
In crafting Volume 5, Nicolai has evolved his compositional process, eschewing samples in favor of original melodies. “This album probably took the longest to complete,” he reveals. “I first created melodic sketches, which became the foundation for the pieces. These recordings are created entirely from scratch. Based on these sketches, I constructed the process of copying, manipulating, and reshaping.”
Drawing from his recent experiences working with film and larger ensembles, Nicolai's approach to composition reflects a growing influence of classical instrumentation. “This experience of working with acoustic classical instruments has flowed into the compositional process for Xerrox Vol. 5. Certain instruments are designed with potential orchestral translation in mind.”
The sonic atmosphere of Xerrox Vol. 5 is one of profound dissolution. “I wasn’t initially interested in strong, emotional melodic aspects,” Nicolai shares, “but I realized that the fragment plays a central role.” This shift leads to an emotionally charged experience, imbued with melancholy and the bittersweet essence of farewell. The passing of Ryuichi Sakamoto, an admirer of the series, has further deepened the album’s emotional resonance.
“Xerrox Vol. 5 has a lot to do with farewell,” the artist explains. "Not only the farewell to the series itself, which I’ve nurtured for almost two decades, but also there have been many farewells to people who were close to me. I believe these people are recognizable in the music. It’s a very emotional, personal album.”
Listeners can expect a visual dimension to the music, though Nicolai intentionally leaves this open to interpretation. “I prefer to allow the music to evoke personal experiences and images rather than dictate a specific narrative,” he states. The result is a layered listening experience that invites tenderness and introspection.
Xerrox Vol. 5 will be released as a limited edition vinyl, digitally, and on CD by NOTON on November 29, 2024.
Album art designed by Carsten Nicolai & Nibo.
Mastering by Bo at Calyx.
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1
UFO95 & Rødhåd - LAVENDE 01 [240107.2]
2
UFO95 & Rødhåd - LAVENDE 02 [240107.1]
3
UFO95 & Rødhåd - LAVENDE 03 [240106]
4
UFO95 & Rødhåd - LAVENDE 04 [240110]
We are excited to announce the next collaborative release on the WSNWG Label. LAVANDE is the result of a one week long jam session between french producer and live performer UFO95 and label head Rødhåd in January this year.
The EP will be released on vinyl and in digital formats on the 7th of June. A Special Edition limited to 100 copies will be available on the same date at 12.00pm CET via the WSNWG bandcamp site.
Written & Produced by UFO95 and Rødhåd at WSNWG Studio Berlin.
Mastered by Conor Dalton at Calyx Mastering in Berlin.
Vinyl cut at Schnittstelle in Berlin.
A1 LAVENDE 01 [240107.2] - UFO95 & Rødhåd
A2 LAVENDE 02 [240107.1] - UFO95 & Rødhåd
B1 LAVENDE 03 [240106] - UFO95 & Rødhåd
B2 LAVENDE 04 [240110] - UFO95 & Rødhåd
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The EP will be released on vinyl and in digital formats on the 7th of June. A Special Edition limited to 100 copies will be available on the same date at 12.00pm CET via the WSNWG bandcamp site.
Written & Produced by UFO95 and Rødhåd at WSNWG Studio Berlin.
Mastered by Conor Dalton at Calyx Mastering in Berlin.
Vinyl cut at Schnittstelle in Berlin.
A1 LAVENDE 01 [240107.2] - UFO95 & Rødhåd
A2 LAVENDE 02 [240107.1] - UFO95 & Rødhåd
B1 LAVENDE 03 [240106] - UFO95 & Rødhåd
B2 LAVENDE 04 [240110] - UFO95 & Rødhåd
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A. ONCE IN A LIFETIME B. JUST A TOUCH OF LOVE
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1
Krewcial - On The Felaor
2
Krewcial - Baby
3
Krewcial - On The Floor
MJ getting the krewcial remix treatment. Mixed from the original multi-tracks, with love and respect for the original. Side A sets off with an alternate version of 'Get On The Floor', completely built on the various afrobeat inspired elements within the original multitracks. The result is a hard hitting and intense +7 minutes dancefloor workout. 'Baby' takes us from Off The Wall to Thriller, with classic 80’s MJ on one of his more underrated midtempo tunes, updated for today’s dancefloor.
On the Flip Krewcial presents a 9 minute never-ending version of 'Get On The Floor', true to the spirit of the album version. Limited Vinyl Only Release
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On the Flip Krewcial presents a 9 minute never-ending version of 'Get On The Floor', true to the spirit of the album version. Limited Vinyl Only Release
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1
Wade Dyce - Humble
2
Wade Dyce - Humble (Dub Version)
3
Wade Dyce - Humble (Version)
Wade "Jimmy" Dyce was an original member of Cultural Roots. He was a vocalist and played a key role in shaping the
sound of the group. Cultural Roots emerged as a four-part harmony group for producer Donovan Germain in the late
1970s, releasing « Revolutionary Sounds » and « Mr Bossman » which counts among ‘Jah Shaka's favourite tunes’. Then
they released « Hell A Go Pop », one of the Greensleeves label’s lesser-known classics.
In the early 80's, Wade Dyce produced alone three songs at Chris Stanley's famous Music Mountain studio. Wade Dayce
surrounds himself with the best musicians of the time, namely the Revolutionaries, but does not remember the exact
formation apart from Sly Dunbar on drums and Bongo Herman on percussion. « Humble », « Money Mare » and « Hide
& Seek » are three forgotten songs that can be described as killer roots from the middle of the 80s and which you can
(re)discover again through this reissue on the original Moving On label. For this release, Jamwax worked with Parade
Studio for this original and unique Disco 45 cover graphic creation.
Today, Wade, now sixty-seven years old, is living in Salem, Massachusetts, where he graduated in 2010 as a mental-health
specialist. Long live to the Cultural Roots !
A1. Humble
B1. Humble (Dub Version)
B2. Humble (Version)
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sound of the group. Cultural Roots emerged as a four-part harmony group for producer Donovan Germain in the late
1970s, releasing « Revolutionary Sounds » and « Mr Bossman » which counts among ‘Jah Shaka's favourite tunes’. Then
they released « Hell A Go Pop », one of the Greensleeves label’s lesser-known classics.
In the early 80's, Wade Dyce produced alone three songs at Chris Stanley's famous Music Mountain studio. Wade Dayce
surrounds himself with the best musicians of the time, namely the Revolutionaries, but does not remember the exact
formation apart from Sly Dunbar on drums and Bongo Herman on percussion. « Humble », « Money Mare » and « Hide
& Seek » are three forgotten songs that can be described as killer roots from the middle of the 80s and which you can
(re)discover again through this reissue on the original Moving On label. For this release, Jamwax worked with Parade
Studio for this original and unique Disco 45 cover graphic creation.
Today, Wade, now sixty-seven years old, is living in Salem, Massachusetts, where he graduated in 2010 as a mental-health
specialist. Long live to the Cultural Roots !
A1. Humble
B1. Humble (Dub Version)
B2. Humble (Version)
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1
brooklyn south - Smack Dab In The Middle (Larry Levan Unreleased Dub)
2
brooklyn south - Smack Dab In The Middle (Larry Levan Unreleased TV Track)
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Brian Auger formed The Oblivion Express in 1970 after the demise of his chart topping jazz & R&B combo Julie Driscoll, Brian Auger, and The Trinity.
Regarded as his masterpiece, Closer To It features some of Augers' most inventive and beautiful Hammond Organ and Fender Rhodes playing and remains a highpoint in Auger's recording career.
Tracklist
1.1Whenever You're Ready
1.2Happiness Is Just Round the Bend
1.3Light on the Path
1.4Compared to What
1.5Inner City Blues
1.6Voices of Other Times
Stream - https://listen.k7.com/a5f5abf3-c2b6-4e44-aec4-518e090e5ad5
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Regarded as his masterpiece, Closer To It features some of Augers' most inventive and beautiful Hammond Organ and Fender Rhodes playing and remains a highpoint in Auger's recording career.
Tracklist
1.1Whenever You're Ready
1.2Happiness Is Just Round the Bend
1.3Light on the Path
1.4Compared to What
1.5Inner City Blues
1.6Voices of Other Times
Stream - https://listen.k7.com/a5f5abf3-c2b6-4e44-aec4-518e090e5ad5
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1
Winston Fergus - In Ting Sound
2
Winston Fergus - Mandela
3
Winston Fergus - Life All Over
4
Winston Fergus - Finnegan
Jamwax presents the resurrection of a hard-hitting space synth masterpiece that's set to ignite your senses and shake the very foundations of sound systems worldwide. 'In Ting Sound' is a sonic juggernaut, a hard-as-nails sound bwoy killer that refuses to be confined to the constraints of time. With its pulsating beats and infectious rhythms, this track commands attention from the moment the first note hits. But it's the heavy drums that truly set it apart, pounding with relentless force and driving the groove forward with unstoppable momentum.
Get ready to embark on a sonic journey like no other as this reissue comes with three exclusive unreleased tracks :
'Mandela': Feel the pulse of liberation with this uptempo digital killer, featuring Winston's impassioned plea to "Free Nelson Mandela...he never done no wrong, he is just a conscious man..."
Let the rhythm of justice resonate as you groove to this powerful anthem of freedom. 'Life All Over': Flip over to the B-side for a digital roots tune that- hits hard with its strong bassline and conscious lyrics. "Life AllOver" dives deep into the essence of existence, delivering a message of hope and resilience that reverberates with every beat. 'Finnegan' aka 'Life All Over Dubwise': Prepare to enter the realm of dub mastery. The second part of "Life All Over" takes you on a journey through the echoes of space and time, where the music transcends boundaries and the spirit of dub reigns supreme.
About Winston Fergus : Winston Fergus, a stalwart of the UK reggae scene whose career spans over four decades. Winston kickstarted his journey in 1976 as the vibrant lead singer of The Equators, renowned for their iconic track 'Father Oh Father' released under Joe Sinclair's esteemed Klik label. Not only did The Equators make waves in their own right, but they also provided the musical backdrop for rising star Pablo Gad, solidifying Winston's reputation as a mentor in the industry.
In 1977, Winston ventured into solo territory with the soulful release 'Give Me Love' on Jah Jah Bus, marking the beginning of a prolific solo career. Lightning Records recognized his talent and signed him, resulting in the release of 'African Woman'. Throughout the '80s, Winston remained a prominent figure, collaborating with luminaries like Clement Bushay, Clive Stanhope, and John Dread, producing hits such as 'Jezebel Woman', 'Keep On Dancing', and 'Hope For The World'.
In the late 80's, Winston's entrepreneurial spirit led him to establish his own imprint, Fergie Music label, marking a new chapter in his illustrious career.
A1 - In Ting Sound
A2 - Mandela
B1 - Life All Over
B2 - Finnegan
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Get ready to embark on a sonic journey like no other as this reissue comes with three exclusive unreleased tracks :
'Mandela': Feel the pulse of liberation with this uptempo digital killer, featuring Winston's impassioned plea to "Free Nelson Mandela...he never done no wrong, he is just a conscious man..."
Let the rhythm of justice resonate as you groove to this powerful anthem of freedom. 'Life All Over': Flip over to the B-side for a digital roots tune that- hits hard with its strong bassline and conscious lyrics. "Life AllOver" dives deep into the essence of existence, delivering a message of hope and resilience that reverberates with every beat. 'Finnegan' aka 'Life All Over Dubwise': Prepare to enter the realm of dub mastery. The second part of "Life All Over" takes you on a journey through the echoes of space and time, where the music transcends boundaries and the spirit of dub reigns supreme.
About Winston Fergus : Winston Fergus, a stalwart of the UK reggae scene whose career spans over four decades. Winston kickstarted his journey in 1976 as the vibrant lead singer of The Equators, renowned for their iconic track 'Father Oh Father' released under Joe Sinclair's esteemed Klik label. Not only did The Equators make waves in their own right, but they also provided the musical backdrop for rising star Pablo Gad, solidifying Winston's reputation as a mentor in the industry.
In 1977, Winston ventured into solo territory with the soulful release 'Give Me Love' on Jah Jah Bus, marking the beginning of a prolific solo career. Lightning Records recognized his talent and signed him, resulting in the release of 'African Woman'. Throughout the '80s, Winston remained a prominent figure, collaborating with luminaries like Clement Bushay, Clive Stanhope, and John Dread, producing hits such as 'Jezebel Woman', 'Keep On Dancing', and 'Hope For The World'.
In the late 80's, Winston's entrepreneurial spirit led him to establish his own imprint, Fergie Music label, marking a new chapter in his illustrious career.
A1 - In Ting Sound
A2 - Mandela
B1 - Life All Over
B2 - Finnegan
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More